#yumemi doro

[yridenergyridenergy]

The gif version of yesterday's post

[alienorchids]

sukekiyo - 夢見ドロ

DT002

2021

[kyotakumrau]

2021.01.29 sukekiyo 地獄のリピーター at TSUTAYA O-EAST

BGM was again Alles in Allem.

They started with a session this time. After the beep Takumi slowly walked on the stage, got to his piano and started playing a slow, quiet melody. Kyo then joined and started singing.

I was so engrossed in it I didn't even notice when the rest of the members joined.

And then they played in all weathers...😭 that was a way to start, grabbing our hearts and pressing hard...

For Guzo Moratorium Kyo moved to his station, Yuchi started using shakers, the atmosphere this songs creates is mindblowing.

And I had a view of so many Kyos... front screen with CHA NEL Kyo, back with Kyo's face, Kyo's back on the stage and I could even see Kyo's reflection in the panels surrounding Mika's drum set (they used them from before to keep Kyo's mics sound clear). Woah.

This thought came randomly later between the songs, but the front three members and back two members kind of had coordinated outfits (I really don't think it was planned, especially with how different their styles were, but) utA, Kyo and YUCHI had black outer over a white shirt, while Mika and Takumi had black jackets over the black/dark shirts😆

Kyo's outfit thought. He had a very baggy black coat over a fitted white shirt with a harness and shorts. Very short shorts and he was also wearing thin leather straps over his thighs kind of like garters. Hair and make up were very similar to yesterday's (sleeked back green hair, eyeliner and red lipstick). His legs were mostly covered with tattoos.

utA has a side shave, not only shorter cut! Takumi's hair was curly and in a low ponytail  no hat today. YUCHI again had those platform boots and very thin white shirt.

During Waizatsu Kyo and YUCHI met halfway and had their moment, Kyo's dancing and Yuchi's playing facing each other.

For Sesshoku Kyo does a salut like gestures, the song live also finishes with the marching sound that also made me further think of military, which with the salut, marching and Kyo's outfit combines created quite unique combination.

...it was either dorothy or Valentina that had a game looking video, like a retro racing game.

Valentina - like some of sukekiyo songs, it's so catchy but at the same time so sad. During the 'kiss kiss kiss without words' Kyo was waving and pointing at the audience, again for 'do you need me?' he turned to the audience.

During Furesaseru the video used 不許可・Fukyoka images and had lyrics displayed on the screen. It's a slow song, started with 'do you die to live? Do you breathe to die? The balance is broken. Love me, save me. I lit up a cigarette I can't smoke, trying to copy you (...) the bell sounded in the room 304.'

(with more in the middle and after)

Yumemi doro showed a panorama pic of an empty, run down apartment. The beautiful piano melody was so touching.

Manierism had a lipstick applying session using cameras and back screen. It was so enchanting, but it had a lot of sadness to it as well.

Kyo also did a lot of dancing, both for slower and faster songs, often very sensual.

The ending with Hyohaku Flavor...

They added more again.

On the front screen there was that moment where there was a view of the sky with tall buildings, view from the ground. The song kept playing. At the very top of the screen we could see a silhouette of a man who jumped and for a moment it was like he was suspended in the air. A moment.

Then silence and suddenly we saw a close up of Kyo lying on the pavement (from shoulders up), his hands next to his face like he tried to stop the impact, bleeding from his nose and mouth. But his eyes were open and he was looking at the pavement. Behind the screen real Kyo turned and walked off the stage, followed by the rest of the members. On the screen Kyo lifted himself up a bit, blood falling, and said:

痛い (いった〜)・hurts

Music started again, the video and credits continued until the end. Again the scenes with the terrifying bloody Kyo with a hammer in a white bunny suit, sometimes behind a broken glass. Is that the other side, the mad side?

The black screen with 'sukekiyo' finished the set.

[yridenergyridenergy]

[yridenergyridenergy]

I live for Kyo's crazy sounds in Yumemi doro and I was so privileged to see how he produces them from the side.

I can't stop myself There's nothing you can do Whether you love me or not I leave that up to you

[yridenergyridenergy]

02/16/2024 sukekiyo - Tsumetai Chinmoku live report

SETLIST

Margaret

Gloss

Aishita Shinzou

Candis

Valentina

MOAN

Kuchi ni ringo

aftermath

Houmonsha X

Rongai na ikimono toshite

Kawattekuremasen deshou ka?

Yumemi doro

Scarlet

Tada, mada, watashi.

Hakudaku

Uso

Kokyuu

The show started if not on time, then way earlier than Dir en grey usually does. Yuchi, Takumi, Mika and UtA walked on stage in silence, swirvingly grabbing their instruments. Snow or ash was falling on screen, and the tour title appeared. Then, when everyone was ready, Kyo finally entered. All members were wearing their outfits from the MOAN music video, except that Kyo didn't have the head piece/veil. Instead, he had stuck pink braids drawn back almost like large bows, except that there was no knot visible. I'm quite sure that there were two on each side of his head. Based on the reflection of the light on his skin, I'm also certain that his hair is still shaved completely, and there was a clear demarkation between the circle on the top and his blank temples, so that crown of haywires with flames or fake hair seems to be tattooed permanently.

For makeup, Kyo looked like he had black dots around his eyes, but he mainly had sparkling white circular shapes around his eyebrows and the top of his cheeks.

What I remember from Margaret is all the glitter and sparks being shown on screen.

Gloss was surprisingly bare when it comes to stage effects. There were about seven poles coming down from the ceiling with a lightbulb at their end, and that was basically what was used for the entire song.

Aishita Shinzou was the beginning of a very pop-y bunch. Kyo bounced on stage like we saw him do in one of the videos from August 2023. The lighting was a mix of green and red. I remember that when singing "aiseru", he placed his hand near his crotch and swayed seductively, not sure how to better describe it though hah. The song ends with Kyo inside a pyramidal cage made of green light beams, which he stays inside until the next song, as if truly imprisoned in the moment.

Then Candis came, and the instrumental introduction was definitely a bit different than in the footage included in EROSIO. Like some of the instruments didn't make enough sound.

Anyway, Candis was extra special because they projected the venue at which the PV was recorded above and around the members, so bam: suddenly we were teleported on set. There were seemingly screens hung everywhere to show excerpts of the PV too. And when comes the time for Iya Iya Iya, that kanji pops up behind/above Kyo in the empty space that was there.

Valentina then starts without further ado, like the band wants to give the audience no rest and if they're already playing around in their bags for one penlight, might as well get that out of the way then, in the spirit of minimizing noise.

Aaaah, Valentina. All the classic moves, Kyo's right leg folding high at the knee to hit both ankles together in emphasis of "Lie Lie Lie Lie" and the "ii" in "Nakanai watashi ga ii?", although that one is definitely accompanied by a reprobatory fist on the hips, Kyo folding his arm up and down like a chicken wing. Dance!

When the one other pop song started playing after that medley, I had a very bad feeling. It was not subtle at all, the way they grouped all the pop songs together early in the show. I apprehended how the rest would be the polar opposite. And, well...

Anyway, for now, MOAN had Kyo gesture everything like in the PV, and parts of it were projected on the screen too.

I don't remember exactly for which songs, but Kyo did a lot of robotic dance moves and he seemed to hop left and right often too, as a default.

Kuchi ni ringo also had almost no stage effect. I think it was in this song that the crowd on the first floor was covered by a layer of blue light, making them completely disappear and giving the impression that there was a lake or something. And very oddly, at no point was there any red used. In fact, right after Kyo sings "That's not the bright red color I want", there's a blue light that erupts in the centre of the stage. Like, no kidding, that's not red at all. At the end, Kyo formed a kind of wide crystal shape with his index fingers and thumbs, which he would move from his abdomen outward in different directions. "Ah I want a womb" incessantly.

...aftermath on an orange autumn background...

But more important is what happened after aftermath. Kyo stepped back to his equipment next to Takumi's and promptly sat down on a plushy but otherwise ordinary high stool chair. Then, a man walked up to him from the side of the stage while the other members played a session, improvised or not. The man wore the tour long shirt, I believe, and he never turned to look at us. He pampered Kyo's forehead and cheeks two or three times with a white towel, as if to absorb the sweat, and he also (re)applied lip stick on Kyo. It was a bit funny to witness, because Kyo kept the same posture, hands by his sides legs not moving at all, hanging straight from the seat. It was as if he was a doll, but it seemed like he minimally parted his lips to help the man apply the lipstick. Rather than a doll, that gave mostly the image of a spoiled child or something. It happened for more than one layer, so maybe gloss was applied, rather than retouching the colour every time. The man swiftly left and Kyo walked hurriedly to his mic to sing lyrics that ring a bell to me, but I couldn't tell you what they were anymore.

Houmonsha X was amazing. The PV was projected on the screen. I had to remember to breathe after a while, which I'd apparently forgotten when the song started.

At first, Kyo sang before the lyrics appeared on the screen, as per the PV's English subtitles, but he seemed to fix his timing after a couple of lines. I hadn't felt that he was too early compared to the instruments, but it was otherwise done seamlessly.

Rongai had to be one of the songs where robot dance moves were used. It was intense of course, with bright spots of light appearing at every climax. At the end, Kyo only sang the first and third/last "I kill time with the likes of you", which seemed fond just because he was staring at the crowd, so it gave the impression that he didn't mean it as much as in the recorded song. And of course, there is no reverse lyric being sung or played like in the album version.

Kawattekuremasen deshou ka? came with the surprise of projected images. They showed mainly maximized ice cubes, maybe sparks too. I was somehow too absorbed in this song to memorize much from it. Next time!

Yumemi doro (not Furusaseru - I always confuse the two!) was then played and the movie projected contained a lot of swirls. Kyo dropped to the floor and swirved left and right sloooowly on his way back to a standing position. It was so smooth, effortless despite requiring strength. Oh and he was wearing his beloved pink Margiella heels, by the way. I had actually gone to see an exhibition titled "Beyond Fiber Art" at MOMAK that day and the way his knees moved below his black lace dress really reminded me of the hypnotic flows of fabric that I witnessed earlier. And yo, the other thing about Yumemi doro is thar in the newest recording, Kyo uses more diversified tones of singing than in the demo, but in this live performance, we were able to hear even more intense switches of tones. It was ingenious.

Scarlet also involved a ton of fractal swirls and the sphere of smoke, reminding me again of the art exhibition. It was a rather powerful song too, not necessarily pop but the emphasis created by showing just a couple of the lines on screen, like: "I want love" stressed the need even more.

I'm not sure in which songs anymore, but Kyo really put his hand between his legs more than once during this show. I thought Kashikomi Kashikomi would be played eventually as a reference to that, but sadly not.

Tada, mada, watashi. was performed with such strength and emotion that it was as though it was the band's eternal, signature classic. Breath-taking, really.

Hakudaku came next and it exacerbated my feeling that we were being driven to a dire end. The video showed a young woman whose face seemed to be scarred or disfigured at least on one side.

Uso was up after that and damn, of course it was emotional too. Being on the second floor/balcony, I appreciate that when Kyo gestures the "To the eyes set on tomorrow" up to us. I think that the screen displayed some sepia scenes that gave the impression of being memories.

Then, a longer pause than usual happened, with Kyo gripping his mic stand. Finally, the piano notes of Kokyuu started and ugh, I had imagined that it would be an ending song, if the band wanted to be cruel. They were ruthless. Fuck. Most of the lyrics appeared on screen both in Japanese and the English translation underneath, right in front of Kyo. At times, he stretched his arms out to the sides as if to seize possession and emphasizs those specific lines. I think it was in this song or in another with lyrics of a similar meaning, but Kyo grabbed his chest tight with both hands when relating that he couldn't be like others. He broke down for a bit with sorrow in the middle of the song. Until...

"The sadness will never end . . For whom?"

Right after uttering this in the most soft-spoken way, like in the album recording, Kyo walked off the stage. No "oyasumi", no mic drop, no nothing. For whose sake will the sadness never end, on his birthday? Puncture my heart.

Having abided by the rule to stay quiet during the show, it took Mika waving goodbye widely for us to start clapping. It continued until or during the instrumental of Margaret, clearly doubling though as everyone joined in when sukekiyo's name was displayed on the screen. The announcement was made for the July tour of four consecutive days in Kyoto.

I wish they would have played The Hole, Frameout kara no and Kashikomi Kashikomi, but I guess there's hope for a different setlist tomorrow?

[yridenergyridenergy]

2024/02/20 - sukekiyo Tsumetai Chinmoku live report

SETLIST

Margaret

Gloss

Aishita Shinzou

Candis

Valentina

MOAN

Kuchi ni ringo

aftermath

Houmonsha X

Rongai na ikimono toshite

Kawattekuremasen deshou ka?

Yumemi doro

Scarlet

Tada, mada, watashi.

Hakudaku

Uso

Kokyuu

Today's setlist was literally the same as the first day of Kyoto, to complete my bad luck of today, because I had to go and mention my preference. However, it ended on a much better note than the 16th because it wasn't a special day, and there were so many announcements after the show. And overall, of course it was amazing nevertheless and I knew what to expect but it went a bit beyond that.

I'll focus mostly on the highlights, or differences from the past performances of this week.

I think that everyone was back to wearing their MOAN outfits like on the first day (which also hinted that the setlist might be the same), except Kyo. He wore a two-piece similar to day 2 which showed a large portion of his abdomen above his hips, but the two pieces were completely different. The top had puffy sleeves and frills on the shoulders, which prevented his massive pearl necklace accessory from slipping when he moved, like it had on the 17th eventually. The bottom piece was a simple long skirt, no folds. All black, of course. There were short portions of frills near the hips on the skirt. This time, with my seat much closer to the stage, I could see the beautiful faded pink outline of his jaw and the side of his face, with his face maybe whitened a bit.

Since I'd seen online that Zepp DiverCity Tokyo had a rather flat floor, I didn't want to risk being unable to see even more, so I purchased a ticket being resold. It turns out that line A was inexistent, so the first line in front was B. Honestly, while it was awesome to see things up closer, especially Kyo's facial expressions this time, I do appreciate having seen sukekiyo from afar, because their shows have so much theatrics thanks to the projections. I literally barely saw them at all from where I sat today.

The show started with awful audio for Margaret, bur it improved after a while. Kyo for some reason kind of forgot "Iro wa ochi namida ni" and maybe the one that followed too. He tried to act natural and pick back up when he could. It was odd because the other members also made mistakes and yet this was the show being filmed. I think it was during Candis that one of the repeated keyboard notes was played one time too many, and there was another song in which it was UtA who did something wacky with his pedals which sounded super off.

For Gloss, I can't remember any highlights. Very emotional "Kokoro wo shibaritsukete" moments though.

Aishita Shinzou, I think that was the song during which Kyo drops to the floor and snakes his way back up slowly, and that he later teased a leg by raising his skirt. A lot of dancing! And it was definitely at the part about "tensed flesh" that Kyo touched the area between his legs seductively.

Candis, definitely from my view way to the right of the stage but also on the first floor, it was super not obvious that the projection made the stage look like the PV location. Anyway, super fun with the penlight! I don't know if it was just me, but it seemed as if Kyo sometimes could raise his hand higher during the "Iya Iya Iya", but that he kind of restricted how high he did it because we also couldn't raise our penlights to block anything outside of our own little space.

From the side by the way, and because Kyo kept raising his arms and arching his back in some songs, it was rather hot to see his tattooed skin move in the space between his pieces of clothing!

Oh and the way Kyo rotates on the spot at the end of most songs to sip water or just turn his back to us, arms straight to his sides, really looks so cool and kind of like a doll.

Valentina was great, of course! Even though Kyo seemed to point the kiss without a word everywhere except toward my section. I forgot to mention it before, but there is a time when he doesn't sing "Do you need me?"x2, I think when the song mellows down before pumping back up. I don't know if it's just for these Shikkoku no Gi shows, but he looks at us and places his index finger to his mouth, as if to make sure that we stay quiet, or maybe it's more in-character because the "Don't answer" comes after those lyrics in other parts of the song. So it's as if the character doesn't even ask if the other person needs them because they don't want to know, in fact. But then he does sing it in the louder part that comes next hahah.

I can't remember anything specific for MOAN.

Oh but yo, I think it was in Aishita Shinzou and another one of those pop songs, Kyo swung his hips sideways so much, it was nothing new to him.

Kuchi ni ringo had the "sono makka na iro janai" screeched again. Being under the blue sea of light this time, the vision is actually unobstructed but the effect can't be appreciated as much. In the song, during the Lan lan lan part, Kyo swung his arm around in a kind of stabbing manner, but I guess he was hammering a nail like he then sings. At the end of the song, his joined fingertips forming a womb actually spent more time moving downward past his hips, and he seemed to offer it outward much less. He even made it move more toward his chest, maybe over his heart? He got tangled up in one of the pearl necklaces and like a pro, he just adjusted his rotation for the next "Aaah Shikyuu ga hoshii".

aftermath really displays Kyo's high-pitched notes in all their glory.

After that, Kyo again sat down to be pampered, a zoom projected on screen simultaneously. It seemed to be much, much shorter tonight though, and the chair was different, a normal height and styled more like the one that was on stage in the tour where Kyo had the fluffy white petticoat. The session that followed had a mix of emotions, and Kyo generally felt more free to end some songs with a reverberating grunt, sigh, etc.

Houmonsha X picked up on that generally whiny/frustrated improvised session and it felt like Kyo really had quite the range of facial expressions. He also makes most of the same gestures as in the PV, which is broadcast above him on the screen. His dancing was more robotic, and I don't know if he danced as if it to avoid stepping on the lights this time around. From the first floor, you totally can't see that detail.

Rongai na ikimono toshite was superb. Intense, aggressive. I think it was in this song that there was a lot of Kyo gesturing to hit the back of his hands against one another. I don't know what it was supposed to refer to. His rings were supposed to hit?

The reflective part of "Aishita? Aishita...i" has a spiral composed of many lines swirling, it's perfect for the mood. Rongai na ikimono toshite was definitely one of the songs where Kyo continued to make guttural sounds at the end, where in the studio recording he's singing the first line in reverse.

Kawattekuremasen deshou ka? was great again, a bit less emotional than I personally feel about it, but still. A majority of the lyrics were added to the videos being displayed this time around! It felt like it added more personality to the song. Yet somehow, the part of "Naze watashi dake hontou no ai wo shiranai" is the one omitted from the screen, like more emphasis is put on the following verse. And when Kyo sings the title of the song, he comes up to the screen and essentially asks whether anyone here in the audience could consider changing places. At the end of the song, Kyo purposely places his hands over the pink lights on his mic stand to obscure his face and create a more dramatic ending.

The biggest highlight of the night by a land slide is Yumemi doro! To set up the situation, at the end of Kawattekuremasen deshou ka?, Kyo's foot caught in either his mic stand or his mic cord, almost making the stand fall over. He noticed on time and prevented it. But that just seemed to give him an idea, because he almost pole-danced that mic stand in Yumemi doro. He then lifted his skirt again I think on both sides, but definitely on his left side high enough that we got to see the underpant (not actual underwear) section of the skirt, and he lifted that exposed leg twice to hug the mic stand.

There was one song in the lot where Kyo dropped to the floor, maybe that aforementioned time in Aishita Shinzou, and he licked his stand about near the height where someone's hips could be, but that's just a measurement for you all, I don't know if it was intended hah.

The other thing about Yumemi doro is that range of distorted vocals which was again even more enhanced and deranged in this live performance. Being closer, it was so cool to observe not only Kyo's facial expressions during those, but also the way he moves his jaw, his throat, etc. to produce that diversity.

Scarlet was more tame in comparison, but anything would be. The drums and bass really hit you full force the most in this song.

Tada, mada, watashi. was powerful as always. I was able to confirm that it's "Oyasumi" in hiragana that's displayed right before the restart of the song near the last portion.

Hakudaku and Uso, same as before.

Before Kokyuu... Kyo slowly came back up to the mic stand after emitting a sad sigh, eyes downcast.

Fortunately, we weren't left on that note. After Takumi, the last one to leave, bowed a couple of times on his way out, there were all the announcements that I posted, plus a best album to be released too. Each time a specific announcement ended, the message on screen said: "Otanoshimini..." (Look forward to it...) until the last one, which sounded more authoritary: "Look forward to it!"

I got my little share of Frameout kara no because it was the song used during the announcement for the tour in August, I guess.

Overall, I'm so glad that this show got filmed. It's weird not seeing cameramen moving around like during Dir en grey shows: what I saw was one small camera on a stand at the very edges of the stage, one small on a very short stand right in front of Kyo on stage, pointing up at him, and a camera mounted on a tall arm that kept moving around, from the side of the stage besides Mika. There must have been other cameras in the back of the venue too.

And Takao Ogata was right there when Kyo hugged the mic stand with his legs and showed off his left leg up on it. We better see those pictures at some point!!

[yridenergyridenergy]

Kyo came and sat on the edge of the stage to swing his legs on his birthday show during the filmed part!

Combination of excerpts from ju_das__’s and hollow_writers’ videos. 

[yridenergyridenergy]

Dreaming Mud

[yridenergyridenergy]

[yridenergyridenergy]

I wonder what sukekiyo and especially Kyo bring with that new album ´´SALUS´´

Well I had the pleasure of listening to all the demo tape songs so far and while I disliked Sesshoku, Yumemi Doro and Furesaseru initially, Kyo's live performance of the last two in LUXURIA really made me love those. And Aishita Shinzou isn't on par with Valentina but it is kissable too.

Overall, I'd say that Kyo's hype for Madonna this past year really shines through, and it's looking like a very promising pop dancy album!

If SALUS will contain those songs at all though, which I do not know for sure hah.

[kyotakumrau]

sukekiyo eng ohp 2020.11.26

Details about preorders for the upcoming 3 demo tapes!

Each demo tape (cassette tape) will come with novelty goods: an original umbrella, original T-shirt (black) and original T-shirt (white)

A 『Special Complete Set』 will be on sale on early pre-order only. This set will be including all the 3 demotapes and their 3 novelty goods, along with an original sport bag and a bonus CD for 「夢見ドロ (yumemi doro) 」「触れさせる (furesaseru) 」 and 「Valentina」.

A 『Complete set』 (comes without the original sport bag) will also be available for pre-order.

Please note that all the products come in limited numbers, and the sales will stop as soon as they run out of stock.

Early pre-order only①

■DEMO TAPE Set of 3 – Special Complete Set【Limited time only / Comes with original bonus present】

◉The set includes:

Cassette tape for 「夢見ドロ (yumemi doro) (Demo Version)」 (1 track)

Cassette tape for 「触れさせる (furesaseru) (Demo Version)」 (1 track)

Cassette tape for 「Valentina(Demo Version)」 (1 track)

Original umbrella (『夢見ドロ (yumemi doro) 』 novelty item)

Original T-shirt (black) (『触れさせる (furesaseru) 』 novelty item)

Original T-shirt (white) (『Valentina』 novelty item)

Original sport bag

Bonus CD (Complete set only. 3 tracks CD for 「夢見ドロ (yumemi doro) 」, 「触れさせる (furesaseru) 」 and 「Valentina」)

￥36,300(tax inc.)

◉Pre-order term

2020/11/26(Thu.) 17:00～2020/11/28(Sat.) 23:59

Early pre-order only②

■DEMO TAPE Set of 3 – Complete set【Limited time only / Comes with original bonus present】

◉The set includes:

Cassette tape for 「夢見ドロ (yumemi doro) (Demo Version)」 (1 track)

Cassette tape for 「触れさせる (furesaseru) (Demo Version)」 (1 track)

Cassette tape for 「Valentina(Demo Version)」 (1 track)

Original umbrella (『夢見ドロ (yumemi doro) 』 novelty item)

Original T-shirt (black) (『触れさせる (furesaseru) 』 novelty item)

Original T-shirt (white) (『Valentina』 novelty item)

Bonus CD (Complete set only. 3 tracks CD for 「夢見ドロ (yumemi doro) 」, 「触れさせる (furesaseru) 」 and 「Valentina」)

￥22,900(tax inc.)

◉Pre-order term

2020/11/30(Mon.) 17:00～2020/12/2(Wed.) 23:59

Regular Pre-order

■DEMO TAPE『夢見ドロ (yumemi doro) 』＋Umbrella set

◉The set includes

Cassette tape for 「夢見ドロ (yumemi doro) (Demo Version)」 (1 track)

Original umbrella

￥4,300(tax inc.)

■DEMO TAPE『触れさせる (furesaseru) 』＋T-shirt (black) set

◉The set includes

Cassette tape for 「触れさせる (furesaseru) (Demo Version)」 (1 track)

Original T-shirt (black)

￥9,300(tax inc.)

■DEMO TAPE『Valentina』＋T-shirt (white) set

◉The set includes

Cassette tape for 「Valentina(Demo Version)」 (1 track)

Original T-shirt (white)

￥9,300(tax inc.)

◉Available for pre-order from

2020/12/4(Fri.) 17:00～

▼Preorder it on GALAXY BROAD SHOP

[kyotakumrau]

sukekiyo twitter 2020.09.30

◉最新情報◉

sukekiyoの新音源デモテープ「触れさせる」「Valentina」「夢見ドロ」の三種の発売が決定致しました。

詳細は後日発表となります。楽しみにお待ちください。

※公式通販サイト【GALAXY BROAD SHOP】での販売となります。

◎latest news◎

sukekiyo will be releasing 3 new demo tapes 'furesaseru', 'Valentina' and 'Yumemi doro'.

More details coming at a later date, so please stay tuned.

※they will be available through the official shop GALAXY BROAD SHOP.

[yridenergyridenergy]

Furesaseru, Valentina and Yumemi Doro.. What do those titles translate to? You don't have to explain Valentine since that is a title in English, but what about Furesaseru and Yumemi Doro?

Not an expert, but I would say:

Furesaseru = Let me touch (you)

Yumemi Doro = Dreaming of mud