#you're really going to go for the ship that requires misreading like All of their interactions when hana is right there?

[obseletrix]

hanatori (i refuse to refer to katori as a top. she is a pillow princess) is just also like objectively. one of the best ship dynamics for anyone of any gender. like i am going INSANE they have devoted large parts of their lives to each other and hana has Hand Scars (underrated affectionate gesture: tenderly kissing your girlfriend's hand scars that she got saving your life, one by one, until she grabs your chin and tilts your head gently up, kissing you on the lips) and katori won't go on the expedition without her squad but ngl i'm pretty sure she just means hana...... ultimate lesbians

in world trigger the f/f ships are like girls who choose to save her girl best friend's life over her own parents. and the m/m ships are like they walk the dog together

[bropunzeling]

Since you say you love to chatter, I hope you don't mind being asked a few questions :)

what's a scene/detail/piece of dialogue etc that you really wanted to include in [fic of your choice], but you couldn't find room for? here's your chance!

if you had to write an epilogue (or sequel!) to any of your fics (that you are NOT currently planning on writing an epilogue for), which would it be and what would happen?

for the ships you're currently writing about (and have written for in general), is there usually one character you like more than the other? (will you tell us who? has it ever changed?)

what's a ship/fic idea you want to read about but don't want to write yourself? maybe somebody will be inspired!

share anything you'd like about a wip!

aw thank you anon! especially for the opportunity to procrastinate on working on my current wip :) answers under the cut:

some dialogue that i ultimately cut from the spain scene in marriage bets where they were having tapas (originally there was going to be ALL this flirting over the tapas and then it went on too long so i got straight to the questions):

"You're not going to eat that?" "Hey, I tried it." "You're so American." "It's the texture--" "Such a wimp." "I'm sure plenty of people aren't into eating octopus." "Uh-huh."

if i had to write an epilogue or sequel:

oh gosh. i think a lot about the one where marriage bets matthew and leon get married for real for real, with suits and their families present and everything. it WOULD involve matthew finally telling brady that he was not, in fact, the first tkachuk to get married. the other one i think about is, of course, rat baby in a cup. she reigns eternal.

is there a character in a ship that i like more than the other?

i think it's hard for me to enjoy a ship where i don't actually like one side of it! that said, there are definitely characters where i find it much easier to get into their headspace than others. i've probably said this before, but leon is such a straight line thinker and so easy for me to get that for a long time it was hard for me to try and write anything from matthew pov because his is a little more twisty-turny. they're both equally complex! but it requires different skills to get the effect i want, which is normally the pov character not having a clue what the other one is thinking. it's a lot easier to have leon misreading matthew than the other way around. except now of course i've written a lot from matthew pov so finding my way back to leon pov has been a challenge.

a ship/fic i want to read but don't want to write:

god what DON'T i want to read. lmao. i would love for someone to write a good achy jamie/trevor post-trade fic. i would love for someone to write a long slow friends-to-lovers matthew/sasha fic! i would REALLY love a brady/quinn future fic. especially if it features divorced brady. i feel like future fic especially is a trope/concept that i just feel less comfortable writing so whenever someone else writes it i eat it up with a spoon :)

share anything you like about a wip:

well the wip is going SO SLOW and is VERY HARD for me because im challenging myself by writing a slow burn and cant rely on sex scenes to do the chemistry work for me this time rip rip. but here is a wee snippet:

“Draisaitl. Tkachuk,” Coach says, gesturing at the starting line.

Leon gets ready, bracing his stick over his thighs. He’s already raced Jordan and Gourde—beat Jordan, beat Gourde—but he hasn’t had to go against Tkachuk yet. Hasn’t had to do much of anything with Tkachuk yet. Yesterday they were at the other end of the line from each other, or opposite sides of the rink. It had lulled Leon into a false sense of security.

Now, though, Tkachuk is watching him with that way that he has, like—

One time, while making kebabs, Leon got a splinter from the bamboo skewer under his nail. It hurt like a bitch, had him cursing for five minutes until Jenna told him to stop squirming and tweezed it out. The splinter had been miniscule, almost impossible to see, and Leon had wondered how something so tiny could be so aggravating and painful, would make him do anything just to get it to stop.

That’s how it feels when Tkachuk looks at him. How it’s always felt. Like his gaze is digging in under Leon’s skin, until Leon’s entire body is red and inflamed. It makes Leon want to scratch at his shoulders, his chest, until he can finally tear Tkachuk out.