#yeah i always wanted to write more in the WB universe but just kind of got worried about ~perception~ and blah blah

[ordinaryschmuck]

Alright, last time ever that I’ll talk about Velma. I promise.

Because I’ve been extra salty towards this show all week, and I don’t want to take it further than that. Talking nothing but bad stuff about this show for the entirety of its run is exactly what the writers want. They want us to hate watch it so we can talk about each new atrocity the show brings up week after week, and call us haters or anti-woke propagandists. When, in reality, they don’t give a FUCK about any of that. They don’t care about other races, genders, or sexualities. They just WANT you to think they do. Know how I can tell? Because I’ve SEEN genuine attempts of representation.

THIS is a genuine attempt of representation. Matt Braly, the series creator of Amphibia and a Thai-American, felt like Thai culture was underrepresented in media. So, he not only made his main character and her Thai, but he also dedicated subplots and entire episodes showcasing the culture he wanted to represent.

THIS is a genuine attempt at representation. Dana Terrace, series creator of The Owl House and open Bisexual, wanted a main character that was explicitly bi to finally help kids feel like they’re seen. To help give the representation SHE always wanted.

But when I look at Velma? None of it hits the same.

This isn’t a genuine attempt for representation. This is Mindy Kuling turning a character into a self-insert to make herself look smarter than everyone else and the most important person in a narrative. Truth is, this Velma is nothing more than a sociopath, narcissistic dipshit who thinks she’s better than everyone else but is actually more aggravating than endearing.

So...Good job representing YOURSELF there, Mindy.

And this?

This isn’t representation. This is a shield.

A way to protect the show from any criticism because it couldn’t possibly be bad. They have gay characters! Gay characters are good in everything!

Except that is the LAST reason you should include gay characters! Don’t get me wrong, I LOVE more LGBTQA+ representation in media. What I don’t love is obvious attempts to pander to audiences just to avoid criticisms. And keep in mind, this is NOT the first attempt a creator wanted to make Velma gay.

James Gunn wanted to make her gay in the live action movie, but WB said no.

Scooby-Doo: Mystery Incorporated (the GOAT of the Scooby-Doo franchise) wanted to make Velma gay, but could only imply it because Cartoon Network didn’t greenlit Steven Universe yet.

THOSE are genuine attempts to make Velma gay, to represent people because the creators of both products agreed that it was the least they could do.

But making Velma and Daphne a thing just to protect a show is nothing more than shallow and inconsiderate of the hard fight dozens of people put up with for the sake of representation.

And, honestly, I’d be a little more forgiving if the writing in Velma was good. But it’s not.

Within the first minute, this show features...

Cockroaches having sex...

And fifteen year olds taking a shower to make a joke about how over-sexualized a series’ pilot can be.

First of all: FUCK YOU FOR MAKING ME FIND THIS SCREEN SHOT FOR A POINT!

Second: You lose every ounce of credibility that you actually care about people when one of the first moves you make in your series is to sexualize minors for the sake of a joke.

A joke that doesn’t make sense at that. Point me to a series pilot that’s over-sexualized. If you get more than ten, I’ll say you have a point. I won’t say that sexualizing minors to make it was a good thing, but I’ll at least say that, “Yeah. You’re right. So many pilots do this. SO STOP DOING IT!”

That’s the level of writing Velma has. And it’s why they have their “representation” to protect themselves. Meanwhile, you want to know the level of writing you’ll find in The Owl House and Amphibia?

Villains who prove that the most dangerous people are the ones who make the rules.

Jokes that are actually funny.

Likable main protagonists who are kind and caring to the people around them.

Protagonists who have heartfelt relationships with other great characters, to the point that it breaks your heart to see them leave each other.

And on top of that, actually good representation. But here’s the thing: The representation isn’t only genuine. It’s a bonus. Something great to add onto everything else the writers and the creators do right.

What it isn’t is an attempt to protect a show from what it does wrong.

And that’s it. That’s the LAST time I’ll ever talk about Velma. I really mean it this time.

Talking about this show past it’s premier is already more attention it deserves. And if you were smart, you would not only stop watching, but stop talking. The best attention to give something you hate is NO attention.

If you really want to waste time, waste it by watching something good, like The Owl House and Amphibia. They may be kids shows, but they have more maturity than a single second of Velma.

[crossovershipstournament]

FINALS: Max Goof (Disney)/Yakko Warner (Animaniacs) VS Huey Duck (Ducktales 2017)/Wakko Warner (Animaniacs)

Propaganda for Max Goof/Yakko Warner:

I just like them. I think its cute. Romeo and juliet vibes because theyre from different studios, Disney vs warner brothers. They're both funny, dorky guys, and they bring out the best in each other. Plus only child vs overworked older child turned parent is a really good dynamic too.

YAX SWEEP

#YAX SWEEEEEEEEP!!!!!!

#yakko x max opened my third eye #this needs to be a thing

Cameo of Max's VA expressing approval of the ship~!

#YAX SWEEP #LETS GOOO

#yax propagandists ASSEMBLE

#yax sweep #they deserve it

Ok I keep forgetting to submit my own Yax propoganga but I have put so much thought into them.

They have the same sense of humor, we literally see them tell almost identical jokes. They’re both such dramatic showoffs and they both are schemers, they're both the brains of their group (friends v family)

They’re complimentary.

They’re foils.

Beause Yakko isn’t as open with his emotions, he’s more sarcasti. But Max has been truthful about what he feels since Goof Troop. It's there on the surface and he communicates and understands in ways that would be SO good for Yakko. They're two sides of the same coin. They are opposites but they support each others weaknesses. Yakko wants so badly to make people laugh, and it’s so important to him to do so. His self worth is connected to it, but Max doesn’t like his laugh and suppresses it. It practically writes itself. So yeah, there’s all the fun WB/Disney forbidden lovers, but it works off a dynamic that would already work really well. That's why I like them so much

YAX!!!! COME ON GUYS!!!!!! What is love if not filling the other person in smiles and laughter? What is love if not being the best of friends first, the perfect duo. Partners in crime that egg each other on!!! Yakko and Max deserve a kind ending, vite yax!!!!!!! Also, through Who Framed Roger Rabbit, Yakko and Max exist within the same universe. They're so close. It's not a stretch to see them interact and understand each other. They deserve this!!!!!!!!!!!

YAX SWEEP! COME ON LETS GO

#we need the brother battle! #animaniacs #yax

Go vote for Yax I am begging yall. Two snarky teenage boys who care so much about what other people think about them, finding acceptance and joy in their shared humor, and new family in the people their companies warned them about?

Like, from Dot and Wakko's side, moving away from Yakko and his boyfriend for a moment.

Dot and Wakko need someone to be friends with outside of themselves. They need familiarity and kindness.

Who better to open the Warner's to a kinder life, than a toon from a company all about the power of familial and romantic love? The themes that surround Max and Goofy, as well as many other Disney's, are exactly the kind of thing that those kids need the most.

Yakko being happy is a the first part, but having the Warners brought into the family by Goofy Goof, the man with so much understanding and love to give, who GETS kids, and has always let Max be a kid and help him through it, his appearance through Yakko amd Max knowing each other gives the Warners a positive adult figure in their lives who will be there to support them instead of criticize them for being "too much".

Yax isn't JUST about Yakko and Max, it's about the connections these kids make that starts with the eldest opening himself up. It's about learning the world around them isn't just filled with people who want them locked up.

The world is also filled with people who embrace their weirdness and energy, and who will guide them. Even if you just like yax as friends, you have to see the potential there is for all of them

The Warners and the Goofs, to have lives grow richer.

And more, with them being from seperate companies, their worldview would be able to grow to incorporate new ideas and thoughts. The Warners aren't very open with their emotions, so a father son duo who have always been open and communicative would be able to show them the benefits of doing so themselves.

Plus, watching the Warner Siblings wreak havoc with a smile, hurting no innocents, would be exactly the type of thing to make Max smile.

He could help do smaller damage control if need be as well, he's been accounting for his and his Dad's Goof Luck since he was born, and for the fallout of his own insane schemes. Adding in the brilliant and mischievous mind of Max Goof to the minds of our puppy children trio is golden.

They deserve each other, deserve kindness and acceptance. ALL of these kids do. And every single one of them get that through Yax.

#they mean everything to me #and if they make it to the finals i will cry literal tears #GO VOTE FOR YAX ‼️‼️

#YAX SWEEP LETS GOOO

#COME ON YAXXERS!!! #VOTE FOR YAX!!!

#GO VOTE FOR YAX ‼️‼️ #LET'S GOOO #YAX SWEEEEEEPPP

votee for the yaaaaxxxx

#CMON GUYS VOTE YAX #YAX SWEEP

#yax nation needs to win #go vote!

Propaganda for Huey Duck/Wakko Warner:

Huey and Wakko are classic opposite attrack characters, while also touches of "you're drawn to people who remind you of your family" thrown in. They're both very autistic coded characters (because their shows are cowards and refuse to say the word) but in opposite ways. Wakko is very outside of the norm where as Huey holds himself to a strict set of rules. While Huey adds a bit of routine to Wakko's life, Wakko encourages Huey to cut back, go outside of his comfort zone at his own pace and also relax a little. Wakko reminds Huey of both his siblings, excitable and dramatic like Dewey, and laid back (compared to his siblings) and mischevious like Louie, where as Huey reminds Wakko of his own siblings. A bit more uptight and bratty like Dot, and intelligent and encouraging like Yakko. They also bring out different sides of each other, Wakko can be gross and messy and Huey somehow finds it charming, and Huey can help Wakko see that he's intelligent and creative in his own ways rather than being outshined by his own siblings. They both also have anger issues, and Wakko would be great at helping Huey to feel his anger rather than always keeping it hidden away. He makes Huey feel seen and heard and taken care of because Huey doesn't have to be the Older BrotherTM around Wakko. Basically just opposites attract autistic kids who help each other come into one another.

#yall need to vote for my baby angels #wakko/huey sweep #please #they deserve it #their shows treated them awfully

#MY BABIES VOTE WAKKO/HUEY YOU LEGALLY HAVE TO ITS MY BIRTHDAY

#HUEY WAKKO SWEEP YOU LITERALLY HAVE TO VOTE THE BABIES

VOTE HUEY/WAKKO PLS PLS PLS MY DARLINGS MY BABIES MY LIL GUYS

ALSO IF WAKKO AND HUEY WIN THEYLL GO UP AFAINST YAKKO AND MAX WHICH IS VERY FUNNY

And if they win I’ll release never before seem Huey/Wakko art that I’ve drawn

#CMON GUYSSSSS #WE CAN DO THIS#HUEKKO SWEEP #WE STILL HAVE 2 HOURS #we need the brothers to battle

Please vote for Wakko/Huey! They need each other to help balance each other out and to grow as people! They are so cute together.

(Also want to see a brother vs brother to figure out who has the most heartwarming relationship,but that's secondary to this)

#hey if you guys love me you'll vote for wakko and huey thanks

#VOTE HUEKKO #WE NEED THE BROTHERS TO BATTLE

#if u vote Wakko/Huey I will draw whatever request you want this is my promise to you

Art Credit: Max/Yakko art by @/doodle-poofes Huey/Wakko art by @/justadoll and @/krillconnessieur

[tobiasdrake]

So, Mortal Kombat 1: Aftermath came out and. Uh. Yeah, that was a whole lotta nothing.

Yep, that was a whole lot of nothing, other than a reminder of how badly Mortal Kombat wants to be the Marvel Cinematic Universe all of a sudden. I already thought it was kinda weird how Sindel had her own personal Dora Milaje and the first Invasion was literally just the Dr. Strange What If episode verbatim. But this took it to another level.

Seriously, they have Cyrax using the made up Wakandan accent that Chadwick Boseman invented by pulling together a bunch of different African dialects into a Frankenstein voice. She is basically Shuri throughout this entire expansion.

Not to mention redesigning the Kamidogu to look like Infinity Stones, which becomes really noticeable when Havik turns Infinity Ultron with them. Oh, and a Johnny Cage Variant that's literally just Captain America showing up out of nowhere in their Multiverse plot. They may be owned by WB, but their hearts belong to Marvel.

Havik, meanwhile, is just. Kind of boring? Like. Havik was created to exist in opposition to equally vile forces of Order. Without that equilibrium, they've always had a hard time figuring out what he's even supposed to be about. That's more apparent here than ever before, where he's basically just Shao Kahn.

That's it. That's literally all he is. He's a multiversal dictator who wants to enslave all worlds and merge them with his own, so he can make everybody fight to the death in his gladiator rings forever. He's Shao Kahn. Sometimes he rants about "order bad" while sending his jackbooted Stormtroopers of Chaos to shackle everyone into the Ironfisted Dictatorship of Anarchy. It's nonsense.

They just wrote Shao Kahn again and skinned Havik over him. It makes so little sense that even the characters call him out on how unchaotic he is as a villain.

Oh, and speaking of Marvel, they make the same mistake Marvel keeps making: Assuming that the audience will be just as invested in a variant of a character as they are in the original. Variant Rain and Variant Tanya's romance takes up an awful lot of screentime for two nobodies we've known for five minutes, will never see again, and do not care about.

Rain dramatically saying his farewell to Tanya, preparing to sacrifice himself for their love, and I feel nothing. Because I do not know or care about these people. That they occasionally drop hints about the super cool fanfic you can write about them if you want to does nothing to endear me to them.

I can't wait 'til MK1's time in the spotlight is over, we all realize that "Let's just fight an infinite multiverse of context-free Nothing Characters who vaguely resemble our guys" was a mistake, and we can all move on to better storytelling.

[sortasirius]

“Despair” and Dean and Cas

Well well well, winning is my favorite thing.

As usual, this is going to be as long as hell. And fair warning, it’s extremely emotional.

So here it is, the thing that we have been barrelling towards for years, literally years.

Just want to point out this.  Also, I will NEVER allow someone to speak negatively about this writing group, EVER.

Team Free Dads starting off the episode is so sweet, so scary.  Cas’ calming, Dean’s fear, Sam’s desperation, really just hammering home how much they love Jack, how his pain is pain for them, how losing him is unbearable.

“I can’t stop this.  I’m coming apart.  I don’t want to hurt you.  Don’t let me hurt you.”

Oof.  If you’ve ever question whether Jack is a Winchester, this line should shut that shit down for you.

When I tell you I was PISSED when Billie sent Jack to the Empty to EXPLODE?????  PAIN.

“Yeah the Empty can’t come to earth, not without being summoned.”

Hello Bobo, clue number 1.

The fact that they only had Jack in limbo for like five seconds was great for my heart health, thank u very much Bobo.

Also Dean wielding Death’s scythe?????? KING?????

Man, Sam and Dean’s growth.  The way that they’re able to, idk, actually speak on how they feel without death looming or fear or pain.  It’s just a conversation, just an honest conversation of Dean admitting his mistakes, admitting how he felt.  Admitting that he fucked up, and Sam forgiving him for it.

CHARLIE AND HER GF CHARLIE AND HER GF CHARLIE AND HER GF

Also...hunters and their “dates.”  Two hunters who are happily together, who are happily fighting monsters.  Hm.  Sounds like a Saileen/Destiel parallel to me boys.

You ever wish Cas would look and the mirror and take the great advice he gives others?  Because I do.  He’s always tried to be “useful” for Sam and Dean, for Jack, always tried to make sure that he’s useful enough that they keep him around.  But what he doesn’t understand, what he’s never understood, is that they need him because of who he is, not because of what he contributes.

Remind y’all of anything?

And here we have Clue Number 2

And then, Sam’s realization.  Eileen.

Did I begin full tilt screaming no in my apartment when he said her name?  Who’s to say?

How can a lock screen cause me this much pain????

Okay but: Charlie loses Stevie, Sam loses Eileen.  Clue Number 3.

I feel like I don’t talk enough about how much Sam loves Eileen.  About how obvious it is that they are endgame, about how happy he is when he talks about her.  This just feels like a blow to the stomach, but we’ve barely even started.

Sam immediately shifting into protective leader mode?  He is the love of my life.

Dean’s simple nod, like it’s a given?  Enough to do me in right there.

This is another episode where it’s just so clear that Sam is the leader of the North American hunters.  Everyone knows him, everyone is willing to follow him.  He’s knowledgeable and kind and fair and just and an incredibly capable fighter.  Once again, I don’t believe his work on earth is done.

Can we also please talk about how FRIGHTENING IT WAS for Jack to kill that plant???  I don’t really have much of a comment on it because I was literally just like ?????

With Billie saying that it’s Chuck, the way that people were dusted, very similar to Becky and Amara, I honestly wouldn’t be surprised, especially with Donna getting taken off the board.  It’s like I said last week, I don’t buy that he’s taken himself off the board, he’s too invested in the unraveling of this story to take a step back.  He’s gotta break them before he can defeat them, that’s the only way.

And here we go, into one of the most painful and surreal things I will ever write about.

Dean’s speech.  His guilt, his regret.  The shame of not only trapping himself, but the pain, the horror of trapping Cas.

“I just lead us into another trap.  All because I, I couldn’t hurt Chuck.  Because I was angry and because I just needed something to kill, and because that’s all I know how to do.”

“Dean-”

“It was Chuck all along.  We never should have left Sam and Jack, we should be there with them now.  Everybody’s gonna die, Cas.  Everybody.  I can’t stop it.”

His narrative arc.  Tied up in a bow.

“She’s gonna get through that door.”

“I know.”

“And she’s gonna kill you and then she’s gonna kill me.  I’m sorry.”

Cas smiles.

Cas knows.  He knows what’ll get them out of this, and he knows that he would do anything in this Universe for Dean Winchester. The human man he fell for.

“When Jack was dying, I made a deal to save him.”

“You what?”

“The price was my life.  When I experienced a moment of true happiness, the Empty would be summoned and it would take me forever.”

“Why are you telling me this now?”

“I always wondered, ever since I took that burden, that curse, I’ve wondered what it could be, what my true happiness could even look like.  I never found an answer, because the one thing I want, it’s something I know I can’t have. 

“But I think I know, I think I know now...happiness isn’t in the having, it’s in just being.  It’s in just saying it.”

“What are you talking about, man?”

The most selfless thing Cas does in this, and he does a lot of selfless things, is to tell Dean Winchester how impossibly good he is.  To tell him that he is worthy, to tell him that he is adored.

“I know, I know how you see yourself, Dean.  You see yourself the same way our enemies see you.  You’re destructive and you’re angry and you’re broken and you’re daddy’s blunt instrument.  And you think that hate and anger, that’s what drives you, that’s who you are.  It’s not.  And everyone who knows you sees it, and everything you have ever done, the good and the bad, you have done for love.  You raise your little brother for love, you fought for this whole world for love.  That is who you are.

“You’re the most caring man on earth.  You are the most selfless, loving human being I will ever know.  You know, ever since we met, ever since I pulled you outta Hell...knowing you has changed me.

“Because you cared, I cared.  I cared about you, I cared about Sam, I cared about Jack, I cared about the whole world because of you. 

“You changed me, Dean.”

“Why does this sound like a goodbye?”

Dean’s greatest fear. His fear of those loving him leaving him. The terror of being alone.

“Because it is.

The head shake.  Don’t love me.  Don’t love me if it means you’ll leave me, don’t love me, everyone I love leaves me.  Don’t leave me.  Don’t love me.  Don’t leave me.

“Don’t do this, Cas.”

Just like I always thought.  One last look at Dean before the Empty takes him.

“Cas-”

“Goodbye Dean.”

And Dean is left, broken on the floor, unable to answer Sam’s calls, unable to do anything.  It doesn’t matter to him that Chuck has wiped everyone out, it doesn’t matter to him that Sam and Jack might need him.  It doesn’t matter.  It doesn’t matter, because the thing that mattered still hangs on his lips, still waiting to be said, and now he won’t get another chance to say it.

The fact that I am writing this, even with all my spec, with all my analysis of the writers’ room, of their text, of the way Dabb and co had approached this story, nothing could have ever prepared me for this.  Nothing could have prepared me for a three and a half minute, uninterrupted scene where Cas confesses not only that he loves Dean, but that he has always loved him.

I talk a lot about how these writers don’t get the credit they deserve.  Unfortunately, from most of this fandom, they never will.  We will likely never know the fights with the network they had, the steps backward they had to take, the way they had to beg and fight and claw to get this on the screen.  But they did it.  They did it for these characters, they did it for this dinosaur of a show, and yeah, they did it for us.

It was not easy, I can promise you, to get this greenlit.  They had to fight for this, they likely had to call in favors and make threats and quite literally put their careers on the line (you may scoff at that, but WB is a BIG company, especially in the TV/movie world) for this story.  This story of Dean and Cas, the man dragged out of Hell and the angel who fell for him.

I have tons more to say, and will likely have several more posts about this, but I want to leave all my babes who are worried that that was the end for Dean and Cas with some takeaways.

Sam is missing Eileen.  Dean is missing Cas.  That is no longer a fun subtextual parallel, that is it for them.  Their respective endgames are missing, and they will not know their peace until they get them back.  Chuck will not win.  That’s not the story being told, and right now?  He’s winning.  He’s broken them, left them with nothing, left them with an empty world and a hole in each of their hearts where their person (or angel) used to be.

Our show is going to end with “contentment.”  “Contentment” isn’t from Sam and Dean being filled with grief and hitting the open road.  It isn’t Sam getting Eileen back and leaving Dean with no one.  “Contentment” is Sam and Eileen, Dean and Cas.  Together.

[avelera]

Part 2 of Let’s All Drag Joss Whedon (Finally) - Joss Whedon Doesn’t Accept the Premise (And that’s why he struggles with modern superhero franchises)

Part 1 - “Break the Cutie” aka Whedon’s just writing his fetish over and over and people are just beginning to figure that out

So apparently, Joss Whedon’s take on “The Justice League” was so horrible even WB’s own execs despised it, and we get some hints as to what they hated from the Vanity Fair article, “The robber on the rooftop—so goofy and awful. The Russian family—so useless and pointless. Everyone knew it. It was so awkward because nobody wanted to admit what a piece of shit it was.”

Now, I have a theory as to what went wrong here, and it’s the same thing that went wrong (for me) with Steve Rogers’ plot line in Age of Ultron, and looking back, in Avengers 1. It goes beyond Whedon just not wanting to continue any other creator’s stories (a gripe for another day) into the fact that AoU and even Avengers 1 feel a bit like, well, the movies that people in the Marvel Universe make about the Avengers. Not events that happened to the actual Avengers as seen in their own films. 

It’s because when it’s not his own world, Joss Whedon just doesn’t accept the premise of other people’s fantastical worlds. 

What do I mean by “accept the premise”? Another phrase could be “suspend disbelief” or “take it seriously” but what it translates to is being willing to accept even a ludicrous scenario as fact and go from there as a writer, arguably the foundations of writing speculative fiction. I can write for you a heart-wrenching story about a clown who is supernaturally stuck in his clown-car if I just accept the premise enough, because once the silliness of the premise is accepted, we can acknowledge it and move on to the seriousness of the character’s suffering and continue from there. Any ludicrous premise can be played straight if you accept the premise. 

Young nerds may not remember, but for all the scattered success of late 90′s/early 00′s sci-fi/fantasy/superhero films there were ten times as many ridiculous failures that all felt like they were self-conscious to even be alive much less daring to subject you to a story about wizards or superheroes for goodness sake. It felt as if the creators themselves were embarrassed to be there. This all changed when films like Lord of the Rings, The Dark Knight, and Iron Man 1 stopped cringing away from the fantasy elements and accepted the premise that fantastical things are happening, that there are heroes in rocket suits and bat costumes saving the world and ok, now that we’ve acknowledged this is a departure from normal reality, we can actually deal seriously with the things happening in these world. 

Superhero franchises like Marvel haven’t looked back from this decision! Yes our heroes are in costumes, but Captain America isn’t just a boy scout in spandex, he’s a man who suffered and lost more than most people can comprehend in the course of being frozen in ice for 75 years, and in films like “Winter Soldier” we’re going to deal with that immense suffering, the scars it leaves, and what happens when he discovers his best friend has suffered a fate worse than even he has. 

Whedon didn’t want to accept Winter Soldier in AoU. Actually, he didn’t want to accept any of the individual character films in his story, he just picks up right off from Avengers 1 with a few scant nods to the intervening canon. In fact, he outright said he wanted the MCU to be loosely connected one-offs where creators like him could all do their own thing without paying attention to each other.

To me it seems obvious that this was in part because Whedon couldn’t accept Winter Soldier (and, IMO, was jealous of it). He couldn’t accept Cap/Steve Rogers being more than a punchline. He’s always making him into this golden retriever, boy scout, whatever. Tony Stark, for all that he gets better treatment as the “cool”, quippy guy of a Joss Whedon story, also has most of his trauma and PTSD dealt with in his own individual films tossed out the window in favor of him, yeah I’m gonna say it, basically bullying everyone with how smart he is the whole film and generally being obnoxious and unbearable. 

The only place serious emotion is allowed to live in a Whedon story set in someone else’s world is when he gets to play out his “Nerd Guy and Battered Strong Female Character” love story, which for Avengers he twisted Nat and Bruce Banner into performing for his fetishistic pleasure. A story that made no objective sense for the characters, that at least Scarlett Johansson protested as not making sense for her character (and she was right) and which required absolutely tortured logic for some of the other characters, like Hawkeye suddenly having a family that was never alluded to previously in order to derail the burgeoning (and actor promoted!) love-story between Hawkeye and Black Widow. 

Not that I’m bitter or anything. 

My point is, I’m not surprised that given modern superhero films are built on accepting the premise of a superhero world where people where spandex but also feel really bad emotions that we’ve gotta take seriously for the story to work, that Whedon’s 90′s comic book era quippy detachment from all this “silly comic stuff” just doesn’t work. It’s great for the occasional humorous scene but it can’t carry a franchise and it clashes with other creators who are taking the characters, premise, and world seriously. 

So while everyone is waking up, shocked, to this realization that Titan of Nerd Culture Joss Whedon can’t carry a modern superhero franchise that takes itself seriously, I admit, I’m kind of sitting here going, “You just figured that out??”

[drshebloggo]

Ask box: JUSTICE FOR LANE KIM, a breakdown.

Anonymous asked: Do you know why Lane disappeared from the show as Rory's best friend over time? She appeared every now and then, yeah, but it has always bothered me that she slowly faded from being Rory's best friend to nobody... am I remembering things wrong?

I do not know! The Palladinos make decisions that sometimes are simply beyond my comprehension.

It’s been awhile since I watched Gilmore Girls in its entirety (and I kind of selectively ignore a lot in the last two, three seasons) but I don’t think you’re remembering things wrong. I will say, though, that the show faced a challenge with all of the Stars Hollow supporting ensemble when Rory went off to college. It’s these kind of problem-making focus shifts that I find really interesting, and they are UBIQUITOUS across teen/high school shows when a character or ensemble graduates.

Most of them that I can think of are done poorly, maybe with the exception of Friday Night Lights. But in defense of these shows, it’s HARD. How do you embrace a fundamental shift in the entire premise of your show? How do you deal with the new geographies of this shift, and the way they ripple into beloved character dynamics? How do you evolve a character through an engaging and meaningful arc without abandoning the foundation on which they were built? And how do you still capture your audience’s attention when there’s a risk that you’re leaving behind the magic that captivated them in the first place? IT’S HARD.

So in the case of Gilmore Girls, Rory at Yale is the shift that moves the show into a new paradigm, and it’s a big one. She’s separated from Stars Hollow and slowly beginning her emancipation from Lorelai, which is, on principle, painful for the audience because it’s directly against the show’s premise. (It’s no coincidence that the Palladinos starts seriously building the Luke-and-Lorelai-of-it-all once Rory’s away at college. Give that empty-nester some new story!)

Of course, Lane is right behind Lorelai in the list of People in Stars Hollow that Rory is Leaving Behind. How is Lane supposed to stay a part of Rory’s story when Rory is in a new context, and Lane is not? But, truth be told, Lane was ALREADY in this role. In seasons 1-3, LANE, not Lorelai, was #1 on the list of People in Stars Hollow that Rory is Leaving Behind. Ultimately Gilmore Girls is a story of two worlds, and Rory going to Chilton begins her passage across the into the New (Old, with Baggage) World. Lane is already being left behind, to some degree, and in seasons 1-3, there’s still room in the show’s universe to address those issues and give Lane some good storylines of her own, especially in conjunction with Rory.

So it’s possible that the issue is not necessarily one of screentime or setting. Whenever I hear the rebel cry of JUSTICE FOR LANE KIM resound in my heart chambers, I mostly think of the kinds of storylines that befell her in the later seasons, not simply in their detachment from Rory. Heeding her mom’s insistence that she attend Seventh Day Adventist college. Fracturing her relationship with her mom in order to pursue her dreams. Getting kicked out of her home. Living with her two boy bandmates who are very stupid and very messy. Never really getting the band off the ground. Her first sexual experience being terrible. Her first sexual experience being terrible AND yielding a pregnancy with TWINS. Why do the Palladinos hate Lane Kim!!! The only thing I wholeheartedly love about Lane’s later storylines is Luke hiring her to work at the diner and then being completely overwhelmed by her sheer competence.

It’s probably important to note that the mere construction of Lane Kim’s character is a bit tragic. The Palladinos are VERY good at building conflict and tension into what seems like simple character descriptions. Here’s this girl that loves rock music to an obsessive, encyclopedic level, wants to play drums in a band, and she’s from a strict religious household where she can’t express any of that. The description itself inherently means that things are going to blow up for Lane at some point. That’s okay, to some degree - that’s conflict, that’s drama, that’s good story.

So if we look at Lane’s arc pre-blow-up, and post-blow-up, the satisfying thing would be for Lane to experience some kind of happiness or success living unstifled in her dreams, to offset the trauma that her family relationships are ruined (at least for the time being). But the Palladinos don’t even do that! It’s encapsulated in the incident that tears apart Lane’s relationship with her mom: she goes to play at CBGB, her mom finds out and kicks her out, and the band doesn’t even get to go on!! The Palladinos love PAIN.

And okay, fine, there’s still some defense that that is well-designed drama and story. (And Lane and her mom do reconcile eventually, and it was at least very affecting, from my memory.) I guess you could argue that Lane IS happy with how things turned out after the lifelong lie she’s lived completely unravels and she’s able to just exist, unguarded. But also... the Palladinos wrote her that way??? And regardless, for me, the issues arise more down the line with Lane essentially staying in Stars Hollow. Wouldn’t unshackling herself from the yoke of her mother mean that she’s free to pursue her dreams? And wouldn’t pursuing her dreams necessitate her to ALSO leave Stars Hollow, like Rory herself? Would she not try to scrape together money to move with the band to New York City and hit the big time? (Bear in mind, I have no idea how the music industry works.)

Ultimately, Lane’s story in the later seasons puts the writers in a Catch-22. If she leaves Stars Hollow and goes somewhere else to pursue her dreams, she’s almost certainly written off the show. She’s a supporting character, and they can’t open up a new world beyond Stars Hollow and New Haven, just for her. On the other hand, if she stays in Stars Hollow, in keeping with the geographies of the universe, she stays on the show, and just... gets really disappointing storylines. I’d be inclined to keep giving Keiko Agena a paycheck. 

(Now, the fact that WB threw money at a backdoor pilot for Jess Mariano to go to California and open up a new world for a weakly-premised spin-off, and did no such thing for Lane Kim, is some bullshit. Literally “moving to the big city to live a dream” is SUCH a well-worn trope that all the storylines are essentially handed to them, and it’s almost inherently refreshed because Lane is a Korean-American woman and not a brooding white guy or a quirky white lady. You FOOLS, you could’ve made that show with your EYES CLOSED.)

Anyways.

I’m going to meander my way further off the main point for a moment to kick up some dust on JUSTICE FOR RORY GILMORE as well. When you write ten paragraphs lamenting Lane Kim’s eternal relegation to supporting role, it’s hard not to be cranky about affording world-opening and story-building for a main character instead. (Spin-off Jess very much deserves the crank, though.) But, frankly, the unyielding walls that the Palladinos built to construct their very effective Two-World Universe don’t do a lot of favors for Rory Gilmore either, in the end.

Basically, this construct of Stars Hollow ensemble and New Haven future means that Rory is the only one who will “get out” of Stars Hollow, because she is structurally decreed to do so. It’s the massive conflict that the Palladinos smartly built into their little generational premise: Lorelai fled her parents’ world, and Rory will slowly be lured back into it. Pain ensues. This is good drama. This is good story. This is story that will last seven seasons and six-hour revival.

But it also inadvertently makes Rory the Chosen One, in a story that doesn’t need one. This is not Joseph Campbell’s Hero with a Thousand Faces, and I’d like to believe that even Paris and Rory wouldn’t want it to be, much as they love the Power of Myth. Lorelai divests her entire life into Rory’s success; the town of Stars Hollow wants Rory to spirit out of their small town and Be Great; Rory’s grandparents expect her to follow in Richard’s footsteps and also carry out their orphaned dreams for Lorelai. And then the Palladinos choose little things that further this: Lane doesn’t ever leave Stars Hollow; Paris doesn’t get into Harvard but Rory does; Luke interrogates any boy that comes near Rory because no one is good enough. (I confess, I’m charmed into forgiving the last one.)

It’s much too much to put onto one character and leave unaddressed!!! It’s also why some audience members just really hate Rory, in a really unfortunate knife-twist on an otherwise-winsome main character. They hate the unwillingness of the narrative to acknowledge this very obvious dark and specific underside to Rory’s specialness, and the unwillingness of people within the narrative to name this very obvious dark and specific underside about Rory. But to paraphrase Jessica Rabbit: she’s just DRAWN THAT WAY!

Rory’s storylines never really confront the idea that she has had FAR too many unrealistic expectations put on her by literally everyone that’s ever existed in her life, and what it might mean if she doesn’t live up to them. What does it mean if she’s not Christiane Amanpour? What does it mean if she’s scared of disappointing people? What does it mean if she’s trying to live up to other people’s standards rather than examining what she really wants?

The Palladinos completely ignore this, and simultaneously give Rory multiple meltdowns (cheating with Dean, being cowed by Mitchum Huntzberger, stealing a boat, quitting Yale, an aimless/struggling career) and they never QUITE dig into the complete dark and specific issue at the core of Rory’s character construction... which just exacerbates the Rory hate. Rory has no self-awareness; the writers give her no self-awareness; we go in circles, and every few years there’s a slew of thinkpieces about how selfish and awful Rory is.

What makes it worse is that those questions outlined above are essentially applicable for two other women on the show: Lane Kim, and Lorelai Gilmore II, herself. Lane, like Rory, doesn’t quite bust through and answer them wholly. Lorelai, however, comes into the show having already answered them, years before, when she was a headstrong and tenacious teenager. The idea that neither Rory, her actual daughter, nor Lane, her spiritual inheritor of Parental Disapproval, are ever able to grapple with those concepts in a real way, and blossom into self-defined adulthood the way that Lorelai did is maybe the bottom line on where Gilmore Girls went “wrong.” Lorelai’s legacy is not that she’s hyperverbal, loves junk food, and got pregnant young. It’s that she rejected the expectations of her forebearers and carved out a place in the world for herself by her own definition, for better or for worse. It’s why Lorelai comes out of the narrative like a Super Mom, when in fact she’s still just as deeply flawed as Emily or Rory, and why Stars Hollow is overall magical and cherished despite it serving as a small-town hometown for Rory to leave behind. And it’s why A Year in the Life was SO satisfying for Emily Gilmore, because she proved it’s never too late to answer those questions and break through to the other side. Perhaps we’ll get enough revivals to see the same happen for Rory, and for Lane.

But enough dust about Rory. I think, after all this nitpicking, there were two options for the best way to have handled Lane Kim after Rory went off to college:

1. Give her a backdoor pilot and spinoff to Band Dreams NYC. Which, of course, was not in the Palladinos’ control, so, y’know, fine.

2. Keep Lane in Stars Hollow and give her a chance to answer those questions about self-definition and live out a few years of Lorelai-like hard-but-happy independence (and better sex) before saddling her with Zach and two babies (if you MUST). Bonus points if she moves in with Lorelai and they bond over being fundamentally disappointing to your parents and also missing Rory. A very good obvious choice.

Secret option 3. Just let Lane move to New Haven and live with Rory and Paris off-campus, and give me the goddamn roommate comedy of my dreams. Honestly this is what they should’ve done. Forget everything I said. This is my answer.

Tiny footnote: I cannot BELIEVE, that after twenty years, I am just now realizing how on-the-nose it is that Lorelai escaped from the clutches of New Haven and started a new life for herself at a place called INDEPENDENCE INN. Truly, it was right there in front of me and I didn’t even notice. This oversight might weaken the integrity of the thousand-paragraph essay I rattled off above...

[layesica]

2019: It was a year that ends tonight.

2018 was rough, right? Well, so was 2019!

I did not feel like writing this, but it’s a tradition now, so for the fifth year in a row, here’s what I did all year with some of the crappy crap that made it not the greatest. I can’t promise an unwavering sense of optimism, but it’s okay. I’m okay. Here we go!

JANUARY Went to The Not Inappropriate Show at UCB curated by the Odenkirks, then Spent New Years Eve at Dynasty Typewriter with Ian & Emily. It was fun, but... eh. Home is better, y’all. Home is always better. Did a couple performances of a show at Second City – A Fonzie Scheme. It was fun. I was in an improv class at The Pack. I think it was Improv 4. The last weekend of January, Very Famous went to Sketchfest, which was super amazing. That’s, like, a goal. And even though it had pretty much nothing to do with anything I did, it was cool. And it was fun. And I was at a party with Neil Patrick Harris and I was SUPER cool about it.

Went to stuff: LA Times screening of Spider-Man: Into The Spider-Verse. It was free, and I would have never seen it otherwise. I enjoyed it. It was good.

Salt & Straw Flavor: Toasted Coconut Milk & Cookies (V)

FEBRUARY Made a return trip with Ian & Emily to San Francisco. Well, Oakland with an SF jaunt. I don’t have any cool stories, but Emily fought a seagull for her cookie and won, and that was pretty badass. On the drive back, there was a ton of snow just on the other side of the Angeles National Forest. I wasn’t excited enough to get out of the car, but snow is nice to look at. Oh, I had lunch with one of the head writers on my dream show that my old roommate met at the gym. I am terrible at networking.

Went to stuff: LA Times screening of VICE. It was free, and I would have seen it... eventually. It was... a bit... self-indulgent.

Salt & Straw Flavor: “The Chocolatier Series” = Jeni’s Coffee & Sweet Cream

MARCH Auditioned for a house improv team at The Pack. I didn’t mention working with a practice group all of February & March to prep for that. The biggest bummer about not getting on a team may have been the loss of that practice group. It was fun while it lasted.

Went to stuff: Saw comedy dads, Bob & David, at Largo. They asked for volunteers, and I almost passed just thinking about it. Ian & Emily jumped up there. Good for them!

Salt & Straw Flavor: Smoked Sea Salt & Chocolate Crack

APRIL Interviewed for a new job at one of the guilds. HEY! I owe the government $3700. That’s fun! I went ahead and added a good purse to my new 0 APR card.

Went to stuff: Dana Gould Podcast at Dynasty Typewriter. Panel with Conan Writers at Lyric Hyperion. For some reason, I saw Avengers: Endgame. I dunno. I feel like I should see it through for some reason. Deadline did their day-long FYC event, The Contenders, at Paramount, so I spent all day seeing so many people from TV and eating so much yummy food in between. Amazon FYC at Hollywood Athletic Club – went mostly for the building. Prime seat at Conan taping.

Salt & Straw Flavor: Wildflower Honey with Ricotta Walnut Lace Cookies – I wait all year for this to roll around again!

MAY We were supposed to have a call for a travel show on Buzzfeed, but they ghosted us. I went camping with a huge group at Idyllwild, which would have been fun, but it was FREEZING and I got SUPER sick on the second day. After a few days, I got better and got the guild job. Free insurance, baby! (More on that later.) Bought a Universal pass.

Went to stuff: A UCB show with people from Chicago. Free Booksmart screening with Q&A. Such a good movie! LA Times panel for Broad City. I never really watched it, but I would love to have a partnership like that! Netflix FYSee for Nanette. Guys, people are like vultures for the passed trays. Adam Sandler at Dynasty Typewriter. Attended the actual red carpet, fancy-pants premiere of Amazon’s Late Night. It was enjoyable and not at all realistic, and I could not stop staring at John Early in the theater. He glows!

Salt & Straw Flavor: Pear & Blue Cheese

JUNE Went to stuff: FYSee for Dead To Me. I had not seen it yet, but then I watched it and it’s good. JV show at UCB with Paul F Tompkins. Did a lap at the AT&T Shape event that is always free. I only go to be on the WB lot where I would like to be more often. Like, 40+ hours a week more often. That’s it. I just went to stuff.

Salt & Straw Flavor: Campfire S’mores (with Brian)

JULY SO. MANY. EARTHQUAKES. After the third one, it stopped being cute. Went for a drive to the Angeles Forest and hiked to a waterfall. Did a sketch with Very Famous at Packcon. It was a small group, so I got a part! Huzzah!

Went to stuff: Saw Once Upon a Time in Hollywood at the Cinerama dome. (First visit!) Not a great idea because I kept trying to pick out the scenery and got a bit of motion sickness. Shirtless Brad Pitt on a roof in the ‘70s is nice.

Salt & Straw Flavor: Goat Cheese Marionberry Habanero (2x)

AUGUST Went on a random overnight to San Jose. Time to get panicky about Pack Sketch Teams! I did what I should have done last year and requested to be moved. I loved the people on my team, but I wasn’t getting a return on investment for myself. And that’s no fun. Did a show called Gibberish with Duckboi as Sharon Osborne and wore a great wig. Sketch is fun. Fell off my bike & got bruised legs.

Went to stuff: Mike O’Brien & Friends at Lyric Hyperion. Saw some Pack shows to be a supportive. Put up a sketch at GSY.

Salt & Straw Flavor: Green Fennel & Maple

SEPTEMBER Started working tech at UCB. It’s pretty easy. I get to see new faces... and old faces, too. I have no more comedy theaters to work at. Well, unless someone is going to pay me real money. My vision has been getting blurrier, so I went to the eye doctor to get new glasses. Ended up getting referred to a specialist for a “freckle” in my eyeball, but had to wait a month to go. Submitted a character video for Pack Sketch performer auditions. Got a callback! That’s one step further than last years attempt, and I actually came up with characters and I was pretty proud of it. Came up with more characters, then faced the fear of being on a stage all by myself while trying to be funny. I felt good about it. It used to take a day to find out, but not this time...

Link to Character Audition Video

Went to stuff: Got an AMAZING ticket (location & price) to see Skintight at the Geffen with friggin’ Idina Menzel. She is a queen! It’s a cute theater I should go to more stuff at. Saw Scott Thompson as Buddy Cole at the Lyric Hyperion. So good! I think I’ve seen the evolving show every year I’ve lived here. My face hurts for several days after. Lyndsey got a fancy job and invited me to the Dreamworks Friends & Family screening of Abominable. Would not have seen it. It was cute. Thanks, Lyndsey!

Salt & Straw Flavor: Forgettable

OCTOBER Flew to Denver for my cousin’s wedding. I almost typed, “weeding.” That’s Colorado for you. It was my first time to see my family all year. The time just got away from me. I got a late flight out and spent the day walking around Denver on my own. Went to a good bookstore. Ate some Giordano’s. Left my luggage in a van. Found out I got cut from Very Famous – also, Very Famous got cut from sketch night – and I didn’t make a new team. Started watching new season of Mr. Robot and felt so lost, so started it from the beginning. The new Almodóvar came out, so I bought one of those expensive Arclight tickets. It was very, very good. Maybe my favorite Almodóvar film. Worth it! Saw the specialist about my eye. They dilated it, took a bunch of pictures, did a closed-eye ultrasound (Yeah, they use jelly for that!), and refereed me to another specialist. Hunter picked me up, and I ate at Canter’s for the first time. The specialist’s office made the appointment for me at an oncologist. Guys, I just wanted new glasses and now can’t stop Googling some pretty scary stuff! Lyndsey took me to USC & hung out with me for a while. They dilated my eye, took a bunch of pictures of it with a bunch of different machines, performed an OPEN EYE ultrasound, saw two trainees and then the doctor. She said she is not diagnosing me with melanoma. BUT it has the orange color and a sliver of the fluid that are “concerning.” The pictures of the tumor weren’t as large at the ophthalmologist’s pictures made it look. So... bright side, I guess. I go back in January to check for changes. Margot scooped me up and brought me home. Baby’s first root canal! 

For our very last Very Famous show, everyone got to put up a sketch they wrote. My favorite had too much production, so I did a black out. It turned out great, and I felt loved. It was a very nice way to go out.

Went to stuff: Two weeks after the Arclight screening, the LA Times invited me to see Pain & Glory with a Q&A, so I finally got to be in a room with my favorite director. I may have cried... slightly more than I did just seeing the film.

Salt & Straw Flavor: Black Cat Licorice & Lavender (2 cones, 1 pint)

NOVEMBER It was time for Penelope’s annual visit to the vet, so I rented a car for the weekend and took her. She had lost quite a bit of weight. I sprung for all the tests, and she has kidney disease. Her numbers aren’t terrible, but there’s not really treatment for it. We switched to a new kind of prescription food. All I can do is be good to her and try to keep her hydrated & happy. So... yeah... September – November have been... uh... not so great. On the bright side, I got invited to be in the Night Cap with Stacy Rumaker show as a character! I love this show so much - and when you read a thing in December, this show is the exception to that. I was so nervous, but I pulled it together and think it went very well. It felt good! Also, I am so emotionally invested in Mr. Robot! Mom & Dad came to visit for Thanksgiving and that was a nice relief. It rained most of the time, but we got out at about a bit.

Went to stuff: Vulture Fest screening of MacGruber with Will Forte & John Solomon.

Salt & Straw Flavor: Spiced Goat Cheese & Pumpkin Pie (with Mom & Dad)

DECEMBER Fell off my bike, bruised my legs, and scraped a chunk of skin off my hand. Finally: I left my mark on this town! I was not in the mood to plan a birthday thing, but rented a car to take Penelope for her health certificate she might need to fly home with me, then went on a showtune-belting drive on my birthday. Not the best drive ever, but it was nice to just drive aimlessly. Margot went with me to dinner at an Italian place in Los Feliz. In other news, Penelope gained some weight. Then I flew home for Christmas. I’ve just been sitting around with Mom & Dad, and it has been great. I had lunch with Justin & traditional margaritas & Tex-Mex with Lindsey. I finally did an entire month of morning pages after 4 years, so I may be done with that. Oh, and I (temporarily) quit comedy.

Went to stuff: Saw CATS (can’t hate on a bad movie with bad source material) & Little Women (I cried so much!)

Salt & Straw Flavor: Apple Brandy & Pecan Pie (with Brian), but I’m in Texas now, so I’m ending the year with some Blue Bell Homemade Vanilla. Do better, Tyler!

So, that’s it. I was not looking forward to this, but it did make me feel a little better since the crap at the end has just felt like it has beaten me down. I’m not a quitter, but a breaker is maybe a good idea for a bit. I don’t have any resolutions for 2020.

If you’re still here, THANK YOU for reading my yearly download. I hope that you are doing well.

You’re great!

I love you!

Have a great 2020!

[comicsforever]

Best Of The Year - The 2017 Edition.

Welcome back to the yearly date of pointing out the best of the best for 2017. As always this a very personal post I decide to share with all of you, so you can discuss and agree/disagree with me. Or not. Do what you like. I’m not your father. Tumblr has been with me for a long time now and I still love the platform very much. It’s my personal space to show all the art I love or talk about the things I like with my select group of devoted followers. As always these are very personal picks. I watch closely the performance of certain releases all over the year and drop the best of the best in a list for you to check out if you haven’t. The usual categories are:

Best Comic Book Series

Best Comic Book Moment

Best TV Show

Best Movie

Album Of The Year

Videogame Of The Year

Action Figure Of The Year

So without further ado, let’s get on with it:

Comic of The Year: Batman (DC Comics)

Just two words define how good this comic has been over the past year: Tom King. The man does write a very different kind of Batman and man how this guy is enjoying himself in this book. DC hasn’t put a leash on him and we actually have some character development for Bruce the way we haven’t seen in years. I mean just take a look at the past 10 issues: Batman decides he wants a shot at happiness so he proposes to Catwoman, before she can answer they spend like 48 hour straight having sex as Bruce finally decides to confess his biggest regret since he donned the costume. After Selina hears it she goes for it anyway, before they can settle they have to deal with Thalia Al Ghul and Superman. Plus the comic is just chock full of great puns and great moments. Deadshot fights Deathstroke? You got it (the fight lasted 7 days straight if you are wondering). I’m looking forward to reading Batman through 2018. Hell Yeah indeed!

Best Comic Book Moment: Mr. Oz revealed as Jor-El. Action Comics #987 (DC Comics)

If you are not reading Superman right now you are missing out the original Superhero in some of the best stories that have been told with him for a long time. The original Superman has taken over the books and he has been merged with his N52 counterpart. The story of the DC Universe is being rewritten as misterios identity has subtracted 10 years out of the continuity of the multiverse. Superman has been trying to figure out just the hell is going while a shadowy figure is pulling the strings to get him closer to the truth. The mysterious Mr. Oz stands revealed as the master manipulator behind everything that has been going on in Superman’s life, but the shock doesn’t end there. It is revealed that Mr. Oz is none other than Jor-El, Supermans’ biological dad and he survived because a near-omnipotent force took him from the arms of his beloved wife while Krypton was being obliterated!

Best TV Show: The Punisher (Marvel Netflix)

Forget about the leftist-infested editorial comics division, Marvel is putting out their best stories on their TV shows. Agents of SHIELD and Marvel Netflix are offering us compelling character that we can care about without being shoved forced diversity. The Punisher is the one to stand out of the pack this year. The show is a love letter to a soldier’s after life when the war is done. PTS is the card played in the show and we get to see how each soldier deals with the hand that’s played to them. The cast is solid, the writing is compelling and the acting is good. I look forward to season 2!

Best Movie: a tie: Logan and Wonder Woman (20th Century Fox and Warner Studios)

One showed the last ride of the most resilient fighter of the X-Men in his last wheels. The other showed us the birth of a hero to an unknown grey world that she looks in black and white. Both where great films by their own merits. And it’s very hard to make a choice between them. For the first time in many years I feel Superhero films are putting out Oscar worthy material and while is a long shot they will be considered in the run, it’s great to see both studios go the extra mile to offer solid films for fans and casual viewers alike.

Album of The Year: Converge – The Dusk In Us

In a year where I was bombarded with weak hip-hop from every angle and “despacito” nearly made me kill myself, it was so great to have these guys back kicking ass like they always do. You can go wrong with metal baby! Actual music played with actual instruments!

Videogame of The Year: Injustice 2 (WB Games/ NeatherRealm Studios)

DC’s best of the best are back to beat the shit out of each other in the special engine developed by the same guys who developed Mortal Kombat. While the game features a solid gameplay and a ton of extra new features is the writing on it that makes it so awesome. Each character is ready to pop a quip to his/her opponent that fits right with their personality and backstory (if they have it)

Action Figure of The Year: Magneto (Amazing Yamaguchi/Revoltech)

I mean, come on. Just take a look at this guy. Not only he looks evil a shit, he has magnetic hands to steal your paperclips and he’s more poseable than a contortionist. He’s simply the best action figure of magneto ever released and he’s expensive as shit, but’s he’s totally worth every penny.

That’s all for this years folks! Let me know what you think in the comments section!

[jokerous]

yeah true the joker is about the last character who needs an origin story since a lot of his appeal comes from not knowing where he came from BUT the more i think about it the more i'm okay with it. bc it's going to be a stand-alone story that makes it more of an... exploration of what could have been. like it's a separate universe and only in this particular universe is this his origin story. imo you could tell a really compelling story within the confines of this one movie. am in making sense?

I’m both worried and excited. Worried because I simply don’t want DC and WB to screw it up and I am sure there are lots of DC and Joker fans in particular who feel the same way. Because one of the reasons Heath Ledger’s Joker is a successful example of creating an ultimate villain is that he has no confirmed backstory and his character was designed as an absolute. Despite the fact that he has a great amount of lines in TDK, we know simply nothing about him (“no name, no other alias…”). Being a so-called ‘Diabolus ex Nihilo’, he just shows up and wreaks havoc, which makes him even more terrifying and unpredictable, and the mystery of how he really got those scars will always remain. Apparently, this played out incredibly well, further provoking our curious minds, hence there are dozens of fan theories and fanfics about how his Joker came to be. 

By the way, there’s a brilliant fic on fanfiction.net where he says: 

“I don’t have a backstory because I don’t need one: You’ll write it.”

Another important question that comes to mind is what kind of origin they are planning to choose for this Joker. Will it be the canon Killing Joke acid bath transformation, which has been already done in Batman (1989), the graphic novel itself, plus we have Leto!Joker, who’s also chemically bleached. Will the new Joker have a Glasgow grin like in The Dark Knight, or comics like Lovers and Madmen, Gotham Noir, or like in the graphic novel Joker by Brian Azzarello? Or maybe his face will be cut off and sloppily stapled back in place like in Gotham tv show and the New 52′s Death of The Family? However, there’s always a possibility that the writers will come up with something entirely new and surprise us (see, I’m trying to be optimistic here)(Let’s just hope it won’t be a story of how the Joker got his tats…)

Last but not least, a lot will depend on the actor who will be cast for a role (rumour has it, it will be a young actor) and I hope they will choose wisely, because portraying such an iconic character with a great history is a huge responsibility, which requires a lot of artistic craft and charisma, and through the years we’ve seen different interpretations and takes on the villain, some did amazing, and some not as good, some won the Academy Award, and some were nominated for a Razzie… but I digress :) Anyway, I’m really intrigued by what the trio of Todd Phillips, Scott Silver and Martin Scorsese is going to offer, and you are totally making sense, anon! I think our favorite Clown Prince of Crime fully deserves a stand-alone movie, which might show us a glimpse of his past that he prefers to be multiple choice.

[wbwest]

New Post has been published on WilliamBruceWest.com

New Post has been published on http://www.williambrucewest.com/2017/04/07/west-week-ever-pop-culture-review-4717/

West Week Ever: Pop Culture In Review - 4/7/17

  So, last night I became the last person in America to see Get Out. As I joked on Twitter, I’m totally getting a divorce now. No, I kid, I kid. Like everyone said, it’s really good, though it may be a tad overrated. Just a tad. Unless you’ve been living under a rock, Get Out is the story of Black man Chris Williams who joins his White girlfriend Rose Armitage on a visit to her parents’ home for the weekend. And then crazy shit starts to happen. I can see what the appeal of the film is. I really can. But I’ve got to level with you: this movie hit a little too close to home. Yeah, I know that one Black reader I have is like “That’s what you get for datin’ them White girls!” No, seriously, I probably would’ve ended up just like Chris. First of all, I have a thing for Allison Williams. Even as bitchy, self-centered Marnie on Girls, I still have a thing for her. When her father fell from grace, I just wanted to tell her everything would be all right. So I would’ve taken the bait. In addition to that, I’ve dated that kind of family. Yes, in those cases, you’re dating the whole family. They had the same socioeconomic status as the Armitages, their friends were the same way, with the same weird questions. Sometimes you don’t realize how Black you are until that’s ALL you are to some folks. What some folks saw as just fun entertainment is something that I kinda lived. They’d do weird shit, where I felt like they were testing me. I remember the first time I went to stay for the weekend, they put me in a room with, like, three Rolexes just laying about like they were nothing. No, I don’t think they would’ve killed me, but I can totally see how something like this could happen. Meanwhile, I’m here thinking that I need to get me a friend as good as TSA Rod. I’ve got a lot to unpack from that movie right now. I’d love to have a conversation with Jordan Peele, ’cause that movie came from a place of experience. I wonder if I’d ever see it again, or if it’s like Bamboozled, where it’s just gonna make me hate White people for a while. Naw, I can’t hate y’all. You’re the only ones who read my site!

In movie news, it was reported that Seth Rogen and Evan Goldberg are set to produce a film based on the Image comic Invincible. I used to read the series back when I worked at Diamond and got the hardcovers for free, and I really loved it. It follows Mark Grayson, who’s half human and half Viltrumite. His father, who’s full Vultrimite, is the hero known as Omni-Man, and Mark seems to have inherited a lot of his powers. Mark becomes the hero Invincible and a bunch of other stuff happens. Hey, what do you want from me? I only read the first 48 issues, and that was, like, 7 years ago. The thing I like about the series is that Mark is allowed to grow and change. People die and stay dead. In comics, there’s always the approach where they give the semblance of change without actual change, but that’s not how Invincible works. I mean, he’s currently married with a kid, and they haven’t resorted to having the Devil erase it all, unlike some heroes… Anyway, I like the idea of a movie, but I don’t know if Rogen and Goldberg are the guys to do it. After all, they’re the team behind AMC’s Preacher – a show that I’ve yet to really hear anything good about. Mainly, I heard season one was just boring. So, I guess we’ll just have to see what they bring to the table.

In other movie news, Scarlett Johansson’s live action Ghost In The Shell adaptation bombed, and the congregation rejoiced. There was a lot of controversy surrounding the film because it was felt that the main character, played by Johansson, was whitewashed. They felt she should’ve been portrayed by an Asian actress, and even the studio is now saying the movie failed to meet expectations due to the whitewashing controversy. I’m really not educated enough to weigh in on this one. I mean, I’d always heard that Japanese identity politics went a little deeper than we might think, which is why their cartoon characters always have blue hair and shit, but never really look Asian. But again, before I say something uninformed, I’m gonna bow out of this one. For a better understanding of the controversy, check out my friend Jenn’s post on the film.

Speaking of outrage, there was a Pepsi commercial that ruffled some feathers this week. I’d post the video, but Pepsi is trying to scrub all reference to the thing. In it, Kendall Jenner breaks away from a fashion shoot to join a peaceful protest, capping it off by offering a stern looking cop a Pepsi. He accepts, takes a swig, and everyone rejoices. The problem, however, is that the ad was kind of tone deaf. It seemed to trivialize the act of protesting, and to add insult to injury, it installed a pretty White girl as the face of the protest. Now, I saw the thing, and it was hamfisted, but I’m not sure it was worth all the threaded tweets and thinkpieces that it generated. Like, I get why folks didn’t like it, but I’m not sure I’m “woke” enough to see the whole matter. Anyone wanna weigh in on this one?

In television news, Disney Channel officially ordered Raven’s Home to series. Serving as the sequel to That’s So Raven, it features Raven Symone reprising her role as Raven Baxter, only now she’s the divorced mom of twin tweens. She also lives with her best friend, Chelsea, who’s ALSO a divorced single mom. Things start to get crazy, though, when Raven’s kids start to exhibit her psychic powers. See, that was always my thing with that show. Sure, I was too old for it when it was a hit, but I love a good tween TV show. That said, I feel like Raven and her friends could’ve had zany adventures without the whole psychic powers gimmick. I mean, the kids of iCarly didn’t need superpowers in order to be entertaining. The psychic stuff made it too much like a mystical tween Three’s Company which, on paper, sounds perfect, but isn’t that great in execution. Anyway, I just typed all this to justify posting a pic of costar Anneliese Van Der Pol. This whole thing just sounds like Fuller House with powers. I’ve got no nostalgia for the original show, so I doubt I’ll be checking this out.

In other TV news, Freeform has ordered New Warriors to series, featuring fan favorite character Squirrel Girl. I’ve got to admit that I know next to nothing about that character except that she was the nanny to Jessica Jones and Luke Cage’s daughter, Dani. I know she was a Great Lakes Avenger, but she was never a New Warrior. Still, they’ve been trying to find a vehicle for that character FOREVER, so I guess they finally figured it out. Based on how WB/DC has handled Powerless, I’m not too eager to see another comedy set in a comic book universe. The one bright spot in the whole thing is that Kevin Biegel is rumored to be the showrunner. Not only does he follow me on Twitter, but he’s the creator of the Fox series Enlisted (which I loved), and he co-created Cougar Town. Knowing that, I think the show is in good hands. I still feel weird about being a 35 year old man watching Freeform. It’s like you’re paying for The CW. The news, however, makes me sad that The Middle is still going. If you didn’t know, a few years ago, when it looked like the writing was on that wall for that show, Eden Sher had a meeting with Marvel. While we don’t really know what was discussed, her name was thrown around in the same discussions of Squirrel Girl. With The Middle already renewed for next season, though, that takes her out of the running. Sucks because I think Sher’s perky, Sue Heck personality would be perfect for Squirrel Girl.

Things You Might Have Missed This Week

Barry Manilow came out as gay, which makes me realize that he’s actually been singing about Man D all these years…

Speaking of gay, on Doctor Who it was revealed that The Doctor’s latest female companion, Bill, is gay. I mean, her name is “Bill”, so, surprise?

NBC ordered 2 additional episodes of the Will & Grace revival, bringing the total up to 12.

Also in the Department of Things We Don’t Need, there are apparently outlines for 14 more Transformers movies

I’ve written about my love of The Undertaker a few times here on the site. Basically, he’s a relic of a bygone era in professional wrestling – an era of kayfabe, when enemies wouldn’t fly on the same planes together, or be seen hanging out together at IHOP. He’s from a time when people had flashy names and in-ring gimmicks to set them apart. The industry has changed a lot since then, but you could always depend on Taker. If I were to be a professional wrestler tomorrow, my in-ring name would be Bruce Williamson. That’s how they do it now. Other business ventures came along, like Total Divas, which even further blurred the lines between real and fake, but you could always depend on Taker.

In recent years, he’s basically been a part-timer. Ever since The Streak was broken, there wasn’t really much need for him to be around. The mystique was kind of gone by that point. But, like clockwork, he still showed up to Wrestlemania and did his job. In my heart, I knew the end was near. I’d always said that, given some advance warning, I’d even try to attend his final show. He means that much to me. Well, I didn’t even get to watch his final appearance, which was last Sunday at Wrestlemania 33. The card looked weak, and I felt I had better shit to do. Little did I realize I’d be missing history in the making. The Undertaker jobbed to Roman Reigns, narrowly missing out on his 100th pay per view victory. While the rumors of retirement had been floating for years, no one was ready for what would happen next. He donned his signature coat, gloves, and hat, and took one last look at the crowd. Then, he removed them, placed them in a pile in the center of the ring, and walked away. He kissed his wife, pretty much breaking character, and proceeded to walk up the ramp, where he was lowered until he disappeared. As the crew dismantled the ring, they refused to move his belongings – a gesture of respect to the man who brought us all nearly 30 years of entertainment. I hate that I wasn’t there, but I especially hate that I didn’t even watch it. Sure, in this technological age we can always find what we’re looking for, but I feel like I let him down. He doesn’t know me, doesn’t give a shit about me, but I know him, and I thank him. So, with that in mind, Mark Calaway, AKA The Undertaker had the West Week Ever.