thewaywardgirl

[thewaywardgirl]

(via poeticrose, loveyourchaos)

[thewaywardgirl]

A Decapitated Head upon a Book, a Macabre Momento Mori, 1728, Follower of Jacopo Ligozzi

[thewaywardgirl]

Tulips, Hyacinths, Daffodils, Poppies, Lily Of The Valley, Anenemes, Jonquils, second quarter of the 17th century 

Jacopo Ligozzi and Ulisse Aldrovandi

[thewaywardgirl]

Timeless Cool: Willem de Kooning in his studio in 1950 

[thewaywardgirl]

Edward Hopper, Studies of Hands

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[thewaywardgirl]

Bojan Šarčević, exhibition element (MA-SARCB-00081), 2016, woven plastic, silicone, 110 x 30 x 30 cm, 43 ¼ x 11 ¾ x 11 ¾ in

[thewaywardgirl]

Mieko Shiomi, Music for two players, 1963

[thewaywardgirl]

[thewaywardgirl]

Gustav Klimt 

1862-1918 

LIEGENDE (RECLINING NUDE), circa 1912/13 

pencil on paper  36.5 x 56 cm. | 14¼ x 22 in

[thewaywardgirl]

Auguste Rodin

Rodin Museum

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[thewaywardgirl]

Ben Nicholson, “Aug 58″ (2 circles & green), 1958,

Oil wash and pencil on carved board, relief, on the artist’s prepared board,

18 ½ x 24 1/8 in. (47 x 61.6 cm.)

Christie’s

[thewaywardgirl]

Ben Nicholson (English, 1894-1982) - 5 Circles (Cristea 7), Woodcut on wove paper, 15.90 x 20.00 cm (1935)

[thewaywardgirl]

Giovanni Maria Benzoni (1809-1873) “Zephyr Dancing with Flora” (1870) Marble Neoclassical Located in the Detroit Institute of Arts, Detroit, Michigan, United States

[thewaywardgirl]

Alphonse Marie  Mucha 1909

[thewaywardgirl]

[thewaywardgirl]

James Siena (American, b. 1957), Doubled Almighty, (Upside Down), 2002. Enamel on aluminum, 38.4 x 48.9 cm.

[thewaywardgirl]

Looking confused because life is a constant complexity, and yet, when one accepts the unordered chaos of the universe at hand, all can seem comfortingly unordered & freeing, a liberation in the embracing of the dissent.