throughtheglasswalls
This girl is off limits
914 posts
sideblog to astralfist. ind. rp blog for karen mccormick of south park. highly selective. mutuals only. as told by celes
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throughtheglasswalls · 11 days ago
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Send 🗡️ or ‘weapon’ for the sender to point a weapon at the receiver! 
-requested by anonymous -send “+reverse” for the receiver to point a weapon at sender -weapon type is up to sender, or receiver in the reverse scenario
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throughtheglasswalls · 13 days ago
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Send "👐" to see how my muse reacts to your muse cupping their face with both their hands!
If symbol is not seen send "cupped!" alternatively.
Be sure to specify muse for those that are multis!
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throughtheglasswalls · 20 days ago
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Send me 🔪 to stab my muse.
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throughtheglasswalls · 22 days ago
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best brothers, I adore you very much
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throughtheglasswalls · 22 days ago
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I miss writing my girl, but ugh. She's been asleep.
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throughtheglasswalls · 24 days ago
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Exhibition quality German hunting knife with chiseled silver mountings and sheath, stag handle. Late 19th or early 20th century.
from Rock Island Auctions
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throughtheglasswalls · 26 days ago
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throughtheglasswalls · 26 days ago
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throughtheglasswalls · 26 days ago
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some angst idk y’all i like crying
“  i don’t want you here.  just go.  ” 
“  you ‘didn’t mean to hurt me?’  yeah you did.  like it or not,  i know exactly who you are.  ” 
“  why won’t you even look at me?  ”
“  i’m not angry at you.  i’m angry with myself for trusting you.  ”
“  i wish you’d stop trying to destroy yourself in some misguided effort to feel worthy.  ”
“  i know it’s not fair to say this,  but i don’t have anything without you.  if i don’t have you i have nothing.  ”
“  you can’t love me.  not the way i need to be loved.  ”
“  i’m broken.  and i don’t need anyone to try to feed me white lies about it.  something inside me is broken and it isn’t just going to be put back like it was.  ” 
“  sometimes being broken isn’t about trying to put things back together like they were before.  it’s about picking up what pieces are left and building something new.  ”
“  okay,  so you’re a monster.  so am i.  lets be monsters together.  ” 
“  because of what they/you did i’m damaged.  ”  
“  what the hell is wrong with you?  ”
“  what the hell is wrong with me?  ”
“  i can’t fix you.  you can’t expect me to know how to fix you.  ” 
“  yeah,  i’ll be here.  i’ll be here when you’re ready to stop running.  ”
“  my world is just falling apart.  it’s like everything is just crumbling around me.  i don’t know what to do.  i just want it to stop ”  
“  you’re the only thing that makes sense right now.  everything else is just—  the world is so loud.  and the only time it feels quiet is when you’re here.  ”
“  i don’t know how to talk about shit okay?  it’s too hard.  but i do care.  i need you to trust me that i care.  ”
 “  stop punishing yourself.  you wanna make up for what you’ve done?  get off your ass and do something about it.  ”
“  whatever it is you think was going on between us,  you’re wrong.  ”
“  it didn’t mean anything to me.  ” 
“  you should move on.  i did.  ”  
“  i feel like i’m one bad day away from becoming everything i’ve fought against.  ” 
“  stop pushing me away.  i’m not going anywhere,  asshole.  and as soon as you get that through that thick skull of yours,  the better.  ”  
“  i don’t need you in my life.  i don’t want you in it.  ”  
“  i can’t trust myself.  if i let myself get comfortable enough,  when i try to be happy,  people get hurt.  ”  
“  people like me don’t get to have peace.  ”  
“  i’m not the person you want.  i know you think i am.  but it won’t take long for you to realize this is a mistake.  ”  
“  you want the truth?  the truth is when i love people it burns inside me like a poison.  it infects every part of me until it feels like they’re in my goddamn soul…and then i fuck it up.  and it’ll destroy us both.  ”  
“  i’ll always choose you.  that’s the worst part of it all.  i’d choose you over and over, even though i know you wouldn’t do the same.  ”  
“  you never had to be perfect.  you just had to stay.  ”
“  will you please just stay for once.  just.  don’t walk away.  ” 
“  if i loved you less,  i might be able to talk about it more.  ”   
“  just tell me something real.  tell me something i can remember no matter what happens to us.  ”
“  when you look at me,  i feel seen.  i feel like you see past everything i’ve always surrounded myself with to try and protect my heart.  no one has ever looked that deeply at me.  ”  
“  how can you uncover so much about someone,  make them let their guard down and lay themselves bare to you.  and then just throw it all away?  ”
“  if you walk out that door don’t bother coming back.  ”
“  why are you so afraid of trusting this—  trusting us.  what’s making you hold back?  ”
“  will you still be here?  will you stay even after you’ve seen all the ugly parts of my heart.  ”  
“  i don’t care how willing you are to die for me.  i want you to fucking live with me.  live for us.  ” 
HURT/COMFORT
[ DISCOVER ] for one muse to find the other crying alone. 
[ COMPANY ] for one muse to sit with the other so they don’t have to be alone while they’re upset. 
[ EMBRACE ] for one muse to suddenly hug the other one for their own comfort. 
[ OFFER ] for one muse to suddenly hug the other one to comfort them.
[ SETTLE ] for one muse to comfort the other and end up cuddling. 
[ SHOULDER ] for one muse to rest their head on the other’s shoulder while they comfort them. 
[ CARRY ]  for one muse to find the other injured and carry them to safety.
[ SECURE ] for one muse to carry the other to bed after they fell asleep. 
[ STRUGGLE ]  for one muse to resist being hugged but then break down and crumble against the other. 
[ CLEAR ] for one muse to wipe the other’s tears. 
[ BREAKDOWN ] for one muse to ask the other if they’re okay prompting them to finally stop bottling things up. 
[ BRUSH ] for one muse to run their fingers through the other’s hair while they open up or cry. 
[ NURSE ] for one muse to tend to the other while they’re recovering from injuries. 
[ TRUST ] for a scenario where sender’s muse is the only one receivers muse will let close. 
[ COAX ] for scenario where receiver’s muse knows they’re the only one sender’s muse will let close. 
[ CALM ] for one muse to subdue the other during an outburst. 
[ CLARITY ] for one muse to help ground the other back in the present  (i.e. after nightmare, breakdown, battle etc)
[ PREVENT ] for one muse to stop the other from going too far during a fight. 
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throughtheglasswalls · 1 month ago
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⭒⭒⭑⭒ -- 𝗮𝗰𝘁𝗶𝗼𝗻 𝗽𝗿𝗼𝗺𝗽𝘁𝘀: FIRST TIMES (sfw), part 1
remember you can send 'reverse' to switch the roles ! other parts will be posted here.
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ANGRY receiver is angry at sender for the first time BED receiver and sender share a bed for the first time CAR receiver shares a ride with sender for the first time COOKING receiver cooks for sender for the first time CRYING receiver sees sender crying for the first time DATE receiver asks sender out on a date for the first time DRUNK receiver drunk calls/texts sender for the first time FLOWERS receiver gives sender flowers for the first time HAND receiver touches sender’s hand for the first time HEARTFELT receiver sends sender a heartfelt text/audio for the first time HUG receiver hugs sender for the first time HURT receiver sees sender hurt for the first time HOME receiver goes to sender’s home for the first time MESS receiver sees sender in a messy state for the first time JOURNAL receiver writes about sender in their journal for the first time SAFE receiver feels safe around sender for the first time SEEN receiver sees sender for the first time SICK receiver sees sender sick for the first time SNOOZE receiver falls asleep on sender for the first time SUN receiver and sender watch the sunrise together for the first time TEXT receiver texts sender first after a long silence for the first time UPSET receiver sends sender an upset text/audio for the first time
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throughtheglasswalls · 1 month ago
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SOME PROMPTS FOR PICKING UP/CARRYING MUSES BC WHY NOT
1)  for sender to pick up a sleepy receiver and carry them to bed.
2)  for receiver to pick up a sleepy sender and carry them to bed. 
3)  our muses are hiking and receiver is tired so sender picks them up to carry them the rest of the way. 
4)  our muses are hiking and sender is tired so receiver picks them up to carry them the rest of the way. 
5)  for sender to pick up receiver who keeps insisting they aren’t tired and carry them to bed anyway. 
6)  for receiver to pick up sender who keeps insisting they aren’t tired and carry them to bed anyway. 
7)  sender has been sitting in receiver’s lap but receiver needs to get up for something,  so they just simply carry sender with them. 
8)  receiver has been sitting in sender’s lap but sender needs to get up for something,  so they just simply carry receiver with them. 
9)  sender sprained their ankle so receiver sweeps them into their arms to carry them to get treated. 
10)  receiver sprained their ankle so sender sweeps them into their arms to carry them to get treated. 
11)  sender walks into kitchen while receiver is cooking,  receiver picks them up and sets them on the counter. 
12)  receiver walks into kitchen while sender is cooking,  sender picks them up and sets them on the counter. 
13)  our muses are kissing and sender picks up receiver to make it easier. 
14)  our muses are kissing and receiver picks up sender to make it easier. 
15)  sender picks up receiver and places them on the hood of their car while talking. 
16)  receiver picks up sender and places them on the hood of their car while talking. 
17)  sender picks up receiver and places them on the hood of their car while making out. 
18)  receiver picks up sender and places them on the hood of their car while making out. 
19)  things are getting heated between our muses and sender picks up receiver,  placing them on a table/desk/counter rather than making it to the bed. 
20)  things are getting heated between our muses and receiver picks up sender,  placing them on a table/desk/counter rather than making it to the bed. 
21)  sender picks up receiver just because. 
22)  receiver picks up sender just because. 
23)  our muses are walking somewhere together and sender spontaneously picks up receiver to carry them the rest of the way. 
24)  our muses are walking somewhere together and receiver spontaneously picks up sender to carry them the rest of the way. 
25)  sender has been working too hard,  receiver carries them away to force them to rest. 
26)  receiver has been working too hard,  sender carries them away to force them to rest. 
27)  sender is trying to do something rash so receiver simply picks them up to make them stop and listen. 
28)  receiver is trying to do something rash so sender simply picks them up to make them stop and listen. 
29)  in a moment of pure joy,  sender picks up receiver and spins them around. 
30)  in a moment of pure joy,  receiver picks up sender and spins them around. 
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throughtheglasswalls · 1 month ago
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「 🌙 」 LUNARIIZ ― selective , private , south park multimuse
explored by lukas ― twenty-five ― he / it
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please like or reply to this post to indicate you are okay with dm's, asks, plotting, and random starters!
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「 🌙 」 「 🌙 」 「 🌙 」
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throughtheglasswalls · 1 month ago
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nonverbal memes
add + to reverse who does the action
[ attention ] for your muse to touch mine as a way of getting their attention  [ sleep ] for your muse to wake mine  [ cover ]  for your muse to cover mine with a blanket or a jacket  [ lift ] for your muse to give mine a hand stepping up or over something etc.  [ kiss ]  for your muse to come up to mine and kiss them without warning  [ run ] for your muse to run their fingers through mine’s hair  [ braid ] for your muse to braid mine’s hair  [ embrace ]  for your muse to hold mine  [ smile ] for your muse to smile at mine from across the room  [ wave ] for your muse to gesture to mine to come closer  [ panic ] for your muse to grab mine’s arm or get behind them in a moment of danger  [ touch ] for your muse to rest their forehead against mine’s [ weep ]  for your muse to catch mine crying  [ eat ]  for your muse to offer mine food [ hit ] for your muse to attack mine  [ love ] for your muse to touch mine as a show of affection or reassurance  [ nap ] for your muse to fall asleep against mine  [ rest ] for your muse to rest their head in mine’s lap  [ look ] for your muse to catch mine staring  [ seduce ] for your muse to touch mine sexually  [ help ] for your muse to lean on mine for support  [ give ] for your muse to offer mine their arm  [ entwine ] for your muse to hold mine’s hand  [ laugh ] for your muse to laugh at something mine did  [ dance ] for your muse to dance with mine  [ sit ] for your muse to pull mine into their lap  [ yell ] for your muse to calm mine down  [ cry ] for your muse to wipe mine’s tears away  [ dream ] for your muse to wake mine from a nightmare  [ surprise ] for your muse to show up at mine’s house without explanation  [ fix ] for your muse to treat mine’s injury  [ sacrifice ] for your muse to get hurt protecting mine  [ guard ] for your muse to step between my muse and danger  [ taste ] for your muse to cook for mine  [ sing ] for your muse to sing to mine 
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throughtheglasswalls · 1 month ago
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he doesn't even know what it was this time
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throughtheglasswalls · 1 month ago
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RPers, please reblog this if you’re ok with para responses that don’t include dialogue.
        Often it seems like an expectation that dialogue will be exchanged in every para response, but sometimes characters are nonverbal, or don’t have anything to say, or are in a situation that would make talking impractical. If the writer puts enough attention into describing their actions, though, there’s still plenty to respond to even without dialogue.         Non-dialogue responses are not “going nowhere.” Non-dialogue responses are not “filler.” Non-dialogue responses are not non-responses.
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throughtheglasswalls · 1 month ago
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ID credit: 184386311 on 小红书
(please like, reblog and give proper credit if you use any of my gifs!)
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throughtheglasswalls · 1 month ago
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A South Park OC/New Kid blog written by @medjedrphub
Character Info - Verses - Rules
18+ Only. Please read rules before interacting.
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