#writers work really hard

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[exewing]

doooodle

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[littlest-bugz]

Man :( My uncle kinda bummed me out about my fantasy series.

He's like "well you need humans or elves or something that readers can already relate to" and I'm like

the 10+ species I made was for nothing? The species I made to replace the human population is just,,, irrelevant? Like damn :( I really broke my back making this fantasy realm for 8 years, and I have to change it entirely now because humans need to be there for 'relatability'?

My wee little heart is shattered,, Would literally anyone read a fantasy series that doesn't have humans or elves?

[firesmokeandashes]

All the fanfic readers/writers, after finding out they can't read their before-bed fanfics, and escape reality for a little bit, because ao3 is down:

[agentplutonium]

I will apologize in advance for the person I will become when EPIC: the Ocean Saga comes out tomorrow. Except I’m not sorry. I’m a Classics and Drama major in the making, who is obsessed with music, this is the perfect mix of my special interests. Im gonna be insufferable. Y’all are gonna hate me when I start pulling out analysis of the songs.

[bunnithechubs]

fan- short for the word fanatic fantastic.

[sylvieserene]

Fixing history using the power of editing and my editing skills!!

For today we have, New Titans (1980) Issue #100

✨ Wedding Special ✨

@robstarblog @robstaryeah pinging yall just in case so that this doesn't get lost in oblivion (It'd be painful since I worked 5 hours non stop on it lol)

I think the most time was taken by the final panel and adding in the finishing touches since I pretty much had to change everything to the pixel level, quite literally lol (I'm serious, I did)

Welp I hope the results were worth it! And with that, another one gets a good ending!!

I kinda didn't add sleeves in the first two panels of the final page because it didn't look good and looked janky with how I was editing it so yeah please ignore that-

[ewtoxic]

Last thing I’m gonna say because I feel like it’s a little important. Because no matter I do no one is gonna gif the last scene. This is just what I think, I really….dont care if anyone doesn’t get it. As someone who is ummm older than this shows target audience annnnddd as someone with both Complex Trauma and PTSD, JJ’s ending still makes sense to me. I appreciated John B’s narration, because he shines a light on JJ’s best moments and best qualities, while also referencing his trauma. So like, there is no other side. And this is real. There is no true “happy ending” when it comes to trauma disorders, at least not in the way most people think (and I thought at one point as well). I have been told (and I knew it already) that I will need some form of therapy for the rest of my life. Trauma survivors do not get a magical happy ending. You can manage your disorder and find peace. It’s not about having a happy ending, it’s about having a moments of brightness and holding on to them while you’re in the dark. I mean that’s life in general really. And I think it was unbelievably important to show a character that goes through so much be looked at not as someone who got a bad ending and didn’t get the ride off into the sunset with their gf, but as someone who found joy and love and friendship even when experiencing all that pain. JJ’s story is a testament to the complexities of living with trauma and abuse. It’s a beautiful moment for him and the show. Him to die after saying he had everything he wanted and he got his wish. Honestly I think there a lot of important things in those last minutes that people would appreciate if yall weren’t so bent on getting fanserviced to with this show. You got used to how the entertainment industry interacts with social media and it’s made yall unable to really appreciate storytelling.

[bumblingbabooshka]

Tom & B'Elanna give off closeted gay vibes in that I think if you asked them to describe their ideal woman and man they would respectively describe a swimsuit model (bonus: who's Not Like Other Girls) and the lead in some sort of romantic novel. Nothing even close to a real person. The most generic you can get about straight romantic and sexual attraction.

[lunarharp]

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

[moregraceful]

my hot take as a person with an english degree and a library degree is that some of the dorkiest fiction and poetry ever committed to paper in the english language came out of the iowa writer's workshop so it is at best goofy and at worst completely futile to argue that your average amazon unlimited writer is having a more deleterious effect on literacy and literature.

[welcometogrouchland]

Stephanie Brown and Dick Grayson: I Am Going To Be A Good Parent To Pass On The Good Parts Of My Tumultuous Childhood/Give Someone Else What I Didn't Have Growing Up

Vs

Damian Wayne and Cassandra Cain: You Could Not Pay Me To Be A Parent For Fear I Would Continue The Cycle Of Violence

[the-sparkling-diamond-satine]

i'm only kinda sorry but if i'm reading fanfic and the writer puts faith in a dress without a Very Good Reason (ex. the mayor made her wear it, she's trying to impress buffy, she's a bridesmaid in somebody's wedding) i am taken out of it so quickly. that tiny detail bugs me so much what are you even doing?? faith hates dresses!!!! free her!!!!!

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[natsarrownecklacx]

Seeing so many fics now not have many comments but so many notes really frustrated/ saddens me :/

people deserve to be told their works is good, that silly line they threw into the third paragraph referencing that show / movie was noticed, that they did not waste their time working on free entertainment for us.

It’s just so frustrating to click into a fic with a good few hundred notes and the only comments are “part two” or “tag in next part” cause like? How about some appreciation for what we already gave you before you start asking for something else that you’ll probably just disregard aswell?