#yann tiersen

[nofatclips]

Tempelhof by Yann Tiersen, live in studio at The Eskal

[caviarsonoro]

Yann Tiersen : Naval (Tabarly 2008).

"Naval", perteneciente al álbum Tabarly (2008), es una pieza que refleja con maestría la esencia introspectiva y melancólica que caracteriza el estilo de Yann Tiersen. Compuesta como parte de la banda sonora del documental dedicado al legendario navegante francés Éric Tabarly, esta obra logra capturar el espíritu del océano y la soledad del marino con una sutileza conmovedora. Desde los primeros compases, la música evoca la inmensidad del océano, con un tono sereno pero cargado de profundidad emocional, que sumerge al oyente en un viaje contemplativo donde cada nota parece reflejar el vaivén de las olas y la inmensidad del horizonte.

La estructura musical de "Naval" se basa en una combinación minimalista de piano y cuerdas, un sello distintivo de Tiersen, que crea una atmósfera íntima y evocadora. La melodía se desarrolla con lentitud, casi como si siguiera el ritmo pausado del mar abierto, mientras las cuerdas añaden capas de melancolía y belleza etérea. Los matices delicados del piano se entrelazan con sutiles arreglos que transmiten tanto la majestuosidad como la vulnerabilidad que implica enfrentarse a la naturaleza en su estado más puro. Esta sensación de soledad no es sombría, sino más bien contemplativa, reflejando el respeto y la conexión profunda del navegante con el océano.

A lo largo de la pieza, Tiersen logra equilibrar perfectamente la simplicidad melódica con una riqueza emocional que se siente genuina y envolvente. "Naval" no solo acompaña las imágenes del documental, sino que también logra ser una obra que se sostiene por sí misma, evocando sensaciones de introspección y libertad. Es una composición que transmite serenidad, pero también una profunda melancolía, reflejando el espíritu aventurero de Éric Tabarly y la soledad del mar como símbolo de introspección personal.

[inolongerhavealilacname]

“Le Fabuleux Destin d’ Amélie Poulain” , 2001 by Jean-Pierre Jeunet

[marejadilla]

“La valse d'Amélie”, Yann Tiersen. “Le Fabuleux destin d'Amélie Poulain” (Bande originale du film), 2001.

[normalbrothers]

the sun is out and it's callous and stout and i can't conceive of this loneliness

[stillwithmeisonlyyou]

It has been awfully cloudy lately and i have been so stressed so im just gonna share my comfort movies (because i wanna watch them and i can't buut maybe u can)

Also i need to clarify a comfort movie staple for me is a lighthearted topic, preferably including love, but definetely no angst- not even a hurt/comfort kind of situation. Also a great soundtrack. Just something i won't need to process and just enjoy.

Amélie (Le Fabuleux Destin d'Amélie Poulain) (hope i spelled that correctly)

This movie has an amazing classical music repertoire. I love yann tiersen's style.

Also i was like 12-13 when i first saw this and as a unashamed secret admirer it was really tempting to pull an amelie and leave little clues to my crush. Didn't do it tho

Flipped (2010)

This movie's soundtrack includes artists like the everly brothers, some of my hits form there was let it be me (i love this song so much it is so romantically beautiful) devoted to you, crying in the rain (i think it was also in the soundtrack but i might be confused cuz i've known this song beforehand)

Also I love that movie progresses with 2 perspectives of the same event. I definetely loved hearing julie's ideas and thought processes on events that might have been passed on as trivial. I loved observing their differences and having a look into their minds. (I especially loved the parts about the sycamore tree that makes me so emotional)

The nightmare before christmas

I could add a lot of stop motion movies here i love that style but i chose this because it is more lighthearted. First of all i am a sucker for jack skellington like that skeleton can have me anytime (we listen and we don't judge ok?) also again it is a musical and it is banger after banger

Also i lovee the last scene my pisces ass is a sucker for romance stories like that. I resonate with sally a lot too so it just makes me hopeful i guess

My fav song is probably kidnap the sandy claws. I used to try to memorize the lyrics of that one instead of studying (still a tempting idea) also i love the nightmare revisited album like as an evanescence fan it was amazing to hear amy sing a song about pure yearning. Also i love the korn cover of kidnap the sandy claws and marilyn manson cover of this is halloween. (Problematic as he is i love marilyn manson ok? I know im devastated too)

Anywayy yes these are my comfort movies

Id love if you reccomend me smt but to be honest i don't know when id be able to watch it- feel free to do it anyway tho

Anyway i will just add my hits from these movies here :

Amélie

Flipped

The nightmare before christmas

(i didn't put in this is halloween but like id be surprised if u don't know it anyway so)

[burntblueberrywaffles]

The Amélie soundtrack fucks so hard, truly unparalleled listening experience. Thank u Yann Tiersen I owe you my life

[musicwithoutborders]

Yann Tiersen, Pell I ALL, 2019

[nofatclips]

Erc'h by Yann Tiersen (featuring Ólavur Jákupsson) from the album All

[las-microfisuras]

Comptine d'un Autre Été - Yann Tiersen - TheChiefEmperor

[caviarsonoro]

Yann Tiersen - Caledonian Canal (Official Audio)

The track Caledonian Canal, from Yann Tiersen's album Rathlin from a Distance, elegantly and simply reflects the introspective essence characterizing this first part of the work. Dominated by delicate, minimalist piano, the piece flows gently, evoking the serene and constant movement of water. Tiersen employs empty spaces and strategic silences, inviting listeners into a contemplative atmosphere and making the listening experience profoundly intimate and emotional.

In Caledonian Canal, the composition achieves remarkable sonic purity; each note feels meticulously chosen to establish a direct connection with the evocative landscape suggested by its title. The melody, seemingly simple, gains emotional complexity when performed with an almost tangible sensitivity. This quality transports the listener into a meditative state, conjuring clear mental images of open, natural spaces that seem to reflect the composer's introspection and voluntary isolation.

Finally, the piece stands out for its ability to encapsulate, in just a few minutes, the thematic contrast present in the entire album. While the second part, The Liquid Hour, explores electronic and psychedelic sounds, Caledonian Canal serves as the perfect counterpoint, providing balance and pause.

[o-link]

Le Fabuleux Destin d'Amélie Poulain

[cherry-posts]

Bin weich und hart, grob und zart, heiß und kalt, gut und böse, schüchtern und frech, stark und schwach, lieb und gemein, gerecht und unfair, rücksichtsvoll und rücksichtslos, aufopfernd und egoistisch, vertrauensvoll und skeptisch, fleißig und faul, ernst und komisch, glücklich und traurig, ehrlich und direkt, aber alles zu seiner Zeit … 🦋

[brusiocostante]

Yann Tiersen - La Rupture

[marejadilla]

Yann Tiersen, "Summer 78" For the film's soundtrack "Good Bye, Lenin!" Directed by Wolfgang Becker Composer, Writer: Yann Tiersen, BSO, ℗ 2003

"Where are you now, can't you see me? Where are you now, can't you hear me?

Falling, trying, searching, losing Falling, trying, searching, losing

Where is this land we've built for us? Where are these streets we've built for us?

When I am laid in earth, in earth, Can't you be there, near me? near me

When I am laid in eart, in earth, Can't you hold me? Can't you hold me?

Please..."