#you will never convince me that sarah’s team hasn’t played some role in this

[silverlinedeyes]

Media: Publish article after article about how Elain’s book is likely next with Azriel as the love interest.

Elriels: Share articles excitedly, and discuss the possibility that Sarah’s team or BB is involved in this in some way.

Gw*nriels: “Elriels are so delusional. You can’t rely on any of these articles. SJM has nothing to do with them, and these authors don’t know what they’re talking about.”

Me: Then explain to me, slowly, why NONE of the articles from legitimate publications center gw*nriel as the likely next couple, and most don’t even mention the possibility of gw*nriel. Gw*nriel fans are EXTREMELY vocal in the fandom, so (most of if not all of) these authors are aware of the ship, and yet they still don’t discuss it as a legitimate possibility. Why not??? Please, explain it to me. I’ll wait!!

[imjustheretoseetheprivateblogs]

The Lost World Rewrite

So, I recently watched the Lost World: Jurassic Park for the first time and all I gotta say is...

Yeah. So, in spite of the fact I feel that it would be Superfluous and self-aggrandizing, and a maturely written well thought out review would be a better use of my time, I decided to do a rewrite of the Lost World to make it a half-decent movie. I apologize to any fans of the film in advance. This is a rough Idea based on what could be done without completely throwing out the script. Here we go...

The film starts the same; little girl gets mauled by Compies on Isla Sorna

Cut to not Ian Malcolm; there is no Ian Malcolm in this film. There will never be Ian Malcolm in this film. Instead, we cut to Dr. Sarah Harding (played by Julianne Moore) who’s photographing a crocodile nesting. We learn a little bit about her from her assistant, Nick Van Owen (played by Vince Vaughn), namely that while her theories on Dinosaur young rearing are as on point as Alan Grant’s raptor research, she’s not so hot at rearing young herself. Case in point, she’s late for her daughter’s gymnastics performance.

Her daughter is of course Kelly Curtis played by Vanessa Lee Chester, who in this version will have a larger role and more developed personality. Kelly is Sarah’s adopted daughter and the two have been at a loss at what to do with one another since meeting. Kelly is the daughter of one of Sarah’s oldest friends who died while traveling and Sarah took her in. While their relationship isn’t horrible, it’s definitely awkward. Like when Sarah bursts through the gymnasium doors to see Kelly has completely finished her routine and the seat reserved for her has been given to someone else (maybe Michael Crichton or Steven Spielberg in a cameo?)

Later that night, Sarah is called by a mysterious voice on the phone, telling her to pack a suitcase and go outside. She does so and a black SUV pulls up. “Get in.” a man’s voice tells her.

“OK,” Sarah says, annoyed, “who are you people and what’s with the G-man routine?”

“I wouldn’t exactly call it a G-man routine.” says a familiar voice.

We pan over to reveal John Hammond (Richard Attenborough) sitting across from Sarah.

“Can I offer you a drink?” he asks.

The conversation is much the same as the movie with Ian Malcolm (Hammond explains Site B, tells Sarah about the JP incident, etc.). Only this time, there’s a big difference: InGen wants to cut ties with the Jurassic Park debacle and intends to let the Costa Rican Government fire bomb it. Hammond wants to get people onto the island and document the animals to drum up environmentalist support for turning it into a preserve and at least stave off the destruction until a humane solution can be found.

“How can I say no!?” Sarah says. A chance to photograph real Dinosaurs. Never in 65 million years did she think she’d get this chance.

The team she’ll be going to the island with includes herself, Hammond, Van Owen (“Nick’s the best person for the job” Sarah insists), equipment manager Eddie Carr (Richard Schiff), Dr. Robert Burke (Thomas F. Duffy) (“are we sure he’s not a country singer?” Sarah asked, eyeing the supposed paleontologist’s ten gallon hat and beard), celebrity big game hunter Roland Tembo (Pete Postlethwaite), and InGen executive Peter Ludlow, Hammond’s own nephew (“I made the mistake of trusting too many people last time,” Hammond said, “this time, I’m playing it close to the vest.”)

The team arrives on the Island, where Peter suggests setting up camp in a low clearing, much to Tembo’s chagrin (“that,” Tembo said, rolling his eyes, “is a game trail, Mr. Ludlow. Carnivores hunt on game trails. do you want to find dinosaurs or serve them lunch?”)

The group wanders through deep Jungle, Hammond and Ludlow being the slowest, one due to their age the other due to being a little on the wimpy side. As the journey goes on, it becomes apparent that there’s some friction between Peter and John, with Peter second guessing John every chance he gets and trying to act like the leader of the group.

They finally come across a family of stegosaur and we get that adorable pet the baby scene from the movie. Eddie is flabbergasted, Nick is taking pictures like crazy, Burke’s having a conniption, Hammond swells with pride, and we don’t really know what’s going through Peter and Tembo’s heads.

Something startles the Stegs (Tembo reached for his gun. “No!” Nick grabbed the barrel of Tembo’s gun.)

Nick fumed “An animal that hasn’t been seen in over a million years turns up and the only way you can express yourself is to kill it?” Tembo smiled. “Remember that chap about twenty years ago? I forget his name. Climbed Everest without any oxygen, came down nearly dead. When they asked him, they said why did you go up there to die? He said I didn't, I went up there to live.” (cryptic, no?)

“What could have set them off like that?” Wondered Burke. Roland, however, scented the air. “Smoke,” he said simply, pointing “coming from that way. They must have thought it was from a forest fire.”

The group rushes back to their camp, discovering the campfire burning. Eddie and Burke make to smother it. However, the camper door opens to reveal—

“I was gonna have dinner ready when you got back.” Kelly said.

Sarah and Kelly have an argument inside the camper, about how Sarah’s never there for her and how she just washed out of her gymnastics team (“I got bronze,” she said, “not that you’d know. You didn’t even stick around long enough for that part.”)

Kelly convinces Sarah she can stay. We cut to a scene of the group in jeeps, riding through grasslands in a heard of various Dinosaurs. Nick’s in the jeep with Tembo, Peter, and Hammond, while Sarah is with Kelly, Eddie, and Burke. (Tembo turned to Nick. “get in the outrigger. You're closing in on a parasaur.” “Parasaurolophus,” Nick corrected smugly.” “Whatever,” said Tembo, “The one with the big red horn! The pompadour! *Elvis!*”)

Nick climbs into the outrigger and begins to film the dinosaurs. In the other jeep, the group is trying to coax Eddie into their own outrigger.

“No way I’m getting into that thing,” Eddie said “not surrounded by dinosaurs.” “We’re gonna need better shots if we want to save these dinosaurs,” Sarah said, “and you’re the only one who knows how to work the equipment.” “So do you,” Eddie said, “Why not pull over and let me drive? I used to drive cabs for a living.” “I know how the use the camera.” Kelly said. Sarah stared at her. “You do?” “I was in AV club before gymnastics.”

The group snaps Kelly in and they begin their own filming process. For the first time in a long time, Kelly and Sarah seem to be having fun together.

After that moment of chipperness, we cut back to camp. (Roland nodded to Nick. “Tree hugger got a great shot of a Pachy... a pachy... oh, hell. One of those fatheads with the bald spot, Friar Tuck!”) Peter and Hammond are looking over a map. Peter insists that they should go to the abandoned worker village on the other side of the island, where they can find easy shelter and supplies (“IT runs on geothermal power, so it’ll still have power”). Hammond disagrees. (“Absolutely not,” Hammond said, “that part of the island has been overrun by Velociraptors.” Peter frowned “What’s that, veloc-o-?” “Velociraptor,” Burke said, “Carnivore, pack hunter. About two meters tall, long snout, binocular vision, strong, dextrous forearms, and killing claws on both feet.” “That doesn’t sound promising.” said Peter. “You should read Alan Grant’s latest paper on them,” said Burke, “It’s like he met one in real life!”)

Meanwhile, Roland Tembo is now kneeling, looking at a track.

“Come take a look at this.” he says. Everyone gathers around. “do you know what this is?” he asks. Sarah’s eyes grew wide. “We have to leave.” she said. “Why?” asked Kelly. “That’s a T-Rex track!” Burke said. “A T-Rex!” Eddie looked as if he was about to break for the beach and try to swim home. “That’s impossible!” said Hammond “the satellite photos showed that the Rex territory is nowhere near here.”

The group decides to risk staying in the area. Later that night, Kelly hears a noise. Curious, she goes outside to investigate. In the moonlight, she sees a team of unknown men in night vision goggles capturing the dinosaurs that they had been filming earlier that day. As the drive off, Kelly grabs onto the back of one of the trailers to follow them.

We cut back to Sarah’s tent. She’s asleep, not having been roused by her daughter’s departure. But she is roused by what sounds like deep breathing outside. She surreptitiously looks around and sees a massive snout sticking into her tent. It’s the Tyrannosaur!

Just then, Peter Ludlow comes out of his tent with a roll of toilet paper, but upon seeing the dinosaur lets out a scream that wakes the whole camp. The rex turns and bellows at him, trashing their camp all the while in a show of dominance. Soon, the whole group is running through the forest. Hammond is almost eaten by the thing if not for Tembo’s intervention.

Soon, however, the groups are separated from one another. Hammond slips down a river bank into a ravine, Peter just up and vanishes, and Sarah, Van Owen, Tembo, Burk, and Eddie run behind a waterfall with the rex in pursuit. The dinosaur, unable to follow, gives one last roar of anger and leaves. Out of all the people, however, Tembo looks the least scared. He looks…thrilled, actually.

Meanwhile, we cut away to Hammond. He rises (roughly) shaking away the delirium. He looks around, wondering where his party got off to. The T-Rex’s roar is heard in the distance. Better find the others, he thinks. He begins to follow the river; if the group has any sense, they’ll make a new camp on the water. But then he hears a noise and looks down. It’s a Compy.

We get a very similar scene to Dieter Stark’s (Peter Stormare’s) death in the movie (which was based off of John Hammond’s in the first book) with one or two caveats. First, we don’t cut away in the middle. We maintain the scene and the suspense as long as possible (with Compys popping out of the woodwork the more Hammond tries to get away from them). The second…

There was a sound of rifle fire. The Compys scattered and Hammond felt himself pulled up from the shallow water, finally able to breathe. “Tembo,” he coughed.

“If you have any more suicidal ideas,” said Tembo, “keep em to yourself.”

Cut back to Sarah’s group as Hammond and Tembo rejoin them.

“Has anyone seen Kelly?” Sarah asked, worried.

“I think I saw her run in the same direction as Ludlow,” said Tembo.

“Hopefully, they’ll be safe once they leave the Rex’s territory.” said Burke.

“Don’t bet on it,” said Sarah, “Tyrannosaurs have the second largest proportional olfactory cavity of any creature in the fossil record.” “What’s the first?” asked Eddie. “Turkey vulture,” said Burke, as casually as someone would talk about the weather.

“Any idea where we are?” asked Eddie, desperately trying the change the subject. “Somewhere west of the worker village, I think,” said Nick, examining a map of the island (one of the few they managed to salvage from the camp) “It’d be an easy hike there.” “Maybe that’s where Kelly and Peter are,” said Sarah, turning to Hammond. “Yes, but if they did go there, they’re in grave danger.”  said Hammond. “Velociraptors,” said Burke, trying to be helpful.

“Danger or not, we need a radio,” said Tembo, “that buck tore the hell out of our camp and I don’t think we can contact the mainland with smoke signals.” “How do you know the T-Rex was male?” asked Sarah.

Before Tembo can answer, a different roar is heard. A helicopter passed overhead.

“I thought you said we had a few weeks before they started razing the island?” Sarah said. “We do,” Hammond replied, “I don’t know what that helicopter’s doing her.” “It was headed towards the worker village,” said Tembo, “so, if we want to see what’s what, I think that’s where we’re headed.”

Cut to a scene of the group walking through the forest at night. Finally, they reach a vantage point overlooking the worker village…and it’s anything but abandoned.

More than three dozen people, some of them armed, are walking over the compound. Chain link fence ran the perimeter of the camp, newer than the rest of the camp. Tents, vehicles, mobile generators, the works.

Dozens of dinosaurs sit in cages, all bearing the same logo

“It says InGen on the side of that truck!” Eddie said. Everyone turned to look at Hammond. “I had no idea about this,” said Hammond, “why would I ask anyone to come here?” “I think I know who we should ask,” said Nick, pointing down at the camp.

It’s Peter, down in the camp, talking with the armed guards.

“What’s he doing down there?” asked Sarah. “I think,” Hammond said, sadness in his voice, “I’ve made the same mistake twice.” “Anybody seen Tembo?” asked Eddie.

Indeed, Tembo has disappeared.

Cut to Kelly, hiding in one of the trailers. She’d managed to evade her captors, but for how long she can continue to do so is up to debate. Stealthily, she creeps out of the trailer and around the camp over to one of the cages. She undoes the latch. She moves on to the next cage. Rinse and repeat.

Cut to inside one of the tents, Peter and several other people, all InGen personnel, stand around a card table where plans labeled ‘Jurassic Park San Diego’ are lain out.

“San Diego?” One man (a high ranking InGen worker) asked. “it’s already famous for its animal attractions,” said Peter, gesturing to plans on the table, “San Diego zoo... Sea World... The San Diego Chargers.”

“I don’t think John Hammond would have approved of having these animals on the mainland.” An InGen executive said.

Peter frowned. “Well, Hammond’s not in charge anymore. I am.” He turned to another man, this one a hunter by the look of him. “How’s the hunting going?”

“We’ve got plenty of plant eaters,” the hunter said, “some eggs. no raptors though. And our man hasn’t brought in the T-Rex like he said he would.”

Peter rolled his eyes. “What makes you think people want to see a bunch of veggiesaurs and eggs! They’re gonna want a T-Rex!”

“We’re trying, sir!” the hunter says, “but we haven’t seen any raptors since we got here!”

Suddenly, a worker bursts into the tent “The baby’s gone!” he said.

Almost as suddenly, a Triceratops bursts into the tent, smashing into the table and scattering the group. The camp is in chaos! Dinosaurs are running amuck. Vehicles overturned, people tossed into the air. But this is the chance Hammond’s group has been waiting for. They make their way down to the village in the bedlam, and make it into the main building of the worker’s village. Eddie manages to contact the mainland, and things are looking up. But then, we hear an ungodly moan from behind a nearby door. Slowly, Burke heads towards the door, picking up a nearby screwdriver to use as a weapon. He jerks the door open to reveal…

“Kelly!” Sarah cried. Kelly sat inside a broom closet, in her arms a baby T-Rex.

“They just left him tied to a stick out there,” said Kelly, “and I think his leg is broken.”

Despite the limited materials, the group sets to work splinting the baby’s leg. It’s pretty much the same as in the movie. Until the sound of a rifle cocking is heard behind them.

“I’ll be taking that rex now, Dr. Harding,” Roland Tembo said. Tembo has been on Ludlow’s payroll since the beginning. He was never here to protect the group. He’s here to hunt the T-Rex. He was the one who staked the baby out, to attract it’s parents.

Outside, the cacophony has died down. The Dinosaurs have mainly been recaptured. Hammond’s group has been brought before Ludlow, who looks at them condescendingly. “You really thought you were still CEO when you got here, Uncle John? I bought you out the day you asked for my help. We’ll still use the footage you took for our attractions, don’t worry.” “So, you’re going to reopen Jurassic Park then, is that it? Despite my warnings?” “No, not reopen. We’re moving these animals to the mainland so we don’t have to fly out here every time there’s a problem. You put us six million dollars in debt every day since you started making dinosaurs. It’s time to see good on that investment you promised. And the board agrees with me.”

InGen Exec: it’s nothing personal John. Why have a dinosaur and not use it?

“These are animals,” Sarah said, “they deserve respect”

“They’ll have the best of care.”

“And what if they break out! What then?”

Cut to part of Hammond’s team (Hammond, Sarah, and Kelly) being shoved into a trailer with the door locked behind them. Sarah tries to force the door open, to no avail. Kelly runs around, trying to open the windows. Hammond just sits down, despondent at the betrayal of his own family.

Sarah (trying to yank the door open): come on! You stupid…

A familiar roar is heard. A car flips past the window.

“What is it?” Hammond asked, “What’s going on?”

Sarah: I think things just got complicated.

The buck T-Rex from earlier has tracked the them to the Worker village and crashes through the fence. Suddenly, another roar is heard from the other side of the camp. It’s the female Rex, and she’s even more pissed than the male.

“There’s two of them!?” Sarah asked, incredulous. “We spared no expense,” Hammond said.

The rexes wreck the trailer the rest of Hammond’s team is in. Nick, Eddie, and Burke make a break for it. The female Rex sees them and gives chase. She and her mate bare down on them and soon capture Eddie, each taking one end in their jaws and pulling him apart for a snack.

Afterward we get a faceoff between Roland Tembo and the male rex (one that would have been really cool in the movie but we didn’t get it).

Tembo wastes two shot gun blasts on the rex. Out of ammo, he switches to tranquilizers, which finally manage to bring the beast down. The other rex is soon felled after. Subdued in special harnasses, the rexes are air lifted by helicopters to a boat waiting of the coast of Isla Sorna. All in all, the bad guys’ mission is a success. Well, Tembo wouldn’t say so. If you’d told him a year ago he’d get to hunt not one but two T-Rexes he would have kissed whoever told him that square on the mouth. But in the end, it had been so stupidly simple to catch them he just feels crapped on. Didn’t even get a trophy.

“You know, I remember the people who've helped me, Roland. There's a job for you at the park in San Diego if you want it.” Roland turns him down.

Cut to a group of hunters patrolling the tall grass outside the worker village. Suddenly, one of them is pulled under. A hunter a few feet away looks in his direction. “Manolo?” he asks. Another nearby hunter is pulled out of view. The hunters are starting to get scared. “Look alive, people.” one of them says. We hear a familiar coughing sound.

A velociraptor jumps out of the grass and mangles one of the hunters. Soon, pandemonium ensues. The crafty raptors had been evading the InGen hunters, watching them, waiting for the right moment. And with two dinosaur attacks in a row and both rexes out of the picture, now was the time to strike! (And there are no tails sticking up out of the grass cartoonishly! Raptors are supposed to be dangerous, not goofy).

Back at the camp, Roland runs towards the danger while Peter climbs aboard one of the waiting helicopters. “Get me out of here!” he cries.

The raptors swarm the camp. Roland manages to kill a few, but not before they massacre most of the InGen workers there. Tembo even has to watch Burke die in front of him. We get a scene where Hammond’s group escapes their trailer, Kelly defeats a velociraptor with gymnastics and the group plus Tembo manages to get onboard a helicopter.

The rest of the movie follows the actual TLW movie pretty closely with a few differences. Namely, there’s more than one dinosaur rampaging through San Diego, Tembo is helping the remaining team route the dinos back to the ship, we acknowledge the fact that the car they picked in the movie was due to reasons of masculinity, and Peter suffers a nervous breakdown when the dinosaurs break out of the ship’s hold and allows himself to be eaten by the baby rex out of guilt.

Roland fires a tranquilizer shot at the buck rex before it can clear the door. When that’s done, Sarah asks him what he’s going to hunt next.

“I believe I've spent enough time in the company of death.” he said.

We cut to Kelly and Sarah asleep on the couch while a TV plays news coverage of the boat being returned to Isla Sorna with a statement from John Hammond (once again CEO of InGen).

His speech is pretty much the same, ending with “as someone once told me, life finds a way.”

The final shot of the film is the rex family, the stegosaurs, all the dinosaurs back on Isla Sorna. Content as the Jurassic Park credits theme plays in the background.

So, what did you think? Like it, hate it? As always, I welcome feedback and comments!

[ethanalter]

‘Orphan Black’ Recap: What’s It All About, Alison?

Tatiana Maslany as Alison Hendrix in BBC America’s ‘Orphan Black’ (Photo Credit: BBC America)

Warning: This post contains spoilers for the “Beneath Her Feet” episode of Orphan Black.

Who are you, Alison Hendrix? Of all the surviving Clone Club sisters, this suburban homemaker has always seemed the least fully-formed in terms of her identity. If you were to describe the core four clones in Beatles terms, Sarah’s the Rebellious One, Cosima’s the Smart One, Helena’s the Crazy One, and Alison is… the Crafty One? The Stable One? The Pill-Popping One? Take your pick. The fact that she defies easy categorization is at once both a sign of her complexity and her confusion. Whatever personal journey she pursued early on in her life came to a halt when she traded rings with Donnie and she moved to a picture-perfect suburb, where she acquiesced to the community’s unspoken demand that she create and maintain the picture perfect family. Her own growth has been stunted in favor of what other people want from her.

It’s taken five seasons, but Alison is finally realizing how much she’s been shortchanged. “Beneath Her Feet,” then, becomes her declaration of independence. By the end of Season 5’s third hour, Alison has walked away from her neighbors, her sisters, and even her husband because, like the song goes, she’s been to paradise, but she’s never been to me. As she emphasizes to Donnie, though, their separation isn’t permanent. Team Hendrix will reunite just as soon as Alison decides what her new identity on this dynamic duo will be.

Taking a long view, “Beneath Her Feet” is the first step in Orphan Black co-creators John Fawcett and Graeme Manson’s stated master plan to pepper character-based clone episodes into a season that also has to wrap up the show’s elaborate mythology. And it’s a strong way to begin that initiative, using flashbacks to pre-Season 1 events as a way to underline how Alison arrives at this point, in the present day, where she realizes she has to evolve or die. The episode even digs up the couple’s former friends, Chad (Eric Johnson) and Aynsley (Natalia Lisinka), the former of whom she slept with, while the latter she inadvertently killed.

Both of those actions resulted in the destabilization of another suburban nuclear family — a fallout that Alison hasn’t had to confront for some time. And Chad never does learn about her involvement in his wife’s death; just as she’s on the verge of owning up to the crime, he mansplains her confession away. But admitting it to herself is almost more important that admitting it to him. It’s all part of a past that she needs to take one last long look at, and then bury for good.

Maslany as Rachel Duncan in BBC America’s ‘Orphan Black’ (Photo Credit: BBC America)

Speaking of buried history, Alison’s not the only accidental murderer whose victim is exhumed in this episode. For four seasons now, the decaying body of former Dyad head, Dr. Leekie — the man that was on the receiving end of Donnie’s misfired bullet back in Season 2 — has lain beneath the concrete in the Hendrix garage. And that’s exactly where a determined Elyse and a reluctant Art, acting on the orders of Rachel, start to dig when a search of the Hendrix house proves empty of evidence of the cops’ actual target, the still-missing Helena.

With Donnie’s crime about to be exposed, Alison takes it upon herself to confess on his behalf to Rachel, bringing along Leekie’s remains as evidence. Believe it or not, it’s the first-ever in the flesh encounter between these particular sisters in the history of the show, and Alison walks away the winner, disposing of the only leverage Dyad had over them without sacrificing Helena in the process. Her selfless actions bring Rachel’s recent winning streak to an abrupt conclusion, and the two face each other on equal footing. “I should like to put my hands around your neck and squeeze,” Rachel snarls, to which Alison has the perfect reply ready to go: “Then we’re not so different, you and I.” After that encounter, is it any wonder why we’ve reshuffled the clone power rankings?

1) Alison In the wake of “Beneath Her Feet,” Alison has a definite Beatles identity: The Bad-Ass Clone. Not only does she have the strength to stare down Rachel, she courageously confronts her own misdeeds and bravely bids farewell to her “rock” Donnie to embark on a solo journey of self-discovery. We can’t wait to see who she’s become when she returns.

2) Helena Thanks to the kindness of friends, strangers and, now, nuns, Helena continues to evade Rachel’s grasp. The episode’s closing shot reveals her safely ensconced in an as-yet undisclosed sanctuary, furiously scribbling away in her journal. We’ll assume the nuns are meeting her unique dietary requirements.

3) Rachel The Neolution true believer was knocked down, but not out this week. For one thing, she’s slowly winning Kira to her side, introducing the girl to freaky genetically-altered mice who can shed their skin to avoid predators and, in general, being a calmer presence than her often-absent mother. Turning the kid against Sarah would be a victory sweet enough to make up for being outmaneuvered by Alison.

Skyler Wexler as Kira in BBC America’s ‘Orphan Black’ (Photo Credit: BBC America)

4) Sarah With Kira slipping from her grip, Sarah clings tightly to foster brother, Felix, even agreeing to pose for him while he indulges in his favorite pastime: painting in the buff. She may not have her daughter’s affection right now, but she’ll go home with a great piece of artwork.

5) Cosima Largely off-screen this week, Cosima’s primary job was to convince Alison to join the Clone Club in the flashback sequences. It’s a task that she failed to complete although, to be fair, you try explaining the mysteries of human cloning to someone tripping on magic mushrooms.

Non-Clone MVP: Donnie Here’s to the world’s greatest highlander husband not named Jamie Fraser. Having long since forsaken his Leekie-assigned role as Alison’s monitor, Donnie has instead given his wife the space to be herself, even if that means her no longer being with him.

Orphan Black airs Saturdays at 10 p.m. on BBC America.

Read more from Yahoo TV:

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[athena-85]

This is BB and SJM and all the publications to the VERY VOCAL Gwynriel’s and Eluciens

Media: Publish article after article about how Elain’s book is likely next with Azriel as the love interest.

Elriels: Share articles excitedly, and discuss the possibility that Sarah’s team or BB is involved in this in some way.

Gw*nriels: “Elriels are so delusional. You can’t rely on any of these articles. SJM has nothing to do with them, and these authors don’t know what they’re talking about.”

Me: Then explain to me, slowly, why NONE of the articles from legitimate publications center gw*nriel as the likely next couple, and most don’t even mention the possibility of gw*nriel. Gw*nriel fans are EXTREMELY vocal in the fandom, so (most of if not all of) these authors are aware of the ship, and yet they still don’t discuss it as a legitimate possibility. Why not??? Please, explain it to me. I’ll wait!!