#zoe ligon

[2times5-blog1]

Zoe Ligon

[mirandamckenni1]

Monster Girth and S*x Online with Zoe Ligon aka Thongria | Come Curious Welcome BACK you Curious F**kersss! And if you're new here HIT that subscribe button and chime that notification bell for your weekly sexy ComeCurious video! 🍆💦 https://www.youtube.com/channel/UCIRoo9Lsz1DOXRIvEo-UARQ?sub_confirmation=1 Our podcast 'F**ks Given', is released every Thursday. Listen to the full episode wherever you get your podcasts. Spotify: https://ift.tt/FVvGDEU Apple Podcasts: https://ift.tt/4jZvlch Editor for Youtube and podcasts: Sinah Keller Please donate to us so we can continue making sex positive content for everyone! https://ift.tt/fIUQpeX Don't forget to follow our STI's (Socially Transmitted Information) hubs! ♥ Instagram: @comecurious @florencebark @reedamberx ♥ Twitter: @comecurious @florencecurious @reedamberx ♥ Facebook: /comecurious Check out out BBC series Sex in Seconds! https://ift.tt/WxBmUXj Contact us: love@comecurious.co.uk Old Exclusive ComeCurious Music by: Rubber Factory Studio @rubberfactorystudio https://ift.tt/MEPYsDd The Spare Kid https://ift.tt/Kc9XQsf via YouTube https://www.youtube.com/watch?v=k0qupAX01PM

[somethingpositive4positivepeople]

SPFPP Episode 170: Carnal Communication - Safer Socializing

The Dildo Duchess, Zoe Ligon, AKA Thongria, author of “Carnal Knowledge, Sex Education you didn’t get in School”, joins Something Positive for Positive People opening up with a complete mind boggler for ya! She found out she had herpes from her boyfriend who she gave oral sex to while she had a coldsore. Yes everyone, coldsores can in fact cause herpes outbreaks, do you know why? Because coldsores are herpes.

Zoe shares how she had terrible boundaries which were just no boundaries. We discuss how asking for what you want is interconnected with one's ability to say no. We talk through how to exercise boundaries and navigating an STI that you didn't get from sexual contact.

Zoe can be found on Instagram at @thongria. She is also the Founder of @shopspectrumboutique, an online educational pleasure shop based in Detroit Michigan which you can also follow on Instagram. Zoe and her partner also host a podcast called Hot Brain which I will be an upcoming guest on, so follow that too!

I'm on social media at @HOnMyChest.

[franciscadoesntlivehere]

Zoe Ligon

[chromat]

Love seeing Zoë Ligon in the Chromat Harness Bustier and Cutout Thong for Refinery29! 

[thewoodlandwind]

.

[weldnas]

Why aren’t you guys happy about Dildo Duchess Miss Zoe Ligon’s sex shop having a possible collab with pleasing

[nosebleedclub]

Pictured: Artist Nan Goldin protesting with Sackler P.A.I.N. at the Victoria and Albert Museum in London in 2019. Photo by Lottie Maher, courtesy of Sackler P.A.I.N.

(Source: https://news.artnet.com/art-world/artists-demanded-met-ditch-sacklers-2047715)

---

(Artist Letter to Met Board of Trustees) To: Metropolitan Museum of Art Board of Trustees

As artists we come together to call for the removal of the Sackler name from the walls of the Metropolitan Museum.

Last year, Purdue Pharma, the makers of OxyContin, pled guilty in federal court to three criminal conspiracy charges. They admitted that they defrauded the United States government, lied to the Drug Enforcement Agency, and violated federal anti-kickback laws — paying providers to prescribe more of Purdue’s products. The company also pled guilty to federal criminal charges in 2007, as did the company’s President, Chief Legal Officer and former Chief Medical Officer.

Purdue Pharma is a private company owned by a single family, the Sacklers. This is not a third-party investment, this is a one-to-one relationship. The Sackler family—several of whom trained as medical doctors—were active members of Purdue’s board and micro-managed the company. As was revealed in court proceedings, despite knowing about the addictive dangers of OxyContin for over twenty years, the company aggressively marketed their opioids as less addictive and engaged in schemes to defraud doctors and the U.S. government.

The opioid epidemic has killed over half a million people in the United States alone. Last year, 69,710 people died from opioid related overdoses.

Given these facts, we are horrified by the recent bankruptcy settlement reached in September 2021, which would provide civil immunity to the Sackler family, their unborn heirs, their lawyers, and hundreds of associates. The Sacklers will continue to profit while paying off the settlement. While the Sacklers publicly distance themselves from Purdue, in private the Sacklers secretly entered into a Joint Defense Agreement with Purdue’s legal team, resulting in a $1,000,000 fine by the U.S. Department of Justice. The Department of Justice stated the immunity deal is unconstitutional and illegal and is already appealing the bankruptcy settlement.

We stand alongside the many investigative journalists including Patrick Radden Keefe, and with the artist Nan Goldin, and the direct action group P.A.I.N. (Prescription Addiction Intervention Now), who have worked to hold the Sackler family accountable despite being subjected to legal threats and other forms of intimidation.

The Metropolitan Museum is a public institution dedicated to art, learning and knowledge that generations have created to benefit our society. Honoring the Sackler name on the walls of the Met erodes the Met’s relationship with artists and the public. Given the federal crimes committed by Purdue Pharma and the staggering national death toll, this is a situation of force majeure.

The bankruptcy settlement bans the Sacklers from putting their name on institutions for nearly a decade, recognizing the connection between their name and the crimes that their company committed. The Louvre, Tufts Medical School and other institutions have removed the Sackler name from their walls. We call upon the trustees to take down the Sackler name on or before its next board meeting of November 9, 2021.

Sincerely,

Signed as of November 3, 2021

Ai Weiwei Laurie Anderson Leonor Antunes Yto Barrada Huma Bhabha Dara Birnbaum Linda Goode Bryant Zoe Buckman Maurizio Cattelan Dan Colen Anne Collier Tacita Dean Rineke Dijkstra Jim Dine Roe Ethridge Eric Fischl Jedd Garret Jim Goldberg Nan Goldin Goldin+Senneby Dan Graham Jenny Holzer Jonathan Horowitz Pierre Huyghe Arthur Jafa Anish Kapoor William Kentridge Barbara Kruger An-My Lê Glenn Ligon Ari Marcopoulos Ryan McGinley Julie Mehretu Marilyn Minter Jamie Nares Gabriel Orozco Trevor Paglen Jack Pierson Laura Poitras Robert Polidori Richard Prince Rob Pruitt Walid Raad Adrián Villar Rojas Anri Sala Lucy Sante Matt Saunders Collier Schorr Cindy Sherman Laurie Simmons Hito Steyerl Billy Sullivan Wolfgang Tillmans Anne Turyn Eyal Weizman

Updated as of November 8, 2021 Janet Cardiff Nicole Eisenman Lawrence Abu Hamdan Charline von Heyl Roni Horn Josh Kline Brice Marden Helen Marden George Bures Miller Richard Serra Cecilia Vicuña Kara Walker Christopher Wool

Updated as of November 15, 2021 Liz Deschenes Marlene Dumas Rachel Harrison Robert Longo Sally Mann Peter McGough Cameron Rowland Ed Ruscha Rirkrit Tiravanija

[miamiartdistrict]

KAMROOZ ARAM

on the ancient arts of Iran

Achaemenid (Iran, Susa). Bricks with a palmette motif, ca. 6th–4th century B.C. Ceramic, glaze. The Metropolitan Museum of Art, Rogers Fund, 1948 (48.98.20a–c)

The Artist Project

Vito Acconci on Gerrit Rietveld's Zig Zag Stoel

Ann Agee on the Villeroy Harlequin Family

Diana Al-Hadid on the cubiculum from the villa of P. Fannius Synistor at Boscoreale

Ghada Amer on an Iranian tile panel, Garden Gathering

Kamrooz Aram on the ancient arts of Iran

Cory Arcangel on the harpsichord

John Baldessari on Philip Guston's Stationary Figure

Barry X Ball on an Egyptian fragment of a queen’s face

Ali Banisadr on Hieronymus Bosch's The Adoration of the Magi

Dia Batal on a Syrian tile panel with calligraphic inscription

Zoe Beloff on Édouard Manet's Civil War (Guerre Civile)

Dawoud Bey on Roy DeCarava

Nayland Blake on boli

Barbara Bloom on Vilhelm Hammershøi's Moonlight, Strandgade 30

Andrea Bowers on Howardena Pindell

Mark Bradford on Clyfford Still

Cecily Brown on medieval sculptures of the Madonna and Child

Luis Camnitzer on Giovanni Battista Piranesi's etchings

Nick Cave on Kuba cloths

Alejandro Cesarco on Gallery 907

Enrique Chagoya on Goya's Los Caprichos

Roz Chast on Italian Renaissance painting

Willie Cole on Ci Wara sculpture

George Condo on Claude Monet's The Path through the Irises

Petah Coyne on a Japanese outer robe with Mount Hōrai

Njideka Akunyili CROSBY on Georges Seurat's Embroidery; The Artist's Mother

John Currin on Ludovico Carracci's The Lamentation

Moyra Davey on a rosary terminal bead with lovers and Death's head

Edmund de Waal on an ewer in the shape of a Tibetan monk's cap

Thomas Demand on the Gubbio studiolo

Jacob El Hanani on the Mishneh Torah, by Master of the Barbo Missal

Teresita Fernández on Precolumbian gold

Spencer Finch on William Michael Harnett's The Artist's Letter Rack

Eric Fischl on Max Beckmann's Beginning

Roland Flexner on Jacques de Gheyn II's Vanitas Still Life

Walton Ford on Jan van Eyck and workshop's The Last Judgment

Natalie Frank on Käthe Kollwitz

LaToya Ruby FRAZIER on Gordon Parks's Red Jackson

Suzan Frecon on Duccio di Buoninsegna's Madonna and Child

Adam Fuss on a marble grave stele of a little girl

Maureen Gallace on Paul Cézanne's still life paintings with apples

Jeffrey Gibson on Vanuatu slit gongs

Nan Goldin on Julia Margaret Cameron

Wenda Gu on Robert Motherwell's Lyric Suite

Ann Hamilton on a Bamana marionette

Jane Hammond on snapshots and vernacular photography

Zarina Hashmi on Arabic calligraphy

Sheila Hicks on The Organ of Mary, a prayer book by Ethiopian scribe Baselyos

Rashid Johnson on Robert Frank

Y.Z. Kami on Egyptian mummy portraits

Deborah Kass on Athenian vases

Nina Katchadourian on Early Netherlandish portraiture

Alex Katz on Franz Kline's Black, White, and Gray

Jeff Koons on Roman sculpture

An-My Lê on Eugène Atget's Cuisine

Il Lee on Rembrandt van Rijn's portraits

Lee Mingwei on Chinese ceremonial robes

Lee Ufan on the Moon Jar

Glenn Ligon on The Great Bieri

Lin Tianmiao on Alex Katz's Black and Brown Blouse

Kalup Linzy on Édouard Manet

Robert Longo on Jackson Pollock's Autumn Rhythm (Number 30)

Nicola López on works on paper

Nalini Malani on Hanuman Bearing the Mountaintop with Medicinal Herbs

Kerry James MARSHALL on Jean Auguste Dominique Ingres's Odalisque in Grisaille

Josiah McElheny on Horace Pippin

Laura McPhee on Pieter Bruegel the Elder's The Harvesters

Josephine Meckseper on George Tooker's Government Bureau

Julie Mehretu on Velázquez's Juan de Pareja

Alexander Melamid on Ernest Meissonier's 1807, Friedland

Mariko Mori on Botticelli's The Annunciation

Vik Muniz on The Henry R. Luce Center for the Study of American Art

Wangechi Mutu on Egon Schiele

James Nares on Chinese calligraphy

Catherine Opie on the Louis XIV bedroom

Cornelia Parker on Robert Capa's The Falling Soldier

Izhar Patkin on Shiva as Lord of Dance

Sheila Pepe on European armor

Raymond Pettibon on Joseph Mallord William Turner

Sopheap Pich on Vincent van Gogh's drawings

Robert Polidori on Jules Bastien-Lepage's Joan of Arc

Rona Pondick on Egyptian sculpture fragments

Liliana Porter on Jacometto's Portrait of a Young Man

Wilfredo Prieto on Auguste Rodin's sculptures

Rashid Rana on Umberto Boccioni's Unique Forms of Continuity in Space

Krishna Reddy on Henry Moore

Matthew Ritchie on The Triumph of Fame over Death

Dorothea Rockburne on an ancient Near Eastern head of a ruler

Alexis Rockman on Martin Johnson Heade's Hummingbird and Passionflowers

Annabeth Rosen on ceramic deer figurines

Martha Rosler on The Met Cloisters

Tom Sachs on the Shaker Retiring Room

David Salle on Marsden Hartley

Carolee Schneemann on Cycladic female figures

Dana Schutz on Balthus's The Mountain

Arlene Shechet on a bronze statuette of a veiled and masked dancer

James Siena on the Buddha of Medicine Bhaishajyaguru

Katrín Sigurdardóttir on the Hôtel de Cabris, Grasse

Shahzia Sikander on Persian miniature painting

Joan Snyder on Florine Stettheimer's Cathedrals paintings

Pat Steir on the Kongo Power Figure

Thomas Struth on Chinese Buddhist sculpture

Hiroshi Sugimoto on Bamboo in the Four Seasons, attributed to Tosa Mitsunobu

Eve Sussman on William Eggleston

Swoon on Honoré Daumier's The Third-Class Carriage

Sarah Sze on the Tomb of Perneb

Paul Tazewell on Anthony van Dyck's portraits

Wayne Thiebaud on Rosa Bonheur's The Horse Fair

Hank Willis THOMAS on a daguerreotype button

Mickalene Thomas on Seydou Keïta

Fred Tomaselli on Guru Dragpo

Jacques Villeglé on Georges Braque and Pablo Picasso

Mary Weatherford on Goya's Manuel Osorio Manrique de Zuñiga

William Wegman on Walker Evans's postcard collection

Kehinde Wiley on John Singer Sargent

Betty Woodman on a Minoan terracotta larnax

Xu Bing on Jean-François Millet's Haystacks: Autumn

Dustin Yellin on ancient Near Eastern cylinder seals

Lisa Yuskavage on Édouard Vuillard's The Green Interior

Zhang Xiaogang on El Greco's The Vision of Saint John

[ditvappens-blog]

I was troubled the other day by something that a friend brought to my attention. A picture of a very symmetrical and very pretty white girl posing with a series of dildos in different fleshy hues. The caption, “Is your feminism intersectional tho?” It carried the tone of self-important mockery. Was this woman checking herself? Was she championing herself as the ideal intersectional white feminist? Why? Because of dildos? Because she has a few brown ones? A disembodied sexual organ that has been associated with decades of fear, violence, and dehumanization? Have black and brown bodies not been exploited enough? Just look at the history of gynecology . Just look at what happened in Rosewood. This was her grand intersectional triumph? I don’t know if it is even my right to speak, but I am at a loss for words.

I have trouble decoding how I feel and how I am allowed to feel, further complicated by insecurity and a trepidatious identity. I don’t usually voice my concerns or angers because I doubt their legitimacy. I doubt my sanity and the veracity of my own observations. That is what ultimately happens when living in a world of systemically coded racism, your very sensibilities as a human get gaslighted. You have to start asking for permission and comparing your reality against someone elses to make sure you’re not crazy, you’re not “uppity”, when you see something and feel, “This isn’t right. This is exploitation. This is racist. This is at least problematic”. Its even harder at the crossroads between not wanting to invite drama, and not wanting to excuse actions that can be dangerous. Given the social and political climate, how can you be so irresponsible? Its hard having enough confidence in yourself to say that. I noticed a few people commenting on the picture though, some providing very touching and insightful critique of white feminism, others not amounting to much more than “this is dumb”. The curious thing though, those comments started disappearing. Those comments were also almost all made by POC. I started checking back every few days out of curiosity, and sure enough, another person would say that this image was confusing and offensive. Then their comment would disappear. Maybe I don’t have confidence in my feelings, but I can have confidence in that fact that I can identify censorship when I see it.

I looked into the business she proudly touts. Based out of Detroit, a historically black city, I wonder if cheap real estate was the real reason why this entrepreneur ended up here. Along a coveted stretch of gentrification, nonetheless. Her store was overwhelmingly white though. Do with that as you will. Strategically cursory visibility of POC is nothing new in New Detroit. Its a landscape that white flight has refluxed back into like bile. This comes days after Women’s Day , and days after the clothing store Dolls Kill came under fire for a racist hoodie and responded with derision and silence. I’m left to think a lot about where responsibilities lie and what agendas celebrity propogates. What do I feel? What does my intuition tell me about the world I am in? What am I comfortable ignoring and permitting to flourish? What responsibility do I have? If I say nothing then I am doing what I grew up doing, colluding with an agenda that oppresses my people. My family. My loved ones. I’m also left to realize that some allies never really cared to begin with. Did you care, or was it en vogue? Did you care or did you just not want people to think you were “one of those white people”? Did you care or did you just want to rebrand yourself to sell more dildos? Do you think that you, as a privileged woman, can use people but not dignify them to listen? Do you think you are really being intersectional because you will stick a brown phallus inside of yourself, but completely suppress and negate actual black and brown thought? Just because maybe in the last few months you became aware of your whiteness and started learning some new jargon and following more POC on twitter don’t mean you have impunity. Are you an ally or are you covertly supporting the supremacy? You can’t be both, so I’ll give you a hint: you’re a traitor.

Do you understand what intersectionality actually means Zoe Ligon? What privilege actually means? How lucky you are to be able to worry about whether or not squirt is pee while people are dying across this country? Do you understand the history of your own movement, of this country, and what is still very real and very much happening here? Do you understand the gravity of how lucky you are? Do you even understand who you are? While you sit and prune your serfdom of social media, plucking out problem hairs of dissent because they blemish the vanity of the Dildo Duchess. Because you only care about your vanity and the white lives you mirror. Intersectional? Feminist? Sex positive? All I see is another irresponsible tone deaf white person capitalizing on marginalized suffering. If you’re in the public sphere and trying to present yourself as some sort of educator and feminist, if you’re going to use words created by black and brown people, you better use that wisely. At least be honest if all you care about is making money. At least admit that this is all a show so people will buy your over-priced luxury sex toys. At the very least don’t call yourself intersectional and then actually censor black people just because they didn’t praise you. Actually be an ally for once or leave. You are not essential, you are not immune to criticism, you are no one’s savior, you are not to be fully trusted, and this is exactly why.

[marvellouslymadmim]

So obviously, this series was heavily influenced by various potion ingredients. Compiling a list--as well as gathering enough info for those fun little ingredient indexes--wouldn’t have been possible without a TON of helpful resources. I decided to compile a master list (though honestly this is just a dent in the resources actually used--these are just the most helpful ones), just in case any witchily-inclined readers would like peruse for their own use:

Books: The Modern Guide To Witchcraft by Skye Alexander.

Hedgewitch Book of Days by Mandy Mitchell (as a hedgewitch myself, this has been THE MOST helpful resource I own)

The Herbal Apothecary, PIL Edition.

Websites: This Amazing Herb Grimoire that provided the bulk of inspo and info. But I found more info on meadowsweet here, and cleavers here.

This in-depth look at Candle Color Theory.

This Lesbian Kama Sutra is a great visual reference when writing/describing WLW smut. 

Pinterest is a great resource for Beltane prayers, moon rituals, magick color theory (color, crystal, etc), and more.

Video: Sex Stuff with Zoe Ligon: BDSM Latex Vacuum Bed Review. Also, the entire Sex Stuff series looks are various forms of sex play, BDSM, etc. If you aren’t personally familiar with the world and still want to write about it (or, hey, if you’re interested in learning more just because), it’s a pretty great beginner series. Go write (or have) your best sex yet.

[ymcgay]

I lov zoe ligon sm

[dr-dick-stuff]

How I Negotiated Non-Monogamy In My Monogamous Relationship

How I Negotiated Non-Monogamy In My Monogamous Relationship

By Zoe Ligon After getting back from a trip, a friend of mine learned that her boyfriend had gone to a strip club and gotten a lap dance, which felt like a clear crossing of her boundaries within the relationship. The problem was that her boyfriend didn’t seem to think the strip club constituted a violation, wasn’t keeping it a secret, and was surprised by her reaction. After asking her about her…

[xennnnnnnn]

Consigli su podcast in italiano o inglese?

Non ne ascolto! Però conosco “The Sexually Liberated Woman” di Ev’Yan Whitney, ho ascoltato alcuni spezzoni e la sua voce è molto bella e molto chiara; conosco anche “Hot Brain” di Zoe Ligon e Mark Sandford (entrambi sono generalmente a tema sexuality)

https://open.spotify.com/show/4RJ6X2uZwV4bHxVlFL5WqG?si=cefksAtyRbmtQkJ78SNVmA

https://open.spotify.com/show/3pt5zwNHSuiBRxiG52Ofc4?si=wpBcLxSdQI2_yzpNbQg-QQ

[tadeo69t3713216]

Ocho mejores vibradores de conejo 2020

Los vibradores de conejo le deben mucho a Sex and the City. En 1998, el conejo apareció en un episodio del programa, llevando el juguete relativamente desconocido a la esfera pública y a muchas habitaciones privadas. El original era fundamentalmente un consolador con un bonito conejito vibrante pegado a un lado, cuyas orejas estaban destinadas a aletear contra el clítoris cuando la parte más grande del juguete se introducía en la vagina. A pesar de su popularidad, el primer vibrador de conejo tenía algunos inconvenientes. "No tenían la manera conveniente para la estimulación del punto G", dice Gigi Engle, adiestradora sexual certificada y autora de All the F * cking Mistakes: A Guide to Sex, Love, and Life. La manera recta cara arriba y cara abajo no se ajustaba a la forma natural de la vagina de una mujer. Además, dice, los conejos de los años noventa y principios de los dos mil estaban hechos con materiales de baja calidad que eran difíciles de mantener limpios y cobijaban bacterias. Hoy, los vibradores de conejo son una categoría completa, que describe cualquier cosa diseñada para alentar tanto interna como externamente al mismo tiempo. Los mejores son polivalentes y ajustables para amoldarse a una variedad de diferentes géneros de cuerpos y están hechos de materiales no porosos de alta calidad. Y como muchos de los otros vibradores sobre los que hemos escrito, la mayoría de ellos ahora son impermeables, recargables y ofrecen múltiples velocidades y patrones de vibración para asistirlo a hallar las sensaciones que mejor marchan para usted. Para determinar los mejores vibradores para conejos en el mercado ahora, preguntamos a terapeutas sexuales, dueños de tiendas de juguetes eróticos y expertos en juguetes sexuales sobre los conejos que ellos mismos recomiendan y emplean.

Mejor vibrador de conejo en general

Engle, Megan Fleming, terapeuta sexual, y Sid Azmi, dueño de la tienda de placer Please en Brooklyn, nombraron al We-Vibe Nova como su vibrador de conejo preferido. "Se puede emplear con una aplicación de control remoto, y la parte externa destinada a estimular su clítoris se flexiona con a medida que se mueve", afirma Fleming. Esta es una mejora real teniendo presente que los vibradores de conejo solían ser muy recios y no se ajustaban a muchos cuerpos de personas. Engle llama Nova al que vive y muere por el hecho de que no se parece en nada a un pene y está a la perfección encorvado para lograr el punto G. "Por mucho que odio que esto siga siendo una cosa", afirma Engle, "puede ser espantoso para una pareja ver un juguete erótico superfálico de la nada. El Nova es elegante y no amenazante, además de que dura mucho entre cargas y es tan poderoso ". El Nova es resistente al agua, está hecho de silicona de grado médico seguro para el cuerpo y ofrece 10 modos de vibración, once incluido el que puede crear mismo con la aplicación.

El mejor vibrador de conejo (menos costoso)

Si recién está comenzando con los juguetes sexuales y no está entusiasmado con la perspectiva de gastar más de cien dólares estadounidenses en algo que no está seguro de que disfrutará, Zoe Ligon, dueña de Spectrum Boutique en la ciudad de Detroit, aconseja Wonderlust Harmony . Ella lo llama sin duda el mejor vibrador de conejo económico pues está hecho de silicona, ofrece 20 configuraciones de vibración diferentes y es recargable.

El vibrador de conejo más potente

Azmi dice que Tonto Soraya tiene la mayor potencia e intensidad de todos los juguetes de estimulación dual, lo que hace que merezca la pena el alto costo. El brazo externo de Soraya es flexible, lo que le deja aplicar tanta o poca presión como desee. "No se siente como una concha en mi vulva", afirma, "y viene con un asa". Ese mango, que realmente es un pequeño agujero en forma de rosquilla integrado en la parte inferior del juguete, es clave. Especialmente si eres propenso a sufrir calambres. Como explica Azmi, "En ocasiones, cuando te acercas al orgasmo, tus músculos se tensan, y aquellos de que tardamos más en corrernos, tus brazos pueden cansarse o bien tener algo de dolor". Pero el mango evita eso al asistir a colocar su brazo y muñeca apropiadamente para un soporte ergonómico mientras que empuja. Engle, que también es fan de Soraya, aprecia sus materiales de alta calidad y su brazo flexible. De la misma manera que el Nova, está fabricado con silicona flexible y segura para el cuerpo, es impermeable y recargable. También ofrece 13 patrones de vibración diferentes y tiene botones de encendido y pulso adecuadamente ubicados.

El vibrador de conejo más innovador

Muchos de nuestros especialistas son fanáticos de la marca alemana Fun Factory debido a su silicona de alta calidad (los estándares para el silicio en Alemania son mucho más altos que los de Estados Unidos) y (no extraña) mecanismos internos bien diseñados. Mas es más que eso. La compañía también crea formas nuevas y apasionantes de brindar placer. Engle y Azmi recomiendan Amorino pues, además de alentar el punto G y el clítoris, proporciona vibraciones ajustables a los labios y al perineo. El Amorino viene con una banda de silicona que puedes colocar en torno a los brazos internos y externos de 2 formas diferentes. Cuando enciendes el juguete, esa banda transporta vibraciones a tus labios creando una sensación más completa y que lo engloba todo. "Cuando charlamos de placer femenino, nos enfocamos principalmente en el placer del clítoris y el placer interno", afirma Azmi. "Pero no charlamos mucho de placer labial o bien perineal. Es esencial diversificar las partes de la anatomía en las que nos enfocamos. ¿Por qué razón detenerse en 2 cuando puede tenerlo todo? El Amorino es recargable, flexible e impermeable, y ofrece doce configuraciones de vibración en total.

Vibrador de conejo más atractivo

Para muchas personas, el aspecto de un vibrador puede ser tan importante como la cantidad de configuraciones de vibración. Dalychia Saah y Rafaella Fiallo, creadores de Afrosexology, un recurso de educación sexual en línea para mujeres y hombres negros, llaman al Lavani "uno de los vibradores más hermosos que hemos visto". Dicen que el diseño muy elegante y sensual "te hace sentir como un dios o bien una diosa con solo usarlo". Igual de esencial, también funciona bien. El Lavani tiene un brazo interno contorneado y un brazo externo flexible con su propio motor dedicado para una intensa estimulación del clítoris. Está hecho de silicona segura para el cuerpo, es recargable y viene con una garantía de dos años.

El mejor vibrador de conejo de empuje

Para las personas que gozan de la estimulación del empuje aparte de la vibración, Ligon recomienda el Orange County Cutie de Calexotics. Es genial si quieres darle un reposo a tu brazo, porque a diferencia de otros vibradores para conejos, empuja solo. "Su forma y fuerza son idóneas para pegar mis puntos dulces más profundos (como el fondo de saco precedente) como mi clítoris", afirma .

El mejor vibrador de conejo con vibración opcional

No todo el planeta está de acuerdo en que más poder equivale a más placer. Fleming nos presentó este vibrador de conejo, que le chifla pues puedes usarlo con o bien sin vibración. "Como alguien que está en el lado sensible, me agrada que Ina Wave te da la opción de quitar la vibra y simplemente usar el movimiento interno de venir aquí por sí solo", afirma ella. El Ina Wave es recargable, resistente al agua y está hecho de silicona segura para el cuerpo. También tiene un brazo flexible, lo que evita la sensación de tener algo que aprieta tu clítoris.

El mejor vibrador de conejo para juegos anales

El Vicky, que le agrada a Azmi por su versatilidad, es un juguete de silicona reversible, lo que lo hace ideal para juegos de parejas y personas con cuerpos variables. Está desarrollado para un empleo seguro como juguete anal y, en dependencia de cómo lo inserte, puede utilizarse como un tapón anal con un brazo externo que estimula el perineo o bien un juguete vaginal que asimismo estimula el clítoris.

El mejor lubricante para combinar con tu vibrador de conejo

Conforme Engle, siempre y cuando uses un vibrador asimismo debes utilizar lubrificante. "Tu vulva y tu clítoris son ciertas partes más sensibles de todo tu cuerpo, por lo que el uso de lubrificante da una barrera protectora entre el juguete y la vagina, lo cual es verdaderamente importante", afirma . Hemos escrito sobre lubricantes en el pasado, mas vale la pena mencionar que si está empleando juguetes eróticos y vibradores hechos con silicona, no debería emplear lubrificante a base de silicona. El lubricante de silicona degradará los juguetes de silicona con bastante velocidad, con lo que emplea un lubricante a base de agua. El lubricante a base de agua de Engle, Pjur, no contiene parabenos, ni petroquímicos y, según ella, jamás se vuelve pegajoso, un inconveniente común con otros lubricantes a base de agua.