#yeah i uploaded the full scene in HD. yeah
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god. i have waited for a devastating found family portrayal like this all my life
#yeah i uploaded the full scene in HD. yeah#that ringing disbelieving silence pierced by their voices pierced by their anger. their eyes enraged and heartbroken. just earthshattering#大梦归离#fangs of fortune
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first of all sorry, didn't mean to offend you, should have worded that one better
second, yeah, there doesn't seem to be much of that specific show on facebook at the moment, but I'm guessing it'll be sooner or later
third, I guess you could also screen record from a streaming site but that doesn't always work well
(sorry again, for the rudeness, I need to think better)
thanks, I appreciate that
I do sometimes use a screen recorder, which usually gives me high quality enough files to work with when I can't get HD or full HD files, but I'm just not happy with the video quality of the site I use to watch the show atm.
I actually do download from twitter or YT pretty often too when the scene I wanna gif happens to be available there, not so much fb tho, probably cause I don't use it, but I'll keep an eye out now in case there's stuff being uploaded I'm not seeing elsewhere
#ask#anonymous#it rarely happens lately that I'm not happy with the quality I can get so it's really frustrating when it's a show I'm itching to gif#but I'm keeping my eye out for better quality
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♢♢♢ STREAMING ON MEDIA ♢♢♢
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Already the 21st film for stable Marvel Cinema was launched 10 years ago, and while waiting for the sequel to The 100 Season 6 MovieAVenom: Let There Be Carnage infinity (The 100 Season 6 Movie, released April 24 home), this new work is a suitable drink but struggles to hold back for the body and to be really refreshing. Let’s hope that following the adventures of the strongest heroes, Marvel managed to increase levels and prove better.
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In many ways,Venom: Let There Be Carnage is the horror movie I’ve been restlessly waiting to see for so many years. Despite my avid fandom for the genre, I really feel that modern horror has lost its grasp on how to make a film that’s truly unsettling in the way the great classic horror films are. A modern wide-release horror film is often nothing more than a conveyor belt of jump scares stVenom: Let There Be Carnageg together with a derivative story which exists purely as a vehicle to deliver those jump scares. They’re more carnival rides than they are films, and audiences have been conditioned to view and judge them through that lens. The modern horror fan goes to their local theater and parts with their money on the expectation that their selected horror film will deliver the goods, so to speak: startle them a sufficient number of times (scaling appropriately with the film’sAVenom: Let There Be Carnagetime, of course) and give them the money shots (blood, gore, graphic murders, well-lit and up-close views of the applicable CGI monster etc.) If a horror movie fails to deliver those goods, it’s scoffed at and falls into the worst film I’ve ever seen category. I put that in quotes becaVenom: Let There Be Carnagee a disgVenom: Let There Be Carnagetled filmgoer behind me broadcasted those exact words across the theater as the credits for this film rolled. He really wanted Venom: Let There Be Carnage to know his thoughts.
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♢♢♢ STREAMING ON MEDIA ♢♢♢
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
♢♢♢ COPYRIGHT ♢♢♢
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom hVenom: Let There Be Carnages a set of rights to use or license the work, and who are commonly referred to as rights hVenom: Let There Be Carnageers. [better source needed] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
♢♢♢ MOVIES / FILM ♢♢♢
Movies, or films, are a type of visual communication which uses moving pictures and sound to tell stories or teach people something. Most people watch (view) movies as a type of entertainment or a way to have fun. For some people, fun movies can mean movies that make them laugh, while for others it can mean movies that make them cry, or feel afraid. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc. Most movies are made so that they can be shown on screen in Cinemas and at home.
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Several of the Dairugger XV episodes that Bandai uploaded were blocked in my region for a few days, but they’re back up now and I can continue watching from episode 12 ^_^.
Some thoughts so far:
The original visuals, unedited and in high quality, are a full-course meal. The backgrounds are especially beautiful, and even the simple ones have fantastic color palettes. (I��m pretty impressed with how thoughtful the color design is in general; it’s leagues above GoLion and 90% of the Voltron franchise, imo.)
It’s great to see the hand-made line quality and cel shading on the characters, too — it reminds me of watching My Conquest is the Sea of Stars in HD, albeit with less sophisticated character designs and animation. 80s anime really is something else.
tbh, I find DaiRugger itself to be one of the ugliest parts of the show, even if that toy model they advertise at the beginning of each upload looks cool as heck. Maybe mechs were just really challenging for the studio — Lion Voltron’s fights weren’t great either — but I get the sense that the creators were just kinda disinterested in making a mech show to sell toys and just wanted to go off with intergalactic politics and alien environments. Valid, but it makes for some uninteresting, if mercifully short, climactic fights.
I’m really into how Western/Roman the Galveston forces are, in name and in certain aesthetic elements, even though I’m also very glad this element was papered over in Vehicle Force. Every time a purple, red-eyed alien man is referred to as “Luciano” or “Drake” I have to pause the video and take a minute to process it. "Casually slaps real ethnic/historical names and indicators on fantasy/alien characters” is anthropologically interesting to experience from the “other” side, at least.
Honestly I’m still trying to mentally prepare for the appearance of Socrat Teles’s philosophical father, Socrat Tes
Galveston forces are less painfully bumbling than the Drule, while still clearly being corrupt and incompetent with strong parallels to the Earth politicians, so that’s cool. I even kinda sympathize with their paranoia over the DaiRugger explorers, since this is first contact for their respective civilizations.
Teles Good, seems to have more screen time and beautiful shots.
Ise Also Good, though I can kinda see why he was turned into the commander in VV. He doesn’t come off as a paragon the way Hawkins does — I can’t really imagine Hawkins talking to Sim the way he talks to Zandu — but he’s certainly an idealist of high quality.
That convo with Sim, though … “I caused an accident in training.” “Haha yeah, I f*ked up in training once too.” “No I mean I blew up someone’s ship.” “Eh, don't lose sleep over it.” And then Sim aliensplains how big space is to him
The intentional humor generally lands better than Vehicle Voltron’s, probably because it’s hard to kiddie-fy subtle humor. Aki complaining about the spice in the curry and saying there should be sugar instead is a funnier set-up than the cook being terrible and putting caramel on mashed potatoes or whatever it was in VV, and it’s a nice moment of characterization where you see how childish and simple-minded he is. The punchline is also funnier because Ise overheard his dumb comment about the curry and made a mental note to use it against him, but also somehow mistook Aki for a waiter in the same scene.
There are times when it’s a little too dry, though. Par example, Gratuitous Shower Scene was not the iconic piece of comedy it is in Voltron, where the dialogue heavily implies that Hazar is constantly being interrupted in the middle of his toilette like a big-breasted high school girl in a visual novel
Aaaaand that isn’t the note I want this post to end on, so I’ll also say that I appreciate the show’s tone, the heaviness of the narrative and the relentless kill count. The consequences are a bit extreme sometimes, but I don’t feel like they happen for the sake of edge or karmic retribution. They just really wanna hammer home that war always means suffering and death, and it works. These are the marks of an effective anti-war narrative, and certain creators could learn from them.
#Kumari comments#Dairugger XV#Armored Fleet Dairugger XV#vehicle voltron#voltron#Socrat Teles#Shinji Ise#Hazar#Hawkins#Kumari procrastinates irl#Not putting this under a read more b/c I think it’s nice! to see long posts in the VV tag!
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With its classic and secret beauty, this Californian from Sacramento has won the Summit. He was seen on “21 Jump Street” with Channing Tatum, and “Crazy Amy” by Judd Apatow. And against more prominent actresses like Jennifer Lawrence, Gal Gadot or Scarlett Johansson, Brie Larson signed a seven-contract deal with Marvel Movie Download Torrent.
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There is no sequence of actions that are truly shocking and actress Brie Larson failed to make her character charming. Spending his time displaying scorn and ridicule, his courageoVenom: Let There Be Carnage attitude continually weakens empathy and prevents the audience from shuddering at the danger and changes facing the hero. Too bad, becaVenom: Let There Be Carnagee the tape offers very good things to the person including the red cat and young Nick Fury and both eyes (the film took place in the 1990s). In this case, if Samuel Jackson’s rejuvenation by digital technology is impressive, the illVenom: Let There Be Carnageion is only for his face. Once the actor moves or starts the sequence of actions, the stiffness of his movements is clear and reminds of his true age. Details but it shows that digital is fortunately still at a limit. As for Goose, the cat, we will not say more about his role not to “express”.
Already the 21st film for stable Marvel Cinema was launched 10 years ago, and while waiting for the sequel to The 100 Season 6 MovieAVenom: Let There Be Carnage infinity (The 100 Season 6 Movie, released April 24 home), this new work is a suitable drink but struggles to hold back for the body and to be really refreshing. Let’s hope that following the adventures of the strongest heroes, Marvel managed to increase levels and prove better.
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In many ways,Venom: Let There Be Carnage is the horror movie I’ve been restlessly waiting to see for so many years. Despite my avid fandom for the genre, I really feel that modern horror has lost its grasp on how to make a film that’s truly unsettling in the way the great classic horror films are. A modern wide-release horror film is often nothing more than a conveyor belt of jump scares stVenom: Let There Be Carnageg together with a derivative story which exists purely as a vehicle to deliver those jump scares. They’re more carnival rides than they are films, and audiences have been conditioned to view and judge them through that lens. The modern horror fan goes to their local theater and parts with their money on the expectation that their selected horror film will deliver the goods, so to speak: startle them a sufficient number of times (scaling appropriately with the film’sAVenom: Let There Be Carnagetime, of course) and give them the money shots (blood, gore, graphic murders, well-lit and up-close views of the applicable CGI monster etc.) If a horror movie fails to deliver those goods, it’s scoffed at and falls into the worst film I’ve ever seen category. I put that in quotes becaVenom: Let There Be Carnagee a disgVenom: Let There Be Carnagetled filmgoer behind me broadcasted those exact words across the theater as the credits for this film rolled. He really wanted Venom: Let There Be Carnage to know his thoughts.
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Hi! First of all thank you so much for running this blog, it means the world! I understand that you upload everything in sequence, yet once more with feeling is available. I'm sorry to be a bother, but i've noticed that some scenes are missing (like Dawn's pterodactyl joke and some lines from Spike's song). Did the episode already come this way? (Again, thank you so much for your work!)
You’re welcome! Yeah, normally I upload sequentially but someone requested OMWF so I uploaded ahead of schedule :)
The full OMWF episode is I think close to 50 minutes long but – from what I can remember reading – it aired the complete ~50-minute episode on its original airdate and then after that for syndication, it was cut to whatever the average run-time is for the episodes (for what I assume are commercial purposes); the DVD has the complete episode but the cut version is what’s used by most streaming services. So, basically, I don’t think the complete episode exists in HD? I didn’t rip these episodes myself, so unfortunately I can’t do much about it other than keep an eye out for if this version is ever uploaded in HD (which I will do, I promise! Dawn’s pterodactyl joke is a fave of mine and I hate to deprive some people of seeing it tbh)
I hope this answered your question!
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PSP 15th Anniversary & Neo-Geo 30th Anniversary - Flashback Specials!
A couple months ago in March, the PSP hit its milestone 15th anniversary of its North American launch, just a few months after its end of 2004 debut launch in Japan. It came and went without much hubbub in the gaming media however due to that hitting around the same time the COVID-19 outbreak started to make waves in America and that pandemic rightfully getting the bulk of the press attention. Writing about game platform anniversaries over the past several weeks has been helping me get through these wild times we are now in by reflecting on my memories of these platforms, so with that said, please join me in looking back at Sony’s debut handheld….and later on in this very same flashback special I will have a bonus addendum with my memories of the Neo-Geo since it recently celebrated its 30th anniversary.
I remember when the PSP was surprisingly announced at Sony’s 2003 E3 press conference. I was there in Los Angeles covering my first E3 that year! The website I wrote for at the time, the long defunct vgpub.com, was a smaller gaming press outlet and only had one invite to the Sony press conference so our website founder, John attended the Sony conference while I and another staff writer slept in! I will never forget when John got back shortly after it ended and my colleague and I asked him if there were any big surprises (still a year or two away at this point with conferences being live streamed and with MySpace being the only major social media in 2003, there was a lack of live minute-by-minute news reporting and you would have to wait at least a couple hours until after the conferences ended to check gaming websites for news updates). John replied with an ‘oh yeah’ and proceed to hand us a little PR packet with a press release announcing the Playstation Portable (PSP) and how it would have near identical tech to the PS2 and be able to play movies with its UMD-discs. By mid-2003 the PS2 was a juggernaut around the globe and took up a little over half the market share in the home console gaming market against the Xbox and GameCube. With the PSP offering a big upgrade to the then-current GameBoy Advance out on the market and having near PS2 quality graphic capabilities, and with DVD movies being a huge factor into PS2 sales, it only seemed logical the PSP would be a sure-winner in the handheld gaming market. All three of us were buzzing about the news and how the PSP would be huge for handheld gaming and how Sony likely would take over. That did not quite happen however due to the surprise success of the Nintendo DS, but that did not stop the PSP to go on and be a viable gaming handheld alternative and have a fair amount of global success. I recall being incredibly stoked for the PSP launch, with a lot of hype going into its 20-plus launch game lineup.
I particularly remember being excited for Lumines, a new puzzler from Bandai that put a new twist on Tetris-style dropbox puzzle gameplay. It achieved this by making combo-clearing squares, instead of lines, and having a mesmerizing evolving soundtrack and graphic scheme whenever certain score targets were hit. Amazingly, the gameplay ranked right up there as top-in-class puzzler gameplay with Tetris. Combine that with its dazzling visuals and phenomenal soundtrack and it resulted in Lumines being the surprise killer-app of the PSP launch. Earlier this week I popped in Lumines Remastered on the PS4, and the gameplay is still as addicting as ever, and my anticipated quick five minute round for a refresher resulted in nearly playing an hour nonstop! From the other launch games I remember getting Untold Legends, Twisted Metal: Head-On and Tony Hawk’s Underground 2: Remix. Head-On was an all-new Twisted Metal game that was a good handheld version that also offered up online play, which was among one of the first of all handheld games to do so. I was a big fan of the hack ‘n slash action-RPGs on consoles during that era like Dark Alliance and Champions, and Untold Legends was a fun portable take on that which also offered up local wireless multiplayer. My friend, podcast co-host and also fellow VGpub staff writer Chris, along with my brother Joe, met up for a few memorable multiplayer sessions of Untold Legends.
All three of us played a whole heck of a lot of PSP in its initial weeks. At this time in early 2005, downloadable audio shows were kind of catching on but it was still a few months before Apple officially dubbed them as ‘podcasts’ on iTunes. I brought up the idea to Joe and Chris to get together to record an audio show for VGpub all about the PSP launch and our initial thoughts on the games available. We had no idea how to set it up on the technical side, so we winged it and Chris brought over one of those old-school stationary, coffee table tape recorders that are kind of stereotypical in psychiatrist or detective interview scenes in movies. We hooked an auxiliary cable from it to my PC and somehow produced a digital tin-can-and-string version of what would be the pilot of VGpub’s podcast. We sent the pilot to the VGpub editors to see what they thought, but we were dismayed when hearing back they thought it was too long at around 50 minutes in length. Bummed with that reception, we wound up not posting the PSP pilot show, but eventually gave podcasting another go when that scene took off several months later after it caught on with iTunes. We had a fun seven year run on the podcast, and when VGpub sunsetted a couple years after we started, we continued with the podcast on its own site for a few more years and as part of the launch posted the long lost pilot episode. And now in honor of the PSP’s 15th anniversary, I dug out that amazingly awful audio quality pilot from my hard drive archives and uploaded it to YouTube so now you all could relive our initial highs over the PSP’s launch. You can check it out by click or pressing here, or by checking out the embed below!
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Behold our low-tech, amateur endeavor of the very first podcast I participated in that focused on the launch of the PSP. THUG 2: Remix was a nice port of the console version of that Tony Hawk game I played a lot of. It was shortly after playing this is when I realized I did not want to play PS2 ports on the PSP. While a lot of them packed in a lot of the same content as their PS2 counterparts, they suffered noticeably due to the PSP having one analog ‘nub,’ only one pair of shoulder buttons and having to dial back the graphics and/or features in order to get it running on the comparably lower-powered PSP. I realized this moreso over the next year picking up and trying out PSP versions of BurnOut, Virtua Tennis and Gun. Once again, nothing against the PSP versions since a lot of them played and looked fine on the PSP, and if I primarily was on the road or travelling I would have been thrilled with these versions. It was over this next year I realized I would rather play these PSP ports on the PS2 instead of dealing with those compromises.
Unfortunately in the early years of the PSP, it was dominated by PS2 ports and five star original titles like Lumines were few and far between. This culminated with barely getting any play out of the system and selling off my PSP a little over a year later in mid-2006. Things were looking dire for a little while for the PSP, but Sony and strong third party support from companies like Square-Enix, EA and Capcom continued to pump out games and eventually the PSP established a strong portfolio of original releases. Some of the original efforts from Sony were so strong that games like Twisted Metal: Head On, Syphon Filter and Motorstorm: Arctic Edge got remastered ports on the PS2 to keep up first party releases for the PS2 in its twilight years. I want to make sure to give a shoutout to other strong original PSP titles such as the Patapon series, WTF: Work Time Fun, both Phantasy Star Portable entries, all four SOCOM titles, Resistance: Retribution, both Pursuit Force games, Killzone: Liberation, Kingdom Hearts: Birth by Sleep, Final Fantasy: Crisis Core, both God of War titles, Mega Man: Powered Up and Metal Gear Solid: Peace Walker. In 2012, I acquire PSP’s successor from Sony, the Vita. It featured digital backwards compatibility with a fair amount of the PSP’s library. I wound up acquiring about a dozen of the PSP games I always wanted to try this way that I missed out on after selling it. The Vita was also compatible with most of the PSone classics that were available on the PS3. This lead to me playing a lot of Final Fantasy VII a couple years ago in anticipation for the recently released and long coming FFVII Remake. This past week a fired up a few of them for a refresher on some of the PSP titles in preparation for this article. I had a lot of fun with the original Pursuit Force….at least the first couple missions anyways since that game had compatibility issues and frequently froze on the Vita.
I dusted off my Castlevania skills in my attempts at playing the remake of Rondo of Blood that is part of Castlevania: The Dracula X Chronicles. It has a challenging but fair degree of difficulty in the few levels I progressed through. Metal Gear Solid: Portable Ops I dug a lot for its first couple bite sized missions that focused on the origins of Snake meeting Campbell. Metal Gear Solid: Peace Walker I consider to be the true, fully featured fifth installment of the series since it essentially has a full length story and slate of missions available. I did not play it on the PSP, but instead on the HD remaster collection that released a year later on the PS3 and loved grinding through its wide variety of missions that set the stage for The Phantom Pain. While it is not compatible with the PSP’s physical discs, the Vita is a good alternative to experience most of the PSP’s library through digital download for those still curious about the PSP’s games. On the UMD movie side of things, launch PSPs came bundled with a copy of Spider-Man 2 which I eventually watched on a plane trip. The quality of the UMD movies were undeniably good. Later on, I got sent a UMD to review of the fun underdog sports film, Dodgeball and those wound up being the only two UMDs I owned. For the first year or two of the PSP lifespan I remember game stores being flooded with physical UMDs, but a lot of them cost nearly as much as their DVD versions at the time and I am speculating that people anticipated they would only cost half or a third as much as DVDs kind of relative to how the portable-to-console game pricing goes, and when that proved not to be the case it lead to a quick exit for UMD movies on the PSP. I look back at the PSP and will fondly remember those awesome early months I had with it, and how it later redeemed itself by having a fleshed out lineup of original games. I want to also give the PSP props for becoming the only platform that easily surpassed portable efforts from other companies that tried to compete against Nintendo in the handheld gaming market like Atari, Tiger, Sega and SNK. I adhere caution when tracking down used PSPs due to reports of some PSPs being susceptible of having bulging battery packs over time. Sony released a few different revisions of the PSP, so I do not know if that is related to only the launch version, or for all versions of the PSP. This is why I recommend tracking down a Vita instead to get your PSP fix for those interested.
In the bonus addendum to this PSP anniversary flashback, I will touch on my brief memories with SNK’s Neo-Geo to commemorate its recent 30th anniversary of the original launch of the Japan arcade hardware. The arcade side of the Neo-Geo was dubbed the Multi-Video System (MVS) and it debuted in Japan in April of 1990, and following in American arcades a few months later in August. For those not in the know, the 24-bit arcade hardware had a home console version called the Neo-Geo Advanced Entertainment System (AES) that launched in Japan later on in 1990 and in 1991 in America. The unique thing about the Neo-Geo is both the MVS and AES used the exact same technology so it was possible to have 100% faithful home ports. SNK wanted the home experience to as close as possible to the arcade that it bundled the system with two mammoth arcade sticks. I first remember seeing Neo-Geo games in MVS format at various arcades in the early to mid-90s. The MVS cabinet was unmistakable with it having the eye-grabbing Target-red color and the two-to-four mini-game marquees listed at the top of it. The big draw to arcade operators at time of the Neo-Geo MVS was that the games came on friendlier priced cartridges that could easily be swapped out like games in a console instead of ordering whole new arcade machines to replace them. I have seen the four-slot MVS plenty of times, but I mostly remember seeing the two-slot version more frequently in arcades over the years, and for the most part it was the same two games featured on them: Puzzle Bobble (AKA Bust-a-Move) and Metal Slug. These were the two game I primarily encountered on the MVS in my childhood arcade experiences. I was not all that great at Puzzle Bubble with its unique spin on puzzle games by shooting bubbles onto the playfield from the bottom of the screen. I did however love Metal Slug and its sequel that I also recall seeing originally on the MVS. Metal Slug was arcade bliss at the time, with charming cartoony soldiers oozing with detail and twee animations as they run ‘n gunned with an arsenal of over-the-top weaponry, villains and larger than life boss battles. Metal Slug is one of the few games where slowdown is a good thing in my opinion because it primarily happened when encountering daunting bosses and explosions that filled up the screen and it felt like the machine was doing all it could to keep the action moving.
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Jason and John from the MetalJesus crew do a fine job here giving a 101 lesson on the Neo Geo hardware and have lots of footage here of some of the best games to hit Neo-Geo.
A few weeks ago I did a quick playthrough of Metal Slug X on Xbox One since it was on Game Pass, and everything that I fondly associated with those run ‘n gunners was still there, even the slowdown! Thankfully the AES and MVS games did not remain trapped on their original expensive hardware. By the mid-2000s, SNK regularly started to output various collections of games both digitally and physically. I highly recommend Metal Slug Anthology that hit PS2 and Wii, and later got digitally ported onto the PS4. A majority of the individual Neo-Geo games got ported over individually in recent years on PS4, Xbox One and Switch. Since all these marketplaces frequently run sales on their back catalog, you can now find a lot of these games well under their default price of $7.99 each. Over the last few years I checked out plenty of original Neo-Geo games this way. I tried out too many fighting games to count by doing this, but also finally got a chance to play SNK’s arcade sports offerings that got overlooked by their many fighting games. Three Count Bout is a graphically impressive wrestling title, but its button-mashing leniency takes a toll on thumbs. I loved Dunk Dream/Street Hoop, which is SNK’s take on NBA Jam, but with a hip-hop makeover and catchy rap-filled soundtrack. Neo-Geo Turf Masters is a fast-paced, fun golf title and until recently I had no idea that the Super Volleyball game I loved so much on Genesis had a beefed up version and a sequel featuring amped up robots and robotic attacks on the Neo-Geo. The Neo-Geo is renowned for its acclaimed catalog of fighting games with several entries each in hit series like Samurai Shodown, Fatal Fury, World Heroes, Art of Fighting and its flagship fighter, The King of Fighters which saw annual entries on the platform for 10 years from 1994-2003. Of all these, the ones I frequented the most of were various re-releases were King of Fighters ‘97 and ’98. Its team based fighting style made it standout from the other fighting games, and it was only in recent years with some longer sessions with KoF ’98 that I finally started to come around on it. One of these days I want to give an honest effort at getting into Samurai Shodown. I remember the gaming mags were hyping up its debut entry at the time as a major breakthrough to fighting games with its gruesome swordplay it brought to the table. I eventually picked up its anthology disc on PS2 and dabbled with a couple entries, but never too seriously and need to correct that sooner than later. A random memory is attempting to play Samurai Shodown II at Arcade Infinity in Koreatown one evening in the afterhours of covering E3 in 2003. Shortly after starting it up, someone sat down and challenged me and proceeded to properly dominate me. Looking back, that may have something to do with why I never gave it that much of a shot.
I never had a chance to play the AES home system until well after its lifespan in the early 2010s at regional retro game conventions. That was because I did not see one in the wild until then. Unfortunately in 1990, the home console market was dominated by the NES while the Genesis was only a year old and just starting to break in, so while the MVS was a bargain for arcade operators, the AES arcade perfect tech was way ahead of the times and cost exponentially more compared to the NES and Genesis at the time. Reading copies of Game Players and Electronic Gaming Monthly back then I associated Neo-Geo AES games as being the games that literally cost $200-300 individually in the back of the magazine ads for mail service game catalogs. Occasionally there would be SNES/Genesis ports of the popular games like the original Fatal Fury and Samurai Shodown, but obviously there quality was dialed back to run on the weaker machines and that was realistically all of what was available to a majority of the home console market until those anthology collections started to get released in the mid-2000s. I never owned an AES, but I was stunned by its lasting power with official games being released for it all the way until 2004. I only a saw a Neo-Geo AES for sale once at my local retro game shop all these years back around 2008 and I want to say it was going for about $200, and part of me wanted to get it for the standout collector’s item it would be, but another side of me knew the games went for insane amounts by that point and the games were already by then starting to get re-released on other consoles in more wallet-friendly anthology discs. If you have yet to dip into the Neo-Geo catalog, I would highly recommend either grabbing the digital copy of Metal Slug Anthology on PS4 for some awesome two player run ‘n gun couch co-op with a friend as the perfect way to start off. Otherwise, type in ‘ACA’ in the Xbox One/PS4/Switch digital marketplaces to see most of the Neo-Geo games released digitally under the ACA banner. While it was damn near impossible to afford to play the AES games at home during their initial release, I will close by giving major props to SNK for keeping their back catalog of Neo-Geo titles alive for current generations to discover on current platforms at consumer friendly prices! Thanks again for sticking with me in reliving my memories of the PSP and Neo-Geo with this two-for-one flashback anniversary special! Want more retro-game goodness? Then take a peek at my other flashback specials below!
My Other Gaming Flashbacks Dreamcast 20th Anniversary GameBoy 30th Anniversary Genesis 30th Anniversary PSone 25th Anniversary Saturn and Virtual Boy 25th Anniversaries TurboGrafX-16 30th Anniversary and 32-X 25th Anniversary
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Animecon 2019 Opening (Full HD) : https://youtu.be/JXU76cwctNU - With this, i really wanted to get an Anime Opening feel-vibe, with real flesh humans in this kees (case), pun intended. This, because it's not 2D-Drawn like Anime Episodes, but Life-Action. - There is also this Japanese Life-Action-Comedy show called, "Blue Blazes", that has also these Anime-feel-vibe elements in it. It's about Manga/Anime making back in the 80s and the actors play people, who actually worked/succeed in the Anime/Manga industry, like Osamu Tezuka (God of Manga), Kazuhiko Shimamoto (Aoi Honō/ Blue Blazes, Main Character) , Hideaki Anno (Evangelion), Hiroyuki Yamaga ( Gurren Lagann), Takami Akai ( Gurren Lagann), ect. SPOILERS! Here is one of those scenes xD : https://www.youtube.com/watch?v=bMdU_OT0fgU - Thanks for watching the Animecon 2019 content. It was fun to make and meet my fellow Ninjas, but i'm glad it's done. Probably will send some reminders for people who haven't seen it yet or want to see it again. - Because the Full Animecon 2019 episode (50min~) is a bit long for some people, i sliced it up to have more content to share, put some highlights on certain parts and people, with this, people can watch specific parts of the Animecon 2019 video. Not all of it is sliced and diced though, if you want the full experience in detail, it's in the Full Animecon 2019 Episode here: https://youtu.be/NZtaeUEbVtw - So yeah up to the next stuff, if i haven't already uploaded it here. Who here is going to Animecon 2020!? Or in other Animecon places in the World? Or never went, and wants, thinking about going to it? - I probably will, but have to see for next year to know it for sure. Have a Great Day and Life, make the best out of it while you can. Thanks Once again Ninjas! NINJABOX! Ishhh! DIGITALLY! 👊😎 - - - #ninjakees #animecon2019#animecon #ahoyrotterdam #ahoy#rotterdam #netherlands #cosplay#anime #manga #japanese#japanesepopculture #mangaartist#anination #target #hit #execute #anination https://www.instagram.com/p/B2FBvwzCbRQ/?igshid=1t8ymwmjxr1jv
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With its classic and secret beauty, this Californian from Sacramento has won the Summit. He was seen on “21 Jump Street” with Channing Tatum, and “Crazy Amy” by Judd Apatow. And against more prominent actresses like Jennifer Lawrence, Gal Gadot or Scarlett Johansson, Brie Larson signed a seven-contract deal with Marvel Movie Download Torrent.
There is nothing like that with Watch The Curse of La Llorona Free Online, which is signed mainly by women. And it feels. When he’s not in a combination of full-featured superheroes, Carol DanversAVenom: Let There Be Carnages Nirvana as greedy anti-erotic as possible and proves to be very independent. This is even the key to his strength: if the super hero is so unique, we are told, it is thanks to his ability since childhood, despite being ridiculed masculine, to stand alone. Too bad it’s not enough to make a film that stands up completely … Errors in scenarios and realization are complicated and impossible to be inspired.
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Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
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Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom hVenom: Let There Be Carnages a set of rights to use or license the work, and who are commonly referred to as rights hVenom: Let There Be Carnageers. [better source needed] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
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