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There’s also a large grey area between an Offensive Stereotype and “thing that can be misconstrued as a stereotype if one uses a particularly reductive lens of interpretation that the text itself is not endorsing”, and while I believe that creators should hold some level of responsibility to look out for potential unfortunate optics on their work, intentional or not, I also do think that placing the entire onus of trying to anticipate every single bad angle someone somewhere might take when reading the text upon the shoulders of the writers – instead of giving in that there should be also a level of responsibility on the part of the audience not to project whatever biases they might carry onto the text – is the kind of thing that will only end up reducing the range of stories that can be told about marginalized people.
A japanese-american Beth Harmon would be pidgeonholed as another nerdy asian stock character. Baby Driver with a black lead would be accused of perpetuating stereotypes about black youth and crime. Phantom Of The Opera with a female Phantom would be accused of playing into the predatory lesbian stereotype. Romeo & Juliet with a gay couple would be accused of pulling the bury your gays trope – and no, you can’t just rewrite it into having a happy ending, the final tragedy of the tale is the rock onto which the entire central thesis statement of the play stands on. Remove that one element and you change the whole point of the story from a “look at what senseless hatred does to our youth” cautionary tale to a “love conquers all” inspiration piece, and it may not be the story the author wants to tell.
Sometimes, in order for a given story to function (and keep in mind, by function I don’t mean just logistically, but also thematically) it is necessary that your protagonist has specific personality traits that will play out in significant ways in the story. Or that they come from a specific background that will be an important element to the narrative. Or that they go through a particular experience that will consist on crucial plot point. All those narrative tools and building blocks are considered to be completely harmless and neutral when telling stories about straight/white people but, when applied to marginalized characters, it can be difficult to navigate them as, depending on the type of story you might want to tell, you may be steering dangerously close to falling into Unfortunate Implications™. And trying to find alternatives as to avoid falling into potentially iffy subtext is not always easy, as, depending on how central the “problematic��� element to your plot, it could alter the very foundation of the story you’re trying to tell beyond recognition. See the point above about Romeo & Juliet.
Like, I once saw a woman a gringa obviously accuse the movie Knives Out of racism because the one latina character in the otherwise consistently white and wealthy cast is the nurse, when everyone who watched the movie with their eyes and not their ass can see that the entire tension of the plot hinges upon not only the power imbalance between Martha and the Thrombeys, but also on her isolation as the one latina immigrant navigating a world of white rich people. I’ve seen people paint Rosa Diaz as an example of the Hothead Latina stereotype, when Rosa was originally written as a white woman (named Megan) and only turned latina later when Stephanie Beatriz was cast – and it’s not like they could write out Rosa’s anger issues to avoid bad optics when it is such a defining trait of her character. I’ve seen people say Mulholland Drive is a lesbophobic movie when its story couldn’t even exist in first place if the fatally toxic lesbian relationship that moves the plot was healthy, or if it was straight.
That’s not to say we can’t ever question the larger patterns in stories about certain demographics, or not draw lines between artistic liberty and social responsibility, and much less that I know where such lines should be drawn. I made this post precisely to raise a discussion, not to silence people. But one thing I think it’s important to keep in mind in such discussions is that stereotypes, after all, are all about oversimplification. It is more productive, I believe, to evaluate the quality of the representation in any given piece of fiction by looking first into how much its minority characters are a) deep, complex, well-rounded, b) treated with care by the narrative, with plenty of focus and insight into their inner life, and c) a character in their own right that can carry their own storyline and doesn’t just exist to prop up other character’s stories. And only then, yes, look into their particular characterization, but without ever overlooking aspects such as the context and how nuanced such characterization is handled. Much like we’ve moved on from the simplistic mindset that a good female character is necessarily one that punches good otherwise she’s useless, I really do believe that it is time for us to move on from the the idea that there’s a one-size-fits-all model of good representation and start looking into the core of representation issues (meaning: how painfully flat it is, not to mention scarce) rather than the window dressing.
I know I am starting to sound like a broken record here, but it feels that being a latina author writing about latine characters is a losing game, when there’s extra pressure on minority authors to avoid ~problematic~ optics in their work on the basis of the “you should know better” argument. And this “lower common denominator” approach to representation, that bars people from exploring otherwise interesting and meaningful concepts in stories because the most narrow minded people in the audience will get their biases confirmed, in many ways, sounds like a new form of respectability politics. Why, if it was gringos that created and imposed those stereotypes onto my ethnicity, why it should be my responsibility as a latina creator to dispel such stereotypes by curbing my artistic expression? Instead of asking of them to take responsibility for the lenses and biases they bring onto the text? Why is it too much to ask from people to wrap their minds about the ridiculously basic concept that no story they consume about a marginalized person should be taken as a blanket representation of their entire community?
It’s ridiculous. Gringos at some point came up with the idea that latinos are all naturally inclined to crime, so now I, a latina who loves heist movies, can’t write a latino character who’s a cool car thief. Gentiles created antisemitic propaganda claiming that the jews are all blood drinking monsters, so now jewish authors who love vampires can’t write jewish vampires. Straights made up the idea that lesbian relationships tend to be unhealthy, so now sapphics who are into Brontë-ish gothic romance don’t get to read this type of story with lesbian protagonists. I want to scream.
And at the end of the day it all boils down to how people see marginalized characters as Representation™ first and narrative tools created to tell good stories later, if at all. White/straight characters get to be evaluated on how entertaining and tridimensional they are, whereas minority characters get to be evaluated on how well they’d fit into an after school special. Fuck this shit.
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hey girl your pussy is awesome, where did you get it installed?
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people will hear you talk about struggling with mental illness and say “you can do anything if you just put your mind to it”. brother what part of the body does the mental illness happen in. what do you think is the problem
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I dreamt that there was a new meme that went, “If I dids it, I dids it. If I didsn’t, I didsn’t.” There was a third line, but I forgot what it was.
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Listen, if you want to understand how emanations work, it's like this:
If you're an infinite thing like God, and you want to become a finite thing like the world, how do you go from infinite to finite? Answer: emanation.
You know when youre at a wedding, and there's a big pyramid of wine glasses? And they fill the wine glasses by pouring champagne into the top, so it overflows and then fills all the glasses beneath it? Imagine the wine bottle is infinite. That's God.
Each of the glasses is called a hypostasis. God can emanate through many hypostases to reach it's final emanation.
As for how many hypostases there are, and how they're arranged, that's the tricky one. Every religion has a different answer, and it's never simple.
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What's the process if you're a superhero and you come out as trans
Do you tell your villains?
Do you keep it a secret so no one can connect Spider-Man with your secret identity for a while? Or do you pop a pronouns pin on your costume and the next time you web up Doctor Octopus and he goes "I'LL GET YOU NEXT TIME SPIDER-MAN" you go "Spider-Girl actually! I've been figuring out some shit"
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my official stance is a pregnancy is whatever the pregnant person wants it to be. if it’s a 4 week old clump of cells and they want to call it a baby it’s a baby. if they're 20 weeks and they want to call it a parasite it’s a parasite. if they're 39 weeks and call it a fetus it’s a fetus. “why are you so sad about miscarrying at 6 weeks it was literally just an embryo” because that was their baby. “how can you get an abortion at three months” because that wasn’t a baby. hope that helps.
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We've lost a lot to the onslaught of enshittification but I can think of none more brazen than Discord getting rid of the send button
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they should invent a type of lying face down that doesn't suffocate you
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I think all computers should have cd slots and all phones should have headphone ports send tumble
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I think part of why people don't like to call PCOS and gynecomastica intersex is because it challenges the image of intersex people being super rare. We're more common than you think.
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my name is detective sleeping and im about to get started on my toughest case yet. the pillow case
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sometimes, you wake up and your first thought is "I cannot be a person today." often---most of the time---you have to then get out of bed and proceed with being a person, regardless of your feelings on the matter.
but sometimes, occasionally, once in a while....it's nice to email your boss, get back in bed, and go the fuck back to sleep.
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