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ive searched high and low and im so sad that i can't find a way to watch joxters moomin episodes anywhere, do you have any idea where i could watch them? (see a handsome dad living life??)
episode 59Â Â
episode 63
episode 68Â
Have fun watching the cat dad! ;)
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âSince Iâve had to be without your sweetest presence, I have not wished to hear or see any other human being, but as the turtle-dove, having lost its mate, perches forever on its little dried up branch, so I lament endlessly till I shall enjoy your trust again. I look about and do not find my lover â she does not comfort me even with a single word.
Indeed when I reflect on the loveliness of your most joyful speech and aspect, I am utterly depressed, for I find nothing now that I could compare with your love, sweet beyond honey and honeycomb, compared with which the brightness of gold and silver is tarnished. What more?â
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blue
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guy: *says females instead of women*
me:

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jesus fucking christ look at all these fragile pieces of shit who canât watch a movie with women and poc in them I'mđđđ
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Tag yourself Iâm the âOverdressed and Underappreciatedâ. Artist : http://www.mattadrian.com/Â
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Try stuff. Put plants in your room even if you arenât the best at caring for them. Attempt that dessert recipe even if it turns out ugly. Listen to that music youâve been meaning to try for a while. The world is full of infinite sources of goodness and the best thing to do it to try and find as many as possible.
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if you could rb this esp if youâre non-muslim, it would be very appreciated.Â
iâm always happy to see people supporting muslims. however, as the month of ramadan approaches, iâve noticed a lot of the ânsfr (not safe for ramadan)â posts popping up. these are mainly made by white people, although some by muslims.
the whole point of ramadan is to be surrounded by food, water, swearing,(NSFW things are excluded from this post, those should be tagged) etc, and resisting the temptation to participate in anything. ramadan is about recognizing what we take for granted everyday and learning to appreciate it. we mindlessly feed our bodies food we donât necessarily need everyday. to be able to let yourself be thirsty and hungry gives an insight to those who live like that daily, with no end to it. they do not get to just wait until the sun goes down to be able to eat a big meal surrounded by family. they continue to be hungry, regardless of what time of day it is. it reminds us of the struggles that poor and/or homeless people face.Â
the point of fasting is to submit to Allah for as long as humanly possible, which is from dawn to dusk. fasting is indeed incredibly hard, that is true. seeing water when i fast is very difficult for me. however, people in countries who mass celebrate ramadan, go to work in the 100+ degree F weather, the kids at school donât stop fasting just because theyâre in school, etc. itâs slightly offensive that these posts are made âuwu!! be safe!! itâs hot out!!! donât let yourself pass out!!!im tagging everything i can!!! uwu!!!â because most of those posts are made by people asking for notes rather than those who actually care about muslims.Â
iâm going to wrap this up because itâs long, but please, donât treat muslims like babies. we are mostly capable of seeing such things you guys tag during ramadan and not being affected. if you DO reblog posts about NSFR things, please do so FROM AN ACTUAL MUSLIM.Â
thank you.
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You wanna be a cowboy, baby?
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what if đł i tucked a loose strand of your hairđbehind your ear đł in the middle of a conversation đ± (and we were both girls đ„)
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This is a jar full of major charactersÂ

Actually it is a jar full of chocolate covered raisins on top of a dirty TV tray. But pretend the raisins are interesting and well rounded fictional characters with significant roles in their stories.Â
Weâre sharing these raisins at a party for Western Storytelling, so we get out two bowls.Â

Then we start filling the bowls. And at first we only fill the one on the left.Â

This doesnât last forever though. Eventually we do start putting raisins in the bowl on the right. But for every raisin we put in the bowl on the right, we just keep adding to the bowl on the left.Â

And the thing about these bowls is, they donât ever reset. We donât get to empty them and start over. While we might lose some raisins to lost records or the stories becoming unpopular, but we never get to just restart. So even when we start putting raisins in the bowl on the right, weâre still way behind from the bowl on the left.Â
And time goes on and the bowl on the left gets raisins much faster than the bowl on the right.Â



Until these are the bowls.Â
Now you get to move and distribute more raisins. You can add raisins or take away raisins entirely, or you can move them from one bowl to the other.Â
This is the bowl on the left. I might have changed the number of raisins from one picture to the next. Can you tell me, did I add or remove raisins? How many? Did I leave the number the same?

You canât tell for certain, can you? Adding or removing a raisin over here doesnât seem to make much of a change to this bowl.Â
This is the bowl on the right. I might have changed the number of raisins from one picture to the next. Can you tell me, did I add or remove raisins? How many? Did I leave the number the same?

When there are so few raisins to start, any change made is really easy to spot, and makes a really significant difference.Â
This is why it is bad, even despicable, to take a character who was originally a character of color and make them white. But why it can be positive to take a character who was originally white and make them a character of color.
The white characters bowl is already so full that any change in number is almost meaningless (and is bound to be undone in mere minutes anyway, with the amount of new story creation going on), while the characters of color bowl changes hugely with each addition or subtraction, and any subtraction is a major loss.Â
This is also something to take in consideration when creating new characters. When you create a white character you have already, by the context of the larger culture, created a character with at least one feature that is not going to make a difference to the narratives at large. But every time you create a new character of color, you are changing something in our world.Â
I mean, imagine your party guests arrive

Oh my god they are adorable!
And they see their bowls

But before you hand them out you look right into the little black girlsâs eyes and take two of her seven raisins and put them in the little white girlâs bowl.
I think sheâd be totally justified in crying or leaving and yelling at you. Because how could you do that to a little girl? You were already giving the white girl so much more, and her so little, why would you do that? How could you justify yourself?
But on the other hand if you took two raisins from the white girlâs bowl and moved them over to the black girlâs bowl and the white girl looked at her bowl still full to the brim and decided your moving those raisins was unfair and she stomped and cried and yelled, well then she is a spoiled and entitled brat.Â
And if you are adding new raisins, it seems more important to add them to the bowl on the right. I mean, even if we added the both bowls at the same speed from now on (and we donât) it would still take a long time before the numbers got big enough to make the difference weâve already established insignificant.Â
And thatâs the difference between whitewashing POC characters and making previously white characters POC. And thatâs why every time a characterâs race is ambiguous and we make them white, weâve lost an opportunity.
*goes off to eat her chocolate covered raisins, which are no longer metaphors just snacks*
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Ten Major Artists:

Wong Wong & Lulu

Pepper examining himself before commencing a self-portrait

Pepperâs self-portrait

Tiger the spontaneous reductionist

Misty goes off the wall

Minnie, the abstract expressionist

Minnieâs Reindeer in Provence, 1992.

Smokey painting after an hour in the catnip patch

Smokey at work

Gingerâs Stripped Bare Birds, 1992.

Princess, the elemental fragmentist

Charlie, the peripheral realist
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