#yes. i used “Anything But” in this post. i am currently obsessed with its fraudulent delivery but that is a post for another day

[cripsynapkinskin]

Most Hozier fans will do ANYTHING but acknowledge the African-American influence that shapes most of his music. No one talks about it, and no one cares.

Rather let him be your "forest daddy", "fae king", "Irish dude", and all that stuff, and refuse to acknowledge some of the political and social commentary he's made, especially those that affect P.O.C. Rather put his folk music on a pedestal, and ignore everything else. Rather "go look another way".

I've probably seen about 2 posts ever, that talk about the African-American influence in "Take Me To Church", self-titled and "Wasteland, Baby", and almost everything. Everybody else just sees his music as cute cottagecore, forest folk stuff. It's almost as if "Nina Cried Power" (such a powerful anthem, with THE Mavis Staples) , "Almost (Sweet Music), "Someone New" and basically the whole of self-titled don't actually exist.

It's almost as if Hozier doesn't incorporate R&B, Soul, Blues, Gospel, Funk and Rock and Roll into his music, and it's almost if these SAME people don't enjoy it.

He mixes Irish with African-American and everybody only acknowledges and appreciates one side of that. How surprising. How shocking. 🙁