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NETFLIX POSTER: Shadow and Bone
Surrounded by enemies, the once-great nation of Ravka has been torn in two by the Shadow Fold, a swath of near impenetrable darkness crawling with monsters who feast on human flesh. Now its fate may rest on the shoulders of one lonely refugee.
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then and now: first tv performance x last tv performance - shaky hands
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I love how obvious the difference in the level of professionalism is between tree’s statement and big machine’s
Big Machine’s played the emotional card, not stating any facts, just saying how wrong Taylor is and how it’s gonna affect their employees and their families
Tree stated hard facts, with names, dates, times and numbers.
That’s when you know who to trust
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I bet she was so excited to announce the Netflix documentary in a very Taylor, Easter egg way but those men have ruined that for her also. We’re so sorry this is happening Taylor
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whats so fucked up is that when Lover was released both scooter and scott tried to act nice and positive and tweeted nice things to taylor to make it look like shes the bad guy...then they do this shit like thats ao disgusting in so many levels
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this, however, does reveal how scared they are for her to re-record her music
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“Stop bullying me by publically discussing all the abusive tactics I’ve used on you or I’ll ruin your entire life” is peak rich white man, im fuming
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Don’t know what else to do
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
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