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I can't make fun of him. I can't make fun of him. I can't make fun of him

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Provence Poutine: Herbes de Provence seasoned French fries, goat brie, lavender honey, hazelnut croquant, and fresh lavender – $9.00. Refreshment Port, Epcot Flower & Garden Festival.

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nautilus reading lamp by tiffany glass and decorating company, new york city, united states c. 1899-1902.

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Trump’s golf course in Turnberry, Scotland was vandalized overnight by Palestine solidarity activists.

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sopping. out of my lane. disoriented. milk down my face.

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Smeemo face sooooooooo grabbable

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Château de Compiègne, Compiègne, France

Frank Burchert Photography

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The End of a Dream    -    Giuseppe Pennasilico , c.1908

Italian, 1861-1940

Oil on canvas, 99.5 x 145.4 cm

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People often say LOTR is a story about hope. (I'm reminded of it because someone said it in the notes of my Faramir post.) And that's true, but it's not the whole picture: LOTR is in large part a story about having to go on in the absence of hope.

Frodo has lost hope, as well as the ability to access any positive emotion, by Return. He is already losing it in Towers: he keeps going through duty and determination and of course Sam's constant help.

For most of the story, Sam is fueled by hope, which is why it's such a huge moment when he finally lets go of the hope of surviving and returning home, and focuses on making it to the Mountain. To speed their way and lighten the load, he throws his beloved pots and pans into a pit, accepting that he will never cook, or eat, again.

When Eowyn kills the Witch King, she's beyond hope and seeking for a glorious death in battle. It's possible that in addition to her love and loyalty for Théoden, she's strengthened by her hopelessness, the fear of the Nazgúl cannot touch someone who's already past despair.

Faramir is his father's son, he doesn't have any more hope of Gondor's victory or survival than Denethor does, he says as much to Frodo. What hope have we? It is long since we had any hope. ... We are a failing people, a springless autumn. He knows he's fighting a losing war and it's killing him. When he rejects the ring, he doesn't do it in the hope that his people can survive without it, he has good reason to believe they cannot. He acts correctly in the absence of hope.

Of course LOTR has a (mostly) happy ending, all the unlikely hopes come true, the characters who have lost hope gain what they didn't even hope for, and everyone is rewarded for their bravery and goodness, so on some level the message is that hope was justified. But the book never chastises characters who lost hope, it was completely reasonable of them to do so. Despair pushed Théoden and Denethor into inaction, pushed Saruman into collaboration, but the characters who despaired and held up under the weight of despair are Tolkien's real heroes.

(In an early draft of Return, Frodo and Sam receive honorary titles in Noldorin: Endurance beyond Hope and Hope Unquenchable, respectively. Then he cut it, probably because it was stating the themes of the entire book way too obviously, because this is what Tolkien cared about, really: enduring beyond hope. Without hope.)

Also, people who know more than me about the concept of estel, feel free to @ me.

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おやすみ

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Nathan Road, Hong Kong, 1968-1970, Photograph: Gunther W. Holtorf

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Costco Diana Sauce vortex sighting, June 2002

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Jacek Yerka

Born in Poland in 1952

"Boudoir" (2014)

Acrylic on canvas

From the series "4 SIDERS"