theonesarcasticchick

[theonesarcasticchick]

A Star Trek idea: A comedy sitcom where instead of a Vulcan on a mostly human ship it is a human on a mostly Vulcan ship

[theonesarcasticchick]

every time i listen to “you’re a mean one mr. grinch” i can’t help but sit there and think “what did the grinch do to hurt you?” because dude just stands there for 2 minutes and 58 seconds and drags the grinch into the dirt

[theonesarcasticchick]

this is how you nip internalized self hatred in the bud

[theonesarcasticchick]

Mr. Ford, it seems you’ve killed me after all.

[theonesarcasticchick]

[theonesarcasticchick]

When people give Elsa crap for being "too sexy" for Disney

It’s like,

have

you

seen

what

Disney

has

done

before?

For gods sake, Ariel had a nude scene.

[theonesarcasticchick]

listened to Bohemian Rhapsody today… i’m so very sorry

[theonesarcasticchick]

In a scale from Taron Egerton looking at Hugh Jackman

to Ezra Miller being touched by Colling Farrell

how good are you to hide your obviously gay desires?

[theonesarcasticchick]

… if you’re on twitter and interested in leverage without context…

[theonesarcasticchick]

#he’s doing his best bonus:

[theonesarcasticchick]

“This ep was born in the pre-season, when it was just the three of us in the room. Downey and Berg working hard, and me working even harder at ignoring the bottle of Black Bush in the corner of the writers’ room. We were deep in what we called “The Madoff Variations”. In particular, the story of Madoff’s wife innocently trying to mail $1 million in jewelry – as one does – caught our attention. I mean, the guy had Feds up the wazoo, where was he hiding these assets? And we have to admit, we were totally entranced by the Madoff story. Not for the normal reasons – the scale of the Ponzi scheme was magnificent, yes, but it was more because we’d spent a year immersing ourselves in arcane cons and crimes. We were throwing out stories, or doing weird twists on them, that other heist shows used as their episode-long A plot, because we knew them so well and were convinced other people would also see right through such classic tropes. But a ten year Ponzi scheme – as I’ve said before, that’s the fiscal equivalent of telling people you’re going to fly to the moon in the refrigerator box and having no one blink an eye. That led us to “booty in the apartment” (it’s amazing how often we cross over with pirate – or at least privateer - terminology) and that crossed over with a pitch of Berg’s, “steal a private school.” The whole thing really clicked for me when I first heard “This kid has the world’s greatest thieves as his Fairy Godparents” in the room. That was it for me, that moment. Everything else was filler. Originally, the first act was comprised of multiple, foiled attempts to get the villain and the FBI out of the apartment. For budgetary and scheduling reasons those went away, and we wound up with one of the most sedate first acts we’ve ever had. Good Lord, how we agonized over spending so much time in the briefing scene in this ep. Ironically, this episode arrived just as we were collating feedback off the ‘net and found, stunningly, you people love the briefing scenes. For we writers, it was always X pages of pipe we tried to make as entertaining as possible and move past to get into the plot. For the audience, watching competent people banter and plan was a big part of the appeal. “Competence porn” as we started calling it.”

— John Rogers, on writing The Fairy Godparents Job.

[theonesarcasticchick]

i don’t understand why people don’t instantly respond to “what would your dream superpower be” with the ability to manipulate probability. think about it. what’s the chance someone will drop 1mil in front of me? 0%? let’s make that 100%. what’s the probability i’ll wake up tomorrow and be X gender? 100%. what’s the probability my bathtub is filled with mac and cheese? 100%.

[theonesarcasticchick]

Queliot Scenes [2/?]

[theonesarcasticchick]

[theonesarcasticchick]

[theonesarcasticchick]

The queen’s gambit job

[theonesarcasticchick]