#yes homophobia and bigotry exist in a lot of churches but its not all of them

[nururu]

Lgbtq ppl who make fun of church in general are lame tbh. It's not all horrible. There are more open and welcoming churches in my area than there aren't. Y'all gotta stop with the nihilism and the individualism like genuinely. It's poison. I'm not saying you gotta go to church but you're rejecting a majority of community and belonging and then wondering why you feel lonely and like no one is there for you.

[demoisverysexy]

An Open Letter to the Person who Blocked Me for Being Mormon

For context:

If you’re reading this, I hope it finds you well.

This letter is mostly for me, so I can get my feelings out. I’ve already talked about this with a few of my friends, and I’m feeling better than I was than when you blocked me. I’m still upset. Mostly because of general trends I see on tumblr of hatred for Mormons. A lot of it comes from ignorance and misunderstanding. Some of it comes from a place of genuine hurt that can’t go unaddressed. I don’t want to be dismissive of those who have faced trauma at the hands of my church. I am one of those people, and I know how deeply pain associated with my church can be. After our interaction, I felt that talking about it would help me process this.

Before I go on, I must be clear that this is not an attempt to get you to unblock me. As nice as it would be to be able to see your blog again – you’re very witty, and I enjoy your content! – I can live without it. This is more a response to the trend on tumblr specifically of hatred against Mormons, and assuming that they’re all bad people who are complicit in every single bad thing that the church does. You just happened to force me to be a little introspective about my church and my relation to it. Thank you for that.

First, however, I would like to clear up some misconceptions:

Your initial joke that prompted me to tell you I was a Mormon was a joke about Mormons and polygamy. The largest two organizations that can be classified as “Mormon,” The Church of Jesus Christ of Latter-Day Saints and the Community of Christ (which incidentally allows for gay marriage and has female clergy, though I am of the LDS sect), both disavow polygamy. There are other, smaller offshoot Mormon groups who do still practice this, which is where horror stories of polygamists marrying teenagers arise. These people are also Mormons, though I wish they weren’t, in the same way that problematic Christian groups are Christian, though many Christians wish they weren’t.

I do recognize that mainstream Mormonism has been labeled as a cult by many people, though the reasons people provide generally don’t hold up. Often the proof that people provide of my church’s cult-like nature is to take note of corruption that can be found in almost every church. These issues – such as racism, homophobia, and misogyny, to name a few – while real and important to address do not a cult make. Sometimes the proof is to point towards practices that are demonized in my church, but are practiced in other religions with no comment, or even celebration. Other times people will point to their own experiences with toxic church congregations, and while those issues are very real, they are by no means universal. My experience growing up Mormon was a lucky one in many ways. I personally don’t think that most people who study my church from an academic vantage point would call it a cult. I would consult them on this matter. After all, someone in a cult is rather hard-pressed to be able to tell whether they are in one or not.

Another point often levied against Mormonism is how it leaves its queer members with religious trauma due to its homophobic teachings. I understand this well. I have experienced deep religious trauma associated with my political stances in favor of LGBTQ+ rights (though that wasn’t the whole story). I won’t go into detail about this right now, but suffice it to say, I had a very traumatic time on my mission that led me to a very dark place, and ended with me contemplating choices I would never be able to take back. I’m fine now of course, but I carry those memories with me.

So why would I stay despite all this? Is it because I’m brainwashed? You would have to ask a psychologist about that, but I would say probably not. I knew, and know now, that the ways I was being treated were unfair and wrong. I don’t have time to go point by point to address every grievance I or anyone else has with my church and explain my position on it, as much as I would like to clear the air once and for all on this topic so there is no misunderstanding. Here’s the reasoning that has kept me here so far:

I think that every person of faith must, at some point, deal with the problematic aspects of their church’s history and doctrine. This comes with the territory. Whether it be disturbing stories in scripture, imperialist tendencies, doctrines that chafe against us, or problematic leaders, no person of faith is exempt from wrestling with the history that accompanies their faith. I have studied my church’s history in depth. Many of the horror stories I heard were provably false. Many were true. Where does that leave me?

I believe that God is bigger and better than us. We make terrible, awful mistakes all the time. But I don’t think that makes God less willing to work with us. If anything, I think it means he wants to help us more. He wants to help us move past our histories and become better. My church has a long way to go in this regard. For too long we have been silent when it mattered, and people have been wounded by our silence. Or even the words we have said out loud! If you look at my Mormonism tag on my blog, you will see some examples of what I am talking about. I have been wounded by the things my church has said and not said. It hurts awfully, and I ache for those who have been wounded more deeply than I.

But at the same time, I cannot deny the healing my faith has brought me. Whatever problems my church has – and it has many, deep and pressing issues – it is because of my faith that I am the person I am today. I can draw a straight line from my religion to the positions I hold today. Because I am a Mormon, I became a Marxist. Because I am a Mormon, I became nonbinary. Because I am a Mormon, I became a leftist. I cannot ignore that my religion, flawed as it may be, has led me to where I stand now. I am at the intersection of the hurt and healing the church offers. It is a difficult line to walk. But I hope that in walking it, I can bring healing and love to those who hurt in the ways I do. To let them know that they are not alone, and that they have a friend who can help them wherever they choose to go.

Yes I am queer. Yes I am a Mormon. I am here because I am trying to fix things. If at some point in the future I realize that I cannot change things, perhaps I will leave. I hope it does not come to that. And things are changing. They have changed before, and they can change now. I am confident that my God is willing to lead my church where it needs to go. I hope I can help speed things along. We shall see.

But spreading unequivocal hatred and disdain for Mormons does not help those of us who are Mormon who are trying to fix things. Yes, those who have left Mormonism due to trauma need a safe place to be away from that, and acknowledging the church’s many faults can be helpful to those people. I myself have criticized my church quite vocally. But refusing to listen to the stories of those of us who choose to stay, telling others that we are evil or stupid or what have you, is also quite traumatic to us. We are people too, with thoughts and feelings. It is easy to dismiss us out of hand if you assume we aren’t.

I try to be open about my religion and political stances on my tumblr. See for yourself: It’s a mix of Mormonism, LGBTQ+ activism, Marxism, and pretty much every other leftist political position you can find. Along with all the furry stuff, of course. But despite all this, I am still terrified every time someone follows me to tell them I am Mormon. More than I am to tell them that I’m queer. Tumblr is not representative of how things work in the “real world,” of course, but I have received hatred for being a Mormon there as well. And it’s mostly other Christians. So on the one hand I’m hated by LGBTQ+ folks, on the other hand I’m hated by my church for being queer, and on the third hand (as apparently I have three hands), I am hated by other Christians. I do not face hatred to the same degree from other Christians. I saw it most on my mission. But still, it exists.

(Incidentally, Evangelicals, who you seem to have problems with, and perhaps rightly so, though I have not done a study of the matter myself, largely despise Mormons, from what I have heard. Something to consider.)

I want allies. I want help. I want understanding. If I am to push back against bigotry in my church, I need your help. I need everyone’s help. Fighting bigotry wherever we see it is a worthy pursuit, I think. And if we can succeed, we can make the world a better, safer happier place. I want to fight off the ghosts that haunt my church. You don’t have to fight them with me, but I would appreciate it if I could have your support. It would make my job much easier.

We aren’t enemies. At least, I don’t think you’re my enemy. We both have been hurt by homophobia and bigotry. We live in a capitalist hellscape where police brutality and racism are on the rise. Fascism is looming over the political backdrop, along with the ongoing threat of ecological disaster. I think we would be better off helping each other than going after each other. I ask that you please listen to us when we say you are hurting us. The Mormons you blocked knowingly followed you, an openly queer person who calls out racism and bigotry and pedophilia. Yet you assume we are in favor of those things. Someone can at once be part of an institution while recognizing it’s flaws. (Aren’t we both Americans? Why not move if we hate it so much?) And perhaps we have used the “No true Scotsman” fallacy to justify why we stay. I don’t believe I have. I don’t feel I need to.

I hope that you consider what I’ve said here. I hope we can work together. And I hope that no matter what, you find peace wherever you end up.

Yours truly,

Demo Argenti

[thesinglesjukebox]

TAYLOR SWIFT - YOU NEED TO CALM DOWN

[3.65]

The one that's on our mind, 365, all the time...

Will Rivitz: The Singles Jukebox -- Corrections, June 21 2019: The author of this blurb has previously stated that the selection of Meghan Trainor as LA Pride headliner would forever be the nadir of Pride-related programming. The author regrets the error. [1]

Joshua Copperman: The discourse for "ME!": "What does this mean for Taylor's next era?" The discourse for this lyrical clusterfuck: "What does this mean at all?" It's a much more interesting production, without stock horns and with some nice "Royals"-y vocal layering, but it's the most incoherent thing she's ever released. Is it about stans? Is it about homophobes? Is it a coming out song? Did Taylor throw the first shade at Stonewall? What is HAPPENING?? I'm sorry, I need to calm down. [3]

Will Adams: Taylor said "Gay Rights!" Kind of! Sort of. Well... it's complicated. Not necessarily because of her status as a cis straight woman, but because the message itself is so damn muddled. Stans and trolls and bigots and music journalists are lumped in the same mass of "haters," and while it's worth noting that this by no means the first anti-haters pop song to exist, the overt political text here results in lots of crossed wires. The song suffers as a result too, throwing half-formed catchphrases at the wall to see what sticks: the chorus is a melodic void (odd considering Taylor's songwriting strength); the "gowns" reference is too subtle to register; the patter results in odd scansion throughout ("like it's PUH-trón"); and "snakes and stones never broke my bones" is no more clever than "don't need opinions from a shellfish or a sheep." Speaking of Katy, also wrapped up in all this is a resolution of a beef that never seemed that important except as something for either party to mine for big single launches. It's all too much, especially for a not-bad track that fizzes just fine on its own. It'd be churlish to ask Taylor to take her own advice; for now all I ask for is coherence. [4]

Jonathan Bradley: Taylor Swift has always had a talent for deploying sharp and piquant phrases, the sorts of lyrics that tell blunt little stories like animated gifs. It's an opportunity for her to go broad and get funny: "Some indie record that's much cooler than mine," for instance, or "I can make the bad guys good for a weekend," or "I don't love the drama, it loves me." "You Need to Calm Down" is like an entire song built from these lines, and it whirls by like a Twitter thread or an Instagram story. Taylor sass is a lot of fun, and many of these ripostes are satisfyingly catty in their insouciance ("I'm just like, 'hey... are you OK?'" might be the best of these). Swift has shrugged off detractors on "Shake It Off" and "Mean," but she is more single-minded this time, and that focus paradoxically dilutes the intent. Swift's greatest strength as a songwriter is her interiority; she's adept at examining and interpreting her own feelings. But a consequence of that is that she is far less certain when she needs to step outside the bounds of her own head. The worst song she has ever released was a charity single called "Ronan," in which Swift sung in the voice of a mother who had lost her child to cancer; so talented at realizing her personal traumas, she proved incapable of reconstructing her sympathy for that bereavement in her own voice. "Calm Down" has some things to say about homophobia, and in this terrain outside her own experience, Swift's words are not so much unpleasant as awkward and a bit superficial, particularly in their uncertain invocation of "shade" as bigotry. (If stan theorists needed evidence that Swift is indeed as straight as she publicly presents, it's here: a queer Taylor would not have written a second verse as disengaged as that one.) But even diluted, Swift singles are still constructed tight. This one continues finding the pastel inversion of Reputation's skeletal synth sound, and echoes "ME!" with a hook of vowel sounds as palilalia -- "oh-oh, oh-oh, oh-oh, oh-oh..." this time, rather than "me-hee-hee." It's a tic that works -- in moderation. [7]

Alex Clifton: (Puts on music critic hat) It's stronger than "ME!" (which isn't hard but worth noting), I'm glad she takes swipes at homophobia but equating that with personal shots is a little bit weird, it's super catchy but the lyrics are still a little lacking, and I still can't remember all the words even though I have the melody memorized. (Takes off music critic hat, puts on bisexual Swiftie stan hat) EVERYTHING IS RAINBOWS AND MY BRAIN WON'T STOP SINGING THIS AND I WOULD MARRY TAYLOR SWIFT, HAPPY PRIDE!!!!! [5]

Alfred Soto: I'm sure it will sound fine on the radio, especially played beside "Bad Guy" and "Old Town Road." The maximalist intentions behind the Everest-sized synth bass and her rat-tat-tat delivery bespeak a mind that recognizes it's the one needing calm. Except for the "parade" line, I wouldn't have known this alludes to Pride if I hadn't watched the video. I don't feel pandered to as a queer man because, after all, a Pride parade is superficial performativity anyway. [6]

Katherine St Asaph: Give her this: the stacked-up arpeggio in the chorus is an absolutely brilliant hook, particularly the second time when it goes over the top. The rapid-fire prechorus is pretty good too. But the beat is the same freezer-burned "Paper Planes"/"With Ur Love"/"Send My Love (To Your New Lover)" chill, the accents are so far from the right syllables they've filed a misSING perSONS REport, the conflating of trolls with professional critics with the literal Westboro Baptist Church is bad (as is the weird class shit in the video, as if you can't be anti-gay and present like a Pleasantville star), and all this was done much better on "Mean." [5]

Katie Gill: In a way, this song is hellishly brilliant. Taylor Swift has provided her standom with a weapon, something that they can wield against any form of criticism. Want to write an article criticizing the fact that Swift seems to put "homophobia" and "me having internet bullies" on the same level, the fact that the video tactlessly paints rural Americana as the enemy of LGBTQ+ people instead of the Mike Pences of the world, or the fact that the second verse leans way too close to the sort of tactlessness that only aggressively woke allies can pull off? Expect a flock of Twitter replies telling you condescendingly that "you need to calm down" and "you're being too loud," as people ignore the half-assed condemnation of standom during the song's third verse in favor of using Swift's lyrics as a cudgel against any perceived haters. For all that Swift is trying to shed the sneaky snake image, traces of it still linger between the lines. [3]

Edward Okulicz: The people who said "Heartbeats" by The Knife was the future of music were right in 2003, and based on this, have now been right for 16 years and counting. That enormous synth-bass takes a song that should have been awful on paper (ugh, a thematic sequel to "This Is Why We Can't Have Nice Things," which itself is why we can't have nice things, like good Taylor Swift songs), with the second verse featuring the worst lyrics Swift has ever written, and makes it frisky and playful. The "uh-oh uh-oh UH-OH!" hook is legitimately her best in years. Obsessing about someone is tedious, obsessing about those people is even more tedious, but for once, Swift sounds like she's legitimately above it, even if I don't think she knows what "shade" is. I wanted to hate this for its posturing, but I can't, because of the "uh-oh" bit. But just between you and me, I liked Katy Perry's last single more. [6]

William John: I'm always happy to hear songs that approximate the "Heartbeats" melody, and the layered vocals here sound lovely, but Dorian Corey didn't keep a mummy in her house for fifteen years for "shade" to be misinterpreted so flagrantly. [3]

Danilo Bortoli: Is it fair to demand political accountability from artists? The question remains thorny these days, but when Taylor Swift blatantly goes after pink money, the answer is yes, loud and clear. The case made for "You Need To Calm Down" has pulled the identity politics card (as usual, The Onion put it better). That is, Swift's song oversimplifies an ancient struggle for recognition, making up a narrative that isn't Taylor's to call her own. But what is more infuriating is the sugarcoating: the fact that pride should come only from within, and the naive and painful suggestion that a homophobe would go silent after a line as awful as "shade never made anybody less gay". That is to say, when it comes to protest, I prefer it the French way. Which is why all of this begs the question: Would you tell Richard Spencer to "calm down"? No, of course you wouldn't. [2]

Jacob Sujin Kuppermann: There are probably 2300 words elsewhere in this post about the politics and rhetoric of Taylor's words here (and I'll get to that), but first I feel obligated to talk about how "You Need To Calm Down" works on a purely musical level. It sounds like ass. It takes the bag of tricks that Swift used on "Ready For It?," the most musically captivating of Reputation's singles, and sands off all of their weird edges. Yes, there's a bass thump to welcome you in, but without the distortion it just sounds like Taylor's doing "Royals"-lite (I mean, Joel Little did produce.) And with the fangs off the verse, the lift to the chorus fails to land. It's all just sound, an undifferentiated, imperial wave of midtempo banger signifier without a real hook. Even Swift's vocals, which have always been her most compelling tool, can't sell the song's vibe -- she's confused not giving a fuck for calm. Of course, it's not entirely clear what "You Need To Calm Down"'s vibe, or point, even is. It's trying to be clever, with its winking references to stale LGBTQ and feminist symbology, but by conflating (or at least juxtaposing) those struggles with the problems that Taylor Swift has as a widely hated famous person, it ends up saying nothing at all. In the end, "You Need To Calm Down" is less a coherent song in itself than a Potemkin village to situate endless thinkpieces in. Make it stop. [3]

Ashley Bardhan: I know the title is "You Need To Calm Down" but there are no human words that can aptly describe how much I hate this song. Think of a young pigeon cooing as it flies through a fish market, weaving over and through the glistening crates of silver-scaled fish and ice. Oh no! There's a problem with a shipment! The owner angrily tosses a fat fish into the air, and its scales glint as it smacks the pigeon mid-air and onto the ground with the full brunt of its weight. The pigeon sees the fish market, its final flight, behind its closed eyes in a hurried blur. It weakly wheezes its final birdsong, and then... nothing. Yaaas, hunty. [0]

Iris Xie: 🤷 This is so tired, I can't even be that mad about it. The only question I have, because this song and MV isn't even worth a QTPOC-centered thinkpiece from me is this: when is the Post Malone + Swae Lee + Taylor Swift collaboration happening? This sounds so much like "Sunflower" and is just as deadening. Even the excitement of one of my besties sending me an ~*urgent*~ text message about Katy Perry and Taylor Swift making up over their imaginary feud, once they realized it hurt both of their fanbases, can't even ignite an ounce of care from me. (Bless your heart, my dear friend.) If she really wanted to pander to the gays, she could've just written a sequel to "Look What You Made Me Do" and become a slicker conduit for the less graceful parts about being in queer scenes, which can be about petty, messy drama, rather than being the subject of rage and apathy about being another harbinger of happy happy HAPPY gaypropriation. Like, whatever, she can have her extremely meaningless self-declared ally medal. I've been calm, just give me actual music. [2]

Isabel Cole: It's like this: A while ago I was catching up with an ex who mentioned he'd recently come back into contact with someone we'd known in high school -- acquaintance of his, frenemy of mine, a few sparkling months of giggling BFF-ship deteriorating across a year I spent defending her while she shit-talked my fashion sense in the girls' room to the local blabbermouth -- and he told me, with an ironic arch of the brow, that when my name had inevitably come up she'd said, "Isabel and I used to be so close; I wonder what happened." Reader, I spent like a week losing my mind, repeating the story and relitigating the history to anyone who would listen while bitterly making fun of her internet presence. Was this because I am petty and emotionally volatile? Yes. But it was also because there is a certain level of willful detachment from reality which I do not have the cognitive capacity to process adequately. Taylor Swift having the gall to tell any human on earth to calm down makes me feel insane the way it makes me feel insane to see someone citing as evidence of their incurable adolescent unpopularity the dorky AIM screenname they picked based on an affectionate joke I made. Taylor Swift saying "take several seats" makes me feel the same combination of spiteful and enraged as reading a line recycled from Livejournal in 2005: please learn like everyone else to disguise the extent to which the human brain is a machine wired to seek validation, the transparency of your desperation is making all of us uncomfortable! God, I wanna snub her in a lunchroom so bad. The song is unappealing in ways that barely merit mentioning -- verses that sound like they were reverse-engineered from a MIDI file of the superior but hardly sublime "Gorgeous," chorus that throws in the plodding piano of roaring bravery -- but even beyond the equivalency it implies between Twitter making fun of her and, like, hate crimes, I find the bridge particularly embarrassing, because of how artlessly it reveals its origin: Taylor Swift literally read a Tumblr post (or, the algorithm we call Taylor Swift processed several hundred Tumblr posts) from 2011 saying "stop pitting female artists against each other [handclap emoji etc.]!!!!!!!!!!!" and thought, Wow! Feminism! As for the possibility that this is another masterful turn from Taylor the troll (or troll!Taylor as there is a distressingly high chance she'd say) and by falling for it I've let her win: (1) Taylor Swift is always already winning, this is exactly what Marx was talking about (2) Let me kick it back to my ex one more time: when I asked what she was like these days, he considered and said: "I thought she'd developed self-awareness, but then I realized it was just self-identification." Yeah. [1]

Scott Mildenhall: You know sometimes, when you read the annotations on genius.com, how their deductions and inferences appear to have been made by algorithm? For instance, the notion that this being released on that loud American guy's birthday "seems to support the theory" that one line is about him? This is what would happen if that algorithm was tasked with writing a satirical song. [5]

Stephen Eisermann: My take? This is more lazy allyship than commercialization of pride. Plus, it's kind of a bop. Sucks, then, that Taylor completely misunderstands what shade is -- but did we really expect any better? [6]

[Read, comment and vote on The Singles Jukebox]

[cassandraclare]

prejudice in fantasy lit and the use of metaphor

reallybigshadowhunterstvfan said:

what can you say about making Simon a shadowhunter, Mrs Clare? it seemed odd to me that after a whole series of battling for equality between species/races, the downworlder had to become a shadowhunter. not only he basically ceased being a minority, he also became a part of a privileged community, and it just didn't sit well with me.

 Just for the record — I’m not Mrs. Clare; there is no Mr. Clare. I am married, but my pen name is not my husband’s property. :-) 

I think this is a very interesting question that brings up a ton of issues, but there are some aspects of it I’d love to clarify — for instance, I am puzzled at calling Simon “the Downworlder.” Is he more a Downworlder than Magnus? Things like that actually are really important when discussing stories — if he were the only Downworlder in the story, that would be one discussion, but he isn’t, and therefore his story does not speak for the experience of all Downworlders or even a small fraction. 

I am sorry you were surprised negatively by Simon’s story in TMI. Simon never wanted to be a vampire — he always hated it, and unlike Raphael and Lily, he never joined the community of vampires but instead spent all his time with Shadowhunters. Being a Daylighter had already changed him from being any kind of regular Downworlder, as did bearing the Mark of Cain: both made him even less “the Downworlder” and more of an anomaly. It also separated him from the other Downworlders, who treated him with distrust. In my experience, very few readers expected Simon to remain a vampire, given that it was something he never wanted or got used to, and that it was not his dream. More on that in a bit.

As to the question, to me the suggestion that Shadowhunters are “the privileged” and Dowworlders are as a block “the marginalized” — instead of being a complicated metaphor in which they sometimes but not always stand in for people who have had their rights curtailed —  overly simplifies the situation. It is an argument seems to ignore the fact that in fact, humans exist along axes of privilege and marginalization: that people can be privileged in one way and marginalized in another and that when Simon becomes first a Downworlder and then a mundane and then a Shadowhunter, he is not moving clearly from marginalization to privilege, but rather exchanging some types of privilege for others (he remains white as a Downworlder, and is a Daylighter), and exchanging some types of marginalization for others (the marginalization of being a Downworlder for the marginalization of being a mundane-born Shadowhunter and a Jew in a world where Shadowhunters are meant to have one religion). 

Because the argument disclaims spectrums of privilege and marginalization, it also suggests that the world of the Shadowhunter Chronicles is one in which there are no gay or POC or trans people in existence; one in which there is no racism, homophobia, ableism, cis privilege, or bigotry against the neuroatypical. But that is both problematic erasure, and also not true of these books. Downworlders don’t stand in for people of color or LGBTQ+ people because people of color and LGBTQ+ people are in the books; they have not been subsumed into metaphor. (I know the showrunners said there was no homophobia in the Shadowhunter world, only warlock-phobia, but that’s the show, not the books, and it has a different world and world-building. I notice this is a question I get since the show came out, and I sometimes wonder if it’s a question of confusion between the two different universes? It’s easy for that to happen.)

Fantasy prejudice metaphors are complex and confusing and they rarely work as a one to one comparison (in other words, there is a difference between saying that this fantasy situation is reminiscent of this real world thing and saying this fantasy situation is exactly the same as this real world thing. For instance, one of the really interesting things about True Blood is that it made many deliberate parallels between “vampire rights” and GLBT+ rights — referring to vampires “coming out of the coffin” and “God Hates Fangs” on church signs. However, its vampires were also often violent predators who killed and ate people. The argument that Simon “basically ceased being a minority” (while, somehow, remaining Jewish) is similar to making an argument that True Blood was saying that gay people kill and eat their neighbors; I’m fairly sure in fact, they weren’t. They were reaching for a resonance — the echo of a real world situation that would give a layer of relatability and meaning to their points about difference. But they were not creating a literal “these things are the same” comparison or they wouldn’t have had vampires chewing off people’s heads.

So: are Downworlders discriminated against? Yes, sometimes, by Shadowhunters, who are a small specific group. Do they “stand in” for a specific minority group? No, they cannot, because they are accessible as a metaphor to any marginalized group or groups whose rights have been abridged. Also: the world at large does not discriminate against Downworlders because they do not know they exist, nor do they privilege Shadowhunters because they don’t know they exist either. It would be one thing if this was a high fantasy and Shadowhunters and Downworlders were all there was, but these books are set in our world, and the characters experience real-world bigotry, racism, homophobia etc. because of it.

Alec sighed. “Sorry to wreck your vision of our happy family. I know you want to think Dad’s fine with me being gay, but he’s not.” 

“But if you don’t tell  me when people say things like that to you, or do things to hurt you, then how can I help you?” Simon could feel Isabelle’s agitation vibrating through her body. “How can I—” 

“Iz,” Alec said tiredly. “It’s not like it’s one big bad thing. It’s a lot of little invisible things. When Magnus and I were traveling, and I’d call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don’t know if that’s because I’m young or if it’s because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now.” He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec’s. “It’s not like a stab wound you can protect me from. It’s a million little paper cuts every day.”

 *** 

“He hurt you. It was a long time ago, and I know he tried to make up for it, but—” Bat shrugged. “Maybe I’m not so forgiving.” 

Maia exhaled. “Maybe I’m not either,” she said. “The town I grew up in, all these spoiled thin rich white girls, they made me feel like crap because I didn’t look like them. When I was six, my mom tried to throw me a Barbie-themed birthday party. They make a black Barbie, you know, but they don’t make any of the stuff that goes with her—party supplies and cake toppers and all that. So we had a party for me with a blonde doll as the theme, and all these blonde girls came, and they all giggled at me behind their hands.”

***

If we carry the theory through (Shadowhunters are THE privileged, Downworlders are THE marginalized) that means that Alec, as a gay Shadowhunter, is more privileged than Simon, a straight vampire. That Ty, who would be locked in a mental institution if the Clave discovered his autism, is privileged beyond white, rich, immortal and powerful Malcolm Fade. It’s saying that when Cristina encounters a wealthy, white, straight, misogynist male werewolf in Lady Midnight who tries to force sexual attention on her, she, a Latina woman, is the one who is the privileged character because she is a Shadowhunter and he is a Downworlder (though Sterling has arguably, given that he lives outside the supernatural world, never experienced a whit of prejudice because of it.) So I’m sure you can see where the problem lies.

It also erases Simon’s Judaism entirely. Stating without caveat that Simon has become “part of a privileged community” means ignoring the fact that Simon is Jewish; that he decides in Tales that he will continue to practice, and that he was the only Jewish protag written by two Jewish authors that I’m aware of having been on the bestseller lists last year. He didn’t think about being a vampire as he was preparing to transform — he never wanted to be one or consented to be one, nor was he part of the community, as Raphael constantly pointed out — though he does later think of having previously been a Downworlder when interacting with vampires and Shadowhunter prejudices. He thought of the important thing to him: his Judaism, which he both couldn’t and wouldn’t give up. To me it is personally painful to think that for any reader, Simon’s status as a vampire is more significant than his status as a practicing Jew.

I think sometimes it is possible to invest yourself so heavily in a metaphor that you forget the real world that surrounds the metaphor and the flexibility of metaphors in general. The Shadowhunter/Downworlder situation could stand in for the systemically privileged and marginalized of our world: sometimes it does. However it also can stand in for the way totalitarian governments abuse their own people: there are echoes in Shadowhunter history and current events of the Cambodian genocide, of Stalinist violence against intellectuals and resistors. There are also echoes of police brutality — what Shadowhunters have is the privilege of the Law, specifically: the Law is what allows them to enact bigotry in the name of justice, and when they abuse their jobs, it has resonances of the way police can abuse their jobs and use the privilege conferred on them by their authority to murder and abuse the helpless and marginalized. There are also echoes of the way soldiers carry out immoral orders given by superiors: the Shadowhunters are taught to be obedient to the Clave, and one of the ways we know who our Team Good is in any TSC series that they question that obedience. All of these are echoes and resonances: they are not saying that the Shadowhunters are the police, or the US military, or the Khmer Rouge; the resonances provide context and hopefully add a sense of realism to a situation that is fantastical in its nature.

 (It’s also a wise idea not to so totally buy what the Shadowhunters are selling about themselves. They think they’re special and better and awesome, but the books constantly question and problematize that. Shadowhunters also pay a high high price for their runes and their sense of superiority: they die young and often and experience brutal constant violence and the pressures of a repressive society that allows for little divergence from an idealized norm.)

There are reasons that the Downworlders were never constructed to be a specific marginalized group and their situation was never meant to be limited in its relatability to one situation— for instance, it’s very hard to not look askance at the argument that Downworlders are meant to be specific “race” when you can become a Downworlder and then stop being one: when you can, as Simon does, change what kind of magical creature you are, because there is absolutely no correlation between that and what race or ethnicity means in our world. 

 So yes, Simon becomes a Shadowhunter: however, what I don’t see acknowledged here is not just his ethnicity and religion, but the fact that he becomes a Shadowhunter partly because he is aware of the prejudice of Shadowhunters, and fights against the bigotry they show not just to Downworlders but also to their own. He is part of Magnus and Alec’s Shadowhunter-Downworlder Alliance. He continues to work for change from within the system, arguably something almost no one else could do, because there are almost no other Downworlders who have become Shadowhunters. It is odd to me to consider Simon as simply ascending to a height of blithe privilege when he is fact much more like someone who has become a police officer in order to root out corruption and racism in the police, and brings his own knowledge of marginalization (which he still experiences) with him.

That is why Simon in Tales from the Shadowhunter Academy is constantly fighting and bending the rules in the name of his evolving social conscience, though I understand if you haven’t read TfTSA. One of the things about having had a flood of new readers enter fandom because of the TV show is that I’ve seen a lot of arguments based on the idea that TMI is the entire story of Downworlders and Shadowhunters, or the entire story of these characters. I see people talking about characters getting a happy or sad ending in TMI even when those characters go on to feature heavily in the sequel books and could by no reasonable account be considered to have any ending, happy or sad — unless you thought TMI were the only Shadowhunters books that existed rather than a chunk of a larger ongoing mythology. In no sense has Simon’s story ended: you have no idea if he will remain a Shadowhunter or not. Perhaps if you consider the fact that TMI is not a story that has ended for Simon, but rather one that continues, the fact that he has now been two magical species and might well move on to become another will sit less poorly with you? After all, this is not “after a whole series of battling for equality between species/races” this is “in the middle of a whole series of battling for equality between species/races.” Usually the middle of a story isn’t the place it’s best to draw all your conclusions from. :-) 

[lj-writes]

I'm a white agnostic in a white roman catholic yet secular society. My objection to religion has to do with homophobia, transphobia, racism and misogyny. I can't follow an organisation that treats the lgbt+ community as evil and women and poc as lesser. But i respect faith. I just can't have it. If God does exist, how does he allow the world to be such garbage? That's my issue with religion. But others can have faith and practice religion. (1/2)

However, my province (Quebec, Canada) is using its secularism to propagate this idea that following religion is bad. That ppl shouldn't wear religious signs bc it's ostentatious (yes it's the actual word used). There was even a chart to remove all "ostentatious signs" yet keeping the cross at the National Assembly for historic reasons (which is bs bc Maurice Duplessi put it in the 50s to assert his power and the closeness of the state with the church). (2/3)

The closeness of the state with the church was a real issue bc the church was telling ppl who to vote for and was pushing religious ideas in homes. (Women should have more kids) This lead to secularism in the 60s. But since then, ppl have been using secularism to be xenophobic towards non Christians. Towards muslims and Sikhs, not making the difference between the two. And now with a right wing populist government in power, the talk to remove all signs in public jobs (3/4)

(e.g. teachers or doctors can't wear hijabs or turbans). It's always followed with a "if they want to live here, they have to follow our values. If they're not happy, they should go back where they're from." So no, secularism isn't a solution. A secular state doesn't make a more welcoming society. It's just using another tactic to be xenophobic. (4/4 sorry it got long, i have a lot to say about the white nationalism of my province)

Yup, I certainly don’t exempt religious institutions and people from being bigoted and hateful. I had my own objection to homophobia and bigotry that led me to leaving church, after all. (But not Christianity as a spirituality, despite not believing in God. I consider myself a follower of Jesus’s teachings, I just don’t believe he was God. No more God than everyone else, anyway.) My issue is with so-called secularists who pull the kind of shit you’re describing--selective secularism that is not only objectionable in the first place for being unjustified attacks on personal liberty, but also constitute very thinly disguised xenophobia and assimilationism as well. It’s why I deeply dislike New Atheism/movement atheism which gives cover to this sort of Islamophobia and racism.