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Twice.
(thanks my dear Sherlollians who made me aware of this fact by commenting on this post. xo)
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āAll roads lead back to Baker Streetā
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The evolution of William Sherlock Scott Holmes: Ā UpdatedĀ
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Molly, please!
During my manyā¦ many views of the The Sceneā¢, I notice this detail: Six times he begged her, six times!Ā
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A Line of Hamlets - Shakespeare Live! (Tim Minchin, Benedict Cumberbatch,Ā Harriet Walter, David Tennant, Rory Kinnear, Sir Ian McKellen, Dame Judi Dench, Prince Charles)
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My thoughts on theĀ āI Love You Sceneā and Afterwards
This entire post is basically going to be an in-depth analysis of the scene, and why I believe that not only is it finally a verbal confirmation of how Molly feels for Sherlock, but also a confirmation of how Sherlock feels for Molly. I believe that he truly does love her. And I will explain why. I will warn you in advance that this is going to be a very, very long post, but I want to thoroughly explain why I believe this. So if you can hang on until the end, I promise Iāll try to make it worth your while.
First off, Iāll begin with Eurus discussing the third test (Iām quoting directly from the episode, I keep pausing it while typing to make sure I get it completely accurate).
E: āCoffin. Problem: someone is about to die. It will be, as I understand it, a tragedy. So many days not lived, so may words unsaid, et cetera, et ceteraā¦ā
As soon as Eurus gives the word, Sherlock begins his deductions, examining the coffin and wasting no time whatsoever. Heās clearly in his element, two seconds away from going full out (what I like to call) Trippy Deduction Mode- and then, Mycroft breaks in with this:
M: āYes, very good, Sherlock, or we could just look at the name on the lid.ā
Then Sherlock looks at the lid, and his expression, his expression when he sees the words āI LOVE YOUā on that lid says EVERYTHING. Absolutely everything. He knows, in less than a second, in less than a milosecond, as soon as he reads the words, who it is.
Sherlock knows that coffin is meant for Molly Hooper, and neither Mycroft nor John have any clue.
Sherlock Holmes steps back from the lid, and almost staggers back to the coffin, clinging to it and staring into it with an expression of pure horror while John and Mycroft try to guess. Johnās first guess is, of course, Irene Adler (and Iāll go into that in a little bit), and Sherlock dismisses that idea completely, doesnāt even give it a second thought. In fact, he dismisses it as āridiculousā, and I believe he does this for two reasons. One, the coffin is clearly not the style that The Woman would pick out for herself. Itās not made of marble and gold, for one thing (haha, terrible joke, but Iām kind of serious), and for a second thing, Irene Adler is not his weakness. Sheās his intellectual match (almost; sheās very sharp, but not as sharp as Sherlock, but I would say her understanding of human nature which Sherlock lacks does give her enough of an edge that his advantage over her is rather slight), and certainly he finds her attrative and he is attracted to her, but she is not his weakness. He likes her, but he doesnāt love her. Sheās fun for him, like unstable fireworks. My opinion, of course.
But no, the coffin is for Molly Hooper. Listen to the way he describes her; he says āUnmarried, pratical about death, alone.ā When he was trying to deduce earlier, without a name or a face, he says the exact same things, but the words are hurried, theyāre facts, theyāre just descriptions of a random figure. But when he says them about Molly, itās like each word is another nail in the coffin right in front of them.
Then Eurus turns the screen on, and we see cameras in Mollyās kitchen. We see Molly moving around. Sherlockās eyes are glued to the screen, they never leave it. Until Eurus says āMake her say itā. And once again, Sherlockās face says everything.
He knows, in that moment, that in order to save Mollyās life, he has to shatter her. He has to break her. He has to rip her heart open, and let it bleed. He has to do it to save her, and as Eurus calls Molly, he visibly begins to brace himself to do it. The call progresses, Molly doesnāt pick up. Sherlock clearly becomes quite agitated.
The scene cuts to Molly. She sighs and picks up the phone. I want everyone to pay special attention to whatās going on on Sherlockās end before she answers. His head is bowed, pressed against the barrel of the gun. Heās shifting back and forth. He is clearly, visibly, upset. And when he hears her voice, he lifts up his head and his eyes are clear and wide, almost unbeliving. Heās relieved, quite obviously so.
He starts talking to Molly. Heās still anxious, but trying to hide it. He seems borderline desperate, but holding it together. Even so, this is hard for him. He knows heās going to hurt her.
He tells her what to say. Sheās about to hang up. Sherlock aboslutely loses it at this point. He doesnāt stop trying to hide his fear, he is incapable of doing so. He cannot keep himself from reacting at the thought of her hanging up, and him losing his chance to save her. He BEGS her. Heās said in previous episodes heās never begged for anything, but he begs her not to leave.
Sherlock makes himself calm down at Eurusā warning (and note that John and Mycroft are barely keeping it together themselves in the back). But heās shaken, heās breathing hard, heās trembling slightly. But as soon as Molly says āIām not an experiment,ā he breaks down again, the emotions flood back, and heās trying desperately to keep her there.
She says she canāt say it. He asks her why. She says āYou know why.ā Sherlock says, āNo, I donāt know why.ā
At this point, right here, Sherlock is lying. Heās clearly lying. He undoubtedly knows that she loves him, as evidenced not only in the last season when they discussed her engagement over chips, but when he saw the āI LOVE YOUā on the coffin. He knows Molly Hooper loves him. But he has to make her say it, has to save her, so he pushes her, trying to get her to admit it. Moriartyās videos arenāt really helping to keep him calm, either. Then she says āBecause itās true.ā And thereās something in his face when she says that, something thatās suddenly vulnerable, and soft. And suddenly when he speaks to her, his voice is quiet and gentle. And I think this is partially because he wants her to say it, and also partially because he actually feels something when she says it. When she says that, and he becomes still, itās like a peace has suddenly come over him. Itās like something has suddenly clicked into place for him, and his composure is back.
Until she demands that he say it first, and to say it like he means it.
I want to point out here he once again loses his composure. Heās flustered, taken aback. He did not expect this. But he takes a moment, and says āIā¦ I love you.ā He goes from his eyes closed, trying to form the words, to looking up at the screen and saying it.
And then. after a moment, he says it again. He says āI love you,ā while looking at the screen, while looking at Molly, his gaze not wavering.
He says āI love you.ā
And this time, he means it. This time, itās real. This time, he knows itās real and he means it, and thatās why he says it in a voice of almost wonder, of surprise. Of awe. Sherlock Holmes has told Molly Hooper that he loves her, and he truly does, and he didnāt know it until just that moment.
Now, I will take you back to just one episode before, though itās been stated several times before that- Molly Hooper can see Sherlock. She can really see him. She can see through his bullshit, through his lies, through his posturing. She knows, when he says it, that he is not lying.
Molly Hooper knows that when Sherlock Holmes tells her that he loves her, he truly does. And that is why, at this moment of complete and utter vulnerablitly, she can tell him that she loves him back.
The seconds in-between him saying he loves her and her saying she loves him are actually quite delicious to me, because Sherlock is now the one who is waiting for her. His distress is almost palpable at this moment, it was so beautifully done. And when she finally says it, it looks like he almost collapses in relief.
And THEN comes the real punch to the gut. It was all a trick. Sherlock didnāt win. Eurus reveals that he destroyed Molly Hooperās heart for nothing. She thinks Sherlock Holmes has just played an elaborate, horrible, experimental trick on her, and sheās been humiliated by the man that she loves. By the man who, at this point, I am completely convinced, loves her.
And then we come to the coffin scene. Mycroft and John are about to walk out the door, they seem surprised that Sherlock isnāt following and confused by what heās doing.
But Sherlock places the lid on the coffin, and stares at it. Then he says āNo. No!ā and goes to town on it with his bare hands, screaming at it and tearing it to pieces. The coffin that was meant for Molly Hooper, the One Who Mattered Most, The One Who Counted, The Woman Who Loves Him. Some have said that the destruction of the coffin is because Sherlock is angry that despite years of trying to avoid love, Sherlock has fallen for her just the same. Some have said that itās because he canāt stand the idea of Molly lying dead in that coffin, lying there dead right after heās realized he loves her. Iāve read a few people saying it was just pure frustration that he did it. The first two, I can see both being very possible, and I personally think itās a combination of the two. The last one, I donāt buy.
Remember that this is Sherlock Holmes. Sherlock Holmes, in all his cases, has never, ever, ever, EVER lost his cool the way he did when he found out heād destroyed Molly Hooper for nothing. Not John having bombs strapped to him, not discovering that a woman he cared about was actually alive, not him jumping off a roof and lying to his friends about it, not having his best friendās wife shoot him in the chest, not seeing a man kill himself in front of him, and not seeing a woman shot and three men dropped to their deaths just minutes before. He was the one who kept Mycroft and John calm. He was the one who kept everyone together. But it was Molly Hooper, Molly Hooperās love, and Molly Hooperās potential death, that brought him low.
Also keep in mind that right after this, Sherlock has to choose between shooting his best friend or his brother, and he stays calm during that. Then he has to save his best friend from drowing, and he stays relativly calm during that. He keeps his head on. He doesnāt panic completely.
The only time IN THE ENTIRE SERIES OF THE SHOW where Sherlock Holmes has lost his shit (pardon my language) is when it comes to MOLLY HOOPER.
And yes, we donāt know what happened between Sherlock and Molly after Eurus was re-captured to reconcile them, and we donāt know if their relationship is now romantic or platonic. Chances are, we may never know, especially if this is the last season and given that neither writers like to comment on romance. But I thoroughly believe, especially after this episode, that Sherlock is in love with Molly Hooper. And I personally choose to believe that theyāre happy, and even though itās not confirmed in-show, that theyāre happy together.
So, thereās why I think that Sherlock loves Molly. Feel free to agree or disagree, but this is my belief and my reasons why I believe it. Thank you for reading this whole long thing, and have a wonderful evening/day, depending on where you are.
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Peonies Lockscreens (iPhone 6/6s)
please like, reblog or credit @arianasblow on twitter if using
click on one of the lockscreens and save/screenshot it
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I wish we could go Matt Smith's home and knock the door and tell him "Hey! You know what? The show goes on cos this is how it is but we didn't forget about you and your doctor and we still watch your episodes when we feel down and hopeless so thank you for giving us hope and love and hope again. Thank you for being our doctor and we swear we didn't forget about you."
And then we would ask him what he would want for his birthday present as a birthday child because you know. He is always like a child.
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ā¦But I just wondered, between you and me, in 100 words, where do you think Van Gogh rates in the history of art? Well, big question. But, to me, Van Gogh is the finest painter of them all. Certainly, the most popular, great painter of all time, the most beloved. His command of colour the most magnificent. He transformed the pain of his tormented life into ecstatic beauty. Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world no one had ever done it before. Perhaps no one ever will again. To my mind, that strange, wild man who roamed the fields of Provence was not only the worldās greatest artist, but also one of the greatest men who ever lived.
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I want to sit in a comfortable chair, watch television and go to sleep at a reasonable hour!
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Olympians: Theyāre just like the rest of us.
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Idris Elba on the cover of Interview Magazine - August 2016 (X)
āWhatever its constituent parts-talent, sure; charisma, definitelyāthe combined quality Hollywood moguls and gossip columnists used to refer to as āitā-ness (as in, āSo-and-so has itā) remains ineffable, mysterious, almost occult in its indescribableness. Whatever āitā is, Idris Elba has it in droves. Enough to fill a room, a movie, a long-running series, a planet probably.ā
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