#yeah no wonder he says fuck the veil - what purpose is it serving?
Explore tagged Tumblr posts
Text
Thinking about how angrily solas said there was nothing in the lore to tie the elven gods to the tevinter old gods
and how I think heâs about to find out that isnât true and itâs his fault
#da:v#da4#dragon age: the veilguard#dragon age 4#solas#he was so very adamant about it#I think those guys did some fuckery#and if solas sealed them away in part to seal away the Blight#and it got loose anyway - and the Blights happened because they got people to break their seal?#yeah no wonder he says fuck the veil - what purpose is it serving?
125 notes
¡
View notes
Text
I Just Want to Feel Something Today
(A s02e11 inspired fic) (Read on AO3)
âEmotions serve a purpose. You donât go through what you just went through, witnessing all that death and not feel something, Jace! Itâs not good for you! Just feel something. Whether you think it clouds your judgment or not.â
Claryâs words catch Jace by surprise. He expects anger, denial, frustration⌠and he supposes, in a way, thatâs exactly what he gets. Except instead of being aimed at him, those emotions come from Clary on behalf of himself. Sheâs upset, but sheâs upset because he keeps pushing away anything that would make him actually stop and deal with everything thatâs happening. Sheâs not mad at him, but at the way he is thanks to years of careful conditioning to push his emotions aside and lock them away so they arenât a distraction.
And sheâs right. It isnât that he hasnât felt anything, itâs that heâs buried every feeling he gets the moment it starts to form. Heâs ignored every negative emotion because he hasnât had time to deal with any of them, and heâs pushed away any remotely positive emotion heâs felt because he doesnât deserve to feel anything good, not now, not after everything heâs done.
How long has it been since he let himself actually feel something, good or bad, all the way through? He certainly has plenty of emotions to choose from. Plenty of moments and events to focus on.
Not here, though. Not now. Thereâs still work to be done and plans to be made. Heâs done enough damage already that a few more hours of keeping everything neatly tucked away wonât hurt. So he waits until heâs certain Clary is long gone and calls the elevator to face the rest of his day.
---
It isnât long before Jace finds himself on the rooftop of the Institute, thankful for the solitude it provides him. He hadnât realized how stifling the walls of the Institute felt until heâs outside of them, breathing in the fresh air, letting the slight breeze run through his hair the closer he walks to the edge of the roof overlooking the city.
Itâs easier here, he thinks, to try and let go. This isnât the first time heâs escaped to the roof to be alone and process things, and heâs sure it wonât be the last. Itâs been so long that he wonders if he remembers how to let it all go⌠no, not go. How to let it all in.
âYouâre hurting,â Alec had said as they sparred earlier. And Jace was - he still is. The hurt never stops, not now, not when thereâs evidence of the pain heâs caused at every turn. Itâs in the stress lines on Alecâs face, in the way the other Shadowhunters wonât meet his gaze, and the way the Downworlders would meet his gaze - but with nothing but hatred in their eyes. The pain is the easiest thing to let himself feel because itâs what he thinks he deserves the most - the disappointment, the anger, the despair.
He feels his chest tighten with emotion, too many to pick apart and name, and does his best to fight the urge to swallow it all back down and walk away, back inside where he can justify putting back on the mask of Being Okay.
Instead, Jace allows his mind to move on to something else heâs been effectively ignoring. Because after the Soul Sword his next biggest problem is Simon and the fact that heâs a Daylighter now, with all signs pointing to Jaceâs blood being the catalyst.
Jace feels nothing but dread at the idea of this being true. There was so much going on at the time that he hadnât considered the possibility that his blood is the reason Simon can walk in the daylight now. If thatâs true it doesnât just put him at risk, it puts Clary at risk, too. And not just from the other vampires but from the Clave. The Clave would hate this revelation. Worse, the clave would fear it, fear the possibility that Nephilim blood could be used to rid the vampires of their biggest weakness. Thereâs no telling what theyâd do to him and Clary if they found out, and thatâs a thought that genuinely worries him in a way that not much else does.
âNo matter what, your secretâs safe with me. (...) You have nothing to worry about, I got your back.â
Loath as Jace is to admit it, even just to himself, he does trust Simon and believes when Simon swears that he isnât going to say anything. If it were anyone else Jace would be worried theyâd use the knowledge for blackmail later, to hold it over his head as leverage, but it isnât anyone else. Itâs Simon. And yeah, Jace trusts him, for whatever thatâs worth.
Somewhere between the jealousy and the nearly dying to save Simonâs life, thereâs witty banter and mutual appreciation. Simon has nothing to lose and everything to gain from sharing their secret with the other vampires, but he wonât. Jace thinks of Simonâs attempts to hug him, of casually affectionate touches and warm smiles and the fact that heâs⌠hell, theyâre friends, arenât they?
Clary stood by him out of perceived sibling loyalty. Izzy and Alec would always do the same. But Simon? Jace has so few people on his side that Simonâs loyalty isnât something he takes lightly. Surprisingly, the idea of having Simon so resolutely in his corner is such an overwhelming realization that the relief of it brings the first tears to Jaceâs eyes. Once they start they donât stop, especially not as his thoughts turn to Clary.
âWhat else are you hiding from me?â Jace wishes he could blame Valentine for his fallout with Clary, but he knows that wouldnât be true. Itâs Jaceâs fault he didnât tell Clary sooner - he had plenty of opportunities, plenty of time, but more than that: she deserved to know. Heâd just been too scared, too selfish to do it. He said he didnât want to ruin things with her and Simon but that was just another lie. He wasnât afraid sheâd leave Simon for him once she knew, he was afraid that she wouldnât. That he could have her now, and she could have him, but she wouldnât want him the way he still wants her.
Because deep down heâs still just a scared, insecure boy, using that carefully crafted bravado to cover up the truth of what heâs actually afraid of: not being good enough. He knew it couldnât last forever, but as long as Clary didnât know she had a choice he could avoid the reality of her not choosing him.
Except now he may have lost her for good, and not just to Simon.
Of course, she doesnât trust him now. She may never trust him again, and he wouldnât blame her. He let her down, not for the first time, but arguably the worst time since they met⌠and thatâs saying something, considering everything theyâve been through.
Jace remembers how hurt she looked at the realization that he kept something so important from her, and the tears fall steadily now. He lets that pain in, he lets it mean something. She practically begged him to feel something so it seems only fitting that he feels this the most. Jace closes his eyes against the tears, only to see the image of Clary walking away from him in his mindâs eye. The ache of it knots his stomach, the fear that she may not come back to him, not as a lover or as a friend, is paralyzing.
He lets it in. He feels it, all of it.
The tears continue to fall and Jace continues to feel everything from the past few hours, the past day, the past week. Everything he pushed away. Everything he buried, finally allowed to break through the surface.
Regret. Anger. Relief. Sorrow. Loss. Hope. Fear. Sadness. Love. Pain. Loss.
He feels all of it.
Thereâs a sound behind him and Jace knows itâs Alec behind him on the rooftop before he ever hears his parabatai speak. He reckons he could take a minute to collect himself and brush this off without Alec pushing it - he already silenced the sobs that shook his entire body only moments before. Another thirty seconds and he could give some bullshit excuse about being upset over Clary and move on to whatever Alec came looking for him to talk about. Alec knows when Jace wants to talk and when he doesnât, knows when he can push and get something out of Jace and when it was a lost cause. Itâs why Alec asked him about the Downworlders and about Clary while they sparred earlier, knowing that Jace needs a side of distraction with his honest conversation. Itâs easier to talk between punches, to discuss emotions while simultaneously having a physical release for them.
This? Crying, with no singular reason or cause, just because... just because he tried to face his emotions and became immediately overwhelmed by the weight of it all? He doesnât do this. They donât do this. They do eye-rolls and thinly veiled admissions of not being fine - but also not wanting to talk about it - in between hits with a staff. They do brief moments of serious conversation while literally pinned to the ground and unable to escape.
They donât do falling into each otherâs arms in tears... and yet thatâs exactly what Jace wants to do right now.
âJace, you okay?â
No. He isnât okay, and no amount of sparring is going to fix it this time around. There arenât enough distractions in the world, which is unfortunate, because theyâre about to summon a Greater Demon to the Institute and Jace canât get his fucking shit together. At least, not on his own. It took Claryâs influence to get him to this point, and he knows what he needs to move further. Maybe not to closure, but to something close.
So he turns around, eyes bloodshot and face streaked with tears, and gives Alec what is probably the most lost, helpless look heâs ever willingly allowed anyone to witness.
Alec doesnât say heâs sorry, or ask whatâs wrong - he simply moves to close the space between them and wraps his arms around Jace, pulling him close. Jace allows himself to be pulled, to be tucked into the firm but gentle embrace of his parabatai.
After a moment Jace tries to pull away, to shrug off Alecâs comfort as the guilt of not deserving it settles again, but Alec holds firm. Jace came up here to be alone, but maybe being alone isnât what he needs just then. Just like keeping everything bottled up wasnât what he needed, either. It took Clary to realize that, and it takes Alecâs insistent presence for him to realize that he needs these moments of comfort from his brother that heâd never allow himself otherwise.
They stay this way, silent except for the slowly quieting sobs from Jace until the tears stop completely. Only then does Alec finally loosen his grip around him enough for Jace to pull back.
âFeeling things is overrated,â Jace manages, and the words startle a laugh out of Alec despite the situation.
âClary?â Alec hazards a guess, not that itâs a difficult conclusion to reach.
âClary,â Jace confirms. âAmong other things.â
âDo you want to talk about it?â Alec offers, sounding as uncertain in asking as Jace is in his answer.
âNo,â Jace admits. Except heâs starting to realize what he wants isnât always what he needs.
Jace sighs.
âBut maybe I should.â
#jace herondale#alec lightwood#shadowhunters#will I ever stop writing Jace introspection during this re-watch?#i mean eventually yes but not today#elle writes a few deadbeat lines#long post
13 notes
¡
View notes
Text
[ateez] W O O Y O U N G âł aesthetic love
âstarry night and a midnight driveâ
⢠itâs not everyday a woman runs from her fiancĂŠ.
⢠itâs definitely not everyday you want to run from the man you love.
⢠yet here you are.
⢠running on bare feet, white pearl heels hanging loose from your fingertips through a house he promised was gonna be yours.
⢠you knew it well enough for someone who hated it.
⢠hated the smell.
⢠hated the look.
⢠hated what was in it.
⢠the man who owned it by far the only good thing about it.
⢠you sprint like that was the only thing you knew how to do,
⢠until youâre stopped in the middle of a poorly lit garage, two cars and a dark suited man waiting for you at its passenger doors.
⢠âHey gorgeous, I think you took a wrong turn on your way to the venue.â
⢠you feel your heart strings being pulled tens of different directions,
⢠biting down at your trembling lip, veil sardonically dangling over your stained leaking eyes.
⢠âWooyoung, Iââ
⢠âLetâs take a drive shall we?â
⢠he gets in first, engine roaring when the key kisses the ignition,
⢠being the second thing he loved after you.
⢠and youâre not supposed share him.
⢠you sure as hell donât want to and thatâs the reason you were going to leave in the first place.
⢠but the thought of spending time with the man you love was the only thing keeping you from leaving.
⢠and it seems that no matter what you do, youâll always be right there in his passenger seat.
⢠counting the stars in the sky and having him drive you to a place where no one but you two can go.
⢠âI love you.â
⢠he says the words for you like it hurts.
⢠âAnd if you want to leave me, Iâll let you.â his voice breaks and you can feel the curdling pressure of his hands on the steering wheel as if it were you. âSweetheart, I never intended for you to feel obliged to love me, yeah? And I know sometimes you donât butââ
⢠you turn your face underneath the white veil over your head and place a hand over his,
⢠the rumble of the stick that controlled the car and controlled him relaxed underneath your touch.
⢠his fingers grips get lost between fighting to hold yours and keeping the stick in itâs right place.
⢠you donât flinch even when he moves it back to first gear, eyes stuck on him.
⢠âLetâs just drive okay?â
⢠the car gets quiet while you hold him steady.
⢠and when you reach the destination, he seems afraid to let the car go.
⢠âCome with me.â you move yourself out of his vehicle and out into what feels like freedom,
⢠looking down at the city you found him in, wondering how you couldâve been so lucky.
⢠yet why you canât decide over where you want to be and who you want to love.
⢠âMaybe Iâm selfish.â you whisper, white lace touching the swollen parts of your moving lips. âMaybe I donât want to spend my entire life in the confinement of your damned car and your damned house.â
⢠Wooyoung stands behind you, hands buried in his pockets wondering,
⢠â seeing the gorgeous night beyond your beautiful figure,
⢠why his eyes solely bound to you.
⢠âMaybe I canât stand who you are and what you do.â you fight back the remaining tears you had to appreciate the view right in front of you. âI donât know how you do it, Woo. How you could love two things at once.â
⢠he wants to say itâs not his choice.
⢠that itâs not in his control when actually that was exactly what was happening.
⢠he could make sacrifices for you but their too little for comfort.
⢠to put it frankly, itâs not enough.
⢠âI fell in love with the city before you.â your eyes close softly when the autumn night breeze hits your bare skin. âI fell in love with the stars. And then god forbid I ever choose a man in place of thoseâ no, I fell in love with you.â
⢠Wooyoungâs tongue runs across the surface of his teeth wondering when he should stop leaning against his car and start leaning over you.
⢠âThe moment I got in your car that day, I was thinking how ugly of a thing it was. The sound it made and how it ruined my night.â your lips curl in devious remark. âI canât stand your car, babe. Itâs just not for me.â
⢠he feels the heat of the hood start to burn his fingertips,
⢠suddenly realizing that sometimes heâs got to sacrifice the other things he loved in order to have you.
⢠âI love the stars. I love the sky, the sound of the city, the freedom I get.â your own fingertips feel cold, bare in the the evening breeze, looking for some kind of warmth out of nothing at all. âIf I had to choose.. between loving you and getting the rest, baby, I donât what to do.â
⢠Wooyoung finally lets go.
⢠rushing to hold you when you look like youâre about to fall.
⢠never trusted the rusted rails you leant on as much as he did himself.
⢠but he reached for you and whips you around to look at him the way you look up at the night sky.
⢠the only way heâd be able to appreciate the beauty of the stars is if it was right thereâ
⢠reflecting off the eyes of the woman he loves.
⢠âI knowâ Fuck.â Wooyoungâs rasp gets thicker when he speaks. âI know this isnât easy. I know loving me is hard for you, sweetheart. Driving my car means more to me than anything. You know that.â
⢠your breath hitches at the back of your throat wanting to say, choose me or youâll never get to have me.
⢠an ultimatum based solely on retaliation.
⢠pain.
⢠but youâre lost in his eyes the way the stars lose you.
⢠the moon the only thing ironically keeping you sane right now.
⢠âIâm gonna fucking break that thing apart one day, Woo.â your voice cracks in place of comforting words. âI donât trust myself to be living with that stupid thing for my entire life and having to share it with you. Believe me, Iâm gonna smash that thing to bits.â
⢠Wooyoungâs lips curl, hands crawling over your cold skin. âThen break it. How many times you want, Iâll give that to you.â
⢠âWhy?â a silent sob escapes your lips while he fights to keep your eyes. âWhy would you let me do that? Why would you let me hurt something you love so much?â
⢠you want him to tell you heâs gonna choose that thingâ
⢠his cars.
⢠his life.
⢠but Wooyoung never makes it easy for you.
⢠being able to drive his car x mph.
⢠driving your heart ten times faster than horsepower at this point.
⢠âThat thing I love, my cars. Y/n, I can fix those things. I can pick up the pieces if not buy a new one.â
⢠he brings the veil from over your eyes, over so he get a good look at you.
⢠and it may not be at the alter where he wanted you but if it has to be here,
⢠if he has to promise to have and hold you till death do you both part right here then so be it.
⢠âI canât fix you.â the black haired vixen leans his forehead against yours as you finally warm under the cold breeze of the night. âI canât buy a new youâ something my power, my money can never buy. If I had to choose right now what I love more, y/n, believe me youâre first in line.â
⢠you cry when his lips brush against yours.
⢠feeling your heart suddenly tugged in a single direction.
⢠that direction being towards his.
⢠âI love you so much.â Wooyoungâs about to break right in front of you afraid to lose you to the night. âMy car gets me to point a and point b.â
⢠âThen why do you need me?â
⢠âYou take me beyond my dreams, sweetheart. And you still want to ask me why I need you?â
⢠he kisses you and maybe you were wrong.
⢠maybe you shouldnât hate his car that much.
⢠in fact, that stupid retched thing was the reason you managed to find him in the first place,
⢠without it, never being able to meet the man you love.
⢠and maybe you did love the city and the freedom you get in it.
⢠but maybe youâre okay with settling in his arms instead.
⢠âI want to kiss you until my lips bleed.â you pout bending into his height like thatâs where you were meant to be. âI want you to hold me until you donât want to do anything but hold me forever.â
⢠Wooyoung chuckles over your breath before spinning you around in his arms, chin laying against the crook of your neck.
⢠âWe were supposed to get married tonight.â he mumbles against your skin. âI donât know about you but Iâm suddenly not in the mood to go back just yet.â
⢠you lean your head back against the rising and falling chest of your fiancÊ,
⢠his heart feeling like a steady metronome.
⢠âI kind of want get out of this dress for a little bit.â your chin tilts up to look at him. âI donât know about you but I was thinking your car serves more purpose than just driving it.â
⢠Wooyoungâs eyes darken but his lips move a different way.
⢠âThe moon takes a toll on you, sweetheart.â
⢠âTake me while you sit in the drivers seat.â your fingers slowly move to pull the suit jacket right off his shoulder blades. âShow me those hands can do more than just shift gears, baby.â
⢠âAs long as I get to marry you tomorrow, by all means, Iâll show you what these hands can do.â
⢠not like heâs never shown you before but hey,
⢠nothingâs ever wrong with a free ride.
@atinybitofau
#ateez au#ateez#its not my one shot if angst isnt present đ¤ˇđ˝ââď¸#angst is good for the soul#so are happy endings#ateez wooyoung#jung wooyoung#ateez jung wooyoung#wooyoung#ateez x reader#ateez preferences#ateez reactions#ateez scenarios#ateez imagines#ateez one shots#ateez aesthetics#wooyoung imagines#wooyoung oneshot#wooyoung scenarios#wooyoung reaction#wooyoung au#wooyoung aesthetics
268 notes
¡
View notes
Text
To Wire, to Dust
[Â read on ao3Â ]Â
Day 4: AU -- @aphrarepairsweekÂ
âGet down!â Ludwig presses down on Alfredâs shoulders.
They duck behind a rusting storage crate and drop to their knees. An explosion rings out in the distance, vibrating up his chest as the ever present ash burns like poison kisses onto his skin. The fallen shrapnel cuts through his pants to his knees, and Alfredâs breath is hot against his neck. It raises goosebumps on his skin and sparks circuits in his wires. Heâs too close, and while Ludwig knows this is necessary for their survival, he finds himself wishing he hadnât been programmed with an ability to feel. It serves him little purpose to feel like someoneâs lit the coolant in his veins each time Alfred smiles. It does no good to for his synapses to fail at every brush of Alfredâs hand.
âLudwig.â Alfred hisses, yanking him from his thoughts. âWe need to get out of here. Theyâre getting close.â
Alfred takes his hand in his, standing with one quick push and pulling Ludwig up with him. The blood rushes towards his head, heat flaming in his cheeks, but before he can protest, Alfred is tugging him past the next container.
He crouches out of instinct, too aware of the myriad of dangers around them. Heâs running numbers faster than he can see them, simulations and scenarios bouncing past his scrolling eyes. He knows already that they wonât both make it out alive, and he suspects that Alfred knows as well. His hand has not been released. Alfred is still close, puffing warm air against his cheek. Never does he stay this close. Never does he squeeze Ludwigâs hand gently by their thighs. Ludwig hates goodbyes, but he almost hopes that this is Alfredâs. He almost hopes that this is his way of saying he cares, he cared, he will care when Ludwig is inevitably blown to wire and dust.
Because that is what will occur. Itâs obvious which of them must die- if you could call it that for a thing like him- for the otherâs sake. Ludwig frowns into the dusk.
âThis way.â He murmurs, guiding Alfred up, their hands still linked between them.
They hurry between the stacked boxes. Another explosion flares, red heat and black smoke. Itâs closer. Theyâre closer.
Alfred wrenches his hand from Ludwigâs and claps his hands over his ears, wincing, and Ludwig prods him on. Heâs scanning for the easiest exit. Theyâll be watching, but if he stalls them, if he lets them shoot him down, maybe Alfred will have the chance to escape.
Behind him Alfred coughs, beaten red dust thrown up around them and into Alfredâs lungs. The dry heat is pushing his cooling system into overdrive, and his processor is overloading with rapid fire calculations of their abysmal situation. Alfred swipes his hand across his face, streaked with sweat and grime, and leaves a stripe of dirt where his palm hits his forehead. Heâs bruised, a panging reminder of his mortality, and grimacing, the steady fire of drive burning hot behind his eyes. He still looks like the sun, like he always does. Too much, too bright, too generous to a cold, heartless galaxy and too kind to an inhuman hunk of wires and code; to Ludwig.
It hurts too much to look. Ludwig presses on.
âLud. Lud, we canât go this way. Weâll be cornered. Weâll die.â Alfredâs voice is taut, drawn downwards like his brows.
Ludwig doesnât stop. He swallows down the lump in his throat. He walks, one foot in front of the other, and takes Alfred forward by the hand. A barrage of shots cut through the chaos. Someone screams, and Ludwig keeps his eyes trained ahead. Dust, rust, sweeping red wasteland- He pretends the next cry doesnât cut through whatever thing in him is calling up this empathy when he shouldnât, by any law of nature, be capable of any.
Alfred pulls back on his hand, gripping tight. âLud. Ludwig. Stop. We canât go that way. We have to try something else. Thatâs just- thatâs fucking suicide.â
âWe have to.â Ludwigâs voice breaks, and he curses himself internally. Defective. Defective rings through his head. He cannot be afraid. That isnât his right.
âNo, we have to.â He asserts and pulls Alfred on. âThis is the only way to a ship.â
âTheyâll be on us in seconds.â Alfredâs voice hops up.
Stress, Ludwigâs processor supplies. Heâs experiencing stress. Ludwigâs chest contracts at the reading, and he shakes his head. No help; itâs no help. Ludwig knows this already, knows what the pressed lips mean, knows what the wracking coughs imply, knows every goddamn effect this hellish planet has on Alfredâs painfully human physiology.
âLudwig, listen to me! There wonât be enough time to escape, and the escape pod in there only fits one fucking guy! One small guy!â Alfred yanks back on his hand.
And it hurts. Not the hand, but his voice. It sounds like thinly veiled panic, like a try for strong when your chances burn to wire and dust before your eyes. And it hurts. His words. Of course, Alfred expects them both to live. Of course, he expects them to fly victorious to their ship and leave this systemâs hell for at least a day. (But heâd return. Itâs what Alfred does: fights the impossible with reckless hope.) Itâd be too easy for Alfred to expect Ludwig to simply do his job. Itâd be too simple, too kind of fate.
âI have a plan. It will work, I promise.â Ludwig frowns, stopped and staring Alfred straight in the eyes. Theyâre blue, warm blue, beautiful and gripping, and he wants this to be the last thing he sees before he joins oblivion because he doubts thereâs any salvation for androids. Ludwig curses. Not now.
Alfred hesitates. He stands stock-still in the shadow of a crate, the desert sun casting him and the dust in shades of blue. Another cry goes up, and the sound of shouting rises above the din. Ludwig freezes. Theyâre running short on time.
âFine. It better not be some risky shit for you.â Alfred nods, quirking briefly in a smile. His expression falls determined, and he hurries out towards the home of their pod. Ludwig stumbles after him, a new lump in his throat.
The barn stands beaten by the wind. Itâs rickety wood, nailed here and there, and the door swings in and out on rusted hinges. It should be simple to reach. It canât be more than a hundred meters. Only there arenât any boxes or scrubby bushes or crates to hide behind, and the shouts are growing nearer.
âWe have to run.â Ludwig manages. His voice sounds as dry as he feels. âWe have to run as fast as we can.â
âI trust you.â Alfred murmurs.
Before Ludwig can process, theyâve taken off towards the barn. A cacophony of voices erupts behind them, and if Ludwig tilts his head just right, he can hear the sounds of reloading guns. He wants to look back, wants to see how close they are, but every second is precious. He doesn't look back. He keeps right behind Alfred even though he knows he could go faster and prays to whatever higher powers there may be that theyâll shoot him, not Alfred.
The first shot grazes his cheek, whizzes by his skin and cuts cold, silver coolant welling up from the cut. The wetness comes seconds before the pain, but itâs not much, just stinging, and Ludwig knows itâs the program simulating adrenaline working magic through his wires. He can hear the bullets, see them slice the dust-laden air if he slows his processing down long enough to watch, but no others hit him, and they scramble into the building.
Alfred stops, turns. He stares at him, wild-eyed, until he spots the cut on his cheek. He reaches out to touch it, but Ludwig is faster than Alfred at reading situations, at reading him, and as much as he wants Alfred to cup his cheek and ask him if it hurts, Ludwig knows they have no time.
He pushes his hand down. He can still hear the guns going off in the distance. âIâm fine. Hurry, Alfred.â
âShit. Yeah.â
Alfred sprints towards the pod. Heâs in within seconds, mashing buttons and murmuring sequences beneath his breath. Ludwig canât see him behind the wood stacked thick in front of the pod, but he doesnât need to see to know. He can hear, and he can guess. He looks out the door, squinting into the sunlight. He can make out the men rushing forward, guns loaded and cocked. He reaches forward, slamming closed the door and pushing in the lock. If he was human, his heart would be racing.
âLudwig, get over here! I just-â Alfred stops. Something begins whirring in the engine.
Ludwig hurries over. They have a little time yet.
âSlide in. I think-â Alfred presses up against the side, gesturing to a space clearly too small for the both of them. â-I think we can fit.â
âWe canât.â Ludwig states. He sounds robotic, calm and detached, and itâs funny. He was programmed to be not, to be human, and it worked, but almost too well.
Alfred groans, standing with his legs still in the pod, and tugs Ludwig forward by his shoulders. âDonât be a dick. Come on, Lud. Once this warms up, weâre good to go.â
He still sounds strained, and Ludwig hates it.
Ludwig can hear their voices. Gunshots have begun to pepper the walls. Itâs sharp and loud, and heâs wondering if itâs hurting Alfredâs ears. He scans the boards piled up in front of the pod, brows pulling down as he evaluates the structural integrity. The sunlight filters in through the holes in the ceiling, cracked wood and heavy beams, and the boards are alright. Itâs alright. Itâll hold long enough. Theyâre shielded for now.
Alfredâs hands stay planted on Ludwigâs shoulders as he frowns in the dimmed light. The sunlight cuts in shafts across his light brown skin, and though his brow is crinkled and dirt is smudged across his face, heâs still handsome. Ludwig only wishes he would smile, and though itâs selfish, Ludwig doesnât wish to die with the memory of Alfredâs frown.
The gunshots have bored holes in the barn. Bullets hit the panels to their front, hiding them from the door, and the screaming becomes coherent. Curses, insults, unfounded accusations- theyâre the voices of mad men, but Ludwig is so, so far away. Heâs left the dirt floor, the sunlight, the carnage and terror and blood, blocked off the deafening uproar because there is them.
And there is Alfred.
And Ludwig is irrevocably in love.
He swallows, still held beneath Alfredâs grip. Near death is commonplace enough for them that this situation is more numbing than freezing fear, but Alfred is verging into panic, and Ludwig can feel it. This time is different. Worse.
Alfred starts with a noise of frustration, hands gripping at his shirt and his light eyes narrowed in the sunlight. âLud, what are you thinking? God, I fucking swear if you-â
He never finishes.
Because Ludwig kisses him.
Alfredâs lips are chapped. He tastes like dust and salt. His arm is burning where Ludwigâs hand has reached for him and found him. Itâs overloading Ludwigâs sensors, a mix of desperate, hopeful and sad, but above all, Alfredâs warm, and itâs odd. Heâs grounding and bright and so very him in his scent and his skin and his wide-blown eyes, but heâs warm and so human, and itâs odd, and Ludwig has forgotten which way heâd meant to think. One thing clicks. Alfred does not react, so Ludwig pulls away, his hand falling with him.
Alfred is wide-eyed, jaw hanging and fingers fidgeting where theyâve dropped to his sides. It hurts. Some. But itâs what he expected and still more than what he deserves. Itâs death in his face making him crazy. Or maybe itâs just Alfred.
He wants to take him up in his arms, hold him tight to his chest and say sorry a thousand times for ruining the last moments they have together. But he canât. The men are close, and his projections never lie.
Alfred swallows, touching his lips. He looks like he wants to speak, but Ludwig knows he wonât be able to bear it. He shakes his head.
âPlease. Leave now,â he says.
And then he runs, the image of Alfred standing slack-jawed and tense burned forever in his mind.
The door flings wide open. Men stand armed, shots fired in the direction of the pod and towards him but miraculously they donât hit. Someone yells. Gunshots ricochet. There is fire, and there is sunlight, and just as heâd guessed, thereâs a little black ball rolling straight towards the pod and Alfred.
It rips from his lips in a desperate last plea. âGO NOW!â
Bomb is the only thing he thinks as he lands atop it, and the world bursts red.
Alfred forces up the wheel. He bursts through the roof, home free, but the sunset is lost to his tear-filled eyes. His ears are ringing, filled still with the gunshots and the screams and the last frantic cry. He takes one look back to the dark, little barn and accelerates hard.
âFuck.â He whispers. âI loved you, too.â
#GerAme#APH Germany#APH America#sci fi#androids#hetalia#one-shot#fic update#realm writes#aphrarepairsweek2018#ty to my beta reader rainy!
67 notes
¡
View notes
Text
Kalafina Live Review - 10th Anniversary
Finally itâs available and I watched the whole 10th Anniversary Live (again and again), so I thought Iâd give a review on it. Here is my original Live Report -> click. My opinions didnât really change much, though, so Iâll be repeating myself here and there :p Here we go!
Ring your bell ~ in the silence
I love that intro, especially with those flags opening
other than that, boring entrance -> the 9+ONE intro would have PERFECT for that occasion
Ring your bell
fuck that song
However, I like the performance, surely one of their best, I love their bright smiles and movements
 BUT it gave me reminder of why I donât like this song: the final âring your bellâs, Wakana always makes me cringe
Quick opinion: I really came to hate Keikoâs dress. Not the colors or the golden/black pattern, thatâs pretty cool: itâs those lace shoulder pads and the leather corsage. They make her chest area look super bulky and the chest part of the dress is not form-fitting at all. She has such a beautiful body but this dress just doesnât support it.
Mirai
Fuck that sooong and everyone who voted for it
But even I have to say, I have a lot of fun watching them perform, they move around, interact with the audience, itâs lovely and more carefree
Lirica
Definitely one highlight of the night
I realized for the first time that the Strings are actually plucking their instruments lol I thought it was a background sound by the manipulator
I barely hear Hikaru in the chorus, is she singing high or low? xD
Keiko is the best here, so deep and dramatic!
Booooring stage show. No movements by the girls is one thing, but no special light show or anything? They could have been so creative with this dark piece..
Manten
OMG some choreography
Wakana is greeeeeat
Yane no mukou ni
First performance where I almost cried during the actual live, perfect and emotional
Still donât like Hikaru here, she sounds like she is shouting which kills all emotions she might have had while singing
Cool plucking violins at the end, never noticed they do this
Hikari no senritsu
overplaaaayed
OMG light dude, DO SOMETHING
Best flute solo of all time
Quick opinion: all the performances where I criticise the lack of creativity, movement etc. look actually great on the DVD, because we have the cameras. Changing angles, focus on each girl, their faces, the audience and the band give variety and it makes it look a lot more interesting. But sitting in the actual audience is absolutely tiring, because there is just nothing happening on stage. Itâs just like you listen to a CD, especially if you had a seat in the far back and could only rely on the screen. Such a shame and waste.
Storia
oh god no
their steps in the middle part are all over the place XD
fun and good performance
Quick opinion: almost all songs by now have been completely or partly illuminated in blue light. Uncreative? Yes.
Natsu no Ringo
Hikaru again sounds strange and shouting, she definitely was edited
Other than that super beautiful performance, Wakana was in top form that night
Serenato
Another big highlight, one of the best performances Kalafina ever did
Actually a nice, refreshing intro by the accordion, but I personally find it kinda dominant throughout the song, which was a bit distracting and which I didnât really feel in the actual live
ARIA
Hikaru sings lower and I like it a lot, although they definitely enhanced her voice to sound a bit âprettierâ
she did such an emotional and sad performance, you could see that is not struggling as hard as e.g. in Red Day
Sprinter
that Keiko hug
finally some action on stage and interaction with fans!
super fun to watch and OMG Keiko is using the pedestal
Oblivious
still bad place in the setlist
great AMV and surely also a highlight, sadly this is the only special treatment for their debut song, should have been celebrated more
Poor Hikaru gets always ignored during WaKei duet lol
Kizuato
Great performance, I adore that song
Keikoâs voice a bit too cute for me here
Kimi ga Hikari ni Kaeteyuku
Keikoâs stupid cutesy voice
Very emotional and those sad faces at the end kill me every time
I just realized that they have sung all Kara no Kyoukai songs in a row XD
Quick opinion: Itâs like they only have red, white and green filters, all while the light technicianâs finger is apparently stuck on the blue light button. This is BUDOKAN! This is ALL you can deliver?!
Kantankatan
I honestly wonder why this song made it into the setlist. Hyakka Ryouran sure, being their most recent single, but why this B-side song (and e.g. why not Tombo?). Since fans couldnât vote for it, it makes me think that the girls just really love this song and wanted it included in their last recorded live performance.
Wakana is simply perfect, Hikaru... well... sheâs there. Where has her âneverendingâ voice gone to?
Where is the second violin dude? Toilet break?
This song becomes so much better when the Strings join in the last part
Symphonia
I still hate Keikoâs dress
omg girls, please move around or something
good and nice performance
Red Moon
finally SOME DARK SONG and finally something for the eye with the video
Hikaru still sounds kinda weak, but during the actual live she was barely audible, so I guess thatâs a plus here
Keiko is amazing, you can hear her so clearly! Wakana too! Epic performance
Waaaaay too much blue for a song called Red Moon
Adore
Flashback to After Eden with Red Moon -> Adore xD
Wakana is suuuper!
What the hell is wrong with you Hikaru? What happened after After Eden? Sheâs sooo shouty, this is definitely her weakest performance of the night
Great violin solo
OMG they use the pedestals FOR THE FIRST TIME and they use it for GODDAMN 12 SECONDS
And I noticed they actually played some video -> good!
To the beginning
finally after way too long, an upbeat song since Sprinter (which is 6 songs ago)
It took me years to realize that they sing âdown to zero we goâ, however Hikaru sounds suuuper strange singing that line
finally some light action, took you long enough, eh
That Keiko punch at the end xD Not enough of those cool shots
Progressive
YEAH SOME REAL ACTION
also one of the best performances of the night, I love Keiko here, sheâs moving so much and having so much fun, itâs infectious
Hikaru killed it and that very last line is awesome
Ongaku
Aaaaw that hug in the beginning
of course, Ongaku is a must, I still think this would have been a better entrance or encore song
look at this power, fantastic
those band solos are the best thing of the whole concert, honestly I love them so hard
however, accordion solo is so out of place and unnecessary beyond belief
Bongo duuuuuuude, LOOK AT HIS FACE I canât even xD
KONNO HITOSHI VIOLIN EPICNESS!!!!!!! With great justice he got the best reaction from the audience
They edited that Keiko jump/hug, it took her much longer to reach Wakana xD
The interaction between the girls is gorgeous, something we have been missing overall a bit
they included the flute at the end too, very nice (I suppose the accordion too, but fuck that)
that was the best Ongaku performance they ever did
Heavenly Blue
they still should have gone to MC after Ongaku
other than that, good performance I guess
Into the World
well hello there blue filter, itâs been a while
is it just me or has Keiko been made more dominant than she is supposed to be in the beginning?
Nightmare Ballet
come one, at least do that Zaregoto BGM THAT SOME ASSHOLE CUT FROM 9+ONE!
Great intro by accordion though, her duet with Sakurada is so cute
I feel I should take that blue spotlights to a date by now, because I have spent more time with them today than with my boyfriend
Great performance by the band, though too late into the concert in my opinion
Hikari Furu
best performance of this song of all time
Wakana kills it so hard, I feel bad for the others
fantastic mix of normal and acoustic version
that epic pause, THAT EPIC PAUSE
Quick opinion: I am not the biggest fan of those white âweddingâ dresses. While their âfinalâ version is pretty cool, I donât like the veils, simply because they serve no purpose, especially since theyâll be thrown away immediately afterwards.
Hyakka Ryouran
nice flute intro
Red-Blue-Red-Blue-Red-Blue FUCK YOU
Ah, that middle HiKei dance, now you finally can see what I was talking about in my live reports. Wakana would have been better standing on the middle stairs though... #needless nitpicking
the flags are waving, thatâs admittedly pretty cool
great performance of everyone, good that this song made it into the setlist
Alleluia
this doesnât have many live recordings I think, so I am really glad that Alleluia made it as the last and most popular song of the night
definitely a marvellous farewell song for Keiko
look how powerful she sings, she knew this was her last big performance and she delivered
- Why is the manipulator celebrated to heavily? Is he particularly popular or something? XD
- Ehm, Wakanaâs dress are actually pants? Do I have that correct? XD
- They should have thrown in âsnow fallingâ as a surprise encore, just for the joke
-------------------------------
+ the musicians brought in so much variety and creativity even in highly overplayed songs, they made this truly a special concert
+ very good camera work, some great and cute shots and not so many cuts like in 9+ONE for example
- apparently an intern did the lighting here, I canât explain this amateur work otherwise
- itâs a pity that there wasnât any extra content included like some kind of Making Of or something on the Commemoration Lives. Sure, they reserved it for the movie, but still, at least something would have been nice
I really love this Live, although I had a lot of criticism. Kalafina delivered and they gave some of their best performances of their career. It was worth it all and itâs simply sad that this is their last concert. They deserved better treatment for this and it should have been even more special, with more effort and creativity by the staff/the agency.
Oops, that became longer than intended, sorry! Thanks for reading!
12 notes
¡
View notes
Text
sincerity
Keith/Lance // canon divergent // 4.3k // sfw
Summary:Â "If not for the alien symbols etched into the spines of the fortune teller's books, Keith might have thought he was back on Earth.
'Why have you come here?'
And thatâs the real question, isnât it?"
or: Keith revisits the space mall to have his fortune told and gets more than he bargained for.
Keith is far from a skeptic.
 From a young age, heâs believed in most things the general public deem âunconventional.â Aliens, ghosts, Mothmanâconspiracy theories are Keithâs guilty pleasure. And, after the Garrison lied about Shiroâs disappearance, Keith put an even greater stock in government conspiracies than he used to.
 Does he believe in magic? Maybe. Okay, probably. Werewolves transform under the full moon, and fairies have the power to become invisible, some even heal people. Allura and Coran are always telling stories of abnormally strong Alteans or aliens with witch-like abilities, casting spells and changing form. And, of course, there are the Druids. Magic seems to stretch to every corner of the universe.
 So it comes as no surprise when Keith glimpses a fortune teller at the infamous Space Mall.
>> READ THE REST ON AO3 <<
 Keith spots the shop, only a few booths over from the knife salesman. Purple curtains hang down in front of the entrance. A massive wooden sign is fixed overhead, but the name is scrawled in an indecipherable alien language. The crystal ball situated alongside the text is the only indication of whatâs inside.
 Keith dismisses it. Thereâs no time and no reason that he can think of to stop .
 (At least at that time.)
 Months later, when Shiro has disappeared for the second timeâKeith hates having to acknowledge the fact itâs the second timeâKeith finds himself in the worst possible position. Shiro brought up the issue for what felt like the thousandth time back when the two had been isolated from the rest of the team, cast away on an alien planet.
 âKeith, if I donât make it out of hereâŚâ Shiro hesitated, and Keith couldnât divert his gaze from the bags under his eyes. âI want you to lead Voltron.â
 The sentiment sent a chill down Keithâs spine. There were many occasions Shiro alluded to Keith taking over his position as leader of the team. But never before had the need felt so real, so immediateâ like Shiro could die at any moment.
 When he vanished without warning, Keith felt obligated to honor his request and appoint himself as the new leader.
 Well, co-leader if Keith is being totally honest with himself. Recently, Lance had really stepped up to the plate. Whenever Keith needed a second opinion, Lance was there to chime in. During battle, he carefully watched Keithâs back, and, during mission briefings, Lance clung to his side and helped explain parts of the plan Keith didnât quite understand himself.
 Considering the previous state of their relationship, it was⌠weird. But not totally unwelcome.
 It isnât a problem. Except for the fact Keith canât ignore his stupid fucking crush on his right-hand man and former rival.
 Yeah, itâs pretty awful. Keith can hardly be in the same room as Lance anymore without wondering what kind of beauty products he uses to maintain his appearance. On the rare occasions theyâre relaxing, Keith closes his eyes and listens to Lance speak, savoring the sound of his voice and the underlying passion. On the nights neither of them can sleep, they sit near a particular porthole with the best view of the stars, sometimes in comfortable silence and sometimes exchanging stories from Earth.
 Of course, thatâs on the more innocent end of the spectrum. The tiny hormonal Keith residing in the dirty corners of his mind has totally different concerns. Such as what Lanceâs lips feel like and the taste of his skin.
 Keith just loves having feelings for someone. Definitely. His absolute favorite.
 In other words, Keithâs life is a mess at the moment. As if the whole ânew black paladinâ thing isnât bad enough, the ridiculous fluttering in his stomach whenever heâs around Lance only serves to make the situation worse.
 Lance, totally oblivious to Keithâs emotional turmoil, has been hanging out with Keith more often. And doing horrible things like teasing Keith and surprising him with casual touches and, God, sometimes he even hugs Keith after a particularly grueling battle.
 Itâs suffering. The whole damn thing is suffering.
 âWhy donât you just⌠I donât know, tell him how you feel?â Pidge suggests. She leans back in her chair, fixing Keith with a withering stare. âBy the way, you came to the wrong person for romantic advice.â
 âI didnât know who else to ask,â Keith admits. ��Hunk and Lance tell each other everything so thereâs no way I could talk to Hunk. Allura and Coran would probably tell me to be upfront with Lance. And Shiro might tell Lance for me.â
 âHe would do that?â
 âWell, in his own, âIâm Shiro and this is supposed to be me subtly hinting at Keithâs crush on youâ kind of way.â
 âOh wowâŚâ
 âYeah,â Keith sighs. âYou and I talk about other stuff so I thought⌠why not?â
 Pidge groans and turns her attention to the computer monitor. Lines of green code fill the screen, reflected in her glasses. âFair enough, I guess. Iâm not sure what to tell you, though.â
 âDo you think thereâs any chance he actuallyâŚ?â
 âFeels the same?â
 âYeah, uh.â Keith clears his throat. âThat.â
 âIâve never asked Lance. The only way to know for sure is if you ask him yourself,â Pidge replies. âBut, I mean, if you wanna know the truth⌠I think heââ
 âYou know, um. Actually.â Keith jerks to his feet. A flash of lavender gauzy cloth pushes to the forefront of his mind. âI think I have this under control. But thanks for listening and good luck with your⌠programming.â
 Before Pidge can try and bar him from leaving, Keith darts out of the room. He somehow navigates the tangled web of wires littering the floor without tripping. The door slides shut behind him, and Keith swears he can hear Pidge yelling after him.
 A tiny part of Keith is sorry for leaving Pidge in the dark. But a greater part knows he has to do this alone.
 â
 Thereâs something intimate about the soft light and tight quarters of the fortune tellerâs booth. Slender ivory candles line the walls, arranged on shelves between thick, ornately bound books. A small table sits at the center of the room with a rich crimson cloth draped over it. The crystal ball sits on top, brilliant indigo surface glimmering under the candlelight, encircled by a gold design embroidered into the cloth.
 If not for the alien symbols etched into the spines of the fortune tellerâs books, Keith might have thought he was back on Earth.
 âWhy have you come here?â
 And thatâs the real question, isnât it?
 Keith shifts awkwardly in his seat. Itâs hard to speak to someone when he canât even see their face. The voice on the other side of the maroon veil is raspy, thick with curiosity. Their hands rest on the table, knobby fingers adorned with rings, nails sharpened to dangerous points eerily similar to claws.
 âMy⌠future?â Keith settles on. Because, Shouldnât you know why Iâm here? would make him sound like a gigantic douchebag.
 âOf course. But there is more to your visit than a simple reading.â They pause, and Keith can practically hear them smirk. âIs that not right, paladin of Voltron?â
 His breath catches in his throat. How did they recognize him? Regardless of how ridiculous Keith finds the space pirate costume, he assumed the scarf, mask, and hood would serve their rightful purpose. The last thing he needs is to cause trouble for the team because he couldnât put together a decent disguise.
 They probably use magic, dumbass, of course they know who you really are. Keith forces himself not to visibly panic, hoping he can still maintain his cover.
 âIâm sorry, Voltron?â
 âYou act me a fool,â the fortune teller scoffs. âThe aura of a paladin, especially Red, is far different from other customers. Scarlet clouds surround you like a blanket, young one. It is a shame you cannot see them for yourself. They are breathtaking.â
 Keith is completely and totally screwed. So much for masking his identity.
 âPlease, you canâtââ
 âI do not plan to spread word of your visit, if that is what you fear. Such an announcement would only serve to bring the Galra here.â Another scoff, far more disgusted. âI would rather not deal with those scum.â
 Keith bristles. âTheyâre not all scum.â
 âEasy, young one.â The fortune teller swishes their hand as if shooing a pesky fly. âI know of your heritage. However, there are few exceptions such as yourself.â
 âThe Blade of Marmora?â
 âMore exceptions. And not many.â
 âBut theyâre expandingââ
 âAs much as I would love to debate with you, Red Paladin, you are not here to speak of political or ethical matters. You and I both know this.â
 A deeper wisdom than Keith could ever imagine seems to seep out of the fortune tellerâs pores. It shrouds Keith, heavy and overbearing. âYeah⌠yeah, youâre right.â
 Thin fingers settle on the crystal ball. âThe Black Paladin? You wonder if you will ever see him again.â
 Keith stiffens; he hadnât said a damn thing. Not out loud, at least.
 âI just need to know whether heâs alive,â Keith stresses. âI canât⌠the thought of something happening to himâŚâ
 âI cannot say much, but I will tell you this: he is alive.â
 A swell of joy engulfs Keith, and he just barely quells the urge to celebrate, feigning indifference. Shiro is actually alive. That one single bit of information changes everything. Now when Keith pushes the team to keep looking, he knows their search isnât fruitless. He feels like a dog chasing a car it knows itâll catch. Maybe not now but⌠but soon. As long as it keeps trying.
 âOn the matter of whether and when you find him, I am not permitted to share. We who hear the universeâs voice have a certain pride to uphold.â
 âIs this how all of your readings go?â Keith blurts. Dammit. âWow, sorry. That was rude.â
 âIt is quite alright. As I said before, you are young. Considerably young.â They drum their fingers on the twinkling crystal orbâs surface and sigh. âHumans do not live long and, even with the Galra blood running through your veins, you will never outlive a creature like me, centuries old⌠withering away...â
 Centuries?!
 âAnd yetâŚâ they trail off. Keith watches in silent horror as the fortune tellerâs fingers flutter and then freeze, knuckles white with strain. A low growl rumbles up their throat. The noise is grating and inhuman and, oh God, this is where he dies. Sitting in the booth of an ancient fortune teller in the middle of a space fucking mall.
 Then, suddenly, they go quiet. Keith opens his mouth to speak, to maybe try and redeem himself, whenâ
 Laughter.
 Like tires rolling over gravel, the sound echoes throughout the tiny room. A thunderous laugh, booming, unbridled and genuine. Startled by the outburst, Keith flattens against his chair. His first instinct is to grab for his bayard. Without his usual suit, Keith settled for stowing it in a makeshift holster attached to his hip.
 Keith is seconds away from actually pulling his weapon on the mysterious alien when they raise a hand, signaling him to stop. Slowly, he lowers his bayard.
 âI was⌠under the impression thatâoh my. This is⌠unexpected,â the fortune teller manages between bouts of laughter. They keep their hand out until their childish snickers eventually die down. âHe was not your sole reason for coming here.â
 Shame and humiliation boil up inside Keith, coloring his cheeks. The fortune teller was only supposed to pick up on his fear over Shiro notâfuck, of course, they picked up on that, too.
 âI⌠wellââ
 âThe paladins of Voltron certainly are fascinating,â they carry on. âAdmittedly, your subconscious managed to keep that hidden from me. I am impressed, considering the strength of such an emotion. So powerful. Very suited to the temperamental Red Paladin.â
 Keith swallows nervously and, yep, his cheeks are on fire. Great.
 âI donât know what youâre, um. Talking about?â
 âYou do not have to play coy with me,â they insist. âThe feeling itself is there. I am not sure how I missed it earlier. A dazzling blue, much like the briny waves of the Reustean oceans. How beautifulâŚâ
 Blue.
 âYou have felt this way for a while, have you not?â
 âFelt what way?â
 The fortune teller shakes their head, clicking their tongue. Keith pictures it as the forked tongue of a lizard. âThese⌠emotions you feel toward the Blue Paladin. They are far too intense to have been born overnight.â
 âIntense?â Keithâs voice cracks. âUh, I donât really know if intense is the word I would useâŚâ
 âAnd you wish to know if these feelings are mutual.â
 âI mean, thatâd be a stupid reason to come all this way to see a fortune teller. Right?â
 âBecause you are too frightened by the prospect of rejection to ask the paladin yourself.â
 âOkay, I never saidââ
 âHis demeanor intimidates you.â They slap their hands over their mouth. Well, over the veil where their mouth likely is. âWhat an unforeseen turn of events! The hot-headed red, daunted by the outgoing blue.â
 âIâmâthatâs not true!â
 âYou are afraid he will reject you. And yetâhow amusing.â The fortune teller is basically giggling at this point. It reminds Keith of a teenage girl, gushing over the juiciest piece of gossips sheâs discovered in years. âI am so glad that you have come.â
 What, so you can laugh at my shitty unrequited crush? Keith crosses his arms over his chest. âThen I guess you have an answer for me.â
 âYou are always watching him,â they mumble, as if they didnât hear Keith. After a momentary pause, they bounce a little in their chair. âAnd he⌠ah yes. Although neither of you are awareâthe universe is so very cruel at times. I had no idea.â
 Keith finds himself caught on a single word.
 âWhy⌠cruel?â
 In the blink of an eye, the fortune teller deflates. They sag against the back of their chair. âIn regards to this matter, I am not able to impart much knowledge onto you, young paladin,â they explain sadly, âalthough I would very much enjoy resolving this issue once and for all.â
 The reading has taken a turn for the ominous, and Keith doesnât like it one bit. âWhat are you talking about?â
 âMuch like with the rest of my prediction, I must remain⌠vague is not exactly fitting, but it will do. I shall offer you this: pay close attention to his sincerity.â
 âHis sincerity,â Keith repeats.
 âThe thoughts he voices.â
 âListen, I know youâve never met Laâthe Blue Paladin, but he voices a lot of his thoughts. How the hell do I know which ones to pay attention to?â Keith blanches, realizing his word choice. âIâm sorry, excuse the, uh. Language.â
 To his astonishment, they seem unfazed. âYou will know, young one.â
 âIââ
 âNow, I know you have plenty of concerns as the temporary leader of the paladins of Voltron, but I must ask that you leave now.â
 âTemporary?â
 âAnd you may be very young, but the truth will reveal itself to you soon enough.â
 Before he knows whatâs happening, Keith is being hoisted out of his chair and guided purposefully toward the exit. He tries to set his feet, but the fortune teller easily overcomes his strength. Thereâs more muscle hidden underneath their cloak than Keith surmised. He almost trips when heâs given the final shove out the door, catching himself just in time.
 Did they really just� Keith swivels on his heel, ready to give the fortune teller a piece of his mind. But all insults escape him.
 The unnervingly cryptic alien has pulled back their veil. Their skin is tinted pink, clear and free of any blemishes or scars. Slits like those of a snake are situated between two round eyes. The irises are a mix of lively greens and reds, encircling inky black irises the size of pinpricks. They have fine facial features, pixie-like.
 Keith canât help but note how beautiful they are.
 And the jealous side of Keithâa monster, reallyâheaves a sigh of relief because Lance isnât there.
 âI have faith in you,â they whisper, gravelly voice dripping with honesty.
 Keith doesnât trust himself to speak and, instead, offers a nod. As he turns to leave, his mind wanders. What would it be like, seeing the future? Keith thinks, especially after this bizarre encounter, that he would hate it.
 The fortune teller is almost out of earshot when he hears one last thing.
 âGood luck, Keith Kogane of Voltron.â
 --
 When Keith returns, the castle is blissfully quiet.
 It had been the middle of the night, by the castleâs clocks, when he left. The longer he sat with the fortune teller, though, the more he was convinced heâd come back to a confused and angry group of paladins. But, as he climbs down from Red, he notes the emptiness of the hangar.
 Keith crouches low to the ground. With every step he takes, he inwardly cringes at the loud thud of his armored feet hitting the floor. Keith hadnât seen anyone but that doesnât exactly mean heâs alone. Pidge would totally hide behind her lion and wait for the perfect moment to jump out and interrogate Keith.
 âWhere the hell did you go?â
 âJust to visit a fortune teller from the space mall. The one where we rode around on a giant cow? Yeah, that mall.â
 âBecause that would go over soââ
 âKeith?â
 âWhat the fââ Keith nearly collides with the last person he expected to see here. âLance?â
 âThere you are,â Lance cries. One hand goes to his hip, while the other angrily flourishes and gestures at Keith. âWhat do you think youâre doing?â
 Dread swells up inside Keith. âGoing⌠back to my room?â
 âOkay, and what were you doing before that?â Lance demands. His pajamas swish with every frustrated movement, lion slippers planted firmly.
 âFlying around in Red.â
 âIn the middle of the night?â
 âI donât have to explain myself to you, Lance.â Keith winces; it physically pains him. âIâm going to bed now.â
 Keith fully intends to stride past Lance and back to his room, but the iron grip on his wrist stops him dead in his tracks. Caught off guard, Keith doesnât even attempt to resist. Flames dance behind narrowed blue eyes, fixed on Keith and totally immobilizing him. Oh fuck.
 âI think you do,â Lance disputes, voice low and dangerous.
 Keith hates how attractive he finds that.
 âI think as the new leader of Voltron and as myââLance stutters over the next wordââfriend, you have a right to tell me whatâs going on. I help you out all the time. Donât I?â
 âYesâŚâ
 âSo you canât just⌠shut me out like this! I may not be the leader-leader, but Iâm like, I donât know, the co-leader? And if something had happened to you, Iââ
 Keith waits, ready for a full tirade. He recognizes the flailing arms and running mouth. But Lanceâs voice, thick with desperation, is new. The fiery glint in his eyes, the flaring nostrils, and the way he keeps encroaching on Keithâs personal spaceâall of it is new. Quite frankly, it scares Keith.
 âTake me with you.â
 Keith feels like heâs been punched in the gut. âWhat?â
 âNext time, take me with you,â Lance insists. Their faces are only a few inches apart now and, wow, how had Keith missed that? âI always watch your back in battle so⌠why should this be any different?â
 Keith is almost definitely blushing. He feels like heâs burning from the inside out. âLance⌠itâs okay. You really donât have to worry about me.â
 âBut I do!â
 âBecause of the rivalry, right?â
 âWhâyouâre kidding.â
 âYouâre the one who kept bringing it up!â
 âI havenât in a long time! Not since Shiro left.â
 âIt makes sense, though. Sinceââ
 âOh my God, itâs because I care about you, dumbass!â
 Silence.
 If one of the mice were to drop a pin, Keith is sure heâd be able to hear it. Thereâs no way in hell he heard Lance right. For months, Lance went on and on about their ârivalryâ and about how âanything Keith could do, he could do better.â Lance seized every opportunity to profess his undying hatred for Keith. And, sure, itâs been awhile since he pranced around spouting insults.
 But this?
 Keep calm, nothing to lose your shit over, Keith silently chastises himself. Then, he remembers what the fortune teller said. About paying attention to Lanceâs âsincerity.â
 âOh God,â Keith blurts and lurches in Lanceâs grasp. âNo. That would be⌠no.â
 Anger quickly gives way to worry, and Lanceâs features soften. âYou alright, buddy?â
 âWas thatâwould you say you were being sincere? Just now?â
 âUm.â Lance blinks. âYeah? I thought that was obvious?â
 âOh. Cool, cool.â Keithâs entire world is falling apart, but, you know, no big deal. Meanwhile, Lance regards him like he's a madman, ten seconds away from snapping and going on a killing spree. âCool.â
 âYou said âcoolâ three times,â Lance points out. Cautiously, he takes a step closer. If not for their shoes, their toes would be touching. âIâm starting to think youâve been brainwashed or something.â
 Keith lets out an ugly snort of a laugh. His mouth opens and closes uselessly. Itâs like heâs forgotten how to fucking speak, and, with that, he officially wants to die.
 âWhy did you ask me that, dude? Not gonna lie, Iâm legitimately freaking out over here,â Lance prompts, voice laced with concern.
 âYouâre sure you were being sincere?â
 âYeah, what the hell? I lowkey poured my heart out to you! Of course I was beingââhe bends his fingers into air quotationsâââsincere.ââ
 âRight, cooââ
 âIf you say cool one more time, Keith Kogane,â Lance warns. Another horrifying laugh falls from Keithâs mouth, and apparently thatâs it for Lance. He slaps his hands to Keithâs cheeks, resounding smack bouncing off the hangar walls. âWhat. Happened?â
 âYou care about me,â Keith deadpans.
 âThatâs been established, yes.â
 âAnd youâre not lying.â
 âGod, youâre making this way more embarrassing than it has to be⌠No, Iâm not lying.â
 âThen please donât kill me for this,â Keith breathes and, before he can lose his courage, pushes up on his toes and kisses Lance.
 Well, tries to kiss Lance. Their teeth clack, noses bump, and their actual lips only touch for a second or two before Lance squeals and pulls away. He holds Keith at armâs distance and gives him a quick onceover. The entire time, Keith stares at a random spot on the wall behind Lanceâs head and struggles to remember his own name.
 âYouâve been brainwashed!â Lance declares. âI canât believe our fearless leader leaves for one night and comes back without any memory of his amazing teammates.â
 Spontaneity is truly Keithâs forte. He secures his arms around Lanceâs neck and tugs him down into a second, proper kiss. Lance gasps but thankfully doesnât tug away. For a moment, he doesnât budge, and Keith considers pulling away himself, maybe sinking into the floor for safe measure. But eventually, something must click inside Lanceâs head and shaky hands settle on Keithâs waist.
 Warm, Keith notes when those hands urge him closer, steady but gentle. Warm, when they adjust the angle of their approach to more comfortably slot their lips together. Warm, when Lance smiles into the kiss and warm when Lance trails one hand up Keithâs spine, curling fingers around strands of thick, dark hair.
 They separate for an instant, and Lance has the nerve to laugh as their lips meet again. Keith mumbles questioningly but refuses to stop, not when heâs made it this far. His heart feels like itâs going to burst out of his chest; itâs one of the strangest sensations heâs ever experienced. A heady combination of the rush of adrenaline during a fight, the fear of losing to Zarkon, and the satisfaction of finding something lost.
 Since an accidental smashing of lips during a training session at the Garrison doesnât exactly count as a kiss, Keith is out of his element here. Breathing is becoming much too difficult. Thankfully, Lance seems to reach his limit at the same time Keith does and draws back.
 Keith craves the warmth of Lanceâs touch and canât bring himself to put space between them. Slowly, Lance leans and rests his forehead against Keithâs. Their breath mingles, swollen lips close enough to come together again if either of them were to move even the slightest bit.
 âDude,â Lance gasps, disbelieving.
 âWe just⌠and all you can say is âdudeâ?â
 âBetter than saying âcoolâ a million times,â Lance teases. âOh, and being all cryptic and shit. I still wanna know where you ran off to.â
 âA fortune teller.â Thereâs no point in keeping it a secret anymore. âAt the mall.â
 âAw, you went back to the space mall without me?â
 âI wasnât there to shopâŚâ
 âWe wouldâve had fun, though.â Lance pouts and then freezes, as if he only just comprehended Keithâs explanation. âWait, wait, wait. Why did you visit a fortune teller?â
 Dammit. âUhâŚâ
 And Lanceâincredible but occasionally infuriating Lanceâinterjects. âOh, I get it. You asked about Shiro, didnât you?â
 Keith hesitates. He could tell Lance the whole truth. For a second, he considers telling Lance every detail about his visit but something advises him not to. A voice in the back of his head discourages him from describing the reading to Lance, at least not yet. Maybe itâs the universe or magical juju or any semblance of logic he has left after the kiss. Either way, Keith listens.
 âYeah,â Keith whispers, eyes fluttering shut. âYeah, thatâs it.â
#klance#voltron#voltron legendary defender#vld#klance fic#keith#lance#otp: we had a bonding moment!#i cradled you in my arms!#my fic#mine#my fic: klance#my fic: voltron#HAVE THIS RANDOM WORD VOMIT ONESHOT#hopefully people will enjoy it as much as i did#keith is a pining mess#save him
58 notes
¡
View notes
Note
2 with sugamon?
Sugamon, 2, âYouâre too young to hate the world.â
(rebels, arson, mentions of violence)Â
The sound of gravel crunching underfoot is what alerts Yoongi to the fact that he is not alone. Smelling of kerosene and questionably more potable liquids, Yoongi turns to regard the newcomer, letting the canister in his hand clatter to the ground. In his jeans pocket, Yoongi can feel his lighter digging into his thigh, serving as a reminder as to why heâs here to begin with.
âI was wondering when youâd show up,â Yoongi says, watching Namjoon pause at the mouth of the alleyway, the white street lights haloing his figure. Once his eyes adjust to the light, Yoongi can make out the dimpled grin adorning Namjoonâs face.
Namjoon, with his pressed white dress-shirts and combed back hair, had met Yoongi some years ago in an alley very much like this one. Heâd been tentative, didnât walk with any air of confidence and smiled at Yoongi with a strained grin, wanting to appease him. Heâd been scared then, exactly like the Empire wanted him to be, and Yoongi wouldnât have had anything to do with him normally, but something about this Stray-born college boy who dressed like a Loyalist had tickled him.
Namjoon still wears pressed white dress shirts and combs his hair back, still goes to college where heâs forced to intermingle with Loyalists and pretend like he aches to be one of them. But now, heâs serving a bigger purpose, getting an education and using his brains to infiltrate the Empire from within. Heâs clever enough for it, Yoongi believes it, and so do their movementâs leaders. And this purpose has given him confidence, as well as a questionable taste in company, with exhibit one being Min Yoongi.
âAm I becoming predictable?â Namjoon asks, taking a couple more lethargic steps into the alley.
âAfraid so,â Yoongi shrugs. His face pinches into a frown, taking in the additional blotchy marks across Namjoonâs cheeks. âWhatâs with the bruises?â
Fingers stray up towards the marks in question, brush gingerly over this marred skin. Thereâs a quiet intake of breath as Namjoon pushes too hard, a fog of breath obscuring his face for half a moment.
âYou always said black was my colour.â
Yoongi scoffs, rolling his eyes. Heâs not in the mood for this kinda bullshit, the lighter in his pocket seems to be throbbing, itching to be within his fingertips. âDonât wax poetic with me.â Heâs never liked pretty words about violence, or the repercussions of it. âYou getting into fights again?â
Namjoon frowns, having expected Yoongi to play along as he always did. He puffs himself out, trying to fill out some of that space his body occupies.
âWhat of it?â
âWho started this one?â
âMe.â
âOf course you did.â Itâs not sarcasm, more like exasperation. Every few days it seems Namjoonâs getting into some fight or another and Yoongiâs job isnât to police Namjoonâs behaviour, but at times, itâs hard not to. âIâm glad the fucker at least got a few punches in. Though I suppose it didnât knock much sense into you if youâre here.â
âI see youâre pleasant as always,â Namjoon says sourly. He walks over and leans against a dumpster. âI canât believe youâre siding with Loyalist scum over me.â
âYouâre not a fighter, Namjoon.â
âIâm getting there.â
âYouâre not meant to be there,â Yoongi snaps. âShit, weâve got enough brute thugs in our movement, people throwing their weight against the system until it caves. We need people with all their brains in place to get all the political shit underway.â
âSo I just stay in school like a good boy and pretend I side with them?â
âExactly.â
âFuck that.â
Recklessness is a dangerous quality in a game like this. Yoongi hadnât seen it on Namjoon when theyâd first met, but heâd had that veil of ignorance back then, nowadays heâs forced into the thick of so many wrongs of the world and to act complacent, seemingly dragged along by the tide must be infuriating.
âThis is dangerous,â Yoongi says. He hadnât felt scared when heâd laced the place with kerosene but now that Namjoonâs here he can feel his pulse thumping in his ears. âYou shouldnât be here.â
âAre you kidding me?â Namjoon asks, face contorting. âIâve been at your side that many times before, Yoongi.â
âI shouldnât have let you,â Yoongi says, âyou donât belong here.â
Namjoon looks like heâs been slapped, wavering on his feet for a moment, face red with indignation. He narrows his eyes.
âDo you regret getting me involved in all of this?â
Yoongi folds his lips, running blackened fingers through his hair. âSometimes.â
âWhy?â
âYouâre too young to hate the world.â
âYouâre a fucking hypocrite,â Namjoon hisses. âYouâre a year older, do you think that means youâve crossed the threshold? Is twenty the magical age where hatred is real?â
âFine,â Yoongi hisses, matching Namjoonâs aggression because that is his job, to be angry, to be aggressive. Heâs brute force where Namjoon was never meant to be. âIt has nothing to do with age. Itâs just you. You donât know what the fuck youâre talking about.â
âAnd you do?â
âYeah,â Yoongi snaps, turning back to the building. âI do.â
Yoongi hears the crunch of gravel, he can almost delude himself into thinking that Namjoon is leaving. That heâll go back to his dorm and behave just like heâs meant to.
âSo youâre just gonna light up this building then,â Namjoon says, voice intimate, shoulder brushing Yoongiâs own and itâs a wonder Yoongi doesnât recoil from the touch, like heâd do with most others.
âYeah.â
âWhoâs is it?â
âSeokwooâs.â
âJang?â Namjoon turns to him, Yoongi doesnât look back. âIâm caught between applauding you and calling you an idiot.â
âYeah?â
âHeâll kill you, Yoongi.â
And thereâs the show of what Namjoon really is. That quiet concern in his voice as if the threat of death is a new addition to all of this. The fact that heâs only just realising now shows how not right he is for this side of the game.
Yoongi pulls out the lighter in his jeans pocket.
âYouâre not gonna leave are you?â
âNope.â
âI could make you.â
âThen do it.â
Yoongi holds his ground. Sighs.
âIf anyone asks about this,â he says. âI was the one who gave you the bruises.â
âWhatever you say, Yoongi.â
Yoongi grunts, reaches for the bag discarded by the side of the wall and fishes out all the contents he needs for a molotov cocktail. Namjoon stands over him, watching, hopefully not absorbing anything, but he probably is and thatâs just one more thing thatâll come back to bite Yoongi in the ass later, but heâs so fucking weak to Kim Namjoon.
Once heâs assembled it, he lights the end, pushing Namjoon into a run as he chucks the flaming bottle, no time to watch it soar through the air because heâs bolting for cover, hiding behind the dumpster as he hears a roar and feels the crushing heat as the building goes up in flames.
Sirens. Not ten seconds pass and Yoongiâs lugging himself to his feet, pulling up Namjoon too, keeping his hand in a tight grip for a second longer than necessary before Namjoonâs yelling something at him. The sirens getting louder.
Under the guise of night, together, they run.
#the set up for this is enough for an entire au jfc#guess who gets sad or angry bout the world and writes political rebels and revolutions#it's me#sugamon#the second otp#sugamon fic#fic drabble#anon#bts fic
15 notes
¡
View notes
Text
Hope Idiotic | Part III
By David Himmel
Hope Idiotic is a serialized novel. Catch each new part every week on Monday and Thursday.
A MONTH LATER AT WORK, JUST BEFORE LUNCH, CHUCK BURST FROM HIS OFFICE into the area where Lou and I sat. He ran his hands through his short hair, clawing his scalp.
âFucking Jesus!â he said.
Lou and I swiveled our chairs toward him and leaned back ready for the meltdown.
âDepartment meeting!â Chuck said. âNow! Cuba CafĂŠ! Neal, you drive!â
âI canât. I have to get gas.â
âGood. Get it on the way back.â
In the car, Chuck kept ripping at his head and cursing under his breath.
âYou want to tell us whatâs going on?â Lou asked.
âI need a beer first.â
Our department was going to be dissolved. âA restructuring,â is what the Palm Gaming executives called it. Although the three of us loathed the corporate humping we had to do to earn a buck, we had a pretty sweet seat up. While our department was independent and served much like a communication agency to the four Strip properties, the restructuring would require each property to manage its own internal communications. We were being split up. Worst of all, our positions would fall under the umbrella of the Human Resources Department.
Beyond the occasional legitimate sexual harassment problems or veiled threats of retaliatory violence from a disgruntled former employee, HR served little necessary purpose. It existed mostly as an employee party planner. Companywide emails from HR regularly looked like they were written in crayon. Lots of big, colorful fonts and clipart and seasonal-appropriate .gifs of Cupid, leprechauns, jack-o-lanterns and Santa Claus. I once brought in a flyer I received from Stephenâs daycare about an upcoming event. The flyer for young parents with babies looked just like an email HR sent to 70,000 adults employed at a casino regarding changes to the Employee Dining Roomâs soda fountain. (There would be two Diet Coke dispensers â part of a new health initiative.)
A lot of the information we dispersed was at the behest of HR, but knowing that we werenât technically HR employees was important to us. The days of freelancing on the Palm dime, joking around and extended drinking lunches were numbered.
âMelvin Wilson is going to be my direct supervisor,â Chuck said. Melvin Wilson was the companyâs diversity golden boy: A mid-forties black man with an ex-wife and five children under the age of seven. He was a reformed juvenile delinquent, having served a stint at age 15 for selling crack to an undercover cop. After prison, he found Jesus, and from there, a job in human resources. If HR had a cheerleading team for the company, Melvin would be its captain. âAnd theyâre making me the senior manager of communications at Tigris. So Iâll have a more hands-on boss to micromanage me while Iâm managing a smaller department. The upgraded title is bullshit.â
âIt comes with more pay, right?â I asked.
âFifteen hundred a year,â said Chuck. Lou and I laughed.
âSo what does this mean for us?â
âNothing is official yet, but youâll probably stay with me at Tigris. Iâm worried about you, Lou.â
âAre they going to fire me?â Lou asked.
 âNo. Youâll be sent to one of the other properties. And the whispers are that Lancelotâs Kingdom is gunning for you.â
Lancelotâs was Palmâs unloved, ugly stepchild of a property. Built to look like a medieval castle and themed as such throughout, it had become a glorified motel with rooms-by-the-hour since falling into disarray when Vegas outgrew its family-friendly identity. It was where hospitality careers went to die and where visitors checked in with hopes of hitting the jackpot but checked out emotionally empty and financially broke, having realized how hard exploitive capitalist dreams can crash.
âWhen does all of this take effect?â Lou warily asked.
âProbably by the middle of June.â
âWell then, I wouldnât worry too much about me.â
âWhy?â
Lou took a big bite out of his Cuban sandwich, which had just been delivered to the table. âIâm moving to Chicago at the beginning of June.â
âWhat the fuck for?â I asked.
âTo make something of myself. Become a real writer in a real city,â he said with his mouth full.
âAre you saying Iâm not a real writer because I live in Las Vegas?â
âNo! Of course not. I was trying to be funny.â
âBecause youâd be right.â
âWhat are you talking about? Youâre a real writer. You just published your second book.â
âI write corporate masturbatory dreck and hump editorsâ legs for twenty-five cents a word. My book is being outsold 500-to-1 by The Twinkie Cookbook. Iâm not a real writer. Iâm a hack with a dusty PhD who changes his sonâs shitty diapers in his spare time. The only time I see my wifeâs tits is when sheâs feeding my son. Chuck, you canât let him do this. He canât leave us here.â
Chuck was a clawing at his scalp even harder. A few more ounces of pressure and he would have separated it from his skull. But there was nothing he could have done.
Louâs mind was made up. He was in love and he was going to leave us behind for the big city and the girl. His commitment to the grand gesture surprised even him.
My book is being outsold 500-to-1 by The Twinkie Cookbook. Iâm not a real writer.
He had sworn off the idea of love after his last serious relationship four years before. Itâs not that he didnât believe love existed, but that love was a hassle. Back then, heâd just bought his house and had settled in nicely to the bachelor life. Without a girlfriend, he was free of relationship trappings like constant accountability and awareness of someone elseâs moods and feelings. Without a girlfriend, he was able to come and go as he pleased, do what he wanted, when he wanted, with whom he wanted. He liked being on his own â alone but never lonely. Girls came and went without much emotional effort from either party, which Lou found idyllic. He never felt anxious or hurt as a result of another person. When he was younger, he wanted to have a wife and kids, but after experiencing the spoils of bachelorhood, he had decided that he would have been perfectly happy never being married or having a family of his own, but rather always be free and available for the excitement of first kisses and the wonderful strangeness of sleeping with strangers. He figured that his friends would have kids, and he could be their cool Uncle Louie.
But then Michelle happened. In only a few months, her affection for him, and his for her, made him feel that real, workable love could exist. They had already been friends for eight years. That meant she knew who he was. She knew his idiosyncrasies, and she didnât seem to mind them one bit. She may have even loved him more because of them.
And now, as for the move, Michelle was the perfect catalyst. Louâs return to Chicago had been in his plans since first arriving in Las Vegas ten years earlier. Since he had a job straight out of college, he decided that as soon as his career had outgrown Vegas, heâd make his way home again. The decade was staring him in the face, his career was in the best shape it had ever been in, and Michelle would be at his side. He had what he referred to as trajectory.
âWhat about your house?â Chuck asked.
âGlad you brought that up. Iâd like to sell it and use the money to buy a place in Chicago. Until it sells, how about you live in it and pay me rent? Youâre moving out of your place now anyway, so what the hell? You wonât find a better place for the money.â
âAnd when it sells?â
âIâll give you thirty days to get out.â
âIâll talk to Lexi about it.â
âLexi?â I asked.
âYeah, weâre moving in together. Moving into your place, Lou, while we look for our own doesnât sound like a bad idea.â
âEverything discussed at this lunch sounds like a bad idea,â I said.
We ordered another round of beers before driving back to the office in silence.
âś
AS LOUâS EXODUS APPROACHED, THERE WAS A SHARED ANXIETY BETWEEN THE THREE OF US and especially between Chuck and him. It was more than painfully apparent that their more youthful, troublemaking days were behind them and that their time together was limited. Therefore, every moment together had to be savored. So, on a typically bright spring Sunday morning in Las Vegas, Chuck and Lexi came bursting into Louâs home while he made breakfast in nothing but white boxer shorts.
âLetâs go!â Chuck yelled.
âGood Christ! Whatâre you doing?â Lou demanded.
âWeâre going to the Grand Canyon today. The three of us. Get dressed.â
âNice boxers, Lou,â Lexi teased.
âYouâre lucky Iâm wearing anything at all.â
âI rented a Jeep. Itâs goddamn gorgeous out. Come on. Weâll get breakfast in Boulder City.â
It was a day well spent. They walked out onto the new Skywalk and laughed at the magnitude of how disappointing it was. They threw big rocks down and took bets with each other on how many seconds it would be before they heard a thud. They reveled in the idea that they were making changes to the earth through destruction. Lexi took a photograph of Chuck and Lou standing at the edge of a ridge with nothing below it but the absolute bottom. They went off-road through the Joshua-tree forest, and Lou made his case against the band U2 â pompous and riding its own coattails. They stopped at a quiet desert bar for a few beers and a couple games of tabletop shuffleboard. Lexi asked Lou if he thought heâd miss Las Vegas. âIâll certainly miss being able to have days like this,â he admitted.
âś
A WEEK LATER, CHUCK AND LOU WERE DRIVING THROUGH THE DESERT AGAIN, this time one-hundred-twenty miles north to the small mining town of Beatty, Nevada. This was a routine getaway location for the guys. It was on the edge of Death Valley, so there would usually be a couple of geology students from some university there studying its soil and plant life and temperatures. At night they drank at the Sourdough Saloon, situated on the main road just before the only stoplight in town.
The Sourdough Saloon had a large horseshoe-shaped bar where an Amazonian bartender served cold beers at two-fifty each, whiskey and tequila for four bucks, and generic frozen pizza from the supermarket for five dollars a pie. Old rifles and taxidermied heads of big-horn sheep adorned the walls. The jukebox was loaded with Dion and The Belmonts, and Johnny Cash.
This trip, like all the others, was a raucous spectacle. Lou drove them to Beatty in record time. When they walked into the bar, the bartender was in a shouting match with an equally large, though slightly less masculine, patron. From what the boys could tell, things were about to get out of hand.
âWhat the fuck is going on?â Chuck asked Lou.
Lou noticed a short, older man at the other side of the bar watching them. He must have sensed their confusion, because when he and Lou made eye contact, the man nodded slightly and began to walk around to them. He didnât look like the average local. Instead of worn work jeans and a tattered undershirt with a trucker hat, this man wore khaki chinos, a blue button-down and a faded blue baseball cap. When he reached them, the bartender had a handful of the enemy patronâs hair and was shaking his skull the way a dog shakes a dead rat in its mouth. Lou whispered to Chuck, âI think this guy is going to fill us in.â
The old man smiled with one corner of his mouth as he reached into his pocket, then brought his hand to his neck and spoke in a slow, humming robotic voice. âiTâS oK. THeYâRe BroTHeR aND SiSTeR.â
Lou at first didnât see the stoma in the manâs neck because he was too far away. And by the time he was close enough, Louâs focus was on the battle at the bar. The man had to speak through a mechanized voice box. Chuck laughed. Lou thanked the man and offered him the barstool next to them. âBuy you a beer?â Lou offered.
âBuDWeiSeR. ThaNK YoU,â the man buzzed.
The fight ended shortly after that. Chuck and Lou drank heavily. When the old man was drunk enough and had left the bar, nerdy geology students replaced him. Chuck told the bartender he wanted her to show him her tits. She threatened to kick his ass. Lou offered to kick her ass instead. Then he apologized, bought her a shot and she backed down. They dropped twenty-eight bucks in the jukebox and played Dionâs âRunaround Sueâ on repeat for an hour. With the little cash either of them had left â a couple of ones and a five â they scribbled messages on them and stapled them to the ceiling amidst other paper currency. They read:
Help! Iâm lost. If found, please call Chuck Keller at 702-353-8068; This dollar bill was once touched by a real live Jew; Figure it out. â CK and LB, May 2007.
At one point, Lou escaped to the bathroom to vomit. When he returned, Chuck was gone. âDid you see my friend?â Lou slurred at the bartender.
âThe little bastard was asking to see my tits again. I threw him out. Next time Iâll kill him.â Lou laughed. âFuck you!â she yelled. âGet the fuck out of here!â
Chuck didnât make it far after being tossed out on his ear. He ended up passed out in a heap in the street, using the sidewalk curb as a pillow. âLetâs go, asshole,â Lou said, as he kicked him. âWe have to get off the street.â
They had enough sense to secure a hotel room before going to the bar, and once they found Louâs car, which was in the Sourdoughâs rear parking lot, Lou drove them to the hotel. He tried to anyway. All the booze rendered his short-term memory and global cognitive ability completely useless. He knew what the hotel looked like â a series of white, aluminum-sided trailers. He knew it was only two blocks from the Sourdough. But instead of driving there, Lou blew through the stoplight and drove away from town, north on U.S. 95 with Chuck comatose in the passenger seat. Where the fuck am I? he wondered.
After an hour of weaving the lane and the shoulder, he saw a small red light ahead and thought, Great, a whorehouse. Iâll pull in, and weâll just sleep there. He and Chuck had been to brothels before. Not as customers, but as curious journalism students on a road trip to Lake Tahoe. He knew these places had what were called trucker rooms, which could be rented by the hour â much like the girl â for the long-haul truckers in need of sleep who passed by on Americaâs loneliest road.
But no one answered the door of the small house when Lou knocked. So he went back to the car and drove toward what he hoped was back to Beatty. An hour later, he was in town but still couldnât find the hotel. He thought, Fuck it, Iâm parking it right here and going to sleep.
He woke up to Chuck slapping him in the face. The late-spring desert sun was pouring through the car windows, cooking them both.
âHey! Wake up, you fucking asshole. Why are we sleeping in the car? And in a gravel parking lot?â
âBecause I couldnât find the damn hotel last night. Drove more than an hour on the highway. Was just going to rent a trucker room for us at a whorehouse, but no one answered.â
âWhat do you mean, you couldnât find the hotel?â
âI mean I have no idea where it is.â
Chuck pointed straight ahead through the windshield and laughed. âYouâre a fucking idiot.â
Lou had given up looking for their hotel in the hotelâs parking lot. The white, aluminum-sided trailers were about ten yards away from the car. It was morning, and they had to head home, but, since they spent the money, they figured they should get some use out of the room. They stormed the place like savages, ripping the bedding apart to get between the sheets catch some proper sleep for a few hours before showering and heading back to Las Vegas.
Dehydrated and hung over, the drive back felt much longer than the ride there the night before. Plus, they had reached the end of what was going to be their last adventure together for a while. Lou was leaving in a week.
âWhen did you know you loved her?â asked Chuck.
âMaybe when she first kissed me.â
âśÂ Â
IT WAS THE DAY BEFORE NEW YEARâS EVE 2006 â her birthday. Like always, Michelle was back in Vegas to celebrate the holidays and her birthday with her parents. After a birthday dinner at a steakhouse inside the high-end neighborhood casino resort with her parents, she invited Lou to join them at one of the casino bars. Her parents were both smashed and giving away twenty dollar bill after twenty dollar bill to the bartop poker machines. Michelle was drunk, too, but sober enough to refuse to get into the car and go home with her mom and dad in the sloppy shape they were in. Lou offered to give her a lift. On the way home, they made a stop at her favorite taqueria.
âYou know, you really missed your window with me,â she said.
âI donât know what you mean.â
âYour window to be with me. All of those times we were each otherâs stand-in dates to things, you never once tried to kiss me. And now itâs too late. You missed your window.â
âI didnât know there was an open window.â
âThatâs exactly your problem, Mr. Bergman. You. Donât. Know.â She flipped her blond hair as she turned her head to look away from him out her window. This was how she flirted â by giving him a hard time.
When Lou pulled into the drive-thru, Michelle unbuckled her seatbelt and turned to face him, her back against the passenger door. âWhen you finish ordering, Iâm going to kiss you,â she said.
Lou looked at her and laughed.
âWelcome to Los Tacos. Order when youâre ready,â the voice crackled from the intercom.
âIâll have three regular tacos, two chicken soft tacos andâŚâ he turned to Michelle who was still perched against the door. âWhat do you want again?â
âTwo tacos and an order of nachos. And a Diet Coke.â
He turned back to the intercom. âTwo tacos and an order of nachos.â
âAnd a Diet Coke!â Michelle said.
âI know. Relax. And a Diet Coke. Please.â
âThatâll be seven-fifteen. Second window.â
Before Lou could even depress the clutch, Michelle pounced. She swung her right leg around so that she was straddling him. It was a tight squeeze, and their faces were close.
âYouâre kidding me,â he said.
She looked deeply into his eyes for a moment, then leaned in and kissed him. It was soft and slow and hard. It was deep and shallow. It was passionate. It was incredible. And when it was over, it left Lou dazed.
Michelle looked at him and said, âOkay. Now that thatâs done, we can go back to being friends.â She swung her leg back around, plopped down in the passenger seat and buckled her seatbelt. The car in line behind them honked. Lou looked at her.
âYou can do that again if you want.â
âNope. Thatâs it. Just showing you what youâve been missing out on.â
He pulled up to the window, paid and drove her home. As they divided the tacos in her parentsâ driveway, Lou asked her, âYouâre still going to be my date for my New Yearâs party tomorrow, right?â
âOf course. Weâre friends. And friends donât stand each other up. Besides, my parents are going, too. Iâm not going to stay home alone.â
âAll right. Well, I guess Iâll see you tomorrow then.â
âThen I guess you will. Goodnight, Mr. Bergman. Thanks for the birthday tacos.â
âThanks for the birthday kiss.â
She smiled at him and headed into the house.
By the morning, he was over the kiss. It was no big deal. He kissed girls all the time. But when she showed up at the party wearing a perfectly fitting little black dress, he felt butterflies in his gut. And at midnight, they kissed again. And when the party was over, they drank the last of the champagne on his bed. And she spent the night with him. And as they lay together, Michelle Kaminski took Lou Bergmanâs head in her hands and said, âThis face⌠Iâll never look at it the same again. What have we started?â
âśÂ Â
âWHAT DOES IT FEEL LIKE?â Chuck asked. âTo fall in love?â
âJust like you remember. Except better.â
They drove a few silent miles. Then Chuck said, âI met a girl.â
âWhat do you mean?â
âHer name is Gina Acerbi. Sheâs that pretty Italian girl who works up in sales and catering. Tiny little thing; great tits. She was in my diversity training class. I donât know what to do.â
âWhat is there to do? Nothing wrong with knowing a cute girl.â
âThere is if Iâm fucking her.â
âJesus Christ, Chuck. You and Lexi are moving in together in a week.â
âI didnât plan on it. Jesus, man. Like Michelle, she just came out of nowhere.â
âItâs not the same.â
âI want to feel what you feel. I want to know what itâs like to love someone so much â and know that they love you just the same â that youâre willing to throw away your entire life just to be a part of theirs. I want that. I want that passion of making out in a fast-food drive-thru. I want those goddamn butterflies. You know what I get now? I get to move in with a girl â who I care about, and yeah, I love her â but a girl who reads the Bible in bed. You can imagine what my sex life has been like with her.â
Chuck had a point. Heâd always been a sexual animal, often a crazed beast with an enduring tumescence. And whenever he and Lexi had a mini-breakup, he made sure to do as much migratory humping as possible.
âThe Bible is sexy. In parts. Violent, too. That ought to turn you on,â Lou said.
âThe Bible doesnât give me butterflies.â
âAnd Gina does?â
âAnd Gina does.â
Part I Part II
#Novel#Novel Excerpt#Fiction#Chicago Fiction#Las Vegas#Las Vegas Fiction#David Himmel Author#David Himmel Fiction#Hope Idiotic
0 notes