#yes Ezra if you are reading this that stanza is about you and so many slang words

[itsjules-here]

Valentines’ Day approaching got me thinking about being aromantic and how Romantic Love (TM) is touted as the be all and end all of what it is to care about other people and this poem exploded out of me:

How is a heart meant to be carried by one other person

How are they supposed to carry all of me themselves

Must I demand back the slang I learned from my friend

It was ironic at first in use, I swear

Must I take back the book my mother and I read together

And I laughed where she cried because I didn’t understand

That the main character had lost someone

Must I return the TV show I watched with my brother

We made our parents tape it during our swimming lessons

Must I forget how to knit

For it was my grandmother’s wizened hands that taught me how

My heart is a patchwork of pieces given and taken in turn

I cannot give it all to another, even in exchange for theirs

Most of it does not belong to me

And the pieces are too precious to give it away

 My heart is made of a thousand loves

Of a thousand people who have left their imprint

Romantic love is one facet of infinity

And I would rather have all but that one

Than invest all my heart in something so lorded over the others

And yet so slippery and breakable

[blogwritetheworld]

The Write Place: The Everywriter’s Desk

by Lisa Hiton

Looking for the right advice on pursuing the writer’s life? You’ve come to the write place!

The summer before my junior year in high school, my soon-to-be teacher, Ms. Tanimoto, assigned two books to incoming AP students: The Scarlet Letter by Nathaniel Hawthorne and The Elements of Style by William Strunk Jr. and E.B. White. The Scarlet Letter was forgotten as soon as it was finished; I instantly detested Hawthorne’s penchant for moral allegories surrounding evil and sin, finding it all a bit too on-the-nose and heavy-handed. The Elements of Style, however, became an instant mainstay to my writerly temperament.

It seemed strange to be assigned a reference book to read cover to cover. I’d only ever used reference books like dictionaries, thesauruses, and encyclopedias as touchstones during reading and writing assignments—brief interruptions to expand my knowledge and/or revise my work.Upon reading Strunk and White’s masterpiece, however, my understanding of reference books changed entirely. Though the book is a mere 87 pages, my peers seemed to begrudge the assignment or blow it off entirely. I, on the other hand, found my attention rapt.

The Elements of Style is a reference book on the rules of English rhetoric, yes, but the attitude and dogma of its writers, Strunk and White, make it as much a manifesto as a convincing collection of laws governing the way we (ought to) speak and (must) write. The seriousness of tone and voice in these pages presents us with far more than a reference for grammar and usage, but rather, a true understanding of style in and of itself—that rhetoric is more than grammar and syntax, but a true translation of our consciousness into clear, material words. Such gravitas became most apparent to me when I arrived to page 52. Amid the section on misused words and expression, Strunk and White lay out the difference between nauseous and nauseated as follows:

Nauseous. Nauseated. The first means “sickening to contemplate”; the second means “sick to the stomach.” Do not, therefore, say, “I feel nauseous,” unless you are sure you have that effect on others.

Besides thinking of the many times I had misused “nauseous”, I actually laughed out loud. Amidst the seriousness in the rule there was a deep sense of snark. From the seriousness came a great deal of humor.

Since that first reading encounter with The Elements of Style, my well worn copy has remained with me. Whether I’m writing an academic paper, a cover letter, an author’s bio, a poem, a book review, or anything else, Strunk and White are there reminding me to be as clear as possible.

MY ELEMENTS OF STYLE

As I continued to grow in my writing life, I found that other books became constant sources of aid and knowledge, so much so that my desk had its own section of books at the ready, for whatever obstacles befell a given blank page. And over the years, the kinds of references have grown to fit my own writerly needs. And as I visit my friends who are writers, I notice some trends from desk to desk.

Here’s my working writing desk, fit with all I need! I’ve got my laptop, notebooks, pens, reference books, books to review, and some of my favorite books that I keep near me for inspiration. In the drawer of my desk, I keep mailing materials for my stack of chapbooks to sign and send to those who request it.  

Regarding reference books, every writer’s desk seems to contain The Elements of Style by Strunk and White, a dictionary, and a well-worn thesaurus. My desk currently has my hardcover copy of The Elements of Style, The New Roget’s Thesaurus in Dictionary Form, and Soule’s Dictionary of English Synonyms. Especially for those of you dreaming up holiday wish-lists, Maira Kalman’s illustrated version of The Elements of Style may be just the special book to add to the collection for you.

While I used to keep a desk-sized Merriam-Webster Dictionary on hand, I find the synonyms and thesaurus more useful these days, perhaps especially as I revise my first book of poems. When I find myself overusing the same verbs and adjectives, I can quickly reach for one of these books and get some inspiration. I’ve converted, these days, to using apps for dictionary and etymology. I especially like the free dictionary.com app, which allows you to click on a word three times and open up its dictionary page. The app also offers audio pronunciation.

Dictionaries are important resources, ones which can’t quite be replicated online. Each nation has its favorite, from the Oxford English Dictionary, to Merriam-Webster’s, to the Macquarie. While I don’t keep Merriam-Webster on my desk at this moment, I do keep it at my fingertips, using their online resources when I’m in need. Further, I’ve found the Merriam-Webster twitter to be a source of great comfort and comedy amidst America’s dire political landscape. While it is easy to look up a word online, the physical books—dictionaries, thesauruses, etc.—encourage more meandering through the worlds of words. Without the instant gratification that comes from looking up a word, you may stumble upon an etymological note that takes you to another page, and so on, until you’ve learned new things about words and perhaps found an even better way to say whatever it is you set out to put on the page.

These are my three most used reference books right now. I’m really excited about this new, hardcover copy of The Elements of Style, especially!

Another particularity of a writer’s desk seems to be a given writer’s tools. Do you do most of your writing on a computer? In a notebook? With an old refurbished typewriter? I personally use multiple tools to get my writing done. Certain parts of my writing process involve pen and paper, while others are done on my laptop. Many writers have a kind of obsession with their objects. For example, I only write with fine point uniball pens in black or purple ink. I use fine point, black sharpie markers for my writing to-do lists. And, as you'll see from a glimpse at my desk, I'm as particular about notebooks as I am about pens!

I keep a few different notebooks with different purposes going at a time. Here you’ll see two Shinola notebooks, which I love because they engrave your name for free—a great holiday gift, indeed!—my Moleskine planner, my to-do list pad, and a grey notebook where I keep notes on books as I read them. 

Another important element of a writer’s desk is its proximity to field guides. In my dream writing room, this might include specific maps, atlases, and encyclopedias. Currently, I’m working on poems and essays about my time spent in Greece on the island of Thassos and in the city of Thessaloniki. To that end, I have acquired field guides that can help me re-orient myself to that location. Names of trees, fish, flora, fauna, and foods are different in other places. I’ve also become a collector of field guides, including one that has images and names of specific kinds of lighthouses. What field guides might help you with a particular piece you’re working on right now?

As a field guide collector, these are some of my favorite possessions, found in random parts of the world, flea markets, and antique stores. Right now, I’m revising poems about my time in Greece on the island of Thassos. These field guides help inspire precision in describing water, fish, beaches, shells, and the like. 

Besides reference books and field guides, it seems that craft books or books about writing and reading are a mainstay on my desk too. Some of my absolute favorites are:

Bird by Bird by Anne Lamott

The Writing Life by Annie Dillard

Reading Like a Writer by Francine Prose

Blue Pastures by Mary Oliver

Having these books on my desk is a reminder of my own intellectual inheritance as a writer, as well as a great source of guidance and inspiration to me.

EXPANSIVE FIELDS

There are of course many other must-have books, tools, and resources that writers need to have at the ready. A comparative study of writers’ desks would be ideal. In the absence of access to the likes of desks by Dr. Seuss, Toni Morrison, Maya Angelou, Stephen King, JK Rowling, and the rest, here are some starter ideas by genre that you might consider as you expand your own writer’s desk. And of course, send us picture of your own desks and favorite desk necessities on Instagram, Facebook, and Twitter by tagging us or using the hashtags: #everywritersdesk.

A Poet’s Guide to Poetry

Poetry has its own rules and vernacular that may give writers pause. From reference books, to prompting books, there are many craft resources for poets looking to understand lines, stanzas, and the soul of poetry as they grow their own volumes of poetry. Here’s a wishlist of some of my most beloved/ragged/well-loved books on poetry:

A Poetry Handbook by Mary Oliver

The Triggering Town by Richard Hugo

Letters to a Young Poet by Rainer Maria Rilke

A Poet’s Guide to Poetry by Mary Kinzie

A Poet’s Glossary by Edward Hirsch

The Art of the Poetic Line by James Longenbach

A Little Book on Form: An Exploration Into the Formal Imagination of Poetry by Robert Hass

Rules for the Dance by Mary Oliver

The Sounds of Poetry: A Brief Guide by Robert Pinsky

ABC of Reading by Ezra Pound

Keeping Things Novel

For all you novelists, there are also a whole host of books to guide you in the writing of fiction.. Here are a few additions you might want to make to your #everywritersdesk:

How Fiction Works by James Wood

Brevity: A Flash Fiction Handbook by David Galef

The Art of Fiction: Notes on Craft for Young Writers by John Gardener

On Writing: A Memoir of the Craft by Stephen King

Reading Like a Writer by Francine Prose

Mastering Suspense, Structure, and Plot: How to Write Gripping Stories that Keep Readers on the Edge of Their Seat by Jane K. Cleland

Nonfiction

If creative nonfiction is where your writing practice is focused, there are all kinds of books available for your #everywritersdesk too! Nonfiction is a huge category, which could include journalism, biography, autobiography, and more. This list is focused on the literary spirit of creative nonfiction:

Writing Down the Bones by Natalie Goldberg

To Show and to Tell by Phillip Lopate

On Writing Well by William Zinsser

You Can’t Make This Stuff Up: The Complete Guide to Writing Creative Nonfiction by Lee Gutkind

Writing True: The Art and Craft of Creative Nonfiction by Sondra Perl and Mimi Schwartz

Inside Story: Everyone’s Guide to Reporting and Writing Creative Nonfiction by Julia Goldberg

Crafting the Personal Essay: A Guide for Writing and Publishing Creative Nonfiction by Dinty W. Moore

As these books serve the writing life, there are also those books that are so well-loved that they seem to live on our desks. Right now, the collected works of Sylvia Plath and Frank Bidart have been near me at all times, just like a security blanket for my authorial heart. What books do you find stay off the shelf? Tag them in your #everywritersdesk photos.

Of course, there are many other books that may guide you on your journey. Many craft books and writers’ resources can also be found on my series blog, “Reading Like a Writer” where I recommend specific craft books in conjunction with the genre of Write the World’s monthly writing contests. We can’t wait to see your additions to #everywritersdesk by tagging us on Instagram, Twitter, and Facebook!

About Lisa

Lisa Hiton is an editorial associate at Write the World. She writes two series on our blog: The Write Place where she comments on life as a writer, and Reading like a Writer where she recommends books about writing in different genres. She’s also the interviews editor of Cosmonauts Avenue and the poetry editor of the Adroit Journal.