#zigaboo

[parkerbombshell]

The Supertone Show 158

Thursdays 10pm EST bombshellradio.com This week, we hear masters of the rhythm Jerome ‘Bigfoot’ Brailey and ‘Bootsy’ Collins (Parliament), Stewart Copeland and Sting (The Police), James Gadson and Melvin Dunlap (Bill Withers), Larry Mullen (Jr) and Adam Clayton (U2), Zigaboo Modeliste and George Porter Jr. (The Meters) plus Neil Peart and Geddy Lee (Rush). Read the full article

[independentartistbuzz]

The Underbites Come Alive on New EP "Four Songs About Girls"

If the pop-punk onslaught of the ‘90s and early 2000s left you with the impression that punk music loses its edge with the introduction of melodies and hooks, New York City quartet The Underbites are here to remind us all that accessibility and grit don’t have to be mutually exclusive. Founded by veteran guitarists and veteran listeners Jon Fox and Kurt Feldhun, The Underbites may have formed in 2020, but their origins date back to when Fox and Feldhun witnessed the halcyon days of punk first-hand. 

Their new EP, Four Songs About Girls, makes its debut today.

Listen and share here:

When Fox and Feldhun actually met at NYU at the dawn of the ‘80s, punk was branching out into thrilling permutations like post-punk and hardcore. “Kurt and I,” Fox explains, “really bonded over Bad Brains and GBH, but we didn’t actually play in that style when we started playing together.” The Underbites sound so energized in part because Fox and Feldhun spent their entire careers up to this point—in groups like Baby Tapeworm, The Cogs, The Behoovers, and Upchuck—playing other styles. 

For Fox and Feldhun, The Underbites is a return to some of their earliest musical loves. But you’re just as likely to hear a passing flash of, say, Attractions-era Elvis Costello in Feldhun’s playing as you are a chugga-chugga riff. In fact, for a band that describe themselves as “unrepentant traditionalists,” The Underbites give themselves lots of headroom to draw from whatever they feel like dialing-up. 

Listening to the band’s full-length debut Sort It Out alongside the new EP Four Songs About Girls, one is reminded that the music from the classic CBGB, SoCal, NYHC and Warped Tour scenes were all highly distinct from one another. But The Underbites possess such fluency with the punk canon that all the music flows as if from the same source. The Four Girls track "Sincerely Jemma Jane," for example, started out as a Rancid-influenced anthem, but it ended up landing closer to Social Distortion. 

Further afield, Michael Hoffman's snare figure at the start of the Sort It Out cut "Che Guevarra," nods to John Bonham's iconic "Rock and Roll" intro, but he executes it with sufficient finesse to recall Los Lobos’ Louie Perez channeling lendgary Meters drummer Zigaboo Modeliste.

Lyrically, Fox draws as much from The Beach Boys, Squeeze and Robyn Hitchcock as he does from the Sex Pistols. With Sort It Out, The Underbites proved that provocative music can provoke thought in the best sense of the word. Whether tackling activist posturing, consumer culture, economic decline, racial division, the sleazy machinations of politics, or polarizing figures like Donald Trump and Michael Moore, Fox is masterful at jolting listeners with an initial shock that, on closer inspection, reveals layers of thought. 

[sarockradio]

“A BREATH OF FRESH AIR”

with Sandy Kaye

MONDAYS 2:00PM‬ & FRIDAYS 10:30PM

This week:

In the vibrant music scene of New Orleans during the 1960s a group of exceptional musicians came together to form a band that would redefine funk music.

Bassist George Porter Jr. joined forces with Art Neville (keyboards), Joseph "Zigaboo" Modeliste (drums), and Leo Nocentelli (guitar) to create “The Meters”.

Hits like "Cissy Strut" and "Sophisticated Cissy" showcased their innovative approach to rhythm and melody, laying the foundation for the future of funk music.

Their albums "The Meters" (1969), "Look-Ka Py Py" (1969), and "Struttin'" (1970) propelled them to prominence. While their initial success was felt mainly in their hometown of New Orleans, their influence spread far beyond.

Their rhythmic grooves became the foundation for hip-hop, with countless artists sampling their tracks. This influence solidified their legacy as pioneers of the funk genre. After the band's initial disbandment, George Porter Jr. pursued a solo career, showcasing his exceptional bass skills.

The Meters received the Grammy Lifetime Achievement Award, a testament to their significant contributions to music.

Their induction into the Rock and Roll Hall of Fame in the same year immortalized their place in music history. George Porter Jr. and The Meters revolutionized funk music with their unparalleled instrumental prowess and innovative grooves.

Join us!

If you'd like to get in touch with me to suggest a guest or to provide feedback or comments on any of my episodes, please jump onto my website https://abreathoffreshair.com.au and send me a message.

You may also like to join me on facebook https://www.facebook.com/SandyKayePresents

“A BREATH OF FRESH AIR”

with Sandy Kaye

MONDAYS 2:00PM‬ & FRIDAYS 10:30PM

Listen Live @ https://www.sarock.com.au

SA ROCK RADIO

#internetradio #freeradio #onlineradio

#sarockradio #australianradio #adelaideradio #radioshow #sandykay #radiostation #sandykayepresents #abreathoffreshair #GeorgePorterJr #TheMeters

[sunshinesesequencing]

More Conditional Breakbeat Sequences

Elektron sequencer focussed

Abbreviations

K : Kick S : Snare C : Closed Hihat O : Open Hihat S : Snare R : Rim shot

<Drum> : Step@%% or Elektron conditional trig PRE : if previous step hit _PRE : if not previous hit NEI : If neighbour track hit _NEI : if neighbour track didn't hit

Tighten Up - Archie Bell and the Drells - Billy Butler

bpm133

C 1,3,5,7 @ 100, 9@75

R 8@100, 12@_NEI, 13@PRE, 16@100

O 1,5,9, 13 @ 100

S 2,5  @100, 6@75, 10@100, 13@75, 14@100

K 1,3,7 @100, 11@75, 15@_PRE

The variations are mainly due to the last bar of four.

The C,O,R can be any hat or ride sound.

Accents and other hit variations are not shown and up to the programmer.

Last Bar Ideas

Octatrack 

Neighbour track with 

filter settings to 0 Base 0 width for 4:4 or 8:8

General 

Main track with A:B trigger with the silenced notes at 0 VOL and the Neighbour track the _NEI

- precludes randomisation

- with the Rytm if the same drum is required then the track may have to double up in machines

Express Yourself - Charles Wright and the Watts 103rd Street Rhythm Band - James Gordon

C 1:41, 1-10@100, 11@75, 12@89, 13-15@100, 16@75

O 1:_NEI, 11@_NEI

S 2@13, 4@25, 5@75, 6@13, 7@41, 8@81, 10@59, 12@59, 13@75, 15@13, 16@89

K 1@67, 2@25, 4@67, 5@25, 8@41, 9@41, 10@41, 11@25, 12@59, 13@13, 14@59, 15@13  

There are lots of probability in this patten. I did not see a structure that fit into Elektron conditionals.

The probability numbers are rounded to Electron conditional values.

Only the first 7 bars used as the last bar is more of a fill. 

Use Me - Bill Withers - James Gadsen

bpm:78

H1a 10@4:4, 12@4:4, 14@4:4,

H1b 11@4:4, 13@4:4, 15@75 16@50

H1a and H1b are on the same track but with p-locked variations or sample changes.

Alternatively just use 25% instead of 4:4 for more variation.

C 1-9@100, 10-16@ _NEI

R 5@100, 8@100, 16@75

The score has a rim click but try snare, claps or anything.

K 1,2,6 @100, 8@25, 9@100, 10@50, 11@25, 12@100, 14@25, 15@50

Here Comes the Meterman - The Meters - Joseph 'Zigaboo' Modeliste

bpm 91

Interpretation of the main groove

R1 1,9 @ 100

R2 3,5,7,11,13,15 @100

S 2@50, 3@50, 8@50, 13,15@100

K 1@100, 4@100, 6@100, 9,10,@100, 12@100, 13@50, 14@50, 15@50

R1, R2 - Ride sounds

S - Snare

K - Kick

Cr - Crash

Approximation of an approximation  of the first four bars of the break

R1 1@50, 7@50, 8@25, 14@25, 16@25

R2 1@50, 2@25, 3@25, 5@25, 6@25, 7@25, 8@25, 9@50, 11@100, 14@25, 15@25

S  1@25, 2@50, 3@25, 5@50,6@75, 8@25, 9@50, 11@75, 12@50,13@25, 14@50, 15@25, 16@25

K  1@75, 2@25, 4@75, 5@25, 6@50, 7@25, 8@75, 10@100, 11@50, 12@25, 13@50, 14@50, 15@25, 16@50 4@100, 6@100, 9,10,@100, 12@100, 13@50, 14@50, 15@50

Cr 1@1st

The actual break hits has a percentage chance of each of the sounds or nearly all of the trigs. 

An option would be to fill in a selection of trigs for the machines and then dial in a probability value on the trig page. out.

To make the patten more steady one of the tracks could have most hits at 100%

Adamo in his writeup of the break notes his work is an approximation with 'a lot of unaccountable sounds'.

Do the Funky Penguin - Rufus Thomas - Al Jackson Jr, Willie Hall or Bobby Hunt

H1 1,2,5,7@ 100, 9,11,13@ 75, 15@25

H2 9,11,15@ _NEI

H3 13@25 (should be _NEI but not a neighbour)

S  2@25, 5@100, 10@75, 12@4:4, 13@75. 14@4:4. 15@4:4, 15@50

(Alternatives -4 :4 could be 25 or FILL)

K  1@100, 3@50, 4@2_PRE, 8@100, 11@100

For the name

I'm Glad You're Mine - Al Green - Al Jackson Jr.

bpm 81

CH 1@75, 3,5,7,9@100, 11,13,15@50

OH _1@NEI, 11@_NEI

LT 16@2:2 

SD 3@25, 5@75, 6@_PRE, 8@PRE, 10@PRE, 13@50, 14,15@PRE

BD 1@1:2, 2@4:4, 4@25, 5@25, 8@PRE, 9@25, 12@1:2

The original conditional sequence was all random percentages however this was a bit too IDM. The X:Y conditional trigs provide a foundation on which the random elements can be added.  

Kit: RYTMLINJE from the Default project.

The Crooked Cop - The Bamboos - Danny Farrugia

CY 1@1st

CH 1@_1st, 5:59, 7:59, 9@100, 13@75, 15@75

OH 2@Fill, 3@100, 6@1:4, 11@59

SD 3@Fill, 4@Fill, 5@100, 6@75, 7@59, 8@59, 10@59, 13@87, 14@Fill, 15@Fill, 16@100

BD 1@_Fill, 3@_Fill, 8@25, 11@100

The CH and OH can be interchanged as required.

Example 8 bars: Kit: X11I (Default)

Unity Part 1 (The Third Coming) - Afrika Bambaataa and James Brown - Keith LeBlanc

CH 1@100, 3@300, 5@75, 7@100, 8@25, 9@100, 10@25, 11@100, 13@25, 14@25, 15@100

OH 25@_NEI, 13@_NEI

SD 5@100, 6@8:8, 8@50, 10@100, 12@7:8, 14@75, 16@100

BD 1@100, 4@75, 9@5;8, 10@25, 11@100, 14@50

Example 8bars

KIT

Kit: BABALOG (Default)

In the example BT is used instead of BD, LT in place of SD as the lower machines are set up as bass.

Funky Cat - James Knight and the Butlers - Robert 'Blind" Jackson

bpm 132

CH 1@1100, 3@13, 5@100, 7@33, 9 @100, 11@33, 13@87, 15@13

OH 13@_NEI, 15@_NEI

SD 2@50, 3@13, 5@87, 7@25, 9@59, 11@13, 13@50, 15@59, 16@59

KD 1@87, 3@57, 4@25, 6@13, 8@25, 9@67, 10@13, 11@33, 12@67, 14@41

In the audio example KD 1 is at 10O to get a definite down beat. The patten can become too random so some certainty could be added be added for the kicks and snares.

Example 8bars

Kit: HAILDO (default)

Love at First Sight - John Timmons

bpm 111

CY 1@1ST

CH 1@_1st, 3@100, 4@_1st, 5@100, 7@100, 9@100, 11@100, 12@_1st, 13@100, 15@100

SD 2@50, 5@100, 6@100, 10@100, 13@100, 14@100, 16@100

BD 1@100, 7@100, 8@100, 11@100, 15@100

A straight forward patten take from a 4 bar score. My next step would be to randomise  the snares then a couple of BD trigs. In the audio snippet I use the CP track as a bass takes the SD slot.

Example 8 bars

Kit: SU-CEK (Default)

Baby Don't Cry - The Third Guitar

The first break

bpm 102

CY 1@1:2

CH 1@2;2, 3,4,5@100 , 6@59, 7@Pre, 8@Pre, 9@59, 10@33, 11@50, 12@59, 13@Pre, 14@Pre

SD 2@2:8, 5@100, 7@6:6, 8@59, 9@3:3, 10@50, 11@2:2, 12@6:8,  14@25, 15@3:8, 16@100

BD 1@100, 3@75, 8@25, 9@59, 11@1:3, 12@2:8, 16@50

In this I wanted to try more X:Y conditionals, both frequent repetitions such as 3:3 and the more occasional such as 3:8. 

Recognize - Breakestra - Drums: Miles Tackett

bpm: 96 - Swing: 56

OH 1@25, 3@25, 9@N_NEI, 11@_NEI

CH 1@59, 3@59, 5@81, 7@100, 9@81, 11@75, 13@15, 15@75

SD 1@13, 2@81, 4@25, 5@75, 6@60, 7@13, 8@100, 10@q00, 11@13, 12@33, 13@59, 14@50, 15@50, 16@81

BD 1@100, 3@59, 4@25, 6@25, 9@50-, 11@75, 12@13, 13@13, 14@50, 15@13

If both OH and CH occur on 1 or 3 only OH will be heard as it has precedence.

This will allow silences to develop. Swing is used for the first time given the notes in the Adamo interpretation.

Organ Donor - DJ Shadow

bpm: 110

CH 1,,3,5,7,9,11,13,15@100

SD 1@8:8, 2@25, 4@6:8, 5@75, 6@8:8, 8@25, 9@8:8, 10@100, 11@8:8, 12@4:8, 13@75, 14@8:8, 16@100

BD 1@100, 3@75, 5@6:8, 6@7:8, 7@50, 8@_PRI, 9@59, 11!100, 12@8:8, 15@4:4

If just one hit appeared on a trig then that became a X:Y. I have still to worked out how to program hits which appear in every bar but the last as there is not a (not)X:Y conditional. They could be put as 87% to see what turns out but because in this patten it was on the 1 I rounded up to 100%. 

Ain't It Hard - Sharon Jones and the Dap Kings - Homer Steinweiss

CH 1@75, 3@75, 5@75, 7@87, 9@75, 11@75, 13@87, 15@87

OH 1@25, 3@25, 5@12

CY 7@12, 9@12

CP 1.3.5@8:8

LT 15,16@8:8

MT 13,14@8:8

SD 3@12, 5@59, 8@62, 9@12, 10@25, 11@50

BD 1@100, 5@33,9@59, 11@25, 13@25, 15@59

The hat conditionals and sounds related to the kit. The original interpretation the CY sound is a half open hat. The CP sound is supposed to be crash but the cymbal which could be use as the alternate hat and not really emphatic. Hence the CP.

The toms are your choice.

The hits for the 8:8 could be used as a fill instead.

The original score has a 7/8 and a 8/8 bar which I wrangled in to 4/4.

Speak E.Z. - Lettuce - Adam Deitch

bpm: 83

CY 1@1st

CH 1@_1st, 3@100, 5@25, 7@75, 8@3:4, 9@1:4, 10@2;2, 11@75, 13@3:4, 15@100, 16@2:4

OH 5@25, 13@4:4

SD 2@20, 3@3:4, 5@75, 6@50, 8@100, 9@2:2, 10@3:4, 11@4:4, 13@75, 15@2:2, 16@75

BD 1@100, 2@2:2, 4@75, 7@2:4, 9@1:2, 10@100, 12@75, 14@2:4, 16@4:4

The first four bars which are improvised through the song (Adamo)

Example 8 bars

Kit: DNMXTWO (Default)

You Got Me - The Roots - Ahmir "Questlove" Thompson

Main Drum Groove

bpm: 81

CH 1-16@100

SD 5,13@100

BD 1@75, 3@4:4, 5@4:4, 8@1:2, 9@4:4, 10@1:2, 11@4:4, 14@4:4, 16@2:4

In a later parts of the song the CH is more random so the overall trigger probability can be less than 100%.

The BD play on bars 1,2 and 3 but not 4 so the 75% is to cover the unavailability of _X:Y. 

In the song's outro there are 1/32 CH and SD trigs. To do this set the tempo to PTN (patten). In the Scale menu [Func + Page]:

Mode: ADV

Track: 32:32 with 2X (speed)

Master Len 32

So 1 bar is now 32 triggers.

This is Questlove playing to replicate the J Dilla style of drumming programmed with with an MPC. "Its the full circle" wrote Adamo. I think it is a misapplication of talent and technology.

Kit: KLAZ

You Know I'm No Good - Amy Winehouse - Homer Steinweiss

bpm: 104

OH 8,11@25

CH 1,3,5,7,9,11,13,15@100

SD 5@100, 7@75, 8@100, 10@50, 13@100, 15@2:6

BD 1@100, 7@25, 11@100, 15@100

This is the last score from the Breakbeat Transcriptions chapter in the "Breakbeat Bible" by Mike Adamo. It is a book a recommend as there a a number of techniques and shorter transcriptions through out which make a great starting point. 

This did introduce me to techniques (and music) beyond the 4x4 these can be introduced especially with the snares and hats which moving the kicks to the standard 1,5,9,13. 

I enjoyed doing this and I am pleased it is useful to other drummers.

Thanks for the comments and if there are any questions put these in the replies as I still follow the thread.

Thank you.

[adsmusiconstellations]

Leo Nocentelli - Another Side (1971/2021)

https://lightintheattic.net/releases/8163-another-side

[thepastprotracted]

[ezraz]

Standing In Your Stuff #zigaboo #livefunk #wfnk Yet another great live Zigaboo Modeliste jam:

[krispyweiss]

Meters Box Set Landing Jan. 24

The Meters’ full discography, with bonus material, is set for re-release in a deluxe box set.

The Meters: Gettin’ Funkier All the Time – The Complete Josie / Reprise & Warner Recordings (1968-1977) comprises the group’s eight original LPs on six CDs and comes with a 40-page book with essays and rare photos of Leo Nocentelli, George Porter Jr., Zigaboo Modeliste, Art Neville and Cyril Neville.

The 116 tracks feature bonus material including non-album singles, single edits, the extended version of 1977’s “Disco is the Thing Today” and covers of the Beatles’ “Come Together,” Neil Young’s “Down By The River” and Stephen Stills’ “Love the One You’re With.”

The remastered “A Message from the Meters,” taken from the forthcoming set, is streaming above.

Gettin’ Funkier All the Time is out Jan. 24.

1/19/20

[inthemoodforportnawak]

Art Neville, Joseph Zigaboo Modeliste, George Porter Jr. & Leo Nocentelli : The Meters.

RIP Art Neville (1937-2019)

[countryhixes]

https://open.substack.com/pub/oakiedog/p/tommy-mclains-swapified-regal-return?r=58201&utm_campaign=post&utm_medium=web

[cardest]

New Orleans playlist

Hungry for some po boys? Feeling the Mardi Gras vibes for this weekend? This is the ultimate NOLA playlist, right here. Play the songs here: https://www.youtube.com/playlist?list=PL-iHPcxymC182dTlE-Gii6ZOO5ZrN1Z1T

Louisiana and New Orleans, all in the one awesome playlist. If there are songs I left out, let me know and I can add those. Or come meet me at Le Bon Temps Roulé  and we’ll listen to this NOLA playlist together with drinks.

LOUISIANA & NEW ORLEANS

001 Bob James - Take Me To The Mardi Gras 002 Earl King - Ain’t no city like New Orleans 003 John Lee Hooker - goin’ to Louisiana 004 Crowbar -  Wrath Of Time By Judgment 005 True Detective - Theme (The Handsome Family - Far From Any Road) 006 EyeHateGod - New Orleans Is The New Vietnam 007 The The Meters -  Chicken Strut 008 Paul McCartney - Live And Let Die (from Live And Let Die) 009 The Rolling Stones - Brown Sugar 010 Lucinda Williams - Crescent City 011 King Hobo -  New Or-Sa-Leans 012 Concrete Blonde - Bloodletting 013 Down - Underneath Everything 014 True Blood Theme Song (Jace Everett - Bad Things) 015 Corrosion of Conformity -  Broken Man 016 The New Orleans Jazz Vipers - I Hope Your Comin' Back To New Orleans 017 Willy DeVille - Jump City 018 Left Side - Gold In New Orleans 017 Necrophagia -  Reborn through Black Mass 018 Johnny Horton -  The Battle Of New Orleans 019 Dr John - Litanie des Saints 020 Foo Fighters - In the Clear 021 Redbone - The Witch Queen Of New Orleans 022 Jucifer - Lautrichienne 023 Danzig - It's a long way back from hell 024 Harry Connick, Jr. -  Oh, My Nola 025 The Gaturs - Gator Bait 026 Jon Bon Jovi - Queen Of New Orleans 027 Cyril Neville -  Gossip 028 Carlos Santana - Black Magic Woman 029 Gentleman June Gardner - It's Gonna Rain 030 Eddy G. Giles - Soul Feeling (Part 1) 031 Tool - Swamp Song 032 Beasts of Bourbon -  Psycho 033 Seratones - Gotta Get To Know Ya 034 Chuck Berry -  You Never Can Tell 035 Grateful Dead - Mississippi Half-Step Uptown Toodleoo 036 Pale Misery - Hope is a Mistake 037 Exhorder - Homicide 038 King James & the Special Men - Special Man Boogie 039 Chuck Carbo -  Can I Be Your Squeeze 040 Amebix - Axeman 041 Tomahawk - Captain Midnight 042 Waylon Jennings - Jambalaya 043 Heavy Lids - Deviate 044 Red Hot Chili Peppers -  Apache Rose Peacock 045 Necrophagia -  Rue Morgue Disciple 046 Johnny Cash -  Big River 047 Albert King -  Laundromat Blues 048 Meklit Feat Preservation Hall Horns - You Are My Luck 049 Le Winston Band  - En haut de la montagne 050 Dr. john - I Thought I Heard New Orleans Say 051 Down -  New Orleans is a dying whore 052 Samhain -  To Walk The Night 053 Creedence Clearwater Revival -  Green River 054 Southern Culture on the Skids -  Voodoo Cadillac 055 Bonnie, Sheila -  You Keep Me Hanging On 056 Warren Lee -  Funky Bell 057 Elf - Annie New Orleans 058 Cannonball Adderley - New Orleans Strut 059 Doug Kershaw - Louisiana Man - New Orleans Version 060 Willy deVille  - Voodoo Charm 061 The Animals -  The House of the Rising Sun 062 Porgy Jones -  The Dapp 063 Lost Bayou Ramblers - Sabine Turnaround 064 IDRIS MUHAMMAD - New Orleans 065 John Lee Hooker - Boogie Chillen No. 2 066 Hank 3 - Hillbilly Joker 067 Nine Inch Nails -  Heresy 068 Talking Heads - Swamp 069 Irma Thomas - I'd Rather Go Blind 070 Mississippi Fred McDowell -  I'm Going Down the River 071 Dee Dee Bridgewater   - Big Chief 072 Dr. John  - Creole Moon 073 Agents of Oblivion -  Slave Riot 074 Steve Vai - Voodoo Acid 075 Saviours -  Slave To The Hex 076 Kris  Kristofferson -  Casey's Last Ride 077 JJ Cale - Louisiana Women 078 Cher - Dark Lady of New Orleans 079 LE ROUX - Take A Ride On A Riverboat 080 The Melvins -  A History Of Bad Men 081 Floodgate - Through My Days Into My Nights 082 Opprobium - voices from the grave 083 Quintron & Miss Pussycat - Swamp Buggy Badass 084 Child Bite - ancestral ooze 085 Sammi Smith - The City Of New Orleans 086 The Explosions - Garden Of Four Trees 087 Bobby Boyd - straight ahead 088 Bobby Charles - Street People 089 Wall of Voodoo -  Far Side of Crazy 090 Rhiannon Giddens - Freedom Highway (feat. Bhi Bhiman) 091 Elton John - Honky Cat 092 Serge Gainsbourg - Bonnie and Clyde 093 Fats Domino - I'm Walking To New Orleans 094 Cruel Sea - Orleans Stomp 095 Down -  On March The Saints 096 Danzig -  Ju Ju Bone 097 The Neville Brothers ~ Voodoo 098 Megadeth -  The Conjuring 099 Miles Davis - Miles runs the voodoo down 100 Elvis Presley - King Creole 101 Led Zeppelin - Royal Orleans 102 The Lime Spiders -  Slave Girl 103 BIG BILL BROONZY  -'Mississippi River Blues'   104 Kreeps - Bad Voodoo 105 Dirty Dozen Brass Band -  Caravan 106 Kirk Windstein -  Dream In Motion 107 Eletric Prunes - Kyrie Eleison - Mardi Gras 108 Merle Haggard - The Legend Of Bonnie And Clyde 109 Corrosion of Conformity -  River of Stone 110 THE ADVENTURES OF HUCK FINN (MAIN TITLE) 111 Zigaboo Modeliste - Guns 112 ReBirth Brass Band - Let's Go Get 'Em 113 Inell Young -  What Do You See In Her? 114 Jimi Hendrix - If 6 as 9 (Studio Version) Easy Rider Soundtrack 115 Deep Purple -  Speed King 116 Exhorder - The Law 117 Crowbar -  The Cemetery Angels 118 A Streetcar Named Desire OST - Main Title 119 WOORMS - Take His Fucking Leg 120 steely dan - pearl of the quarter 121 Tabby Thomas - Hoodoo Party 122 Black Label Society -  Parade of the Dead 123 Dwight James & The Royals - Need Your Loving 124 Abraham Lincoln Vampire Hunter (2012) The Rampant Hunter (Soundtrack OST) 125 PanterA - The Great Southern Trendkill 126 Ween - WHO DAT? 127 Earl King - Street Parade 128 Ernie K-Doe - Here Come The Girls 129 Dejan's Olympia Brass Band ~ Mardi Gras In New Orleans 130 Body Count -  KKK Bitch 131 Goatwhore - Apocalyptic Havoc 132 C.C. Adcock - Y'all d Think She Be Good To Me (from True Blood S01E01) 133 The Meters - Fire On The Bayou 134 Dr. John - I Walk On Guilded Splinters 135 Balfa Brothers - J'ai Passe Devant ta Porte 136 Ween - Voodoo Lady 137 King Diamond -  'LOA' House 138 Creedence Clearwater Revival - Born On The Bayou 139 Dax Riggs -  See You All In Hell Or New Orleans 140 Professor Longhair - Go to the Mardi Gras 141 Dixie Witch -  Shoot The Moon 142 Ramones - The KKK Took My Baby Away 143 Fats Waller -  There's Going To Be The Devil To Pay 144 Mississippi Fred McDowell -  When the Train Comes Along with Sidney Carter & Rose Hemphill 145 Treme Song (Main Title Version) 146 Tony Joe White - Even Trolls Love Rock and Roll 147 Nine Inch Nails -  Sin 148 Exodus -  Cajun Hell 149 NEIL DIAMOND - New Orleans 150 James Brown - Call Me Super Bad 151 Jimi Hendrix -  Voodoo Child ( Slight Return ) 152 Allen Toussaint - Chokin Kind 153 Dash Rip Rock  - Meet Me at the River 154 Hawg Jaw- 4 Lo 155 Hot 8 Brass Band - Keepin It Funky 156 Hank Williams III - Rebel Within 157 Dejan's Original Olympia Brass Band - Shake It And Break It 158 Jelly Roll Morton -  Finger Buster 159 The Royal Pendletons - (Im a) Sore Loser 160 Little Bob & The Lollipops - Nobody But You 161 Gregg Allman - Floating Bridge (True Detective Soundtrack) 162 Michael Doucel with Beausoleil - Valse de Grand Meche 163 Dolly Parton - My Blue Ridge Mountain Boy 164 Othar Turner & the Afrossippi Allstars – Shimmy She Wobble 165 Jucifer - Fleur De Lis 166 Soilent Green -  Leaves Of Three 167 Ides Of Gemini -  Queen of New Orleans 168 Betty Harris -  Trouble with My Lover 169 Lead Belly - Pick A Bale Of Cotton 170 Candyman Opening Theme 171 Goatwhore - When Steel and Bone Meet 172 Acid Bath - Bleed Me An Ocean 173 Pere Ubu - Louisiana Train Wreck 174 Walter -Wolfman- Washington - You Can Stay But the Noise Must Go 175 Alice in Chains -  Hate To Feel 176 Body Count -  Voodoo 177 Live and Let Die - Jazz Funeral 178 Smoky Babe -  Cotton Field Blues 179 Professor Longhair - Big Chief Part 2 180 Lewis Boogie - Walk the Line 181 James Black - Theres a Storm in the Gulf 182 The Balfa Brothers - Parlez Nous A Boire 183 The Jambalaya Cajun Band - Bayou Teche Two Step 184 The Deacons -  Fagged Out 185 Thou - The Changeling Prince 186 Black Sabbath -  Voodoo 187 King Diamond -  Louisiana Darkness 188 Doyle -  Cemeterysexxx 189 KINGDOM OF SORROW - Grieve a Lifetime 190 Hank Williams III - Louisiana Stripes 191 FORMING THE VOID - On We Sail 192 BUCK BILOXI AND THE FUCKS - fuck you 193 Down in New Orleans - The Princess and the Frog Soundtrack 194 Trombone Shorty & James Andrews  - oh Poo Pah Doo 195 Whitesnake -  Ain't No Love In The Heart Of The City 196 The Dirty Dozen Brass band - Voodoo 197 Joe Simon - The Chokin' Kind 198 Down -  Ghosts along the Mississippi 199 AEROSMITH  - Voodoo Medicine Man 200 Nine Inch Nails -  The Perfect Drug 201 The Byrds - [Sanctuary III] Ballad Of Easy Rider 202 The Iguauas - Boom Boom Boom 203 PJ Harvey - Down By The Water 204 Louis Armstrong - Do You Know What It Means To Miss New Orleans 205 Dr John - Right Place Wrong Time 206 ESTHER ROSE - handyman 207 Lightnin Slim - It's Mighty Crazy 208 Slim Harpo - Blues Hangover 209 Irma Thomas - Ruler Of My Heart 210 WEATHER WARLOCK - Fukk the Plan-0 211 Superjoint Ritual - The Alcoholik (Use Once And Destroy) 212 Stressball - dust 213 Trampoline Team - Kill You On The Streetcar 214 Xander Harris - Where’s your Villain? 215 Dukes of Dixieland - When The Saints Go Marching In 216 Kid Congo & The Pink Monkey Birds - Su Su 217 Danzig - I'm the one 218 EyeHatteGod - Pigs 219 Hank Williams Jr - Amos Moses 220 The Cramps - Alligator Stomp 221 Crowbar - The Serpent Only Lies 222 Shrüm - drip 223 Thou  - The Only Law 224 DR. JOHN - Babylon   225 Garth Brooks - Callin' Baton Rouge 226 Wild Magnolias - All On A Mardi Gras Day 227 NCIS New Orleans TV Show theme 228 Skull Duggery - Big Easy 229 Harry Connick Jr. - City beaneath the sea 230 Elvis Presley - Dixieland Rock 231 Tom Waits - I Wish I Was In New Orleans (In The Ninth Ward) 232 Neil Young - Everybody's Rockin 233 Philip H. Anselmo & The Illegals - Delinquent 234 CORROSION OF CONFORMITY - Wolf Named Crow 235 Widespread Panic - Fishwater 236 Lillian Boutté - Why Don't You Go Down to New Orleans 237 Bryan Ferry - Limbo 238 Scream - Mardi Gras 239 EyeHateGod - Shoplift 240 Better Than Ezra - good 241 Duke Ellington - Perdido (1960 Version) 242 Bob Dylan - Rambling, Gambling Willie 243 Big Bad Voodoo Daddy - sAve my soul 244 Le Roux - So Fired Up 245 Concrete Blonde - The Vampire song 246 Boozoo Chavis - Zydeco Mardi Gras 247 Idris Muhammad  - Piece of mind 248 Les Hooper - Back in Blue Orleans 249 Doug Kershaw - Cajun stripper 250 DOWN  - Witchtripper 251 Soilent Green - So hatred 252 Professional Longhair - Big chief 253 Willie Nelson - City Of New Orleans 254 Tom Waits - Whistlin' Past The Graveyard 255 Brian Fallon - sleepwalkers 256 Patsy - Count It On Down 257 Into the Moat - The Siege Of Orleans 258 Bruce Cockburn - Down To The Delta 259 Jello Biafra · the Raunch and Soul All-Stars - Fannie Mae 260 Exhorder - Asunder 261 Cane Hill - Too Far Gone 262 The Slackers - peculiar 263 Crowbar  - A Breed Apart   264 COC - Wiseblood 265 Necrophagia - Embalmed Yet I Breathe 266 EYEHATEGOD - Fake What's Yours 333 Alan Vega - Bye Bye Bayou 666 DOWN  - Stone the crow

I don’t beads by the way! Hit play here: https://www.youtube.com/playlist?list=PL-iHPcxymC182dTlE-Gii6ZOO5ZrN1Z1T

[gregarnott]

Initially created to be the house band for Allen Toussaint and Marshall Sehorn's label Sansu Enterprises, the Meters started out backing such famous names as Lee Dorsey and Betty Harris. Led by organist Art Neville, the quartet was rounded out by jazz-influenced guitarist Leo Nocentelli, along with the bubbling rhythm section of bassist George Porter, Jr. and drummer Joseph "Zigaboo" Modeliste.

[dynamicdrumschool]

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A post shared by Chris Lemp (@dynamicdrumschool)

With some of my students we have been studying the great drumming of Zigaboo Modeliste. This week we learned the beat from the song Look Ka Py Py. Zigaboo has so many amazing grooves that he created. This is a classic groove that is challenging to get the right feel. Robert does a great job demonstrating the fill this week. #drumlessons #dynamicdrumschool #drums #drumfilloftheweek #drumfill #drumfillmonday #zigaboo #zigaboomodeliste #meters #funk (at Santa Ana, California)

[sonofabass]

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A post shared by TEDtalks Bass (@sonofabass)

#themeters #georgeporter #leonocentelli #504life #nolagrow #bayouboy #southernfunk #neworleans #zigaboo

[backbeatdrums]

Trascrizione del beat suonato nel brano "What Is Hip?"

In questo beat possiamo notare che il charleston viene suonato utilizzando il classico pattern swing, eseguito in maniera binaria, con l'apertura sempre sul quarto sedicesimo. Interessante inoltre le ghost notes, in particolare sull'1 e sul 3, dove vengono suonate sul secondo e terzo sedicesimo. Da notare inoltre l'unisono ghost/cassa sul levare sempre dell'1 e del 3. David Garibaldi e Zigaboo Modeliste, sono stati i primi batteristi ad utilizzare l'unisono cassa/rullante all'interno dei loro groove. Tale combinazione è molto frequente nello stile di molti batteristi contemporanei come Mark Guiliana e Keith Carlock. 

[votava-records]

Cissy Strut · The Meters

The Meters are an American funk band formed in 1965 in New Orleans by  Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Their original songs "Cissy Strut" and "Look-Ka Py Py" are considered funk classics.