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Leon S. Kennedy and Claire Redfield must battle a rogue warrior seeking revenge after unleashing the deadly G-Virus, whilst a mutated monster goes on a rampage. Credits: TheMovieDb. Film Cast: Leon S. Kennedy (voice): Paul Mercier Claire Redfield (voice): Alyson Court Angela Miller (voice): Laura Bailey Curtis Miller (voice): Roger Craig Smith Frederic Downing (voice): Crispin Freeman Senator Ron Davis (voice): Michael Sorich Ingrid Hunnigan (voice): Salli Saffioti Rani Chawla (voice): Michelle Ruff Rani’s aunt (voice): Mary Elizabeth McGlynn Greg Glenn (voice): Steve Blum WilPharma CEO (voice): Michael McConnohie U.S. President (voice): Kirk Thornton Various (voice): Cindy Robinson Various (voice): Dave Wittenberg Various (voice): Kari Wahlgren Various (voice): Kyle Hebert Various (voice): Barbara Goodson Various (voice): Keith Silverstein Various (voice): Yuri Lowenthal Various (voice): Megan Hollingshead Various (voice): Skip Stellrecht Various (voice): Troy Baker Various (voice): Karen Strassman Various (voice): JB Blanc Various (voice): Johnny Yong Bosch Greg Glenn / G-Curtis (motion capture): Derek Mears Film Crew: Executive Producer: Masao Takiyama Screenplay: Shoutarou Suga Director: Makoto Kamiya Sound Director: Yota Tsuruoka Editor: Ryuji Miyajima Layout: Nobuhito Sue Sound Designer: Koji Kasamatsu Production Manager: Yoshimi Sugiyama Costume Design: Kuniko Hôjô Compositor: Naoyuki Fujii Stunts: Satoshi Hakuzen Executive Producer: Haruhiro Tsujimoto Executive Producer: Keiji Inafune Original Music Composer: Tetsuya Takahashi Co-Producer: Hidenori Ueki Story: Hiroyuki Kobayashi CGI Director: Atsushi Doi Casting Producer: Michelle Ladd Stunts: Naohiro Kawamoto Storyboard Artist: Shinji Nishikawa Casting Producer: Thom Williams Producer: Taro Morishima Associate Producer: Scott Dolph Video Game: Shinji Mikami Stunts: Jersey Maki Itosu Sound Editor: Yoshiki Matsunaga Casting Producer: Hiroyuki Yoshida Compositor: Hiroki Ando Storyboard Artist: Kiyoshi Okuyama Production Manager: Sareana Sun Associate Producer: Daisuke Gomi Stunts: Koji Kawamoto Video Game: Kenichi Iwao Story Editor: Father Video Game: Tokuro Fujiwara Video Game: Takahiro Arimitsu Modelling Supervisor: Yoshiaki Hirabayashi Producer: Seiji Iseda Associate Producer: Aki Kiuchi Executive Producer: Ivan C. Shih Co-Executive Producer: Toshi Tokumaru Associate Producer: Mareo Yamada Production Design: Shiho Tamura Production Manager: Alena Fang Production Manager: Kumiko Oguri Second Assistant Director: Kentaro Fujisawa First Assistant Director: Gaku Nagao Prop Designer: Takumi Sakura Storyboard Artist: Hiromitsu Soma Dialogue Editor: Les Claypool III Character Designer: Kazuhiro Asakawa VFX Artist: Wu Bin Lighting Artist: Zhang Bei Modeling: Stacy Chang Lighting Artist: Peng Chao Modeling: Hsin-Che Chen Modeling: Soyoung Cheng Modeling: Chaucer Chiu Lighting Artist: Liu Dexin Compositor: Nobutaka Emoto Lighting Artist: Le Gao Compositing Lead: Tsubasa Harikae Lighting Artist: Yifang He Lighting Artist: Zhang Hongkun Animation: Ni Hongtao Stunts: Nobuhiro Inohara Post Production Producer: Yuuki Hashimoto Assistant Editor: Narihiko Kôno Movie Reviews: Andre Gonzales: It’s just like if I was watching the video game. Pretty cool movie. These are the 2 characters I remember the most because I loved Code Veronica so much.

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~Jacob Layouts!

[figure-skating-confessions]

“ The music cuts of Vincent Zhou's CTHD FS and Boyang Jin's CTHD SP feel very similar (expect for the fact that the drum roll section in Vincent's program is actually more Japanese than Chinese)? I'm not talking about the skaters or the component layouts, just the music arrangement. And no I do not think all CTHD soundtrack based programs are similar; Cheng Peng/Hao Zhang's SP from 13-14 and Shiyue Wang/Xinyu Liu's FD from 15-16 are very different from each other and from Boyang's SP. “

[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

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She was actually a British coach (with really good layout sense) that opted for those colours for graduation clothes in 1880, makinged a favorable opinion on the trainees as well as advisers," so the account goes. Award of ILC along with Level H2 in at the very least three subject matters featuring necessary targets as well as Grade H3 in 3 additional topics. A group of six colleagues from Shanghai Institute of Executive Education, University of Shanghai for Science and Modern technology, Shanghai Ocean College going to Bristol and appointment along with Prof Yongjin Zhang coming from SPAIS, Prof Tim Bond, Dean of GSOE, Dr Guoxing Yu and Dr Wen-Jung Peng.

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Every trainee in the UA Landscape Design plan feels she or he will definitely be well-prepared for his or her line of work upon college graduation. No. If you performed certainly not go to or earn a degree off UW is to join the UWAA, the only way to be actually incorporated to the mailing checklist. James B. McMillan was actually the founding director of The University of Alabama Press, which is actually the University's main academic publishing arm consisting of acquisitions, editorial, creation, and advertising features of a full-service posting home. Any kind of candidate to one of our Regulation programmes (consisting of all shared honours programmes), that is presently studying or has earlier examined law at university level (regardless of whether the qualification was actually just partly completed or even is actually unfinished), need to say this accurately in the credentials section of the UCAS type, and give transcripts appointing this research direct to the College where offered. In 2013-14 she came to be the initial Gopher since Carol Ann Shudlick to lead the Big 10 in scoring, balancing 22.1 factors per video game. A main concern of this particular component is actually whether, and to just what magnitude, there is actually anything distinct regarding legal reasoning compared with reasoning in general. You'll likewise manage to remain to send and acquire emails off your UW e-mail address as well as accessibility various other UW online solutions, like UW Alumni Association courses as well as getting records online. The element is meticulously developed to inform you just what subject matters will be covered in lectures, give (choice and/or complementary) analyses, as well as offer a collection of various forms of inquiries as well as complications for workshops to assess and also extend your understanding of the product along with to boost your secret abilities like interaction, complication solving, team work, and learning ways to analyze efficiently.

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She was actually a British teacher (with really good layout feeling) who chose those different colors for graduation clothes in 1880, which made a positive perception on the pupils and also advisers," so the story goes. Honor from ILC along with Level H2 in at the very least 3 subjects including needed topics as well as Quality H3 in 3 more subjects. A team of 6 associates from Shanghai Institute from Manager Education, University from Shanghai for Science and also Innovation, Shanghai Ocean University going to Bristol and also conference with Prof Yongjin Zhang coming from SPAIS, Prof Tim Connect, Dean of GSOE, Dr Guoxing Yu and Dr Wen-Jung Peng.

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[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.

[architectnews]

Vector Architects creates network of terraces around Pingshan Art Museum

Vector Architects has completed the Pingshan Art Museum near Shenzhen, featuring a network of balconies and bridges that allow artworks to be displayed both inside and out.

The 47,000-square-metre museum gives the Chinese city its first major destination for contemporary art. It is located within the Pingshan Cultural Cluster, a hub of buildings that includes a new theatre and an exhibition centre.

Galleries open out to the terraces of Pingshan Art Museum

Despite its size, Vector Architects designed the six-storey building to be as permeable as possible, linking the park and lake to the east with the neighbourhood to the west.

At ground level, the volume is broken down into a series of small blocks, with pathways in between. They gradually join together on the upper levels, connected by the various terraces and bridges.

Plants and trees dot the terraces

This layout brings more people through the building, encouraging them to venture inside. It also creates opportunities for outdoor installations on the upper levels.

It is a similar strategy to the one employed by the studio when designing the Changjiang Art Museum in Taiyuan, which incorporates a raised public square.

Openings create through routes at ground level

"We fragmented the architectural volume to distribute the various functional spaces of the museum at different levels," said Vector Architects, which is led by founder Dong Gong.

"The spaces are stacked vertically, allowing us to set up a multilevel public platform system that renders the architecture penetrable and porous."

The first-floor terrace is accessible from the street. Photo is by Zhang Chao

Pingshan Art Museum is primarily constructed from concrete, which gives a weightiness to both the main structure and the protruding volumes.

Exhibition galleries are located on all six storeys, organised so that they can open out to the bamboo-covered terraces wherever possible.

When the museum is shut, the intention is that visitors will still be able to walk over some of these terraces and encounter artworks.

Plants and trees are also dotted through these spaces.

Galleries are located over all six storeys

"We hope that, outside of the operational hours of the museum, the building complex and its public functions could also be open to the whole city for longer periods of time," said the studio.

"The spaces under the overhangs provide ventilation as well as sheltering from the sun and rain, specifically for the sub-tropical climate of Shenzhen."

Glazed curtain walls create light-filled spaces

As well as exhibition galleries, the building also contains a large education centre, a library and a multi-purpose hall.

Spaces inside the building have a utilitarian feel, thanks to the large use of glass, metal and concrete. Glazed curtain walls are fronted by steel mullions, which help to moderate the amount of light that enters.

Concrete and metal give a utilitarian feel to the interiors

Pingshan Art Museum is located on the opposite side of the lake from the original art museum, a small building that remains in use.

Its neighbour is the Pingshan Performing Arts Center, designed by Beijing studio Open Architecture.

The museum forms part of the Pingshan Cultural Cluster

Vector Architects hopes that the building will become a busy, active space in the neighbourhood.

"In our imagination, the art museum would fully absorb the crowds along either side, as an interface that undertakes the daily life in the neighbourhood," it added.

Photography is by Su Shengliang unless otherwise stated.

Project credits

Client: People's Government of Pingshan District, Shenzhen Developer: China Merchants Real Estate Competition supervisor, academic planner and tender service provider: Urban Planning, Land Resources Commission of Shenzhen Municipality Architectural/interior/landscape design: Vector Architects Project team: Gong Dong, Yue Han, Peng Zhang, Jinteng Li, Jinteng Li, Guangli Yu, Xiaokai Ma, Dongping Sun, Liangliang Zhao, Xiangdong Kong, Yihsuan Lin , Jiadai Wu, Yun Liu, Nana Zhang, Yunhan Liu LDI: Shenzhen AUBE Architectural & Engineering Design Consultants LDI team: Rong Ding, Zhenfeng Liu, Zhigang Wu, Baojie Ding Structural design: Guoqiang Zou, Zhijiang Yi Mechanical and electrical design: Yu Huang, Xiaohua Liao, Shaoliang Xu, Tingwan Lu, Canrong Luo, Hong Zhang, Xiaowei Qi Landscape design: Jie Zhu, Changrong Zhang, Long Shu, Ming Feng Lighting consultant: Dongning Wang, Xiaolei Sun Facade consultant: Wangming Zhang, Chao Cheng, Jiabin Sang

The post Vector Architects creates network of terraces around Pingshan Art Museum appeared first on Dezeen.