#you may not have revealed a plot spoiler

[seventeenpins]

⁵⁾ pressing the pads of their fingers into their lips in the aftermath, like they’re either trying to capture the feeling or banish it from memory

with x1!Logan pretty plssssss 😏

YES Ozzie omg thank you I love this ❤️

Forbidden Fruit

pairing: dbf!Logan x neighbor!reader word count: 3.4k summary: You’re a little obsessed with your attractive new neighbor. Unfortunately, he’s quite a bit older than you... And your dad's new best friend. content/warnings: non-mutant AU, unspecified age gap, written as x1 Logan, Scott is your dad (sorry), silence of the lambs spoilers???, yearning, tbh yall are as bad as each other, smut a/n: lmao this was supposed to be a drabble 🤷 ty to @ozarkthedog, the most perfect human 🩷

There’s a party roaring outside. As a general rule, your dad doesn’t like to throw parties often, but when he meets the man who’s moving in next door, he announces to you his plan. “Hosting a new neighbor helps to establish a good relationship!” he insists, and that’s that.

You’re sat in the living room, the space dimly lit, nursing a Pabst Blue Ribbon as the glow of your latest Blockbuster rental illuminates your face.

"You even old enough to drink?" comes a voice just outside the door frame. 

You jump, beer sloshing gracelessly down your front. You turn to him, glowering. He’s silhouetted from the hallway and you can’t make out his face. “Yep,” you tell him, “I just have an immaculate skincare routine. Keeps me youthful.”

“So you’re hiding inside… because?”

You shrug. “Just like time to myself.”

He nods, and then strides over. He takes a seat beside you.

“Who are you, exactly?” you frown, looking him up and down.

“You mind?” he asks, smirking as he wiggles the beer you didn’t realize he was holding and nods towards the bottle opener. The audacity.

You glare and grab the bottle opener. He holds his hand out for it, but you withdraw. 

“Logan,” he laughs, “Logan Howlett. I just moved in next door.”

“Oh,” you drop the bottle opener into his hand, remembering your dad’s words. Establish a good relationship. “Oh, yeah, my dad was really excited about the party. Hope you’re enjoying it.”

His eyebrows raise. “Your dad?”

“Yeah,” you nod, “Scott Summers.”

“No shit,” he frowns, “That guy sends a lot of emails.”

“That he does.”

Logan pops his bottle open. “Mind some company?”

“Long as you don’t mind watching Silence of the Lambs starting part way through.”

“Ohhhhh yeah, has he asked for a quid pro quo yet?”

“Aahh, a connoisseur,” you grin, “Yeah, just got past that part. I can rewind–”

“Nah,” he shrugs, “Let it play.”

You watch for a while in silence, but then start chatting again, swapping mundane questions. 

“So, Scott’s your dad, huh?” he asks, after a while.

“He sure is.”

“When he said he had a daughter, I guess I assumed someone younger.”

“Same skincare routine,” you deadpan.

He closes his eyes, holding back a laugh as he shakes his head. “Sorry, sorry. It’s none of my business.”

“It’s okay,” you laugh, “Yeah, he was still pretty young when I was born.”

“And what about…” he trails off, suddenly realizing tact may be appreciated.

“Dad’s a widower,” you explain simply.

Logan nods. “I’m sorry to hear that.”

You sit in silence for a moment, watching as Lecter is revealed to be wearing the guard’s face.

“How about you?” you ask, “You got a wife? Husband? Girlfriend? Partner?--”

He turns to look at you and you peter off. “Nope.” 

There’s something in the way he’s looking at you. You’re not sure if he’s being suggestive, or if you’re reading into things. Maybe it’s just the reflecting light making his eyes look more provocative than he intends.

Either way, you feel your heartbeat surge and your stomach flip.

You turn away and try to affect nonchalance, try not to be suddenly mesmerized by this unexpected plot twist that is Logan. The movie is wrapping up, Clarice taking Lecter’s call as he pursues Chilton. You try to focus on it, the score, the costumes– but instead you notice the way he smells, musky and a little sweaty. It’s nice. A little dizzying.

“What about you?” you ask.

“Hmm?”

"You have any kids?" you ask, and immediately wonder if you waited too long to carry on the conversation.

"Shit," he snorts and shakes his head, "I hope not."

It takes you off guard. You burst out laughing.

He huffs, lifting the beer to his lips to hide a smile.

The credits begin to roll over the ending scene. 

With the bottle drained, he pats his thighs and stands up. "Alright, kid," he says, "I probably shouldn’t hide in here any longer.”

“My dad appreciates it,” you tell him, “Don’t wanna give him a heart attack when his guest of honor is nowhere to be found, soon to be discovered with his delinquent daughter.”

He picks up his empty and shakes his head, heading back outside. He calls back, “Oh, you’re trouble.”

Now that you’ve met him, you can’t get him out of your mind. 

When you see him again, a couple days later in daylight this time, you have to pick your jaw up off the ground. He’s taller than you realize, and he’s fucking built. And fuck, he’s handsome too. When he sees you, he waves a hand. “Hey Trouble,” he calls, “Keepin’ your nose clean?”

Weeks pass, and, much to your delight (and, admittedly, despair), your dad and Logan become close. 

Sundays become your favorite day. Sunday, you discover, is the day you can see Logan through your window, chopping a seemingly endless stack of firewood. 

One time, he catches you watching. To your utter shock, he winks at you. Knowing your eyes are on him, he lifts the hem of his beater to wipe his brow, and shoots you a shit-eating grin.

You had plans but that doesn’t matter now. All you can do is shove your hand into your panties and rub circles around your throbbing little clit until you cum with a muffled sigh, knowing he’s outside. Knowing there’s not more than a fence and a few feet between you.

Almost every night, his fire pit is alight and you see him reading, or strumming his guitar, or fucking whittling, serene in the smouldering glow, till the fire burns out and the night turns too cool to enjoy.

As the weeks pass, he’s at your house more and more. You wish your heart would stop doing flips whenever you see him on the sofa next to your dad, beer in hand, laughing at some story that’s being recounted.

He says hello to you each time he sees you, and always asks after you when you’re out.

“Oh, Logan says hi,” your dad will say over his morning toast, “Why does he call you Trouble? Tell me you haven’t been besmirching the Summers name?”

“Nah,” you grin, “Just the littlest besmirchment, at worst.”

His eyes narrow.

“C’mon, now, we want to-”

“Establish a good relationship!” you finish, grinning at the way he scowls.

“Smartass.”

“Hey, Trouble,” he’ll greet you, whenever you find him at your home.

“Hey neighbor.”

“You bein’ good?” he’ll ask.

“‘Course not,” you’ll wink, “Where’s the fun in that?”

You love that he calls you Trouble. That he has a name, just for you. It feels like it could almost be something, and so it’s almost enough. 

Before long, what you’d once feared was a one-sided attraction begins to morph into something different. 

It’s a Saturday, and you decide to wear a cute little dress. It’s a flowy thing that hugs all your curves in the very best way, hem barely falling past the curve of your ass.

Your dad just popped out for another six-pack, and you’re in the kitchen, making pasta salad. With your father gone, Logan isn’t subtle in the way he looks at you. You delight in how his eyes linger at the curve of your hip, the swell of your chest. It feels like a victory, the way he grits his jaw a little when you lean forward, cleavage on full display.

“What’s a pretty thing like you doin’ wearing a naughty little dress like that?” Logan asks, scowling.

You raise an eyebrow and try not to let the way your heart starts to flutter affect you. “Thought you’d figured it out on day one – I’m trouble.”

He looks you up and down, his gaze lascivious. It’s the boldness of it. The two of you are alone, and you both know it.

“I think you like it,” you narrow your eyes.

He’s silent for a long moment. Then he lets out a deep breath. 

“God help me, I do.”

“Why don’t you do something about it?”

He opens his mouth to respond, but then you both hear the latch, and the front door swings open.

Logan sits back, pretending as though nothing just happened.

You turn back to your salad.

You can see Logan in the sitting room, right in your line of sight. Your dad sits across from him, his back towards you. 

If you’re honest, you’re not sure exactly what compels you. 

You turn to face Logan, wave for him to catch your eye. He does, quickly, immediately attuned to you. Your dad doesn’t notice the way his eyes follow you. You hold a finger to your lips. His eyes dart between you and your dad, and he tries to focus on whatever his friend is saying to him. 

Slowly, you slip one strap down, and then the other. You can hear Logan’s breath hitch, which he covers almost believably with a gulp of his beer. Shimmying the bodice just a little, you expose your cleavage to near-dangerous depths. He’s grinding his teeth now, and it feels like victory.

Quickly, silently, you slip your top all the way down, exposing your breasts to the cool kitchen air. Your nipples, already hard, tighten. Logan is holding his can so tightly he’s crushing it in his fist. 

“You okay, buddy?” you hear your dad say, and you can practically hear the frown in his voice. In a couple of quick movements, you slip your top back up and turn back to your salad.

“Huh?” Logan asks quickly, and then looks at his beer. “Oh, shit–!” he grumbles, relaxing his grip gingerly.

It’s not till an hour later that your dad stands up and announces, “I’ll be right back, gonna hit the head.”

When he’s gone, Logan bolts up and marches over to you.

“Are you out of your damn mind?” he demands.

You shrug and, not so subtly, glance down at his crotch. You smirk at the way the front is tenting. Logan stares daggers as he adjusts himself, better hiding his hard-on.

“Some of you seems to like it,” you point out.

“Out here? With him here? You want your daddy to kill me?”

“No,” you promise, “No, I just want you to fuck me.”

“Jesus Christ you’re trouble–”

You both hear a toilet flush, and, moments later, footsteps descend on the stairs.

Logan adjusts himself again, and you blow him a kiss as he tromps back to his seat.

It’s a week before you see Logan again. He’s working late this week, apparently. Or maybe he’s just keeping his distance from you.

On Friday night, you debate going out. It’s been a while, and you could use a chance to unwind. But drinks are expensive, and– and you see a fire out your window. Logan sits out by his fire pit.

Without thinking, you put on your shoes.

It’s late, but not too late. Your dad’s on his recliner, game on TV, newspaper in hand.

“You headin’ out, kiddo?” he asks.

“Yep,” you lie, “Meeting a couple friends downtown. They’re picking me up!”

“Stay safe,” he calls after you, “Call me if you need a ride.”

“I will,” you tell him. “Don’t know if I’ll be home tonight. Don’t wait up for me!”

You head out of the house and through your neighbor’s gate. 

Logan is golden, illuminated in the glow of the flames. He’s whittling something, angrily.

You realize then that your entrance has been near-silent on the soft grass. “Uh,” you clear you throat and knock on his fence as you approach him. “Hey, there, neighbor!”

Logan looks up and frowns when he sees you.

“You are makin’ me crazy, Trouble.” he huffs.

“Like, in a good way?” you ask.

He glares at you.

You come closer. “Can I sit?”

Logan budges up, putting down his whittling tools.

“So…” you venture “Am I more trouble than I’m worth?”

Logan scoffs.

“Nah.” he concedes, “I just don’t wanna make things complicated.”

You shrug. “They’re already complicated. You’ve seen my tits.”

He huffs out a laugh. “Goddammit, Trouble. I can’t get you out of my head.”

“They’re great tits,” you shrug.

“They are great tits.” Logan agrees.

The fire is crackling and the night is clear, stars hanging above you. You've been sitting side by side, quiet.

You don’t know what to say. Maybe there isn't anything to say. You’ve been patient, dammit. You just need to leap.

You pull him towards you and he moves without resistance.

He growls into your mouth, a needy animal sound. The scruff of his beard feels nice against your chin and you’re dizzy with his proximity, with his lips on yours.

After an eternity in the space of a single moment, you pull apart.

Logan stares at you, overwhelmed. His eyes are dark, his kiss-glistened lips catching the light as the fire dances. 

He presses the pads of his fingertips against his lips in the aftermath, as though either trying to capture the feeling, or banish it from memory.

Then, after a long moment, he’s on you. His hands grip you, grasp you, trace the shape of your body as though memorizing it by touch alone. 

“Inside. Now.” he growls, “Out here you’re askin’ for your daddy to catch us.”

You’re barely through the door before Logan is tugging at your clothes. You help him pull your top above your head, and you fumble with the button of your jeans as he unhooks his belt and yanks off his beater.

In a matter of moments, you’re both fully bare. His skin is hot against yours as he holds you to him, caging you against the door as he drags his teeth along your shoulder. His hard cock hangs against your thigh, heavy and thick and leaking.

Your clothes trail from the front door to his sofa. You don’t make it any further than that.

You’re a ticking time bomb, a siren, pulling him in, driving him wild. He wants and wants and wants, more than he ever knew he could. So much could be ruined; his friendship with your dad, the scrap of reputation he’s been building, his new life in this new place—

But now his want has turned into a need, and feeling you soft and pliant and oh so willing against him, he’d be a fool to turn back now.

Logan’s gropes at you, fingernails digging into the swell of your ass before cupping your pussy in one large palm. Rubbing up and down your cunt, he smears your wetness around.

“You’re fucking dripping,” he gasps. “Prettiest pussy I’ve seen.” 

Then he dips a finger into you and you groan and clench around it. He fucks you with it, deep, gentle strokes. He wasn’t wrong. As he fucks you with his finger, you feel how unbelievably wet you are. When he pulls back for a moment, you can see his hand is glistening with you, drips going all the way to his wrist.

“I can take more,” you promise, and he growls. 

“Can’t say shit like that,” he pants, “You’re sure you can take more. Can you take me? Don’t wanna hurt–”

“I can take you,” you assure him. If you’re honest, you don’t know if you can. What you do know is that you’re sure as fuck gonna try.

“How do you want me?” he asks, fighting to maintain the last shreds of his self-control.

Ever the masochist, “Want you on top of me, my ankles round your shoulders. Need you deep.”

“Gonna fuckin’ kill me.”

You lay back as he positions himself between your thighs. He presses a kiss to your left thigh before he hikes it over his right shoulder, and a kiss to your right calf, folding you in half.

He strokes the dripping head of his cock against your folds.

“You ready?” he asks, and you whine in desperation, nodding a yes.

He presses in, notching the tip inside. You groan at the sensation, relaxing into it as he rocks his hips gently.

“Doin’ so good,” he praises, “I know, baby, it’s a lot.”

You writhe and moan. It is a lot, but you still want more. More of his cock, of his hands on your body, of his praise.

“Taking it so well,” he soothes, letting his cock slide that little bit deeper inside, pulling most of the way out and driving back in, pressing whispers in your ear as he fucks into you.

When his pelvis is pressed flush against you, he lets out a sigh. 

“Look at that,” he huffs, “Takin’ all of me.”

You look down and watch enraptured as he pulls out and presses back in, deeper than you ever imagined, and rolls his hips, coarse hair grinding against your clit and making you howl.

”Keep making those pretty noises for me, honey.”

”Need more-“ you beg.

He starts rocking his hips, building a solid rhythm. His strokes are deep and devastating, and with every thrust you can feel your wetness start to flood down your thighs and cream around the base of his cock.

The wetter you get, the harder he fucks into you, each plunge punctuated with your cries, of “Yes!”, “More—“, “Please, Logan, please—“

Generous to a fault, he gives you everything you beg for.

The frustration of these longing, pent-up weeks is almost a forgotten memory. As you build towards the peak of your pleasure, the man above you is an animal. He grunts and pants and fucks you deeper than you knew possible. Your whines and cries and demands taper off, replaced by soft moans that start to swell as he litters your collarbone with kisses and rubs a calloused thumb against your clit.

”I’m—“ you warn, struggling to form words, “I’m gonna—“

 “‘M close too,” he grunts, “Give it to me, baby, need to feel you— Please, baby—“

With his words and a firm press to your clit, you come with a sob, cunt squeezing around him in pulsing contractions.

He fucks you through it, muttering a steady stream of filth the whole time. “That’s it, that’s it, fuck you’re gushing, soaking this cock. You feel so fucking good, tight little thing stretched so nice around me, taking it all like you’re made for it—”

Before you can even get over the first climax, the second starts to build. Logan can feel the way your pussy twitches for him, the way your breath shudders as he drives into you with staggering thrusts.

”Gonna cum again, aren’t you?” He growls. “Good-“ a thrust, “fucking—“, thrust, “girl—“ thrust, “Just can’t get enough of this cock, can you?”

You try to answer, but all that comes out is a cry as another orgasm overtakes you.

"That’s it,” the praises, still punctuating every word with a thrust, “That’s it! Let yourself feel it, let yourself feel good—"

You do, wave after wave of pleasure coursing through you. It’s overwhelming, the way it tears through you with no end in sight.

When he finally pulls out of you, you start to come back to yourself, your life-changing orgasm starting to wane.

He’s beautiful above you, covered in sweat, your wetness dripping down his thighs as he strokes his creamy cock.

With a groan, he comes on your stomach. You wrap your hand around his, stroking him gently till every drop is spent.

You make room for him on the sofa, uncaring that both of you are covered in sweat and fluids, and pull him down to rest in your arms.

"Fuck—" he exhales, and finally turns to face you again.

You stroke your fingers through your mussed hair.

"I knew you were trouble,” he murmurs, pressing kisses to your sternum.

There are so many things you’ll need to talk about, to work through. You are neighbors, after all, and you can’t do something like this without there being an aftermath.

But whatever is next can wait till morning.

Gently, he pulls himself up, and you with him. Holding each other close, you head to his bedroom. Without a word, you lay together, curled up in one another’s embrace.

He’s silent a long moment before speaking. "Is your daddy expecting you home tonight?” He asks. Neither of you want to think about that.

But thankfully, “No,” you tell him. “Told him not to wait up.”

"Oh, optimistic, were we?” He teases, and you look him up and down. His broad shoulders, sculpted chest, dark eyes, rumpled hair. This man you’ve grown so very fond of. 

“Yes,” you smile. “Yes, we are.”

Scott finds out, like, a day later and declares Logan his sworn enemy

[dontyoufeelitangel]

Hello Ghesties, Ghouls & Ghoulettes! Welcome to Angels run-down show-down, where I (Angel) do a run down of the Ghovie for all you lovely folk!!

Didn’t get the chance to see the Ghovie aka Rite Here Rite Now? Fear not for I am here! This post will contain a run-down of what happened during the Ghovie.

So this is your warning:

‼️SPOILERS AHEAD ‼️

I will be breaking this down into separate parts:

Lore: contains all lore that was mentioned

Songs: songs that were played

And Theatrics: stage play and other attributes that happened.

Another fair warning: there is a possibility that not everything that happened in the movie is noted here, I may have forgotten some things!! But I will do my best to include everything🤍

Additional notes: many fans including me were worried that this project would be incredibly low quality due to the fact it’s a movie operated by a band. More so worried that the movie would be the same quality as the YouTube episodes. I can confirm that the camera quality for this movie is amazing. You can compare the filmography to Taylor swifts era tour movie. Each shot for rite here rite now is shot with a high-to-low speed motion camera. The audio quality is above and beyond, even nihils ghost is very detailed and realistic. Every film shot is synchronized with the songs and instruments (example: camera changes for each beat/camera focuses on certain ghouls for their assigned solo)

Lore:

Story: the plot of the ghovie is a showcase of their Kia forum concert mixed with short lore scenes. Between every 2-3 songs there would be a scene of Copia running behind stage and talking with imperator and nihil OR getting dressed and ready for his next performance.

When he talked with imperator and nihil, he mostly talked to them about what would happen after the concert. Nihil and imperator told him numerous times that he was “focusing to much on the past and future instead of living in the moment, living right here, right now.”

Copia realizes this before he does his encore, so he goes out and does a great encore assuming he’ll soon die. After the encore and when the concert is finished, unfortunately imperator dies and gives a note to Copia.

The note states that he will not die, but rather be gifted a new higher status in the clergy. In which he’ll further be known as Frater (Latin for brother, which makes sense if we think about the title for sister imperator). And because there is no head for the ghost project they will bring in a new front man. The movie ends before the front man is revealed and we are left on a cliffhanger.

The lore for the ghovie is very similar and the same to what we already know! Not to much was revealed but here were the key points of what was mentioned:

⭐️the other brothers were not directly mentioned or shown on camera. The only references to the other emeritus brothers was the backdrop for the stage (stained glass windows portraying the previous brothers & nihil)

⭐️it was confirmed that Nihil was copias father and that during the kiss the go-goat music video sister imperator was pregnant with Copia.

⭐️Copia even acknowledges nihil as his dad, in one scene where he says “thanks dad”

⭐️sister imperator ends up passing at the end of the movie but becomes a spirit and is seen with the rest of the spirits (nihil and the twins, yes, the twins seem in the YouTube episodes apparently have died)

⭐️the ghouls were not to involved with the lore except for the fact they all surrounded imperators dead body when she passed. (Idk if this counts as lore but) the ghouls also talked in the movie, only for a small scene though. Bass ghoul (Rain) is the ghoul that talked.

⭐️nihil says that he produced three songs. The third song is the one we see during the credits. Song is : the future is a foreign land, as shown here:

SONGS:

The songs that played were the ones that were played at the Kia forum shows. Songs that where played included:

⚡️imperium (pre - opener)

⚡️Kaisarion (opener/curtain pull) (also if I remember correctly there was a short clip of a harp but I’m not sure if it was being played or not during that song.)

⚡️rats

⚡️faith

⚡️spillways

⚡️Cirice (he ciriced the camera making it look like he Ciriced us)

⚡️Absolution

⚡️ritual

⚡️call me little sunshine

⚡️con clavi con dio

⚡️ watcher in the sky

⚡️ if you have ghosts (acoustic version with two cellos, violin & harp ghoulettes. As well as a background vocalist ghoulette who did absolutely amazing! Also papa gives a speech about how “everyone is important and that their presence at that concert was inspiring”)

⚡️dominion

⚡️ Twenties (body painted skeleton dancers came out and performed on stage, they did cartwheels, threw eachother around and even picked up cardi)

⚡️year zero

⚡️spoksonat

⚡️he is (I cried)

⚡️miasma (nihil told Copia that he didn’t want to die, but even when he did he was still happy because he got to perform and bring joy to people temporarily when they revived him. Nihil also told Copia to focus on the good in life)

⚡️Mary on a cross (animated in a scooby-doo style, where nihil chases around imperator as she fights him and runs away)

⚡️ mummy dust

⚡️respite on the spitalfields (each ghoul/ghoulette got a solo)

⚡️ kiss the go-goat

⚡️dance macabre (skeleton dancers come out for a second time with silk fans)

⚡️square hammer

THEATRICS:

Some silly theatrics that happened include:

💙Copia huffing the gas from a whip-cream can before performing.

💙jumped in a storage transfer crate and had a whole convo with nihil.

💙has a the tour manager (Ashley) come out on stage and change his shoes for him.

💙only Copia can see the spirits of his family, so when he would talk to nihil or imperator, spectators around him would think he’s crazy and talking to himself.

💙many of the behind the scenes crew of the band were included in the movie such as : Ashley(tour manager), and many of the security guards & jesus( you know who lol)

💙remember when everyone was freaking out about the fact there’d be a blowjob reference? Yeah well there was no actual blow job scene, the warning for the blow job was for when Kyle aka Jesus came out and blew away the confetti.

💙there is also a scene at the end in which Copia is flying away from the concert (I guess that’s his preferred way of transportation lol??) he is flying in the hot air balloon we see in the cover for rite here rite now. He flies into space before falling, ouch!

💙during his flight there’s a montage of sister imperator being pregnant with him, during this montage we see twins. Twin babies, twin children. We are unsure if this is a reference to Tobias’s twins or if Copia has a twin.

.

If I forgot to add anything or got info wrong please feel free to leave a comment and I will correct myself as fast as possible!!

Don’t you feel it Angel? I do⚡️

[fioiswriting]

Reunion | Sequel

[Part 1]

Summary : After the Battle Above the Gods Eye, Daemon returned victorious. Aemond was presumed dead, though his body was never found. Three years later, you've mourned your former husband and are ready to move on. But it seems that some ghosts from your past have come back to haunt you, and that the dead aren't really dead after all...

Rating : Explicit 18+, MDNI

Pairing : Aemond x Velaryon/Strong!niece!Reader

TW : unprotected sex, breeding kink, mention of characters death, angst, possessiveness, p in v sex, oral f receiving, dom/sub undertones, mention of war, AU where the Blacks won the war, anxiety, Reader has a child, grief, fluff, pregnancy, not proofread. 

Reader is Rhaenyra and Harwin’s daughter so I imagined her with dark hair like Jace, Luke and Joffrey but feel free to imagine her as you want of course <3

Words count : 9150

Author's note : Hello everyone!! Sorry for the wait, I've been very busy, but here's part two of Reunion (or at least the first part two, let's call it part 2.1 hehe). Thank you again for all you kind comments and the love you've given my fanfic omg!! Spoiler alert: this is the happy alternate ending! But I've got another bittersweet alternative ending planned 😈 If you think the first part was good enough on its own and the sequel may break the vibe, don't force yourself to read!! But if you need a happy ending, here it is <3 The plot still doesn't make any sense, but hey, we're here to have fun so enjoy ❤️

English is still not my first (or second) language, so sorry for the grammar mistakes <3

When you wake up, the first thing you feel is the reassuring embrace of his arms around you. You don't want to move, not even when the sunlight tickles your face through the opening between the wooden shutters, trying to make the moment last endlessly. But the growing anxiety in your stomach chases away the illusion of your fleeting happiness. 

You close your eyes a little tighter. Perhaps if you try again, perhaps if you try harder, the world around you can fade away.

Perhaps you can wake up again, in a different reality.

But it's inevitable. You know that now you're awake, it's only a matter of time before the two of you have to say goodbye forever. Your breathing becomes heavier, and you have to fight the tingling sensation at the corners of your eyes.

Why have the gods decided to be so cruel to you? They grant you one last taste of his skin on your lips before taking it from you, again. 

Haven't you given enough? 

Could they not show you mercy? 

You who had forgotten him, you who had begun to turn a new page, to seek comfort in the arms of the cold, far away from the fire and the ashes, why did you have to touch the poison that would once again stain your soul?

Behind you, Aemond buries his long nose in your hair. His hand absently caresses the skin of your thigh, just where the edge of the linen tunic you put on sometime during the night when you were cold ends. The fabric is pulled up, revealing the outline of your bottom, and you can already feel your uncle hardening between his thighs, but you don't move.

If you move, you'll make everything more real. Tangible.

You'll speed up the process of losing him, of him slipping through your fingers. 

How can you let him go, now that your heart is full again, now that you feel complete in a way you haven't felt for over three years?

How can you let him go, now that your body has retrieve the extension of itself in the arms of the man who was the cause of your torment, your moments of joy, your pain and, paradoxically, your happiness?

"I know you're awake."

You hold your breath and Aemond inhales into your hair. His hand moves down the inside of your thigh, along the hollow that joins it to your groin. He doesn't venture any further. 

His thumb rests there and brushes your skin, trying to arouse the desire in you with gentleness.

Subtly.

 He doesn't want to hurry, he doesn't want to rush you.

Not when he's been harbouring the impossible fantasy of waking up with you in his arms since the day he nearly died.

He presses harder against you, as if he doesn't want to let you go, as if he wants to be one with you again, and you feel him pulsing against your buttocks, under the linen cloth that has been pulled up a little higher. He says nothing, but he is pleading, needy, in his gestures, which is rare for him.

Something has changed, after all, and perhaps something has changed in him too. 

"I am awake, indeed, " you whisper in a voice that is still half asleep. The lump in your throat betrays the feeling of anxiety gradually creeping into your body, and Aemond seems to notice. Under your tunic, his hand moves up along your belly until it nestles against your chest, close to your heart. His thumb draws small circles, once again trying to bring you back to him.

Trying to calm your mind.

"Let us forget for a little longer," he whispers, his clenched jaw resting over your head. "Please." 

And you know he never begs. 

Aemond takes and doesn't ask.

Aemond believes he is owed everything and never gives in return.

Hearing him beg breaks something inside you, because this is the first time he does so.

Usually it was you, it was always you, begging for peace, begging for more, begging him not to leave you.

Part of him is as desperate as you are; part of him also dreads the moment when you will have to part again. Forever. It's comforting to know that his feelings are sincere, just like yours.

" Make me forget, then." You reply, moving your lower loins back against him, giving him tacit permission to explore your body once more. His fingers move down to your breasts, which he covers softly with his hand, his thumb skimming over a nipple to make it hard. You let out a gasp between your parted lips.

His hand slides lower, his palm flat against your lower belly, his fingertips brushing the light patch of hair at the top of your mound. You feel the familiar warmth growing between your thighs, in your core.

He sighs against the back of your skull, his head tilted forward. His lips search the skin at the nape of your neck, behind the long hair that has become tangled during the night, while his fingers intimately explore the secrets of your body that he knows all too well. The remnants of last night's lovemaking still smear the insides of your thighs and folds, but it doesn't matter; his fingers easily find the little bundle of nerves that they tease until you close your eyes, until your hand grips the damp, shabby sheet that covers the ragged mattress in the inn where you've spent the night.

Just the both of you, in the comfort of anonymity. 

"Let me taste you". His voice, still husky, tickles the back of your neck and you feel him shift behind you. When you feel the warmth of his bare chest, against which you're nestled, leave your back, your body automatically tries to move back against him. You still need him. You still need him to chase away the lump of anxiety in the pit of your stomach and the voices that keep reminding you that you're only postponing the fateful moment. Your hand slips under your white tunic and wraps around his wrist to force him to stay there, to hold his fingers against the source of heat spreading from your core. Your hips are demanding, grinding against his hand. "On your back," he insists, and stands up on his forearms.

With reluctance you turn over. You obey, lying on your back, your hair spilled around your head on the flat, uncomfortable pillow on which you slept badly. The white tunic that serves as your nightgown is pulled up, crumpled, just above your crotch, which it barely conceals. 

Aemond has swung over your body, silvery strands loosening from the braid that holds his hair behind his head and sliding down his shoulders, falling in loose loops on either side of his face, tickling your cheeks.

His lilac-tinted blue eye glows with a predatory gaze, a ray of light catching in the sapphire he hasn't removed from his socket. 

He captures your lips with his own, begging for access. Aemond marks your jaw and throat with light kisses, sucking at your collarbone to make the violets of possessiveness with which he likes to adorn your body bloom. His lips travel down your chest, playing with one of the two small nipples raised by the cool air and by desire, and continue their journey past your navel. 

Your heartbeat quickens as he settles between your legs, spreading your thighs to admire the part of you he covets so eagerly. At the same time you bend your legs, your gaze falling on him, on his unravelled hair, on his eye that locks with yours. He is so close to you, so close to your warm centre, and you know that between your folds the sweet nectar that your uncle longs to taste is already flowing.

But his lips trace the inside of your thighs instead, where the skin is soft and tender, and gradually they reach the hollow that connects them to your most intimate part. He takes a malicious pleasure in building up the tension, in savouring every millimetre of you like a fine delicacy, with only the tip of his lips brushing against your skin.

His thumbs spread the tender flesh of your womanhood and then he places a chaste kiss on the very centre of you. His tongue is shy at first, tracing the slit that connects your entrance to your little knob, collecting the evidence of your desire.

As his tongue wraps around your nub, your hands grip the sheets, knuckles white. 

Aemond drinks from your essence like a thirsty man, his nose buried between your folds, rubbing your pearl.

The tip of his tongue catches what drips from your opening, and then the flat of his tongue tastes your slit, working its way up to the little nub gorged with desire. 

He maintains the same rhythm, revelling in the moans that escape from your half-open lips. Soon his middle finger begins to draw circles against your entrance, the first knuckle sliding inside, then the whole finger. Your head is thrown back and immediately your hand buries itself in his silvery hair, gripping his braid in a messy bun behind the top of his head. Forcing his face against the most intimate part of your body, forcing his lips to work on your wet warmth, you seek more contact. 

Aemond adds a second finger. He can feel you tighten around him as he searches for that particular spot, as his tongue continues to play with your bundle of nerves.

As he devours what is his, utterly his.

His fingers, the ones that aren't buried inside you, close around the flesh of your hip in a possessive grip. "Come for me," he whispers against your womanhood, his eyes lifted to you. "I know you can do it."

Your breathing becomes more erratic, faster too. You tighten the grip of your fingers in his hair, your thighs pressing either side of his face, and he collects the sweet taste of your release on his tongue with a hum. 

You feel like you're floating. The waves of warmth still wash over you, less and less intense, your breast rising and falling as you catch your breath. 

Your hand tucks a lock of his hair back behind his ear as Aemond lifts his face towards you, and you rest your hand against his cheek. His parted lips still glisten with your desire smeared across the lower part of his face. He stares at you without moving, his deep, regular breathing the only sound to break the silence that has followed your release. You stay like that for a moment, his gaze burning into yours. At any moment he might pounce on you. At any moment he might close the tiny distance separating your mouths and press his lips against yours like the starving man he is.

It's you who makes the first move. You taste yourself on his lips and your tongue entwines with his in a fiery, demanding kiss.

Straightening up, Aemond creeps between your legs, his hand on the underside of your thighs, holding them apart. He is still completely naked from the night before, he has not bothered to get dressed after your lovemaking, so you can catch a glimpse of his erect manhood, slightly curved. He wraps his hand around to guide it towards your still sensitive wet entrance.

He slides into you easily, in one slow movement. The haste of the night before, the urgency of the reunion, has given way to the tenderness and laziness of the early morning, and Aemond rocks inside you slowly. His hips undulate, punctuated by long, deep thrusts, in an illusion of domesticity. 

But the damp sheets, rough against your skin, the discomfort of the hard mattress beneath your back, remind you that your lovemaking is anything but domestic.

For Aemond is still the enemy, for Aemond is supposed to be dead.

For your family is probably looking for you at this very moment, worried that you have not returned home for the night.

But you push those thoughts away. The weight of your uncle's body on top of yours soothes the knot that forms in the pit of your stomach at the thought of time slipping away, at the thought of having to leave him again, at the thought of this being the last time you will taste his lips, his skin.

Aemond is gentle, and that is rare enough to be worth mentioning. He has never been so gentle, so soft, in the limited time that you have been married.

Between you, there had been the devouring, consuming passion, the power play that in your submission had granted you dominance.

Between you it had been raw and devastating more than gentle and tender.

His fingers run the length of your body to your core, combining his slow, deep thrusts with the movement of his fingers against your clit.

There are only few words exchanged between you, as if you were both afraid to break the grace of the moment.

His panting, noisy breath echoes in the silence, skimming the skin of your throat, then mingling with yours as the shadow of his lips brushes against yours. He rests his forehead against yours, your hand cupping his cheek, sliding behind his neck, and you are transported into a cocoon of intimacy where nothing else exists around you.

There is only his body against yours, warm and reassuring.

There is only him inside you and the slow movement of his hips.

There is only your breathing, blending in the space that separates your mouths.

"Do you know how much I've missed you?" He whispers against your lips as you close your thighs around him. "How much I dreamed of this tight little cunt?" You swallow his words. Your hips meet his as he pushes against you. He is reaching deep inside you. Despite the intimacy of the moment, his body oozes power and darkness, and you can't help but be drawn to that side of him that complements yours so well. 

You can't stop your body from aching for him. 

"You could have been my queen," he says as his movements grow stronger. He won't last long, but neither will you. He's inside you, where you like to feel him, and your walls clench around his member. "And I would have set the whole world on fire for you." He thrusts. "Burned it to the ground" He thrusts again. "All for you." And again.

The old wood of the bed creaks with each of his movements.

You seek out his lips, just to brush them against yours. 

Without sealing the kiss.

"And I would have accepted," you answer with a whimper. "I would have been your queen, qybor." In another life, you think you would.

In another life, in another universe, you would have been his queen.

A grunt escapes his lips and lands in the hollow of your ear. Aemond straightens on his bent elbow, right next to your head, and he plunges into you one last time, with more power, more vigour, just as his new position allows.

You close your eyes. 

A second wave of warmth is about to engulf your body.

And you wait for it, you welcome it.

"Look at me when I come inside you," he growls hoarsely as his seed pours deep inside you, into the most intimate part of your body. "Look at me as I fill you up."

Your eyes lock with his, fiery as ever. A final moan escapes between your lips and you seal them to your uncle's in a feverish, wet kiss. You hold him in your arms for a moment longer, as if to allow yourself the luxury of illusion for a brief instant. 

You delay the fateful moment a little longer, fighting the minutes that inevitably slip through your fingers.

"Stay inside me just a little longer," you whisper, burying your head in the hollow of his neck where you can feel the rapid rhythm of his pulse. His arms close around you, holding you tight against him, and you hear him purr against the hair on the crown of your head. He rocks you gently.

The silence welcomes you both into its embrace and you savour it like a treasure. Your body aches in the sweetest way, your insides throbbing around his softening manhood. 

And around you, nothing exists anymore.

*** *** *** *** *** *** *** 

"I've changed, you know." His hoarse voice vibrates against you, but you refuse to meet his eyes. You keep them closed. 

You're not sure if Aemond has really changed. Aemond is ruthless, cold, brutal, calculating, merciless. Cruel. You're not sure if Aemond can ever change, but he shows unusual tenderness, and maybe, just maybe, you allow yourself to doubt. You indulge in the illusion. 

Perhaps Vhagar's death has broken something in him. 

Perhaps it's true, perhaps he's not the same man anymore.

He's not sorry for what he has done. He never will be. He's too proud, even if you can catch the glimmer of remorse that colours his icy eyes when he is not looking at you.

Does he think of your little brother? Is he haunted by the memory of him, as you have been for so many years?

Does he think of the innocents he killed without flinching, the blood he spilled in the Riverlands that now stains the burned grass? 

Is his sanity slowly being eaten away by the atrocities he has committed with his own hands? 

He has changed. You are not sure if he's changed for the better or for the worse, but he has indeed.

Daemon has changed too. So has Rhaenyra. So has Jace.

You too have changed.

For war changes people, war makes them weary and wary, it shatters something in the body that will never be the same again. It hollows out the roundness of the cheeks, it deepens the dark circles under the eyes, it fades the sparkle of childhood that remains in the eyes.

Aemond seems to be waiting for an answer, but the words remain stuck in your throat. I know, you want to whisper, I know, but suddenly you've forgotten how to speak. His thumb draws the soft line of the underside of your breast.

The future terrifies you more than ever. You had made peace with your past, you had come to a conclusion that, even if it pained you, had given you some respite. 

Seeing your uncle alive had reawakened your demons. 

Spending the night in the embrace of his arms had revived everything you had buried deep, deep down. 

The past had returned, creeping towards you, gnawing at the corners of your heart and at what remained of your sense of stability and certainty. 

Now you are plunged into doubt. 

Just as you were a little over three years ago, when you were informed of his death, when you had to learn to live with the choice that had never really been given to you.

Just as three years ago, when you noticed a familiar lilac-tinged blue in Rhaegar's eyes.

Like when you had to live with the memories that haunted you, that were slowly eating away at what little sanity you had left.

Like when you finally decided to leave for the North.

Aemond seems to sense your anguish, because his fingers get lost in your hair. 

"What are we going to do now?" 

Finally, you dare to utter the inevitable words that have been hanging on the tip of your tongue since you woke up, words you've swallowed so many times this morning. You immediately blame yourself. 

Saying them only makes them more real.

They tear at something in the imaginary cocoon you've built for yourselves. You bury your face against his skin, breathe in his scent, as if you never want to forget him.

For you know how fleeting memories can be.

You remember how his face faded with each passing day.

You don't know if you'll ever be able to experience it a second time.

"We could leave," Aemond replies, as his fingers venture to your jaw, caressing the line of your cheeks with the back of his knuckles. 

He's so pragmatic, as always.

Even in this situation.

Even now.

It makes you want to shake him.

"We could run away," he says again. His gaze, fixed in the distance, falls on you at the same moment. "To Essos. Pentos. No one would know who we are." You close your eyes, and let his hoarse voice lull you into silence. "To start our own family, the three of us."

You know he is not serious. Even though he looks at you with such insistence, with that flame that flickers in the centre of his iris.

You relish his fantasy, this impossible dream. 

But you can't leave your family; Essos is not Winterfell. There, they knew where to find you. They knew you were safe. They knew you were sheltered between the walls of the northern castle, under the heavy furs, under the protection of Cregan Stark.

Essos is the unknown.

You cannot let your mother lose her only daughter, not after everything she has already lost. 

The itch is familiar, tickling at the corners of your eyes. There was a time when you thought you'd lost that sensitivity. When you thought the war had left you cold, incapable of feeling anything. Incapable of crying.

"You know I can't." Your nose rubs against his milky skin, made clammy by sweat. You keep your eyes closed because you feel the weight of his cold gaze on you, his furrowed eyebrows as he stares at you blankly, his lips pursed in a long, thin line. You don't have the courage to meet his accusing gaze, let alone the wounded look on his face as you crush all his illusory dreams into dust. 

When did you become the more pragmatic of the two? 

When did you become the one responsible for bringing Aemond back to reality?

It used to be you, the one who filled your mind with unrealistic dreams, the one who dreamed of stories and fairy tales, back when you could still dream. "They need me, you know that."

A sneer stretches across your uncle's lips as he swallows a chuckle that sounds more like an ironic growl. You feel his whole body tense against yours, a sign that he's holding back his annoyance. 

A sign that he has something to say, that he's upset, but doesn't quite know how to put it into words. 

"Like they needed you back then?" he replies scathingly, bitterness on the tip of his tongue. "When they used you as a bargaining chip to achieve their ends, hm?"  

Your red cheeks burn with shame, as if he'd slapped you. You don't move, merely swallow hard. You know there's something right about what he is saying, but you don't want to admit it. 

You've done your duty.

You've done what is expected of you as a daughter.

It was not a question of them using you. It never was. 

It was your duty, only your duty, what you were always meant to perform, wasn't it?

And yet a small voice in the back of your head had already given you a similar speech, a few years ago, but you had tried to silence it.

You refused to let Aemond admit it. You refuse to allow him to do it. He had no idea, no right to criticise your family when he'd acted like that.

When he has done what he has done.

He has no idea what it is like to be a daughter.

You don't answer, and silence falls between you again.

You wish so desperately that he could go home with you; that he could tell them that he's sorry.

You wish it were easier. 

There is no one left to wait for Aemond but you, but his son, you know that. His family has been decimated, as has yours in some ways, though you still have your parents and your older brother.

For your uncle, there's nothing left but the shadow of his existence, the shadow of who he once was, long ago.

You let your hand trace the side of his throat, your nose buried against it, your lips hovering over his skin. You lean against him, your body on top of his, pressed together as if you were afraid to let him go.

"You could come with me instead," you whisper, but you refuse to meet his gaze. There's something shameful in the words you've just spoken aloud, something naive, and your burning cheeks are proof of your embarrassment.

Almost imperceptibly, he clenches beneath you, holding his breath. This is a bad idea and you feel stupid. Naive to have dared to suggest something like this.

His voice purrs in a hm that vibrates against you. He's about to say something. He searches for words. "You know that -"

"I know." You cut him off sharply - a little more than you would have liked, your eyes raised to silence him.

You know what he thinks.

He thinks that Rhaenyra will never be his queen. He thinks he will never bend the knee to his eldest sister and her authority, which he doesn't recognise.

He thinks that with the death of Aegon, with the death of the children his brother fathered with Helaena, the throne belongs to him.

And you are aware of his ambitions. You know how perfectly the conqueror's crown fits his head. You know how it sets off the sapphire embedded in his eye socket. You remember the look of greed in his eyes every time he stared at the Iron Throne, you remember the look of pride on his face every time he scorned anyone who dared to question his decisions as Prince Regent.

You know how mercilessly he made the soldiers at Harrenhal kneel, forcing them to contemplate their impending deaths. You know the terror he has sown throughout the Riverlands.

Even in the Seven Hells you could have found more mercy than at the hands of Aemond Targaryen.

Aemond may have changed, but you're not sure he's changed enough to put aside the pride that is consuming him from within.

You take a deep breath. "You don't really have a choice, qybor." 

Fearing his reaction, you curl into a fetal position, your back to him, your knees drawn up to you. You close your eyes. You wait for his frustration.

You wait for his sentence.

You know that he is aware that he has no choice. 

He has only two options: swallow his pride or sink back into the abyss, disappear into the dark meanders of oblivion.

Rhaegar needed his father, of course, but you found him a father in Cregan Stark. 

That was a sacrifice you were willing to make.

There was no way you would give up what family you had left.

For Rhaegar needed his grandparents and his uncle even more.

Behind you, you feel your uncle's hand slip under your tunic and around your body, pulling you against him. He presses his bare chest against your back, tucking your head under his chin. His hand caresses your stomach, then his fingers brush the base of your breast.

"You know she will never be my queen. You know the throne belongs to -" But he lets the words drop without finishing the sentence, the knowledge of what he was about to say hanging in the air between you. 

As long as he remains alive, will the embers of war never truly be extinguished? 

You don't know, but you accept the risk. 

You close your eyes, as if you're about to jump into the icy depths with both feet.

"The rest is up to you, Aemond," you whisper, barely audible. "And if you have truly changed, then you will know how to make the right choice."

He says nothing. 

You savour the last few minutes of illusion you have left.

*** *** *** *** *** *** *** 

The fear of making the wrong choice never really leaves you, but your mother chases your fears away, as she so often did when you were a child, tucking one of your dark curls behind your ear. She has her distinctive little smirk on her lips, the one that pulls the corner of her lips up towards her nose.  

The same one Lucerys had, you think sadly. 

You still miss him, even after all this time, and sometimes you wonder what kind of young man he would have become.

"You're a clever girl, my sweet clever girl," she whispers against your forehead as she cradles you in her arms. She's as beautiful as ever, as gentle with you as ever, despite the years, despite the wear and tear of war that has hardened her features and hollowed her cheeks. "And I know you have made the right decision." She lifts your chin with her forefinger to look into your eyes, and you feel like you're turning back into that shy, insecure girl who disappeared somewhere in the violence of the war all those years ago.

 "And if it should turn out that you were wrong... Daemon will be there to intervene. You know he is just waiting for that." You roll your eyes at her attempt at humour, and she plants a kiss on your forehead. 

For a split second, you truly are that carefree little girl again.

But behind your mother's humour lie fragments of reality that make your laughter bitter.

The news of your husband's survival remains a hazy blur in your mind. Sometimes you're not sure if this conversation really occurred or if you're dreaming.

You're not sure if what's around you, if the night you spent in Aemond's arms, is real or an invention of your sick mind.

Sometimes you're not really conscious of the events or how long they lasted, the lump in your stomach grows back, and once again you're destined to carve half-moons marks in the palms of your hands to soothe the tension in your body.

You told your mother first because you knew she'd be more understanding. As a mother, as a woman, she knows the meaning behind certain silences, the weight of words, the unspoken words that float between sentences. 

You know she can understand your pain and your doubts, but also your love and your compassion.

She was shocked when you told her that her younger brother was still alive. She smoothed her dress, paced back and forth, then took the time to sit down, her eyebrows furrowed, her eyes riveted to your face, looking for clues that would betray what you were thinking, what you might be hiding. She was afraid that he had hurt you. She was afraid that he would rip you away from her, just as he had once ripped your little brother away from her.

Her fingers had gently taken your hand and her thumb had drawn little circles on the back of your hand to comfort you. She listened to you first as you confessed everything. 

Where you were that night when you didn't come home. 

Who you were with.

And then she took you in her arms. She reassured you. Soothed you. 

You had been so afraid of disappointing her, of disappointing all of them, that the tension paralysing your body had finally loosened and you burst into tears.

Things had proved more complicated with Daemon. When he learned that his nephew was alive, that he wasn't forgotten forever in the deep waters of the lake near Harrenhal, he refused to believe you. He was furious. He said he had seen him fall, that he was the one who had taken his life, tearing the sky apart.

You didn't know where to look, and it was in your mother's eyes that you sought support, comfort, anything in the face of your stepfather's rage. You could feel on you the look of disappointment of your brother, Jace, as he held his shoulders up and his chin high. He wanted to prove that one day he would be a good king. With his jaw clenched, he said nothing, looking at you as if you were suddenly so foreign to him. He probably didn't know what to say, for fear of being clumsy, for fear of unintentionally hurting you, even more than by his lack of support. 

You know it wasn't his fault. 

He simply couldn't understand.

The words stuck in your throat and you found yourself unable to speak, pearls glittering in the corners of your eyes while you waited impatiently for the final blow.

The final death knell that would seal your disgrace in everyone's eyes.

After all you'd endured.

Daemon stood before you, his eyebrows furrowed, his eyes hard. He was staring at you as if you'd committed the ultimate treason, and you knew he was controlling himself to keep his anger from exploding. "You're going to bring him to me," he had hissed, his hand closing over your shoulder. 

" You will lure him here and he will be put to the sword." His tone left no room for argument. With the tension growing in your stomach, you sought your mother's compassionate look to calm you. You could see the fury in your stepfather's eyes, and also a mixture of fear and feelings of betrayal. You knew that, deep down, he was afraid for you because he considers you his daughter. Because Baela and Rhaena are like sisters to you. 

It was his reaction you feared most, not your mother's. His fingers dug into your skin, the floor slipping out from under you, the room swaying dangerously, and your mother had come to your rescue, trying to calm things down with her usual diplomacy.

You can't quite remember the words your stepfather said; in anger he muttered something that sounded like are you really thinking of becoming his whore again? and the words hurt like hell, but you tried to swallow the pain.

 Endure, hold your head high. That was what you had learned.

Your mother had suggested you go back to your room or spend some time with Rhaegar, her fingers gently stroking your dark locks, and as soon as you left the throne room you could hear their voices echoing through the door. 

They were arguing.

Over you.

Because of you, again.

You took a deep breath and returned to the gardens, where your two stepsisters were making your son laugh by playing with him. They had fun running around in the damp grass to the applause of Baela's little daughter, who clapped her little hands in delight.

Your fingers were still trembling when you joined them.

In the end a solution was found, for your mother feared losing you a second time. 

She remembered what had happened to Laenor, your father, when he had grown tired of the court.

She remembered what had happened to Helaena, your sweet aunt, when she could no longer bear to suffer.

It was her worst nightmare to see you torn from her again, now that she had the chance to hold you in her arms every day, to protect you again, to see you grow again.

It was her worst nightmare to see her only daughter, her only daughter and the second of her only surviving children, taken from her. 

You and Jace were all she had left of her own blood.

After long negotiations with Daemon, you had managed to bargain for your husband's life in exchange for strict conditions; increased surveillance, no bonding with a new dragon, no carrying of weapons, and the assurance that he would be executed if there was the slightest doubt about him. You proposed that you and he leave the capital, with your son as well. To return to Dragonstone. To start over on a new, blank page in a book that was already too damaged.

For you, it was also a way to ease the tensions between your family and Aemond, and perhaps find a more intimate life with your husband and son.

Rhaenyra had declared that this was the best solution: a guarantee for her to have you by her side again, a guarantee for her that you would be there.

You had been afraid of Aemond's reaction, afraid that his ego would not bear it; that he would refuse, that he would rather sentence himself to his own death than to an existence as a prisoner within his own family, condemned to live as a shadow of the man he had once been in exchange for seeing his son grow up. 

But in the end, wasn't he doomed to live as a shadow of the man he had once been, anyway?

He would never be the rider of Vhagar again.

He would never be the ruthless Prince Regent again.

He would never again be the second in line to the throne, the second son greedily waiting for fate to turn in his favour.

He hadn't been all of that for a good three years, lurking in the cold, gloomy corridors of Harrenhal like a lonely monster.

And if he went back, if he rejected your proposal, he would have condemned himself to eternal solitude at the side of a witch you would rather forget.

He had no choice, for he would never be that Aemond again. 

When you joined your husband at the meeting place, you were relieved to see him swallow his pride and accept. It was difficult, but you convinced him. 

For Rhaegar, for his son.

Aemond had suggested that you run away, far away from everything, and you almost hesitated. Running away would have allowed you to forget, of course. 

But your deepest wounds had begun to heal. You had begun to be able to face the ghosts that haunted King's Landing, the ghosts that haunted Dragonstone.

To stop there was tempting, and yet so frightening at the same time. 

The unknown terrified you. You needed familiarity now, something to fall back on, for you were so tired. 

Now you can't help bringing your thumb to your lips, nibbling the skin at the corner of your fingernail with the tip of your teeth as you walk away from Rhaenyra. A handmaiden brings you Rhaegar, and you struggle to breathe. 

You inhale.

You exhale.

The thick tuft of brown hair makes you smile. The sight of your son is enough to give you the courage to walk with a more confident stride. It's as if you were filled with new strength, for you know that he needs you more than anyone else. And for him, you've promised yourself to stay strong.

As soon as you reach him, you kneel and plant a kiss on his plump cheeks. 

He's growing up so fast that sometimes you wish you could stop time.

"There's someone who'd like to meet you, sweet boy," you explain, and you can recognise your mother's inflection in your own voice. Sweet boy. Rhaegar looks at you with big, round, questioning eyes, and you wonder if he senses your anxiety, because he takes your hand between his tiny fingers.

"Who, muña ?" he babbles, striding down the cobbled path in the middle of the gardens, hopping on his clumsy little legs, and you smile at his carefree attitude. He stops to watch the bees foraging, bends down to pick up a flower and gives it to you. He's always so curious, so full of life. He's a ray of sunshine that brightens your dull days. You finally understand your mother, the agonising fear she has of losing you. You finally understand the horror she experienced when she lost her four other children.

You also finally understand why Helena threw herself from Maegor's Holdfast.

The thought of what Daemon did still revolts you, and you can't imagine anyone hurting your boy like that.

You turn around. Rhaenyra is still there, in the distance, her crown on her head, her hands crossed in front of her on the heavy fabric of her dress, watching over you. She won't move, a comforting, discreet presence.

A stone bench awaits you by the fountain, on which two cushions have been arranged. A dessert buffet has been set up under the gazebo and you immediately spot your favourite cakes, the strawberry one, the blackberry jam one, and you look down at your son. He hasn't noticed them yet, or he would have already run over, dipped his finger in the whipped cream and stolen a blueberry from one of the tarts, his innocent expression on his face. 

He is definitely a lot like you. Mischievous and clever. An angelic air. He is an easy-going child who never throws a tantrum.

Who understands quickly, too. 

"I love you. I love you more than anything, you know that, don't you, young boy?" your tone is soft, and you kneel down in front of him, your hands on his small shoulders to emphasise the seriousness of your discussion. You search for your words, hesitating. How do you tell a three-year-old that his father, his dead father, is back from the dead and about to meet him?

Of course, Rhaegar knows that his birthfather was valiant, that his birthfather rode the greatest dragon in the world, that his birthfather died in battle.

But there is so much he doesn't know, so much he will inevitably learn as he grows up, and it is precisely that future that frightens you. You hug him as if you're afraid of losing him.

"Princess."

The deep voice of your sworn protector echoes behind you, and you straighten your skirt. 

You know he is there. 

You know you will see him the moment you turn around.

Your heartbeat quickens.

Aemond Targaryen stands behind your sworn protector, surrounded by two guards. His hands are bound in front of him. 

It is so strange to see your uncle in this vulnerable position. He who for so long has been on the other side, he who for so long has been the one who bent others to his will. He looks at you harshly, and you almost feel the need to apologise.

But you know it is a matter of caution.

You know that Daemon, you know that Jace and even your mother would never have agreed to bring him in if such precautions hadn't been taken.

You admire his resilience, his determination. You admire his ability to hold his head high, to be confident, despite the fact that he is being treated like a common prisoner, about to be sentenced to death.

You struggle to swallow the lump that has formed in your throat. 

"Who's that, muña?" Aemond's eyes leave you and immediately drop to the small figure that has appeared beside you, reaching for your hand, huddling against your leg, shy and worried. 

Immediately, your husband's icy gaze, his lilac-coloured eyes, soften.

"Thank you, Sir Rowan. You may leave us."

Despite the worry on his face, your sworn protector nods, unties his prisoner's hands and walks back to your mother, accompanied by the other two guards. You watch them leave, and a strange silence fills the space between you and your uncle.

He doesn't look at you; his eyes are riveted to your son, whom he observes with wonder. He looks as if he is admiring the most beautiful and fascinating discovery he has ever seen. You look down to see Rhaegar's reaction, and he seems as intimidated as he is hypnotised by that gaze, by that blue and purple eye so similar to his owns, by this man looking at him as if he were one of the most marvellous things in the world. 

"Gods, he's perfect," Aemond murmurs as he looks up at you, emerging from his trance. He comes closer to embrace you. And for once, there is something other than his usual brutal possessiveness and ferocity when his arms close around you.

*** *** *** *** *** *** *** 

Aemond is shy at first. Awkward. 

He's shy and amazed as he follows your son's every move with his good eye. From time to time, his gaze rests on you, as if to make sure he's not dreaming. As if to make sure he is doing right, seeking your approval.

Rhaegar is shy too, at first.

When he sits on your lap, he snuggles up to you, buries his face in your neck, one of your locks curled in his chubby little hand and he rubs it against his nose. From time to time, he turns to give his father a curious look, recognising his own eyes in the unfamiliar face before him. 

Aemond's expression grows gentler, a softness never seen in his features before.

Once he has tamed the stranger, the little boy pecks at the blueberries in the tart in front of him. He shakes his legs, hitting your knees in painful little jabs, and your arm wraps around his body to hold him down.

Rhaegar loves cake, and the sugar may be coaxing him, for he's regaining his appetite for talking.

"He really does have my eyes," Aemond whispers incredulously, and his voice, still foreign to his son's ears, causes the little boy to lift his head.

" It is definitely the only thing he has inherited from you," you reply, teasing him with a small smile at the corner of your lips.

Soon Rhaegar finishes the blueberry tart, the cream smeared over the bottom of his face and the tip of his nose.

"He inherited that from you, that is certain." Aemond grins, pointing with his long chin at the boy's voracious appetite for cakes and pastries.

You have to pinch yourself to make sure you're not dreaming. That your husband is really standing in front of you, with your son, like a normal family. 

That he was truly trying to tell a joke.

This form of domesticity is so alien to your relationship, and yet so pleasant, that you find yourself thinking that perhaps you have made the right decision, indeed, if every day can be like this. 

"Your muña deserves some cake too, what do you say, little one?"

Rhaegar giggles. Aemond cuts a slice of your favourite cake, the one with the strawberries, and puts it on your plate. 

You blush. After all these years, he hasn't forgotten which one is your favourite.

You can't even really whisper a thank you because this apparent domesticity, this feeling of completeness, this interlude of happiness makes you uneasy. Anxious.

You have the feeling that at any moment you'll be plunged back into the horror of what you went through all those years ago. 

You have the feeling that at any moment the Gods will be cruel and snatch away this happiness that you've barely been able to taste, leaving only the memory of its sweet taste on your lips.

You breathe in and out, as you often do when you feel your palpitations rising in your chest.

"Do you... do you want to take him on your lap?" you ask your uncle with shyness, your hand stroking Rhaegar's thick brown curls. Aemond looks at you as if you have spoken in a foreign language. Lips parted, he is about to say something, but not a sound escapes his lips. His lonely eye travels from you to your son, from your son to you, in silence.

"I don't know if -"

You can hear the doubt in his voice, and it's almost touching to see him lose his confidence in front of his own son, to see him so nervous and unsure of himself.

You let out a little laugh, not in mockery, obviously, just full of tenderness.

You know what he's thinking.

He's afraid of frightening him.

He's afraid of harming him.

"You won't hurt him, Aemond."

He answers nothing. He still doesn't like to look vulnerable, unsure, and you know it has to do with his childhood. With all he has kept bottled up inside him all these years. He will need time.

Your eyes fall back to the little boy sitting in your lap, and you draw his attention to yourself by stroking the curls on his forehead.

"Do you want to go to Aemond for a while? To kepus?" 

you correct yourself immediately, and Rhaegar nods in agreement.

You are amazed at how easily he slips off your legs to run to his father, to pull himself onto his lap, when only a few hours ago he was so intimidated by the presence of this stranger with the eyepatch.

Your uncle automatically puts his arm around his waist to make him feel comfortable, his new role taking root in him. His fingers reach for the cloth on the table, and he wipes Rhaegar's face, who can't help but burst out laughing at his father's clumsy gestures.

For a split second you are lost in contemplating the horizon, the stillness of the sea. You taste the sea breeze on your face.

And then you turn your head towards the cobbled path where the guards and your sworn protector are still stationed. 

Your mother is no longer there, and you notice that you have not at any time felt the need to seek comfort in her presence. 

You smile, for in the end you know you've made the right decision.

*** *** *** *** *** *** *** 

Dragonstone, 6 months later.

When you walk the corridors of the place that saw you grow up, you are no longer haunted by the ghosts and their incessant cries. A kind of peace has settled over you, a return to the pleasant familiarity you've waited so long for.

You still think of Luke, of course. Of Luke and Joff and little Aegon and Viserys, your brothers you will never see grow old. 

But you no longer feel their disapproving glances at every step you take. You are no longer kept awake by their cries, by their tears, by the remorse that twists your stomach. 

You no longer blame yourself. 

Perhaps you've finally learnt to make peace with yourself.

The heavy door of the bedroom you share with Aemond is half open, and you slip your head into the doorway, piqued by curiosity.

Snuggled on your husband's lap, Rhaegar is staring at the pages of a large book, the corners of which you can guess are horned, the cover worn, from being carried everywhere. You can imagine the jam stains that mark the paper with children's fingerprints. You know exactly which page is missing, the one you and Aemond accidentally tore out and hid so the Septa wouldn't notice, so many years ago. 

It is a book about dragons, the very one the two of you used to read hidden under the table when you were so young and innocent, long before the torment of war.

Without a sound, you lean against the doorframe and contemplate for a moment the perfect vision before you.

You don't have the cruelty to disturb them.

 "This one is Vhaegar!" shouts Rhaegar, and you hold your breath, searching Aemond's face for any hint that might betray his reaction. The mention of his former dragon is still a sensitive subject for him, you know it.

"Yes, that's Vhagar." he pauses. "She was brave."

From the corner of his eye, Aemond spots your silhouette in the faint glow of the corridor, and his attention lingers on you for a moment. He's almost embarrassed to be caught in such a vulnerable, intimate moment, but you smile tenderly to encourage him.

"And big!" the little boy adds, energetically raising his arms to the sky to emphasise his words.

"Yes, and big." There's a suspended moment of silence where the words hang in the air, and then your husband gently ruffles his son's hair. It's a tender sight to see them bond like this, and your heart fills with happiness.

Taking a step forward, you step into the light of the room and Rhaegar expresses his joy at seeing you. You smile back at him and approach the chair where Aemond sits, your son on his lap.

Your uncle's hand instantly rests on the curve of your belly, which he still stares at with the same protective instinct, the same fascination, as the day you told him the news. His eyes sparkle.

"Your daughter is restless today."

He looks up at you, not without lingering for a moment on your breasts and their new shape.

"My daughter?" he asks, one eyebrow raised inquisitively.

"I'm convinced it's a girl. You reply, smiling wryly, and take a seat in the armchair next to the one where Aemond and your son are sitting, facing the fireplace. "And she took after her father, given her temper," you tease him, your hand on the top of your rounded belly to soothe the baby growing there. 

Rhaegar's eyes close slowly. Nestled against the chest of the man who, just a few months ago, was still a stranger, he fights sleep, he fights to stay awake, but tiredness quickly overcomes him. And then he falls asleep, his mouth half open, the movements of his breath making his chest rise and fall rhythmically.

Aemond finally gets up. You follow his movements with your eyes as he approaches you, the child in his arms, and he plants a kiss on the top of his head.

"I'm going to put him to bed. I'll be right back." He straightens and lowers his voice.

"I wouldn't fail in my duty and neglect my wife." The heat rises to your cheeks, turning them red at the implication of what awaits you tonight. You're already wet between your thighs at the thought. 

But you nod in agreement and watch him walk away. 

You are left alone in the silence of the room. The only sound around you is the steady crackling of the fire.

It's strange, you think, to be back on Dragonstone, in the familiarity of the stones you've spent most of your life between, after getting used to the idea of not surviving the war.

To the idea of dying from a broken heart.

To the idea of dying, the umpteenth victim of the vicious spiral of conflict that has torn your family apart.

And yet here you are.

With your own family.

For once you have hope for the future. You hear the cries of your little brother, lost in the storm so long ago, but they are quickly replaced by the laughter of a happy memory. 

And finally, you have the absolute confirmation that you have made the right decision.

*** *** *** *** ***

Thank you so much for reading!! <3

Tag list : @minttea07 @queenofshinigamis (I'm tagging you since you asked for it ❤️)

[barrenclan]

How do you decide on motifs? Like sleep being associated with death, roses being associated with death? And how did you go about assigning each motif to a character (especially more character specific ones)? Like I get that Rainhaze was seen as a coyote in omens because of his association with Ranger, but why is Nightberry associated with visions, why is Cootstorm associated with never changing, conservative ideals?

Here's a good way to think about this: PATFW is not coming out of nowhere. Seems obvious, right? But every decision made is one that I had to intentionally choose, with a goal in mind for what I wanted to do with them. So I don't have real animals, or real people - I have certain stories in mind, and the characters are tools that I use to express these ideas. Let's take two examples brought up here, and I'll show you what I mean.

Asphodelpaw's death. For this story, I wanted to have a big, climatic moment that really jerks around the story, much in the same way that Shellspring's reveal did in TDS. I know that I want Rainhaze to be an exploration of a character who starts out good and turns complicated, and that I want him to not be redeemed. Okay, so how do I make sure Rainhaze is beyond redemption? He'd have to do something really awful, like killing someone important. The rest of the Clan wouldn't be as impactful if he killed them, so it should be one of his family members, and someone we really care about. Okay, who do I want him to kill? Pinepaw is my narrator, so if I want him to keep narrating, I can't kill him. I want Slugpelt to feel the consequences of this murder Rainhaze makes, and I want her to later confront him about it, so he can't kill her. I can't quite get into why I want Daffodilpaw to live yet, because of spoilers, but I have a certain message I want to create with Daffodilpaw, and she can't die as part of it. So Asphodelpaw is the only one left. Okay, why would it be impactful for her to die? Because she just came into herself, and apologized to Pinepaw, and is on track to grow into a better person. So it's extra tragic - and extra irredeemable - of Rainhaze to kill her. There you go, that's the reasoning behind Asphodelpaw's death.

The sleep/death motif. I have suffered from personal difficulties surrounding death, specifically involved with intrusive thoughts before I go to sleep. So those two ideas are very linked in my mind, and because PATFW is a darker story, I wanted to explore it. Okay, how do I work it into the story? Rainhaze is a character who's disappeared, presumed dead, by the time the story starts. Alright, maybe I can work it in there. I used it for the first time in Issue 4, contrasting between Rainhaze and Slugpelt's views on what happens after death. Alright, so now I have a thematic parallel between their characters and their views. Okay, how does this affect the future plot? As Rainhaze gets further involved with Defiance, his views on killing change, and that strengthens this association with sleep. So later, when Slugpelt kills him, I can bring this thematic parallel back around and make it really resonate, because I've built up the connection over the whole story. There you go, that's how you create a motif.

I hope you found this interesting. Often I find that a lot of writing advice is vague and nonspecific, so I tried to make my reasoning behind these things as clear as possible. From the outside, it may seem like absolutely anything can happen in a story, but from an internal perspective there are only so many ways to get to a point I want to make, so those decisions have to lead to each other if I want to create a natural thread.

[writerthreads]

How to write a good plot twist

By Writerthreads on Instagram

I know plot twists have been a highly debated topic recently (ahem Disney twist villains), so I've decided to make a post on writing a strong plot twist that feels natural yet shocking. Hope this helps!

Make it unexpected but expectable

Unexpected: The best plot twists shock the reader, but they should never feel random or out of the blue. If the twist feels completely disconnected from everything that came before, it can seem like the author is forcing it for the shock value. To make it unexpected, you could lead characters down one path, only to reveal later that things are not as they seemed. However, try to avoid a twist that feels like a deus ex machina, where a sudden, unearned event resolves everything.

Inevitable: While the twist needs to be surprising, it also must feel like it was always meant to happen. This means leaving enough clues or subtle foreshadowing that when the twist is revealed, readers can look back and say, “ah, that makes sense.”

Keep characters consistent

Twists that involve characters acting out of character are incredibly frustrating. Even in a surprising twist, characters should behave aligned with their established personalities, motivations, and goals. A twist shouldn't have a character suddenly acting against everything the reader knows about them unless there’s a reason, like a hidden motive.

Think about your characters' desires, flaws, and inner conflicts, and use them to drive the twist. For example, a twist where a seemingly loyal friend betrays the protagonist should stem from a believable motivation that has been hinted at throughout the story.

Foreshadow, not broadcast

The best twists are hinted at, but subtly. Readers should be able to piece things together in hindsight, but not predict the twist well before it happens. It's easy to explain but hard to do successfully!

To make this work, use small, seemingly insignificant details that later take on new meaning. These could be lines of dialogue, symbolic objects, or minor events that have a deeper purpose. However, be careful not to overdo it. If the clues are too heavy, readers may guess the twist early.

Subvert expectations

A twist should challenge what readers believe about the story or characters. Playing with readers’ assumptions is a powerful tool. Lead them to expect one outcome, then deliver something entirely different, yet believable.

Consider what tropes or narrative expectations you’re working with, and how you can flip them. If readers expect a traditional happy ending, throw a wrench into it. If they’re expecting the villain to be defeated, reveal that the protagonist is actually aligned with them, or the villain wins (temporarily or permanently!).

Without spoilers, a good example would be Gone Girl!

Heighten the emotional impact

A plot twist should have emotional weight and alter the stakes of the story. The emotional response from your readers—whether it’s shock, sadness, or even excitement—depends on how well you’ve developed your characters and story. If the twist doesn’t change anything meaningful or deepen the conflict, it may feel flat or pointless. The twist should add emotional layers, making the story richer, not just surprising.

Time it right

When you deliver a twist is crucial to its impact. If it’s too late, you risk leaving too much time for the plot to lose momentum afterward. Conversely, if it's too early, and it can feel rushed or not fully explored.

A twist can come in the middle, shaking up the entire plot (e.g., changing who the villain is or shifting the main goal), or closer to the end, forcing the reader to reinterpret everything. However, leave time for the characters to respond to the twist so it doesn’t feel unresolved.

Don't overdo them

Too many twists in a single story can exhaust your readers and undermine the narrative. If your plot is constantly shifting directions with twist after twist, readers may feel like they can’t trust the narrative at all, which could work well if done purposefully, but otherwise might make the readers get tired and stop reading.

Test it out

Getting feedback from beta readers can help you fine-tune the twist and ensure it lands as you intend.

Some questions to ask: Did they see the twist coming? Did it feel believable? Did it enhance the story or feel forced?

Their reactions can help you adjust the twist until it becomes a masterpiece!

Hopefully these tips help you with your writing! Do you have a favourite plot twist in literature or movies/ TV shows? Let us know in the comments :)

[diamondcitydarlin]

----LOTS OF SPOILERS FOR THE FILM BELOW BE AWARE---

The thing that's driving me kinda CRAZY about the sequel though is how perfectly it sets up a personal arc for Lydia to be intertwined with Beej's. Like I said in my reaction post after seeing the film last night, I feel like Lydia as a character doesn't really get much of an arc or a resolution by the end of the story, as most of the plot is focused on repairing her relationship with her daughter, with Delia, maybe even her ex-husband to a certain extent, and for as much as she's rid of someone actually preying on her (Rory) we have no reason to believe she's found inner peace or really discovered herself or isn't still constantly popping pills to help with the 'gift' of sight she still has to deal with. There's so much about her left unresolved that Tim is either going to have to make another film about or I will have to fanfic about. But again, what's also fascinating is the way the beats of Lydia's story become tangled up with Beej's by the end of this, and also the ambiguous suggestion that there might be some kind of red string of fate linking them together across life and death and centuries (my kingdom for Beej saying "I've crossed oceans of time to find you" in a deep sexy Dracula voice and Lydia being like "plz shut the fuck up" LMAO)

Like, the 'psychic connection'. The thing that makes Lydia able to see and interact with Beej in places other than the house/model in Winter River. At first I think we're led to believe these are genuine hallucinations she's having, but ofc that's debunked when Beej reveals he's aware of these sightings and has been participating in them on purpose. Does this suggest that their first marriage may have been binding in some way that didn't release him from death, but allowed him more range to manifest so long as he was attached to her? That's not really addressed or explained, but I feel like it opens the possibility of being a thing (as so many fanfics have had happen before, I LOVE it tbh)

Also, the parallel of them both having had predatory exes that tricked them into 'selling their souls' (one in a figurative sense, the other literally lmao). I'm honestly shocked more conclusions weren't drawn from that conspicuous parallel in the film itself, because it's VERY interesting. It seems almost to suggest they're both meant to safeguard each other's souls (which is why I'm still bitter we didn't get Lydia defending him from Delores, I think that would've been a nice follow up to Beej saving her from Rory, even if she was just doing it out of a sense of obligation).

And idk, on the whole I feel a lot of Lydia's personal struggle at this point in her life is defined by a need to feel 'normal'. I get how that can seem odd coming from the teen girl that confidently described herself as 'strange and unusual', but this is 30 years later, after several failed relationships, after becoming a mom and struggling with a strained relationship with her daughter because of her oddity, idk, I think it's a good case study on how society forces women to conform lest they be a bad daughter or a bad mom or a bad wife, etc, but I think it's obvious she's just fighting her 'strange and unusual' nature and the more she does that, the more difficult her life will be.

To me, that suggests her path to happiness has actually a lot to do with Beej, or very well could. Who else is going to understand her true nature the way he does? Who else is going to unashamedly encourage her to be balls to the wall weirdo like she REALLY is??? Who else can truly set her free that way??? Like I'm gnawing on wires here yall, if nothing else Tim gave us SO much fanfic material to work with on this one.

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[victoriadallonfan]

Not to claim Godzilla x Kong was a deep film, but credit where it’s due, it has by far the most respectful portrayal of indigenous people in all of the Kong films.

This is not a high bar and I’m NOT saying it’s the pinnacle of progressive film work, but it’s interesting nonetheless.

Spoilers below, of course.

For those of you who haven’t seen any of the older Kong films outside of the Monsterverse, the general plot beat is that a wealthy businessman/philanthropist/greedy asshole goes to Skull Island to find something new to make a lot of money (film for the OG/Peter Jackson and Oil for the 70’s film), and comes across a tribe of “barbarian” natives who kidnap the beautiful white woman whom they sacrifice to Kong, whom they worship.

It’s such a cliche that even Peter Jackson does it in his 2005 film (and it’s possibly even more racist than the older ones):

As you can see, there is a very familiar pattern

The Iwi tribe of the Monsterverse is handled very differently

In Kong: Skull Island, it actually does try to play into previous viewers perceptions; we meet the Iwi as the protags stumble upon their village ruins and are surrounded by. Tension is tight, and it looks like it’ll be a repeat of the previous films… until the character of Hank Marlow arrives and diffuses the tension entirely, revealing that the Iwi have been generous and caring hosts to him.

And yes, while they do worship Kong, it’s not out of fear, but rather that Kong protects them from the hazards of Skull Island. The Iwi are the ones who help the crew get a working ship and aid them in escaping the island.

This is followed up in Godzilla vs Kong, where we tragically learn that a massive tropical storm (I think implied to be due to King Ghidorah hurricanes) sank the entire island and left Jia as the sole survivor of her tribe, saved due to Kong protecting her from the rising floods.

Kong and Jia are then seen as a near inseparable duo, further twisting the “beauty and beast” dynamic of the previous films, making it more about how they are both alone except for each other. Kong even learns sign language from Jia in one of the best movie reveals of the series:

It’s even Jia who is able to give Kong the morale boost to save Godzilla from Mechagodzilla.

And then we get into Godzilla x Kong. Kong and Jia, while having a new home, still feel isolated because of their cultures (or lack thereof) and make excuses to see each other as much as possible. Which is turned on its head as Kong finds other Apes and the Iwi tribe have returned (or at least) an offshoot of them, as the protectors of humanity who calls Godzilla to their aid.

I was a bit wary of making them telepathic, but I liked that they used it more like a separate language than a superpower, with Jia serving as that bridge as she finds her culture, her adoptive mother accepts that Jia may want this life more than one back home (where she felt out of place), and Jia becoming ANOTHER bridge as she helps resurrect Mothra who goes onto make Godzilla and Kong form an alliance!

Ultimately, Jia parts ways with the Iwi on good terms to live with her adoptive mother, happy to know there are people of her culture she can visit and Kong lives on with his people.

But I especially appreciate a moment in the film that pretty much lampshades the older Kong movies.

One of the characters is filming himself and others as they venture into Hollow Earth, desperate to get his fame and fortune in making people realize he was a hero and not a conspiracy theorist (he was a spy for Apex Labs, the ones who built mechagodzilla in the first place). Another character is an animal doctor and naturalist, who points out that, historically, native populations don’t tend to do well when exposed to the modern world.

Add on to the fact that the Iwi are telepathic and know how to use crystals to alter gravity in Hollow Earth, they would absolutely be the target of government operations and experimentation. Aka, a far more grand version of what happens in the older Kong films.

The film ends with the footage not being used and the Iwi living in peace, having Mothra once more to protect them.

Like I said, it’s not groundbreaking stuff, but I appreciate how different it is.

[racefortheironthrone]

What did you think of X-Men Blue Origins?

(I may turn this into a People's History of the Marvel Universe later today, so keep an eye on this space.)

X-Men Blue: Origins and the Power of the Additive Retcon

(WARNING: heavy spoilers under the cut)

Introduction

If you've been a long-time X-Men reader, or you're a listener of Jay & Miles or Cerebrocast or any number of other LGBT+ X-Men podcasts, you probably know the story about how Chris Claremont wrote Mystique and Destiny as a lesbian couple, but had to use obscure verbiage and subtextual coding to get past Jim Shooter's blanket ban on LGBT+ characters in the Marvel Universe.

Likewise, you're probably also familiar with the story that, when Chris Claremont came up with the idea that Raven Darkholme and Kurt Wagner were related (a plot point set up all the way back in Uncanny X-Men #142), he intended that Mystique was Nightcrawler's father, having used her shapeshifting powers to take on a male body and impregnate (her one true love) Irene. This would have moved far beyond subtext - but it proved to be a bridge too far for Marvel editorial, and Claremont was never able to get it past S&P.

This lacuna in the backstories of Kurt and Raven - who was Kurt's father? - would remain one of the enduring mysteries of the X-Men mythos...and if there's one thing that comic writers like, it's filling in these gaps with a retcon.

Enter the Draco

Before I get into the most infamous story in all of X-Men history, I want to talk about retcons a bit. As I've written before:

"As long as there have been comic books, there have been retcons. For all that they have acquired a bad reputation, retcons can be an incredibly useful tool in comics writing and shouldn’t be dismissed out of hand. Done right, retcons can add an enormous amount of depth and breadth to a character, making their worlds far richer than they were before. Instead, I would argue that retcons should be judged on the basis of whether they’re additive (bringing something new to the character by showing us a previously unknown aspect of their lives we never knew existed before) or subtractive (taking away something from the character that had previously been an important part of their identity), and how well those changes suit the character."

For a good example of an additive retcon, I would point to Chris Claremont re-writing Magneto's entire personality by revealing that he was a Jewish survivor of the Holocaust. As I have argued at some length, this transformed Magneto from a Doctor Doom knockoff into a complex and sympathetic character who could now work as a villain, anti-villain, anti-hero, or hero depending on the needs of the story.

For a good example of a subtractive retcon, I would point to...the Draco. If you're not familiar with this story, the TLDR is that it was revealed that Kurt's father was Azazel - an evil ancient mutant with the same powers and the same appearance (albeit color-shifted) as Kurt, who claims to be the devil and is part of a tribe of demonic-looking mutants who were banished to the Brimstone Dimension, and who fathered Nightcrawler as part of a plot to end this banishment.

I don't want to belabor Chuck Austen, because I think that Connor Goldsmith is right about his run actually being a camp cult classic in retrospect. However, I think we both agree that the Draco was a misfire, because of how the retcon undermined Kurt's entire thematic purpose as established in Giant-Size X-Men that Nightcrawler was actually a noble and arguably saintly man who suffered from unjust prejudice due to the random accident that his mutation made him appear to be a demon, and because of how the retcon undermined the centrality of Mystique and Destiny's relationship.

X-Men Blue Origins

This brings us to the Krakoan era. In HOXPOX and X-Men and Inferno, Jonathan Hickman had made Mystique and Destiny a crucial part of the story in a way that they hadn't been in decades: they were the great nemeses of Moira X, they were the force that threatened to burn Krakoa to the ground by revealing the devil's bargain that Xavier had struck with Sinister (and Moira), they were the lens through which the potential futures of Krakoa were explored, and they ultimately reshaped the Quiet Council and the Five in incredibly consequential ways.

This throughline was furthered after Hickman's departure, with Kieron Gillen exploring the backstories of Mystique and Destiny in Immortal X-Men and Sins of Sinister, and both Gillen and Si Spurrier exploring their relationship with Nightcrawler in AXE Judgement Day, Sins of Sinister, Way of X, Legion of X, Nightcrawlers, and Sons of X. One of the threads that wove through the interconnected fabric of these books was an increasing closeness between Kurt and Irene that needed an explanation. Many long-time readers began to anticipate that a retcon about Kurt's parentage was coming - and then we got X-Men Blue: Origins.

In this one issue, Si Spurrier had the difficult assignment of figuring out a way to "fix" the Draco and restore Claremont's intended backstory in a way that was surgical and elegant, that served the character arcs of Kurt, Raven, and Irene, and that dealt with complicated issues of trans and nonbinary representation, lesbian representation, disability representation, and the protean nature of the mutant metaphor. Thanks to help from Charlie Jane Anders and Steve Foxe, I think Spurrier succeeded tremendously.

I don't want to go through the issue beat-by-beat, because you should all read it, but the major retcon is that Mystique turns out to be a near-Omega level shapeshifter, who can rewrite themselves on a molecular level. Raven transformed into a male body and impregnated Irene, using bits of Azazel and many other men's DNA as her "pigments." In addition to being a deeply felt desire on both their parts to have a family together, this was part of Irene's plan to save them both (and the entire world) from Azazel's schemes, a plan that required them to abandon Kurt as a scapegoat-savior (a la Robert Graves' King Jesus), and to have Xavier wipe both their memories.

Now, I'm not the right person to write about what this story means on a representational level; I'll leave it to my LGBT+ colleagues on the Cerebrocast discord and elsewhere to discuss the personal resonances the story had for them.

What I will say, however, is that I thought this issue threaded the needle of all of these competing imperatives very deftly. It "fixed" the Draco without completely negating it, it really deepened and complicated the characters and relationships of both Raven and Irene (by showing that, in a lot of ways, Destiny is the more ruthless and manipulative of the two), and it honored Kurt's core identity as a man of hope and compassion (even if it did put him in a rather thankless ingénue role for much of the book).

It is the very acme of an additive retcon; nothing was lost, everything was gained.

I still think the baby Nightcrawler is just a bad bit, but then again I don't really vibe with Spurrier's comedic stylings.

[oddballsducks]

Donald Duck "Mr. Adventurer" Comic Scanlation

First of all, I need to express my gratitude for Quackie @3rdexistence, who volunteered to help me when I sent out a request to give me photos of this comic. Not only did he buy the comic and send me photos of every page, but he also volunteered to scan and translate it into English! This is his first time doing a scanlation, and he did a great job. He even included some additional notes about the original German text. He didn't have to do this at all, and I'm so thankful he was this generous. You're fantastic, Quackie. Go give him some love! He also gave me permission to post this to my blog, so thank you for that!

This is a pretty recent comic -- it came out on May 10th, and I've been super excited to share it.

Now, what is this comic about?

Well, not to spoil anything... Actually I tagged the big surprise, but I'll try to keep it under the cut anyway.

The story is about Donald becoming upset after he discovers a new TV is stealing its plots from his and his nephews' adventures. Convinced the culprit is Uncle Scrooge, his mission to bring the plagiarizer to justice will take him to realizations he never could have expected...

Gladstone also joins in on the adventure, so that's fun!

Read it here:

Spoiler under the cut!

This comic reveals what happened to Hortense McDuck!!!

[thefandomenchantress]

Chapter 2 Episode 15 Spoilers below!

Since Ace being the culprit has brought about so much pain to ace lovers, including me, I figured I'd make a list of all the good things that him being the culprit brings to us. Even though Ace will (probably) be executed next episode, that doesn't mean that nothing good came out of this, right?

-Ace's backstory may be revealed much sooner than expected! Before we would've had to wait for chapter 3 or chapter 4 and so on, but since Ace will be gone soon, almost everything not revealed next episode will get told to us in a bonus episode! (I think every dead person gets one of those? Idk if that's officially confirmed). I doubt Teruko's gonna find, like, Ace's diary in chapter three detailing his life story, so if we're ever getting the Taylor Lore™, it'll be in a bonus episode! Plus, a bonus episode would come out a lot faster than the whole of chapter three, so more Ace content sooner no matter what happens in it! And there's always the chance he gets picked for an FTE, since dead people are on the list of options.

-Ace canonically has neat, fancy handwriting. Begone rumors of Ace having illegible, traditionally boy-ish handwriting, he actually writes like a 19th century scholar and I find this very funny. More evidence for my 'Ace likes reading and writing and wanted to become a romance author' crack theory, since he also reenforced his particularness about vocabulary in chapter 2 part 2. (Our only remaining question: Does Ace actually have terrible spelling ('responsibel'), or did he just think Eden would?)

-Ace is very good at being sneaky and often overhears things he shouldn't. I can't wait for this to be used as a plot device in numerous fics ("XANDER YOU'LL NEVER GUESS THE SHIT I JUST HEARD DAVID SAY ABOUT YOU WHEN HE THOUGHT HE WAS ALONE").

-Ace will have to be included in the dead (formerly a) trio posts forevermore. Get ready for Xander-Min-Arei-Ace shenanigans.

-Now that the cast has been forced to acknowledge that being dumb and angry aren't Ace's only traits and that he's just as human as the rest of them, Ace is much less likely to be seen as just those two things by the average viewer. Ace's popularity, or at least the amount of dislike towards him, seems to have shifted since the last episode, and I'm happy more people are able to enjoy what his character has to offer now. He's a cool little guy. I've literally NEVER seen the Ace Markey tag this busy before.

-We got so many cool Ace CGs guys. SO MANY. Including one where he's hanging upside down on the swing set and looks weirdly cute for someone in the middle of a murder plan.

-Also new sprites! The DRDTdev gave Ace a redesign knowing full-well that it would only get a singular chapter of use, and I massively respect that. We already got some new sprites in part 2 of chapter 2 so far, and I'm guessing next episode he'll probably have at least one more breakdown sprite before he dies.

-For someone who no one in the cast liked, he's definitely going to leave an impact. He's finally made at least some of the cast realize what happens when they ignore the issues right in front of them. Ace shouts about how everyone hates him and sees him as an insufferable idiot? Eh, probably nothing, we don't have to worry about that. Sure, multiple people told him he's gonna die next in here, and he almost got murdered, but that won't amount to anything. What's he gonna do, murder someone--WAIT SHIT Ace step away from the Arei I repeat step away from the Arei-- (plus Teruko parallels). I'll probably go more in-depth about this sort of thing in a different post.

-WE NEVER GOT TO SEE WHAT'S UNDER HIS GLOVES. Kyoko and Mukuro both had hand-related secrets that connected them to the plot later on, does that mean Ace will have some sort of relevance to the mastermind or overall lore later on? Like a Mai tattoo situation? (Or maybe it's another thing that may be alluded to or discussed in the bonus episode)(Or left to interpretation but I hope not because I have so many theories).

If you have any more suggestions for other good Ace-related things the culprit reveal brought us, let me know and I can add them to the list! We need as many good things as we can think of right now...

[lopposting]

The major question of the story that we are now asking:

Why, exactly, does Carlo never "wake up"?

[long post]

[Spoilers ahead]

Well, simply put - Because he is dead.

OK, that seems like too obvious an answer, but I'll elaborate, and bear with me here. I want to recap some elements first so you know where I'm coming from, but I'm also trying not to completely explain everything because that's way too hard and would be too long.

[Currently, we don't understand everything about the story or its meaning. Because of some of the shrouded nature of the lore and narrative, it leaves much mystery. But from viewing these questions and the story from a thematic standpoint, something unexpected and really cool happened. I found that the story and the lore opened up in reverse.]

The easiest way to explain the plot (in my opinion):

It was my impression that Geppetto never “started” the puppet frenzy. The puppets were NEVER breaking the grand covenant, interpretably they are protecting humans by stopping the spread of the petrification disease, it’s just that everyone in the city was infected by that point. 

Now with the puppets killing everybody in a city where everyone was infected (ergo being the result of the disease) Simon can go around harvesting all that ergo and Geppetto presumably plays him by letting Simon collect the Ergo first, and then sending P to kill him. [again, these details may not be completely accurate, but bear with me here]

Why create P in the first place?

He's made in Carlo's image so to speak because Geppetto hopes that Carlo's spirit will awaken. This is also why P is never bound to the covenant (it seems that not being bound to robot laws makes puppet egos awaken faster, since awakened puppets can break the grand covenant). So that is the two functions of P, to destroy puppets for ergo to harvest and so Carlo's consciousness can restore. I was just guessing that the arm of god was enough to get Carlo to revive, and Carlo's mental spirit reviving would be helpful but not entirely necessary. But for reasons we don't understand, Carlo never does regain consciousness.

Geppetto bitterly tells us that we don't seem to have inherited Carlo's memories. There is no big moment where Pinocchio or Pino or P reawakens, fully, as Carlo. He isn’t treated by the story as him. During the course of the game, P struggles to forge his own identity, to become a real boy, despite starting as a copy of the original. It’s a very fitting parable for the genre identity of a soulslike.

However, there are other successful re-incarnations of people through puppets, namely Sophia at the end of the Rise ending. We ask, for consistency's sake, why are puppet-form Romeo and puppet-form Sophia assumed to have retained their original identities, but not Pino? This is just my personal interpretation of why Carlo just couldn't or doesn't wake up. It isn't really based any lore or deduction from story details, this is from more of a philosophical point of view. And it isn't just the luck of the draw.

I had some initial thoughts about Carlo's failure. Romeo was made with intention of continuing to fight against the disease, as it's told that he "made a deal with the devil". Sophia may have been a special case, as she is a listener (Arlecchino even refers to her as the goddess in the tower), she may have had an ergo identity so strong that her essential self could retain this process. But either way, the implication is that Pino may have been able to recover her not long after that final fight. Look at the nameless puppet. The state of Carlo's body is so poor, that more than not his body seems to have been replaced with puppet parts. I think the implication was that Geppetto had been replacing parts as they rotted away. Maybe he had simply been dead for too long. But again, this isn't exactly why I think he couldn't awaken.

Simon and Geppetto

Lies has two main antagonists, although one isn't completely revealed until the last section. Both Simon and Geppetto are the perpetrators of Krat's destruction, but for what seems like different reasons. Simon is trying to be reborn, and Geppetto is trying to revive his dead son, Carlo. Interpretably, they are both trying to become Gods. Simon by grasping the supernatural, cosmic power of one, and Geppetto by raising the dead. They have destroyed Krat in their attempt to become a god, or more succinctly put, attempting to become God, singular. Geppetto's goal is, in essence, the same as Simon's goal - Because bringing back the dead would make him God.

That's why it seemed all so confusing. Haven't Geppetto and the alchemists already raised the dead, as Pino does at the end of the Rise ending with Sophia? Sophia, Romeo, and Carlo were all afflicted with the disease. Their Ergo were all made into puppets, but there's a minor but important distinction here. Sophia is still alive in her condition and actively suffering, this is the reason why she asks us to end her life. It seems as though Romeo lost his friend to the disease, and then made a "deal with the devil" to continue fighting, this implies being made into the king of puppets. We collected Sophia's ergo while she was alive, which we then used to animate the puppet. So the three of them were afflicted with the petrification disease. Sophia perished, Romeo perished, but Carlo died.

Now if we see the sand memories section of the beach, the stalker's words start to gain some clarity. If Carlo died from an incurable disease that the stalker couldn't prevent, why is she too late? Perhaps the goal was never to "save" Carlo's life. She laments; That she was too late, NOT to "save" him, but for him to be able to be restored. The stalker seemed to understand that whatever procedure needed to be done would be useless past the point of death.

I have to admit that there was something that I thought could override my theory. It seems as though the alchemists already were able to bring back both Champion Victor and The Eldest of the BRB, and from the dead no less. We read from notes in the Grand Exhibition that Victor had caught the disease, died to the despair of his adoring fans, but then miraculously made a comeback somehow stronger than ever. But maybe - he had only appeared to be brought back from the dead to the public, as Victor sought the help of the alchemists. And when it comes to the Eldest in the coffin, I'm wondering if he was actually only mortally wounded, leading the brotherhood to consult with the alchemists. [The way he was carried out by his brothers too (shouldered on either side) isn't typically the way you would expect people would handle a dead person]

Mirroring Sophia, Romeo, and Pinocchio, who were made into puppets: There is Champion Victor, The Eldest, and Nameless Puppet. We can see the former three as Geppetto's method of "cheating" God (cheating Death), and the latter three as alchemists' method. Only "Carlo" has a form in either one - The Nameless Puppet and the player, P. The Nameless puppet appears to share a similar undead quality with Victor and The Eldest of the BRB (including the tubes). We know that the collected Ergo can animate puppets, They are puppeting around their own dead bodies.

I feel like the Nameless Puppet tells us in a poetic way that Carlo is gone. My thoughts on this are more abstract. Again, this isn't from a factual analysis, but more of from viewing the Nameless Puppet itself as a metaphor. The Nameless puppet has qualities similar to the other undead bosses, yet the game doesn't describe it like it does Victor and the Eldest. It's not a body. It is a puppet [Human on the outside, mechanical on the inside - the inverse of our protagonist]. And straight in the text, we are told this is "The Nameless Puppet". But we know who Carlo was. His name was Carlo. We split open its head, and there are only cold, mechanical parts, instead of what we in the modern world now regard as the very most essential self (the brain). Because there was nothing to recover, there is no one there. Carlo's spirit had long, long since departed the world.

We are also told through one of the game's narrative devices that the Nameless puppet was the first puppet fitted with the organ. Ostensibly, Carlo's body was being prepared for whatever procedure that needed to take place, but Carlo died before that could happen (perhaps thankfully), and Geppetto pushed forward with his plans anyway, perhaps past the point of no return.

There are two forms of revival and we represent one of them, as in, there was the puppet form of Carlo and the undead form of Carlo. Presumably, the undead form was incredibly destructive, and thus stored away; We are the second try for Carlo's rebirth, this time in the puppet form, but we cannot even wake up without the aid of Sophia.

Lies, God, and the Finality of Death

But doesn't Geppetto actually succeed in one of the endings? Simon fails to become a god, (well, presumably only because we kill him in the process of doing so) and then we confront Geppetto. If we hand over our heart, Geppetto actually does revive Carlo. We see the resurrected Carlo, but with one simple smile we realize this isn't the Carlo the game has been leading us to believe existed. This ending leaves us with distrust and unease rather than a sense of peace and resolution. Simon fails to become a god, and at the bad ending - even if he "wins" - the game makes us wonder if So does Geppetto. No matter what, Carlo could NEVER be truly, and in both senses of the word, honestly, be revived.

[Simon Manus - like Simon Magus, the biblical figure who tries to buy into the supernatural power of God. And Geppetto, of course alluding to the 1883 italian novel The Adventures of Pinocchio - a puppet master, a creator indeed, but of wooden imitations of life, and a poor imitation of God]

So, why I think Carlo could not wake up? Because whatever needed to happen could not be done after the actual point of death, and Sophia and Romeo's hearts were both transferred before they actually died. His spirit had long gone from this world. Krat has methods of eternal life, but these transfers happened while they were still alive. While the alchemists and Geppetto could certainly cheat death (as we maybe even would with modern day medicine), they could not defeat it. Carlo can no longer wake up, Carlo can never wake up again, because he is dead.

[birdsofthefictionalworld]

The Canary Problem

The Untamed(陈情令/Chén Qíng Lìng)(2019) is a mainland chinese xianxia drama, based on the popular danmei novel 魔道祖师/Mó Dào Zǔ Shī. The series isn't exactly peak birdwatching, but it has a select few appearances of Weird Birds.

The main problem I will be tackling here is the presence of a small, but incredibly confusing, problem: a wild Canary.

In the fourth episode of this show, a character—Nie Huaisang— smuggles a songbird into class.

He claims to have captured the bird from the wild on his journey from his home(Qinghe) to the current location(Gusu). This problem is that the bird he has in this scene is a domestic variant of the wild Atlantic Canary, Serinus canaria. This species is native to the Canary Islands, off the coast of northern Africa, and to make things worse, this particular individual has a color pattern known as Red Factor, which was created from humans intentionally hybridizing domesticated Atlantic Canaries Serinus canaria forma domestica with south american Venezuelan Red Siskin (Spinus cucullatus). This is essentially like he was wandering around in the woods of northeastern china and found a purebred Chihuahua.

But the actual species of the bird is not necessarily the only important factor in fiction. The species the birdy actor is intended to be portraying also comes into play. While the official english subtitles do refer to the bird as a canary, the words actually used in chinese are 金雀/jīn què, directly translating to gold bird. This name is colliqual, not scientific, and can therefore be referring to multiple different bird species of similar appearance. I am led to believe that the species intended to be portrayed here is, in fact, the Eurasian Siskin, Spinus spinus. If this is the case, a canary is a fine choice for casting, as wild type Domestic Canaries and Eurasian Siskins are quite similar in appearance.

Additionally, a Eurasian Siskin is a very realistic species to be found in between the real life northeastern china.

Unfortunately, by casting a clearly domestic red-factor, the similarity is lost.

I do believe Eurasian Siskins remain an ideal candidate for the intended species, if not aesthetically, then thematically. For you see, while Eurasian Siskins are sometimes referred to as jīn què, they are more commonly known as 黄雀/huáng què.

The word huáng què is used in the classic chinese idiom “螳螂捕蝉黄雀在后了/tángláng bǔ chán huáng què zài hòule” which is often translated to “the mantis stalks the cicada, but the oriole is behind”. This alludes to an individual that is so focused following their goal, they fall prey to others. In the context of this story, and the placement of the canary there appear to be two major options.

Warning: Its major plot spoiler time

In the early series, Nie Huaisang is characterized as an unserious and rather careless young man, but at the end of the it is revealed that he has spent many years(during a plot-relevant time-skip), engineering the downfall of one of the series’ major antagonists, Jin Guangyao.

The most straightforward option, is that Nie Huaisang is holding the bird as a representation of himself, being the “huáng què” to Jin Guangyao’s “mantis” in the eventual reveal, but i think there could be more to it.

Huaisang refers to the bird specifically as a jīn què, not a huáng què. While this may be intended to distance the bird from the idiom, in order to make the foreshadowing more obscure, it does not seem coincidental that the jīn in jīn què uses the same character as Jin Guangyao(and the entire Jin sect, but regardless-).

So i propose that the bird is more specific foreshadowing, meant to represent Jin Guangyao, the huáng què who, while stalking a prey intent on another, did not look behind himself for the greater predator, a man.

Nie Huaisang, specifically was said to have stalked the bird for several days before capture, a far cry from the rest of his characterization at this point in the series. It could be simply intended as a demonstration of his tenacity when given the appropriate motivation, but it becomes a far more pointed commentary if it was intended to mirror his quiet hunt for Jin Guangyao in the later series.

A lot of symbolism for a bird with 3 seconds of screen-time, or not, it could be simply flawed bird casting. Please don’t get me started on the chicken.

Thank you for reading!! If anyone has any good medias for me to look at birds in, send me an ask! I would love to hear about them!

I will be posting all my bird metas under the tag #meta as well as #bfw(my general works tag).

[raven-at-the-writing-desk]

Seeing the new Ruggie card and the freaking disc made me realize that Yuu got lucky getting away getting hit by that thing? IN THE HEAD?!

Hey, we can’t have our main point-of-view character dead or with an extended concussion this early in the game + they needed a convenient transition to the next scene in a way which doesn’t reveal Malleus’s true identity to Yuu (gotta keep that a secret until late book 5) 😂 As the player’s avatar, they’re equipped with strong plot armor. It definitely feels like a part where you need your suspension of disbelief to kick in for it to “make sense”. Getting beaned in the head with a GOLD disk propelled by magic at a high velocity sounds like it could do significant damage otherwise.

Oh, and speaking of the new Ruggie card?? We get our first look at what the Magift uniforms look like:

***Ruggie Club Wear spoilers below the cut!!***

The purple and black are consistently shown to be NRC’s school colors; these are also present in other athletic uniforms as well as the ceremonial robes. It’s no surprise to see those same shades reflected here, in the Magift (ie Spelldrive) uniform.

Not sure if I understand the jacket he’s wearing over the black, the length of it makes it easy to snag on something while flying. Maybe it’s just something Ruggie specifically wears (since he tends to have hand-me-owns that may not fit him correctly)?? The placement of the belts across Ruggie’s torso is… interesting? Is that meant to secure him…? Why do I get the sense that the belts will be used to frame Leona’s chest in his own Club Wear iteration 😭

The goggles make sense; you’d want to protect your eyes from such a dangerous sport. I was expecting more bulky and protective headwear though 😅 Thankfully the knees and legs seem to be padded! You can’t tell if the arms are due to the sleeves, but I hope they are too. The whole outfit seems to have a focus on being aerodynamic. I’m guessing the protective element of the clothes comes from magic being imbued into them or something (since we know that’s the case for dorm uniforms and ceremonial robes). That must explain why the Magift uniforms don’t look like American footballers. According to Yana, these clothes were designed not just with protection from collisions and rolling in mind, but also to allow for flying at high speeds.

I appreciate that the Club Wear cards usually give us a new hairstyle for each student. Ruggie has his bangs parted to make way for a pair of goggles! This look makes him look slightly more mature.

A nice detail for this card is that we get to see the field set up for a full game of Magift. The goal looks so funky and generic fantasy at the same time 😂

... Now imagine pulling up to the field looking cool and intimidating in your clothes, only to get your ass handed to you by pretty boys in (probably) pristine white uniforms that haplessly cheer about the power of friendship 💀 AND THAT HUMILIATION IS TELEVISED ALL OVER TWISTED WONDERLAND

[irafuwas]

Love that Lets Go Summary: Lilia Vanrouge has witnessed the rise and fall of great nations, has criscrossed the world, traversing distant realms strange and unknown, but never before in his life has he faced a challenge as grievous as this: parenting a teenager. Or: Silver stops calling Lilia "Papa", and Lilia loses his mind. Content Warnings: blood, explicit language, contains depictions of animals being hunted and butchered, canon divergent Pairings: There's like one reference to past Lilibaul, but otherwise, none. Length: 38k (Header artwork from here)

You can either read it after the cut or on AO3!

A/N: I began working on this fic last summer, right after I finished Electric Dreams, and was able to complete the general outline and write about a third of it before I promptly abandoned the project for over half a year. By the time I started working on it again this past January, Book 7 had progressed greatly on the JP server, and pretty much everything that I'd written regarding Lilia's background and his involvement in Mal's upbringing/their relationship had become uncanonical in the meantime ://// I decided to go ahead and keep those parts in the story unchanged from how I had them last summer, partly so I wouldn't have to rework the plot, and mostly because I am lazy. So the setting is more or less the same as the game, but with some major changes in Lilia and Mal's pasts, with no major Book 7 JP server spoilers for those wishing to avoid them.

I.

It was a speculative day, the kind that could not fix upon a proper humor or color, hesitating in turns between the brilliant bustle of spring and the sultry lull of summer. The morning air was thin and cool, not unusual even that late in May, but several months would pass by that afternoon, so that a sticky July heat would descend upon the valley once the sun reached its zenith. In the evening, there would be a light rain. All this the boy Silver calculated as he stepped outside.

The sky above him was a perfect meadow of morning glory and larkspur, bordered by a flourish of honeysuckle and cockscomb as golden-red as amber sap. He thrust his hand high above him, wishing for a moment he could pluck one of the dandelion clouds from its indigo plot and press it for his collection. It would be his secret treasure, and he would not reveal it until his friend Sebek next designed to inflame him. He carried within his mind a catalog of every expression and shade his friend could take, and this he now opened and paged through while he wandered towards the pig pen and lean-to that stood opposite his home, contemplating what combination of flush and scowl the other boy would respond with. He smiled at his private entertainment while he walked.

He was one of the few beings awake on that land. An industrious blackbird chirped quietly off in the distance, but the surrounding forest was otherwise silent, the pine trees and giant firs still dozing in the early morning shade. He was not, however, lonely; nor was he in want of more. His heart was light, and it gently thrummed with the same anticipation that had slipped into the hearts of all the valley’s creatures as of late, just as the sunlight slipped into their skin. May was an in-between month, an intermission, a time for Nature to enter her great chrysalis and prepare for the summer months to come. She would re-emerge sometime in late June, the earth’s prodigal daughter carrying in her arms the red-ripe wildberries she’d hang in the thicket all around him, the bright yellow coreopsis and vetch of the softest pink she’d set down in the meadow near his home, and the pearl white blossoms she’d drape across the canopies of the sweet bay beyond the fields. And she would beguile, too, the whip-poor-wills into beginning their annual summer serenades, allowing the robins and the orioles to retire from their heraldic duties at last, having spent several weeks announcing the season prior.

“There are two summers,” his father had once explained to him years ago, when he was very small. He held up two fingers while he spoke. “There’s the summer that starts on June 1st every year. That one’s based on dividing the calendar into four periods of three months each.”

“Three months each,” the little boy repeated with a nod.

“And then the other summer, the real one, starts on the solstice.”

“When’s the solstice, papa?”

“Easy,” the man grinned, “it’s when summer starts!”

The boy memorized this and all his father’s other teachings as his catechisms, and he knew, based on his observations, and based on all he'd ever learned from his masters - his father and the stars and the entire natural world around him - that the solstice was but a few short weeks away. This knowledge captivated him, and when he awoke at twilight each morning, he would spend a few minutes lying completely still in bed, nearly holding his breath, listening for those first few notes of the whip-poor-will’s call.

After releasing the animals from their detainment, he watched as the small procession of cows and pigs and chickens trod dutifully into the adjoining pasture. He would wait to fill their troughs later; each creature would automatically find for itself its morning fare amongst the acres of dew-wet grass – on this day the milk cow and her calf selected a patch of dark green clover for their breakfast, and the pigs beside them dined noisily on tall stalks of chicory, their pink brows misting over with sweat as they feverously chewed. The chickens, however, quickly stumbled upon a single, tender petunia they had overlooked all month. Gathered around the shining lilac jewel, they could not decide who amongst them would be permitted to destroy it. A forum was immediately convened, with each hen arguing her case in turn, and Silver gathered their eggs while they debated. Their hues were as soft and as delicate as a watercolor wash; some were tawny brown and speckled, others a faded green or blue. They reminded him of river stones, and they felt as smooth as clay in his work-worn hands. Each one he gingerly wiped against his pant leg before depositing into his wicker basket.

He had, for a time, believed – largely due to his father’s persuasions – that a bird’s diet determined the color of its eggs, and he’d spent one summer collecting armfuls of nasturtium, cone flowers, and bright red peonies every single day from the meadow by their home, attempting to invent an egg as ruby red as his father’s eyes. But while the chickens had delighted in their daily carmine feast, his efforts proved fruitless, the egg shells failing to develop even the slightest indication of a blush. When the truth of his father’s scheme was revealed later that fall, Silver had not rebuked him. He'd only blamed himself for being deceived, and for neglecting to include some beautyberries and rosehips into his mix, secretly believing that this was the true genesis of his failure.

The chickens resolved their quarrel by the time his basket was full. In celebration, he scattered a few handfuls of scratch over the ground for them. The bits and pieces of grain could not have delighted the small party more even if it had been the rice thrown for nuptials, and Silver turned and left them to their devices.

On slow days, when he had little else to do but drink in the air and watch the sun move across the sky, he liked to sit in the pasture and listen to them talk. The tall grass would form four walls all around him, and the hens would often come sit next to his verdant cabinet, offering to him their confessions through the screen of sorghum and fescue. They were perfect in their gesticulations, and he particularly enjoyed the mechanical way they moved their heads; it was as though invisible strings were jerking them this way and that, moving not unlike the marionettes his father had once brought home on one of his travels. There was, overall, a hilarity to their character that he missed in his other animal companions – the cows were too listless, he thought; the pigs, too cavalier.

The pigs he favored the least. He had helped his father erect a new fence along the south side of their property last summer, working sun up to sun down for over a week, and it had taken only a single afternoon for one of the boars - newly purchased with money his father didn’t have to spare - to rip a hole through the wire mesh and lead his brethren into the open forest, never to be seen again. He had been with his father the morning the vandalism was discovered. It was one of the few times in his life he’d seen the man angry, and he had been unsympathetic towards the species ever since.

He glanced at them occasionally while he backtracked to the vegetable garden beside the cottage, quickly looking away when they returned his stare. He walked around the fence that protected the garden, giving it a cursory inspection before stepping inside. There hadn’t been any break-ins yet, but he had noticed the shallow, hoof-like indentations that would sometimes manifest in the soil around the gate, and he could tell, too, that something heavy had been pressing itself against the fence posts lately, evinced by the unnatural angles a number of them were now inclined. However, the pigs defended their innocence with a brazen confidence that stupefied even his father, and the animals had so far been spared of any further interrogation.

He entered the gate and filled the watering can sitting by the pump. The alternating rows of green and orange and red and yellow buds dotting the area convened into a checker pattern, as though one of Ma Zigvolt’s gingham dresses had been spread out over the ground. He carefully stepped over and around and in between every sprout and seedling, dancing, almost, as he worked through each row, providing only just as much water to the young plants as they demanded, pausing only when he reached the tomatoes. His father was severely particular about them, fussing over the vines like a sculptor would his block of clay, and would, at the end of every season, declare that he had grown the "best tomatoes this side of the valley", but as he was one of few fae who grew them, and perhaps the only one who enjoyed their tart taste, his countrymen gladly indulged him in his boasting. Silver tilted his watering can and aimed the stream into the soil around the base of the plants, avoiding the foliage as he’d been instructed. He hummed to himself as he continued his ministrations, his thoughts drifting brightly towards the harvest to come.

Soon, there would be fresh corn pone and hoe cakes and yellow squash fritters fried in pools of marble white pork fat, heaping bowls of piping hot green beans sauteed in pats of golden yellow butter, and tender, fresh baked apple dumplings topped with a creamy homemade vanilla glaze, all washed down with the coldest, sweetest lemonade the valley had to offer. And he and his father would make preserves – of everything; jams and jellies from the wild raspberries and blueberries they’d gather from the forests, and from the bushels of strawberries now growing in their garden, and they’d pickle cucumbers and beets and radishes and fennel and bell peppers and cabbage; the tiny root cellar under their home would transform into a museum over the summer - its shelves filled to the brim with rows upon rows of glass jars containing their colorful fermented treasures, with giant slabs of dark red elk meat and pale pink sausage links hanging from the hooks lining the ceiling, and pounds of wild-caught bass and catfish curing in salt baths on the floor, nearly every specimen in that small space a self-contained microcosm of bacterial delight.

Silver was not one to favor any season over another; he found pleasure in the flora and fauna of his surroundings all year round. But so long as his father was strictly supervised in the kitchen, it was summer fare that delighted him more than anything else, and he wished every day for the watermelon and the strawberries to ripen faster, and for the honeybees to finish constructing their summer combs.

A pine warbler’s sharp trill snapped the boy out of his daydreams. The sun had at last emerged above the umber line of the horizon, and the golden edges of the sky were rapidly fading into a soft baby blue. The land was rapidly beginning to awaken. He could hear the low drone of the honeybees as they pushed past him on their way to the meadow, and the goldfinches warming up for their morning performances in the forest yonder. He hurried to complete the rest of his chores, invigorated by a mixture of excitement and hunger and still that same dull throb of anticipation in his heart.

When he was finished at last, Silver lay down on the grass, tucking himself under the blanket of fog that hung low over the ground. He could hear only the cows lowing and the chickens murmuring and the wind brushing up against the pine trees. And if he lay still enough, he could hear even the earth itself breathing. If he pressed his ear against the damp soil, he could hear the planet exhale, could hear the molecules of water vapor rising through the air, lifting themselves off the slick blades of grass, unifying and condensing into the wave of fog that rolled across his body. His world was now perfect. And it remained perfect for half an hour longer, until his father threw open the cottage door and called him inside for breakfast.

The air grew warmer and warmer as the morning languidly transitioned into afternoon. Pleased that his prediction had been correct, he suggested to his father, Lilia, that they begin making their way to the Zigvolt's before it grew too hot, and the man agreed. The mass of burnt scrambled eggs his father had prepared for breakfast still festered heavily in Silver's stomach, and he quickly wolfed down a plain butter sandwich and an apple for lunch. His gangly body could get by on very little, and the Zigvolts always had refreshments at the ready, anyways. He grabbed his knapsack from his room and accompanied his father out the door. Together, they followed the dirt path that led from the clearing into the forest.

Lilia had settled down there decades prior, appearing in the neighboring town one day with little more to his name than a few gold coins in his pocket and a raggedy shawl strewn across his back. He'd been a drifter for decades, having retired from the local military under circumstances he never cared to divulge, and while some of the townsfolk were glad to welcome him home, most others thought him a stranger. A pack of these skeptics descended upon him one evening, cornering him in the run-down hostel where he'd been temporarily residing. They poked and prodded him with their questions, asking him why he had left and where he'd been to and why he'd now suddenly returned, at times turning away to whisper amongst themselves, as though evaluating a head of cattle. To each of their scathing rebukes he simply replied, "Doesn't matter anymore." He repeated those three words like a mantra, like a prayer to exorcize the specters gathered around his bed. His defense was as solid as a leaden curtain, soundly deflecting each and every one of the inquisitors' attacks, and when they finally scattered that night, rendered stupefied by their defeat, Lilia gathered up his sparse few belongings and vanished amongst them.

He ultimately bought his property from a man who'd recognized the name "Lilia Vanrouge", but not the mysterious little creature attached to it. The landowner was however only glad to finally rid himself of the place; it had been sitting vacant for years, long overgrown with its own miniature forest of brambles and weeds, and he was easily dismissed with what little money Lilia had to offer. There was a dilapidated cottage the last tenants had left behind, as well as the rotting remnants of a barn that hadn't been touched in ages, and the water pump, rusted over from decades of unuse, snapped in half the first time Lilia tried to use it.

He began making renovations immediately. He patched up the roof on the cottage and spent a week removing all the cobwebs and rat nests he could find inside. He cleared out the overgrowth suffocating the area and tore down the old barn, erecting a lean-to for his cows and a coop for his hens in its place. He sectioned off a small plot of land next to his house for a vegetable garden, and sowed his new fields with the fervor of a devotee. Decades of working the land yielded a soil heartier and more robust than anything the locals ever seen, as though the very earth itself was repaying him in kind for liberating it from its long imprisonment. His tomato plants bore him perfect rubies bigger than his fists. His corn and his wheat stood like giants, towering high above his head. He found his heart lifting up and growing lighter and lighter together with the green stalks soaring up into the sky. All these things slowly grew in tandem with his household - he'd added another wing to the cottage when he took in Silver, and the garden, having more than tripled in size since it was first built, now produced a far greater variety of colorful fare than Lilia could have ever imagined. It was, in all, a meager living - a little home with little in it, the glass jar of rainy day funds sitting above the fireplace never to be full, always repairs around the property to be made, always hand-me-down clothes and toys to be mended - but it was enough for the man and his child, regardless.

When Silver grew older, Lilia began letting him operate the homestead on his own when he went traveling, a leisure he'd picked up in his older age. He would leave Silver a list of rules to follow and projects to work on while he was gone - in addition to his regular everyday chores - which he adjusted for each season, such as chopping firewood in the winter, and making preserves in the summer. But above all, no matter the time of year, and barring an emergency, he absolutely forbade Silver from leaving their land. Lilia had marked off a boundary for him years ago: the river to the west, a felled oak tree to the north, the meadow to the south, and the base of the nearby mountain range to the east. Lilia trusted his son, minimally, to the extent he had no doubt the boy could procure the food and water needed to keep himself alive when left alone. But the mountains and the deep forest and even the castle town he did not trust, didn’t believe in the sincerity of the light that flooded the silent earth bordering their home.

Five miles separated the Vanrouge’s homestead from the Zigvolt’s home. Five miles that cut through the forest that extended far beyond Lilia’s land. As such, Lilia would supervise his son's travels to and from his friend’s home. They only ever walked - teleportation magic gave Silver extreme vertigo, and Lilia found his powers could no longer cover the long distance as easily as in his youth. But it was a pleasant journey, and the pair quietly admired the same mass of towering pine and spruce trees they'd admired hundreds of times before as they continued down the winding road. The forest was handsome in its late spring attire, adorned in a thick flush of bright green foliage, and the charming white faces of the star flowers and wood anemones peeked at them from amongst the undergrowth as they passed by. Overhead, a symphony of chaffinch and dunnock calls accompanied the gentle stir of the treetops brushing against each other in the wind.

Silver often called on the Zigvolt’s. The youngest of the three children, a boy named Sebek, was the only non-animal companion he had his age. They had first met a number of years prior, when Sebek apprenticed under Silver's father, and while their rivalry had been immediate, their friendship had formed only slowly, over years of tense acquaintanceship. Sebek had held a grudge against Silver since the day they’d met, or possibly longer - that much Silver had been able to determine, but he could never puzzle out what he’d done to injure him so. He was frequently agitated - over Silver’s abilities, his actions, the clothing he wore, the way he walked and the way he talked. He was “wound up tighter than an eight-day clock”, as his father would often laugh. Had Silver grown up interacting with more children his age, had he an index against which to measure his friend’s volatile attitude, then he would have understood that Sebek was simply a very immature boy – he’d not yet outgrown his foot-stamping tantrums and his jealous remarks, but there was never any true venom behind his words, only that primal, juvenile desire to convince himself and the adults around them that he and Silver were equals. But Silver liked him, at any rate; there was only so much one could do to persuade a rabbit or a songbird to gambol with one, or to explore make-believe worlds that stretched far beyond their animal imaginations, and Sebek was as eager a daydreamer as he. Even a child’s heart can be a guarded thing, as Silver’s was, having matured in a world comprised of only a small handful of faces and an even smaller stretch of land, but he’d long placed Sebek in that corner of his heart only his father and Malleus and the blue birds and honeysuckle otherwise occupied, and he cherished his friend for his outbursts and rare affections, both.

It was an “off day” for the boys - neither had any training exercises scheduled, and Silver looked forward to their rendezvous. He figured they'd be spending most of the afternoon outside, in light of the pleasant weather. Later in the summer, when the heat would spoil their entertainment, they'd move indoors, reading comics and old almanacs together in the Zigvolt's parlor, sprawled out like a pair of lazy tomcats on the cool hardwood floor. And if he was lucky, Ma Zigvolt would invite him to stay for dinner (he was always too shy to ask). She was one of his strongest allies, and had rescued him from his father’s well-meaning meals on more than one occasion. He kept his fingers crossed as he walked, hoping she and Pa Zigvolt wouldn't be staying late at the dental clinic they operated.

Once they entered the deepest part of the forest, Lilia cleared his throat, signaling that he was about to speak. Silver braced himself. His father was a habitually cheerful and easygoing man, able to make merry with nearly anyone that crossed his path, but the man's good humor came at the cost of his interlocutor's, at times.

First, Lilia asked what plans he had with Sebek for that afternoon.

"Not much."

Lilia shrugged off the curt response. They'd crossed several miles already, and the afternoon heat was prickling at his fair skin. He chastised himself for neglecting to bring a hat. He next asked, smiling broadly this time, hoping both to coax his son and to take his mind off the heat, if Silver was excited for all the fresh vegetables they'd soon be harvesting from their garden.

"I guess."

Still not discouraged, Lilia dispatched his probes once more, asking if Silver had any requests for dinner, and whether he'd read or heard anything interesting lately, but the boy deflected each one with a “Yes”, or a “No”, or an “I don’t know”. Silver had recently discovered that the briefer he kept his answers, the quicker he could get his father to stop talking, and this observation proved itself true once more, the man quitting his examination a few moments later. A feeling of discomfort prickled at his skin as the heat did his father's; the perfection of that morning a few short hours ago now seemed to him like a distant memory. They walked the rest of the way in silence.

By and by, the dirt road transitioned into a gravel walkway, and the Zigvolt’s farmhouse at last came into view. It was a noble building - tall and spacious, constructed from dense heart pine lumber, the eggshell white finish still shining brightly after so many years, with a towering red brick chimney that rivaled the surrounding cottonwood trees in their noble height. An amber light glowed softly from one of the windows. Silver and Lilia stopped before the stairs leading up to the front of the wraparound porch, where a clothesline heavy with freshly washed bed sheets rocked gently in the breeze. Ma Zigvolt was known to perfume her wash, and sunny notes of bergamot drifted down to them in waves.

The pair said their goodbyes, but when Lilia leaned forward to kiss the boy’s cheek, Silver moved away, ducking and turning around so quickly that Lilia stumbled as he fell through the empty air. He steadied himself hastily, his arms whirling for a moment before plummeting to his sides, his puckered lips collapsing into a frown. The rejection stunned him. His mind hastily reassembled and played back the insult it had just witnessed, finally ascertaining after the third repetition that he had not just been struck.

Wide-eyed, he croaked, “Silver?”

The boy took a step towards the house, his back turned to Lilia. “I’ll see you later,” he grunted, as though struggling under the weight of his father’s heavy gaze. And then he stormed up the porch, threw open the front door, and disappeared inside without a second glance.

Lilia stared imploringly at the silent house, but it offered him no answers. He shook his head and sighed. “The hell’s been going on with him lately?”

Sebek’s older sister Iris emerged onto the back porch carrying a tray of milk and pound cake. She set the tray on a small table by the door and began arranging the glasses and plates. She’d been away from home the past year, busy with her university studies, but had returned for the summer. Her absence had been difficult for the family – for Sebek most of all. 

Though he was now the apple of her eye, Iris had been opposed to the idea of a younger brother at first. She’d spent the first few months of her mother’s pregnancy curled up against the low swell of her belly, regaling the child - her new little sister - with all the fantastic plans she had in store for the two of them. But when her parents returned from a doctor’s appointment one day, a set of grainy monochrome photographs in hand, and they announced the baby was, in fact, a boy, she felt the faceless black thing staring up at her from the pictures had betrayed her. She staunchly refused to address her mother’s stomach for the rest of the pregnancy.

Ultimately, Sebek entered the world as an absolute bear of a baby, all rolls and dimples and folds and milk white skin that smelled as sweet as honey. The first time Iris saw him, he was dozing open-mouthed, lying curled up on the pillow of his mother’s breast. He looked like a dollop of pure butter, and with that single glance the girl was thoroughly convinced of his perfection.

As the baby matured, growing conscious of himself and of the world around him, his burgeoning mind, incredibly receptive to every new stimulus that entered his environment, quickly took note of his sister’s eager affections, and it wasn’t long until he ascertained that his incapability was the trick to his own allure. A halfhearted grumble would earn him a kiss, for example; a miserable wail, liberation from his crib. It was almost cunning, the way he’d play the fool for her, wrapping her tighter and tighter around his plump little finger with every feigned ineptitude he devised. “Oh, Sebby!” Iris would laugh, scooping his doughy mass into the cradle of her arms when he'd whine to be held. “You’re just a helpless little thing, aren’t you?” And the baby would bat his cub paws at her and smile his gummy smile, as if to say, “Just you wait and see!"

When their brother Horace, the eldest of the three siblings, moved into his own apartment in the castle town a few years ago, Sebek had been secretly pleased, for their mother now looked to him for help with splitting firewood and mending the fences and tilling the garden. He knew his father could not be entrusted with such things - Linus Zigvolt was a kind and good man, but he was also foolish. And boring. And unforgivably human. Sebek’s mother and his sister - and his grandfather, when the man was in an affable mood - were the center of his juvenile universe. His father and brother merely orbited them. And whereas Horace’s departure had been no more noteworthy to him than the changing of the seasons, his sister had taken with her a sense of stability he still hadn’t grown accustomed to living without.

She was a tall, muscular girl, with a broad, handsome face that was rimmed by the family’s trademark scales. A star member of her school's track and field team, she had recently broken the district's shot put record, a fact which her parents and grandfather had been proudly mentioning at least once every day since. Although soft-spoken, like her father, she was also in possession of a tongue as caustic as her mother’s, and more than one naïve suitor had abandoned his endeavors a much meeker man than when he’d met her. Her long, green hair was bundled in two intricate fishtail braids that trailed down her back – a style popular amongst valley girls her age – and she brushed away a loose strand from her face as she straightened out the napkins. Her mind dimly registered that she'd need to schedule a trim before returning to school.

Content with her work, Iris turned to the garden and cupped her hands around her mouth, shouting, “Sebby! Silver! I brought you guys some snacks!”

The boys rose from behind the jumble of cardboard boxes they’d been working on taping together. They raced each other to the porch, politely offering Iris their thanks as they sat down at the table. Silver gingerly cut into his cake, careful not to scatter any crumbs. Iris had always thought of him as bird-like, with his wiry frame, and his too big head that hung so awkwardly from the end of his long crane neck, and she was struck once again at his meagerness as he pecked at his meal.

After observing them for a few moments, she asked, “Why’d you drag all those boxes into the yard for, anyways?”

“That’s – I mean – ‘Tis our fortress!” Sebek explained between mouthfuls of cake. “We’re defending our home from those wretched ne’er-do-wells yonder!” He pointed towards the garden with one hand and shoveled another piece of cake into his mouth with the other.

Iris followed the line of Sebek’s outstretched finger. Beyond its glaze-covered point lay a pair of rabbits, lazily nibbling on a patch of grass by the boxes.

“Ooh, so you guys are playing pretend again?” She smiled as she put her hands on her hips. “Are you knights this time? Do you want me to be, like, your damsel in distress again or whatever?”

Sebek’s face reddened. “Sissy, stop it!”

Iris laughed and pinched his cheek. He resigned limply.

“Don’t worry, I won’t interrupt your little fun.” She turned away, and then added, “I’ll be in my room, so just shout if you need anything.”

Sebek huffed as his sister closed the door behind her. He scrunched up his round little face and balled his fists. His cheeks were permanently ruddy, flushing darker or lighter depending on his level of agitation, and it was clear by their scarlet hue that Iris's words had hurt him. Silver pushed his empty plate away and stood up.

“Come on, Sebek,” he sighed, rubbing the other boy’s back placatively. “You can be the General of the Right this time. I’ll ask some birds and rabbits to be the townspeople, and you can come save us.”

Often, Silver’s ability to brush off any injury with the placidity of a rock would only inflame Sebek’s rage further, but he permitted his friend to coax him back into the garden. As he watched Silver recruit a regiment of forest creatures for their schemes, he decided there was fairness in the world yet.

Baul Zigvolt was dozing in his rocking chair when Lilia returned that evening. He was perhaps the progenitor of his family members' incredible statures. His wife had been a modest woman, of average height and unremarkable in her build, but he in turn was a veritable mountain of muscle and hardened flesh, so massive that the top of Lilia’s head just barely reached the enormous blocks of his shoulders. He was squeezed into his chair rather than sat upon it, and the wood groaned threateningly as he rocked. The family’s only pet, an equally massive black tomcat with a lone white spot on the tip of its tail, was sprawled comfortably by his feet. The creature was as lazy as it was amiable, having not once dispatched any of the vermin that made merry of its owners’ grain stores, but the children were so enamored with its corpulence that their parents could not bear to rehome it. It shared with Baul a passion for evening naps, and neither of them stirred as Lilia approached.

The two men had served in the Imperial Guard together for centuries, and though they’d stepped down from their posts and re-entered civilian life ages ago, having both established households and produced children, and were now enjoying all the slow pleasures of retirement, Baul still offered advisory services to the Guard on a voluntary basis. The truth of Lilia’s retirement, however, had never been fully absorbed into the folds of Baul’s brain, and he continued to address his erstwhile superior as “General” at their every meeting. “It’s just a bad habit!” he’d defend himself sheepishly when rebuked. But he would soon disremember his error, and would, in the next breath, refer to Lilia by his long-vacated position once again.

“Hello, Baul.” Lilia dipped his head in greeting.

“Evening, General,” Baul murmured, slowly blinking his eyes open with a yawn. “You come to get your boy?”

“Yes, do you know where he is?”

Baul leaned forward and jabbed his thumb behind him. “Yeah, he and Seb are playing out back.” He settled back into his chair and closed his eyes again, opening them once more a second later. “Oh, and while you’re at it, could you tell Seb he needs to get home before nightfall?”

“Oh?” Lilia raised an eyebrow. “That’s quite unlike you to worry about him,” he replied with a smirk.

“Hell if I care!” Baul huffed, crossing his arms. “We’ve been seeing bear tracks around here lately, and I don’t want him to come crying to me if he runs into one of the dumb bastards. That’s all.”

“I see, I see,” Lilia laughed. He reached out and stroked the cat’s head, cocking his own head as he did so. "Well, I don't hear them close by. Can I wait here until they come back? They're probably off playing in the woods somewhere."

Baul huffed again. "I certainly wouldn't mind any if you'd like to take a seat."

Lilia stepped onto the porch and lowered himself into the chair across from Baul with a groan. He was occasionally stricken with bouts of rheumatism, and the frequent trips to and from the Zigvolt’s that year had been taking their toll. Baul raised an eyebrow as Lilia pawed at his back, but made no comment on the subject, electing instead to remark on how nice the weather had been lately, and how excited his grandkids were to go swimming in the river that weekend. Lilia offered in turn the latest updates on his own son. The men exchanged these little stories about their children and grandchildren as passing travelers exchanged their wares. They would file away each anecdote into their hearts for safekeeping, and take them out later to smile at when left alone.

Their habitual pleasantries concluded, Lilia asked Baul if he'd noticed anything unusual about Silver that afternoon.

"Unusual?" Baul frowned. "In what way?"

"Ahh, was he..." Lilia searched for the right word. "Quiet at all?"

Baul scoffed. "He's always quiet. Never met a child made so little noise in my life. I always wondered how he turned out like that, being raised by a loudmouth like you."

"Hey!" Lilia frowned.

"Hah! Sorry, sorry," Baul replied with a laugh, throwing up his hands in defense. "But I mean, other than that, only thing I noticed is the kid's been growing like a weed lately. Guess that's one more thing where you don't have to worry he'll take after you. Heh."

Lilia paid no heed to his baseless fibbing, and instead concentrated his thoughts towards one of his oldest pleasures: finding ways to agitate Baul. He never wished to start any real fights, but was simply possessed by the natural urge to tease him, as a child might like to prod a sleeping bear. Baul found the topic of his son-in-law particularly sensitive, and Lilia grinned as he formulated his attack.

"And how's dear Linus? I heard from Silver the clinic's been pretty busy lately."

Lilia's ploy worked immediately. A vein throbbed on Baul's forehead. "That human is fine, far as I know."

"As far as you know?" Lilia looked at him quizzically. "Aren't you here almost everyday? When's the last time you spoke with him?"

"Hell if I know. I don't give a damn what he has to say."

Lilia rolled his eyes. "Will you ever get over yourself?"

"No!" Baul grunted automatically, flushing hot red once he understood Lilia's insult. "The hell's that even supposed to mean! General!"

Lilia laughed. "Oh, come on! Why can't you just cut him some slack already? I still can't believe he agreed to take your last name like you wanted, with the way you treat him."

"Hmph! One of the few things he's done right by me."

Like so many of his fae brethren, Baul did not favor humans. He and Lilia had witnessed their evils firsthand during their time in the service, and they had watched, powerless, as so many of their friends and comrades, so many of their hopes and dreams and aspirations were crushed and destroyed under the iron heels of their enemy. Over time, after peace treaties had been signed and all the war flags had been taken down and neatly folded and put away, Lilia's heart had softened enough to accept humans with a frivolous neutrality, going so far as to adopt one to raise as his son, but Baul's had not. He was immediately suspicious of the handful of humans that came to live in the valley after the war, turning up his nose at their strange wares and customs and ways. When even more of them began to pour into the castle town, he and his wife sold their house and fled to a small homestead in the forest.

But fate continued to torment him, and he ended up a widower shortly after their first and only child, Thalia, was born. Even through all of his pain, he found his daughter was perfect - more perfect than anything he had ever seen. He was at first cautious in his parenting, aware at all times that he might one day lose her, too, as he had lost so many others before, but the child embraced all the challenges of her life with a ferocity that stunned him, and his concerns quickly proved themselves unwarranted as the years went by. She grew to be a tall and proud woman - she was heavyset, soft and plump in all the places her father was lean and hard, and more beautiful than a dahlia in full bloom.

They remained close after she moved out, meeting together for dinner most nights, and he thought nothing of it when she mentioned she'd started working at a local dental clinic. She would now and then talk about her boss, a human who'd immigrated to the valley some years ago, and to Baul's dismay, her innocent admiration quickly burgeoned into something more serious. Her infatuation with the human felt to Baul like a betrayal. He and Thalia fought when she announced she was courting him, they fought when she announced her engagement, and they fought when she announced she was pregnant. It was Horace's birth that finally allowed for their armistice, and his arms trembled the first time he held his newborn grandson. A child's eyes are the truest mirror one can face, and when Baul gazed into the wet emerald panes peering up at him, he realized for the first time in his life how ugly he had become. He locked himself in his room when he returned home that night. All alone, he reached as far and as deep as he could into his heart and ripped out the black seed of his hatred, casting it far away - farther than Zeus could launch his bolts of lightning or Thor his hammer.

But even though he'd finally been able to make peace with his daughter, nothing could be done to mend his relationship with his son-in-law. Linus had been intensely curious of the world around him from a young age, and the interest he'd developed in fae dentition during his studies had drawn him across the ocean and into Briar Valley upon his graduation, where he established a successful dental practice that treated both human and fae patients, alike. He was a pinched and narrow man, from the bottom of his feet to the top of his head, and his heavy-lidded eyes had never lost the childlike spark that so often betrays us as we grow older. It was this spark that had first piqued Thalia's interest, and he was just as obsessed with his wife as she was with him. There was very little of him to see in their children - they had inherited neither his shaggy black hair nor his brown eyes, neither his wiry frame nor olive complexion; their mother's genetics had overpowered his so completely it was as though Thalia had simply sculpted each child from the white clay of the earth by herself. But he fiercely adored them, regardless, showering them with praise and affection, and with an abundance of sugary treats that would make other members of his profession light headed. Over the years, Baul had grown to appreciate Linus for his kindness and for his intellect, and for his devotion to his family, but still could not stand how weak he was, and how small. He was a foot shorter than his wife and several hundred pounds lighter - a miserable twig next to a glorious oak tree, and Baul often complained that he would "snap in half if he sneezed too hard." Worst of all, he was magicless - a transgression Baul knew he would never be able to forgive. He could only tolerate the man, and offered him no more mercy than that.

Lilia shook his head, exasperated. "My god, I'll never understand how Tally puts up with you. Woman has the patience of a saint."

"Yeah," Baul murmured. "Yeah, she does." He folded his hands in his lap and contemplated.

They rocked in comfortable silence. The sun drifted leisurely towards the horizon, and the golden-orange sky looked as soft as an oriole feather. A nightingale, determined to outwit its rival suitors, began his serenade an hour early. Lilia had come to that place with the sole intention of retrieving his son, but the evening breeze dislodged that singular thought from his mind, and it floated away to join the cloud of fireflies gathering in the front lawn. The cat observed all of this with great interest. It was suddenly wide awake where the two men beside it were growing slowly unconscious, its body twitching with the primordial knowledge that night would soon fall.

Silver and Sebek found the pair fast asleep when they returned an hour later.

II.

Sometimes, when the sun seems to hang frozen above him, stubbornly refusing to give up its domination to the pleasant respite of night, when there are no chores to distract him with and his boy isn’t around to tease, Lilia will wander - usually carelessly, at times with a pointed determination - into the dim labyrinth of his mind. It would always astound him how, despite nearly seven hundred years of escapades and follies, despite almost a millennium of joy and heartbreak and unrest and sorrow, there were so few memories for him to parse through. Some of them had simply faded away as he grew older, others had burst into his consciousness and then vanished like spring lightning, dragged down by his heart into an unknown place where they could no longer hurt him. When he’d at last reach the center of that great maze, he would cling onto the earliest memory he could salvage from its shadowy depths, and always he would find himself next blinking his eyes open into the dull light of the castle barracks. He was no longer certain if the memory was from the day he’d enlisted, or if it was from a time much later in the service. He only knew that he must’ve already been an adult then, that he must’ve already accepted all the solitude and responsibility that had been thrust onto his small shoulders by the forces that determined his life.

He'd been told by the queen, along with all the lords and ladies and every other manner of noble and aristocrat he had ever served, on numerous occasions and under no pretense of kindness, that the royal family had taken him in as a young orphan, but he could not remember if that was true. He was certain, at least, that they had given him his name. "Lilia" was derived from the fae word for lily flowers, a plant whose legends and symbolism encompassed grand ideals of hope and purity, and something about it - the sound of it, its grandiose meanings, the way it would catch itself on his teeth, as though his body could not recognize what it was he was trying to say - had always felt wrong to him - foreign, even, so that he always felt like the people addressing him were talking to someone else. Out of discomfort, he often went by his last name, instead. "Vanrouge" had a sharpness to it that he found suited himself much more - both the sharpness of his temperament, and of his body. He was bony and stunted in height, his back no broader than the sticks used for kindling, and he stood shoulder height or lower to most adults his age. The nobility was not beyond recoginizing his strength and his talent in magic, however, and for all that his self-proclaimed benefactors gave him - a place to call home, people he could call family, military prestige beyond his wildest dreams - they took away just as much. Their orders came down like axe heads, and for centuries he dutifully served under their beck and call, acting as a guard dog for them one day, a scapegoat another, an undertaker the next, folding for them like a blade of grass forced flat by the wind.

He stumbled through the years as haphazardly as a tightrope walker, going only where he was told to go and doing only what he was told to do. He worked to the point that he could work no more, and when his incapability was discovered, he was immediately ordered to resign. It was one of the few times in his life he had ever felt afraid. Each and every one of the sovereignty's commands had been a link in a long fetter that bound him to their sides, but it had also been his lifeline, and without it, he feared he would be lost. The day of his resignation, he received one final order to remove his things from the barracks before leaving. The truth of it all pierced his mind like an arrow just then. He realized all at once that the tiny room with its cot and its chest and its wardrobe would be his prison cell no more, that the four walls that had been closing in on him for centuries had finally halted in their paths. He realized the thing that had been beating in his chest all his life had not been stamped out, had not been taken away from him - he had lost his dignity, his strength, even some of the people he had permitted himself to love, but not this. He smiled as he left the castle, made giddy by the greatest secret he knew he would never be able to tell. The discharge papers in his hands suddenly seemed to him like a pardon.

However, he had spent so many years bowing down to others he found he did not recognize the world when he finally stood up and looked at it again. With nothing more left in his life to guide him, he left his homeland shortly after his expulsion. He traveled from country to country with no real destination in mind - if a locale displeased him, he simply packed his things and departed for the next. As the years went by, he gradually began to operate with less and less reason, doing everything and anything he could "just because". Time had molded the clay of his person into a confusing and crude shape, and after decades of slow disentanglement and reformation, of reclaiming all the good things he had been forced to cast out of his heart, he discovered that his truest pleasure was to simply live by his whims. When he at last exhausted his traveling funds, he returned to the valley, settling down only because he'd never done so before, and was curious how well it would go. The people around him pitied him, as one often does those whom Life seems to have forgotten in its haste, but he was far too absorbed in his newfound self-indulgences to pay them any mind.

Even the acquisition of his son had been unplanned. He'd periodically scavenge from the ghost towns that dotted the countryside, in search of tools and good lumber he could use for his repairs back home, and on one such excursion, while searching through the rooms of a crumbling little cottage located deep within the valley's eastern forests, he found a human baby, fast asleep in its cradle. It was gaunt, with an evident pallor to its face, and Lilia quickly concluded it had been abandoned; the stagnant air in that place told him no other living being had been there for days. When he turned to leave, not wishing to disrupt Nature's process, an idea struck his mind so suddenly and so violently he had to steady himself against the doorway before he fell. What if he were to keep the child? What if he, a fae, were to raise the very flesh and blood of his nation's most ancient enemy? The notion intoxicated him. His head spun as he slowly returned to the crib.

"Now wouldn't that be a lark," he murmured as he raised the child. It blinked up at him weakly with eyes the color of the aurora, and Lilia was immediately convinced of his own genius.

"Let's get you something to eat, you poor thing! I'm quite famished myself, you know. You have excellent timing," he said with a wink. The baby watched him silently as he carried it back home.

He thought it would be simple. He knew from his time watching over the infant Malleus that babies needed little more than food, play, clean diapers, and naps. His first charge had flourished splendidly in his care, and he had no doubt his second would do the same.

But Silver was difficult. After its initial, desperate feeding, the baby, seeming to finally remember it was in possession of lungs and a vocal instrument, began to cry incessantly. If it wasn't in Lilia's arms, it cried. If it went a moment too long between feedings, it cried. Even when it slept Lilia was not safe. If he set it down for a nap and attempted to leave the room, it would awaken immediately, understand it had been abandoned once more, and would cry. There were times - random, and frustratingly rare - where it would suddenly stop in the midst of one of its fits, and smile at Lilia so sweetly he'd wonder if someone had snuck in and swapped the child for another when he wasn't looking. Once he realized his legendary frivolity had met its match, he began consulting with the Zigvolts on a regular basis, as Pa Zigvolt was the only human in the valley he trusted. It was the height of summer then, a time he'd usually spend taking refuge in the cool shadows indoors, but he did not mind walking the five long miles back and forth between their homes, preferring even the heat over the child's endless screaming. Pa Zigvolt assisted him to the best of his abilities, imparting to Lilia all the knowledge he had acquired over the years as a then-father of two, and Silver's fits ended a few months later as abruptly as they'd started.

The second hurdle arose when the little boy began to talk. His first, crude word was "Ba pa", and it took several days for Lilia's mind to finally register that he was the intended recipient of this title. He'd planned to have Silver call him by his first name, just as he'd been forced to do when Malleus was little, and hearing the child acknowledge him as its parent made him uncomfortable, as though both of them were breaking a rule he didn't know the name of. The baby, however, refused his every plea for reconsideration, and gradually figured out all the tricks of human speech as he grew older, learning to perfectly pucker his lips, and mastering the rhythm of the two syllables he so desperately wished to string together. He would repeat "Papa" throughout the day, singing out "Papa, Papa, Papa!" with the joy of a hymn. But for Lilia, each utterance was like a stone launched against the walls he had built up around his heart, and when they collapsed and faded away into nothing, he realized his discomfort had vanished with them.

He would later realize, too, that where he'd long forgotten much of his early life, he found he could now remember, to an almost startling degree, much of what he'd seen and experienced ever since he took in the boy. He could still remember a freezing day in January over a decade ago, when Silver had chanced upon a lone snowdrop shivering off the cold in the meadow near their home. The flower had fascinated the boy severely; he sat before it, stone still, tilting his heavy head this way and that, trying to understand the small creature’s drooping frame. Eventually, Lilia came over and accompanied him in his study. He had seen snowdrops countless times before, while marching through the countryside, while working on the clearing, but only then, as he knelt in the snow with the young boy at his side, both of them shivering quietly in the late winter light, only then did he finally realize its perfection. He could still remember, too, the snow slowly melting later that year, and Silver pointing out to him the magnolias blooming in the copse behind their shed, and the daffodils and tulips breaking through the frost that blanketed their small garden, and the linden trees releasing their sweet perfume. He could remember Silver revealing to him with a boyish surety the strangeness of rain showers on sunny days, and the comfort of the mist that lingers on cool autumn mornings. So many sights and sounds and sensations had passed by him all his life in a blur - colorless and dull, abstract and undefined, and when his son entered his life, it was as though a bolt of lightning the color of the aurora had struck the earth and finally given all these things their color and meaning.

But Silver had begun to change recently. Not physically - no, he still had the same rosy, cherubic little cheeks; the same bright blue-grey eyes; and the same sweet, half-crooked smile that Lilia would proudly boast about to all who would listen, and even to those who would not. It was his attitude, his tone of voice, his humor that had changed, and Lilia had not noticed it willingly, at first. Where he'd always been so agreeable and forthcoming, so that Lilia was unsure if the boy had ever kept a secret from him in his entire life, he was now secretive and temperamental. At times, Silver would whirl on him like a wildcat, his eyes narrowed, his thin lips pulled back into a snarl, upset at something Lilia could not understand. There was always a strange look to his eyes during these flares, not quite panicked, yet not angered, either. He looked, if anything, confused - as though he could not believe the truth of the thing he'd just done. When he was amicable, he was as loquacious as a monk. He'd also been showing a newfound apathy towards Lilia's jokes and teasing, and to his presence overall, expressing more and more his desire to be left alone. Most alarming of all, Silver had recently stopped addressing him as "Papa", and now called him "Father", instead. It felt as unnatural as if a songbird had stopped singing. He found it vulgar. "Father" was harsh, adult, stern - formal and distant where his previous moniker had been so intimate and sweet. He'd pleaded with Silver more than once the past month, asking if anything was wrong, demanding to know why he was acting like this, but the boy was unwavering in his defiance, curtly assuring him each time that everything was fine, before excusing himself to go be alone his room once more.

Lilia ultimately decided not to push the matter further, presuming Silver would recover his good attitude in due time, and had instead been focusing his attention on preparing the homestead for summer. The garden work and other miscellaneous chores had all been welcome distractions, but an incident the past week had revived his concerns.

He and Silver had gone to the Zigvolt's for dinner. Ma Zigvolt prepared a feast of grilled corn cobs, roast venison slow-cooked with creamy golden potatoes and carrots, and a whole pile of her buttery homemade biscuits. The pair ate heartily, having both worked up a respectable appetite from hoeing weeds together all that morning, and as usual, they stayed with their hosts late into the evening, if only so Lilia and Baul could talk, and so Silver and Sebek could listen. It was the boys' greatest pleasure in the world to gather in the parlor and listen to them talk. Sometimes, they would simply muse on the recent weather, or discuss local politics. Other times, they'd tell stories - the boys always begged for a story. The former war heroes would weave tales about all the faraway lands they had journeyed to and the greatest enemies they had ever faced, and about fearsome beasts the children had never heard of and stars they'd never seen - “Men’s talk”, as Ma Zigvolt would scoffingly call it. But there was always softness in her voice whenever she rebuked their late-night gatherings. Horace and Iris used to join the small audience, too, but gradually stopped as they grew older, claiming the men's yarns had lost their appeal. It was one of the few things Sebek disagreed with his sister on - he worshiped her, but understood at his young age that even an idol's opinions could be wrong, at times.

The boys' habit was such:

Sebek would sprawl on the bearskin rug before the fireplace, and Silver would curl up against his father’s chair, his head resting on the man’s lap. Lilia would play with his son's hair absentmindedly while he spoke. It could’ve been the shining hands of the angel Gabriel himself carding those gentle fingers through his hair and the boy scarcely would’ve noticed a difference. This was his great reprieve, the most delicious reward after a long and tiring day of chores and training and schoolwork and hard labor; a time for him to sigh out all the aches and pains that gripped his thin body and a time for him to rest.

Lilia knew all this. He had always known this. His son’s heart was a rose; he needed only to whisper the boy's name and its petals would unfurl for him.

The meeting last week had proceeded as usual, at first. Dinner was enjoyed by all, the fireplace was lit, Baul and Lilia took their seats in the parlor, and Sebek planted himself on the bearskin rug. But when Lilia smiled at Silver and set his hands on his lap, his palms upturned, the boy turned away, sitting down in front of the fireplace next to Sebek, instead.

In that moment, Lilia realized Silver's strange behavior the past month was a symptom of an issue far graver than he could have anticipated. When they returned home that night, he consulted his trove of parenting books after Silver went to bed. He'd bought a number of them when the infant Silver had begun his fits, turning to them for advice whenever the boy fell ill or reached a new developmental milestone. He hadn't read any of them in ages, and he sneezed as a cloud of dust billowed when he pulled them down from the shelf.

He flipped through the yellowing tomes one by one, smiling whenever he came across a dogeared page. Each bookmark and scribbled note he could trace back to a specific period in Silver's life, and the memories of those first few stressful years he now counted amongst his greatest treasures. He worked through the tall stack throughout the night, giving up at dawn with a sigh. Were he a more sensible man, perhaps he would've taken note of the fact that his entire collection was made up of books concerning a human's first few years of life, and that his son was now thirteen.

III.

A massive thunderstorm exploded into the valley in early June. It seemed to have materialized from nothing, catching the residents off guard like a cottonmouth's strike. On the first day of the storm, Lilia presumed it was nothing more than a typical summer shower, and felt confident it would quickly pass. On the third day, he remarked he had never seen anything like it before in his life. By the fifth, he was too stunned to speak again. The rain fell down in sheets as thick as pure marble. The sun and moon and stars all vanished beneath a sky as dark as bruised flesh, and only the candles melting above the fireplace gave any indication that time had not stopped. Some days, the rain would harden into hail, and it would pelt the earth like white meteors for hours on end. The deluge pounded on for over a week. The first morning after the storm, the valley denizens stepped cautiously into what seemed like a brand new world. Entire villages had been washed away in some areas, and miles of farmland now stood underwater in others. The river, engorged with rainwater, had flooded over, transforming large swaths of the surrounding forest into a veritable swamp. Carcasses of the animals that hadn't escaped the disaster - deer, boars, turkey, elk, wolves, snakes, predator and prey, young and old - drifted in a black line down the muddy waters. Buzzards whirling their death dance filled the skies.

The Vanrouge's clearing, located uphill, had been mostly spared - a drowned chicken the lone fatality. But the corn fields had been left flattened, and the thatching on the cottage roof lay in shambles. Silver and Lilia worked quickly to dig a maze of deep trenches to help drain the excess water from the garden and pasture. They ripped out the molding stalks of corn and salvaged as many of the clean cobs as possible, hanging them to sun-dry from a wooden rack they'd erected in the yard. "The animals will be glad to have them, at least," Lilia had sighed.

Realizing they were quickly running out of nails and boards to finish making the repairs, Lilia decided one morning to head into the nearest town and replenish their dwindling supplies. Before leaving, he found Silver lying on his stomach in the living room, peering intently into a bird identification book he'd received for his birthday. He called out to the boy while he finished getting dressed.

“Silver, darling?”

Silver’s face, framed on one side by an illustration of a juvenile blackbird peeking out from its nest, and on the other by an adult in flight, emerged from between the pages of his book. Without looking up, he replied, "Yes, father?"

He still on that “father” thing? Lilia swallowed the annoyed groan building in his throat. “While I’m gone, could you butcher one of the shoats, please? I just noticed we’re about to run out of pork belly.”

“Yeah, I’ll take care of it today.”

“Perfect, thank you.”

Lilia grabbed his leather coin purse from the table by the door and secured it to the hook on his belt. He threw a light cloak over his shoulders, anticipating more rain, and glanced at Silver across the room while he fussed with the clasps.

The boy had retreated into his book.

Lilia sighed. The past week had been quiet. Even with the hail exploding all around them and the wind howling and the rain pounding like sledgehammers against their home, it had been quiet, because Silver had hardly spoken a word the entire time. The child's voice seldom rose above a pleasant murmur as a habit, and yet its absence had made the little cottage seem so much vaster and emptier than it really was; there were times during the storm Lilia had felt like the only living thing in the world trapped within its black fury. He hovered at the door for a moment, debating if he should try to kiss the boy goodbye, but his every attempt at parental affection the past month had been met with hostility, scorn, and disgust, and he feared any further attempts would only end the same. Electing for the path of least resistance, he opened the door and departed without another word.

Silver waited for the door to click shut before he pushed his book aside, sitting up with a grunt. He grabbed his pig sticker from his room and slipped on his work boots and gloves. Butchering was laborious work, more so than even his father's rigorous training regimes, and he gripped his knife expectantly while gathering his things.

The clearing glittered with rainwater as he stepped outside. The air was heavy, weighed down by a thick layer of petrichor, smelling somehow both earthy and sweet at once, and it felt like he had to push through it as he walked, as though he were swimming upstream. While struggling towards the pig pen, he contemplated his soggy surroundings. The wet ground was as dark as umber. The chickens, equally as wet and as dark, were scratching dejectedly at the mud, and the cows looked on wisely from underneath their dripping lean-to. He was thankful the garden hadn't been harmed. The brightly colored heads of the newborn squash peeking out from their leafy cradles lifted his heart where the rest of the world drooped and dripped so miserably around him. On the second day of the storm, when it was evident the rain and the wind would not soon abate, he and his father had rushed to cover all the plants with heavy sheets of plastic in a last-ditch attempt to save them. The covers had served them well, having prevented the incurrence of any vegetative losses, and though they now sported deep abrasions where the hail had struck them, Silver found the markings as noble and as handsome as any other battle scar.

Upon reaching the pen, he selected the smallest of the shoats, doubtful he could handle one of the larger animals on his own. The blade of his pig sticker shone dully in the dappled light. The mahogany handle felt cool in his sweat-slicked hand. With a practiced surety, Silver plunged the knife up into the pig’s rib cage, and the animal collapsed to the ground. He cleaned the blade in the grass while he waited for the body to stop moving. After the shoat finally stilled, he hoisted its heavy body onto the metal gambrel hanging from the tree by the shed, and then he began the long work - extracting the tender leaf fat hidden deep within it.

He grabbed the set of butcher knives from the shed and used the longest one to cut into the hide. The skin was rough against his hands, coated with a thick layer of wiry hair, and he grunted as he ripped it off. The head and wet mass of guts and other organs he removed from the torso as quickly as possible, discarding them in a pile far behind them, where he did not have to look at them and remember what he had just done. He slowed down to a comfortable pace as he began removing the leaf fat. The pigs had been enjoying a hearty diet of sweet potatoes, mulberries, and corn for most of the year, and the shoat he'd selected was richly packed with thick sheets of candle white fat. He plunged his knife into the carcass and began separating the fat from the muscle, working in a rhythm, stopping at times to put down his knife and use his hands to tear back the white slab, then picking it up again to continue cutting. He dislodged the mass with one final flick of his knife and deposited it into a bucket by his feet. Once rendered, it would be used not just for cooking, but also to make soap and candles, as a poultice for minor burns and wounds, and as lotion for chapped skin.

After swapping his knife for a bone saw, he split the carcass in half, and then hung both pieces inside the smokehouse. In a few days, once the meat had tenderized, he and his father would finish quartering them and divvying up the meat, grinding some of the portions to make sausage, and putting aside others for bacon and jerky.

He could feel beads of sweat crawling down his back like a line of ants as he plodded over to the water shelf to wash his hands. He figured by the sun's position there were still a few hours of morning left. Might as well see if I can't hunt something he thought, having already exhausted all the distractions the clearing and the cottage could offer.

He washed himself hastily, glancing in the mirror as he dried his hands against his pant legs. He was a demonstrably plain boy – not outstanding in height or wit or strength or speed. His body was lean and wiry, his hands prematurely calloused from years of grueling work, and only the few meager lumps of baby fat that clung to his face protested weakly that he was, indeed, just a child. The only remarkable thing about him was his eyes – they were a brilliant blend of amethyst and steel blue, almost prismatic in nature, seeming to change color with the rise and fall of the sun. The few adults in his life often remarked on their beauty, but Silver never paid their compliments any mind - in truth, he rejected them. He'd always thought his eyes plain, just as he thought the rest of himself plain, especially in comparison to the fae, and if there was any one thing he begrudged Sebek for, it was the serpentine pupils he'd inherited from his forefathers. He frowned at the mirror, then averted his gaze from his dissatisfied reflection.

Before leaving, Silver printed on the back of a used envelope a short note for his father, letting him know he was going hunting, and that he would return home before supper, and this he left on the counter, held in place with a coffee tin. He then retrieved his crossbow from his room, and left the clearing, cutting a path straight North, far away from the bloated river and its poisons. Huge puddles of muddy water dotted the trail before him, and the damp ground squelched noisily under his boots. The trail was bordered by a lavender frame of honeysuckle in full bloom, but the trumpets sagged poorly, still heavy with water. His father had said it would likely take another week or two for the land to dry completely.

Silver had observed the storm with great interest. Pa Zigvolt had once told him how people in other countries conceived of the beginning of the world, and in one version, he spoke of when the planet was all water, and a god had sculpted the land and the sky and all living creatures, and Silver had wondered during the storm if this was how the world had looked during those primordial seven days, or if perhaps that wrathful god had come back to restart its creation. Never before in his life had he seen so much rain, so much wind and lightning and hail all at once before. The sky was one ocean and the land was another. The rain seemed to move back and forth between them, falling and rising, the drops of water shining like the million wings of a dragonfly swarm. He processed novelties such as these almost programmatically. If he understood something, then he determined he would not fear it. His comprehension was a beam of light he could shine upon his abhorrations, it would cut through the shadow of his uncertainty and allow him to see the face of the thing, to touch it, and to understand it. He was afraid of very little: the forest at night, adders (he'd been bitten once as a small child), all the various tinctures and teas prescribed for his occasional afflictions, and his father's Halloween performances. Darkness was one thing he'd studied and studied since he was very young, but had never been able to puzzle out, perhaps because it did not end. It was too broad, too immeasurable; he could lift up one corner of it and step underneath it and walk a thousand miles and still never glimpse its face. Even when it receded during the day, he felt it prowling beyond the safety of the clearing, like a panther in waiting. The storm, too, had seemed infinite in its wrath, but it had ended, and now it was gone. Now there was only a liquid world, shimmering, iridescent, like one great droplet of water sitting on an endless spiderweb.

The frenzied drumming of a male grouse sounded off in the distance, beyond a thick wall of fir and aspen. Following the clamor, Silver slipped into the underbrush. He moved over the wet leaf litter as quiet as a shadow. The performer soon came into view, perched atop a fallen cedar tree. It was in the midst of a thunderous crescendo, beating its spectacled wings so feverously the air around it seemed a solid tawny blur. Silver dropped to a crouch, stalking slowly forward until he reached a mass of undergrowth tall enough to conceal him. Kneeling in the grass, he loaded an arrow into his crossbow, disengaging the safety as he raised it to his shoulder.

A noise above drew his attention. A red squirrel, high up in the tree beside him, was glaring at him, its eyes blazing as fiercely as its bright copper fur. Silver held his breath. If the squirrel let out a warning bark, the grouse would surely hear it and scatter. His gaze flew between his observer and his target - the bird had paused in its performance, its small black eyes scanning the tree line where he was hiding.

After a few tense moments, the squirrel disappeared into the privacy of the canopy with a huff. The grouse cocked its head, alert, but not alarmed, and then resumed its drumming. Silver quietly let out the breath he'd been holding and moved his finger over the trigger. The arrow soared through the air and struck the grouse with a heavy thud. It fell to the ground, disappearing behind it's earthen stage.

Silver stood up and thrust his crossbow behind him. He rushed in long strides to the log and hoisted the grouse's limp body with one hand, his own body still thrumming with adrenaline. A scarlet blot bloomed in the animal's chest where his arrow had pierced it. The sight of the blood immediately muted all his excitement. He whispered an earnest "Thank you" to the creature before slipping its thin neck up under his belt and turning around. As he stood there, awash in the late morning light, contemplating the still-warm body resting against his thigh, his mind finally acknowledged that he knew this place.

One day, a few months ago, on his way home from collecting armfuls of wild sorrel and burdock in the forest, Silver had discovered a great horned owl sitting atop a towering oak tree while passing through there. The creatures were rarely seen during the day, typically active only during crepuscular hours, and Silver carefully set down his leafy bundle upon spotting it, taking the opportunity to quietly study the bird for as long as it allowed him to. He concluded that its long, brown ear-tufts reminded him of the projections in his father’s hair, and he smiled, pleased by the genius of his observation. When he walked up to the tree and craned his head back, the owl slowly blinked its yellow eyes down at him in perplexment.

“Could you please help me?” Silver asked.

“Whooo?”

“You, silly bird!” he laughed. He explained that he'd learned a new word recently, and desired an audience before which to practice his pronunciation.

The owl obliged his request and swooped down to a branch directly before him. He unfastened his cloak and draped it around its neck, carefully hooking up the fastener so as to not pinch its feathers.

He stepped back to admire his work. “Looks good to me,” he murmured to himself, nodding. “Now, I want you to please pretend to be my papa- I mean, my father.”

The owl stared at a toad loitering by Silver’s feet. It looked up and blinked its spotlight eyes at him slowly.

Flustered, Silver continued. “Oh, if you just sit there, that should be okay! I’ll go ahead and start now. I don’t want to take up too much of your time.”

He cleared his throat and straightened his back, crossing his arms. “Hello, Pa-, erm, Father. Today, I’m going to go play- I mean!! I’m going to go train with Sebek. I’ll be back for dinner. Farewell!”

He spun around and marched off, swinging his arms importantly, just like he’d seen the imperial guards do on his rare trips into town. After a few heavy steps, he stopped and turned around again, nervously searching his spectator's face for any sign of reproach.

“...How was that?” he asked after a moment.

The owl bobbed its head excitedly, but Silver could not determine if the gesture was meant for him, or for the toad that was now clinging plaintively to his feet. He reset his stance and repeated the exercise from the beginning. Again and again he stuttered through his short speech and pumped his arms and stomped across the ground, and then turned around to be greeted by a feathery face as unintelligible as some ancient cipher. This cycle continued for so long his pile of greens had begun to wilt by the time he was at last satisfied.

His request had been sincere, if not misguided. The new moniker he'd chosen for Lilia sat as heavy and awkwardly as a foreign word on his tongue, and he'd often lapse into calling the man "Papa" as a course of habit, which he'd aimed to rectify through this practice. But there was another, graver reason why he'd felt so anxious that day - a secret dilemma had been plaguing him for weeks.

He had discovered, unwillingly, and to his great alarm, that the adults in his life had suddenly developed an irritating air about them. He wished, for example, to push away Ma Zigvolt’s pinching hands when they reached for the roundness of his face and to flee from Pa Zigvolt’s awkward attempts at conversation. Baul and his father’s stories had lost their wonder, too, no longer coloring the quiet expanse of his dreams. And his father, by far, presented the most extreme case of this mysterious ailment.

It was as though, after thirteen long years of worshiping the very ground he walked on, Silver had woken up one day with his mind rewired to find everything the man did purely annoying. When he'd suddenly start to sing in that strange, deep voice he could conjure on a whim, or when he’d pester him with questions, asking him how his day was, and what he and Sebek had gotten up to, or when he'd declare to the world what a splendid, hardworking boy he was, instead of laughing or smiling or nodding along, as per his customary response, Silver instead found himself praying for the earth to open up and swallow him whole.

Even Malleus had changed. All his life, Silver had approached the young prince unabashed and forthcoming, as he was never taught the fear that lurked in the hearts of many of the valley’s citizens. Indeed, for Silver, Malleus was one of the precious few cornerstones of his meager world – he was a comforting shadow in the dim haze of Silver's infantile memories, and the green glow of his magic was as reassuring to him as the North Star’s guiding light. More than anything, he was someone - the only one - who’d come visit Silver when his father was away.

Lilia had resumed traveling for leisure after Silver was old enough to look after the homestead on his own. He was never gone long, in his own opinion, only a week or two at most. He'd pack the fridge full of questionable food for the boy, leave him a list of chores and rules to follow that was, at times, as questionable as the food, kiss his cheek goodbye, and then promptly disappear to whatever locale he'd selected for his itinerary that month. He'd always send Silver postcards of the places he'd visit. They often arrived faded and torn, or sopping wet from the rain, but Silver kept each and every one of them, regardless if damaged or illegible, or otherwise totally destroyed, in a little box underneath his bed. When he lay down to sleep at night, in his mind he would reach his hand underneath his bed, open his box, and quietly step into the distant worlds contained within the postcards.

Some nights, he and his father would stroll through the glass-topped bazaars of the Shaftlands, their arms heavy with paper shopping bags filled to the brim with newly purchased clothing and trinkets and toys, slowly moving through the crystalline cloud of cologne and parfum drifting out from the stores and boutiques, each establishment a gem of its own, the arcade an endless line of diamonds, amethysts, pearls, topaz, and rubies; then this vision would vanish, and he and his father would be pulled another thousand miles away to the golden plains of the Sunset Savanna, where sky touched the earth, where a boiling sun raged like an angry god above a scorched plateau of rock and grit and sand and red clay dust, and they would journey across this shimmering land marveling at all the beasts and vegetation Silver had only ever read about in his books, and would likely never see for as long as he lived.

He'd spend the entire night thus traipsing from one postcard to the next, so that by the time he awoke in the morning, he'd crossed nearly half the planet in his sleep.

This habit he continued for over half a year, at which point Malleus at last learned of Lilia's departures. Often kept detained at the castle by mountains of paperwork and other bureaucratic trivialities that left him too exasperated and too occupied for leisure, he did not regularly call on the Vanrouges, and when he'd taken a rare opportunity to drop by their cottage one day, many years ago, he was surprised when Silver opened the door and informed him that his father was gone. Silver did not notice anything strange about Malleus's reaction, at first. He'd gotten another postcard recently. On the front, an image of massive, stone towers rising high into a cloudless turquoise sky, their spires terminating into crowns shaped like pyramids; on the back, in his fathers prim script, a short note explaining the structures were called "obelisks'', and that they were monuments dedicated to the local gods of that region. All of Silver's dreams lately had been of endless deserts and great golden towers and the ancient kings and queens that once ruled over them, and when he saw the pair of black obelisks that were concealed in Malleus's slit pupils, his fantasies materialized temptingly in his mind once again.

But Malleus's low voice, inquiring on Lilia's return, pulled him back to the clearing and the small cottage and its plainness for a moment. Trying to focus, he stated bluntly that his father would not be back for another week.

"A week?" Malleus said, his tone halfway between a scoff and a cry.

"A week," Silver repeated absentmindedly, busy trying to determine how a pharaoh's headdress might sit between Malleus's horns.

When his gaze drifted lazily back to Malleus's eyes, he finally realized the man was angry. The black obelisks had vanished, and all the kings and queens in his mind bowed their heavy ornate heads, crumbling away to nothing in the face of the prince's quiet rage.

From that day on, Malleus dedicated himself to visiting Silver as much as possible when Lilia was away. He would bring with him cakes and pies he'd stolen from the castle's kitchen, and books he'd snuck out of the royal library, and they would sit together and enjoy these treasures in the living room, or stroll through the forest when the weather was fair. These visits made Silver feel very important, a sensation he seldom had the privilege to enjoy, and he'd imagine he was a duke welcoming a fellow aristocrat to his palace whenever Malleus stopped by. The lonely late-night journeys through his postcards melted away into this new pleasure.

As Silver matured, he slowly began to comprehend the gravity of Malleus’s periodic decampments. It first felt like nothing more than a small discomfort, as though he were wearing a garment a size too small. As time went on, the discomfort only grew, transforming from a minor inconvenience into an ever-present malaise. But Silver was attentive as he was reticent, and he’d noticed how, when he’d caper with Malleus through the forests, the pixies living in the oak trees and the river would whisper and whisper all around them, their high voices a chorus of reproachful chimes. And he’d noticed, too, the confusion that had flashed across his father’s eyes the day he’d confessed to these secret visits. Silver collected these observations as his evidence, examined them, and concluded that Malleus was doing something wrong. But to accuse their crown prince of misconduct required a level of brazenness that far exceeded his capabilities, and he'd waited several months until he finally voiced his suspicions.

He broached the topic the spring prior, when his father had departed for a week-long sojourn in the Shaftlands. That first night, Malleus appeared at the cottage door with a pan of freshly baked apple strudel in hand. After they were sat at the table and Malleus began cutting their portions, Silver at last revealed all his concerns.

When he finished speaking, he watched Malleus’s hand slow down as it moved the knife through the steaming pastry.

“I…” Malleus pursed his lips in thought, lifting them into a soft smile a moment later.

“I remember how I felt whenever Lilia would vanish on one of his excursions when I was little, and I suppose I simply wish not for you to feel the same.”

“But that’s-”

“You needn’t worry, Silver.” Malleus laughed gently, pushing a plate heavy with warm strudel towards him. “I shan’t get into any trouble - so long as my grandmother remains none the wiser about all this, that is,” he finished with a wink.

Silver was at once overcome by a rush of joy and shame and guilt and relief all combined together. His body, unable to process this strange emotional amalgamation, resigned to color itself with a vicious crimson flush. The chameleonic display was so severe it shocked even Malleus, and he spent the rest of that evening marveling at the different shades of red human skin could take.

Something shifted in Silver's relationship with Malleus that day. He felt it before he understood what it was. When his father returned from his trip, he revealed to Silver the truth that had been looming over him all of his life, and explained to him all the different rules that Malleus had been egregiously breaking for him for years on end. When the lecture was finished, Silver asked his father to leave his room so he could ruminate. He concluded that if it was wrong for Malleus to show him this kindness, if it had to be locked away and kept a secret, then he would keep his own secret - he would take his love for Malleus, for his brother, and he would bury it. He would construct a pedestal in his heart, as all the other valley citizens had long been taught to do, and place upon it the man he'd been too ignorant to realize had never truly been his equal and his friend.

He was bothered greatly – by his father’s antics, by the dullness of the adults around him, by the solitude of his strange and sudden affliction – and yet he never could find a remedy for his discomfort. It was like an insect had stung him in a spot his hands couldn’t quite reach, and the words to describe how he felt evaded him just the same.

All of this he considered once more as he left the forest, stumbling back home in a haze of speculation. By the time he reached the clearing, the darkened sky looked like a giant raven's wing stretched out over the land, and the treefrogs had already begun their evening serenade. Even in the low light he could feel their beady eyes staring at him as he approached the door.

Inside, the cottage was warm, and his father's humming radiated quietly from the kitchen. After slipping off his muddy boots by the door, he set the limp grouse on the counter and went to wash his hands at the basin.

His father stood before the cookstove, stirring a pot bubbling with a substance as black as tar. He looked up, and the smile he’d been planning to offer Silver rapidly faded away. Knitting his brow in concern, he asked, “Is everything okay?”

Silver swallowed thickly and nodded. “I’m fine.”

IV.

Summer crept forward like an inchworm. The land dried out completely within a matter of weeks, as Lilia had predicted, and one could now comfortably move around outside without fear of the humidity's oppression. The linden trees, made anxious by the pounding wind and rain, had been steadfastly clutching their bright yellow flowers against their leafy breasts since the start of the month, and had only recently just begun allowing the satiny petals to unfurl, as though acknowledging the valley's languid recuperation. Their delicious perfume billowed out across the entire nation, eventually overshadowing even the contaminated river's foul odor.

The Zigvolts had fared well through the disaster, their tall, white house still standing proud and pristine amongst a mess of downed trees and waterlogged foliage, not a single red brick from the chimney missing or otherwise harmed. Their neighbors, however, had not been nearly as fortunate, and the elder Zigvolts had agreed to close the dental clinic while they helped their friends repair their homes. The children eagerly assisted wherever possible, and they spent the better part of June lugging armfuls of wood and shingles, readjusting crooked fences, and clearing out dripping debris from the trails that weaved around their home. The entire family would work from morning until late at night, reserving one day a week to either relax or to see to any high-priority dental cases.

It was on one of these holidays, in late June, when Lilia and Silver dropped by in the morning for a scheduled call. The two families gathered in the parlor, the adults chatting amicably, while the children competed to see who'd had the most interesting experiences during the storm, but as noon rolled around and the boys lost interest in conversation, Baul suggested they go outside for an impromptu sword fighting lesson. The group thus disbanded, Lilia remaining with Pa and Ma Zigvolt in the parlor, while Iris joined her grandfather and the family cat in supervising the boys, taking turns cheering for her brother or for Silver as she saw fit.

After they left, Ma Zigvolt went to the kitchen and refilled the pitcher of ice tea she'd prepared that morning, topping up Lilia's glass for him before retaking her seat. Looking at him expectantly, she asked, "Now what were you saying before? About Silver."

“Ah, about Silver acting strangely during the storm?” Lilia waited for her confirmation before continuing. “Well, there was this one day I was able to get the fireplace going and I gathered up some blankets on the couch. And when I asked Silver if he wanted to come cuddle with me for a bit, he… he…”

Ma Zigvolt balled up her apron in her hands and leaned forward, wide-eyed. “He what?”

“He said no!” Lilia cried, throwing his arm over his face with a flourish.

“No?!” she gasped. “Not Silver!”

“Yes! I could hear my poor heart breaking in two on the spot.” Lilia slumped back in his chair. It was the first time he'd spoken to anyone about the problems he'd been having with his son, and he felt somehow encumbered by the weight of his confession.

Ma Zigvolt gently asked if he'd had any luck talking to Silver about his behavior, and he begrudgingly shook his head.

"He always says he's fine, and that's about as much as I can get out of him." He sipped his tea, setting his glass down on the table beside him with a frown. "It almost feels like he doesn't even like me anymore..."

Pa and Ma Zigvolt exchanged a pointed look. It was not unlike the one they'd share with each other at the clinic, when a patient, complaining of mysterious symptoms that had "simply popped up out of nowhere!" would throw themselves into the examination chair with a huff, only to confess after much prodding that they had been consuming a poor diet, and had been practicing even poorer dental habits.

Pa Zigvolt spoke first. “It’s normal for kids Silver’s age to go through a phase like this. It just means he’s growing up.”

Lilia blinked. “Growing up…?”

“Mm-hmm,” Ma Zigvolt continued. “We went through the exact same thing with Horace and Iris. Horace especially had it rough, the poor thing. You remember, honey?”

“Yeah, I remember it clear as day." He nodded solemnly. "He’d stay holed up in his room all the time, and trying to get him to talk to us was harder than pulling a tooth. It’s like he thought we were the most embarrassing people in the world.”

“Oh, but he still thinks that way about you, dear.”

“Tally!”

Laughing, Ma Zigvolt reached over and patted his knee soothingly.

Lilia considered their words. “If that’s the case, then I suppose I just don’t understand why he’s trying to grow up so quickly. For most of his life, I pushed him much too hard, had him undergo training better suited for soldiers thrice his age. The day I finally realized what an awful mistake I’d been making, I don’t think I’d ever felt so ashamed of myself in my life.”

“From that moment on, I swore to ease up on him and just let him be a kid, and to make sure he could enjoy his childhood as much as possible. Especially since I… Ahh…”

Lilia thought of the castle barracks. There had only been one window in his room, a pitiful little square cut high into the stone wall adjacent to his cot. It faced East, and for a few, meager hours in the afternoon, when the sun was positioned directly before the castle, a singular column of light would enter the window and illuminate that small, dark space. He thought of how he would lay transfixed in bed, watching the light glide across his body like a golden serpent, how he would thrust out his hands, trying to capture it, trying desperately to stop this one thing from exiting his life as everything else had, and how each time it would slip through his groping fingers like water and evaporate into nothing. He thought of marching for days, of the sharp iron stench of the battlefield, of the bone-deep ache that would weigh heavy like a stone over every fiber of his being. He thought of all the things he experienced growing up that he never wished for his son or any other child to go through.

Lilia swallowed the lump forming in his throat. Looking past Ma Zigvolt, focusing on the wall clock behind her, he finally continued, “When I was a child, I didn’t have the… the kinds of opportunities that he has, so I just want to make sure he makes the most of them while he can.”

"I see..." Ma Zigvolt sighed, folding her hands in her lap. She had grown up knowing Lilia to be an evasive - if not frustrating - man, and her father had warned her repeatedly over the years to be cautious in her prodding. He was like an uncle to her, and she dutifully acknowledged his seniority, if only in regards to his age, but he was also a fellow parent, and her neighbor, and where the wellbeing of children was concerned, she was known to reveal the full extent of her caustic rhetoric, so that more than once she'd had to quit all civility and rebuke Lilia for his parental failures. Still, she considered each of her questions carefully, as though treading across a sheet of ice, knowing full well that if she chose her next step incorrectly, it would shatter the man's trust and terminate the conversation.

After a moment, she asked, “And you two haven't had any fights recently? You don't think you've said anything that might've upset him?"

Lilia paused for a moment, and then shook his head again. “No, not at all.”

Ma Zigvolt pressed further, sensing his hesitation. “Well, regardless, you don’t think there’s anything you’re doing that might be making him act this way?”

She'd stepped too far. Lilia frowned. “I think I know my own child, Thalia. If he had a problem with me, he’d say so.”

"I wasn't trying to insinuate anything, Lilia."

“Alright.”

Pa Zigvolt glanced rapidly between his wife and Lilia. Confrontation historically made him nervous, and it was clear from their stony faces they'd reached an impasse. He rubbed his clammy palms against his pant leg and rose from his seat, asked politely if anyone would like another round of refreshments, and fled to the kitchen before receiving a response. Lilia's gaze followed him as he walked off, his thoughts drifting away together with the man's receding figure.

He could hear the children's laughter floating in through the open windows, Sebek's loud and exuberant, Silver's quiet and breathless. Other sounds poured in, blending together like a symphony. There was the harsh percussion of their wooden swords clashing together, ringing out at times as viciously as gunfire; there was Baul's voice, low and clear, gruffly barking out his commands in tune with each thunderous strike; and there was the shining thread of Iris's singsong voice, interweaving amongst the clamor as she called out her gentle encouragement.

But still through it all his son's voice came to him, as direct as a beam of light, sounding sweeter and brighter than the goldfinches chittering away in the cottonwood trees.

It'd been so long since he last heard his son's laugh he'd almost forgotten what it sounded like. For over a month, he'd failed to elicit from the boy anything beyond the faintest imitation of a grin, yet here he was, just out of arm's reach, laughing and smiling so freely it was like his body demanded it more than breathing. He looked away from the window and glanced at Ma Zigvolt. She sat with her back erect, her hands folded primly in her lap, her eyes closed, awash in her children's joy, her round face as radiant and golden as the sun. Lilia fought back the urge to call out to Silver, knowing he would only destroy this moment.

He thought again of the past few weeks, scrutinizing everything he'd said and done to his child. He sifted through his memories, upturning each one and twisting it around and inspecting it from every angle, but still he could not find any evidence of his error. And he couldn't make comprehensible, either, the notion that his son was "growing up", as the Zigvolts had claimed. How could he, when Silver only had taken his first, wobbling steps just the other day, when it was only just yesterday that he'd learned to string his words together and share his quaint little thoughts, when he was still so small - his body, his voice, his hands, all no greater now than they had ever been before in his entire life? Lilia bit back an incredulous scoff, humored greatly by the absolute absurdity of the notion. And yet - his son's laughter drifted into his consciousness like a spring breeze. Why this drastic change in his demeanor, then?

Maybe there is something I'm doing wrong. But I just...

Lilia cleared his throat. "I'll certainly need to mull this over some more, but if you have any advice, I'm all ears."

“Well…” Ma Zigvolt smiled, smoothing out her apron before folding her hands in her lap again. “I know I’m no expert, but I’ve found that sometimes, being a good parent means you gather your babies in your arms and you hold onto them as tight as you can. And other times, it means you let them go. And he's at a point in his life where you might just have to start letting him go.”

"Hm."

The Vanrouges departed for home that afternoon. Before they left, Pa Zigvolt pulled Lilia aside, and let him know he was more than welcome to come speak with them again about Silver's behavior at any time. Lilia thanked him, reassuring him that his wife had already given him more than enough to think about for a while yet, and politely declined the couple's offer to meet for dinner later that week. As he stepped through the door, he winked at Ma Zigvolt, and she grinned at him audaciously.

Silver retreated into his shell as soon as they stepped off their neighbor's property, but Lilia was for once too occupied to take offense, busy ruminating on his conversation with the Zigvolts. Their dinner that evening was silent, and he later fell asleep dreaming of the boy's twinkling laughter.

Lilia would come to regret rejecting the Zigvolts' offer. Over the next several weeks, Silver seemed to burrow deeper and deeper into himself with each passing day. The boy's emotional carapace was thicker than any suit of armor or garrison Lilia had encountered during his time in the service, and some days he receded so deeply Lilia would have to call his name multiple times and rap his hand against the table just to wrest the child's attention away from himself. It was all Lilia could do to maintain the fraying strand of his composure from completely snapping. He'd been hotheaded as a youth, and positively vicious to his troops as a general, but had sworn off his every inclination towards corporal punishment once Malleus was born. During this period he often found himself questioning the rationality of his vow, and would sometimes envision giving the boy a lashing, only to immediately chide himself for his own weakness.

Something sinister seemed to be building up inside their little home. It was as though there was a great coil lurking underneath the floorboards, one that wound itself tighter and tighter with each of their disastrous interactions. The palpable tension only further stymied Lilia's every attempt at repairing their relationship, and the blowout he'd been fearing finally materialized one afternoon in early July.

Silver had spent the better part of that day in a state of quiet agitation. He would approach Lilia, open his mouth, close it, open it again, and then spin around and march off to his room, proclaiming hastily he needed to close his window, or make his bed, or any other excuse he could find to justify his escape. Lilia would only laugh in response. The previous day, while cleaning the kitchen, he'd glanced out the window and noticed the boy speaking animatedly with the chickens. He watched for hours as Silver paced back and forth before them, waving his arms and moving his mouth rapidly as the birds pecked indifferently at the ground.

Since then, Lilia had been eager to learn the truth of Silver's recital, but he did not press the boy, choosing instead to bide his time sprawled out on the couch, flipping through a stack of traveling magazines he'd been meaning to read.

After an hour of consternation, Silver planted himself before Lilia, his spine erect, his shoulders drawn back, and stated with perfect confidence, "Father, there's something I'd like to ask you!"

"Hm?" Lilia lowered his magazine, his eyes peeking over an editorial on deep-sea diving in the Coral Sea. "What is it?"

Silver's shoulders slumped. He'd not gotten this far in his rehearsals.

"Erm." He nibbled on his lower lip. "Is it okay if I go to the Zigvolt's by myself today?"

Lilia blinked. He'd been hoping - expecting, even - to hear from the boy a teary-eyed apology for how poorly he'd been acting recently, or perhaps a plea for his forgiveness, but not this. After a moment, he muttered, "What?"

"Is it okay if-"

"Sorry, I heard you." Lilia sat up and placed the magazine on the coffee table. "Why are you asking that?"

"I dunno. I just thought I-" Silver licked his lips. "I guess I just thought I could go by myself now. And I know it hurts your back to walk all that way, so."

"Oh, you don't need to worry about me, darling." Lilia said, inwardly cursing at himself for allowing the boy to notice his infirmity. He made a note to check the bathroom after they were finished talking, wondering if he'd neglected to put away his pain relief balm and bottles of medication where he typically hid them, at the back of the medicine cabinet.

Sitting up as straight as his bruised back allowed, he offered Silver a smile so brilliant it was as though he wished to expunge the shadow of the boy's doubt with its radiance. "I'm fit as a fiddle!" he proclaimed through gritted teeth.

Silver returned the smile, unaffected. "I'm glad. But I still wanna start going by myself."

Lilia's lips dropped into a frown. He shook his head and sighed. "I'm sorry, Silver. But the answer is 'no'."

Had Silver heard those words at any other point in his life prior to that moment, he would have conceded, and bowed out of the conversation in recognition of his father's perfect judgment. But this time, rather than his usual disappointment, he felt a strange anger welling up inside of him, instead. He clenched his fists and set his jaw, ignoring the hiss of his instincts warning him that he was about to step into a fight.

"No? Why not?" he asked, interrupting Lilia as he reached for his magazine.

Lilia leaned back into the couch and bit back another sigh. "Simple, because it's not safe for you to go all that way by yourself." He spoke slowly and carefully, hoping an air of manufactured calmness would mask his irritation.

Silver's voice, in contrast, blatantly swelled with indignation. "But I stay home by myself when you're gone."

"Staying home by yourself is different. My magic is all over this land. Magical beasts and fae know not to come here, and you know that, too."

Here, Silver paused again. The hiss of his instincts had at that point deformed into a mangled screech, which he knew would soon summon the animal panic that had struck him before a handful of times in his young life - once when he'd gotten lost in the woods as a small child, and another when his father had fallen gravely ill after returning from one of his trips, and Silver had been powerless to help him. There was one, final question that he now wished to ask the man, though he knew the answer to it might hurt him. As his mind frantically tried to draw back the words already forming on his tongue, he hastily wrenched them out and spat:

"Well, what about when you drop me and Sebek out in the middle of nowhere for our training? We always get along just fine without you."

Lilia crossed his arms and looked away. "That's... different, too."

Silver's heart skipped a beat. "...How?"

"It just is-"

"How!" the boy cried, his voice bursting into a screech.

"Because I watch you guys the whole time! I've always been watching you when you train. I would never leave you alone like that, you're just a child."

Lilia realized too late the poison of his words. It spread immediately into Silver's heart. His eyes were two perfect shining wet opals; his tears fell silently - gliding, almost, lifting off as they fell from his face, as though afraid to mar his skin. He turned and ran to his room, hesitating as he took the door into his hand before, for perhaps the first time in his life, he slammed it shut. Lilia leapt from the couch and raced after him, hissing out a choked "Damnit!" under his breath as he tried the knob and found it locked. He pressed his ear against the door and called out Silver's name. At first, he heard nothing, and feared for a moment the boy had slipped out his window and fled into the forest, in repeat of that awful, wretched night from so long ago, but then he heard it - it was like a whisper at first, nearly as imperceptible as the clap of a butterfly's wings, but still he heard it, heard the stifled, quiet sobs drifting through the heavy panel of hardwood separating him from his son. Lilia stood there, petrified, listening, feeling as each of the boy's sobs pierced his flesh and bore down into the deepest folds of his heart, as if seeking him; as if they were his own.

V.

Once a month, when the moon casts aside her shadowy veil to grace the valley with all her beauty, the Zigvolts and the Vanrouges and their neighbors gather together in a log cabin at the edge of the forest, and they dance.

Regular merriment was a necessity for the fae - mirth coursed through their bodies like the blood in their veins, and any opportunity for celebration, any chance they had to raise their voices together and join hands under the soft light of the stars, they would take it. Baul would scoff and say they were all plagued by a sickness, Ma Zigvolt would click her tongue at him and say it was rather an inclination.

The monthly dance was a rare opportunity for Silver to socialize freely with the townspeople. His father had always been honest with him about his species' general attitude towards humans, and the boy understood very well that the glint in their gemstone eyes - some of them deep ruby red like his father’s, others mesmerizingly green like polished emeralds, or as molten as bright blue sapphires - was not always a kind one. Only on those full moon nights, when the whine of the band’s violins accompanies the forest symphony of nightingales and tree frogs calling out their lonely verses, when the humans and the fae breathe each other in and twist and turn and dip and whirl and spin each other out, only then was it safe for Silver to take their clawed hands into his own and look unabashed into the fire of their eyes. They could and they would return to their quiet judgment and whispered denouncements later, but not on those nights, not when their bodies burned hot with jubilation and the music bewitched them so.

It was for this reason, and for his love of the communal mirth he habitually longed for, as isolated as he was at home, that Silver looked forward to the dance each month with great excitement. The night before the July dance, however, a war had raged inside the Vanrouge household.

Partway through their silent dinner, just as Lilia had gotten up to refill his glass of water at the sink, Silver had announced, plainly, and without a moment's hesitation, that he would not be participating in tomorrow's festivities, and offered neither an explanation nor any willingness to compromise when prompted. But Lilia was equally insurmountable in his parental concerns, and he questioned the boy until his blood boiled. The conversation rapidly crumbled into an argument, before further disintegrating into an all-out screaming match.

They volleyed their rebukes at each other from across the dining table, both unbending in their determination, Silver deflecting each of Lilia's pleas and demands with an iron-clad defense that bordered on hostility.

"You're going to that dance whether you want to or not!" Lilia had nigh snarled at one point as he launched his next attack.

But his words had ricocheted off Silver as harmlessly as though they were filled with air, and he ultimately fired back a retort so scathing it made even Lilia's marble white skin flush in mortification.

Their clamor poured out the open windows and flooded the clearing, where the sows and the heifer in the pasture looked at each other in concern. A songbird that had perched on the windowsill for a moment’s respite burst into the sky a second later, alarmed by the ruckus within. After an hour of tense contestation, they finally reached an agreement: they would go to the dance, but would not stay the entire time. But the foul atmosphere from the great storm of their quarrel lingered in the small cottage, and the pair kept to themselves the next day, Silver sulking in his bedroom, and Lilia fussing in the kitchen, busy preparing a dish for the dance's customary potluck.

They convened in the evening. The partygoers traditionally wore their Sunday best, and Silver and Lilia both donned their black slacks, white button up shirts, and leather-soled shoes. Their jackets and vests they left hanging in their closets, the threat of the summer heat overpowering any inclination for gaiety. When Silver emerged into the living room, he was finishing buttoning up his shirt, and did not look up as he called out a quiet greeting to his father. It was the first time Lilia had seen him all day, and once the boy had completed his toilette and finally met his gaze, Lilia offered him a reconciliatory smile, which Silver at first returned, reflexively, then retracted a moment later, substituting it with a scowl in its place.

Shortly before dusk, underneath a blue-gray sky streaked with clouds of pure amber, they departed for the cabin, joining up with the Zigvolts as they neared the edge of the forest. Baul was not with his family, having excused himself to instead partake in an evening nap, and the small troupe reached its destination just as the last golden wisps of the sun had withdrawn into their equatorial den.

While Ma and Pa Zigvolt and Iris set off for the dancefloor, Lilia headed towards the tables at the back of the one-room cabin, Silver and Sebek in tow. He gingerly set down his tray of charred cookies amongst the other desserts while the boys took a seat. As Sebek gazed at the rows of meat pies and pound cakes spread out before them, Silver fidgeted in his chair.

The last of the partygoers having finally assembled, the band picked up their instruments and began to play. There was no electricity in the valley, and aside from the small handful of families that could afford imported record players, music was traditionally played live, both for private enjoyment, and for public celebrations. Most fae children, as a result, learned to master at least one instrument as part of their general education, and while Lilia and Malleus both were highly skilled in a wide variety of stringed instruments, Silver could play only a few, clumsy chords on the guitar - and nothing else - having suffered greatly under his father's abstract instruction.

The theme that night was "Rhythm and Blues", and the band played a selection of human songs that had lately entered the valley's cultural zeitgeist, a record-short 50 years after first debuting overseas. The partygoers danced uproariously, all of them eager to show off the new steps they'd been practicing the past month - twisting and turning and stomping their feet so thunderously the entire cabin shook from their gesticulations.

After the first song ended and a transitory lull settled over the party, Silver took the opportunity to finally voice his discomfort. Sitting up straight in his seat, he said, “I’m gonna go sit outside, it’s hot in here. You wanna come, Sebek?”

Sebek tugged absentmindedly at his suspenders while he thought. “I should like to partake in some of the fare, so I shall remain here with Sir Lilia for now.”

“Okay,” Silver replied with a shrug. He walked into the swarm of dancers just as the next song began, vanishing amongst the undulating crowd a moment later.

Lilia wished desperately to follow after him. He'd apologized repeatedly for snapping at Silver the other day, and for their fight the evening prior, both times attempting reparation through the offer of a new sword or other training implement, or ordering dinner from Silver's favorite restaurant in town - methods that had always proven successful in the past - but the boy had shot down any notion of making peace. Deciding to allow Silver his space, Lilia rose from his seat and cut a large piece of cake for Sebek, grabbing for himself a glass of berry juice before sitting back down again. He drank deeply; a familiar warmth began to pool in his stomach and radiated pleasantly into his skin, gathering up and pushing out the restlessness that had been plaguing him since the night prior, so that it lifted away from his body like the mist after a rainstorm. He downed the rest of his glass lethargically, only getting up to move whenever Sebek politely asked for another slice of cake.

The pair observed the dancers in silence together, Lilia apathetically, Sebek with great interest, his bright eyes jumping excitedly between his parents and his sister, narrowing in contempt each time the latter's current dance partner whispered something in her ear that made her smile. He resolved not to dance with the perpetrator, a young woman he recognized as one of his sister's classmates, if offered, and the prospect of this future rejection delighted him even more than his final bite of cake.

Half an hour later, Pa Zigvolt came staggering over to their table, his pinched face dripping with sweat. He stood before them for a moment, swaying slightly, trying to catch his breath, then cleared his throat and announced, meekly, “Seb, your ma said she wants to dance with you next.”

Sebek's heart plunged into his stomach. He nodded and slowly stood up, wobbling a little as he marched stiffly towards the dance floor.

After watching his son leave, Pa Zigvolt sank down into one of the empty seats with a groan. He took out his handkerchief, and as he began dabbing at his wet face, a pained smile formed on his lips. “What a woman!” he panted, amazed. “I’m telling you, she’d go all night if you let her.”

Lilia smirked. “Sounds like she’s just like her father.”

“Yeah,” Pa Zigvolt sighed. And then he frowned. “Wait, what…? What do you mean by that?”

“What did you mean by that?” Lilia countered with a gentle smile.

The color drained from Pa Zigvolt’s face. The layer of sweat he’d only just managed to wipe off suddenly rematerialized across his skin, and he nervously balled his soaked handkerchief in his hands. “I- I was just talking about dancing!!” he stammered in defense.

Lilia laughed. “Then we’ll say that I was, too.”

Exasperated, Pa Zigvolt clicked his tongue. He timidly glanced around the room, and, upon confirming none of the other partygoers appeared to have heard them, deflated in his seat once again, kicking out his still quivering legs in front of him to let them rest. He set his used handkerchief on the table and extracted a fresh one from his crumpled breast pocket while scanning the dance floor, and quickly spotted the shock of his son's bright green hair weaving through the crowd, heading towards Ma Zigvolt at the front of the cabin, where she stood towering above the other partygoers. Smiling, he resumed mopping his face, and quietly breathed a prayer of good luck for the boy.

“There you are, honey! I was waiting for you.” Ma Zigvolt smiled brightly as her son approached, and Sebek nodded in greeting. In stark contrast to his father, whose haggard breathing still rang out far behind them, his mother was the very definition of radiant; the cabin walls were lined with rows of glass lamps, each one burning a magic flame of an amber hue, and where their dim incandescence reached out and cupped her rosy face, her skin seemed to effuse its own milk white glow in return. She grabbed his arm and drew him flush against her, causing him to yelp in surprise, but he quickly regained his composure, and placed his trembling hands on her broad waist as she instructed.

They stood directly before the band, so close that Sebek could see his warped reflection in the gleaming brass of the saxophones; next to his doppelganger, within the piano's raised lid, was an umber copy of his mother, smiling gently at him. Turning his gaze, he watched as the singer stepped forth and clapped his hands, casting a simple spell to amplify his voice. The band members, thus signaled, each became animated in turn; one after another the horns swung in golden arcs up to their players' lips; the drummer and the pianist sat rigid in their seats; the guitarist and the bassist hovered their fingers over strings that seemed to vibrate in anticipation; finally, the singer, glancing around him, issued with a nod of his head a silent affirmation of their readiness, took a deep breath, and began to sing.

“Here they have a lot of fun

Puttin' trouble on the run

Man, you find the old and young

Twistin' the night away”

The dancers convened before the band immediately, some forming pairs, others choosing to shuffle on their own. The song called for a basic step, if danced solo: one need only to dig one's foot into the floor and twist it, as though "squashin' a damn bug", as Baul had once commented - with the elbows and hips swung in a similar, rhythmic fashion. Those who'd coupled up alternated this movement with a variety of turns, spins, and other footwork predominant in the swing style of dance. As they moved, the sound of their shoes scuffing and squeaking against the hardwood floor became a backing beat to the music.

The cabin was formed from stacked logs of hewn pine, affixed together with a mixture of mud and clay; the night's heat slipped through any miniscule gaps it could find in this rudimentary sealant - through the walls, the flooring, the roof - combining with the warmth that radiated from the mass of bodies packed together in that small space, so that the air within the building was as heavy and hot as the air without. Sebek's face quickly bloomed bright pink from the heat, and then dark red and splotchy; the impudent strands of hair he’d spent over half an hour in the bathroom slicking down fell limp over his eyes, heavy with perspiration. He understood at once his father's fatigued condition, and discarded the disgust he'd felt when he saw the man staggering to their table earlier, a newfound compassion taking its place.

“They're twistin', twistin'

Everybody's feelin' great

They're twistin', twistin'

They're twistin' the night away”

It was all Sebek could do to brace himself against his mother's thunderous exuberance. She swept him across the dancefloor as though he were a leaf caught up in a storm. His gaze shifted rapidly between her smiling face and his own shuffling feet, worried he might stumble and fall. Noticing this, Ma Zigvolt’s heavy body shook with laughter, her voice deep and rich like a dove’s call, and Sebek decided that he would never hear a more wonderful sound in his life. He soon forgot all his apprehensions; his shining white smile accompanied his reddened cheeks, and he nuzzled his face below the swell of his mother’s breast, as content as a nursing kitten.

A moment later, several of the dancers detached themselves from their partners and floated away. One of the Zigvolts' neighbors caught Sebek's mother, and his sister drifted over to take her place. He steadied himself against the thick trunk of her arm. She was wearing a pleated, pearl white dress, with a floral pattern sewn in golden thread along the neckline, the bottom falling down to just below her knees. The dress billowed out as she twirled, so that the hem unfurled around her like the petals of her namesake. Her pretty face was just as flushed as his, and her bright green eyes shone like pure jade; it was as though she had grown several years younger that night, no longer appearing to him as the young woman who had departed for college a year ago, but like the little girl of his infantile memories. They whirled and whirled, giggling until their stomachs hurt, as if sharing together in some great secret.

The floor groaned under a storm of stomping feet, the windows shook precipitously in their crudely cut frames. The crowd roared, voices low and high emerged from the swaying mass to accompany the singer at the end of each verse. Though there was not a drop of alcohol to be found in that cabin, many of them moved belligerently. They were intoxicated purely by the clang of the drums, the blare of the trumpets, the rumble of the singer's low voice - each of these more potent a drug to the fae than any other known substance on the planet.

At the back of the cabin, Lilia and Pa Zigvolt laughed and clapped along from their seats. Lilia's eyes darted around the room as he clapped, trying to locate his son, but the wall of dancers surging back and forth blocked his view.

“Lean up, lean back

Lean up, lean back

Watusi, now fly, now twist

They're twistin' the night away”

Outside, Silver sat alone on the doorstep. The sounds pouring out of the cabin washed over him in tumultuous waves. He'd heard many of the songs before, at prior dances, or on Pa Zigvolt's record player, and the familiarity of the music felt like a reassuring hand on his thin shoulders that night. He swayed gently to the beat, noticing at times how the slurred voices of the partygoers would rise above the band’s thunderous performance, and at one point he looked up and wondered if they had all grown drunk on the wine-dark sky.

He yawned loudly. The hot anger from his father’s recent injury still burned dimly in his stomach, and he wavered between his desire to snuff out the last few dying embers, or to let them fester still. He wasn’t used to this feeling, this irritation that clung to his tired flesh like a tick. His father had upset him before, over trivial matters that had seemed substantial to his child’s heart at the time – and once over something he understood was sincerely very grave – but he could not recall ever feeling truly angry towards the man.

All his life he'd thought himself plain and unmemorable, a pale, living blemish upon the fair folk and their preternatural beauty. But that day, when his father had revealed the truth to him, that was the first time in his life he'd ever felt ugly. The lone attestation to his maturation - all those miserable nights he'd spent in the wilderness as part of his training, often alone, other times accompanied by Sebek, cast hundreds of miles away from the clearing and all its conveniences, relying solely on his magical prowess, his wit, and a small set of tools to make it through the night - had all this time been a lie. Had any of his accomplishments been real? Had a single jot of his father's pride for him ever been genuine? What good was the torture of his training! What good was the endless exhaustion, the cold fear wrought by those awful, lonely nights, all the callouses and scars he'd been led to attain as a child and would now forever mar the alabaster of his flesh! To have ascended the black crags of the Forbidden Mountain, to have crossed endless deserts and forded raging rivers with trembling arms and legs, and yet to have failed to notice his father had been there with him the entire time! Or, perhaps he had noticed, perhaps he had noticed and merely pretended not to, to assuage the frightened little boy he now realized he truly was. Or, perhaps the man had secluded himself somewhere far beyond Silver's reach, perhaps he'd been observing him from behind the stars or the moon. But this last thought only wounded him further, as though even the heavenly bodies had betrayed him, too. He turned away from them now, not wishing for them to see him cry.

Humiliation is one of life's cruelest teachers, and that day it had taught Silver that nowhere in his house, nowhere in that land was he safe. Nowhere could he escape from the prison that was his father's gaze.

The dance proceeded languidly, drawing on as the stars drifted quietly through the night sky. Pa Zigvolt, having at last recovered from his wife's fervor, had left Lilia to go dance with his daughter. Alone, Lilia remained in his seat at the back of the cabin, tapping his feet on occasion, or humming along to the songs he recognized, but did not otherwise participate any further in the festivities. He tiredly declined each of his neighbors' offers to try their cakes and their pies, raising an eyebrow when he noticed, an hour into the party, that his own plate of cookies was still untouched. He angrily crunched one of the charcoal black disks - frowning not at its flavor, which he found as decadent as anything else his impotent taste buds could detect, but at his neighbors' general ignorance towards good food.

Upon exhausting their repertoire of fast-paced numbers, the band called for a short interlude, at which conclusion the singer cleared his throat and announced, “Alright, ladies and gents. We’ll be slowing things down a bit for these last few songs.” The band behind him reassembled itself; the guitarist and the bassist returned their instruments to their cases, trading them for a pair of violins, and a portion of the brass section retired entirely. The violins, perched proudly on their players shoulders, let out a long, plaintive note, and then the singer parted his lips once more.

His voice hitherto had been brash and booming, a perfect accompaniment to the vibrant music, but now it melted into something as smooth as velvet, flowing like a summer breeze over and around the audience, dripping into their hearts with the sweetness of honey. The thunder of shuffling feet was no more. There was only the slow swaying of couples - lovers with their partners, mothers and fathers with their children, and neighbors with their friends.

“I wish you bluebirds in the spring

To give your heart a song to sing

And then a kiss

But more than this

I wish you love”

Lilia perked up as the first verse concluded, his gaze darting immediately to the front of the cabin. He recognized the song; he'd first heard it decades ago, while on a weekend trip he'd taken to the Queendom of Roses. It was during a period of his life where he'd been "going through the motions", as he'd regularly complain to Baul, plagued incessantly by an ennui that so often strikes those transitioning into their twilight years. In desperate need of a distraction, he spontaneously booked a flight to the nearest country - he didn't care which one, only that the ticket was cheap enough to justify paying for a farmhand during his absence. On the evening of the first day of his trip, while having dinner in his hotel, he learned from the waiter that there was to be a jazz orchestra - or "big band", as the humans called it - hosted in the ballroom located on the establishment's ground floor, and that patrons could attend the performance for free. His interest piqued, he rented a suit from a local tailor, freshly pressed, and perfumed with a crisp eau de toilette he'd brought along with him, and ordered a bouquet of fresh roses sent to his room, the brightest of which he trimmed and placed in his lapel.

Fae and human relations had long cooled down to a congenial level by then, and he danced comfortably with a number of human partners that night, free from the vicious admonishments that had disturbed him on his prior travels. They danced the same dances the fae before him had been dancing all night, and the performance concluded with the same song the band at the front of the cabin was playing now. It was the only number he'd sat out for, not wishing to engage in the cumbersome intimacy that slow dances demanded, and he'd observed the other couples with great interest; they all swayed in a gentle unison, moving like the fields of tall grass that grew near the meadow before his home, so that he felt like he'd been cast under a trance while watching them. When he returned to Briar Valley later that week, he promptly disremembered everything about the song - its lyrics, its rhythm, its melody - his attention wrested first by his responsibilities on the homestead, and then by his young son.

It was a few months after his acquisition of Silver, when he and the child both were still suffering from the boy's interminable fits, for which Lilia had long exhausted all his patience and energy into locating a cure, that he finally recalled the song he'd once heard all those years ago. One morning, with the wailing infant in his arms, its little face bright red and puckered, he was despaired to find his usual consolation tactics - rocking the baby, swaddling it, offering it a moistened rag to suckle on - had all lost their effects, and he paced back and forth across the living room, debating if he should call on the Zigvolts again, or attempt to find an alternative solution on his own.

He was tired, both mentally and physically; the weeks lately had been passing him by in an endless, uniform blur, each day demarcated by whatever twilight hour the baby would surrender to its circadian needs and drift off to sleep. In the midst of his fatigued panic, something that had for decades been slumbering in the recesses of his mind finally awoke then; the lyrics and melody he'd long forgotten burst forth from the cerebral pit they’d been cast into, reassembling themselves as brilliantly as the molten birth of a newborn star. Parting his lips, his voice nigh higher than a shaky whisper, he began to sing, “I wish you bluebirds in the spring…”; by the end of the first verse, the child's loud cries had hushed into a quiet whimper; before the conclusion of the song, it had fallen fast asleep. It was like he'd discovered a panacea; from then on, any time Silver was upset or fearful, or on stormy nights when the thunder was too loud and the lightning too bright for him to be able to fall asleep, Lilia would gather the boy into his arms and sing to him, dispelling the child's every perturbation with the low hum of his voice.

Lilia's heart sank, realizing in that moment just how long it'd been since he'd last sung it for Silver, likely not for months, or for a year, even, and yet - he smiled; this was their song, and now here was the perfect chance to finally reconnect with his withdrawn and sullen child once more!

Trembling with excitement, he shot up from his seat. He fought his way through the throng of dancers until he found Silver, still sitting alone on the stoop outside. He grabbed the boy’s hand and pulled him back into the cabin, but Silver dug his heels into the ground as they reentered the crowd.

“Stop it, I don’t want to dance,” Silver said with a glower.

Lilia sighed. “Oh, come now. Can’t you entertain your old man just for one song?”

“I don’t want to dance!” Silver repeated louder, putting as much stress on each word as he could muster. Some of the partygoers turned to look at them, and their curious stares made him flush.

Lilia tugged on the boy’s arm and offered him a reassuring smile. “Just this one song, and then we'll go home and you can sulk all you want.”

Silver ripped Lilia’s hand away, his face contorting into an angry grimace. “I said stop it! You’re embarrassing me!”

“But Silver! This is-!”

He pushed past Lilia and stormed out the door. Outside, the sky and the ground below it had merged into a single, black swath, so that his white head contrasted like a point of light against it, appearing like a star floating through the darkness. Lilia watched him walk away from where he stood frozen in shock, his rejected hand still hanging in the air. He did not move as the dancers silently drifted all around him; most of them did not turn to look at him, as though he were nothing more than a small obstruction in a stream.

“I wish you shelter from the storm

A cozy fire to, to keep you warm

But most of all when snowflakes fall

I wish you love”

Later, long after the last notes of the music had faded away, Lilia whispered, “But this is our song.”

VI.

Silver awoke the next morning long after the songbirds had concluded their matinal performance. The world outside was grey and silent, and he stepped through it as quietly as the pine boughs brushing together in the wind. He moved with confidence, his eyes habitually adjusted to low light, and followed a patch of wild coreopsis and daylilies that spread lace-like on the ground before him. They appeared to have claimed for themselves all the meager drops of sunlight that percolated through the clouds, shining like gemstones in the dim darkness.

He'd slept poorly last night, plagued by dreams of the dance, and his thoughts once more drifted away from him while he plodded through his chores, traveling far beyond the clearing, down to the cabin just past the forest's edge, where they pooled within it alongside the stagnant summer heat. Last night at the dance, a warmth had flowed from his father and into him where his fingers had touched his arm, and again and again, as he lay in bed upon returning home, he'd felt it anew, felt it erupt into the hot rage that had coursed through his veins when he'd stormed out the door. A part of him was sorry to have upset the man, having now belatedly realized his harmless intentions, but a greater part of him was struck by a deep frustration - his body ached with it; it prickled at his skin as though he'd bathed in poison oak, so that more than once he felt his face twist into a scowl while he worked.

The animals, too, noticed his contortions. The chickens coalesced at his feet as he gathered their eggs; the pigs butted him gently as he refilled their trough; and the young calf, renown for its stubborn shyness, detached itself from its mother for once and loitered by his side, unsure of what to say. Silver sighed at all of this. His whole life he'd had a peculiar connection with animals. They would sense his vexations and his fears, and would come to him, unbidden, offering him their crude affections in a variety of forms - sometimes pinecones or hickory nuts covered with specks of leaflitter, other times poorly picked wildflowers still dangling with heavy roots, each of these gifts held with utmost tender in their mouths or little hands. But he had not the patience for their ministrations that day, and he dismissed the chickens and the pigs and the calf each with a scoff and a wave of his hand. The heifer, however, he failed to evade.

She was the eldest of the Vanrouge's livestock - a wise, if not shrewd, creature; only a year younger than Silver, they had tumbled across the clearing together in their infancy, and most of what he knew of animal husbandry he'd learned from her. That morning, she had refused to vacate the lean-to in protest of the dismal weather, and she was waiting for him there when he approached her with his milking pail and wooden stool in hand. Once seated, his hands and his attention preoccupied with stripping the foremilk from her teats, her broad body blocking the exit, she turned her heavy head towards him, and issued from her liquid eyes the same question that had been tormenting him all that morning: Are you alright? Her plaintive gaze struck him like an ambush. Ensnared, he fumblingly released her udder and stroked her sides, ensuring her through gritted teeth that he was perfectly fine. Satisfied by his response, she turned away, and leisurely resumed her meditations.

After finishing his chores, he returned to the cottage and forced down a tasteless bowl of oatmeal and some scraps of white bacon. His thoughts raced while he ate. Within his mind flew bits and pieces of anger, trepidation, worry, and sorrow, and these he took into his calloused hands and pressed together, trying to mold them into something he could understand, but they ultimately formed into an idea, instead. This discovery satiated him where his meager meal had not, and he smiled as he brought his dishes to the sink.

When Lilia stumbled out of his bedroom an hour later, half-asleep, and still clad in his dress shirt and pants from the night prior, he found Silver waiting for him by the front door, his canvas knapsack slung across his shoulders. As he began to yawn a greeting, Silver stiffened and cut him off, rapidly spitting out a gruff request to go to the Zigvolt's before turning to face him. His tone was so severe that his words struck Lilia's skin like a splash of ice water, causing him to sober immediately, and he numbly gave his permission with a slow nod of his head. They left together after Lilia got changed, Silver leading the way, Lilia trailing far behind him.

The grey curtain of the sky had pulled back to reveal an angry red sun behind it. Summer had reached its height then, and the entire valley was plainly sullen. The trees, seeming to sag in the heat, stood with their great branches drooping weakly; the songbirds concealed amongst them cycled between a restless dozing and a fitful agitation, too uncomfortable to sing. Silver, however, cut unphased through the stifling air. His hair blazed like white fire, and the shimmering light around him made him appear at times like a mirage to his lagging father. Upon reaching their destination, and after an exchange of curt farewells, Silver glanced behind him as he opened the front door, but all he saw was the thin line of the man's back receding into the haze of the forest.

Silver found Sebek upstairs in his bedroom, pouring over sheets of magical formulae spread out across the floor. He stepped gingerly into the room, being careful not to disturb any of Sebek's materials, announced himself with a throaty, "Hey", and then promptly launched into a recount of last night. He spoke so rapidly it felt like his words were slipping blindly off his tongue. He blinked away hot tears as he talked, his anger and his hurt boiling up each time he mentioned his father. When he finished, he sighed, and then began nibbling on his lips, unsure of what he next wished to say. Sebek waited patiently for him to continue.

Finally, after a tense pause, Silver grumbled, “He keeps treating me like I’m a dumb kid and It’s driving me nuts. I just dunno know what to do anymore.”

Sebek frowned. “And you’re certain you’ve cast aside all your childish whims?”

“Yeah,” Silver nodded solemnly.

“Hmm…” Sebek thought for a moment, and then his lips pulled up into a smirk. “Then I should think the solution is obvious, you twit!”

“And what’s that?”

Sebek crossed his arms. “Recall Sir Lilia’s and my grandfather’s old war stories. Whenever they carried out some grand feat or other, they’d be lavished with adoration upon their return home. Clearly, you simply need to accomplish some sort of heroic act, and then your father shall finally recognize the man that you’ve become.”

“Yeah…” Silver murmured, nodding his head again. “Yeah, I think you’re right, Sebek. That’s a great idea, thank you.”

The praise made Sebek swell like an adder. He puffed out his chest and jutted his chin. “Truly, you are fortuitous, Silver! To have a friend as clever as I!”

Silver smiled. “I sure am.”

Sebek was taller than Silver by a single, coveted inch. And he was stronger, too, heavy and thick everywhere his companion was gangly and thin. But still Silver was more skilled at magic and combat than him, and he could count on one hand the number of times he’d bested his fellow apprentice in battle. Silver held over Sebek's head something he would never be able to reach no matter how much taller he grew: namely, the fact that Silver was older.

Sebek was only twelve, still just a child. Adolescence fascinated him severely, having watched it radically transform his older brother and sister before his eyes, and he was jealous that Silver got to enjoy all its mysteries before he could. Every morning, gripped with excitement, he’d snatch the desk calendar from his bedside table with trembling hands, eager to see if it was finally the day when he, too, would be permitted to enter that strange and curious world of young adulthood. And every morning his little shoulders would sag in disappointment as he read the date. He’d begun wondering lately if it would ever be March 17th again, thinking that perhaps the planet sought to deny him his wish, and was intentionally dawdling in its flight around the sun. The idea of a great conspiracy pleased him, which helped to placate his usual disappointment.

Now presented with the chance to prove his capabilities before all the adults around them, he trembled with excitement. They fell immediately to their plotting. First, Sebek suggested they apprehend a robber or other trivial criminal, but Silver quickly dismissed the idea, doubting its feasibility. He additionally dismissed Sebek's propositions that they search for long lost treasure and other such artifacts for similar reasons. When Sebek mentioned they could contact Malleus for assistance, Silver balked. He hadn't seen the man all summer, and hadn't heard his name in weeks - the young prince had been preoccupied with helping their country recover from the aftermath of last month's monstrous storm, traveling from waterlogged village to waterlogged village, magically repairing homes and rejuvenating flooded farmlands wherever he went. Silver rejected this proposal, too, explaining that Malleus likely wouldn't have the time available to help them, and noting internally that he'd only betray their schemes to his father, anyways, and they quickly moved onto their next point of contestation. After much debate, and much grumbling and whining, and following a short intermission to enjoy some of Ma Zigvolt's lemon pie, Sebek finally proposed an idea that the both of them agreed on.

A rogue grizzly bear had been making a feast of the local livestock over the summer, a missing sow of the Zigvolts and a milk calf of their neighbors amongst its victims. Any attempt the past month to detain or eliminate it had ended in failure, and it'd been outwitting the small community unlike anything the elders had ever seen. Recently, for example, a family living down the road had attempted to capture it after it had devoured several of their chickens during one of its nightly jaunts. They placed a series of foothold traps around the coop, buried under leaf litter, and totally de-scented using a complex spell, and awoke the next morning to find their yard blanketed with bloody white feathers, not a single trap containing within its undisturbed jaws even one strand of the creature's hair. Silver and Sebek decided they would bring an end to the terror themselves.

Its massive tracks had last been spotted heading into the Obsidian Forest - a congested strip of towering firs, spruce, and pine trees located to the north of the Zigvolt's. The trees there grew so closely together that hardly any sunlight was able to pierce through the thick canopy, casting the land inside of it into an endless shadow. One had the feeling Nature had forgotten that place in her designs; it was quiet as something alive should not be. There was no birdsong during the day, and neither the soft gurgle of the river nor the wind brushing against the trees. Tawny owl cries could sometimes be heard emanating from it at night - lonely, sharp trills that rang out almost like a warning. The fae were not known for being a judicious people, but they were perceptive, able to detect on their skin the slightest gradations in magic and other immaterial energies that even the finest tuned devices could not, and they stayed far away from the forest in confidence of its dangers.

Silver, however, was a human, and Sebek, a half-fae, and they had long viewed the forest with a simple, innocent curiosity, both unable to sense the unseen forces that made their countrymen so cautious of that unknown realm. As such, and with Silver consumed with thoughts of his redemption, and Sebek thinking of little more than all the praise their great adventure would earn him, they boldly made plans to meet together early the next morning before their parents awoke. Lilia regularly went to bed shortly after 11 o'clock, and Silver would make his escape several hours later. He would cut a path straight to the Zigvolt's, avoiding the long, winding trail his father had erected for him through his land, and would rendezvous with Sebek behind their home. They talked until the sun set and shadows flooded the room, but neither moved to turn on the light, for the excitement in their hearts brightened that dark space better than any candle or lamp ever could. Silver returned home that evening feeling lighter than he had in weeks.

Silver dipped his hands into the kitchen basin and splashed some of the cold water onto his face. The windows above him were a pair of jet black panes, dotted with a smattering of stars that twinkled distantly like lightning bugs. He couldn't remember ever having seen a sky so desolate before, and he marveled at the miniscule pinpricks of light as he slowly dried his hands with a terry washcloth, anxiously aware of each and every sound he made.

He completed one final circuit throughout the house before leaving. Moving on his tiptoes, he double-checked that the covers were drawn over his bed and the pillows beneath them were positioned correctly, and that his father was still asleep, the last of which he ascertained with a furtive glance thrown inside the man's room. When he reached the front door, he sank back down on his heels and bent over to re-lace his boots.

He'd packed his knapsack before going to bed, filling it with a handheld lantern, his canteen and compass, an emergency kit, a small bag of cornmeal and a cast iron pan, and some pemmican and soda biscuits he'd wrapped in napkins. His crossbow hung snug over his shoulders; his favorite hunting knife was nestled deep into the leather sheath hanging from his belt. He and Sebek had agreed not to come back until their mission was fulfilled, and if they ran out of provisions before felling their quarry, they'd be well prepared to secure more.

The house breathed him out like a sigh. The moon unfurled overhead like an orchid in full bloom, vastly outshining the indolent stars hovering around it, and it bathed his surroundings in a pale film of argent light. The broad, black blocks of the cows and the pigs asleep in their enclosures jutted out from the darkness, and the black pyramid of the chicken coop rose silently above them. He crept past the dozing creatures and slipped into the woods. His legs instinctively followed the same trail he'd taken countless times before. His feet he lifted and placed methodically, stalking as he did when he hunted, fearing that the soft crackle of the twigs and leaves underneath him might awaken his sleeping father from hundreds of yards away.

Presently, the felled oak tree that marked the northernmost boundary of his father’s land appeared. Its withered roots splayed out like the gnarled fingers of an outstretched hand, their grasp extending far above his head. He reached out and rested his palm against the trunk. Its bark was soft and brittle from decay, blanketed with a thick layer of moss and algae. He knew not if his father had struck down this once mighty giant himself, or if it had merely collapsed in its old age, only that he was forbidden from passing by its sentinel gaze on his own. He grabbed onto the slippery bark and scrambled atop the trunk, letting out a shaky breath as he stood up.

All of the land before him stretched beyond the confines of his father's territory. Each and every bush and tree and creature, every shadow, every undefined mass lurking in the darkness there was to him an alien, a stranger. Somewhere further beyond lay the Zigvolt’s homestead, and further past that, the Obsidian Forest. The mountains erupted in the distance like a row of black fangs piercing the sky. Behind him waited the clearing and the cottage, the toolshed and the garden, the wheatfield and the pasture and the meadow – each of these forming another slat of his boyhood cradle, another barrier around the only world he'd ever truly known.

He lifted a trembling hand and groped at the air. He'd been expecting some sort of rebound from broaching his father's magical perimeter, but it did not come. He leapt off the trunk and landed on the ground with a loud crash. The sound echoed viciously all around him and yet - there was nothing. No harsh cry of his name. No thudding of feet racing up behind him. Nothing. Had he successfully escaped? Gasping, he rapidly swung his head this way and that, scanning his surroundings. Here was the copper blur of a fox slipping through the forest undergrowth, there was the heavy grey body of a raccoon lumbering slowly behind it. And here, again, the silver outline of a barn owl peering at him from the thicket yonder.

He could see now that these were no specters, no apparitions - they were living things, with eyes like his and beating hearts like his, things that drank in the same sweet night air as him. All his fears vanished - it was as though he'd finally let out a breath he never realized he'd been holding in all his life. Re-shouldering his bag, he set off once more, his heart pounding with excitement, his body coursing with the ecstasy of this newfound freedom. He swept through the forest like a beam of moonlight. The five miles to the Zigvolt's he crossed in what felt like five steps.

Why was I ever afraid of this place? he wondered. Why was I ever afraid of anything in my life?

At three o'clock in the morning, less than an hour after he'd left the clearing, Silver stepped onto the dirt road that led to the Zigvolt's farmhouse. Breathless from his record flight, he took in long, quiet gulps of air as he neared the agreed-upon rendezvous location - the left-side porch, for there were no windows there - his eyes flicking occasionally to his sides, and to his rear, and to the spider web of starlight draped across the cottonwoods towering around him, his steps falling lighter than even the cloven feet of a vigilant deer. He immediately noticed the small, darkened figure hovering by the porch, and watched as it detached itself from the greater mass of shadows, revealing itself to be Sebek. His friend flashed him a triumphant smile, his little fangs shining bright white in the darkness.

"You made it!"

"Hush!"

Sebek's hands flew over his mouth. "Sorry!" he yelped as he turned to look at the house, his heart racing, but the stalwart building gave no reaction, remaining stone still, silent. Through his fingers, he sheepishly repeated, this time quietly, "Sorry." He quickly readjusted his knapsack from where it'd slipped down his shoulder, then hurried to join Silver in the road.

Silver rolled his eyes, grinning.

They padded cautiously through the darkness, their feet kicking up small clouds of dust from the earth beneath them, each one rising like an ochre breath before dissolving a moment later into the blue-black of the night. After walking for a length, Sebek pointed out from a row of identical log cabins his neighbor's home - namely, the one who'd recently tried to apprehend the beast after it'd feasted on their flock. They circled around back, ducking as they passed the lower story windows, and found, by a pair of crooked fence posts surrounding a small vegetable garden, a set of lumbering bear tracks that trailed away due North. Sebek crouched down and placed his hand in one of the prints. The massive groove was as broad as a dinner plate, so that even when he splayed and stretched out his hand as wide as he could, his fingertips stopped several inches short from the rim. The indentations from the claw marks looked like a set of daggers had been dragged through the ground. Silver swallowed thickly as he observed this. Tugging at Sebek's sleeve, he whispered hoarsely, "Come on, let's go."

The tracks led them further and deeper into the bowels of the adjacent woodland. Neither spoke, both of them gripped with a nervous excitement that bordered at times on trepidation. Occasionally, Silver's hands reached behind him for his crossbow, finding reassurance in the solidity of its metal stock. Sebek, too, had taken with him the children's rifle he'd received for his birthday last year. Purchased by his father while traveling overseas for a dental conference, he'd gloated joyfully to Silver upon receiving it, and had been treating it with the utmost care the past year, polishing it daily, and keeping it secured in a case he kept hidden underneath his bed. The fall prior, Silver had accompanied Sebek and his father when they'd gone duck hunting at the river and had received a turn using the weapon, with both boys dispatching several birds, each. Though Silver was amazed at its great strength, and though he found it a very lovely piece of craftsmanship, indeed, the sound of it firing hurt his ears, and he secretly hoped they wouldn't have to use it.

The trees gradually thinned out and fell away, receding into a tall, grassy meadow that, in turn, soon bowed down and terminated before another stretch of forest. But the shadowy structure looming before them was somehow different than all the other natural places they'd ever come across in their lives. It was darker than the night, silent; foreboding in a way that left them wondering if it was about to reach out a gnarled, earthen hand and strike them. This was the Obsidian Forest, and the bear's tracks disappeared within it.

The boys, having simultaneously come to a standstill at the edge of the forest, their hearts pounding, exchanged a tense look, then turned back to face the verdant bulwark. The moonlight fell like a curtain before them; Silver took Sebek's larger hand into his own and they stepped through it together. The air within the forest was several degrees cooler than without, and the shock of the cold was like jumping into the river on a warm Summer day. Sebek shook off Silver's hand with a grunt, and once freed, zipped his jacket and pulled up his collar. Silver, ignoring his friend's indignation, extracted his lantern from his bag, and lit it with a simple spell. He held up the device and slowly swung it back and forth it as he turned around.

All the light in the world was now contained within Silver's hands; everything around them was only an abstraction of what they understood to be total darkness. The copper glow from his lantern struck the surrounding fir trees, dimly illuminating the bone white bark covering their emaciated trunks. Their scraggly canopies converged together and formed a single, continuous, vegetative wall that strangled the moonlight within its matted foliage. The air was heavy with the clean smell of pine, underlaid with the rich musk of a humus that had been forming undisturbed for centuries. It was quiet, as the adults had described, but not completely devoid of sound - they could hear, emanating like an invisible vapor from the leaf litter, the silver song of crickets drawing their bows across their instruments; the wind had dropped its voice to a whisper, but they could hear this, too, threading through any microscopic gaps it could find in the leafy barrier overhead; and as they walked, there was the soft crunch of their boots sinking into the plush carpet of pine needles underfoot.

After a moment's consideration, Silver declared, "It's no big deal," and Sebek nodded mutely in agreement.

They'd been misled countless times before by the adults in their lives, having been warned of dangers they'd later discovered were, in truth, harmless in nature, such as cracking one's knuckles, or staying up until the early hours of the morning, and the Obsidian Forest they now added to this ever-growing list. But they remained cautious - Sebek walked with his hand looped around his rifle's strap, and Silver's eyes followed wherever the roaming light of his lantern touched the earth.

Their abscondment from home and their entry into the forest having now been completed, the final phase of their plan would be simple: they needed only to track the bear to its den, and kill it. This would not be unlike their usual training exercises, during which Lilia would deposit them in a remote location - often high atop some distant mountain range, or in the middle of a barren ravine - and they would be forced to survive on their own for days or weeks at a time, typically with an additional command to secure a target of Lilia's choosing, such as a wild animal, or an object he'd hidden deep in the wilderness. They had felled various species of direbeast before, both together, and on their own, and a bear would be no different. Knowing the creature's massive body would be too heavy for them to drag out of the forest on their own, they planned to cut off one of its paws to bring back as proof of their accomplishment, and would come back later to retrieve the rest, with assistance from the adults. Bear meat was a popular delicacy in the valley, and after the carcass was carved and distributed amongst the local community, Silver was determined to request a bottle of its golden oil - renowned for its anti-inflammatory properties - as a gift for his father.

Silver swept his lantern low over the ground, and with its pale glow as their beacon, they followed the tracks deep into the forest. They would occasionally notice movement in the darkness, fleeting figures and shapes that their nervous minds would automatically warp into the hulking mass of the bear, and each time, as they would begin to reach for their weapons, they would realize a moment later they'd stumbled upon nothing more than a small raccoon or an opossum on the prowl for food. They jumped at every such encounter, and at every unexpected noise that entered their peripheral - a heavy branch Sebek mistakenly stepped on rang out like a gunshot; a tawny owl's sudden cry boomed like a crack of thunder. For hours they proceeded tremulously; fear had been stalking them all that time like a shadow, and as the veil of darkness surrounding them lifted and gave way to daybreak, it vanished together with the night. They could not see the sun's yellow face above them, but they could feel its dappled light falling down on them like a warm and gentle rain. The canopy, which had hitherto been a solid, dark green streak, was now dotted with flashes of a vibrant cerulean blue.

With the night's vanquishment, they steadily grew more and more confident, feeling now important - older, even. They walked with their heads held high and their backs erect, pumping their arms and swinging their legs as though on the march. They kicked up cedar chips and pine needles as they walked, scattering them onto the ground like birdshot. The blood coursed through their veins hot as liquor; the temptation of glory drove them on like a whip. Each child began to envision himself seated like a king in the Zigvolt's parlor, regaling this tale to their neighbors and family, and joining a long line of men who had come before them - heroes and explorers, great and mighty conquerors of the strange and unknown.

They would stop - intermittently, and only for brief sprints - to rest, to drink water, or to re-lace their boots, and would then immediately resume their march as zealously as before. They hurried as fast as their legs could carry them, knowing that the creature would likely have returned to its den by that point, and that it would be fast asleep in preparation of its nightly activities - tracking it down before it awoke that evening would be vital to their success.

When they came across a noticeable gap in the canopy - a hole ripped open where a pine tree had collapsed, through which they caught their first, true glimpse of the sky since that morning - they agreed to take another short break. Amongst the various survival skills that Lilia had taught them was the ability to derive the time, and working together, they erected a rudimentary sundial using some branches they gathered from the ground. They calculated that it was presently midmorning, and that they must have covered several miles since entering the forest. They remained there for a few minutes longer, Silver sipping quietly from his canteen, Sebek dismantling their earthen clock. Languid clouds passed through the gap overhead. Silver recalled how, every winter, the pond near his home would freeze over, and yet he could still see fish swimming undisturbed beneath the thick panel of ice. He wondered if this was how they felt, watching the world pass by them silently up above. As he wiped his dripping mouth with his sleeve, he glanced over, and noticed that Sebek was frowning.

"What's wrong?"

"I'm getting hungry, that's all."

Silver put his canteen away. "You brought some food with you, right?"

"Of course I did!" Sebek bristled. He slid off his knapsack and rummaged inside it, cataloging each of his belongings out loud, more so to himself, than to the half-listening Silver.

"I've got biscuits and cornbread, some jerky, some apples..."

"Uh-huh," Silver said, stifling a yawn.

"My water bottle, of course. Aaannnd..." He reached deep inside, smiling when he felt his fingers touch what he'd been looking for.

"Some of my mother's snickerdoodles, freshly baked." He pulled out a brown paper bag, shaking it with a grin. "Sissy has been hogging them, but I was able to pilfer a few without her noticing." He poured several of the cookies onto his hand before returning the bag to his knapsack.

"Would you like one?"

"Sure, thanks."

Silver gingerly took one of the cookies from Sebek's outstretched hand and bit into it with a sigh. The soft dough crumbled in his mouth deliciously, each piece dissolving like a sugar cube on his tongue. The almost overwhelming smell of cinnamon, the faint hint of vanilla, the rich, buttery aftertaste, all made him think of Ma Zigvolt. He'd overheard her lamenting the loss of the family's sow a few weeks ago - she loved each of their livestock like her children, and the bear's cunning attacks had wounded her pride and her heart, both. He imagined, upon their return home, how her face would break into a smile when they told her what they'd done, presenting the news to her as though it were a freshly picked bouquet. The image was somehow sweeter than the cookie itself, and he licked the sugary crumbs off his fingers, tasting little more than a delicious contentment.

They resumed walking. For over an hour the forest stretched on unchanging and uninterrupted, before it began to angle sharply downhill, transforming eventually into a semi-exposed slope. The incline was so severe they had to descend on their hands and knees, slowly zigzagging from one tree to the next, at times using the exposed roots and fallen branches to rappel downwards. The plateau they arrived at was bisected by a meager creek, appearing as blue and as thin as the veins running down their arms. They lay on their stomachs and drank deeply from it, bringing the crystalline water to their mouths with their hands. Silver shook his head like a dog when he was finished, spraying ice cold drops everywhere, and Sebek pushed him away with a laugh. A school of minnows, each one a silver grain of rice, darted away at the commotion, but the water striders on the surface above continued their skating, unaffected. They washed their hands and refilled their canteens before moving on.

The sunlight filtering down through the forest canopy gradually became more intense as the morning rolled into afternoon. Silver and Sebek had been talking with one another at length ever since daybreak - discussing their plans and their upcoming glory, and pointing out all the flora and fauna around them - and their conversations slowed to a comfortable lull as the air grew increasingly warmer. Unable to tell the time without a further break in the canopy, one hour blended seamlessly into the other, so that occasionally, when they blinked, they would open their eyes to a world remarkably brighter and warmer than the one they'd been in just a moment before.

Late in the afternoon, as they picked their way through a pleasantly mild Summer haze, Sebek suddenly stopped walking and threw out his arm, blocking Silver. His bright green eyes bore laser-like into the distance; his whole body stiffened like a bird-dog alerting to game.

Unmoving, he stated plainly, "I do believe we've been here before."

Silver blinked. "Huh?"

"That spruce tree yonder, with all the moss on it," Sebek said, now pointing, "I've seen it before."

Silver studied the tree indicated for several moments, but could not determine how it differed from any of the other dozen trees surrounding it. Shrugging, he said, "It probably just looks like one we passed earlier. Tons of trees have moss on them."

"I know they do!" Sebek huffed, gritting his teeth. "But that patch there's shaped like a star. That's how I recognized it."

Silver looked again. The patch of moss did indeed resemble a child's simple depiction of a five-pointed star, but his mind refused to accept what it had just heard.

"That's impossible," he murmured, shaking his head. "We've just been following the bear's tracks this whole time. How could we..."

Silver frowned. His incredulity obscured his mind like an eclipse. As he stared at the bear's tracks - crisscrossing the ground in some areas, and issued in a straight line in others - they began to swirl before his eyes, forming a nameless thing that Silver knew he'd seen before, and after a terse moment of contemplation, he finally recalled where.

He thought of a time, years ago, when he and his father had spent the whole Summer attempting to snare a devious buck. The animal had pillaged their vegetable garden every night for weeks, tearing up their sweet potatoes and corn, and even daring to defile Lilia's prized tomato plants, and had avoided all their various traps and attempts to trail it. One day, after sitting together for several hours in a cramped tree stand, they were able to witness its genius. After passing directly before them, it disappeared for approximately fifteen minutes, then doubled back, retraced its steps to just before the stand, and cut into the forest in the opposite direction, at a sharp angle, so that its path formed a "V" when viewed from above. Even the most experienced hunter - whether human or animal or fae - would likely follow the original set of tracks, which would appear - and smell - fresher, having been laid down twice, and by the time the error was realized, the quarry would have long escaped. The buck, as if having calculated all of this, strode off that day waving the chestnut flag of its tail in victory.

And now here again was that same whirlpool of footprints, now here again was that same irrefutable display of animal cunning. The eclipse passed his mind; the light of his revelation nearly blinded him - they must have been going in circles for hours.

His eyes flew wide open; his heart thundered so viciously he wondered for a moment if it was about to burst. His eyes darted wildly about him, as though hoping to find some form of consolation hidden amongst the leaf litter. And then, in a moment of clarity, he recalled a new trick he'd recently learned, the very same one he now knew adults had been using on him and other children all his life: he lied.

"It's fine, Sebek. I know exactly where we're going." He turned away, so that his friend would not see him nervously biting his lip. He pulled out his compass and held it out this way and that, making a show of orienting himself.

"The bear just circled around here to try and shake us off its trail. We'll find it if we keep going..." His eyes scanned the ground, trying to deduce which set of tracks looked the freshest. "That way."

Sebek, frowning sternly, opened his mouth, and then closed it again. After a moment, his face relaxed, and he slowly replied, "If you insist..."

Silver let out a shaky breath. Sebek's immediate acquiescence, which he at other times would only earn after much coaxing and arguing and persuasion, excited him. He experienced once more the feeling of being much older and more important than he really was, and wondered for a moment if this was the true pleasure of being an adult. He made a note to emphasize this part of the story when he'd later recount it to his father - how he'd outwitted the terrible beast where all others before him had failed, and how he'd led himself and Sebek through what was sure to be their darkest hour. They would return home heroes, indeed!

"Come on, this way."

Thus continuing their journey, they picked a new trail in the direction Silver had indicated. Portions of the sky peeking through the canopy slowly turned a golden orange, others light pink or red, forming a mosaic of the sunset. The bear would now likely be active again, and out roaming the forest with them, and when Sebek mentioned this, Silver hurriedly explained that they could still locate its den in the meantime, and lay in wait for it to return, to which Sebek, still in an unusually agreeable mood, only nodded. Their enthusiasm from that morning waned together with the fading sunlight. They plodded on halfheartedly for hours; identical trees and shrubs and rocks extended all around them for miles. They nibbled on their sticks of jerky and pemmican as they walked, breaking off and exchanging pieces of dried meat with each other in lieu of conversation. Sebek's apples and corn bread and most of their biscuits they soon finished off, too.

Finally, evening gave way to night, and the world around them was plunged once more into darkness. As Silver fished in his bag for his lantern, Sebek suggested they quit for the day and set up camp, but Silver adamantly disagreed.

"Just a little bit further and then we'll stop," he said, struggling to relight the lantern as he spoke. "The den's gotta be close by."

"Hmph!"

And again, an hour later:

"We're almost there, I promise."

"Hmph!"

They slogged on wearily. Periodically, Silver would command they stop, and, taking out his compass from his pocket, would double-check the accuracy of their orientation, then indicate with a satisfactory grunt that they could continue moving. They did not rest, otherwise. Low hills and mounds they climbed felt to their leaden legs like mountains; meager creeks and streams they crossed seemed to stretch on for miles. The trees, crowding down on them, reached out and scratched at their arms and legs and faces with wooden claws as sharp as needles. Foxes and barn owls screamed out from deep within the forest, and their fatigued minds, instinctually recalling legends of all the various monsters that lurk within such darkness, heard amongst their mangled cries the laughter of evil witches, and the terrible roars of bogeymen and other foul beasts. The stars shone coldly above them, ignorant of their torment.

Eventually, the line of the bear's tracks duplicated, and then further split into a third and a fourth set, all at various points overlapping and crisscrossing the first one. Silver felt his heart sink further and further at the discovery of each new set, and when they all converged and disappeared into a tangled copse of towering spruce and fir trees, he felt it stop moving entirely. Stopping, he drew the lantern in a wide arc before him; his steady gaze swept across the rows of identical giants like the roaming beam of a lighthouse, moving slowly, searching them, daring them to offer him what he was looking for, as though conducting a silent interrogation. His pale watercolor eyes, always so soft, hardened into steel. Sebek became at once afraid of him.

"Silver, what are you-"

"Quiet!" Silver hissed, waving him off with his free hand, his other hand tightening its grip on the lantern until his knuckles bloomed white.

And then - he saw it.

There, deep within the copse, standing just off to the left, partly obscured by the long shadows cast by its brothers, was the same spruce tree from earlier that day, wearing the same star-shaped patch of moss upon its wooden breast. They'd simply gone in another, massive circle around the forest.

"Damnit!" Silver spat. "Damnit, damnit, damnit!"

"Silver!" Sebek whined, but Silver ignored him.

He ripped his compass from his pocket and held it before him with trembling hands. Its needle pointed North. He spun around 180 degrees, yet still it pointed North; he spun a quarter further - again, North. His jaw dropped. No matter which way he faced or how he held the compass, its needle only spun and spun, racing in time with his pounding heart. He threw it to the ground in disgust.

His adam's apple bobbed precipitously. "I swear I..."

"You see! I told you so!" Sebek huffed, stamping his foot. "We're lost!"

"Shut up!" Silver growled. "I need to think."

For several, long hours leading up to that point, Sebek had been languishing under a terrible secret, the truth of which was that he had known, ever since he'd first glimpsed that verdant star, that they were utterly, and completely, lost. However, he did not wish to embarrass his friend, for although he found pleasure in showing off his strength and his intellect, and in being able to do things that other children his age could not, he was not a cruel boy, and had no interest in causing others pain, for which reason he'd decided against questioning Silver's judgment. He had trusted that Silver would architect for them some miraculous solution, just as he always had done any time they'd encounter an issue when training, but Silver had failed, and now Sebek was scared. The volcanic plug that was his faith in his friend having been destroyed, he finally erupted. "I don't like this! I want to go home!" he cried, his voice quivering. "This isn't fun anymore!"

"Fun?" Silver spat. "We didn't come all the way out here to have fun, Sebek!"

He stormed towards the other boy; the pine needles snapped and popped like firecrackers under his feet. His voice rose to a crackling scream. "We came out here so I could get my dad to trust me! And now it's all ruined!"

Sebek sniffled, cowering. His eyes shone with the threat of crystal tears. Silver's anger shot out of him as rapidly as it had come.

"Everything's ruined..."

Their venture was over, and what had they to show for it but their knobby little elbows and knees, scraped and bruised and smeared with blood; their filthy clothing, torn and stained with their tears; their ruddy, dirt-smeared faces; and their eyes, red and swollen from crying? What were they, but two scared little children, who would now sit down and fold their hands, prim and proper, and wait for their parents to come wipe their faces and clean up their mess? There would be no glory, no praise; no retribution against Silver's father. He half-expected the man to suddenly emerge from the shadows and begin chastising him.

Silver picked up his compass, wiped it against his shirt, and shoved it back into his pocket. He quickly glanced at Sebek, then ducked his head again, ashamed. Staring at his shoes, he grunted, "Sorry."

Drawing his sleeve across his soiled face, Sebek grumbled through the fabric an acceptance of his apology. He then turned and stepped behind the wall of foliage to collect himself in private.

Silver waited for him. He rolled a pinecone back and forth under his boot for a few moments before gently kicking it away. The air buzzed with the sounds of nature's nocturnal choir; its leading members, a cloister of tree frogs hidden amongst the copse before him - each one a piece of peridot, emerald, or jade - sang quietly, joining their crystal voices with the crickets and katydids plucking their chitinous strings. He could hear Sebek's hushed sobs filtering through to him, carried upon the silver chorus like a pine needle pulled down a stream. He wished to go join him in his anguish, to throw his arms around his friend and to weep with him, but the shock of his failure had drained his body of all its frustrations, leaving him numb. He knew there would be time to mourn later; for now, his only focus would be on getting through the night.

Once Sebek returned, his eyes and his face cleaned and dry, if not still inflamed, Silver cleared his throat and said, "Remember what my father would always tell us: Best thing to do if you get lost..."

"...is to sit your ass down, and stay put." Sebek finished with a shaky sigh.

Silver set down his lantern and knapsack, and after taking out his emergency kit and placing it to the side, began clearing out a broad perimeter in the leaf litter, attempting to erect a small fire pit. Sebek, as if suddenly roused from a stupor, dropped all of his gear and moved automatically to help him. They labored slowly, dragging their long, weary arms apelike by their sides, fighting weakly against a sea of pine needles that seemed to never end. Their calf muscles, having been deflated of all their adrenaline and fear, burned with each of their languid movements. Ten minutes later, with the ground now barren, and their skin freshly pricked and bleeding, Silver used his magic to ignite the pile of tinder they'd gathered, then turned to rummage through his belongings once again. Beside him, Sebek flung himself against his knapsack and kicked out his legs with a groan. He pillowed his heavy head under his arms and observed the fire silently. The flames dyed his face in a wash of vermilion, elongating the shadows under his eyes.

Silver glanced at him as he removed the emergency blanket from his kit, still disturbed by his outburst.

"I brought some corn meal with me. We can make some hoe cakes or something later, if you want," he offered gently.

Sebek sniffled again. "Ok."

Silver circled their meager camp, searching for a place to hang the blanket, ultimately deciding upon the outstretched branch of a sagging pine tree. One side of the blanket was coated with a bright orange material, which he positioned facing away from them.

"That's to help people find us, right?" Sebek asked, pulling out the remaining biscuits from his bag.

"Right," Silver replied without looking back. He straightened out the blanket and frowned.

If anyone's even looking for us.

VII.

Had you stayed behind at the Vanrouge's cottage after Silver embarked on his misadventures, electing to observe Lilia as he went about his day, up to - and including - his ultimate reconciliation with his son, then you would have witnessed the following:

Lilia awoke, as usual, shortly past 7 a.m. He did not own an alarm clock, preferring instead to let his body awaken naturally, gently roused by the golden sunlight filtering through his curtains. He lay in bed for a few moments, wrapped in the warm pleasantries of his blankets and his lingering dreams and the ebbing darkness, yawning leisurely, listening to the song thrushes chittering softly outside his window. Then, with a snap of his fingers, the curtains drew back and fixed themselves into place. That morning was a fine one. Where the sky had been grey and congested the day prior, it had since been painted over in the brightest blue, reminiscent of a stalk of larkspur, with not a single cloud in sight.

For five minutes Lilia indulged in this his usual morning pleasure, before, like clockwork, his reality struck him - he suddenly remembered every vexing instance of his son's tumultuous behavior from the past few months; felt anew all the dull aches and pains tugging at his limbs, felt the impending exasperation of the long list of chores that awaited him that day; each recollection pricked at his mind and his heart as though they were bee stings. He threw off his blankets and sat up with a scowl.

After grabbing a cup of tea, he settled himself at the dining table together with a gardening catalog that had arrived in the mail recently. He flipped through it halfheartedly, circling with a pen any seeds and supplies he planned to purchase for fall, his gaze occasionally drifting away from the pages of colorful produce, wandering over to and slipping out of the kitchen and living room windows. He thus swept through a third of the catalog before noticing the animals' absence in the yard, realizing a moment later that he had yet to see Silver that morning, too. Presuming the boy had slept in again, he waited half an hour further before checking his room, at which point a dull uneasiness had begun to form in his stomach.

The darkness in the little room yawned cavernously as Lilia pushed open the door. The heavy linen curtains were drawn tightly shut; the comforter was pulled up flush against the headboard of Silver's bed, a long lump protruding motionlessly underneath it. His uneasiness exploding all at once in a poisonous concern, Lilia flew across the room in rapid, broad strides, alighting to his son's bedside in an instant. He whispered, his voice slightly trembling, "Are you feeling alright, sweetheart?", and, after receiving no response, reached out to stroke the head of the lump, his lips pulling into a frown as the mass gave buoyantly under his hand. He wrenched back the blankets, stifling a cry as a mound of pillows tumbled out before him. He gingerly picked up one of the pillows and dropped it to the floor again, as though expecting to find his child concealed beneath it.

"Silver!" he shouted, glancing wildly around him, but the only response was his own disgruntled echo.

Frowning again, he put his hands on his hips. Where the hell is he?

Upon completing a thorough search of Silver's room - including his closet, his chest, his hamper, and underneath his bed - Lilia swept through the rest of the house and the root cellar, opening every door, and upturning every piece of furniture he could find, and when this, too, proved fruitless, he continued his efforts outside. He looked in the pig pen and in the chicken coop, checked behind the cow's lean-to and inside the shed, and, for good measure, even stopped to peer inside the empty flower pots in the garden. But each of these places and their inhabitants, whether living or inanimate, offered him no leads, and rejected all his inquiries.

Standing in the middle of the garden, he crossed his arms and considered all the oddities he'd noted that morning. Several items from the house were missing, including Silver's knapsack and crossbow, as well as some candles and other supplies from the kitchen, and the trick with the pillows was one he'd used himself in his youth for late-night abscondments from the castle. All of these observations he could trace back to only one conclusion: This was all just some sort of childish prank.

"That little...!" Lilia grunted, balling his fists. He turned and stepped towards the gate, intending to continue his search in the surrounding woodland, but the sound of the cow's mournful lowing stopped him in his tracks. None of the animals had been fed or watered yet, and the garden was in desperate need of another weeding. After a brief deliberation, he decided he would tend to Silver's chores in his absence, and then, he would return to the cottage, and he would wait - he would not indulge the boy in his games.

Any fatigue he'd felt that morning was immediately flushed out of his body and replaced with a venomous rage. He swept across the clearing like a tempest; the animals scattered before him in terror. He tore open their bags of scratch and grain and threw them to the ground, careless of the waste. He stormed back to the garden and began ripping up the tangled mass of weeds suffocating the ground, tossing muck-covered fistfuls of crabgrass and dandelions over the fence; the pigs, having recovered quickly from their fright, dove noisily for the mess.

His mind raced, his thoughts jumping rapidly between all the different ways Silver's return could occur. Likely, he would try to sneak into the house later that night, coming in either through one of the windows, up through the cellar. Or maybe, made shameless by his caper, he would stroll through the front door, kick off his shoes, and throw his bag to the ground, moving with the bold swagger of a yearling buck. Lilia would be ready for him either way. He would wait for him in the living room, on the couch, facing the door, his arms crossed, his eyes narrowed and blazing. If the boy tried to sneak in, Lilia would hear him. If he came in through the front door, Lilia would see him. If he cried, so be it. If he whined and begged for forgiveness, Lilia would not give it to him. He'd had enough of the child's attitude, his insolence, his unwillingness to talk, his newfound proclivity to brush off each and every act of kindness Lilia tried to offer to him. Perhaps his own parental failures truly were to blame for their ongoing disputes, but he would not allow this blatant defiance to continue a moment longer. He would ground Silver - for a week, at a minimum - double his training exercises, forbid him from seeing Sebek- He crushed a dandelion in his fist. And have him do all the weeding that month! An impish grin flashed across his face as he plotted. The sun beat down on him reproachfully.

Hours later, frustrated and in pain, his clothes caked with dried mud and bits and pieces of crabgrass, he marched back to the cottage and threw himself face-first onto the sofa. He lay there for a few moments, unmoving, before a sharp spasm in his calf forced him to slowly, wearily, sit up. Palpating the now throbbing muscle, he realized in that moment just how much his anger had blinded him. Why didn't I just fucking use magic to do all that? Another stream of profanity poured from his lips.

He sat watching the hour hand of the wall clock slowly inch forward. He rose periodically, to glance out the windows, to refill his tea, to pace back and forth across the living room, his gaze fixed on the front door, his thoughts slowly congealing into the perfect, incendiary speech with which he'd lash the boy upon his return. But Silver did not return, not as noon rolled around, nor as Lilia prepared their dinner. By that evening, the molten rage in his body had cooled, hardening into a tense knot of worry.

Shortly before sunset, just as he'd risen to check the kitchen windows once more, a commotion sounded outside - something heavy was pounding across the clearing, heading rapidly for the cottage. Lilia leapt from the sofa and raced to the door, throwing it open with a scowl, the first in the long list of scathing remarks he'd been preparing for Silver all that afternoon poised on his lips, but both his anger and his relief evaporated when he saw that it was only Baul, rushing in long strides down the dirt path leading to the cottage. As the other man approached him and opened his mouth to speak, Lilia put up a hand to silence him. "Uh-uh, I don't have time for this today. If you're here for-"

"I'm not!" Baul huffed, tiredly swatting Lilia's hand away. "Please just listen to me, General."

Lilia crossed his arms and jut his chin, indicating for Baul to continue.

"You seen Seb today?"

"Sebek? No, I haven't. Why-..." His words trailed off, the answer to his question instantly forming in his mind.

"He's not... Don't tell me you can't find him?"

"We can't," Baul sighed. "We tore up the whole damn house, looked down by the river, all through the woods. Got some of the neighbors out helping us look. We figured he mighta snuck out to go play with your boy, so I came by to check."

"Sorry, but no, I haven't seen any sign of him today." Looking away, Lilia muttered, "...And Silver's gone, too, actually."

"Huh?" Baul's eyes widened in surprise. "Have you looked for him?"

"Of course I have!" Lilia scoffed. "I checked the whole clearing twice over. I'm thinking he just ran off somewhere because I..."

Baul raised an eyebrow and crossed his arms, mirroring Lilia.

Lilia rolled his eyes. "He blew up at me the other night and probably just ran off for a while to get back at me. You know how kids are."

His apparent apathy inflamed Baul. He stalked over to Lilia, the dense column of his body twitching as he loomed over his former superior.

"That's it," he snarled, his nostrils flaring like an enraged bull's. "You're coming with me."

"Wha-"

Moving at a speed that belied his great size, Baul threw his arms around Lilia, caging the smaller man in his vice grip. One moment, they were standing in the clearing; the next, the ground disappeared beneath their feet, and the world exploded into kaleidoscopic streaks of color rushing all around them. Caught off guard, Lilia hardly had time to close his eyes before they landed on solid ground again a few seconds later.

Baul released him carelessly and walked away. Lilia slowly staggered after him, clutching his head, his vision swimming.

His quivering eyes concentrated first on the red beam towering before them, then moved to the smaller white block standing beside it. A sudden shift in the breeze carried with it the clean smell of cottonwood. He knew this place - they'd hurtled five miles away to the Zigvolt's home.

"Fucking warn me before you do that!" he hissed. Over the ringing of his ears, his mind vaguely registered several voices - some talking softly, and at least one other crying, but he could not discern amidst his blurry surroundings whom they belonged to.

Baul asked if there'd been any sign of Sebek while he was gone.

A broad green shape came forward and congealed rapidly into Ma Zigovlt. She was dressed in her dental scrubs, her dark green hair pulled back in a fraying ponytail. "No! Nothing!" she cried while pacing back and forth.

The two shapes behind her then revealed themselves to be Pa Zigvolt, also in his work attire, and Iris, sitting together on the steps of the front porch. Iris was weeping quietly, her head buried in her father's neck.

Turning to Lilia, Pa Zigvolt explained that Iris had been left alone to watch her brother that day, and it wasn't until late in the afternoon that she'd discovered him missing, having gone to check his room after he'd failed to appear for both breakfast and lunch. When a frantic search of the house and the backyard proved fruitless, she rushed into town and alerted the elder Zigvolts, who promptly canceled all their appointments for that afternoon to help her look. They rallied the neighbors, forming several search parties to sweep through the surrounding forests and the river, and after several hours of unsuccessful canvassing, it was ultimately Baul who suggested they inquire by the Vanrouge's.

Pa Zigvolt turned again to his daughter, gently squeezed her arm, and whispered something in her ear. She nodded and raised her head from his shoulder, allowing him to descend down the stairs. The family cat, which had been dozing elsewhere on the porch, promptly stood up, stretched, and padded over to Iris, taking her father's place. She scooped the animal into her arms and held it against her chest. She blamed herself bitterly for not noticing sooner her little brother was gone, and had been inconsolable for hours.

"Thank you so much for coming to help, Lilia." Pa Zigvolt said, shaking Lilia's limp hand. He glanced behind Lilia, then behind Baul, before asking, confused, "Where's Silver?"

"He's, erm..." Lilia hesitated, fearing another unpleasant reaction. "He's actually missing, too."

But the Zigvolt parents simply exchanged a silent look with one another, and Ma Zigvolt's voice was only gentle as she asked him to explain.

Lilia proceeded to recount his own experiences that morning, and by the time he finished speaking, the small group was in agreement that the boys had likely snuck away together. As they loitered in the front yard, heatedly discussing their next plan of action, a group of neighbors approached. One of them, an elderly fae known for his avid hunting, stepped forward, waving his hand.

"We found their tracks!"

"You did!? Where!?" Pa Zigvolt asked, his eyes shining in excitement - this was their first lead all day.

"Yessir, two little sets of feet headin' due North," the neighbor explained leisurely, scratching his arm. "We followed 'em a long ways and think we know where they're at. That's the good news."

Their hearts plummeted at his next words.

"Bad news is it looks like they went right into the Obsidian Forest."

The forest was still, the night air punctuated at times by the sound of Baul softly cursing at the branches and bushes impeding their way.

“I swear, when I find that boy,” he growled as he smacked away another insolent branch, “Ooh, I swear! When I find him, I’m gonna…!”

Lilia rolled his eyes. Baul had never so much as laid an unkind finger on any of his children or grandchildren, and his grumbled threats never resulted in anything more than a glare or a scowl or a frown.

They'd split up, Baul and Lilia forming one search party, Ma and Pa Zigvolt another, each covering their own half of the forest. The Zigvolt's neighbors remained at the house with Iris, ready to send out an alert should the boys return on their own, partly to keep the still despondent girl company, and partly out of a reluctance to come with them.

And so Lilia and Baul, and Ma and Pa Zigvolt, elsewhere, had been canvassing the forest for several hours, intermittently calling out Silver and Sebek's names, with no response other than cricket song or the occasional owl's cry. The bear's tracks - several sets of them, as it were, overlapping one another and forever winding like a loamy, coiled serpent - provided their only guideline, as the plush leaf litter hadn't absorbed the children's much lighter prints.

However, to their great luck - and to Silver and Sebek's misfortune - the boys had misoriented themselves as soon as they'd stepped foot into the forest, for as they'd trudged through the early morning darkness, their senses and their judgment obscured both by the endless shadows and the heavy fear in their hearts, they had failed to notice the numerous times they'd looped around and mistakenly followed a different set of tracks, some which had been laid earlier that week, others at the beginning of the month. The combination of the forest's perfect uniformity, its paucity of light, and its impregnable secrecy had been leading its diminutive invaders astray from the very beginning. As such, the children had only wandered a few miserable miles during their entire journey, and Baul and Lilia did not have to walk very long to find them.

Presently, the direction of the wind shifted, bringing with it the heavy smell of smoke; Lilia and Baul automatically moved to follow it. The spectral grey tendrils, unable to fully penetrate the canopy, congealed, hanging in a bloated cloud above them, through which murky haze the red light of a fire glowed softly in the distance. The men picked up their pace as the light grew stronger; Lilia soon rushed ahead of Baul, breaking into a run. But it was not the fire's glow that urged him on, that guided him, that drew him through that endless darkness - it was the moonlight of Silver's white hair, brighter and dearer to him than any star, that was his beacon.

"Silver!" Lilia shouted.

"Who's there!?" Silver shouted back, whipping his head around. Spotting the two men, his jaw dropped, and he turned to shake Sebek, who'd been dozing on his shoulder. The boys rose, Silver quickly, Sebek groggily, rubbing his eyes in confusion. Before Silver could take more than a few stumbling steps, Lilia ran to him and pulled him into his arms, and for the first time that summer, Silver allowed his father to embrace him. He ducked his head into Lilia’s neck, felt the man's pulse thundering against his skin, felt in turn as his own tempestuous heartbeat finally calmed after so many long hours of strange terror. Overwhelmed, Silver opened his mouth, and he cried.

Watching the pair, Sebek, the poor creature, threw a nervous glance at his grandfather - the man’s stony face was anger itself. The child felt wretched, and he wished for nothing more than to be held. He drifted towards Silver and Lilia, his wet eyes downcast, feeling as guilty as a whipped hound approaching its master. Before he could begin his pleas, Lilia opened his arms and pulled the trembling boy into a hug. He was at once unburdened, and his relieved sobs soon joined Silver’s.

For Silver and Sebek, the men were their heroes in that moment, their guardian angels - two mighty pillars of light within the black maw of that abominable forest. Go ahead, weary children, dry the pearls of your tears against their shining wings. But do not forget – the Lord’s angels must deliver judgment and salvation in turn. Look now as the one takes up his golden scale, and the other his blade.

The interrogation proceeded as follows:

Although the boys had, while waiting for their rescue, vowed not to reveal the true purpose of their mission, fearing the truth would only worsen Silver's predicament, they had failed to devise an appropriate excuse for their disappearance. Caught off guard, they first claimed that they'd merely wandered into the forest on accident, after having lost their bearings in the woodland behind the Zigvolt's property, but Lilia dismissed the claim at once, knowing his apprentices would never dare be so careless.

The boys retracted this statement, drew a few paces away to convene privately, and then offered a new story, one of a monster that had chased them all the way out into the forest.

“What kind of monster?” Baul pressed.

“A scary one?” Sebek shrugged.

A jury of nosy tawny owls convened spontaneously in the trees around them. They balked wordlessly at the children's flimsy defense.

Just then, and by chance, while shaking his head in frustration, Baul noticed that Sebek's hands were trembling. The movement was so subtle, so minor, that it was only perceptible when the breeze shifted towards them, so that the light from the campfire hit the child's hands just so. Baul nudged Lilia with his elbow and jut his chin towards the boy, indicating his tremors. With both men now focusing their gazes fully on Sebek, Lilia asked once more why the boys had gone into the forest; Sebek crumbled immediately under their wrath.

“W-We just… We wanted to go hunt the bear that’s been killing off the livestock so we…”

“…So you snuck off without telling anyone?” Lilia asked.

“Yeah…”

“It’s my fault, sir,” Silver said, stepping in front of Sebek.

“What?” Lilia and Baul replied in unison.

“I was the one who wanted to go. Sebek didn’t wanna come but I made him. Please don’t get mad at him.”

“Silver!” Sebek squeaked. He opened his mouth to object, but Silver silenced him with a pointed glare.

Baul crossed his arms and looked over Silver, directing his gaze at his grandson. “Is that true, Seb?”

“…Y-Yes, sir.”

“God damnit,” Baul hissed. “You damn kids had us tearing up this whole fucking forest just for-”

“Baul, please,” Lilia sighed. “It’s been a long day. Let’s just get the kids back home.”

“Fine!” Baul threw his hands up and stomped off, muttering under his breath.

Lilia clicked his tongue and turned to the children. “You two, put out your campfire and follow us - and be quick. I’ll light the way with my magic.” Sebek and Silver’s pale faces shone faintly in the cold darkness, as white as the moon. They nodded dully, stunned from Baul’s outburst.

Lilia sprinted down the path Baul had taken, calling after the green and white hurricane crashing through the trees ahead.

“Baul, wait!”

“What!” Baul shouted without looking back.

“If you’d just stop for one second so I can apologize to you-”

“Apologize for what!?”

“For Silver!”

Baul finally stopped.

“I’m sorry, General, but what in the actual hell are you talking about?”

Lilia shook his head in exasperation. “Are you kidding me? I’m trying to apologize for what my child did. He caused you and your family a lot of trouble, so I-”

“Oh, for crying out loud. I was standing right next to you when he said sorry. He doesn’t need his damn pappy covering for his ass.”

“I understand that. But regardless, I need to take responsibility as his parent.”

The thick pillar of Baul’s neck tensed as he worked his jaw. “…You really do still think he’s just a little kid, don’t you?”

“What?”

“I said,” he growled, taking a heavy step forward, “you really still think he’s just a little kid. Don’t you?”

“Yes? He’s only thirteen, Baul.”

Baul blinked at him slowly. “You know, I’ll be honest with you. The day you brought that kid home and said you were going to raise him, I thought that was the dumbest thing I’d ever heard in my entire life. But that right there takes the cake.”

Lilia pinched the bridge of his nose. Clinging onto his last, frayed strand of patience, he hissed out through gritted teeth, “Would you please enlighten me to what it is you’re trying to get at?”

Baul spat at Lilia’s feet. His yellow-green eyes blazed like canary diamonds. “Your boy’s growing up, General. He’s becoming a man. The sooner you accept that, the better.”

Lilia scoffed. “You think I don’t know that? I just-”

“Bullshit! You know what I bet?" Baul licked his lips. "I bet you haven't even noticed he's already taller than you now, huh. All that fucking yapping you do, bragging about each and every little fucking thing he does, and not once have I ever heard you mention it.”

Lilia stared at him incredulously. He recognized the taunt - it was the same one Baul had attempted to provoke him with earlier that Summer, but as Lilia opened his mouth to rebuke him, he quickly closed it again, suddenly overcome by an almost paralyzing sense of apprehension. He's not taller than me... right? He tried to recall the last time he'd looked at Silver - truly looked at him, not in anger or in contempt; not as an object of his frustration nor the progenitor of his grievances; not begging him to please tell him what was wrong and to just talk to him already. He realized with a start it must've been months ago, before the sudden change in Silver's demeanor, perhaps around his birthday, or earlier, for he saw nothing more than abstract glimpses flash before his mind's eye, of Silver's back turned to him, of Silver storming away from him, enraged; of Silver snapping at him with heavy tears welling up in his opaline eyes. But still- No, it wasn't possible, he would've noticed. For what were the past thirteen years of him centering his entire life around the child if he had not? What right had he to call himself the boy's father, to claim the child as his son, if he had failed to notice something so monumental? His son was just a young boy with cherubic little cheeks and bright blue-grey eyes, who would beam at him with the most precious little smile - half-crooked, his thin lips pressed into a rosy crescent moon, and that was the truth. 

“That's not...”

Baul roared over him, drowning out the rest of his halfhearted response. “And now he’s sneaking off and lying to you and taking the blame for shit he didn’t do, and you honestly still think he’s just some dumb little brat who needs his pappy to wipe his ass for him!”

Lilia winced at each of his words, as though they were daggers striking his skin. Noticing the other man's sudden trepidation, Baul paused.

"Honestly, you just..." Slowly, he began summoning the patience one required when attempting to convince Lilia Vanrouge of his own failings, and as his anger dissipated, he thought suddenly of his daughter. His expression softened, settling halfway between a scowl and a lopsided smile; his voice softened, too. “I know how much you're hurting here, but my god, you seriously need to get your head out of your ass.”

Baul continued speaking, but Lilia could no longer hear him, could not wrest his attention away from the uneasiness still gnawing painfully at his heart.

Just then, Silver and Sebek emerged from the surrounding thicket, as if beckoned by Lilia's anguish. His gaze flew instantly towards his son.

The boy's face was filthy, covered in a greasy film of sweat and grime and dirt, with pine needles stuck to his forehead and leaf litter entangled in his hair, and a thin line of blood on his cheek where a branch had scratched him. The steely blue-grey eyes peering at him from above the sharpened cheeks evoked an almost hawkish appearance. He was angular, scrawny, gaunt - nigh spectral in the pale glow of the lantern in his hands. Who was this gangly youth? This stranger? Had his mental image of his son been all this time nothing more than an exaggerated caricature, a farce cobbled together months ago, or years, even?

“We got the campfire put out," Silver said, panting, trying to catch his breath. As he raised his arm and drew his sleeve across his wet brow, the pale circle of lamplight suddenly fell upon his father's face. His skin blazed bone white, and his bloodless lips, parted slightly, were frozen in a silent gasp, as though he were dazed; he looked cadaverous. Silver gulped and took a step back. "...Is everything okay?”

"Silver, stand up straight." Lilia's voice curled out into the chill night air like a fine mist, softer than a whisper, yet the pure animosity with which he spoke betrayed the threat underlying his words, so that the boy immediately drew himself to his full height without a second thought.

Lilia stumbled mechanically towards Silver and cupped his face in his hands, swept his eyes down from his chin up to his lips, to his nose, tilted his head back to meet the boy's gaze- Ah! There it was, Lilia felt it, felt the microscopic contractions in the taught fibers of his neck as he yawned his head back, hardly more than a few degrees, scarcely lifting it above his eye level, could almost hear them as they cried out in pain, and yet - he was looking up at his son! Lilia's palms suddenly grew cold despite the warm flesh they cradled; his hands moved on their own, weakly pressing into the face, as if making one final, feeble, desperate attempt to mold it into the infantile visage beginning to rapidly crumble inside his mind. He choked back a quiet sob and dropped his arms to his sides, receding a few steps away, visibly distraught. The whole torturous act had lasted but a mere moment, during which time Silver had stood petrified, as though caught in a trance. He now sluggishly raised his own hand and traced his cheek where his father had touched him. He shivered; his skin felt like ice.

Baul went to Lilia and spoke at him rapidly in fae language – talking too quickly for Sebek’s mind to translate, and wholly incomprehensible to Silver’s – before turning around and walking off.

Lilia stared at Silver again, opened his mouth after a moment, then closed it, deciding he would talk to the boy later, in private. Taking a deep breath, he began telling the children to follow him, but was interrupted by a thunderous crash off in the distance. The three of them pointed their gazes simultaneously to where the sound had erupted - a freshly felled pine tree, behind which stood a black shadow so towering the boys feared for a moment that it was the bear come to ambush them.

However, to their great relief, it was only Ma Zigvolt who stepped out into their lamplight, casually shaking off the pine dust from her hands. Upon spotting her son, her face broke immediately into a wide smile, while Sebek's, in turn, scrunched up as he began to cry.

“Mama!” Sebek wailed.

Ma Zigvolt rushed over and engulfed his small body between her arms. He nearly disappeared underneath her frame. “Oh, thank goodness!” she heaved, swaying gently as the tight coil of her nerves slowly unwound.

“Is everything… Okay…?” Pa Zigvolt panted as he emerged from the darkness of the forest a moment later. He coughed into his sleeve, and then gasped once he heard Sebek’s quiet sniffles floating out from the cage of his wife’s arms. The long search had exhausted him, had strangled his lungs and poisoned his mind with fear, but the boy’s hushed sobs invigorated something within him, rousing a force in his heart greater than even the weariness hanging heavy from his limbs like iron chains. He lurched forward, breathing heavily, taking one shaky step after another, stumbling as he covered a short distance that to him felt like miles. At last, he lifted his leaden arms and wrapped them as far as he could around his wife’s quivering back, collapsing into her with a sigh.

“Oh, thank goodness! Oh, thank goodness!” Ma Zigvolt whispered again and again.

Lilia and Silver watched them from afar. Silver soon looked away, awkwardness prickling at his skin.

Presently, Lilia cleared his throat, announced loudly that he and Silver would be leaving, and, after waiting a moment for Pa Zigvolt to wave them off, he turned to his son, and motioned with his head that it was time to go home.

Lilia threw himself on the living room sofa with a mangled groan. He and Silver had reached the clearing shortly after midnight, their long trip culminating in several grueling miles of Lilia carrying his exhausted son on his back, trudging almost bent in half for over an hour. He'd set aside Silver's portion of dinner that evening, a plate of sausage links and biscuits that had since grown cold, and this Silver bolted gratefully before excusing himself to take a much needed bath. Consumed with a sudden restlessness, Lilia busied himself while he waited, returning the animals to their enclosures, washing the pile of dishes festering in the kitchen sink, and straightening out the piles of books and toys and other various knick-knacks strewn across the living room. He went to rap his hand on the bathroom door after fifteen minutes had passed, concerned Silver might have fallen asleep in the tub, and, after receiving a quiet response, had staggered back to the living room, where his own fatigue finally struck him.

He clenched and unclenched his hands nervously, occasionally wincing as hot tendrils of pain shot up through his spine and flared out into hips. His thoughts flit rapidly between each of his aching limbs, between the anger, the fear, the sorrow that clouded his mind. While they were walking back home, he could hear Baul's words repeating over and over again, overlapping with Ma Zigvolt's remarks from a few weeks prior, and mixing together with his own, anguished thoughts that had paralyzed him as he'd finally realized how much his son had changed. A part of him, a part that he'd for so long fought to viciously stamp out and silence, knew that Baul was right, and that Ma Zigvolt was right, too. He realized now he just hadn't wanted to admit it.

When Silver at last emerged from the bathroom and came to sit beside Lilia, he did not react at first. The boy - the youth, his child, his son, the stranger - stared at him silently. His eyes, though sharper and slightly narrower than how Lilia remembered them, still bore that same, auroral hue that had first captivated him so many years ago, and he found himself being slowly drawn out of his frantic ruminations as he met Silver's gaze.

Folding his hands in his laps, he took a deep breath, and asked, "Alright, so what's the real reason you did all this? Because you were mad at me?

Silver fidgeted in his seat and nibbled at his lip. His eyes darted to a corner of the living room. "No. I mean, yeah, I was mad at you."

"Over what happened at the dance?"

Silver's gaze jumped to the other corner. "The dance and... other stuff."

Lilia recalled immediately all their quarreling from the past few months, the long days that would pass without Silver uttering even a single word to him, and the even longer nights where he could hear him quietly crying in his room next door. His heart ached for the boy. He reached out to drape his hand over Silver's. “Baby, you know I-“

Silver swatted his hand away and retreated further into his side of the sofa. “You’re doing it again!” he whined, his voice cracking.

"Doing what?"

"You keep treating me like a little kid!"

"You-!" Lilia swallowed his retort with a grimace. Exhaling slowly, he admitted grudgingly, "You're right, I am. And I'm sorry. I'll try to stop doing that."

Silver's jaw dropped open. He couldn't recall his father ever having conceded to him so easily before, if at all. Quickly recovering from his shock, he sat up straight and said, "Umm- I mean, yeah! Please do that." He crossed his arms and nodded sagely, with the air of one who has successfully negotiated for terms that are completely in one's favor.

"Now, I can understand you ran off because of what's been going on recently, but what about your behavior from the past few months?"

Silver uncrossed his arms and tilted his head quizzically. Noticing his confusion, Lilia explained he meant the very same quarrels that Silver had previously mentioned, as well as his sudden adoption of the moniker "Father".

"I dunno." Silver shrugged his shoulders. "I mean, the "Father" thing's 'cause Sebek told me about it a while ago."

Lilia blinked. "Told you about what?"

“He told me… Ah, wait.” Silver straightened his back and puffed out his chest, pointing his eyebrows sharply together like an arrowhead. “He said, “Silver! Why do you continue to refer to your father as “Papa”!? Are you not turning thirteen years old soon? It’s positively childish!”” Deflating into his usual stoic expression, he continued, “And then he told me if I wanted to be a real knight, then I need to hurry and grow up already.”

Biting back an incredulous snort, Lilia summoned as much tenderness his weary body could muster, and said, smiling, "Listen, you don't have to do everything Sebek tells you to, you know. You can call me 'Papa' all you want. If somebody doesn't like that, that's their problem."

"But I don't..." Silver looked away again. His voice dropped to a whisper, as though hoping that if he spoke his next words quietly, they would hurt his father less. "I don't want to."

Lilia's smile vanished. "You don't?"

"Uh-uh."

"...But why?"

"I just..." Silver frowned. "I don't know. You keep asking why I do this and that, but I don't know how to explain it. It's like every time I try to catch my thoughts, they up and fly away from me. And then you just keep on badgering me more and I just get so mad."

Silver had expressed similar sentiments numerous times before over the past few months, but although there were no stunning revelations to be found in his words, no breakthroughs to be made in understanding the transformation in his demeanor, Lilia, for the first time, listened to him. Lilia had stumbled blindly through that whole Summer, feeling as though he were trying to walk across quicksand, ever fearful that the next blowout with his son, that the next new symptom of his strange ailment would lead to some sort of irrevocable, irreparable damage to their relationship, but as he listened, he felt the ground beneath his feet finally, slowly begin to solidify at last.

They quietly conversed for half an hour longer, at which point Silver began to yawn and rub at his eyes, nodding off a few minutes later. Lilia stood up, intending to carry the boy to his room, only to immediately drop down onto the sofa again with a pained cry. Rubbing deep circles into his lower back with one hand, he leaned over and gently shook Silver awake with the other.

"Go on and get to bed. We can iron out your punishment some other time."

"Okay." Silver rose slowly, dragging his feet as he plodded down the hall. Standing before his door, he turned around and stammered, "I love you," before disappearing into his room.

"I love you, too." Lilia replied hoarsely, fighting to speak past the lump in his throat.

With a grunt, he lifted his leaden legs onto the sofa and lay down flat on his back, sighing pleasantly as the worst of his pain began to subside. For over an hour he drifted in and out of a restless slumber, after which he stiffly sat up, and, this time rising without issue, limped quietly across the floor and down the hallway to Silver's room, steadying himself with a quivering hand against the wall.

Silver lay fast asleep, sprawled out face down atop his barren mattress, his blankets and several of his pillows still scattered across the floor from Lilia's frantic search that morning. A soft smile tugged at Lilia's lips. He must've passed out as soon as he lay down, the poor thing. Not trusting he'd be able to stand up straight again should he bend over in his present state, he instead cast a cleaning spell, and watched as the blankets and discarded pillows silently rose from the floor and arranged themselves neatly into place on Silver's bed. His eyes flicked back to Silver as the emerald sparks of his magic began to fade away, but the boy did not stir.

He cupped Silver's cheek, swept his thumb across the warm skin, moved his hand up to his hair, and began picking out the bits and pieces of pine needles and leaf litter Silver had been too exhausted to comb out while in the bath. His thoughts began to wander again while he fussed with a difficult knot.

Loss had accompanied him all his life; it was as regular to him as the changing of the seasons, as inevitable as the mighty storm that had swept across their nation and all the other natural disasters that would someday follow. But when he found Silver, he'd believed, selfishly, foolishly, stubbornly, that here was something, the only other thing besides his own heart, that he would be able to keep for himself, that life could not take away from him. Perhaps therein lay the reason why he had tried for so long to remain ignorant of his son's maturation, why he had fought so desperately to prevent the boy from growing up, from growing away from him. But he knew now that he'd been wrong, for he had split his heart in half long ago - long before he had ever left the castle. One half he had given to Malleus; the other lay before him now, curled up against the palm of his hand, breathing quietly, the moon's silver glow shining faintly in his hair.

And though he did not have a name for it, he could feel as something new was beginning to slip away from him once again, just as the soft strands of moonlight slipped through his fingers.

“And that's okay,” Lilia breathed out with a shudder. “It'll be okay. And I’ll try. I’ll let go.”

Lilia brought his folding stool into the garden and set it down amidst a semi-circle of empty buckets and baskets he'd arranged between two rows of low bushes, and, after sitting down gingerly, careful not to agitate his back, began picking off handfuls of snap beans from the bush before him. It was the second week of August - time for the Summer harvest at last, and when finished here, he would move onto the squash and eggplants next, then the bell peppers and tomatoes, then the watermelon and strawberries; the sweet potatoes he would leave for Silver to dig up on his own. Having recently satisfied the terms of his punishment, during which period he'd spent several weeks completing additional training exercises and chores every day, Lilia had granted him a short holiday, and he presently lay fast asleep in bed. Though working on his own, he moved quickly, and filled two of his buckets by the time Silver awoke later that morning and approached him in the garden.

He'd already combed his hair and gotten changed, with his knapsack slung comfortably across his shoulder. He'd grown another inch in the past month, and his face seemed miles away as Lilia looked up at him.

“Father, may I visit the Zigvolts?" he said plainly, studying his father's face. "The robins told me Sebek got a new astronomy book he’s been wanting to show me.”

Lilia dragged his sleeve across his wet forehead and nodded. "That's fine. Will you be having dinner there?”

“No, I don’t plan to.”

"Alright."

While Lilia returned to his picking, Silver shifted uncertainly from one foot to the other, his gaze jumping between his father and the forest path beyond their home. After a moment, he licked his lips and asked, “Did you, uh, want me to wait for you?”

Lilia shook his head. He looked up at his son again and smiled.

“No, you go on without me.”

Song credits

“Twistin’ the Night Away” written and recorded by Sam Cooke

“I Wish You Love” recorded by Sam Cooke, written by Albert Beach

Title is taken from the Hannah Montana song by the same name.

Just for the sake of transparency, some parts of this fic took very heavy inspiration from Marjorie Kinnan Rawling's book "The Yearling", particularly the first two chapters.

[dailynoodlezz24]

Ok, i had the thought (since i love werewolves and vampire stuff, liches, all that-- I blame Skyrim and its unhealthy amount of beautiful mods-- and Dungeon Meshi just seems so perfect about it with its races and stuff) what if Marcille's a dhampir, basically a human vampire crossbreed, who seeks to become fully vampiric in order to be able to sire in lieu of the dungeon lord/universal longevity plot. (Spoilers: she still doesn't get it in the end lmao) Falin is a longtime friend of hers through a backstory I still haven't made up yet, and Marcille's introduced as a new addition to the main cast, who are a party of hikers (or for some sort of venturing activity). Month in, Falin's gone and had herself eaten by some weird dog described in only folklore, which Laios would later excitedly incite as a "lycanthrope". (They tried to call emergencies for a missing person, but they came up with nothing. Everyone thinks Laios is going insane when he concludes that the sight they saw after Falin became officially missing, blood trails and offly wolfish tracks fading off to somewhere, was the work of a wolfman, or a werewolf, and suggested going to search for Falin themselves. Namari and Toshiro leave promptly) Chillchuck and Marcille stay with him, one determined with his navigational skills and the other fully believing in this supernatural theory. They decide it's best they start camping in the forest, deeper and closer to the wilderness, prompting them the idea: hunt for their share. Which may or may not be illegal :shrug They meet Senshi, one hell of a wildchef man. (Marcille's total disgust with the idea of eating out in the wild stems from the fact she doesn't want to survive off of squirrels again. But this food is pretty good, and she's eating other animals than small rodents this time. Chillchuck just doesn't want to hear about the weird ass facts about how skinwalkers might be related to humans and their horrific hunting tendencies while eating.) The deeper they go, the more strange and bizarre this forest becomes. First normal, unassuming, then the ravens start speaking and the rabbits have horns. And if you peer into it close enough, your eyes might just find company in where the campfire doesn't reach. So on and so on, they find Falin's bones in the corpse of the creature, and suddenly there's a little guy with white hair and crazed, purple eyes(thistle), who beats them all off with a stick(not actually lmao). Last they see is Falin's remains being reanimated with the dripping blood of the stranger. (Marcille had tried in desperate attempt to revive Falin with her own blood/bite, but to no avail, revealing herself in the process. The only thing she can note is the awful taste of something doglike, aka the lycanthrope disease circulating in Falin's bones-- since they were chomped before she died RIP.) Now they're against a highly aggressive abomination under the servitude of someone out to get them. And the opps are on them(canaries) Now I'm just thinking abt whether or not to make Marcille also a werepyre? Considering it would make sense for her to also get her human-half infected into something "full-fledged" in the way she hadn't intended, and still come up without the ability to sire(she wants to make a cauldron for company, a cauldron being like a vampire made family, due to the same motives of keeping her loved ones). Thank you for reading my ramblings, I am brimming with ideas for this AU.