#writing-tip-of-the-day

[writers-potion]

Can you please share some words to use instead of "Look", I really struggle with that, it's always "She looked at him in shock" or "He looked at her with a smile". I know there's "Gazed" and "Glanced" but I wanted some advice to use "Look" less

Words To Use Instead of "Look"

Words Closest in Meaning (w diff connotations!):

stare

eye

study

behold

glimpse

peek

glance

notice

observe

inspect

regarding

view

review

look-see

get an eyeful

peer

give the eye

eyeball

size up

size up

check out

examine

contemplate

scan

recognize

sweep

once-over

judge

watch

glare

consider

spot

scrunitize

gaze

gander

ogle

yawp

Other (more fancy) words:

glimmer

sntach

zero in

take stock of

poke into

mope

glaze

grope

rummage

frisk

probe

rivet

distinguish

witness

explore

gloat

scowl

have a gander

comb

detect

surveillance

squint

keeping watch

rubberneck

pout

bore

slant

ignore

audit

pipe

search

note

speculation

simper

[urfriendlywriter]

3 prompts a day!

(write a drabble and tag me in itt (almost like a 24 hr challenge?) )

"I can't seem to get enough of you," they mumble, pulling you closer by your waist. "How do I get you out of my mind, [name]? You're in it all day and all damn night.."

Waking up in their chest, their arms wrapped around you protectively. You just tilt your head and admire the curve of their lips, their lashes and their soft labored breaths as they seem to hold you like you're their most beloved treasure!

Their fingers slide down your arms, leaving goosebumps in their path. "Tell me you feel the same way, [Full Name]," their voice is a whisper, eyes burning into yours, filled with vulnerability and a longing for more, "Or tell I'm wrong. Please."

[choccy-milky]

seb's 2 modes around clora 🥰👿

[theliteraryarchitect]

Remember, writers: There's no rush. Take an hour to write a hundred words. Ponder the perfect sentence for days and days. Peer closely into your character's heart, watching with reverence as they sip their morning coffee or step into a pair of sturdy leather boots. They have a long journey ahead, and so do you. And you both have all the time in the world to get there.

[comment-day]

Commenting on Fanfic Themes

Remember when you were in literature class and your teacher was droning on and on and ON about themes, but the only thing you could think of is-

Understandable! Especially when you weren't interested in the book or short story (I'm looking at you "The Awakening" by Kate Chopin).

And if you had a teacher that sucked? Yeah, can completely see why you would snore through the whole explanation of why themes are important. I certainly did!

But at the heart of it, themes are such an important part of all writing! Even fanfic! It's basically just asking yourself the question "What was the story trying to say?" or "What was the point?"

And every story has them, even Fanfic. And you will find that pointing them out often helps you convey to the author what you loved about the fanfic.

Reading a story about a lonely kid getting a dedicated group of found family? Maybe a theme of that is how blood isn't the only kind of family. Or that loneliness is only temporary. Or that the world gets better.

Reading a story where two men who loathe each other fall head over heels in love? Maybe the story was saying that first impressions aren't everything. Or that people change for the ones they love. Or that you can't let pride get in the way of being vulnerable.

So, here is a very simple format for how you can comment on the theme of a story, without having to write a five paragraph high school essay!

"I noticed the theme of _______ throughout this story. When Character did _______ it really highlighted the theme of ________ and I thought it was a really nice touch."

Let me show you an example.

"I noticed the theme of loneliness throughout this story. When Tommy was in a room full of people at the big party, yet was thinking about how he couldn't connect to them, it really highlighted the theme of loneliness and I thought it was a really nice touch."

Congrats! You have now commented on a theme of the fanfic! And I can guarantee it made the author's day. It's really that simple.

"But wait, what if that wasn't a theme the author intended and I just look dumb!" My friend, high school cannot hurt you here. You will not be graded on picking out the correct themes from a piece of fanfic. You aren't trying to be the smartest person in the room and make up groundbreaking theses about Shakespeare, you are just picking out what you loved. You are just saying how the story spoke to you! There is no right or wrong answer. Not even the author's intent can change the way it made you feel.

[thenomadicquill]

Kill Your Darlings. If you have done anything within a creative field, you've heard that saying in one form or another. You have plenty of ideas, but most of them cannot fit in your current work. That is why it is important to just write instead of trying to plan ahead. As you write, you will see characters or plots that don't work.

Using valuable time to try and weave a character and plot into your story while it fights everything else will never help. But if you begin writing to write, you will begin to see the natural trail to follow. And most of the time, that involves the death of some darlings.

If you love a character or plot too much, just Kidnap Your Darlings instead. To use them for a different project.

[glitter-stained]

On villains with tragic backstories

Sometimes I'm like "is it really psychophobic, maybe i'm reaching, the character did say that they're not actually crazy they just like killing people" and then the narrative will hit me with "some terrible, dark horrors have happened in your past and this is why you are killing people but it's not too late to get admitted in a psych ward" and I wanna throw the comic through the window and myself with it.

The "mentally ill villain" trope isn't just saying that the villain is crazy or giving them hallucinations. If you're giving a villain a tragic backstory, and that backstory has caused them severe suffering the memory of which is still painful to the day, and the story expects you to believe that the villain's horrible behaviour is explained by the fact that this suffering broke something in them... It's worth examining if you're not just vilifying or demonizing mental illness on accident.

The issue isn't that your villain can't have a tragic backstory, or that the tragic backstory can't explain their actions: the issue is when the suffering itself is treated as a sufficient cause for the behaviour. Say a character was raised and abused by a cult that taught them killing puppies is good and then they kill puppies: not psychophobic. Say a character who used to love puppies was kidnapped and tortured by some guy just for the fun of hurting someone, no brainwashing or anything just pain, and then they get out and kill puppies because of the torture: psychophobic. There's a missing link in the reasoning here, a question of "what about this event taught/brought the person to the conclusion that it was a good idea to kill puppies or gave them a desire to?" The psychophobia is insidious, hiding in the implication that the trauma (because this is what it's really all about) is what made them kill puppies. Sometimes, people with trauma kill puppies. But killing puppies (or exploding buildings with children in it, or shooting someone in the spine, or severing heads and putting them in a duffle bag, or, or, or) is not and has never been a symptom of ASD*, PTSD, CPTSD, BPD, DID, DDD or any other trauma-induced disorder. It's a good idea to verbalise the logic, emotions, needs and desire that motivate your villain and where they stem from, to avoid falling into the trap that thinking their trauma, because of the magnitude of the empathy it's meant to generate for the character, is enough of an explanation for their behaviour. A villain being sympathetic because of their backstory doesn't mean that their actions are necessarily coherent.

On top of that, it's important to take in account other factors such as the original background of the character, their vulnerabilities, their age (super important when writing childhood/teenage trauma/young villains!), but also their ethnicity, gender etc etc. This is important for realism and accuracy, because trauma is neither a magical button that creates heroes nor sociopaths, but also because psychophobia interacts so easily with other forms of discrimination slipping through the cracks. Now that you've identified that your woc character becoming a manipulative, sociopathic "crazy ex" because of her trauma was not just a consequence of her trauma but the interaction between the trauma and personal factors, what are those implicit factors that contribute to make her manipulative, obsessed with her ex, etc.? And now that you've extracted them explicitly, like a zip file, can you examine them to see how many of these personal characteristics have to do with her being a woman of colour?

I hope it's clear that I'm not telling you what to write- I think imposing the idea that villains can't be poc, or queer, or working class, or disabled, or mentally ill, etc. is harmful, because it reduces potential representation, it's based on the assumption that I know what you're gonna write and it's gonna be fundamentally ableist, and it puts this pressure on fictional characters to be perfect icons of representation rather than actual characters with depth and personality (kinda like thinking you can't write a female character who cries because it implies women are weak). This is just to encourage you to be mindful about what you're doing when writing that tragic backstory, because it's not necessarily what we think about when we talk about mental illness, and it's important to analyse what you're writing with a measure of introspection: why am I writing this? What does this imply about the character? What's my reasoning for this character's reasoning?

I have zero issue with a mentally ill character kicking a puppy as long as the narrative isn't trying to tell me that it's a symptom of mental illness to kick puppies. But of course, perhaps the story could also be a critique of those stories about mentally ill people kicking puppies, and the satyre is flying way over my head; or perhaps there will be a secret plot-twist that happens after I stopped reading that explained why the character was kicking puppies, perhaps the book was an attempt at guiding and manipulating the reader into realising the flaws in that reasoning on their own, or perhaps it was a metaphor for something else entirely, etc, etc. I don't know. The point is, write whatever you want; but write it self-aware.

*in this context, ASD meaning Acute Stress Disorder

Two examples of comics I think do it pretty well:

> Arkham Knight Genesis: for all its flaws (i didn't really like this one), I think it does a pretty decent job of getting us to understand how Jason got where he is, that it wasn't just "tortured until evil", all the reasons for his resentment, all the brainwashing and manipulation are pretty explicit. Kind of an "easy mode" because the plot revolves around brainwashing, but solid on that front.

> Red Hood Lost Days: this one I'm more mitigated because there's this whole "pit madness/the pit made him a psychopath" thing Winick introduced to limit the damage of previous runs (and rightfully so imo, Pit Madness is a much better explanation for some of Jason's most batshit ooc runs than just trauma), but there are some pretty solid elements, especially when you know earlier comics. I'm thinking specifically about when Jason says something around the lines of "you murder people; i put down a lizard", as a direct echo to Judy's "I put down a mad dog", that's one of my favourite comic lines ever, I cheered seeing that parallel like yes, I can see the reasoning, I understand where you learned the lesson and what the thought process is and I support it.

[moonhibs]

Au where Julian is a child of divorce

[frownyalfred]

(Jason sequel to 'it used to be yours' anon)

My evil plan to get into your head and distract you from asoh with a different story to write is working😈😈. The only thing left to do now is let the brainworms take root

(No hate against asoh, I just like to be a menace🙃)

You anons are the reason the ASOH sequel was delayed as much as it was 🤣 I love it. I’m trying to balance this longer WIP writing with tiny fics peppered in, but I keep getting distracted. Eye in the sky is a great example of that distraction lol.

[writers-potion]

I’ve seen your kiss scene and fight scene vocab posts and was wondering if you could do one about some things characters may do when they are nervous, or there is awkward tension — not necessarily romantic but just awkward.

Nervous Tension Vocab

Physical Reactions

have sweat beading/breaking out on one's forehead

have one's heart in one's mouth (or throat)

have one's heart pounding (or pulse racing)

butterflies in one's stomach

hand feeling clammy

knees bouncing

pacing back and forth

tearing up due to embarassment (wanting to cry)

Shift their weight from one foot to the other

Sway slightly where they are standing

Fidget with their hair, clothes, nails, or something they’re holding

Glance around the room or refuse to make eye contact with someone

Chew on their lips or nails

Hum quietly to themself

Tap their fingers on their arm, the wall, or a table

Wrap their arms around themself

Cross their arms or legs while seated

Pick at their lips or cover their mouth

Rub their own neck or shoulder

Sigh often

Sit with their knees up near their chest, or lay in the fetal position

Look stiff and uncomfortable

Check over their shoulder often, or glance around the room

Cough or clear their throat often

A pounding heartbeat, or the feeling that their heartbeat is in their head

Accelerated or heavy breathing

A tingling sensation in their fingers, hands, or legs

A rush of energy (which would suddenly leave them afterward, making them even more tired than usual)

Dizziness

Tightened muscles

Descriptors

fumbled

blushed

winced

fidgeted

cringed

stuttered

giggled

afluttered

agitated

robotic

hesitant

bothered

distracted

edgy

clumsily

awkwardly

distractedly

flustered

frantically

frayed

hypertense

nervy

jittery

jumpy

intimidated

paranoid

perturbed

rattled

queasiness

restive

restless

skittery

shudder

skittish

strung up

tenterhooks

tight

stressy

uneasy

unquiet

twitchy

unsettled

uptight

unrelaxed

Idioms

be at your wit's ends

be bricking it

be ill at ease

be on pins and needles

be under the gun

get in a sweat

have all the cares of the world on your shoulders

have kittens

like a cat on a hot tin roof

sweat bullets

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[novlr]

“I can fix a bad page. I can’t fix a blank page.” Nora Roberts

[tsunael]

wolcred week |  1. 'the first.'

They all knew it was coming. Either their brightest star would claim the last of the Light, or the Light would claim her.

What were they to do but careen to their inevitable deaths? He had sacrificed one lamb for another, and now a third was to be laid upon the butcher's block. How many must die so that another might live?

He would not forget the sight of the woman before him, holding her outstretched hands aloft as the curtain of Light parted one last time to reveal the night sky in all her glory. Menphina smiled down in a smirk of a crescent for their efforts, and just as she had appeared, was the curtain drawn once again.

He didn’t need an aetherometer to see that Tsuna was suffused– the aether was thick, cloying enough to be seen. The ewer of her body failed to contain it, finally splitting at the seams for a means of escape.

Their ascian friend dealt the final blow. The Exarch, in his well-meaning duplicity, left for dead. And then Tsuna slumped to the ground, just as lifeless.

He ought to be angry– furious– for Urianger’s joint deception, for his own empty hands, or for the cards Sister Fate had dealt them time and time again, but the queer feeling roiling within him was not one of anger, but of fear. He stood there, powerless, shaking to his core whilst the twins rushed to Tsuna’s aid alongside Ryne.

Even Minfilia could not wholly extinguish the Light– she could only freeze it in time– and as Ryne sank to her knees beside the supine woman in hopes of doing the same, he could only watch in abject horror.

“Give her room,” he barked, though the twins were undeserving of his ire as he approached. They still took a collective step back.

Brilliant white blood readily trickled from Tsuna’s nose, and by way of her laboured breathing it was evident that she was being torn apart by a force of which a layman could not hope to see. Something within Tsuna was stirring, whether it was brought about by her own will, or by Ryne’s suppression, he couldn’t know.

It began first in her hands as they twitched and grasped for purchase, then her spine as it coiled. Her eyes snapped open, hungry and searching, as she lunged for the Oracle’s throat in hopes of supping upon the wellspring.

Thancred fell to his knees, wrestling the woman onto her back as an inhuman screech tore from her throat. “Don't stop!”  he cried out, harsh with concerted effort. There was an unnatural strength burgeoning within her tiny frame that even as a man grown he struggled to contend with, and if Ryne did not finish the ritual, it would swallow them whole.

Ryne was shaken, but nothing if not determined. The power flowed through her once more, and Tsuna’s struggles came to a head. She thrashed upon the ground against his weight, spitting blood, and gnashing teeth. She would bite her tongue if it kept up-- he could barely hold her steady long enough for Ryne to work in her magicks. 

“In our lifetime, please!” 

"I'm trying!" "Ryne made a frustrated growl of effort as a bead of sweat rolled down her cheek. The very aether about them seemed to compress, tangible enough that even he could feel it become leaden as it coalesced.

Tsuna cried out one last time, waning to a whine as she pushed wildly against his arms, seizing. Her legs writhed as if a sudden, great pain knifed through her. And then all was silent. 

Ryne immediately flagged, catching herself on the marble. Her power had all but been exhausted whilst he held the aftermath limp in his arms. Y’shtola and Urianger had begun to crowd about, to inquire, to plan, to move, but all he could do was hold the small woman in his arms, and pray to the Twelve, unseen, that the Light did not break through once again whilst their last bastion was too weak to hold.

“Ryne,” he called, softly, intently. Apology was writ together in his tone. “Are you all right?”

She nodded, though he knew she waned, looking close to tears from it all.

He swallowed thickly, realising he shared in the sentiment. 

Adjusting Tsuna’s body in his arms, he felt just how cold she had grown. They needed a chirurgeon's assistance, and to get off this Godsforsaken rock, but more than that they needed a miracle. His hands would not stop trembling.

“Ryne, you know that I would not deign to ask a favour of you.” He breathed for a long moment, hanging his head low in penance. “Gods–” He swore. “You have to help her. I– We can’t lose her to this.”

Ryne stared back at him, having caught her breath, eyes wide, and glassy. She was searching him for something he couldn't know.

She opened her mouth, before aborting the question. Finally, she pursed her lips, looking uneasy in a way that only managed to make him feel worse. 

“I’ll do what I can,” she whispered, and he had no choice but to believe.

[the---hermit]

My Study Method

I have quickly mentioned my study method in several posts through the years but I don't think I have ever written a proper post about it, so here it is.

I have to say that overall my study method is quite time consuming, but in years of experience it's what works best for the type of learner I am, the materials I have to study and the type of exams I have. I believe these three elements are the fundamental things you should figure out when creating your own study method. Let's go over these things quickly. Firstly I am an history student, tho not all my exams are history based (I have taken some language, philosophy, anthropology and litterature classes) so my method is proofed for most humanities. I am a learner with terrible memory, if you give me a list of things to learn by heart expect me to fail because my brain simply cannot do that. So I have to train myself to learn things when studying for an exam. As for the type of matherials I have to work with when studying for an exam, they are mostly full non fiction books, sometimes I have to work on articles as well, and depending on the class I have lectures to attend.

The fundamental element of my study method are the notes I write. That's why in my daily posts I am constatly mentioning them. The lectures I attend are turned into notes, the books and articles I have to read are turned into notes, everything you leave me with for too long will be turned into notes. The very act of writing is what truly helps me get into the topic, understand it, and memorize it. I might write an indepth post on how I write notes in the future, but for now what you must know is that the goal of my notes is to be the only material I actually study in the end. As I mentioned the very act of writing is itself a huge part of my study process. When I am listening to a lecture I try to write down notes as tidy as possible, and then try to fix them at home if needed. So there's not much to say there, as for the materials I have to read here's how I do it. When I get a book I have to study I usually read a chapter and underline all the important bits that I will be transferring to my notes as I am reading. When I am done with the chapter and have the topic still fresh in mind I write down by hand all my notes. The goal is to write everything I need to know, in a direct and easy way using my own words. By re-elaborating the original text I am making sure I am not blindly copying things, and actually understanding stuff. Once the entire book has gone through this process, the book goes back on the shelf and as I said I only work on my notes from then one.

Once I have all my notes ready a long time has probably passed, but in reading and writing I have already started to memorize things in general. I try to highlight my notes as I am writing, but in case I don't I go back once I am done writing, doing a quick reread and highlighting important stuff. I usually use two different colours: yellow for the important dates and another colour for the other informations. At this point there's two more steps left. Repeating and writing key words.

If writing notes can be counted as half of my studying, repeating outloud is the second half. Since I have oral exams I have to make sure I am comfortable with exaplaining things, showing I have understood things and I am not just midlessly reciting a list, and using the right terms. I am a very lucky person because my dad is both retired and quite interested in the topics that I study, which means that I get a lot of help from him in this phase of studying, because basically what I do is following him around the house for a few days exaplaining my notes to him. If you do not have someone to annoy with your study, talking to yourself works too but you have to speak outloud and honestly pretend you are giving a lecture. If you just go over your notes and read them it is not the same thing, it's way less effective. I usually do two rounds of repeating. The first one looks a lot more like reading and saying things outloud in my own words. By the second one I am usually much more comfortable with informations so I have my notes there only to guide me through topics making sure I don't miss anything. Having someone who actively listents to you is definitely a bonus because if they ask you questions they challenge you in the exact same way an oral exam does, and you make sure your exaplainations are as clear as possible.

The very last step is going through my notes one last time with the goal of writing a long list of key words. This is a tool I specifically use to review things quickly the day of the exam. Usually during my commute I reread the list of words in my head and I mentally make sure I remember about everything.

As mentioned this is a longer study method but it truly locks things in your brain, and paying that much attention to note writing also makes them a tool that lasts in time. If I am interested in the informations of any of the books I read during my degree I can pick the notebook in which I wrote those notes and find the information right away without even having to open the actual book. I usually dedicate a whole notebook to each book, in order to archive and find them easily. I will be writing a specific post on the way I write notes, maybe including a few pictures, but in the meantime I hope this was somewhat helpful.

[impyssadobsessions]

Characterization Post

There is so much discourse about characters being ooc. So Here's my guide IF it BOTHERS you. 1. Write. Write about the character. Reasoning why they wanna do what they wanna do. Write the stories you wanna see. 2. Actually look up how their respective fandoms see them. Ask someone to gush about them to you. That's how I learned more about Tim Drake. (Tumblr was actually my source for all of the bats, i recommend tumblr and social media a lot for this) 3. Find the piece of media that appeals to you. Whether that's the source material for the character, or some youtube video of someone analyzing the character. Whether its a video game or a comic book. Just find one that interests you. ITS okay not know every obscure lore, but knowing a basic backstory and personality traits can help a lot.

4. Enjoy the character. Whether its one you're suppose to hate or not. Enjoy writing them. Have fun with their character. 5. Understand fandom. There will always be someone that will disagree how you portray a character or there will be a story that portrays them in a way it makes you cringe. And that's okay. Its up to you whether you agree with the commenter or not. And its up to you as a reader whether to continue or not. Its okay not to like something. And its okay to like something the majority doesn't. But Also know when we try to stamp out things we don't like- it stamps out the potential for things we do like. 6. Experiment. uwub

[flwrstqr]

tip of the day before i go to sleep (> <) i decided to make this post as it's something i personally tell myself when it happens, sometimes on blr or in real life. but if someone insults you, tries to make you feel small, or makes a comment clearly meant to knock down your confidence, do not listen to them

don’t even give it a second thought. people who go out of their way to criticize or belittle others are usually dealing with their own insecurities, and instead of facing them, they project them onto other people. their words don’t define you. your worth isn’t up for debate just because someone else is trying to boost their own fragile ego.

so next time someone says something rude about you, whether it’s about your appearance, personality, abilities, or anything else, take a second to step back and really think about what’s happening.

but here’s a mindset shift that helps: instead of getting upset, flip the script. remind yourself, "they're insecure, they want to be me." not in a narcissistic way, but in a way that reaffirms your self-worth. if someone is trying that hard to make you feel bad, it’s probably because you have something they don’t. they wouldn’t waste their energy on you if they didn’t see something in you that bothered them. happy, confident people don’t attack others. insecure ones do. and you? you’re above that.

[incorrectagathaallalongquotes]

Definitely not saying I’m stuck in London for a bit, but anyone have any places I should see around Camden?