#yellow peril: queer destiny

[thevalleyisjolly]

Transpacific Stories Rec List!

Happy Lunar New Year!  To celebrate, I thought I’d do a “Top 5″ rec list of creative works that I really enjoy by transpacific Asian creators.

1. diaspora babies by Kai Cheng Thom (poem)

This spoken word poem haunts me to this day.  There’s a lot of immigrant (especially Chinese immigrant) emotions mixed up with queer experiences as a child of immigrants, and the vibes are truly just indescribable.  It cannot be expressed, only felt, so link is to the 4 minute video with captions.

2. Yellow Peril: Queer Destiny by Love Intersections (documentary)

A documentary about Vancouver drag artist Maiden China, which also features lines from diaspora babies!  It is all about that queer Chinese immigrant experience, discussing the nuances of both individually and together.  What is it like to be a Chinese immigrant, or the child of Chinese immigrants, in a North American society?  What is it like to be queer?  What is it like where those two parts of you intersect? 

I had the chance to meet one of the directors on this project and listen to his guest seminar, and the story behind this documentary and the production house came from an incident where some members of the local Chinese Canadian community launched a very public opposition to LGBTQ+ policies by the school board.  The news media of course went into a frenzy over this, and the producers noticed how the story was framed as “the Chinese community is “traditional” to the point of homophobia” (which...yes, there was homophobia involved, but not because of an innate “traditional Chinese are all homophobic” quality).

The documentary creators wanted to unpack, explore, and challenge this, and also to assert that queer Chinese people exist, which is exactly what the documentary does.  It showcases a variety of different relationships and interactions that queer Chinese people have - with their families, their immigrant communities, their heritage traditions, their broader Western society.  It’s a really complex and nuanced discussion, and one of the best documentaries I’ve ever watched.

3. Disappearing Moon Cafe by SKY Lee (novel)

Oh, you thought I was done with the queer Chinese immigrant theme?  Absolutely never.  This is a landmark book in the history of Chinese Canadian publishing - it was the first novel by a Chinese Canadian author to ever be mass distributed by a publishing house (SKY Lee is a lesbian, so first queer Chinese Canadian author as well!)  It follows the story of the Wong family across four generations, discussing themes such as settler colonialism and the roles and relationships that Chinese immigrants had and have with that, migration, family, and the nature of queerness in a non-Western context.

(I do have a whole essay talking about how understandings of queerness are frequently grounded in Western perspectives and how SKY Lee challenges and reframes non-heteronormativity in a uniquely Chinese immigrant context.  But also, you will totally ship Kae and Hermia.   You just will)

A deeply emotional, intense exploration of Chinese Canadian immigration, from its history to its experiences, good and bad and everything in between.  Truly, this may be a fictional novel, but the research is so well done, and if not every detail is historically accurate, the emotional truth of it is.  An excellent book that gives you so much food for thought.

4. A Tale for the Time Being by Ruth Ozeki (novel)

One of the most intense books I’ve ever read, and am still thinking about years later.  I can’t speak to the accuracy of the experiences it represents, but it is a book that will make your heart ache and long and wonder. 

The premise: Ruth, a Japanese American novelist, discovers debris from the 2011 Japanese tsunami washed up on the cost of British Columbia.  One of these is a Hello Kitty lunchbox containing the diary of a girl named Nao.  Nao is a Japanese American teenager whose family had to relocate back to Japan.  She struggles with living in a foreign culture, family struggles and mental health issues, and severe bullying.  However, she also meets her great grandmother, a Buddhist monk over a hundred years old who was an anarchist, feminist, and novelist in her youth.  In documenting her great grandmother’s story in her diary, Nao comes to tell her own.  The novel goes back and forth between Ruth translating the diary and wanting to learn more about Nao, and Nao’s story (and her great grandmother’s) as documented in the diary. 

One of my favourite aspects of this book is the way it plays with perspective.  What is a story?  Who is telling it?  How is a story created and changed by every person who touches it?  What does it mean for a story to end?  Fair warning, there are some very heavy topics dealt with in this book, including depression, suicide, attempted sexual assault, and grooming.  It is a very good book, but please look after your own well-being first. 

5. M. Butterfly by David Henry Hwang (1988 play)

You know the opera, Madame Butterfly?  The racist Orientalist story of the white American Navy officer who goes to Japan, marries a Japanese girl for convenience, abandons her and their child for an American wife, and then she kills herself because she’s so in love with him that she can’t bear it?  Man, just typing that out pissed me off, and it sure pissed off David Henry Hwang too.  So let me tell you what he did about it.

There was a historical incident where a French diplomat, Bernard Boursicot, was caught in a honeypot trap by the Chinese spy Shiu Pei Pu, who was a Chinese opera singer.  For those who are unaware, Chinese opera singers are traditionally men.  Boursicot was unaware of this.  He had a decades long affair with Shiu Pei Pu, who identified themselves as female to him, and they eventually lived together as a family with a child.  It wasn’t until Boursicot was caught smuggling documents and put on trial that he found out Shiu Pei Pu was AMAB.

M. Butterfly is a play based off of this story, with explorations of Orientalism and how Song Liling (the play’s Shiu Pei Pu) was able to exploit racist beliefs and tropes such as “yellow fever” to win the heart and confidence of René Gallimard (the play’s Boursicot).   There’s a monologue in the original 1988 play (I’m not sure if it’s in the 2017 revision though) that Song delivers in the first few scenes of the play that explicitly addresses and tears apart the original Madame Butterfly story (which makes Song’s later use of it to seduce Gallimard all the more spicy - dude, they literally told you from the beginning why they hate the story, and you still believe that they want to be your docile little Butterfly?)  The overall play is a fantastically clever deconstruction of truly so much Orientalism and really challenges how Westerners perceive and depict Asian (especially East Asian) people.

A note on gender in this story: When the play was first performed in 1988, Song Liling’s character is AMAB and largely identifies as a man, with the strong subtext that he enjoys presenting as feminine.  Since 1988, Hwang has acknowledged that the gender reveal of the original play reinforces gender binaries, and has expressed the desire to revise his depiction of gender in the play to encompass genderfluid/GNC identities, which he did in the 2017 Broadway revival.  I have not seen the new version of the play, in which Song identifies themselves as AFAB and male presenting to Gallimard, so I can’t judge how it was handled.  I’ve heard that 2017 Song embraces a more explicitly genderfluid identity, but cannot confirm this.  The 2017 revision is based off of new information revealed about the Boursicot case, including that Shiu Pei Pu initially introduced themselves to Boursicot as someone AFAB who was presenting as male. 

[rockislandadultreads]

Amazing Books from 2021: Diverse Authors

She Who Became the Sun by Shelley Parker-Chan

Mulan meets The Song of Achilles in Shelley Parker-Chan's She Who Became the Sun, a bold, queer, and lyrical reimagining of the rise of the founding emperor of the Ming Dynasty from an amazing new voice in literary fantasy.

To possess the Mandate of Heaven, the female monk Zhu will do anything

“I refuse to be nothing…”

In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness…

In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.

When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.

After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother's abandoned greatness.

Arsenic and Adobo by Mia P. Manansala

The first book in a new culinary cozy series full of sharp humor and delectable dishes—one that might just be killer....

When Lila Macapagal moves back home to recover from a horrible breakup, her life seems to be following all the typical rom-com tropes. She's tasked with saving her Tita Rosie's failing restaurant, and she has to deal with a group of matchmaking aunties who shower her with love and judgment. But when a notoriously nasty food critic (who happens to be her ex-boyfriend) drops dead moments after a confrontation with Lila, her life quickly swerves from a Nora Ephron romp to an Agatha Christie case.

With the cops treating her like she's the one and only suspect, and the shady landlord looking to finally kick the Macapagal family out and resell the storefront, Lila's left with no choice but to conduct her own investigation. Armed with the nosy auntie network, her barista best bud, and her trusted Dachshund, Longanisa, Lila takes on this tasty, twisted case and soon finds her own neck on the chopping block…

Version Zero by David Yoon

From the brilliant mind of New York Times bestselling author David Yoon comes a lightning-fast and scorchingly observant thriller about how we can save ourselves from the very real perils of a virtual world. Max, a data whiz at the social media company Wren, has gotten a firsthand glimpse of the dark side of big tech. When he questions what his company does with the data they collect, he's fired...then black-balled across Silicon Valley. With time on his hands and revenge on his mind, Max and his longtime friend (and secretly the love of his life) Akiko, decide to get even by rebooting the internet. After all, in order to fix things, sometimes you have to break them. But when Max and Akiko join forces with a reclusive tech baron, they learn that breaking things can have unintended--and catastrophic--consequences.

Noor by Nnedi Okorafor

From Africanfuturist luminary Okorafor comes a new science fiction novel of intense action and thoughtful rumination on biotechnology, destiny, and humanity in a near-future Nigeria.

Anwuli Okwudili prefers to be called AO. To her, these initials have always stood for Artificial Organism. AO has never really felt...natural, and that's putting it lightly. Her parents spent most of the days before she was born praying for her peaceful passing because even in-utero she was wrong. But she lived. Then came the car accident years later that disabled her even further. Yet instead of viewing her strange body the way the world views it, as freakish, unnatural, even the work of the devil, AO embraces all that she is: A woman with a ton of major and necessary body augmentations. And then one day she goes to her local market and everything goes wrong.

Once on the run, she meets a Fulani herdsman named DNA and the race against time across the deserts of Northern Nigeria begins. In a world where all things are streamed, everyone is watching the reckoning of the murderess and the terrorist and the saga of the wicked woman and mad man unfold. This fast-paced, relentless journey of tribe, destiny, body, and the wonderland of technology revels in the fact that the future sometimes isn't so predictable. Expect the unaccepted.

[mx-milo]

Ye Who Have Abandoned All Hope

Enter here. Come inside the halls of the forlorn. Where music soothes the soul, where words flow forth like the fountain of youth.

Worry not about the world, the peril of a universe that disdains thee. Come forth. Heal, strengthen, rise up again. Come forth. Become who you wish to be.

Here, there are no strangers, but brothers and sisters. Here, there are no enemies, but friends who you are to meet. Here, there is no difference between man and woman, queer and hetero, young and old, black, white, yellow or brown.

Here, we are all humans. All formless beings looking for foundation. All lonely souls looking for their destiny.

Here, you are welcome to stay. To those who have abandoned hope, I offer you hope once more.

Enter here. Where we are all forlorn, waiting to be found.