#zetroc

[re4make]

Baby Eagle is Missing; day three, first puzzle

(answer below the cut!)

mousing over the bottom right of the house will uncover a secret tunnel:

remove the apostrophe and the answer is Zetrocs Hideaway!

[dengeki-blue-266]

-Aloooooooo les presento a Hestia, una de nuestras mejores amigas junto con Zetroc ^^ ye ella junto con mis hermanos y Zetroc, tambien les respondera preguntas!

[sgdesignstudio]

Cover art for Zetroc.

[bombontexas]

Feliz Cumple Compas, @djactbadd @djzetroc ‼️ Pupusa Papi is as gregarious on the mic as much as charms the dancefloor with his selections 😎 And Zetroc is as masterful on the decks as he is dedicated to taking you on a musical journey 🙏🏽 Proud to have y’all on the team! Con Amor y Sabor 🖤 Love Y’all, Fam! #pupusapapi #zetroc #libraszn #waltermercadovibes #bombontexas Bombón TX Tour, Eagle Pass + Houston, 2022 📸 @doogieroux (at Texas) https://www.instagram.com/p/CjOTn2kpLrA/?igshid=NGJjMDIxMWI=

[keyport]

Repost from @zetroce • Wednesday Carry! 4th CQ Day! ⚔🛠🔦⌚🗡👍😎 #EveryDayCarry #BokerTechToolCity1PocketKnifeCarbonFiber #KeyportPivotTools #MecArmyX4SGrey #SeikoSRDP71K2onStrapcodeJLouis #OpinelNo9DIYMultitool #keyport #keyportpivot #edc #pocketdump #edctools #edccommunity #multitool https://www.instagram.com/p/CPb2kobHli0/?utm_medium=tumblr

[coghive]

[Album] Imprint (Live in Memphis) - Zacardi Cortez

Generation Z’s favorite gospel singer, Zacardi Cortez, has dropped his third album and he aims for it to touch every generation. “There’s something for everyone,” he says.  Imprint (Live in Memphis) (ZetRoc / Black Smoke Music Worldwide) is the Houston native’s most poignant, personal project yet and the first for his own ZetRoc label. “This record is all of who I am, in all the different styles and ways I love to worship and sing,” he continues. “It’s 100% my imprint.” The thirteen-track collection features guest performances from some of Cortez’s favorite singers such as Kim Burrell, Tim Rogers, and Lisa Knowles-Smith. All those sonic threads mesh to weave an engaging and riveting string of modern songs that reflect the passion of traditional black church music. Listen link: https://fanlink.to/Imprint Anyone remotely familiar with black gospel radio over the last decade has heard Cortez’ incomparable voice that combines the grit of classic soul men like Bobby Womack and Eddie Levert with the cathartic power of the pulpit. That fascinating combination has hung over Cortez’s clouds of Billboard No. 1 gospel radio hits such as the retro anthem “Oh How I Love You,” the `80s throwback groove “YDIA, ” and the acoustic calm of “1 on 1,” which reigned at the top of the charts for five weeks in 2014. Deep fans first heard his hair-raising vocals on James Fortune & FIYA’s hits such as “The Blood,” “Let Your Power Fall,” and “I Believe” which spent nineteen weeks at the apex of the  Billboard Gospel Airplay chart in 2011.  “Zacardi’s voice is his imprint,” says Black Smoke Music Worldwide founder Kerry Douglas who first discovered Cortez when he was just a teenager who loved to sing around H-Town churches. “His voice is leaving a mark on the music industry. When people hear it, they know instantly know who it is because no one sounds exactly like him. His God-given talent has left an undeniable stamp on gospel music.” “It’s the first time I’ve been able to write or be this involved in a project,” Cortez says enthusiastically.  “I wrote, co-wrote, or arranged everything on here to show that I’ve got something to say.”  Alongside producers Morgan Turner and Marcus Caylen, he is saying a lot and he wanted to say it live. “Honestly, I think I’m much better live,” he laughs. “I like studio and all of that, but I love the live sound and the raw feel of the stage best. That’s where I’m really in my element.” It shows too. The set opens with the joyous up-tempo worship track, “You Deserve It,” which morphs into a rousing quartet stomper. He then shifts into the aggressive backbeat, “The Best,” where he channels the ferociously raspy roar of Otis Redding or James Brown working a chitlin circuit crowd back in the day.  Next up is, “Testimony,” a funky jam with a `70s  swagger. “My family recorded that back in 2014 but we never put it out,” Cortez says. “That song is my favorite because of my history of doing it with them and just because of the message of it. It just stuck with me.”  A good many of the songs were born during Cortez’ brief jail stay back in 2018. He and one of his buddies were driving through a rural Native American area of Louisiana. His buddy, who was driving, had had a couple of drinks, and was driving erratically when they were pulled over by the police. “It’s just crazy,” Cortez remembers. “I wasn’t even driving, but I made some bad choices too. I got locked up in St. Tammany Parish and I had to stay there for ten days because it was too far for any of my family to come and bail me out. The second half of this album was done there because I had nothing to do but think, pray, and write songs. That’s when God lets you go idle,  so you can do what you need to do.”

Cortez is doing what he needs to do to please his fan base. He has earned a reputation for his mastery of ballads and Imprint boasts some brilliant examples. On the quiet but intense “I Know He Will” he earnestly sings of God’s faithfulness, to the rhythm of Morgan Turner’s throbbing bass. “Work It Out for Me,” written by ASCAP Award winning tunesmith Travis Malloy, is a piano-centered rumination on God as a problem solver. Legendary vocalist Kim Burrell joins Cortez on “Anyway,” an eight-minute worship declaration that allows them to both showcase their Jazzy vocal gymnastics to the delight of the capacity audience at the historic New Salem Missionary Baptist Church in Memphis. From there, Cortez launches into the handclapper, “Steal My Joy,” a mid-tempo, congregational sing-along that finds keyboardist Sean `Synthsei’ Alexander displaying some of Ike Turner’s early 1970s psychedelic atmospherics. Anyone who’s heard Cortez’ current Top Five radio single edit, “You’ve Been Good to Me,” are in for a surprise. There’s about five more minutes of it, full of gripping autobiographical testifying about depression and the trials of life, to round out the full length nine-minute album version. “Oh Thank You,” is a quartet vamp that finds Cortez squalling lines with quartet king, Tim Rogers, on a riveting story about Jesus healing the Ten Lepers. “Lord, Do It for Me,” is a bluesy plea for divine intervention that ends with an infectious  praise team call and response.  The final live track is “You Don’t Know,” a fiery 1960s styled bop, that features powerhouse vocalist, Lisa Knowles Smith. “I always wanted to get Lisa on a track that would really take advantage of her gift and let her just drive the song,” Cortez adds. “I found this one and thought she would be perfect for it.  I love the way it came out. I think we’re like the new Ike & Tina Turner on this one.” They clearly evoke the Turners’ heyday with their ferocious vocal workout. The album is rounded out with bonus studio cuts of Cortez’ two most recent No. 1 hits, “Oh How I Love You” and “You Don’t Know.” “It was rough, and it was tough, ” Cortez laughs of completing Imprint, “I learned a lot of things,  but I got it done. Also, I’ve got the best team. Kerry Douglas and Black Smoke are on top of everything. Nicole Heyward and the whole Creative Classic team are doing great things. I’ve got so many other people around me who are really helping me and pushing me to the next level.” As a testament to his next level popularity, Cortez has also been showing up on the recordings of other artists such as John P. Kee, and Kirk Franklin. Grammy® winner PJ Morton pulled him in for “So in Love” from his, Gospel According to PJ, album and for his all-star cypher, “The Better Benediction,” from his current set, Watch the Sun.  “That’s my brother,” Cortez says. “I’ve been knowing PJ since probably 2007. His dad, Bishop Morton booked me and gave me my first real concert check for $1,500, so I’ll never forget that. But PJ has always pushed me, and he always brings out the other side of me vocally. We’ve done some other songs that people don’t know about because they’ve never been released.” In the meantime, the father of two is hard at work on putting his imprint on his own recordings and just living life. “I’m the life of the party,” he jokes. “When I come, you got to wake up because you’re gonna have some fun.” Imprint (Live in Memphis) - Zacardi Cortez https://open.spotify.com/album/2J5NM9D4nvG4qyqVxRyuGk?si=0829aX3oQ6aTyl-Er22tLw DOWNLOAD/STREAM ALBUM Read the full article

[grahamhaynes]

Cover Art Zetroc New Orleans, Louisiana

[insectrecords]

Set times for @xplodeddrawing Tonight! 5/6/22 Hardy/Henley/Harris -10-10:20 @lymannamyl @thorharris @leilaerophone Zetroc - 10:25-10:45 @zetrocmusic Mattie - 10:50-11:20 @mattiemystic DJ Design - 11:25-11:55 @djdesign Fennec - 12-12:20 @therealfennec Crystal Voyager - 12:25-12:45 @crystalvoyagervibes At the @austincinemakerspace With visuals from @oriongarcia_ @vjdk @el_dripcuts And records from: @butcher_bear & @soundfounder @glrygldglttr We will have some beverages but BYOB might be the way to go. See y’all soon! (at Austin Cinemaker Space) https://www.instagram.com/p/CdOxsGbFnNE/?igshid=NGJjMDIxMWI=

[exploded-drawing]

Set times for @xplodeddrawing Tonight! 5/6 Hardy/Henley/Harris -10-10:20 @lymannamyl @thorharris @leilaerophone Zetroc - 10:25-10:45 @zetrocmusic Mattie - 10:50-11:20 @mattiemystic DJ Design - 11:25-11:55 @djdesign Fennec - 12-12:20 @therealfennec Crystal Voyager - 12:25-12:45 @crystalvoyagervibes At the @austincinemakerspace With visuals from @oriongarcia_ @vjdk @el_dripcuts And records from: @butcher_bear & @soundfounder @glrygldglttr on the poster! We will have some beverages but BYOB might be the way to go. See y’all soon! (at Austin Cinemaker Space) https://www.instagram.com/p/CdOxdKBlpsb/?igshid=NGJjMDIxMWI=

[vaav-blog]

En junio 2017, luego de varios años trabajando en los actos en vivo alrededor de dos sonemas (Principito y Minotauro) decidimos registrarlos en directo en NDA, estudio de branding donde trabaja Eduardo. Muchas gracias a nuestros grandes amigos Jaime Núñez del Arco y Zetroc (quien ejecuta los visuales en vivo) por hacer posible esta grabación. El ep y su registro en video se lanzarán en 2018 en Pensador Records, sello independiente que lidera Jota.

[impulsetravels]

playlist. 14 october 2020.

vito lalinga (vi mode inc project) - kela futi (lego edit jazzy cut) // taranto + nigeria soul supreme - keep moving // israel + amsterdam buscrates + jp patterson - take a ride // pittsburgh potatohead people + de la soul + kapok - baby got work // vancouver + strong island alif tree - forgotten places // paris tall black guy + devin morrison - as the night moves // detroit + el lay tall black guy - it's hard to be blackalude // detroit resistance revival chorus - woke up this morning (with my mind stayed on freedom) // nyc burna boy - wonderful // nigeria + uk tigerbalm - ello koko // uk lil'dave - got the answer // philly bad colours - cookin' // bk + ldn + maryland dele sosimi + medlar - gúdú gúdú kan (daz-i-kue remix) // nigeria + ldn + atl fridayafterworkaffair + dearson - easy // south africa sean mccabe + erik dillard - everything's alright // uk + atl neapolitan soul + luciano gioia + kia stewart - if i were your woman (lovely mix) // napoli + salerno + jersey — empanadamn live impulse mix: lo fi soundz - nunca es suficiente (zetroc edit) // hustle town alaina castillo - ¡párate! // hustle town deekline + specimen a + warrior queen - ride pon it // ldn fracture - big up the ladies // ldn charli xcx - i finally understand // ldn jamie xx - idontknow // ldn rayray + aazar - back n forth // taiwan + france terror squad - lean back (rafik edit) // bx + düsseldorf guau - bumper car // palma de mallorca stanton warriors - somali funk // bristol tigerstyle + vybz kartel - balle shava! (sinden remix) // glasgow + ldn + ja jai paul - good time // london steve lacy + love regenerator - live without your love // el lay + dumfries machindedrum - ur2yung // bk tweet x oxlade - oops away (king most redirection) // rochester + sf » LISTEN «

[yajan1]

Misión #23 (Xelorium): Desgarrones temporales

El sargento Zeltroc necesita refuerzos para enfrentar a los idos

Condiciones

Nivel 195+

Misión #14 (Xelorium): Disfunción Espaciotemporal

Habla con la Cabo Ral Jart en el puesto de avanzado de Xelorium en los caminos del ayer en [1,6]

Te mandará a ayudar al Sargento Zeltroc en los futuro inciertos [4, -5]

Al hablar con él te explicará que han adquirido un prototipo que puede traer criaturas de otras épocas. Sin embargo esto causa desgarrones en el espacio tiempo, algo que atrae mucho a los Idos, los cuales deciden atacar

Se pueden unir hasta 7 personajes a la pelea, ya que el Sargento Zeltroc se une al combate. Si el Sargento Zeltroc muere, la pelea se pierde automáticamente 

Después de ganar el combate, el Sargento Zeltroc nos mandará a hablar con la guardiana del museo, por lo que vamos al museo en el día presente en [3,1].

La guardiana del museo nos pedirá 2 objetos para poder hacer un rastreador de criaturas de otros tiempos. Por lo que tendremos que ir a los futuros inciertos y buscar un cristal de madera y una llama temporal

En [0,-5] de los futuros inciertos encontraremos la llama temporal

El cristal de madera lo encontraremos en [3, -3]

Volvemos con la guardiana del museo la cual nos entrega un rastreador de criaturas de otro tiempo

Le hacemos doble click y nos señala la posición [2,1] en el Día Presente

Luego vamos a [5,6] en los caminos del ayer, donde tendremos que enfrentar a las criaturas de otros tiempos. Es una pelea por oleadas contra monstruos de distintas partes del juego, por lo que es recomendable enfrentarlos en un grupo de 4 a 8 personajes lvl 200

- En la primera oleada nos toparemos con un Cuereñor, un Droseral, un Mecanelifux y un Hielathos (todos monstruos de Frigost 3, la zona de conde)

- En la segunda oleada nos toparemos con un Dopeul Feca, un Baciloloco, un Kukoloide y una Dedstraik

- En la tercera oleada nos toparemos con Scorbuto, un Champbis, un Wabbit GM y un Zollo

Lo que más dificulta la pelea son el Baciloloco y la malameba, ya que tendremos que matar a la malameba antes de que explote y debemos evitar curarnos por 5 turnos para poder eliminar al Baciloloco

Luego de terminar la pelea, desterramos a las criaturas a sus tiempos correspondientes

Le informamos al sargento Zetroc en los futuros inciertos que hemos arreglado el desgarrón temporal

Luego hablamos con el Cabol Ral Jart en el puesto de avanzada y habremos terminado la misión

[artists-table]

ITAP off a church via /r/itookapicture http://bit.ly/2BES1RK by Adartse-Zetroc

[sgdesignstudio]

Cover art for Zetroc.

[bombontexas]

View this post on Instagram

A post shared by Bombón (@bombontexas)

NEW MUSIC 🚨 @djzetroc drops new tune off his upcoming edit pack today!! Listen, Share, Download 🔊 “Nunca es Suficiente” Zetroc Edit is available now on SoundCloud/bombontexas 🌟 LINK in IG STORY 📲 #nuncaessuficiente #zetroc #soundcloud #bandcamp #bombontexas #bombonmusic 📀 📹 @gabriela.atx (at Texas) https://www.instagram.com/p/CFcV39xpq82/?igshid=1xgm6e24gr78e