#you can really tell that felicia was. my first time putting together a character sheet while vester is the latest

[ageofwonders]

Yeh yeh ^-^ Uh I've put screenshot + text transcriptions under the cut for each of them. Felicia has an extra theme listed because she lost the personality themebook and got a adaptation theme that I never got to fully fill out </3

ADELINE(Borderliner):

Defining Relationship: "Doomed" Guide I hope one day you'll tell me why you care… +A:Why is this relationship so important to you? Actively Looks Out for Me +E:When you call for help, who will aid you? Man Who's Been Through Worse +F:What gift, heirloom, tool, etc., did they give you? Pocket Knife -C:Who or what else is vying for their attention or time? Unsavory Friends

Destiny: Abandon All Hope Why am I to bear this role? +A:What is most useful about your destiny? Recieves Divine Knowledge +F:Who or what helped you manifest your destiny? That Who I Loved +H:How can you direct your destiny or part of it to someone else? What Comes After -D:What evil is drawn to you because of your destiny? The Dead & Damned

Personality: I'm doing something important, leave me alone. +A:What lies at the core of your personality? Want of Control +J:How do you strive to improve yourself? Try to Appear Normal +E:What special skill or talent did you pursue because of your personality? Lingustics Student +I:What typically interests you? People Watching -B:What sort of people or conditions make your personality less effective? Social Butterflies -C:What aspects of your appearance, style, or physique can get in the way? Pain Behind The Eyes

Bastion: God's Word Who is supposed to guide me to salvation? +A:What quality or ability granted by your mythos most often protects you? Divine Authority +H:Who or what were your powers meant to protect? God-Sent Journey +E:How can you use your defense actively? Shine Blindingly -C:To what attacks is your defense susceptible? Pure Physical Prowess

FELICIA(Borderliner -> Legendary):

Defining Event: Money Down The Drain I couldn't do anything to stop it. +A: What kind of strong emotion did your defining event leave you with? Resigned Peace +B: What part of your old self, while deeply changed, still serves you? Care of Loved Ones +H: What approach to life did you adopt following your defining event? "Play the Cards I'm Given" -B: Following your defining event, what responsibility or social burdens do you have to shoulder? Financial Debt

Personality: I Don't Get Paid for This I act my wage. +A: What lies at the core of your personality? Doing the Bare Minimum +C: What interpersonal skills do you have thanks to your personality? Bullshit Detector +F: What aspect of your personality helps keep you safe or helps you resist influence? Stay out of others Business -A: What happens when you let yourself go too far? Ignore Responsibilities

Familiar: 3 Birds, No Stone Why do the crows hound certain people? +A: What is your familiars main trait, ability, or power? Warn of Ones Doom +F: Which acute or supernatural senses does your familiar have? Know Someone's Fate +B: What other natural weapon or defense does your familiar possess? Persistent Wings -A: In what way does your familiar get in the way? Random Bird Attack?

Expression: Wash Armor Before the Blood How can I know who will win? +A: What is the most common way you use your mythos to affect the world? Give Battle Strength +B: What useful reverse effect can you exert? Strike Fear Unto Foes +E: Against what targets are your expression powers more effective? Easily Riled Up -D: What are the repercussions of bringing your mythos into the world? Bathed in Blood

Adaptation: Sovereignty Withheld What will make me go too far? +A: What mythos power allows you to respond differently to every situation? Phantom Shapeshifter +G: What attitude or emotion lies at the core of your adaptive powers? Pure Bloodlust -C: What hinders your mythos or limits it's capabilities? Hard to Conceal

VESTER(Touched):

Defining Relationship: Dante ALigheri???????? (Her Name is Adeline) I'm not letting you do anything brash on my watch. +A: Why is this relationship so important to you? Better Moral Compass +C: What were you forced to learn because of this relationship? Take Care of Others +J: Where do you spend time together? College Library -C: Who or what else is vying for their attention or time? Angel from Above

Possessions: Tools of the Trade I'm just keeping these out of worse hands! +A: What is the most important thing in your possession? Knifes and Lighters +B: How would you describe your possessions in general? Stolen Goods +E: What kind of stunts or moves do you typically do with your possessions? Flashy Knife Trick -B: What bad habits or traits related to your possessions do you display? Kleptomania

Defining Event: Jail :( If I get caught again, it's over. +A: What strong emotion did your defining event leave you with? Need to Stay Strong +F: What skill or mundane ability did you pick up during or due to your defining event? Light Sleeper +G: What knowledge did you gain access to thanks to your defining event? Criminal Operations -D: What is now broken within you, physically or mentally, due to your defining event? My Bad Leg

Relic: Minoan Leather-Bound Book What will the book ask from me in return? +A: What is the main useful feature or part of your relic? Helps Grant Wishes +D: What cosmetic attributes does your relic possess? Regal Finish +H: What have you learned from your relic? Write the Rules -A: What is the most troublesome shortcoming of your relic? Too Pretty to Use

omg hiiii another city of mist blogger!! do you have tags or posts about your characters that I can read 🥺

hai hai haiiiiii :3 i heart the narrative and its consequences

Uhh right neow I have like two main tags for characters that I've like. Actually played

Felicia is my lil meow meow whose campaign died but also if I don't use her for something in the next 5 months I am going to blow up. Rift of The Morrigan(Irish goddess(es?) of war and fate) who works at a liquor store and wishes the economy didn't suck

Adeline sucks and I hate her /j Uh she is the rift of Dante Aligheri's Divine Comedy(the inferno purgatario and paradisio), a linguistics major who needs catholic god to get her to go touch grass. She has one older brother(Sven) who has had his lore change so much since I first made him but he's normal around other people and will get Adeline to eat a vegetable :)

However recently I have come up with a third. Sibling who also sucks so so bad. His name is Vester(Sylvester) and uh basically Sven used to be a rift of King Minos but then he turned into a different character so I took those traits and. Put them onto the Vesterrrrr. He's a kleptomaniac who will steal your knives and lighters and also he has a magic book that he can ask for wishes from(meant to represent the bull that was a gift from poseidon to prove that minos was rightful ruler). He needs glasses really really bad but doesn't wanna wear them because he'll look like a nerd and he's not a nerd he's gone to jail!!!!!1!!

I have like. 15 other lil guys who are desperately rattling aroudn in my head and I wanna get them out so bad but also introducing characters scary :( One day I shall let Carol be real

[feadae]

@bliss-delight-jr Here are the song recs you requested! The list ended up being kinda comically long; way too long to put in a reply, so here it is (you asked for bops and jams and I added a bunch of bangers too bc I have a ton of bangers in my playlists and not many jams)

-“Topsy Turvy” from Hunchback of Notre Dame – movie and musical versions are both amazing, but the movie version is more of a consistent bop; the musical version is just a few clicks slower and is split in half by two numbers, which are both amazing, but don’t have the feel of a bop) -“Roundtable Rival” by Lindsey Stirling – a freaking JAM and also a BANGER -“Thrift Shop” by Vitamin String Quartet – a JAM -“La Llorona” from Coco – not a bop, a jam, or a banger, but like, it’s so GOOD -“The Court of Miracles” from Hunchback – again, the movie and musical versions are both great, and I’ve actually been using the musical version to get me up and moving in the morning, but the movie version is WAY more of a bop in terms of tempo and general feel; in the musical, Clopin sort of relishes having caught Quasi and Phoebus and the song is a slower kind of menacing, but in the movie, Clopin revels in being about to kill the Boys and the song is fast and bouncy and lively and a bop -“I’m the One That’s Cool” by The Guild feat. Felicia Day – a banger if I’ve ever heard one -“96,000” from In the Heights – a bop -“Carnaval del Barrio” from In the Heights – a jam that becomes a bop that becomes a banger -“The Rocky Road to Dublin” by The High Kings – a BOP -“Facade” from Jekyll and Hyde – closest to bop? I judge the difference between bops, jams, and bangers by the kind of movements that I naturally make when I hear the songs, and I make “banger” movements when I listen to “Facade,” but there’s something in my brain that’s telling me it’s too lively to be a banger, so I don’t know. It’s good, regardless. -“Murder, Murder” from Jekyll and Hyde – now this is a banger, for sure. A musical theater banger. -“Joy of the Lord” from Hands on a Hardbody – first, that’s a hardbody TRUCK. Don’t get any ideas. And “Joy of the Lord” is kinda repetitive, but it’s such a bop; I love it -“Born in Laredo” from Hands on a Hardbody – somewhere between a jam and a banger; this is an angry ballad, and I’m LIVING for it -“Can’t Sleep Love” by Pentatonix – somewhere between a jam and a bop -“Tavern Song (Thai Mol Piyas)” from Hunchback of Notre Dame – now this one is only in the musical, but the chorus is such a bop! The verses are closer to a jam and the whole song is so good. Fun fact: it’s the only song in the whole show that includes a language that is not English, Latin, or French! -“Esmeralda” from Hunchback of Notre Dame – I’m so sorry that there’s so much Hunchback on here, but it’s Alan Menken and Stephen Schwartz’s fault for writing such Damn Good Music, and I’m a little obsessed rn since I’m in the thing. But “Esmeralda” is the Act I finale and it’s a musical theater BANGER. I get CHILLS every time. -“Un Poco Loco” from Coco – a bop, pure and simple. It’s so cute. -“Istanbul” by They Might Be Giants – also a bop. Very catchy. Fun fact: the first time I heard this song it was a Barbershop cover on YouTube, and for a solid five years I didn’t understand that it was a cover and not an original, bc I’d never heard the original and I’d never heard of They Might Be Giants, so I figured it was the name of the quartet the guy singing it was in (it was one of those quartet-with-yourself things YouTube vocalists love but I digress). I also didn’t get the concept of YouTube cover artists arranging their own covers if they wanted to genre-bend, so I was v disappointed when I couldn’t find the sheet music for my own Barbershop quartet to sing at contest -“I See Fire” by Peter Hollens – a jam -“Help!” by The Beatles – a bop -“All for the Best” from Godspell – a very fun bop that plays on multiple meanings of the phrase “all for the best” and there are some pretty dang cute videos of high school productions of this one -“Alas for You” from Godspell – a BANGER. A righteous-anger BANGER. If I recall the plot of the show correctly, this is Jesus losing it in the temple that folks turned into a marketplace. -“Flip Flop and Fly” by Ellis Hall – the first place I heard this was in Chicken Run as a kid, and I don’t know if it was written specifically for the movie or not. All I know is that it’s a futzing BOP. -“Flintstones” by Jacob Collier – a BOP. -“What the Heck I Gotta Do” from 21 Chump Street – 21 Chump Street is a 15-minute mini-musical written & composed by Lin-Manuel Miranda, based on a true story, and “What the Heck I Gotta Do” is such a cute bop. -“Run, Freedom, Run!” from Urinetown – Yes that’s what the musical is called. It’s an Experience. “Run, Freedom, Run!” is a BOP, though. -“Cop Song” from Urinetown – A bop that becomes a banger -“Jet Set” from Catch Me If You Can – a BOP. Honestly this whole musical is so good. It’s a bit like Cheez-Its in that you kind of forget about it when you’ve got more interesting options available, but then you choose it and you’re like, “I forgot how good this was!” That’s Catch Me. And yes, it’s based on the Leo DiCaprio movie. -“Somebody’s Eyes” from Footloose: the Musical – I don’t really have strong feelings about this musical, but “Somebody’s Eyes” is fun. It’s a jam. -“Jolly Holiday” from Mary Poppins: the Musical – A bop. Mary Poppins the movie was my CHILDHOOD and I got really excited when I heard that it was a musical too, and I love the musical. They add huge chunks to the songs that aren’t in the movie, but they sound good and stand pretty well on their own. “Supercal” and “Step in Time” get honorable mentions, because I adore them both, but the musical versions don’t really fit into the bop/jam/banger categories. I 100% recommend watching a video of “Step in Time” though; the choreography is KILLER. -“We Go Together” by David Tennant and Catherine Tate – this is a bonus track on the soundtrack for the Much Ado About Nothing where David and Catherine were Benedick and Beatrice, and this song is such a cute bop that encapsulates the Beatrice/Benedick dynamic really well. It’s great and I kinda wanna see if I can convince a future boyfriend to sing it with me. -“Moon Goddess” by Jocelyn Hagen – this is a choir piece, and you wouldn’t expect a choir piece to be a banger, but “Moon Goddess” is a BANGER. Trust me. -“Godzilla Eats Las Vegas” by Eric Whitacre – it’s a concert band piece and I guess it could maybe be a banger but I really just want you to listen to it because it’s exactly what it sounds like and it’s HILARIOUS. -“Incantation and Dance” by John Barnes Chance – another concert band piece, and kinda long, but it’s a jam that becomes a banger, and it’s spoopy too; perfect for Halloween Season -“The Typewriter” by Leroy Anderson – a concert band piece where the primary soloist plays an Actual Literal Typewriter and it’s great. A bop. -“Livin’ It Up on Top” from Hadestown – a BOP. The musical is one of those concept-album musicals and it’s a Great-Depression-era retelling of the Orpheus and Euridice story and it’s GREAT. -“Way Down Hadestown” from Hadestown – also a bop -“Our Lady of the Underground” from Hadestown – Persephone gets to start Act II with a kickass solo and it’s a JAM. I adore it and I really wanna sing it for a hypothetical voice recital -“You’re Gonna Go Far, Kid” by The Offspring – a BANGER -“When You’re Evil” by Aurelio Voltaire – a JAM. A SPOOPY jam. -“The Devil Went Down to Georgia” by The Charlie Daniels Band – a bop and a banger all at once. I adore it. -“Down in New Orleans” from The Princess and the Frog – both the reprise and the original are such good bops, but I especially love the reprise because Anika Noni Rose’s voice is ANGELIC. -“Through Heaven’s Eyes” from The Prince of Egypt – I adore this whole soundtrack with my whole soul, but “Through Heaven’s Eyes” is the only song that really fits into a bop/jam/banger category, and that only barely. It’s a bop if you squint, but regardless it’s really good and I love it. -“The Mad Hatter” from Wonderland – a musical theater banger. The new Mad Hatter is a woman, and she’s a mezzo-soprano, so you know what that means: a jazzy introduction song where she gets to belt her heart out and it’s great. -“I Will Prevail” from Wonderland – the Mad Hatter’s other solo, also a banger, goes even harder than the first one, because It’s Act Two, Bitches, Shit’s Gettin’ Real -“I’ll Think of You” by Kurt Hugo Schneider – a cute little a capella bop. I definitely recommend watching the video on this one because the patty-cake thing the singers do while singing is really impressive and really cute. -“Oh, the Thinks You Can Think” from Seussical the Musical – listen this musical is so cute, and I’d love to play Gertrude McFuzz, because she’s so cute, but I’d ESPECIALLY love to play the Cat in the Hat, because he falls into the category of Chaotic Good/Chaotic Neutral, Spritely Character Where Gender Doesn’t Matter in Casting (others in this category include Puck from Midsummer, Ariel from The Tempest, and Clopin from Hunchback—all characters I want to play). And this song is the opening number and it’s a really fun bop. -“Tango: Maureen” from RENT – a jam. Makes me want to learn how to tango. -“La Vie Boheme” from RENT – a BANGER. -“The Road Goes On” from The Lord of the Rings: the Musical – YES, this is a real musical. YES, I’m as excited as you are. This song is a bop, through and through. -“Both Sides of the Coin” from The Mystery of Edwin Drood – a BOP. The whole musical is wonderful and I love it and you should listen to it (have the Wikipedia summary pulled up while you do; since it’s based on a book that never technically ends, since Dickens died before he could finish it, the musical is a solve-it-yourself with multiple endings, where the audience picks the ending every night) -“Be Good or Be Gone” from Pump Boys and Dinettes – somewhere between a bop and a banger -“Papaoutai” by Pentatonix feat. Lindsey Stirling – a bop -“Ac-Cent-Tchu-Ate the Positive” by Bing Crosby feat. The Andrews Sisters – a cute little bop -“Hobbit Drinking Medley” by Peter Hollens feat. Hank Green – such a bop. So cute. I really like the video -“Independence!” from The Trail to Oregon – this is a StarKid one, and it’s so fun. A bop. -“Rogues Are We” from Holy Musical B@man! – more StarKid. Closer to a banger. Especially fun to sing along when you’re alone in the car and you can belt out all the notes in all the character voices with no one to give you a funny look for it *I was trying not to do this, but just anything by Celtic Woman. It’s all so good! -“Finnegan’s Wake” by The High Kings – such a BOP, good LORD. -“Way Ahead of My Time” from Taxi Cabaret – it’s a bop, and it’s sung by a gay caveman. That is all you need to know. (There are a bunch of really good professional versions but I found a high schooler called Wyatt Walberg on YouTube doing it for his school and his version is really good) -“Any Kind of Dead Person” from Ghost Quartet – a BOP. And another spoopy bop, no less. -“Alive” by Skipinnish – I don’t remember where I first heard this, and my brain is telling me there’s a distinct probability that either you or Sock recommended it to me (OH I think it’s in a playlist one of y’all made for CotIG), so if you already know about it, then this is a reminder to listen to it again, because isn’t it so good?! A bop. -“Danger On the Dance Floor” by The Cog is Dead – A BANGER. A TANGO. A GREAT STORY. WHAT MORE COULD YOU WANT. -“Nicknackatory” by Mr. B, the Gentleman Rapper – so apparently gentleman rap (I think it’s called chap-hop, which makes me really happy) is an actual genre, and I love it with all my heart. This is hilarious. A bop.

So...yeah