#you're analyzing a video game but can't even see behind how a character wants others to see them? ok.......

[perilegs]

I finally got around to watching the Dragon Age - An Entire Series Retrospective and Analysis video on youtube, and i was enjoying it up until the point of origins companions being introduced and hearing "Zevran, the bisexual assassin, whose main personality traits are that he's bisexual and an assassin."

[fourraccoonsinacoat]

The beautiful subtleties of the Astarion scar scene, and why this is that headcannon scene where Tavurge draws Astarion.

***Trigger Warning for discussions of body autonomy and sexual trauma.

And we're back for yet another midnight dissertation where I over analyze the F out of a video game character romance, because I can't stop thinking about how amazing the storytelling is. I need help.

So we all love that Astarion romance headcannon where Tavurge draws/paints/does-something-to-show-Astarion-his-face. It's a beautiful headcannon and I adore it. But, allow me to convince you that Larian did, in fact, give us this scene. And it's the scene where Tavurge draws Astarion's scars.

Jump in the car, here we go:

The song playing in the background of this scene is "I Want to Live." I think that's a very deliberate choice, as that song is very tied to Astarion. So much so, that you can stand on a rock behind his tent and suddenly the full song starts to play, lyrics included. Music reminding us of the one thing Astarion wants more than anything else?

Astarion wants the freedom to live a life he chooses, he wants his choices to matter. He's been living 200+ years, but can't remember ever feeling alive until now. He is so deathly afraid of what he has being ripped away now that he's had a taste.

Because every other time he ever felt hope, Cazador tore it away and punished him. Cazador has caught him before when he ran, and locked him in a tomb to starve in darkness for a year. There's a reason the game makes it clear that this is his worst memory. It has to constantly be haunting him, fearful that at any moment Cazador is going to rip this away, too.

So, Astarion sleeps with Tavurge and is suddenly told that the design Cazador drew on his back is written in Infernal. Infernal being the language devils use to write Infernal Contracts. Astarion has to be out of his mind with fear that whatever is on his back binds him to Cazador in some way. Maybe in a way he doesn't know about.

I need to say something about body autonomy trauma, so trigger warning for those who struggle with these subjects. Sexual and body autonomy trauma both play into why this scene is powerful. I struggle with both and there's a reason his story hits particularly hard with me.

****Trigger For Description Of Emotional Response to Trauma: Having control of your body taken away leaves you with a type of deep, primal fear that is very difficult to explain. It's ridiculous and cliche, but the honest-to-best way to describe it is it, feels like a hole deep in your chest where something used to be. And it was literally wrenched out of inside your body, a place where nobody should be able to go because if your body isn't safe then where the fuck is? So keep that in mind.****

Not only has Astarion not had control of his body, he can't even see it in a reflection. Let that sink in.

To add it all up: he has something written in Infernal on his back that he can't see, but that could mean the one thing he's dreading = being bound to Cazador and having all of this ripped away. Again. And then he'll be punished, doing nothing but thinking about what he only just got a taste of.

This is why the cycle of abuse just crushes hope out of you. Because things hurt so much worse when you're hoping for them to work. At some point you're just hurting yourself by hoping.

He's terrified and he can't even look at his own body to see what someone forcibly mutilated into his skin.

So, Tavurge approaches Astarion from behind, just like in the mirror scene. Except this time, Astarion can't see them approaching.

Tavurge surprises him, in what's already a vulnerable moment, and surprises him from behind. A position of weakness. We'll hit on this more in a moment.

Astarion snaps at Tavurge due to being caught in a vulnerable moment. But, he quickly slides back into his charm and apologizes. Mask back up.

He explains what he was doing and the dialog choices here even throwback to the mirror scene. You can tell him you'll be his mirror in this scene.

He's hesitant about the idea. He's not comfortable with vulnerability, and outright tells Tavurge this isn't their problem. This is an extremely vulnerable thing, especially for someone with body autonomy issues. You're turning your back on someone and asking them to show you what's on your own damn body! What if they lie?

This is a major trust moment for Astarion. If you ask later to talk to others in camp about his scars, he is quick to say no.

He's not ready to trust that much. He just was vulnerable with Tavurge and that took too much out of the vulnerability reserves to push for more. Got to let those reserves build back up by seeing more reasons that show it's okay to be vulnerable.

This man does not want to turn around. He keeps his head down and grimaces, closes his eyes to brace himself. Think about all the triggers he must have about turning his back on people. He wasn't exactly bringing the morally upright back to Cazador. And Cazador, himself, obviously took advantage of his control to force Astarion to turn his back to him. Thus the scars.

Given all of that, he still turns around in an act of consent.

I love that you can just choose to quietly draw. You don't tell him how bad it looks, you don't try to comfort him by saying it's not that bad (which he would likely only hear as patronizing in this moment), and you can choose to not make a joke. I feel that's meaningful.

He turns around and can finally fucking see this thing that's been on his back for over two centuries.

At least he got to see his face, even if he can't remember almost anything about it. At least he can touch his hair, touch his face to get an idea. He can't even do that with the scars.

This means a lot, guys. Tavurge has drawn something that I argue is more meaningful than Astarion's face.

Tavurge has drawn a significant key to his future. The future he wants more than anything.

He needs to figure out what the hell this is before Cazador possibly activates it and Tavurge just made that significantly more possible.

And then, Tavurge has the option to call the two of them "we" for the first time in a way not tied to sex. Telling him "we will figure this out" and not asking for anything in return or giving him a hard time about it - at least not too much. The "shut up and turn around" dialog is one of my favs, and I feel Astarion appreciates the candor.

He's definitely sus when you say "we".

That is the face of sus.

But also...amusedly hopeful?

I like that he calls Tavurge "sweet" here. It makes me think of him calling them "cute" in the spawn ending at the grave with the flower.

I think Astarion really picks up on small things. Things people say and do genuinely, and I think it both amuses and confuses him, and in the beginning (here) still makes him uneasy and suspicious. He even asks it as somewhat of a question. Like, are you really actually this genuine?

I also would like to make an argument to the court that this is a significant moment when Astarion starts to realize he !FEELS! something for Tavurge and it's wigging him out!

They're making him hope again, and that's scary.

So, there. That's my evidence for why this scene is the drawing Astarion scene that we all love in our headcannons.

Tavurge is drawing something of extreme significance here. And I love how incredibly subtle this scene is in not blatantly pointing that out.

It's beautiful writing and that is all, your honor. Midnight dissertation - but also I may be in court - over!

Thank you for reading any of this nonsense.

[invertedfate]

Hey different anon here, i always thought floweys actions in the canon was supposed to be a kind of dark reflection of the players own actions, and a parallel with how WE treat video games. I never really thought it had anything to do with trauma, cause like think about it, how many players abuse save states in video games to get away with evil shit? Most of them i would wager, and if you had the power to save, load, and reset, maybe you WOULD start to treat even your own reality like a video game.

Like, is it wrong when flowey does these things when we do the same? Because to him its real but to us its just a game or is it ok for him to do so because it really IS a game.

And flowey DID say he also spared everyone, in the same sentence he said he killed everyone, implying both are things he doesnt really place value in doing, he didnt do it for fun, he did it because he got bored, and we do the exact same things in video games when we play one a bunch, we start to experiment, we start seeing how different "npcs" react to different situations, we start making challenges for ourselves, we start analyzing characters and putting way more thought into their actions then the person who wrote them probably did.

When flowey has that power taken away from him, only then does he start to change from this desensitizing and feel intense emotion like rage when you don't do what he wants, or fear when you're about to kill him, both are caused by him not being used to not being in control, he spent so long being the one who gets to "play" the world that he can't accept a world he's not the "player" in.

Another factor might be that not having a soul inhibits his ability to feel empathy, but thats just headcanon, sorry for this long tangent, i just really like flowey, favorite character in undertale, just wanted to express my thoughts since everyones talking about him.

I think from a metatextual level, Flowey 100% is meant to be a dark mirror of the player, which is likely why his full backstory is only given in geno, since at that point you're treading a similar path as him if you go all the way on that route. That being said, I don't think there's a lack of trauma. At the end of the day, the buttercup plan involved watching his best friend/sibling die, said sibling sharing control of his transformed body (which is implied to be VERY unsettling in appearance), his refusal to take a single SOUL, which led to his death, and then awakening in a new form, unable to connect to others the way he used to and assuming he was broken as a result of it. He did try to take his own life, after all, and only came back from it because he got scared and his determination brought him back. His power allowed him to avoid consequences and grow detached, of course, but there is absolutely room to read trauma as a PART of how he got to be this way. Not the sole factor, but a pretty significant one, especially if you interpret his loss of compassion as an undiagnosed PTSD symptom misunderstood due to toxic positivity culture among monsters. e.g. this idea that their souls are made of love, hope, and compassion and that makes them different/better than humans. Considering how many monsters force smiles to deal with their pain, I legit this mindset is super harmful to all monsters and they might not even realize it. Flowey is a great and complex character, and losing his abilities definitely also impacted his actions, for sure. I definitely am not a fan of the immense woobification of Asriel in the fandom, like, at all, and it's part of why this arc in IF is taking its time to do more character exploration and stuff since in UT, a lot of his depth is locked behind a route the game actively doesn't want you playing.

[lavenderbexlatte]

Hello!!! Welcome to 🦋 anon's probably-way-too-overthought analysis on the m&m series in light of the new part. I have stopped crying and had about 24 hours to think, and I have discovered I have many thoughts, and this will probably be way more detailed than it should be.

The first thing I would like to address are some of the accusations Chan made at the end of the most recent part. (While I understand that they're supposed to not quite be accurate because of their obvious root in insecurity, and a lot of what I'm saying may just be like "yeah, obviously," I still would like to tell at the character a bit but I can't so this is what I have.)

Claim #1: "You fucking came at us at that party with your little girl-dom agenda and the guys fell for it, hook line sinker!"

This one's fairly self explanatory, no she didn't. They literally came onto her, even him, with his "There’s that pretty blush," and "Whatever you want it to be," lines. (And while yes, it's very likely that he was just trying to play it cool, but there's no way she could've known that, I'll come back to this later.)

Claim #2: "Nobody fucking asked me what I wanted!" "Nobody asked if I was sure that I wanted…"

Also mostly false, but he does have a tiny bit of a point. Yes, reader did grab his hair without asking, which is a little iffy, but she didn't actually rough with him until he goads her on. But I would argue that the reader is actually the ONLY one who asks him what he wants, if he's okay with things. While there may have been a little bit of discussion on the decision to approach the reader that we didn't see because of perspective (him saying this is kind of telling me that there wasn't, or at the very least not enough, maybe even some pressure for this to be the moment), or maybe Changbin said something while reader is with Jisung on the couch, after that, we don't see Jisung and Changbin check in with him at ALL, and there's not really an opportunity any other time for it just not have been noticed by the reader. As his partners, and the ones in the situation who have the full knowledge of Chan's situation, it should've been their responsibility to make sure he was alright throughout the process, even if they're not the ones in control for this situation, ESPECIALLY if they're going to keep this information from their Domme for the night (which really, I would say, wasn't a good idea, but no one is required to out themselves so I'll leave it alone).

HOWEVER, the reader does check with him, several times. She asks for boundaries/hard limits/etc before they even start anything, and while again, he's not required to say "hey, having a sexuality crisis, first time with a girl, kinda nervous," and he may not want to tip off Jisung and Changbin that something's wrong, that would be the time to say something like "I'm not feeling anything rough tonight, if you could be gentler that would be great." She asks them if there's anyone that doesn't actually want to fuck her. Also, she implements a safeword system (which she specifically calls him out to make sure he's okay with), which they weren't even going to USE, and asks them at least twice throughout the scene for their color, and Chan specifically if he's okay at least two more times besides that. Actually Chan almost makes fun of her for asking so many questions, so I think this claim is just another part of his insecurity-fed delusion that she's conspiring to ruin his life, or something, but again I'll come back to that. My point is that despite being the only one who doesn't know his situation, reader is also the only one who checks in with him.

There are a few other things he said that I took issue with, but those are the main two.

Next; Chan's delusion that reader is like conspiring to ruin his life. (Really like how you depicted this by the way, though I may be thinking wayyy too far into this.) I remember watching some video when I had one of my mental health/disorders hyperfixations. The video was about schizophrenia, and while I definitely don't think Chan has schizophrenia, one of the things the video talked about was types of delusions, and this kind of reminded me of one of them. I don't remember what it's called, but it's basically a delusion based around one idea, and then you force the world around you to fit into that idea. One example of this that I can think of is Azula from ATLA. Towards the end of her arc in the TV series, she starts seeing hallucinating her mother everywhere, and you get a peek of her fixed belief that her mother is behind everything that has gone wrong in her life, which is expanded upon a little bit in the books. Obviously Chan's not experiencing delusion to the extent that she did, but I did see some (albeit much less intense) parallels that were interesting. See, if he only talked about how his boyfriends seemed to like the reader more than him, that would be one thing, but he brings up his mother as well, which even though they did speak, it's a little out there to say that your mother likes someone she's talked to once more than you. That, combined with his insisting that the reader is playing some sort of game makes me think of that a little.

Of course this was only at first, when I was like "wtf, where is this 'my boyfriends like you more than me' thing coming from?" And then I reread the first few parts for this monstrosity of an ask that I'm writing rn. While at first I thought that this was entirely out of left field, when I read through the first few parts, especially the second one, with the knowledge that he felt that way, I noticed a few things you had put in there.

For the majority of the scene, or at least the first good chunk, the reader deals with Jisung and Changbin alone, leaving Chan by himself to watch. Obviously, as we see the reader's perspective, we know that it's because she found Chan's attitude intriguing and wanted to be able to deal with that one on one (at least that's what I got from it), it's easy to see now how to someone who's already insecure about their relationship and themselves, that would read as someone replacing you. Especially when Jisung, with no ill intent, but still, outright rejects his help in favour of the reader, and once again, he is left out, only this time it's accompanied with the sting of knowing (or at least feeling) that your partner didn't want you involved.

Now I kinda want to go character by character, and idk, talk about what I think they did wrong? We'll see, I'm not going to edit this so here we go.

Jisung and Changbin : Honestly, looking back on 3racha's first encounter with the reader, they really should have done better as Chan's partners. Like I said earlier, as the ones who knew Chan's situation, and the ones who likely pressured him slightly into he whole ordeal, it was really their responsibility to make sure Chan was okay with everything that was going on. That, and them feeling the need to sneak around with reader behind Chan's back doesn't sit right with me. I get that they have an open relationship, but there's a difference between having an open relationship and hooking up with someone your partner doesn't like, and actively trying to hide that you're hooking up with them. Their relationship boundaries may be fine with that, but idk, something feels off about it.

(I couldn't figure out where to put this and you may have already addressed this but it's my little theory/headcanon that Chan actually suspected it was reader at Jisung's place, and when there wasn't anyone there, he kinda gaslighted himself afterwards, idk. With the new knowledge it feels likely.)

Also, knowing that they were together for a while before Chan joined the relationship I think explains so much about the communication issues they seem to have with him. While I do think Chan has trouble communicating his feelings about things, I think their established communication and knowing eachother really well doesn't help. I may just be making things up at this point, but I feel like they have trouble with communication with Chan specifically, maybe forgetting that he doesn't have the same time/experience thy have with each other? If that makes sense?

Chan : oh boy. I've gone into a lot of detail already, so I'll try to keep this brief. Obviously, I think he has a looooottt of insecurity he needs to work through. If I were reallllyyy analyzing this I would say maybe a past cheating partner(?), but unless that's relevant to the plot I'm not sure if that's just me reading too much into this. Also mentioned before, COMMUNICATION ISSUES. One thing that would prevent half of the issues with this series is Chan communicating with his partners, though I suppose that wouldn't be near as much fun to read. Or just communicating I'm general, like I said, he had a plethora of opportunities to communicate to reader if he wanted something different, and didn't. So, yeah. Honestly I think he causes most of his own problems, but I feel like we knew that.

Reader : Now. I spent most of this series completely on the reader's side. Last night after reading part six, I was like "oh my god. He's right!" But then I took a while and thought a lot about it (as you can see), and honestly, I think reader probably did the least wrong out of everyone. Yes, the hair thing was a little iffy, like I said earlier, but once I went back and realized that he was actively participating and egging her on, I don't think that's necessarily something she did wrong. Beyond that, she did the most in regards of communication (at least during sex, after is another story), even more than the partners themselves. I think she did the best she could with the information that was given to her. She saw three guys approach her as a unit, and while yes, she didn't ask before engaging with Chan, I don't think it's really her fault for assuming that they were all interested as a unit as well. She had no reason to question any of their sexualities, why would she? She sees three partners approach her in unison, why wouldn't she assume they were on the same page? Anyway, all that to say, I think reader is the most innocent of all the main characters so far, though I may feel different after sitting on this for more time.

Anyway, here's this unedited brain dump, loved the new part, enjoy. Or not ig - 🦋

i've been sitting on this for like a week bc it's just so long and amazing??? and i have no idea what to say?? 🥺��

the bit about chan having a sort of delusion that reader is out to ruin his life in a pointed, conspired way is VERY interesting. their dynamic is actually something that i pulled from myself, in a way. i'm really superstitious about dumb things. i hate, like, bumping into someone or accidentally saying something that hurts someone's feelings bc i know that that karma/vibe/intention (whatever you wanna call it, i'm not spiritual just paranoid) is gonna come back around.

reader is the opposite. she's just walking around doing things and thinking about herself, and then being shocked when there are equal and opposite reactions to the stuff she does. i overthink everything, so reader doesn't think nearly enough.

but lemme say

that the best thing you said is how jisung and changbin are absolutely not the innocent bystanders that everyone seems to think they are 🤐🤐 most readers LOVE those two. but think about it...what are they trying to accomplish, here? 👀