#world building jume

[williamjone]

PVC tarpaulin Fundamentals Explained

Jumtarps, officially referred to as Jiaxing Juming Progress Go over Co., Ltd., is a leading world wide maker specializing in pvc tarpaulin. With about two decades of practical experience, the organization has become synonymous with high-high quality, tough, and customizable tarp methods across numerous industries which include building, transportation, and agriculture. Located in Jiaxing, China, Jumtarps has invested greatly in technological innovation, research, and innovation to satisfy the numerous wants of its clientele all over the world.

Overview of PVC Tarpaulin:

PVC (Polyvinyl Chloride) tarpaulins are known for their toughness, waterproofing, and longevity. These are made use of extensively in outside environments because of their resistance to temperature, UV rays, pvc tarp and tear. The PVC coating improves the tarp’s flexibility and resistance to Serious temperatures, rendering it ideal for many hefty-duty purposes. PVC tarpaulins are effortless to scrub and retain, giving prolonged-phrase worth.

Jumtarps delivers a broad array of products tailored to meet specific industrial demands:

PVC Coated Fabrics: These fabrics are intensely Utilized in the logistics, construction, and industrial sectors due to their Excellent waterproofing, UV resistance, and longevity. The PVC coating makes sure that the fabric can endure harsh environmental conditions while sustaining overall flexibility. Normal programs consist of truck covers, building scaffolding, and short term shelters. Their coating technological know-how makes sure resistance towards mildew, fire, and chemicals.

Lumber Tarps: Lumber tarps are essential for the transport of lumber as well as other cargo that needs defense from the elements. Comprised of significant-strength vinyl, they make sure that cargo is shielded from rain, wind, and UV damage. Jumtarps layouts lumber tarps with strengthened hems, corner protection, and heat-sealed seams, making certain longevity in the course of extensive-haul transportation.

Mesh Tarps: Utilised mostly for fencing, construction, and agricultural applications, mesh tarps are produced from vinyl-coated polyester. They are really created for situations the place airflow is necessary without having compromising safety. These tarps offer wind security for crops, avert debris from escaping construction internet sites, and serve as truck addresses for transporting loose products. Mesh tarps are breathable and forestall accumulation of wind strain, generating them ideal for windy environments.

Large-Obligation Distinct Vinyl Tarps: Clear vinyl tarps supply visibility and safety simultaneously. They in many cases are Utilized in greenhouses, patios, and perform sites the place monitoring the setting is vital. These tarps are climate-resistant, flame-retardant, and present UV protection. They're also perfect for developing clear barriers that make it possible for for light-weight transmission when supplying strong protection against external aspects.

Customized Tarps: Jumtarps makes a speciality of furnishing custom-designed tarpaulins dependant on client specifications. Clients can pick from a variety of resources, dimensions, and colours dependant upon their precise programs. Customized characteristics involve specialized coatings for chemical resistance, UV stabilization, and fireplace retardancy. The chance to structure custom made merchandise would make Jumtarps a go-to option for industries necessitating specialized methods.

State-of-the-art Manufacturing and Technologies:

Jumtarps has created substantial investments in condition-of-the-art production facilities. They use German-imported products to ensure the precision and high-quality of their tarpaulins. Their production approach involves the usage of high-frequency welding know-how, which ensures solid, sturdy seams that resist tearing. This Highly developed technological know-how aids build tarpaulins that last extended, even underneath tough environmental circumstances.

Moreover, the corporation follows stringent high quality Manage protocols. Every single product or service undergoes demanding testing making sure that it fulfills Global benchmarks for strength, waterproofing, and environmental safety. Jumtarps is ISO 9001 Licensed, which speaks for their commitment to quality management.

Sustainability and Environmental Accountability:

Jumtarps places a powerful emphasis on sustainability. The corporate is dedicated to reducing its environmental footprint through the use of eco-pleasant materials and production approaches. Their pvc tarp are made to be recyclable, minimizing waste in landfills. Furthermore, the very long-Long lasting nature in their items signifies much less replacements and, therefore, a lot less environmental effects.

Customization and Customer-Centric Answers:

What sets Jumtarps aside is their commitment to furnishing custom-made options. Their technical and R&D groups operate closely with customers to grasp their certain desires and style and design items that supply exceptional functionality. Whether or not It is altering the thickness of the tarp, incorporating UV resistance, or producing tarps in certain colours and sizes, Jumtarps is dedicated to meeting shopper requirements.

Clients also can decide on from the big range of finishes, together with anti-mildew remedies, pvc tarpaulin fireplace retardant coatings, and colorfast choices. Jumtarps gives customization not only for solution options, but additionally in packaging and labeling, making sure that every buy is tailor-made into the client’s exclusive desires.

World Current market and Achieve:

Jumtarps serves over 40 nations and companions with industries around the world. Their tarps are broadly Employed in logistics, building, transportation, agriculture, and even individual outside setups for example canopies and awnings. Their sturdy Global presence permits them to fulfill orders of all sizes, from huge industrial purchasers to scaled-down custom made jobs.

The corporation presents adaptable and quickly shipping and delivery choices, making sure that purchasers receive their solutions in a very well timed fashion, no matter area. They also have a strong soon after-income assist program, providing guidance for almost any challenges that could occur put up-obtain.

Consumer Fulfillment and Aid:

Jumtarps’ product sales and assist teams have several years of experience in the tarpaulin industry. Their target is to make certain every shopper receives expert direction, from solution collection to shipping. Jumtarps is dedicated to developing very long-time period relationships with its clients by offering aggressive pricing, superior-quality products, and trusted customer service.

The corporate is obtainable by way of various communication channels, ensuring speedy responses to inquiries, offers, and technological assist requests. This shopper-initially solution has earned Jumtarps a name for reliability and trustworthiness in the global marketplace.

Long term Outlook and Industry Leadership:

Jumtarps exhibits no indications of slowing down. The corporate strategies to increase its product line and manufacturing capacity in the coming many years, responding to escalating need for sustainable, significant-high-quality tarpaulins. Jumtarps is usually exploring new marketplaces and acquiring much more eco-helpful components to cater to industries that prioritize green answers.

Their ongoing expenditure in study and improvement makes certain that they can continue being on the forefront of innovation in the PVC tarpaulin field. With new systems and enhanced output techniques, Jumtarps aims to steer the market in equally product or service top quality and sustainability.

Summary

Jumtarps has constructed a strong track record as a global leader in PVC tarpaulin production. Their target high-quality, innovation, and client pleasure sets them apart during the sector. With a wide choice of goods, chopping-edge technological know-how, along with a perseverance to sustainability, Jumtarps proceeds to supply powerful options for industries starting from construction to agriculture. Regardless of whether you’re looking for a easy tarp Option or possibly a highly tailored products, Jumtarps would be the partner you'll be able to trust to deliver the most effective benefits.

[alexsmitposts]

The Biggest Lie About China’s Xinjiang “Internment Camps” For years now Western media and governments have maintained an almost ceaseless barrage against China over what they claim are networks of “internment camps” built and used in China’s western Xinjiang region to persecute the Uyghur ethnic minority. These claims are a mix of half-truths, truths taken out of context, and outright fabrications and lies. Yet the biggest lie of all is a lie of omission – hyping, exaggerating, and even fabricating stories about China’s abuse of Uyghurs – while downplaying or entirely omitting the very real terrorist problem China faces in Xinjiang. The BBC in a 2020 article, “China Uighurs: Detained for beards, veils and internet browsing,” would claim (emphasis added): Predominantly Muslim, the Uighurs are closer in appearance, language and culture to the peoples of Central Asia than to China’s majority ethnicity, the Han Chinese. In recent decades the influx of millions of Han settlers into Xinjiang has led to rising ethnic tensions and a growing sense of economic exclusion among Uighurs. Those grievances have sometimes found expression in sporadic outbreaks of violence, fuelling a cycle of increasingly harsh security responses from Beijing. It is for this reason that the Uighurs have become the target – along with Xinjiang’s other Muslim minorities, like the Kazakhs and Kyrgyz – of the campaign of internment. The term “sometimes found expression in sporadic outbreaks of violence” is a deliberate and spectacular understatement with the BBC itself having previously documented the grisly terrorism extremists in Xinjiang have carried out. Xinjiang is the Epicenter of Bloody Terrorism Protected by Western Media Silence The BBC’s 2014 article, “Why is there tension between China and the Uighurs?,” reported that (emphasis added): In June 2012, six Uighurs reportedly tried to hijack a plane from Hotan to Urumqi before they were overpowered by passengers and crew. There was bloodshed in April 2013 and in June that year, 27 people died in Shanshan county after police opened fire on what state media described as a mob armed with knives attacking local government buildings At least 31 people were killed and more than 90 suffered injuries in May 2014 when two cars crashed through an Urumqi market and explosives were tossed into the crowd. China called it a “violent terrorist incident”. It followed a bomb and knife attack at Urumqi’s south railway station in April, which killed three and injured 79 others. In July, authorities said a knife-wielding gang attacked a police station and government offices in Yarkant, leaving 96 dead. The imam of China’s largest mosque, Jume Tahir, was stabbed to death days later. In September about 50 died in blasts in Luntai county outside police stations, a market and a shop. Details of both incidents are unclear and activists have contested some accounts of incidents in state media. Some violence has also spilled out of Xinjiang. A March stabbing spree in Kunming in Yunnan province that killed 29 people was blamed on Xinjiang separatists, as was an October 2013 incident where a car ploughed into a crowd and burst into flames in Beijing’s Tiananmen Square. These are hardly “sporadic outbreaks of violence” but rather a concerted campaign of terrorism. It is terrorism that has plagued Xinjiang and wider China for years. Also rarely mentioned or linked to China’s policies in Xinjiang is how many thousands of Uyghur extremists have travelled abroad fighting in Western proxy wars in places like Syria and who will eventually attempt to return to China. US State Department-funded and directed Voice of America (VOA) in its article, “Analysts: Uighur Jihadis in Syria Could Pose Threat,” would admit (emphasis added): Analysts are warning that the jihadi group Turkistan Islamic Party (TIP) in northwestern Syria could pose a danger to Syria’s volatile Idlib province, where efforts continue to keep a fragile Turkey-Russia-brokered cease-fire between Syrian regime forces and the various rebel groups. The TIP declared an Islamic emirate in Idlib in late November and has largely remained off the radar of authorities and the media thanks to its low profile. Founded in 2008 in the northwestern Chinese region of Xinjiang, the TIP has been one of the major extremist groups in Syria since the outbreak of the civil war in the country in 2011. The TIP is primarily made up of Uighur Muslims from China, but in recent years it also has included other jihadi fighters within its ranks. The TIP has claimed responsibility for the 2011 Kashgar attacks in Xinjiang killing 23 people. Reuters would note in its article, “China envoy says no accurate figure on Uighurs fighting in Syria,” that (emphasis added): The Syrian ambassador to China told Reuters last year that up to 5,000 Uighurs are fighting in various militant groups in Syria. Terrorism within China and a small army of terrorists honing their skills with US cash and weapons in a proxy war against Syria eventually to return to Chinese territory is certainly justification enough for China to take serious measures against extremism in Xinjiang. But by now downplaying or omitting the terrorist threat in Xinjiang, the BBC and the rest of the Western media are attempting to decouple current Chinese policy in Xinjiang from the very real and extensive terrorism that prompted it. Washington’s Role in Supporting Xinjiang Extremism Worse still is that China’s terrorism problem in Xinjiang is the direct result of US funding and support. Not only did the US arm and train militants in Syria Uyghur extremists are fighting alongside, separatist groups like the World Uyghur Congress (WUC) who openly seek Xinjiang “independence” have literal offices in Washington DC and are funded by the US National Endowment for Democracy (NED). In fact, the US NED’s grant money to subversion in China is divided into several regions with their own dedicated pages on the NED website. Xinjiang is is listed by NED as “Xinjiang/East Turkestan” – East Turkestan being the fictional country extremists seek to create. Much of the extremism in Xinjiang is also linked to extensive support from US ally Saudi Arabia and NATO member Turkey. While the US funds political subversion and Turkey aids Uyghur extremists fighting in Syrian territory, US ally Saudi Arabia funnels money and resources into Xinjiang itself to radicalize Muslim communities with Riyadh’s politically-motivated and extremist Salafism. The LA Times in a 2016 article titled, “In China, rise of Salafism fosters suspicion and division among Muslims,” would reveal: Salafism is an ultra-conservative school of thought within Sunni Islam, espousing a way of life and prayer that harks back to the 6th century, when Muhammad was alive. Islamic State militants are Salafi, many Saudi Arabian clerics are Salafi, and so are many Chinese Muslims living in Linxia. They pray at their own mosques and wear Saudi-style kaffiyehs. The article also noted (emphasis added): Experts say that in recent years, Chinese authorities have put Salafis under constant surveillance, closed several Salafi religious schools and detained a prominent Salafi cleric. A once close-knit relationship between Chinese Salafis and Saudi patrons has grown thorny and complex. And that: …Saudi preachers and organizations began traveling to China. Some of them bore gifts: training programs for clerics, Korans for distribution, funding for new “Islamic institutes” and mosques. This invasive radicalism transplanted into Xinjiang by the US and its Saudi allies has translated directly into real violence – a fact repeatedly omitted or buried in today’s coverage of Xinjiang and left out of US and European condemnations of China for its policies there. The US and Europe has waged a 20 year “war on terror,” invading entire nations under false pretexts, killing hundreds of thousands, displacing tens of millions, carrying out systematic torture, and building a global-spanning surveillance network – all while more covertly arming and funding real terrorism in places like Libya, Syria, and even in China’s Xinjiang. All of this has been done with the help of a complicit Western media bending truths or entirely fabricating lies – but also by omitting truth. It should then come as no surprise that US and European media has chosen to lie about China’s current policies to deal with what is clearly a real and dangerous terrorism problem in Xinjiang. But the world can choose not to believe these lies.

[tomsfantasyworldblog]

World Building June Day 3

3. Who lives in your world? The world is nearly entirely populated by humans-citizens of all the countries of the world. Humans are as varied as stars in the sky, but all are hardy, strong, and adaptable. 

Before the humans spread across the world, the Vampyrs hunted. The Vamyprs are pale, slender humanoids with unnatural strength and speed that feast on blood to survive. If Vampyrs do not feed, then they devolve into little more than beasts. The Vampyrs were driven underground centuries ago by the Unseen Order. They still lurk in the depths of the world, mad, starving. Miners must always be watchful of Vampyr lairs-every mine is equipped with a depth striker, which smashes the earth, producing loud vibrations which keep the Vampyrs away. 

Before humanity, and before the Vampyrs, were the machine fathers, who lived in what is now Cursed Narram’h. Nothing is known about them, save that they were masters of technology and science. The catastrophe that destroyed Narram’h wiped out the Machine Fathers utterly. Nothing remains of them save corrupted ruins and 

[undadasea]

“England’s Amnesia”

@peachezzisamazing​ just remember that you asked for this. 

This is legit the first fanfics I EVER wrote. Last updated 3/9/15. I’m fucking crying. Enjoy the full first chapter, completely unedited, never before published... for a good reason.

Scotland has been worried for a long time. Ever since England went missing a two years ago. He had to lie to every nation, except his sibilings Wales and N. Ireland, at the past two meetings  as to not throw the world into a frenzy. But they soon came to a problem.

Scotland was checking everything for England. His cat, his bills, and, most importantly, his mail. He got a letter that was supposed to be for England saying he was to hold the next meeting in a week. Crap. was all he could say or think for half an hour. After that half hour was over, he dug in his pocket and pulled out his phone and called Wales.

"What the fuck do you want Scotland? I'm trying to sleep." He answered tiredly.

"Well get up and come here NOW. I can't tell you why, but its important." He told him before hanging up. He just hoped he would actually listen for once and come. Then, he called his little sister.

"Why are you calling me so damn early?" She asked obviously half asleep.

"It's really important." He wined to her.

"Thats nice, but I don't re-"

"Its about England." He said then hung up. He knew that nothing else had to be said. She was the one who was most upset after the first week without finding him. If it wasn't for her, they would have abandoned England after a week. So of course saying it was important and about England she would come imediately.

After about fifteen minutes, N. Ireland pulled up. She arrived about one minute before Wales. Even though it was farther for her.

"What did you mean 'It's about England.'!" She yelled. The name caught Wales.

"You didn't say it was about HIM! I would have been here sooner! What is it? A lead? A clue? Did you find him?" Wales persisted.

"It's not good news. The next meetings in a week, and its to be held here in England." He said with so much saddness in his voice.

Wales kept repeating "Oh no."

N. Ireland was the next to speak up.

"Tell them Englands sick or something, and you'll hold the meeting." She said with a hope everything would be alright.

"Ok. I'll go call Germany."

ONE WEEK LATER...

The British Isle sibilings were freaking out. The meeting was tomarrow. Even if Everyone bought the lie, they weren't sure how things would go. They had to hope for the best. But that didn't happen.

The meeting was starting soon. Or it was supposed to, if everyone would stop fighting. But he couldn't blame them. Half the nations had already bought tickets to England, he himself was included, then they got a call saying England was sick, and SCOTLAND was holding the meeting instead. So they had to change the tickets.

He walked up to Scotland who had been hauled up in the corner looking kind of nervous.

"Hey Scotland." America said approaching him. Scotland jumed then turned to America.

"H-hi America." He said back. America didn't know why, but he looked like he was about to faint.

"I was wondering, can I vist Iggy after the meeting?" He asked hopfully. But Scotland just about fell to the floor.

"I-I'm sorry A-america, b-but England is very sick a-a-and it c-could be contagious." Scotland blurted out.

"I don't care. I have something to discuss with him and I was hoping to do it today. But since he's sick, I'll have to vist him." America almost demanded.

"You can't. You two can talk when he's better. For now, he needs rest." Scotland seemed to gain his composure.

"I. Don't. Care. This is really important." Scotland could see the pain that was willing to break through if he said no again. But it wasn't like he could say yes.

"I'm sorry America. But he could give it to you and you could give it to other nations as well. And having the world be sick would just be awful." Scotland said, making sure his point was clear. He could not take it if America pushed him anymore.

The pain shot through him like a knife. "I REALLY need to talk with him! It can't wait!" America yelled.

Scotland couldn't control himself any longer. America was hitting a sore spot. Even if he didn't know. It broke Scotland, and before he could stop himself, he was yelling at America.

"YOU CAN'T SEE HIM!! I WOULD LET YOU IF I COULD, BUT I CAN'T!! WHY CAN'T YOU JUST SUCK IT UP, AND GET OFF MY BACK!!" Scotland yelled. Every word was like a stab in the heart to America as he could only watch the nation fall to pieces on the floor. Everyone was now stareing at Scotland. N. Ireland and Wales came pushing through the crowd and were crying along with Scotland. Everything went up in a roar of questions from every nation except America. He just stood there silently. Then he walked up to the British islands and knelt down in front of Scotland.

"What do you mean 'would if you could'?" Was all he asked.

Scotland looked up. All he could hear since America walked up to him was America and the thump of his heart beat.

"He-he's m-m-missing." Scotland cried.

America stood up and yelled for everyone to "Shut it" as he put it. He helped Scotland up.

"Scotland, would you like to explain to us all about what you just told me?" America asked with a sweetness in his voice that his eyes lacked.

Scotland wiped the tears from his eyes and cleared his throat.

"As you all know, no one has been able to contact England except us three," He started gesturing to himself, N. Ireland, and Wales, "but you don't know everything. First off, we haven't been able to contact England either." There was another up-roar that America quickly quieted. So Scotland continued. "And the reason for that is-is that h-he-he," He coughed, "he's been missing for a little over a two years." The world literally went bazerk.

America got them to quiet down again so he could ask his only question. "Why didn't you tell me?" His voice was sad and so quiet that Scotland barly heard. But before he could say anything, America ran out of the building.

~~~~~~VODKAAAAA~~~~~~

[enterinit]

New Xbox One Games for May 5 to 8

New Xbox One Games for May 5 to 8.

Pushy and Pully in Blockland – May 5

Pushy and Pully in Blockland is a cooperative arcade game with a retro feeling. Pushy and Pully are travelling through space when their spaceship breaks. They end up falling into Blockland, a planet full of blocks and monsters. The only way for them to escape is to move from room to room while defeating the monsters, until they find a boss that has a piece of the spaceship. Help Pushy and Pully get back their spaceship on their trip across Blockland. Push blocks to defeat the monsters, join blocks of the same colour to get power ups and defeat the bosses to recover the parts of your broken spaceship. Features: Play solo or with a friendClassic gameplay with never-seen-before twistsCombine blocks of the same colour to create the power up you need or the bonus points that will bump up your position in the leaderboardsEnd the stage by defeating all the enemies before time runs outDefeat more than one monster at the same time or pop more than two blocks to get extra combo points.50 lovingly handmade levels5 unique bosses to challenge youLeaderboards and stage rating. Can you make more points than your friends?

Emma: Lost in Memories – May 5

Poetic, surrealistic and melancholic, EMMA: Lost in Memories offers a unique experience in a strange and dangerous world where walls fade away as you touch them. The main character, Emma, is young, vibrant and intriguing: she leaves her home following an owl, and soon loses herself in a world which she slowly finds more and more dangerous. Features: One fast and simple mechanic: all the platforms and walls start disappearing when you touch them!The character runs automatically at a fixed speed! Control her special abilities (double jump, dash and climb) and do your best to react at the correct time.Minimalistic 2D artistic style completely drawn by hand.Dynamic gameplay in a poetic and eccentric world.Single-screen levels which combine skill and ingenuity with planification and strategy.Two game modes: Main Story and Memory Chest. Complete the Main Story first to enjoy the levels in the Memory Chest!Delicate reflexion on memory loss.

Reed 2 – May 6

Reed awakens… to the memories of the old supercomputer… Reed failed. The reboot failed and now the digital world is once again breaking down. Before the old supercomputer malfunctioned, it gave Reed backup files that must be delivered to the Developer. Collect information cubes once again in a desolate version of the last remnants of the digital world. Dodge floor spikes, razor blades, enemies, and wall arrows to reach the next stage! Find hidden survivors trying to escape from the new horrors of the corruption. The virtual world is now doomed, can you get to the Developer? Features: 52 levels to conquerDesolate pixel art graphicsAmbient chilling OST

Task Force Kampas – May 6

Arcade space shooter action reimagined! A team of outcasts who happen to be in the wrong place during an evil invasion must contain the breach, save their friends and defend the universe from corruption! Drawing inspiration from the golden age of Japanese shoot‘em ups, Task Force Kampas combines retro action with modern conventions, adding new mechanics and randomly generated stages with hand-crafted bosses. In a unique twist, the game can be finished, but skilled players will find a way to continue past the ending and claim even higher scores! Rhythmic gameplay and a pulsing soundtrack work together to create an intense audio-visual experience. Features: Blast through randomized stages with high-intensity gameplay!Challenge a variety of hand-crafted bosses.Test your skill in endless runs to claim the high score on a single credit.Kill enemies to boost your power or stop shooting to repair your ship.Get in the mood with a punchy techno/synthwave soundtrack!Unlock alternate color palettes and extreme difficulties.Save the stranded cocos for unlimited happiness!

Zombies Ruined My Day – May 6

This is the story of how the best day of your life can become a nightmare full of zombies. Survive in a hostile environment using all sorts of weapons. Defend your position with barricades, blow up groups of zombies with grenades, sweep the area away with a Gatling and more! All in a fully action packed game with colorful backgrounds and fearsome monsters. Show us that you're more than a snack for zombies! Features: 27 challenging levels across 3 distinct zones6 zombie types and 3 huge bosses8 weapons to unlockColorful cartoony graphicsAnd an amusing background story! Professional Farmer: American Dream – May 6 Live the “American Dream” on your ranch in the USA. Professional Farmer: American Dream – the latest spin-off from the Professional Farmer series – takes you to a ranch set in the captivating landscapes of the Midwest. Surrounded by towering mountain ranges, build your dream as a rancher in America with lush fields as far as the eye can see.

Infinite: Beyond the Mind – May 7

Infinite - Beyond The Mind is a slick 2D action-platformer where you take on evil Queen Evangelyn Bramann, ruler of The Beljantaur Kingdom as she works towards her dream of world domination. Play as either Tanya or Olga, two girls who have the power to stop the Beljantaur Kingdom’s growing army and take down the evil Queen. Take on a range of different bosses in either single-player or co-op across a variety of stunning chibi pixel art style backdrops as you explore the Beljantaur Kingdom. Your agility is the key to your survival on the battlefield and your strength is what will prevent the Queen's reign of terror from taking over the world… Do you stand a chance against her Majesty?

Mecho Wars: Desert Ashes – May 8

A classic reborn! Casual, turn-based strategy in a land of fantastical creatures and deadly machines! In the aftermath of a great flood, a vengeful leader threatens to conquer the world with the aid of a once lost technology, and only a small but determined army stands in their path. Mecho Wars: Desert Ashes is the definitive release of the 2009 turn-based strategy classic, Mecho Wars. Fully remastered in high definition, it features new hand painted art, new visual effects, an expanded single-player campaign and six previously unreleased multiplayer maps.

Fury Unleashed – May 8

Fury Unleashed is a combo-driven rougelite action platformer - each kill you make increases your combo. Hit certain thresholds and your damage resistance and healing powers will kick in! It's a game you can even beat in one ultimate combo. Are you up to the task? ABOUT FURY UNLEASHED Fury Unleashed was created by combining inspiration from modern roguelite platformers, like Dead Cells and Rogue Legacy, with nostalgic memories of old-school platformers, like Contra and Metal Slug. We have spent five years polishing our creation to make sure that your experience with the game will be as memorable as the aforementioned titles and we wholeheartedly believe that you won't be disappointed. MAIN FEATURES • Ever-changing comic book – Explore the pages of a living comic book where ink is your most valuable resource and each room is a comic panel. Find out why is John Kowalsky, creator of acclaimed Fury Unleashed series, having a creativity crisis and see if you can help him deal with it. • Gameplay-impacting combo system – Kill enemies quickly enough to unleash your fury and rip through everything in your way without getting injured. Learn to play flawlessly and beat the entire game in one, epic combo! • Game customization options – Choose either challenging Hard mode, which will put your skills to the test - or Easy mode, where you can adjust the difficulty parameters any way you want. Beat the Hard mode to unlock access to even harder Incredible and Legendary modes. Disable blood and gore if you don't like it, or if there are young children around. Go solo or bring in a friend for a local co-op session. • Choose your hero's skills to match your playstyle and modify their appearance to your liking! • Roguelite with soft permadeath – Discover worlds created by a mix of hand-designed levels and procedural generation algorithms. Choose the best items to assist you in your playthrough and unlock permanent upgrades when you'll die for your subsequent runs. • Ravishing environments – Play through the pages of visually distinctive comic books and dive into the creator's sketchbook. Master each enemy's behavior patterns and overcome a total of 40 bosses. All that accompanied by epic soundtrack composed by Adam Skorupa and Krzysztof Wierzynkiewicz, the creators of music for The Witcher, Bulletstorm and Shadow Warrior.

SuperMash – May 8

SuperMash is a game that makes games! Mash together two game genres to get a completely unique new game each time, then challenge your friends to see how they do! Jume’s game shop is in trouble, and she needs her brother Tomo’s help to save it! Mash together iconic genres to create never-before-seen gaming experiences. Jump through classic Platformer levels with a tactical Stealth character, fight as spaceships in engaging JRPG battles, and more! Anything is possible with SuperMash’s emergent game system, which creates a unique game every time you play. You can even customize your Mashes with the help of Dev Cards! Think the Mash you made is impossible? Share its MASH Code with a friend or streamer and see if they can beat it! Features: The Possibilities Are Endless! – Pick two genres (or the same genre) and watch the game create a completely unique game each time!Six Classic Genres to Mix and Match – Platformer, Action Adventure, Shoot ‘Em Up, Metrovania, Stealth, and JRPG, but stay tuned for more genres in the future!Customize Your Games – With Dev Cards, you can customize elements of each Mash you make, like enemies, players, mechanics, and environments. Complete Mashes to collect them all!Sell the Next Big Hit! - Win Mashes requested by customers to unlock the mysteries of the PlayType machine and save the game shop from a nefarious threat.Challenge Your Friends – Every Mash generates a unique MASH code. Share it with a friend or streamer and see if they can succeed where you failed—or impress your friends by completing someone else’s!Let the Game Decide! - Glitches and dozens of goals and obstacles change up the gameplay to make every jump and shot meaningful. Plus, with three difficulty modes, you can choose the challenge!

Sin Slayers: Enhanced Edition – May 8

Sin Slayers is an RPG with roguelike elements set in a dark fantasy world, where your choices determine how challenging the fights and enemies will be. Create, equip and lead a team of heroes. Each unit will have its own abilities and weaknesses, so plan your combat strategy accordingly. You’ll journey through stinking primeval forests, boneyards riddled with crypts and the graves of fallen warriors, and other places even the bravest adventurer would fear to tread. Battles, traps, and bizarre enemies… Everything and everyone wishes to take your life, but don't succumb to despair. Between fights your party can take their rest at a fountain, or while on the road in an old church which leaves its doors open to the weary and wounded. Travel every path and byway of the Valley, obtain new weapons on the field of battle or by fulfilling quests, gather ingredients for magical elixirs and resources to craft armor and amulets. If a certain item is beyond your crafting ability, ask the blacksmith in the Old Church for help. The best gear will allow you to challenge the deadliest monsters.

Ultimate Ski Jumping 2020 – May 8

Ultimate Ski Jumping 2020 is an oldschool, pixelart sports game in which you play as a ski jumper. Compete in tournaments, beat your hi-scores. You can play in campaign mode or challenge others in multiplayer. Have a competition with AI jumpers on 5 difficulty levels! GAME MODES · Campaign – a set of ready to play competitions with a brief plot · Tournament – events taking place on selected ski jumping hills · Quickplay – you choose the hill, number of opponents, difficulty level, and start playing · Multiplayer Online – play with your friends and fight for a position in direct online games · Training – a place to hone your skills FEATURES · Old school graphics · Different types of ski jumping hills from summer and winter to jumping on the Moon and beach · Simplified and advanced jump models · Personalized jumpers · Multiplayer mode to play with players from all around the world! Features: Campaign – a set of ready to play competitions with a brief plotTournament – events taking place on selected ski jumping hillsQuick play – you choose the hill, number of opponents, difficulty level, and start playingMultiplayer Online – play with your friends and fight for a position in direct online gamesVarious types of ski jumping hills from summer and winter to jumping on the Moon

Duke of Defense – May 8

Get ready for a tower defense game that takes an uncommon approach to player interaction. Slash goblins with your sword, roll through waves of enemies, and build towers as fast as you can. Collect coins from fallen foes, but be careful not to get hurt when maneuvering through the action! Use nine powerful towers to build a strong defense, each tower more unique than the last. Upgrade your character as you advance through the story with a plethora of game-enhancing abilities. Anything unlocked in your skill tree will also apply in co-op mode, so everybody benefits! Unique towers, exciting abilities, and planned future game modes ensures you'll be back for more. Discover a world brimming with humor, interesting characters, and adventure. Interact with overly observant villagers and egotistical wizards. You'll find yourself in a role more significant than a knight could ever dream of!

Ghost Files 2: Memory of a Crime – May 8

The life of a private detective is tough, and no one knows it better than Arthur Christie – an ex-cop, effective and tough as a nail. This time he will face an investigation in which not only truth is at stake, but also his life in this hidden object puzzle game. Read the full article

[foodieworldmelbourne]

Autumn blockbuster events in Melbourne

The weather may be cooling down, but Melbournes calendar is heating up. Grab the diary youll want to lock in every one of these major events. Melbourne Food and Wine Festival March is the tastiest time of year, when the harvest begins and the Melbourne Food and Wine Festival pops its cork. Nibble and sip through more than 60 Victorian producers goodies at River Graze. Tuck in at oodles of dining events, from the indulgent to the $40 Restaurant Express lunches at some of the citys finest. Catch culinary stars cooking and talking about food, including locals like Adam Liaw and the guys from Montreals legendary Joe Beef. All this and more await from 8-24 March.

River Graze at Melbourne Food and Wine Festival. Taken by Thereas Harrison. Melbourne International Flower and Garden Show Do you enjoy gardening, or putting a beautiful bunch of flowers together? Searching for inspiration to overhaul your outdoor space? Or do you just want to immerse yourself in nature in the heart of the city? Look, listen and smell the roses at the Melbourne International Flower and Garden Show, now in its 24th year. From the stunning landscape design show gardens to floral-themed high teas, theres something for every green and even slightly brown thumb. Its blooming for just five days, from 27-31 March.

The Melbourne International Flower and Garden show will takeover the Royal Exhibition Building this March Virgin Australia Melbourne Fashion Festival Far from being fashionably late, theVirgin Australia Melbourne Fashion Festival(VAMFF) arrives right on time to give our autumn/winter wardrobes a makeover. If the big-ticket events take you further away from affording that perfect new look, dont worry. Theres free entry to festival centralThe Plazathroughout, including forthe Plaza Block Party. Check out pop-up runways byJumeand streetwear social enterpriseHoMieand groove to the DJs. Freshen up your wardrobe and help save the planet at theGlobal Fashion Exchange. 1-10 March.

Melbourne Fashion Festival is on in March Terracotta Warriors and Cai Guo-Qiang Late autumn is always an exciting time for art lovers, as NGV International unveils its annual Winter Masterpieces exhibition. This years is as massive and amazing as ever. Terracotta Warriors: Guardians of Immortality brings eight of Emperor Qins life-size soldiers to Melbourne, and scores of other ancient Chinese treasures. The exhibition has been designed in collaboration with contemporary Chinese artist Cai Guo-Qiang. Hes also created new works for a parallel exhibition, which includes a monumental installation of 10,000 suspended porcelain birds. These wonders old and new gather from 24 May to 13 October. Melbourne International Comedy Festival Dont be an April Fool and miss one of the worlds biggest comedy festivals. Some of the funniest people on the planet are in town for the Melbourne International Comedy Festival. Laugh at local heroes like Kitty Flanagan and Joel Creasey, and stars from afar including Michelle Wolf and Arj Barker. Plus Ronny Chieng, whos from everywhere, including Melbourne! Theres stacks of free stand-up, like The (Very) Big Laugh Out at Fed Square,Lunchtime LOLs at Town Hall and Triple js Good Az Friday. Plus cabaret, theatre, street performance and more. Get ready to giggle from 27 March to 21 April. Formula 1 Australian Grand Prix The F1 season roars into action in Melbourne once again, with Australias own Daniel Ricciardo vying for top spot on the podium. The 2019 Formula 1 Australian Grand Prix is much more than the big race though. From a parade of historic vehicles to a Supercar championship round, this four-day event is heaven on wheels for motorsport fans. For the rest of us theres everything from the kids corner to a Hot Dub Time Machine DJ set. Its revving up on 14-17 March and dont miss the season launch on 13 March at Federation Square.

The Grand Prix Magical musicals Harry Potter and the Cursed Child continues to cast its spell over Melbourne, and there are more big shows on the way. Two major musicals open during autumn, starting with Muriels Wedding The Musical on 12 March. Adapted from the 1994 film starring Toni Collette, it brings the zero-to-hero story of Abba-loving Muriel Heslop to life. From 6 April, Opera Australias big new production of West Side Story hits with classic songs like Maria and I Feel Pretty. Leonard Bernstein and Stephen Sondheims 20th century take on Romeo and Juliet will raise the roof. https://whatsonblog.melbourne.vic.gov.au/autumn-blockbuster-events-in-melbourne/

[jumeemusic-blog]

4:06 Present The Brand

4:06 Presenting The Brand

Intro

This is a research project designed to help me build a deeper understanding of the different types of impact(s) my brand has on a range of audiences outside of my peer group and family.

The challenge with this type of research is that information is subjective, thus so not specifically measurable by statistics. However, qualitative data is much more beneficial for this type of research as my objective is to build a richer and deeper understanding.

Methodology

The methodology I will utilise to conduct my primary field research is participant observation and informal/conversational qualitative interview(s); and the secondary qualitative technique will be to observe audience reviews of my output.

I will conduct some of my primary research (participant observation) whilst performing onstage; observing audience responses and their interactions with the music (nodding heads, movement to the music, singing along, clapping along during or afterwards, video recording the live performance, coming closer to the stage as all positives). I will also conduct some qualitative interviews (informal/conversational) with audience members after the performance. In addition, post performance, I will also review the footage (recording of the live show) to observe audience interactions as a secondary form of research to supplement the participant observation (as information can be skewed or lost when observing audiences whilst performing). Also, reviewing feedback online from online audiences regarding my output/content will inform my research as another secondary technique.

Methodology updated

Due to the course’s postponement of the final term performance, the methodology has to be amended to take this into consideration. So I will be using feedback from the meeting with the A&R from Warner Brothers as my primary research technique (in essence it still constitutes as a qualitative interview), along with feedback from online audiences as my secondary research technique.

The brand title

JUMEE

Output/Products (past, present, future)

Music (digital), music videos (online and hardcopy) and dance/fitness videos for children (online and hardcopy).

Brand values

After deconstructing all of my output thus far, and future endeavours, I have discovered that my core values boil down to these three elements: Soul, Movement and Traditional Contemporary. These three elements (either individually or combined) seem to instruct and/or be intrinsic to all of my creative output.

Soul refers to my faith, belief(s), fitness, sense of morality and concern for other people/wider issues. This comes through tangibly via; using my voice ‘soulfully’ (utilising my natural vibrato), topic choices for my music such as social commentaries, conscious lyrics and messages/output that promote a healthy wellbeing emotionally, physically and spiritually (through music, movement or visual art).

Movement refers to encouraging audiences to move through either (or a combination of) music, dance form(s) and visuals. This is realised through incorporating movement/dance into live performances, adding distinctive percussive and syncopated rhythmic elements to my music, singing ‘percussively’ (using melodies that are more ‘staccato’ on upbeat tracks); and/or creating still and moving visuals that depict movement/dance (for example music videos, dance/fitness videos for children and photography/cover art/artwork).

Traditional Contemporary refers to the point where ‘tradition meets modern’ or ‘Oldskool’ merging with the ‘Newskool’ which I have dubbed “The New Oldskool”. Tangibly this means combining traditional elements (cultural, musical, fashion, visual) with newer/modern elements; an example is the ‘London 2 Lagos’ photoshoot I did where I merged Western clothing (shirt, tie, skinny trousers) with traditional West African (Igbo) clothing (‘Ankara’, ‘Akupe’ and a ‘Red Cap’). In terms of movement, a lot of my dance sequences merge together vocabulary from Street Dance (‘Newskool’) and West African traditional dancing (‘Oldskool’).

These values have seem to be prevalent in all my output. This is not something I have deliberated, but something I have discovered upon deconstruction.

Representation

I view my brand as an extension of who I am, what I stand for and the things I am passionate about. Looking at the artists that have gone on to become icons, their brands represent a much larger/wider concept, for example, Beyonce’s brand champions female empowerment (in my opinion) and she has received iconic awards throughout her career.

I think that my brand is already starting to represent individuality and movement. Individuality, to me, mainly refers to encouraging people to ‘be themselves’; which might come across as cliche but it has been such an important thing for me personally. I believe that I encourage people to be themselves as I become truer to myself, for example; on my video shoots, colleagues, technical crew and performers have approached me saying that I have inspired them in some way. This notion of individuality also encapsulates strong elements of culture; I am very proud of being a Nigerian, and am also very proud to be British, which is quite different to some of my other musical peers, who embrace their diaspora heritage but often dismiss the British contribution to their identity. I would like my brand to encourage audiences to embrace whatever culture (or hybrid culture) helps to shape their identity.

I think my brand will be (and already is starting to be) strongly linked to movement. I generally try to avoid the word ‘dance’ as I find it too limiting; whereas the term ‘movement’, for me, has a wider reach. Movement can be used to inform, entertain and convey, whereas dance simply holds entertainment value. Through analysis, I am preparing for the challenge of audience perception of my movement to ‘overshadow’ the audience perception of my vocals. I do believe that I am a strong singer, in that I have control over my voice’s dynamics and expression (and this is also what I have been told) but I think that my movement could overshadow this, and I am preparing for it as a possible threat to the brand. Male singers who can move, often seem to experience their dancing overshadowing their vocal ability, for example, when you think of Michael Jackson, most people would first of all think of his dancing, not usually making reference to his vocal ability. This is true for other male singers who can also dance (in my opinion) such as Chris Brown, Usher, James Brown and Justin Timberlake; as a generalisation, these male singers are more often noted for their performance ability mores than their vocal ability (even though vocally they are strong). This could become a threat to my brand as I love singing as much as I love moving, and the imbalance of perception in favour of my movement could be frustrating, and could potentially make me as an artist shift my music and live performance to a more ’stand and sing’ dynamic and let go of one of my strong U.S.P’s which is movement. 

My movement will also be influenced and be reflective of different ethno-cultures and subcultures (this idea of culture seems to strongly underpin my brand) drawing inspiration from a variety of styles such as Bollywood, African, Caribbean, Latin, for example. I am also really good with children, and love to teach children movement and I think my brand will also reach younger audiences because of the movement quality that is associated with JUMEE. 

I would one day love to have a television show where I teach children movement in different countries, and show kids how different children from around the world express themselves. I would love the show to feature live performances from me and also encourage children to use dance as part of a healthier lifestyle; so rather than thinking ‘exercise’ they could just dance and keep healthy without even realising they are exercising. An opportunity I have also discovered is that there currently is not any mainstream male singers in UK R’nB/Pop that also dance; Sam Smith, Ed Sheeran, Craig David, Angel, One Direction are all prolific mainstream artist singers from the UK but they do not dance. Fuse ODG has dance as a part of his brand, but he himself does not dance.

Genre

Genre is important because it puts my brand in a context. I think my brand will be put in the Urban Pop/R’nB type category. I think my dancing quality will take me into a more ‘Pop’ avenue.

Brand Associations

I have also created a platform called ‘The Alienhouse’ which will soon become a website/online hub where all my content will be easily accessible. I have named my home studio ‘The Alienhouse’ because it is home to anything distinctive and different, and so The Alienhouse is a platform for which I release my music. So far it is a Youtube account and a Facebook group, and hopefully one day it could become a business that oversees all aspects of my brand.

Research

My research will be gathering information regarding the following areas:

Contextual understanding

Image and identity

Creative output

Experience

Products

Market awareness

Client/fanbase

Client relationships

Industry awareness

Research questions

Is my eclectic creative approach a strength or a weakness? (Creative output)

Is London the right place for me right now? (Contextual understanding)

The music that I currently have, does it give the right impression of me? /Reflect me? How do people perceive me from my music/performance? (Products)

How does my image affect my musical identity and vice versa? (Image/identity) 

What kinds of responses do I get from my visual brands? (Image/identity)

Which label would suit my brand best? Major or independent? (Industry awareness) 

How have my previous marketing experiences impacted my current marketing efforts? (Market awareness)

Results:

Feedback from Chris Hunte, A&R, Warner Bros/Black Diamond UK

The Music

“Jumbee’s music is little mix meets Nigerian Pop

His songwriting at the moment is at the early stages, with quite generic and focused at a very young demographic. Would advise for him to co write with more artists so he can develop that side, also study the breakdown of songs in the top 10. It would also be good for him to make his music slightly more maturer, so tastemakers can get on side.

Currently messing around with different production styles which is good, but would need a clearer focus on sound.

As he hasn’t got the strongest vocal ability, it would be good for him to use his voice in the best way possible or have more vocal production done at the studio to bring out the best. His songs should be more production led rather than vocal led.”

The Brand

“Current branding is associated with more dancing, he should incorporate more studio & performance based photos/videos for social networks

Keep usernames and profile photos consistent across all social media profiles.

Would try collaborate with other creatives for more direction on styling, as I don’t think it’s portraying the lane he wants to go down.

Push the colourful african heritage colours through photos and profile branding.”

Routes To Market

- “The afro-influnce music scene is up and coming with massive global, he should release music through the prominent acrobat blogs and channels. Featuring with another london based afro beat artist on a track, could help cut through.

- Another route is using his dance ability to create a new african inspired dance, filming and aligning the release with a catchy song of his.”

Advice, Signposting And Action Required

“Allow his music to be more production led rather than pushing vocals to the front.

Youtube vocal lessons/techniques to get the best out of his voice.

Collaborate with new videographers and film creative dance pieces in unique locations.

Steer clear of the little mix references and aim for a more mature audience, at least 16+”

Online feedback responses to music from Instagram and Whatsapp pages

Interpreting the results

The feedback from the A&R was initially difficult to digest especially since most of it was not mentioned verbally it took me a little bit by surprise. However, I am learning to separate myself from my product(s) to a degree where the feedback from others does not affect my person, but just affects my output. The difficulty being that my output is an extension of my person.

I have also learnt from this experience that I have to remember that a stranger does not know me at all, and every detail and every word/name mentioned will mean a lot more to them than to me because they are meeting me for the first time and I only have a few minutes to try and get them to know me and my brand, so my communication musically, artistically, visually and sonically needs to really reflect me at all levels. 

The difficult part about the feedback from the A&R was the vocal part, as it left me a little confused because I get a lot of good feedback about my voice from strangers when I do performances and from online audiences. But what I have taken from this experience is that my current songwriting technique does not showcase my vocal range. The music I played the A&R was some of the uptempo music I had been writing that focussed on channeling movement moreso than channeling a message. The screen grabs above show feedback from a song of mine called ‘READY WILLING ABLE’ and there are some points about my vocals which are positive, so the feedback was correct in that I probably play to more of my strengths when the music is aimed at an older audience like this song in mention. Some of the feedback in relation to this that I would like to draw your attention to is:

- screengrab 1: “ok Mr. Secretsickvoice” (feedback about my vocal ability)

- screengrab 1: “PDA, not my style, but for you I’ll make a change” (feedback about my songwriting, a supporter is quoting lyrics from the song)

- screengrab 4: “I knew you was a pro at dancing but your singing is awesome” (feedback about my vocal ability)

- screengrab 5: “Loved your last vid... Better than Drake’s” (feedback about my cover of Drake’s Fake Love song)

I bring these up, not to challenge the feedback from the A&R, but to reinforce it in terms of the comments regarding my direction. This is feedback from a song I put out earlier this year that falls in line with the A&R feedback about steering my music to an older demographic. The feedback has been strong regarding the sound, the song (lyrically and vocally) and the accompanying visuals.

I plan to implement a lot of the feedback from the A&R (refer to action plan 4:07) and am choosing to view this as a learning curve and a stepping stone rather than a setback. In hindsight, when writing more uptempo pop music, I do downplay myself lyrically for the sake of pushing the track forward rhythmically.

This research has been extremely helpful and insightful because approaching blogs and ‘tastemakers’ the first time round is key because it sets the overall tone and perception in their minds of who you are, and with this feedback, I can do my best to ensure that my artistic credibility is not in question by presenting them with pop music that does not fully reflect who I am, holistically.

[alexsmitposts]

US Smears Those Questioning Latest Claims vs. ChinaColumn:

Politics

Region:

Eastern Asia

Country:

China

The Coda Story – a media front funded and created by and for the US government, its “Atlanticist” partners, and the corporate interests driving the vast majority of Western foreign policy – recently ran a smear against alternative media figures questioning the US-led “Uyghur-Xinjiang” narrative.

The smear is part of a wider campaign aimed at anyone questioning Washington’s Uyghur-Xinjiang narrative and the US’ attempt to use it to undermine China.

These smears follow a very specific playbook. Step one – deny there is a terrorism problem in Xinjiang, China. Step two – cite reports based entirely on anecdotal stories. Step three – never mention these stories and reports are created wholly by US-based, US government-funded organizations.

Step One: Deny Terrorism in Xinjiang  

The article, “Pro-Beijing influencers and their rose-tinted view of life in Xinjiang,” claims, amid the first victim of its smear – Jerry Grey – that:

Grey, who is a former London Metropolitan police officer, admitted that he found Xinjiang’s surveillance network and continual police checks oppressive. “It was a pain in the butt,” he said. “But at no stage were they ever abusive.”

I asked him if he would willingly live under a draconian regime of surveillance and arbitrary detention like the one that operates in Xinjiang, controlling the region’s Muslim population under the guise of combating terrorism.

“Under the guise of combating terrorism?”

Terrorism in Xinjiang carried out by extremists radicalized by US, Saudi, and Turkish programs is real.

Even the Western media whose lies today Coda seeks to buttress have previously admitted the large scale and frequency of terrorism in China’s Xinjiang region.

In the BBC’s 2014 article, “Why is there tension between China and the Uighurs?,” alone it was admitted that (emphasis added):

In June 2012, six Uighurs reportedly tried to hijack a plane from Hotan to Urumqi before they were overpowered by passengers and crew. There was bloodshed in April 2013 and in June that year, 27 people died in Shanshan county after police opened fire on what state media described as a mob armed with knives attacking local government buildings At least 31 people were killed and more than 90 suffered injuries in May 2014 when two cars crashed through an Urumqi market and explosives were tossed into the crowd. China called it a “violent terrorist incident”. It followed a bomb and knife attack at Urumqi’s south railway station in April, which killed three and injured 79 others. In July, authorities said a knife-wielding gang attacked a police station and government offices in Yarkant, leaving 96 dead. The imam of China’s largest mosque, Jume Tahir, was stabbed to death days later. In September about 50 died in blasts in Luntai county outside police stations, a market and a shop. Details of both incidents are unclear and activists have contested some accounts of incidents in state media. Some violence has also spilled out of Xinjiang. A March stabbing spree in Kunming in Yunnan province that killed 29 people was blamed on Xinjiang separatists, as was an October 2013 incident where a car ploughed into a crowd and burst into flames in Beijing’s Tiananmen Square.

Other Western media sources have confirmed terrorist organizations like the Turkistan Islamic Party (TIP) are funneling extremists from Xinjiang onto battlefields across North Africa and the Middle East and particularly in Syria alongside other extremists armed and backed by NATO.

The Western media admits that potentially thousands of these Uyghur extremists may return home and use their battlefield experience to wage a campaign of terrorism against Beijing.

US State Department-funded and directed Voice of America (VOA) in its article, “Analysts: Uighur Jihadis in Syria Could Pose Threat,” would admit (emphasis added):

Analysts are warning that the jihadi group Turkistan Islamic Party (TIP) in northwestern Syria could pose a danger to Syria’s volatile Idlib province, where efforts continue to keep a fragile Turkey-Russia-brokered cease-fire between Syrian regime forces and the various rebel groups. The TIP declared an Islamic emirate in Idlib in late November and has largely remained off the radar of authorities and the media thanks to its low profile. Founded in 2008 in the northwestern Chinese region of Xinjiang, the TIP has been one of the major extremist groups in Syria since the outbreak of the civil war in the country in 2011. The TIP is primarily made up of Uighur Muslims from China, but in recent years it also has included other jihadi fighters within its ranks.

The TIP has already carried out deadly terrorism inside China. For example, it claimed responsibility for the 2011 Kashgar attacks in Xinjiang killing 23 people.

Would the detention of radicalized extremists in networks carrying out this violence or the creation of security check points in a region where such violence is taking place be considered “draconian?”

No. But Coda’s article never discusses this even though the West’s own media – not Chinese state media – has already admitted terrorism is a major security threat. In fact, Coda’s article never mentions terrorism in Xinjiang even once.

Is the BBC lying? Or have the facts reported on by the BBC in 2014 simply become politically inconvenient amid the West’s current and growing information, economic, and proxy war against China?

Steps Two and Three: Cite Anecdotal Stories – Never Mention They are Produced by US-based, US Government-Funded Orgs

Another target of Coda’s smear was a TikTok user who the article quotes as saying:

“I keep seeing people post about the Uyghur Autonomous Region in China, claiming there are concentration camps there – that is not true, it’s fabricated by the CIA.”

The claims being fabricated by the CIA is the closest thing resembling the truth in Coda’s article.

These claims are indeed fabricated – specifically by Washington-based fronts funded directly by the US government via the National Endowment for Democracy (NED).

Separatist groups like the World Uyghur Congress (WUC) who openly seek Xinjiang “independence” have literal offices in Washington DC and are funded by the NED.

In fact, the US NED’s grant money to subversion in China is divided into several regions with their own dedicated pages on the NED website. Xinjiang is is listed by NED as “Xinjiang/East Turkestan” – East Turkestan being the fictional country extremists seek to create.

Other organizations funded by NED include the Uyghur American Association and the Uyghur Human Rights Project.

Unsurprisingly, Coda is also funded by the NED.

Not only is Coda itself funded by the National Endowment for Democracy (NED) via admitted supporters including the NED and US State Department-funded International Center for Journalists as well as Europe’s own “European Endowment for Democracy” (EED) – but the author of the above mentioned smear piece – Isobel Cockerell – previously reported for Rappler – a Philippine online media website also funded by the NED.

Is it possible Isobel Cockerell is unaware that the accusations against China she repeats and smears others for questioning originate from DC-based fronts funded by the US government itself?

No. Cockerell herself has cited these very organizations in other articles. For example, in her article, “Revealed: New videos expose China’s forced migration of Uyghurs during the pandemic,” she cites UHRP she herself admits is based in Washington DC – though she omits any mention of the organization’s US NED funding.

The summation of evidence provided in Cockerell’s articles is anecdotal – based on personal accounts – or provided by dubious US-based US government-funded fronts like UHRP which – in turn – depend entirely on anecdotal accounts.

The NED is chaired by many prominent political figures in the US who openly promoted the 2003 US invasion of Iraq, many wars and interventions beforehand, and many since. This includes Elliot Abrams who had until recently oversaw US regime change attempts in Venezuela before being reassigned to targeting Iran.

It was fabricated accusations the US used to first apply sanctions against Iraq, to undermine its government upon the global stage, and eventually justify military aggression against Iraq including a devastating invasion in 2003 and subsequent occupation that is ongoing to this very day.

A similar strategy is now being aimed at China.

NED is also chaired by figures in the US media guilty of helping promote these fabricated accusations – not only against Iraq but against other targets of US military aggression and regime change including Libya, Syria, Ukraine, and more recently China’s Hong Kong.

This includes the Washington Post’s Anne Applebaum.

Applebaum is also on Coda’s board of advisers alongside others drawn straight from the US and British corporate and state media.

Thus – from funding the organizations telling the lies – to spreading those lies across the corporate media – to then buttressing those lies with fronts posing as smaller, third-party news organizations like Coda – the US government and those aiding its efforts are involved in every step of the way.

For lies about China’s “abuses” of Uyghurs in Xinjiang – Anne Applebaum literally helped oversee the funding of fronts like WUC and UHRP producing these baseless accusations. Applebaum’s employer – the Washington Post – would then transform these fabrications into headline news – then use Coda she serves as adviser to as one of many “third-party” amplifiers in the US government’s echo chamber.

This is not journalism nor confronting fake news and disinformation. This is an industrialized pipeline pumping out fake news.

Another smear aimed at alternative media publications challenging Washington’s Uyghur-Xinjiang narrative published by Axios – citing Coda – would claim:

One classic Russian disinformation tactic is the amplification of “conspiracy websites,” which Rosenberger said are third-party sites without funding transparency that promote the same theories the state aims to boost.

“Having westerners say things that are in line with the state narrative helps bolster their claims,” Darren Byler, a postdoctoral fellow at the University of Colorado Boulder’s Center for Asian Studies, said in a July 30 interview with Coda Story.

What separates “disinformation” from information are actual facts – which are clearly absent amidst the West’s attacks on China. Thus, Axios and Coda are accusing “Russia” and “China” of doing precisely what they themselves are clearly doing. Axios and Coda are not only “third-party sites” being amplified by the Western media to help promote their false narratives, they are third-party sites created specifically for this purpose.

It is no surprise that those actually engaged in fake news on an industrial scale would attempt to shift the blame elsewhere. The growing number of organizations across the West dedicated to shifting this blame and smearing those questioning transparently false and politically-motivated narratives promoted by verified liars and aggressors – is itself growing to an industrial scale.

But the necessity for such levels of deception only means there is an equal or greater level of honest people engaged in real journalism and analysis – efforts that are making a difference, and efforts that should continue if not doubled.

[alexsmitposts]

NYT’s “Leaked” Chinese Files Story Covers For Terrorism The New York Times has once again exposed itself as an organ of US special interests operating under the guise of journalism – contributing to Wall Street and Washington’s ongoing and escalating hybrid war with China with a particularly underhanded piece of war propaganda. Its article, “‘Absolutely No Mercy’: Leaked Files Expose How China Organized Mass Detentions of Muslims,” at face value attempts to bolster allegations made primarily by the United States that China is organizing unwarranted and oppressive “mass detentions” of “Muslims” in China’s western region of Xinjiang. But just by investigating the quote in the headline alone reveals both the truth behind what is really happening in Xinjiang, why Beijing has reacted the way it has, and that the United States, including its mass media – is deliberately lying about it. Ten paragraphs into the NYT article, the quote “absolutely no mercy” appears again – only this time it is placed within proper context. It was the response Beijing vowed in the aftermath of a coordinated terrorist attack in 2014 that left 31 people dead at China’s Kunming rail station. The NYT would write (emphasis added): President Xi Jinping, the party chief, laid the groundwork for the crackdown in a series of speeches delivered in private to officials during and after a visit to Xinjiang in April 2014, just weeks after Uighur militants stabbed more than 150 people at a train station, killing 31. Mr. Xi called for an all-out “struggle against terrorism, infiltration and separatism” using the “organs of dictatorship,” and showing “absolutely no mercy.” The NYT – which has actively and eagerly promoted every US war in living memory – would unlikely flinch at the notion of the US showing “absolutely no mercy” against “terrorism, infiltration, and separatist,” yet it demonstrates a particular adversion to it in regards to Beijing just as the prominent newspaper has done regarding Syria and its now 8 year struggle against foreign-funded terrorism. Despite claiming to have “400 pages of internal Chinese documents” – the most damning allegations made by Washington and indeed the NYT itself – are still left unsubstantiated. This includes claims that “authorities have corralled as many as a million ethnic Uighurs, Kazakhs and others into internment camps and prisons over the past three years.” No where in the NYT article is evidence derived from these documents to substantiate that claim. Dubious Origins Like much of what the US media holds up as “evidence” to bolster establishment narratives – the “leaked files” come with it doubts over their provenance, translation, and the context and manner in which they are being presented to the public. There are also the lies of omission deliberately presented by the NYT and others covering this recent “leak” that need to be considered. The NYT itself admits (emphasis added): Though it is unclear how the documents were gathered and selected, the leak suggests greater discontent inside the party apparatus over the crackdown than previously known. The papers were brought to light by a member of the Chinese political establishment who requested anonymity and expressed hope that their disclosure would prevent party leaders, including Mr. Xi, from escaping culpability for the mass detentions. Regardless – nothing appearing in the NYT article is actually a revelation of any kind. China has made its policies clear regarding terrorism and separatism in Xinjiang. Like every other nation on Earth – China refuses to tolerate violent terrorism and the extremist ideology used to drive it. These policies – when presented out of context as the NYT has deliberately done – appear heavy-handed, oppressive, unwarranted, and authoritarian. If presented together with the very real violence, terrorism, and foreign-sponsored separatism emanating from Xinjiang – the polices take on an entirely different and understanble light. Terrorism in Xinjiang is Real, But Omitted When Reporting Beijing’s Counter-terrorism Efforts The Western corporate media itself has even repeatedly covered deadly terrorism carried out by a minority of extremists among China’s Uyghur population. However – they do so in the most ambiguous way possible – and refuse to mention it when subsequently covering Beijing’s attempts to counter it. For example, CNN in a 2014 article titled, “China train station killings described as a terrorist attack,” would report: A day after men armed with long knives stormed a railway station in the southwest Chinese city of Kunming, killing dozens of people and wounding more than 100, authorities described what happened as a premeditated terrorist attack. The article also admits that Xinjiang is beset with “frequent outbreaks of violence,” in reference to waves of violent terrorism carried out by Uyghur separatists, but falls far short of qualifying just how bad this violence has been. The BBC would extensively elaborate on what CNN meant by “frequent outbreaks of violence” in a 2014 article titled, “Why is there tension between China and the Uighurs?,” reporting that (emphasis added): In June 2012, six Uighurs reportedly tried to hijack a plane from Hotan to Urumqi before they were overpowered by passengers and crew. There was bloodshed in April 2013 and in June that year, 27 people died in Shanshan county after police opened fire on what state media described as a mob armed with knives attacking local government buildings At least 31 people were killed and more than 90 suffered injuries in May 2014 when two cars crashed through an Urumqi market and explosives were tossed into the crowd. China called it a “violent terrorist incident”. It followed a bomb and knife attack at Urumqi’s south railway station in April, which killed three and injured 79 others. In July, authorities said a knife-wielding gang attacked a police station and government offices in Yarkant, leaving 96 dead. The imam of China’s largest mosque, Jume Tahir, was stabbed to death days later. In September about 50 died in blasts in Luntai county outside police stations, a market and a shop. Details of both incidents are unclear and activists have contested some accounts of incidents in state media. Some violence has also spilled out of Xinjiang. A March stabbing spree in Kunming in Yunnan province that killed 29 people was blamed on Xinjiang separatists, as was an October 2013 incident where a car ploughed into a crowd and burst into flames in Beijing’s Tiananmen Square. While the NYT also references deadly terrorism in Xinjiang – it does so in a muted, secondary fashion, attempting to decouple it from Beijing’s motivations for pursuing polices with “absolutely no mercy” in response. One need not imagine what would follow if such violence took place on US or European soil or the polices demonstrating “absolutely no mercy” that would undoubtedly follow not only domestically, but across the globe against nations perceived – or claimed – to have been involved. The September 11, 2001 attacks on New York and Washington D.C. precipitated a now 20 year long “War on Terror” which has evolved into multiple ongoing wars, military occupations, and covert operations across scores of nations. The US Department of Defense’s own newspaper, Stars and Stripes, in a recent article titled, “Post 9/11 wars have cost American taxpayers $6.4 trillion, study finds,” would admit (emphasis added): American taxpayers have spent some $6.4 trillion in nearly two decades of post-9/11 wars, which have killed some 800,000 people worldwide, the Cost of Wars Project announced Wednesday. The numbers reflect the toll of American combat and other military operations across some 80 nations since al-Qaida operatives attacked the World Trade Center in New York and the Pentagon in Washington in 2001, launching the United States into its longest-ever wars aimed at stamping out terrorism worldwide. By comparison, China’s attempts to rehabilitate extremists through education and employment is a far cry from America’s global war – in which as many have died, as the US claims China is “detaining.” This is before even considering that out of the 80 nations the US is waging war and killing people in – the one nation from which the majority of the 9/11 hijackers came from – Saudi Arabia – has not only been spared, but is sold record-breaking amounts of US weapons and hosts US troops to protect it from regional states it openly attacks with legions of armed extremists espousing the same toxic ideology that motivated the 9/11 hijackers. The US Sponsors Xinjiang Unrest Worse still, the US has been repeatedly caught jointly-sponsoring the very strain of extremism allegedly behind the 9/11 attacks in its various proxy and regime-change wars beforehand and ever since. Not surprisingly, there is also evidence that the US is fueling the violence in Xinjiang itself as well as recruiting extremists from the region to fight in US proxy wars abroad – most notably in Syria. These militants are then returned to China with extensive experience in terrorism. US State Department-funded and directed Voice of America (VOA) in an article titled, “Analysts: Uighur Jihadis in Syria Could Pose Threat,” would admit (emphasis added): Analysts are warning that the jihadi group Turkistan Islamic Party (TIP) in northwestern Syria could pose a danger to Syria’s volatile Idlib province, where efforts continue to keep a fragile Turkey-Russia-brokered cease-fire between Syrian regime forces and the various rebel groups. The TIP declared an Islamic emirate in Idlib in late November and has largely remained off the radar of authorities and the media thanks to its low profile. Founded in 2008 in the northwestern Chinese region of Xinjiang, the TIP has been one of the major extremist groups in Syria since the outbreak of the civil war in the country in 2011. The TIP is primarily made up of Uighur Muslims from China, but in recent years it also has included other jihadi fighters within its ranks. Uyghur recruits have been trafficked through Southeast Asia where – when discovered, detained, and deported back to China – are followed by protests from the US State Department. When Thailand refused to heed US demands that Uyghur recruits be allowed to move onward to Turkey – where they would be armed, trained, and sent into Syria – a deadly bomb would detonate in Bangkok killing 20. The bombing was linked to the Turkish terrorist organization, the Grey Wolves, co-sponsored by the US for decades to augment NATO’s unconventional warfare capabilities. The US government’s own National Endowment for Democracy (NED) openly funds fronts operating out of Washington D.C. espousing separatism with the NED’s webpage detailing its funding of these groups even including the fictional name of “East Turkestan” used by separatists who reject the official designation of Xinjiang which resides within China’s internationally-recognized borders. The inclusion of the term “East Turkestan” implies US support for separatism as well as the very real, ongoing deadly terrorism demonstratably used to pursue it. And more than just implicitly supporting separatism, US government support in the form of NED money is admittedly provided to the World Uyghur Congress (WUC) which exclusively refers to China’s Xinjiang province as “East Turkistan” and refers to China’s administration of Xinjiang as the “Chinese occupation of East Turkistan.” On WUC’s own website, articles like, “Op-ed: A Profile of Rebiya Kadeer, Fearless Uyghur Independence Activist,” admits that WUC leader Rebiya Kadeer seeks “Uyghur independence” from China. WUC and its various US-funded affiliates often serve as the sole “source” of allegations being made against the Chinese government regarding Xinjiang. As the US does elsewhere it lies to fuel unrest in pursuit of its geopolitical agenda, allegations regarding Xinjiang often come from “anonymous” sources based on hearsay and lacking any actual physical evidence. The US State Department’s “Radio Free Asia” network even maintains a “Uyghur Service” which pumps out daily accusations aimed at stirring domestic tension within China, and smearing China’s image internationally. RFA allegations are uncritically repeated by other Western corporate media networks in an attempt to bolster the impact of this propaganda. US Gaslighting on a Global Scale The US through its policies and propaganda – including this most recent NYT article – accuse Beijing of “repression” for responding to very real, admitted, and extensively documented deadly terrorism plaguing China. At the same time, the US pursues a global war spanning 80 nations and resulting in the death of hundreds of thousands, destroying entire countries, and displacing or otherwise destroying the lives of millions. While citing “terrorism” as a pretext for its global aggression, it is simultaneously fueling the very armed extremism it claims it is fighting against. This includes the very real terrorism the NYT attempted to downplay to maximize the propaganda value of its “leaked files” story – despite other Western media networks covering this terrorism for years. Not only is this US policy disjointed, deceitful, and deadly – it is incredibly dangerous. It is essentially a low-intensity version of what the US has been doing in Syria and had previously done in Libya leading to the North Africa nation’s destruction. It is all but a declaration of war against China – not through direct military intervention – but through armed proxies, propaganda, and a deliberate, concerted effort to sow instability, division, and strife across Chinese society. Coupled with economic warfare aimed at crippling China’s economy – Beijing finds itself a nation under siege. The fact that it has not responded to this very real, demonstratable existential threat with a fraction of the violence and global-spanning destruction the US has employed to fight its fictional “War on Terror,” is the best proof of all that the dystopian authoritarian regime the NYT tries to portray Beijing as – is as fictional and nonexistent as journalism is at the NYT’s office.