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"Stuck in the past."

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i've got you

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Luke Skywalker, a farm boy who grew up on Tatooine, with the worst scum of the Galaxy around him any time he goes to any town, would not be a naive wimp.

He is a kind kid, yes, Owen was a bit overprotective but that would NOT be enough.

Realistically speaking, Luke would have :

- enough stamina to work for a few hours in the sun, without breaks (so possibly even longer in a more gentle climate)

- an alcohol tolerance rivaling that of most Rebellion veterans (I refuse to believe blue milk is his go-to and that drinking age on Tatooine is even a thing),

- quite possibly knowledge on how to make moonshine out of dirt, sticks and a little water, because what else did they have on Tatooine,

- street intelligence, not highlighted enough in the movies I feel - he is a trouble magnet and if he lived to be 17 then, he had to have something to make up for it,

- large amounts of knowledge about slave trade, water trade and Hutt politics, because whether he likes it or not he would pick them up casually, just by living in a society,

- a lot of random everyday skills that people like Leia would not have, mending clothes, creating makeshift tools, home health remedies etc.

Say it with me - LUKE IS A FARM BOY.

Farm boys rarely can afford to be naive or trusting for no reason. Farm boys have to be street smart. Luke would be more competent than some people like to think.

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me and the mako and all the almost 90 degree inclines you can think of, did you hear that weird monster yell in the distance too? or the sound of the (geth?) ships overhead

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Find somewhere nice, wait out the end of the universe?  

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“Hey I’m an L2”

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buckle up moms driving

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note to self: drive the mako off some sick jumps later

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You ever take it off any sweet jumps?

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Punk as fuck

|| Prints ||

IG || Kofi || Commission request ||

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my hair is getting long enough to do that slick back thing now all curling at the ends

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My absolute favorite official Cyberpunk 2077 art from CDPR is this piece by Łukasz Poller

Not just for the old school Edward Hopper style and Syd Mead vibes that's used, but just because there's something very simple and easy about it. I feel like the plot moves so fast that it never seems like V can catch a break within the story. But in this piece, they're just chilling, shooting the shit, like it's a lazy day in. The air looks still, the conversation seems lazy. V's not even dressed.

I can't even explain it. Guess there's just something comforting about the world as you know it crumbling around you and still being able to find a moment to breathe during it.

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Star Trek DS9: S2E18: Profit and Loss

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Dinner in America - Adam Rehmeier (2020)

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source Moto Vitelloni - Wheels n' wings.

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Destiny 2 [Bungie] | The Last City