#you are missing the point

[s0ckh3adstudios]

everytime someone portrays Airy as evil an angel loses its wings /ref

[diegamerdie]

If I say "Hitler is an evil monster" does that mean I'm ignoring the cultural, social and political factors that lead people to adopt fascism?

No, it means that I don't care enough about him to go into endless spirals discussing his psychology.

The point of the game is that you went through his POV and made the same conclusion at the end you would've made in 3 seconds had this story been from Anya's POV.

The same way curly listened to him and had to go through hell to probably make the same conclusions he would've made had he listened to Anya.

That Jimmy's a monster and he deserved to be shot just like Anya wanted.

The moral of the story is literally: "hey don't waste your time on motherfuckers like jimmy he'll destroy your life and make you his culprit"

The same way you shouldn't waste your time and resources on converting abusers while the abused stay without support, voices or platforms.

[fluffypotatey]

playing part 2 in defending a draft i don't even like

[xamitras]

For many of years I had this tradition of drawing Wirt and the beast once a year to see how much I have improved, then depression hit in 2023 and couldn't continue, but it left so really amazing art in the process

[alanaisalive]

Now that Eurovision is over, I want you all, especially the Americans, to take a good hard look at how the voting results turned out when people boycotted the event.

In the UK, the viewing figures were down about 2 million people compared to last year. Up to 2 million people made the conscious decision to not watch and not vote because of Israel's inclusion.

The final results of the public vote, Israel came in first place in the UK and got 12 points. Because the only people watching and voting were people who backed Israel or at least didn’t care one way or another.

This doesn't matter. It's a music contest. The boycott was still the right thing to do because it is just a show at the end of the day, and the viewing figures have more impact than the results.

But it is also a good object lesson to show you what happens if you boycott a vote over something that does matter. Choosing not to vote in, let's say, a presidential election will have similar results.

[thebenevolentvampire]

Interview with the Vampire 2.04

[daftmooncretin]

armand and louis are like that couple that have a baby to save their marriage but instead of having a baby they emotionally torture an old man that they both kind of want to fuck

[phantom-kiwi]

Venom 3 spoiler warning but like

"Ride me cowboy", "we've been together for a year?", "Sometimes I think we would've been happier you and I living a life like this", them calling each other Thelma and Louise? Them talking about future plans and the camera directly cutting and staying on literal happy newlyweds?? "BUT I NEED HIM BACK" ???? A montage of their time together???? Hello ??? Symbrock nation can you hear me !!!!

[katsinspats]

Tragic: Guy you based your entire villain backstory on doesn't even remember you

[childrenofthesun77]

Sorry, but I'm in my mid 20's at this point and people coming at me with "but fanfictions can fix this!" sounds kind of stupid to me?

Fanfictions are great! But how does it solve the problems I have with the canon text exactly? It's like comparing apples and oranges. It's not the same!

[oobbbear]

This took me an embarrassing amount of time but guess what it’s finished

[carlandrea]

The reason Animorphs works as a deconstruction of the kid hero archetype is that it comes at it from a place of respect for the genre, and for the children reading it.

It never denies the kids agency, because it is a book for children, who want to read about children being given agency. Animorphs doesn't treat its child soldiers as victims the way a story aimed at adults would. They are full agents within the story who make moral choices. The fact that they are children is treated as a tragedy, but it's not treated as something that absolves them of any responsibility.

It plays by the rules. These kids are the only people who can save the world. They cannot trust the adults in their lives. It just takes that story—the story it's telling—seriously.

The message of animorphs isn't actually of "isn't it fucked up that this book I read when I was a kid sent a twelve year old on an adventure" it just uses its take on the kid hero genre to get across the actual message, which is War Is Hell

[1ddiscourseoftheday]

Liam was a boy, and then a man, who suffered so much trauma and pain. He was bullied as a child and then lived a nightmare that I think none of us can really imagine of having that triggering experience replicated on a literally global public scale. He became a man who inflicted trauma on others. He was an addict who was unable to find a way out of that disease, and now never will, but who was open and vulnerable about his struggles. He was an incredibly talented musician and artist and an absolutely integral part of one of the most important bands of a generation; his voice and songwriting and skill in the studio shaped every aspect of what One Direction became at their best. He loved that band and being a part of that experience with his whole being and would never have stopped celebrating what they meant to us and to the world. He had problems and did bad things; that doesn't mean he was a bad person who didn't deserve to be loved and helped to heal- everyone deserves that- and the fact that that's not something that can ever happen now is devastating. I was very distressed by many of his actions; and I cared deeply about this man I didn't know and wished for better for him than this outcome.

I'm so deeply, deeply SAD tonight. I'm sad for Liam, who will never now have the chance to look back on this hard time and reflect on how far he's come, and for Liam's family, for his parents and his sisters who loved and supported him so much, and for everyone in the 1D band family and circles. And I'm sad for us. It feels like nothing will ever be quite the same, and that's hard and sad and shocking. It's a special kind of doubled grief, to mourn the loss of the person, and also of what he meant to us in this strange world of parasocial fanning, for the real him and also for the version of him that we made up and attached so much meaning to and for the escape that brought us. For him, and also for the easy uncomplicated joy of listening to those beautiful songs from happier times, which might never feel the same again. For the other boys, who we love so much and wish we could shield from suffering and loss and pain. For our fellow fans, who we also worry about the impact of this on. Everything about this is terrible, and I am sending so much love out to all of you. We are not alone, and it's okay to feel complicated emotions and it's okay to mourn and it's okay to care about how it effects you and your life, whatever you're feeling- it's okay. We are here with you. We are 1D family.

[valictini]

I’ve already said it, I’ll say it again, Mal du Pays is such a visceral and clever word to describe Siffrin’s Sadness. When I first saw it in game it genuinely made me pause like. Yes, it translates to homesickness. But it has the literal word for country in it. “Country sickness”. For a guy whose core problem is that his childhood, his culture, his country is missing. One could argue it’s a twisted pun. I’m obsessed with it.

[computercreature]

something i see a lot in the dungeon meshi fandom is attributing izutsumi's personality traits to her being a cat. and while ryoko kui definitely gave her cat-like traits intentionally, she's a talented enough writer to also give her a backstory with reasons for those traits. for example, her tendency to only do and eat what she wants.

izutsumi's character arc revolves around freedom. she grew up caged in a circus. and although she was fed enough to survive, this was only because a living catgirl attracted more customers than a dead one.

[id: first image is izutsumi as a child framed behind bars and standing on all fours, making it clear how skinny she is. a hand in the foreground holds out a bowl of what appears to be kibble. narration says “thrown in a cage and given food every once in a while… is that what you would call ‘being raised’?” in the second image she is now sitting on the floor of her cage and eating a rat. end id]

look how skinny she is! we see her eating what appears to be... kibble? oats? and then a rat that she possibly caught for herself. she had no choice but to eat anything she could.

[id: part of the dungeon meshi manga. a slightly older izutsumi is tied to a post and tade sits next to her to say "we've got a roof over our heads, beds, food, and clothes. they've got everything here. is there someplace nicer than this out there?" izutsumi thnks for a moment and says "i hate that someone's already decided what i'm going to eat tomorrow. my name, the clothes i wear, where i sleep, where i go next... here, all of that's been decided by another person... even though, come tomorrow, i might want to eat something else instead. that's why i'm leaving." at this, tade cries out in shock. end id]

when she's taken into the nakamoto household they begin to treat her much better. she's on about equal footing as tade, who also had a rough living situation before being taken in, and tade loves it there! they get healthy and tasty food and they're not sleeping in cages. but izutsumi still isn't free. she can pass off her chores and vegetables to tade and disobey in any way she can but she can't leave. maizuru even put a collar on her, further dehumanizing and trapping izutsumi.

when izutsumi joins laios's party, she's finally 'free', but it's not the kind of freedom she wants. she has to eat even more food she doesn't want or else she'll starve. but the difference now is that she's can leave at any time, and if she stays, she's treated as an equal. they're not feeding her monsters because they see her as inferior. they're all eating the same food so they can reach their goal(s). and this is part of izutsumi ultimately learning that in order to do what she wants, she has to be willing t do the things she doesn't want to

[seagreenstardust]

The entire plot of MHA hinges on the question “what makes a hero, a hero?”. There isn’t a single plot point that doesn’t tie directly back to that question. And it’s completely, perfectly bookended by Izuku’s version of the question: “Can I be a hero without a quirk?”

The fact that this question is answered both times by Katsuki, and the answer goes from “quirkless=useless” to “not only CAN you be a hero, you ARE a hero, and I’m gonna personally make sure you get to be for the rest of our lives” IS INSANE