#your art is so pretty op

[merakimagic]

｡^‿^｡ (≧▽≦)

Some Rise!turtle sketches

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[do-the-foxtrot]

I am so pleased with myself rn

[parbelle-time]

my submission for @streetlight-halo ‘s dtiys!! this was so fun :D

[Image ID: Digital art of Annabelle Cane from The Magnus Archives. She is wearing a white and orange shirt with an orange poodle skirt and blue shoes. She lounges back and smiles. The background is blue, with three gray arms, a gray spiderweb, and three white stars. End ID]

[risingsunresistance]

guys. you have GOT to check out this skyblock comic. please i'm begging you i'm going insane it's so cool

[sesamenom]

some funny snippets of a tentative timeline for the reverse gondolin au

[mewkwota]

hi!! i’ll try to keep this brief!!

it’s been several years since ive drawn tsux, but i stumbled across your “you and the beautiful world” cover again. suddenly i felt really nostalgic, so i doodled her on a whim. thank you again for inspiring me to draw these past several years even though we haven’t talked in a while!! i hope something makes you smile today!!

[whatevahwhatevah]

obsessed with how u draw eric. ur art deserves so much more attention‼️

UNO REVERSE CARD TO YOU BECAUSE *I* LOVE HOW YOU DRAW ERIC WHAT THE HECK HE IS PERFECT

[teethkid67]

teeth he/him

pfp by @/woozyair on twitter :3

DO NOT repost my art & please ask before using

#things i make <- my art

#personal <- personal

#seals <- seals

fandom tags: #babymetal #dhmis #dsmp #metalocalypse #monster high #pjsk

regular commission info

reblog everything know no shame happy 2023 2024 !!!!!!

i draw gore - everything is maintagged for easy blacklist (#gore, #blood, etc) . feel free to ask me to tag stuff

ask me about my typewriter collection OR ask me about my dsmp au #block party

i post things i find on the ground #floor finds

ps lmfao please be normal about my fucking name

[princesslocket]

I'M LATE, SORRY!!!!!!

BUT HAPPY BIRTHDAY!!1!!! You've always been so kind to me, I can't express how much I admire you! Your art is so beautiful and loving, keep being that wonderful person!!! <33

It's something simple, but it's from the heart! 💛

O M PIKACHU THANK YOU SO VERY MUCH!!! You're deserve all the kindness in the world tbh!!! Your art always brings me so much joy, I literally can't get enough of it, and now that I'm seeing this- This ABSOLUTELY BEAUTIFUL ART- I'm just about ready to cry (out of pure happiness of course) THANK YOU!!! 🥺💗🌺🌟

[claycatz]

@sweepy-jacky check this cool art out

10 years later

[shithowdy]

this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣

so what are some signs to look for? let's use this very good example.

what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?

your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?

Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.

But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.

This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.

Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.

Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:

-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.

-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?

-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!

-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?

Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.

peace n love

[pumisod]

[daughter-of-sapph0]

reiterating because maybe we weren't clear the first time

reddit refugees, reblog art, don't repost it

if you really like someone's art, reblog it. you can do that by clicking the little looping arrows at the bottom of the post. this will make it so the art appears on your blog and shows up to your followers, but the op is still credited and given notes.

reposting does not give credit. and no, saying "artist is ___" as the caption doesn't count, unless you have permission given directly by the artist.

if you have a funny or pretty image on your phone that you saved from reddit, don't post it here on tumblr, because 99% of the time it came from tumblr. use a reverse image search to try and find the original tumblr post, and reblog that.

taking that extra five minutes to find the original post of an artist you love will absolutely brighten their day and make the entire world a better place.

please, I'm begging you. reblog art. don't repost it.

[okcoolthanks]

Awww I love this design of themmmmmm ((((:

Oh yeah @warfstachex you like these guys lmao

What if we were both doctors & shared oranges 🤨

[bi-writes]

i'm a big fan of your writing! can i ask what made simon want to mail order a bride in the first place? thanks <3

mail-order bride

he's tired of staring across his dinner table and seeing nothing but empty space.

it isn't something he had thought about in the before. he's spent a long time shifting between different cots, collecting sand from faraway places and counting the bodies he dropped with tally marks against his boots.

there's a picture he keeps tucked into his vest, but he won't take it out. it sits heavy there, an invisible wall between himself and the outside world, a reality that he chooses not to believe. if he doesn't look at them, he won't think of them, and if he doesn't think of them, maybe he can pretend they were never even real.

they all have something outside of here. his sergeants are too pretty and too outgoing to stick around; they're social butterflies, and simon has seen the shuffle of pictures of some pretty girl that gaz can't stop staring at, and soap never shuts up--whenever they have a signal, he's somehow got a phone call with his cousin's stepfather's little sister, or it's his second cousin's brother-in-law's birthday, and he's got to wish him well since he missed his art exhibition last month.

even price has a pale circular shadow that is stained onto his ring finger.

it's not his fault, is it? it's not his fault he was dealt the worst fucking hand. it wasn't his fault he was born already two feet into the grave; it couldn't have been his fault that he can only get a good night's sleep when there's screaming in one ear or the rattle of a battlefield over his head.

it isn't his fault. it isn't his fault. it isn't his fault.

the cigarettes taste bland today. they're old, stale, and he can taste the bitterness already, but he lights it anyways, flicking ash into the ground, scrunching his nose until he gets used to the bite of it.

there's a shadow at his side, and he turns to snap at them, assuming it's johnny and his incessant nagging, but he holds his tongue when he realizes it's his captain.

he's got a warm cigar in one hand, and he leans against the concrete wall beside him, sighing deep, the kind of pensive weight that only a captain can bear.

price looks tired. he needs to go home.

"boys invited y'out, didn't they?" price asks, and simon chuckles lowly.

"'m olready 'ome," simon murmurs. "'n i can get piss drunk oll on my own 'ere."

price shrugs.

"ya haven't taken leave since you joined my team, simon," he says low. "can't have that. you know it."

simon shrugs.

"can try and make me go," simon tells him. "but y'know i won't leave."

"i'm not asking, simon," price says firmly. "'m telling."

"doesn't matter," simon takes a long drag of the cigarette, holding it in for a second too long before letting it out slow. "got nowhere ta go."

his captain is not blind. simon's on a one-way road, and the end of it stops at the end of someone else's gun. men like simon, the ones who have nothing to lose, they're dangerous. they clear rooms outnumbered thirty to one because no one thinks they can. they hit targets from thousands of yards away because it's the only place that never changes. they kill and sleep peacefully because the blood of a stranger is far cleaner than that of someone they know, of someone they love.

they'll never leave because war is familiar. they don't want to go home because home isn't something they know. they're nomads, taking with them only what they can carry, because the rest is baggage and an emotional weight that they aren't strong enough to carry.

but it doesn't mean men like simon don't want. it doesn't mean they don't wish for more. it doesn't mean they don't think about using their teeth for something other than baring them to show their dominance, their aggression, their insecurity.

simon's a protector. the way he shoves his men behind him says so. the steadiness of his voice over comms when the op goes to shit. the ease of his hand when he ties a tourniquet. the split second that simon never wastes, the way he uses his body as armor and the look he gives his men when they're scared. simon's died twice before, and the look in his eyes tells them that this isn't it, that this isn't death, because he'd fucking know--he'd recognize it if he saw it.

simon's unrelenting. his past, his trauma, it's tried to beat him into a shape that will bend and snap, but its obvious simon is not made of lead--fuck, he's an entire block of unmovable steel. he does not give when compressed, he does not crack when the strength of him is tested. simon's fought too hard to live to let a gun terrify him, he's endured too much torture to flinch when someone sinks a blade into his chest.

but he knows, simon knows, that there is something missing. he fought hard to live, but for what? he's endured, but what the fuck is there when he lays his head down at night?

simon's a lover. he tries so hard to convince himself that he's always been this way--alone, drifting, lost, but it's a lie. simon knows what it's like to want. he knows what it's like to look into a crowd and hope you see a familiar face. he understands wanting to pull that string taut, but he also understands what it can do to you. what it can take from you.

he understands what you can never get back.

he thinks this is a bad idea. he crumples the note paper in his hand that had the address scribbled onto it, tearing it, staring up at the house in front of him. it's quaint, a lovely little house in the outskirts of london, with a red chimney and overturned planters in the yard. there's a weathered wooden door, a porch step that needs fixing, and when he kicks open the door, he grimaces seeing a carpet that need's replacing.

"the fuck am i doin' 'ere?" he whispers to himself, sliding his mask off, running a hand over his face. his heart is pounding, but he's not sure why, but he catches his reflection in the window. what looks back at him terrifies him--he can't do this.

he makes his way back outside, rummaging through his pockets for a cigarette. he takes a seat on the steps, lighting it, and as he takes his first frantic drag, he sees the torn pages of the note still on the ground. he picks up one end of it, running his thumb over the crumpled paper there, smudging the pencil scribble there.

she needs you

it's written in price's ugly handwriting, letters all tilted to the side and barely legible, but he still can read what price didn't write--and you need her.

but simon doesn't need anyone. he barely needs himself, barely can take care of himself. this won't help him--he can't help anyone, he isn't the kind that can be this kind of thing for anyone. he's stayed in the service because at least this way, he can die with honor, he can prove them all wrong, he can at least be remembered for what he could do and not by what was done to him.

his touch is ice. his heart is buried too deep under his ribs; no one has seen it since he could finally register a memory. his face, the skin he wears--he's not a pretty man, he's a forgettable one. he isn't gentle, he isn't capable of it. he can't forgive. he's so quick to anger, likes to snap his teeth, and he cannot be the kind of thing that they all expect him to be.

he does not love himself. he will not love himself. so he cannot love another.

there is a certain kind of satisfaction he feels when he fixes the porch step. once abandoned, once a nuisance, and now it functions as intended. he feels the same kind of thing when he rips up the stained carpet, and he feels it again when he watches the seeds of the thyme leaves grow as they rest in a pot above the sink.

things once forgotten serve a purpose. with effort, they can be used again. they don't have to be replaced, they can be open anew, they can live again and breathe deeper and see through the lens of a different perspective.

when you climb the porch steps the first time, he thinks about the board that doesn't wobble any longer. when the door shuts behind you for the first time and you take off your boots, he thinks about the new carpet that warms your toes now.

and when you lay next to him for the first time, under the covers of the bed he's made, he reaches over and slips a few fingers around your wrist, thumbing at the base of it and swallowing hard when he feels the pulse of your heartbeat. it beats, warm and steady, to a beat familiar, one he knows. his heart has not been hiding under thick bone and the tar of his own blood.

it's here now. under your skin. and now it's home.