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eclipsecrowned · 3 months
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Vamps + Feeding Habits
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DANIEL. as outlined by a book in later canon, daniel has become a perfect hunter of the evildoer, preferring to wait and make a proper selection than kill simply to feed. this gives me the impression that he’s something of a ‘picky eater’, and probably still sticks to his morals in undeath. i imagine he takes time to carefully assess his prey and, once sure of their impact on the world around them being negative, strikes quickly and efficiently. he doesn’t play with his victims, though on the odd occasion that a first strike is not lethal, he might let them know why this is happening, what they did to earn his inhuman ire. his feeding habits are as much a part of his moral crusade as his continued work as a reporter or his donations to certain factions. it’s all about making the world he wants to see, and making sure those who hurt others do not prosper. his ‘type’ is the malicious minded man, the abuser, the murderer, the monster still in human skin.
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DRACULA. it's all performance to him from what we see in the novel. he's gotten good at it, too. the eternal heretic, it's about power, yes, but also profanity. he's not such a snob that he'll turn his nose up at what survival will drive him too, not so discerning that he'd stifle his palate, but he has clear desires and preferences at work when he goes hunting of his own accord. he's also less a hunter rand more a manipulator, an endurance predator stalking his prey til at last they collapse and he can descend. there's a clear underscoring of his narration that points to the pleasure he takes in destroying his targets and a framework that points to an altogether different violation that i'd prefer not to expand upon, only to say that his feedings go far beyond sustaining the body and also fuel his ego and need for cruelty. his 'type' is the virgin and the wide-eyed boy for himself, the suckling babe for his bride and descendants.
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GABRIELLE. by contrast, gabrielle is far less discerning in their tastes. one might go so far as to call them arbitrary, going for whatever is available and the least hassle. the college kid walking home drunk, the geezer asleep in their armchair with the door unlocked, the late night worker who missed their bus. they exist to say you were in the wrong place at the wrong time, a sort of anti-karma.  ever the noble snob, they care little for the loss of life of ‘ordinary, simple people,’ and make sure their dalliances with the mortals are duly distanced from gabrielle themself. i do not doubt they have been pinned as a serial killer whenever they have cause to settle for an extended period, though impossible to trace. gabrielle is a tried and true bogeyman when they hunt, without remorse or serious concern for what they do to survive. their ‘type’ is the haughty, arrogant man with an attitude problem, no doubt a proxy for their late husband the marquis.
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JOSETTE. thus far, she has only ever been turned by ax's lestat, and that has left its mark on her habits. almost instantaneously ousted from coven acceptance due to the nature of her turning -- defying the long ago agreed upon terms that no more fledglings should b made -- she's been largely left to her own devices with regards to her immortality. to that end, she's had to develop her own methodology and morality towards feeding. brought into the blood post-qotd, she does feel indebted to her sire, and also to the queen that made him so strong. she's interrupted many a domestic scene and stalked many a cruel husband through the night, seeking to rid the world of predators far fouler than she is. hunting men is her preference, striking something of a balance between the other two chronicled vampires mentioned so far. her 'type' is the kind of secure, belligerent man that will grovel most fearfully when she turns the tide on him.
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LESTAT. to coin a descriptor from the show... non-discriminating. he drinks deeply and merrily from whoever catches his eye, without regard for gender, class, anything so trifling. opportunistic and charming, he's made a grand game of it to ignore how easy drawing in a victim is for him. by word or by force, he always gets his way. it makes no difference to him either way, as this is his nature, and this is the way it must be. his mood largely defines how things will go down, whether he's gentle death admiring the final fleeting moments of a mortal, or the brat come to lord his power and status over the chattel like the spoiled marquis' son he never got to be, or more or less a child pulling the wings off of an insect as he observes the struggle with awe and filthy delight. his 'type,' regardless, is the young man, pale-eyed, long dark hair, a ghost of something he lost, that two hearts can beat in time again once they connect in a final, fatal embrace.
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VELLIOTH. which is more vital to his character: that he was a baneite before donella became his god, or that he has always been a soldier? trick question. one hand feeds the other. obedience is scripture and career to him, dominance and submission not simply reserved for the sport his mistress makes of him. he tries to be efficient about it, little drinks from trusted commanders or those who understand the truth of the crooked house szarr. however, he will drain dry any fool that crosses him that has no worth to him or his mistress, and when afield is known for either sending insubordinate underlings 'home' overnight or displaying traitors in bloodless pieces as a warning. he struggles more when a master vampire, having to play games he was ill-prepared for and performing for alliances, having to refine his style of hunting for the spotlight thrust upon him. his 'type' is his lesser, the insignificant mortal who he finds wanting and who requires the firm discipline of the black hand.
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YALIZAVETA. repulsed by her own nature, vieta prefers to avoid the hunt altogether. if the opportunity presents itself, she takes her chances as merciful death, haunting the dying as she finds them. if she can help even one mortal find their peace, then perhaps she can forgive this predatory existence. this being vieta, however, that moral crusader of our time who thinks herself the authority, means she is not always right. regardless, she approaches her need to feed with endless tenderness, easing her victims into their final moments, whether through conversation or a tender hand. she gets close to them, pulls them into the swoon, drinking deep and fast so they are gone into that final euphoria in a matter of moments. she might even take a moment to tuck them back into bed, treating the husk with respect for their sacrifice. her ‘type’ is the grievously ill, those already knocking at heaven’s door that, she reasons, might look to her as salvation.
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ZOLTAN. frankly, the most normal out of these listed. despite being the oldest vampire here by a landslide, he still has the trappings of humanity. his preference is not to kill, but to survive by what some settings would call 'the little drink,' taking from willing conspirators and friends across the night and supplementing his diet as needed with what can be found ethically -- would you really notice if the dude buying an extra bloody steak at the market was a little too pale under the fluorescent lights? he's a traveler by nature, not having to defend territory, and so is comfortable not living up to his 'full potential,' as some might call it. as far as he knows, he's one of the oldest vampires of a more modern era, which counts for a lot despite his uncommon diet. his 'type' is the enthusiastic goth, the kind who are thrilled to meet him and want to make polite conversation both before and after he's had a taste of them, who make him still feel valued somehow.
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eclipsecrowned · 1 year
Text
Vamps + Feeding Habits
Tumblr media
DANIEL. as outlined by a book in later canon, daniel has become a perfect hunter of the evildoer, preferring to wait and make a proper selection than kill simply to feed. this gives me the impression that he’s something of a ‘picky eater’, and probably still sticks to his morals in undeath. i imagine he takes time to carefully assess his prey and, once sure of their impact on the world around them being negative, strikes quickly and efficiently. he doesn’t play with his victims, though on the odd occasion that a first strike is not lethal, he might let them know why this is happening, what they did to earn his inhuman ire. his feeding habits are as much a part of his moral crusade as his continued work as a reporter or his donations to certain factions. it’s all about making the world he wants to see, and making sure those who hurt others do not prosper. his ‘type’ is the malicious minded man, the abuser, the murderer, the monster still in human skin.
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GABRIELLE. by contrast, gabrielle is far less discerning in their tastes. one might go so far as to call them arbitrary, going for whatever is available and the least hassle. the college kid walking home drunk, the geezer asleep in their armchair with the door unlocked, the late night worker who missed their bus. they exist to say you were in the wrong place at the wrong time, a sort of anti-karma.  ever the noble snob, they care little for the loss of life of ‘ordinary, simple people,’ and make sure their dalliances with the mortals are duly distanced from gabrielle themself. i do not doubt they have been pinned as a serial killer whenever they have cause to settle for an extended period, though impossible to trace. gabrielle is a tried and true bogeyman when they hunt, without remorse or serious concern for what they do to survive. their ‘type’ is the haughty, arrogant man with an attitude problem, no doubt a proxy for their late husband the marquis.
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JOSETTE. she has a singular verse so far where she gets her immortal wish, and unfortunately for us all, it's with a friend's 'stat. the blood in her veins is royal, whether by the brat prince himself or the deposed queen who mingled her blood with that of josette's sire. her pursuit of prey is a dim echo of the ambitions of this sacred predecessor, a desire to use her own thirst as a means of revenge. she aims for other predators exclusively, particularly men who abuse their power or positions over partners. she's trying to cull the garden of humanity of its weeds, though saying so obscures her propensity to play with her food. neither merciful nor swift, josette prefers to make sport of her targets, instilling in them the same fear and hopelessness that gave them power over their victims. her 'type' is the towering, domineering man who thinks himself the strongest beast in any room, just so she can rob him of that self-assurance.
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YALIZAVETA. repulsed by her own nature, vieta prefers to avoid the hunt altogether. if the opportunity presents itself, she takes her chances as merciful death, haunting the dying as she finds them. if she can help even one mortal find their peace, then perhaps she can forgive this predatory existence. this being vieta, however, that moral crusader of our time who thinks herself the authority, means she is not always right. regardless, she approaches her need to feed with endless tenderness, easing her victims into their final moments, whether through conversation or a tender hand. she gets close to them, pulls them into the swoon, drinking deep and fast so they are gone into that final euphoria in a matter of moments. she might even take a moment to tuck them back into bed, treating the husk with respect for their sacrifice. her ‘type’ is the grievously ill, those already knocking at heaven’s door that, she reasons, might look to her as salvation.
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ZOLTAN. a gentleman at every occasion, zoltan is also a muse that refuses the hunt. his ways are far less brutal, concerned chiefly with having a little drink from willing mortals. to this end, he frequents clubs designed to connect willing prey with discerning predators, though he does treat the affair as something more than transactional. he prefers to put his mortals at ease and engage with them in some way, in a way that puts anxieties to bed or increases his standing on 'the scene.' he's known to be a great tipper out of gratitude for a more modern world where he doesn't have to be a stalking beast out of necessity. as far as zoltan is concerned, it is his partner that holds the reins, and he'll bring himself down to their level. on the odd occasion that he is too far afield for such accommodations, he has been known to manufacture 'meet cutes' with locals in the pursuit of food rather than romance. his 'type' is youthful, often brunette women looking for a way up or out, someone his patronage can genuinely help.
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