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[sag-dab-sar]

Day 4 of Hellenic Polytheism

Are there any deities you don’t currently worship but want to learn about? by @wisdom-devotee

I have realized I know basically nothing about Poseidon. I don't have any inclination to worship him but I was shocked with how little I knew. I had no clue how connected to horses he was or how "old" he possibly is, nor his connections to Desponia or Peloponenese. [Disclaimer: I have not read all the sources]

Met Museum:

Poseidon, Herakles, and Hermes fishing. The immortals of Mount Olympos were not exclusively engaged in momentous feats. Here three of them are shown fishing, each perched on a rock. Poseidon holds his catch in one hand, his trident in the other; Herakles tries his luck with a rod; and Hermes gesticulates at the right." Terracotta lekythos (oil flask) ca. 515 BCE Greek, Attic. Met Museum — Link

Encyclopedia of Ancient History: Poseidon by Ioannis Mylonopoulos — Link

Theoi Project Poseidon — Link

Boeotian Black Figure. Bowl, Three-Handled. ca 5th Century BCE. The Gorgon Medusa lies dead, beheaded by the hero Perseus. On the left, the god Poseidon strides forward with a trident in one hand and a dolphin at his feet. One of the Gorgons rushes towards him with arms outstretched. She is crowned with a pair of serpents and wears two snakes tied as a girdle about the waist. Behind her, Medusa lies dead with blood squirting from the severed stump of her neck. The winged, horse Pegasus flies just above her, born in the gout of blood. — Link

The Indo-European Attribute of Poseidon as the Water God by Nobuo Komita — Link (Link to Google Scholar and PDF is a download)

Abstract: Generally Poseidon is regarded as the Greek sea god; however, besides his maritime attribute, he seems to have closely associated with fresh water. As the myth of Amymone indicates, Poseidon produced springs which formed the Lerna River; in addition, Amymone is concerned with water as the river and springs of her name imply. And as the myth of the Alban Lake suggests, Neptunus, the Roman equivalent of Poseidon, is also closely associated with fresh water. The etymology of Neptunus is interpreted as 'Nephew of Water'. The etymology of Poseidon also indicates that Poseidon seems to be concerned with warer; the *da-component of Poseidon is explained as proto-1-E 'fowing water'. In eastern and central Europe, major river names such as the Don, the Dnieper, the Doniester, and the Donau have the * da- component. These features imply that the etymology of Poseidon can be interpreted as 'Husband of Waters' indicating Poseidon as a fertility god, and similarly his seismic attribute is related with water (earth water'). The Indo-European sky god Zeus is also associated with water sending the rain to fertilize the earth, which indicates that Zeus and Poseidon share the same role as a fertility spirit. Originally Poseidon was the Indo-European water god associated with fertility, and Poseidon seems to have acquired his maritime aspect in Greece. However, his etymology and various features concerning water designate that Poseidon firmly retained his original Indo-European attribute. (sorry if this is wonky copy/paste was weird)

Pu-ro, pa-ki-ja-na/-ne, and the Sanctuary of Poseidon at Pylos By Barbara Montecchi — Link

From Article: the hypothesis is put forward that the temple of Poseidon (po-si-da-i-jo), which is linked to both pu-ro and pa-ki-ja-ne (PY Tn 316), should be identified with the central megaron of the Palace, the religious role of which is well known. Poseidon indeed appears as the most prominent god of the Pylos kingdom

Continuity From the Mycenaean Period in a Historical Boeotiam Cult of Poseidon (And Erinys) by Thomas Palaima — Link

From Article: ...in the full range of Mycenaean culture and its place within the Hellenic tradition, past and present. He has also been interested in detailing the archaeological evidence for what leading researchers call 'the horse of Poseidon', i.e., the terrible earthquake damage that might have contributed to the demise of Mycenaean palatial culture. I offer this exploration into continuity of an unusual cult of Poseidon in Boeotia from the Bronze Age into the classical period

Mythical and ritual landscapes of Poseidon Hippios in Arcadia by Julie Baleriaux — Link

Abstract: Poseidon has recently benefited from renewed scholarly attention, contributing to re-evaluate his role in ancient Greek imaginary. By opening the research previously limited to literary evidence to the archaeological and topographical evidence, new perspectives on “Poseidonian landscapes” have emerged. Arcadia, a land-locked region where Poseidon Hippios is celebrated with fervour, is here taken as a case study to try and go further in identifying the god’s realm of action. Areas with floods seem to be his preferred worship places, while in other areas he plays a crucial part in myths but is hardly worshipped alone. There also seems to be a connection between his patronage over freshwater and horses. Overall, natural observation seems to have been instrumental in choosing the location of his worship places.

From Polis to Borders: Demarcation of Social and Ritual Space in the Sanctuary of Poseidon at Kalaureia, Greece by Pakkanen Petra — Link

Abstract: This article focuses on three interrelated themes in the study of ancient Greek religion, looked at through the material evidence from the sanctuary of Poseidon at Kalaureia on the island of Poros, Greece. First, I look at the so-called polis model and its applicability to an interpretation of Kalaureian material related to the cultic life of the sanctuary from the point of view of the 'historiography' of Greek religion. I then discuss the historical context of the archaeological material, with particular emphasis on the topic of the sanctuary as a known place of asylum particularly during the Hellenistic period. Thirdly, I examine the archaeological material related to eating and dining and its potential connection to the demarcation between sacred and profane activities and between sacralised and profane space in the sanctuary, with special interpretative attention to the significance of border(s) and boundaries. Drawing attention to these issues may help us understand the dynamics and interplay between 'official' and 'private' aspects of ancient Greek religion, within both the tradition of the scholarship of ancient Greek religion and the so-called 'archaeology of cult'.

Further Insights on the Cult of Poseidon Helikonios in Helike (IV)* by Dora Katsonopoulou — Link , PDF

From Article:

The cult statue in Poseidon's temple probably showed the god seated, holding trident in one hand and dolphin (fish) in the other. This type of Poseidon enthroned is represented on coinage of a number of cities associated with his worship (Fig. 3a-c); more interestingly, a similar depiction of the god, even identified as Helikonios, is preserved on early 3rd century BC coins from Sinope, where he was strongly worshipped. On the reverse of these coins, Poseidon is shown seated on throne to left, holding dolphin in his right hand and leaning with his left hand on trident; on the countermark of the coin illustrated, a diademed radiant head of a god (Zeus or Poseidon) to the left is depicted (Fig. 3d).

Reflections on the gems depicting the contest of Athena and Poseidon by Hadrien Rambach — Link

From Article:

This article examines the depiction on engraved gems - with essential detours to marble sculpture and numismatics - of the "dispute of Athena and Poseidon", or rather the presentation of the gifts, with the gods facing each other. The most famous is a cameo in Naples (plate 1), [...] engraved gems, this large cameo measures over 50mm in height. Believed to date from the late 1st century BCE. [...] Part of the attraction - and mystery - of the cameo is the unexplained series of engravings in the exergue: two palm trees, two shells, two wheels (?), the IY monogram, and another, unidentified object (plate 2)

The Sanctuary of Poseidon at Onchestos from Onchestos Excavation Project — Link

From website: Sanctuary of Poseidon at Onchestos has left its mark in the literary works of the ancient Greek civilization as a longstanding religious and political hub in Boeotia. From the 1960s on, sporadic archaeological investigations at the site provided tantalizing glimpses at the extent of the sanctuary and its influence over the region.

Site A of Sanctuary

Louvre Museum:

Fragment. Poseidon (remains, standing, headband, chiton, himation, holding, trident); framing net. Late Corinthian 6th Century BCE ca. 550-525 BCE . — Link

Paywalled: Poseidon's Festival at the Winter Solstice by Noel Robertson — Link