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i want to talk about real life villains
Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.
Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.
I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"
I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.
And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.
He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.
John Hammond.
probably one of the most realistic bad guys ever written.
If you've only ever seen the movie, this will need some explaining.
Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.
book spoilers below.
In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.
He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.
In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.
THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.
I think he's possibly one of the most important villains ever written in popular fiction.
In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.
I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.
Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.
And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.
I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.
Sweet old man though. Everyone loved him.
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you actually don't have to justify why your characters are fat. they can just be fat because they're hot
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this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
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ultimate character development template
basics
name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:
emotional depth
attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:
personality
mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:
habits
bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:
appearance
defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:
relationships
who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:
backstory/background
primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:
progression
why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:
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Symbolism in Writing
Weather Symbolism
Rain: cleansing, sadness, renewal, obstacles
Sunshine: happiness, hope, clarity, energy
Storms: conflict, turmoil, dramatic change
Snow: purity, stillness, coldness, isolation
Fog: confusion, mystery, uncertainty
Wind: change, freedom, unrest, communication
Animal Symbolism
Eagle: freedom, vision, strength, courage
Lion: bravery, power, leadership, pride
Dove: peace, love, innocence, spirituality
Wolf: loyalty, cunning, survival, community
Snake: transformation, danger, temptation, wisdom
Butterfly: transformation, beauty, impermanence
Plant Symbolism
Rose: love, beauty, passion, secrecy
Oak Tree: strength, endurance, wisdom
Willow Tree: sadness, flexibility, resilience
Lotus Flower: purity, enlightenment, rebirth
Ivy: friendship, fidelity, eternity
Cactus: endurance, protection, warmth
Object Symbolism
Mirror: self-reflection, truth, illusion
Key: opportunity, secrets, freedom
Bridge: connection, transition, overcoming obstacles
Candle: hope, spirituality, life, guidance
Clock: time, mortality, urgency
Mask: disguise, deception, concealment
Number Symbolism
One: beginnings, unity, individuality
Two: partnership, balance, duality
Three: creativity, growth, completeness
Four: stability, order, foundation
Five: change, adventure, unpredictability
Seven: mystery, spirituality, luck
Season Symbolism
Spring: renewal, birth, growth, hope
Summer: vitality, abundance, joy, freedom
Autumn: change, maturity, decline, reflection
Winter: death, stillness, introspection, endurance
Light and Darkness Symbolism
Light: knowledge, purity, safety, enlightenment
Darkness: ignorance, evil, mystery, fear
Shadow: the unconscious, secrets, mystery
Twilight: ambiguity, transition, mystery
Element Symbolism
Fire: passion, destruction, energy, transformation
Water: emotion, intuition, life, change
Earth: stability, grounding, fertility, growth
Air: intellect, communication, freedom, change
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When it comes to creative writing, the best plan is whichever one that actually works. Individual habits, patterns, and needs of writers are mainly why there are so many plans to choose from in the first place.
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Destroy the myth that libraries are no longer relevant. If you use your library, please reblog.
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the look of love (for writers)
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
look of longing/betrayal
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
look of hatred
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
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character pairing prompts
menace of a child + their tired caretaker
flirty but easily flustered + absolutely brazen
can explain how to do it but can't do it + can do it but doesn't know how
always invested in their work + the one who takes care of them
eager to fight + eager to encourage
sunshine + midnight rain
clichรฉd hero + Will Break the Fourth Wall
busy saving the world + slow down, let me cook something for you
fighter + flight [er...?]
hothead + has a younger sibling
extrovert + overthinker
rbf + overthinker
will negotiate anything + lawyer
anxious + will jump right in
dumb + stupid + god I'm sick of this how did I end up here
impulsive + eager to please
Not A Couple + child they ended up with
oldest child + only child
academically smart but socially stupid + most obvious person ever
lawyer + assassin
grumpy retiree + toddler
doe-eyed Chosen One + trained for this for years
will say what they think + would kill you if they could
stupid villain + evil henchman
unilingual + group of polygots
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"๐จ๐ฉ๐๐ฎ ๐ฌ๐๐ฉ๐ ๐ข๐ ๐ฉ๐ค๐ฃ๐๐๐๐ฉโฆ" ๐๐ก๐ช๐๐ ๐ฅ๐ง๐ค๐ข๐ฅ๐ฉ๐จ
fluff was highly requested in my last poll, so here you go :) | tag me if you use any | if yall want more prompts like this, jus drop an ask nd ill respond as soon as possible :)
๐๐พ๐๐๐๐:
Eyes lightning up as soon as your significant other enters a room
Comparing hand sizes as an excuse to hold hands
Losing themselves in each others eyes as they hold a conversation
Forehead kisses
Cheek kisses
HAND KISSES>>>>
Constantly smiling or giggling when your partner is around
Playing with the other's hair as they rest their head in your lap
Staring at them from across the room with loving eyes
Looking at your partner like they're all you could ever want
Smiling against your partner's lips as you kiss
Tight hugs that feel warm and full of love
Asking the other about their day
Embraces from behind where the other person nuzzles their nose into your neck
Wanting to spend each second with each other, soaking in the feel of each other's presence
๐ฟ๐๐ผ๐๐๐๐๐:
"Stay with me tonight. please."
"Can we cuddle?"
"I'll keep you warm."
"Kiss me."
"You're my favorite person."
"You feel like home."
"Do you know how much I love you?"
"You're all I think about."
"You're absolutely perfect in my eyes."
"No one could compare to you."
"Let me hold your hand."
"I love being with you."
"You're so cute, you know that?"
"You feel so warm."
"I don't ever want to let go of you."
"I'd do anything for you."
"Don't go anywhere I can't follow."
"I'll follow you to the ends of the earth."
"You're my everything."
"I like how good your hand looks in mine."
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if you write a strong character, let them fail.
if you write a selfless hero, let them get mad at people.
if you write a cold-hearted villain, make them cry.
if you write a brokenhearted victim, let them smile again.
if you write a bold leader, make them seek guidance.
if you write a confident genius, make them be wrong, or get stumped once in a while.
if you write a fighter or a warrior, let them lose a battle, but let them win the war.
if you write a character who loses everything, let them find something.
if you write a reluctant hero, give them a reason to fight.
credit:@aj-eddy
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The moment when you forgot that you wrote something and you read it again and it's actually so good. Like, wow, that person who wrote this is a good writer.
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Neil said, "I was good. I was really good."
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