#wonderful joy in the world!

[grendel-menz]

a wonderful world!

[5ftboy]

How is Dungeons & Dragons: Honor Among Thieves different from other blockbuster action films?

[thenotoriousscuttlecliff]

This is why some people should just stop watching Doctor Who once they reach a certain level of cynicism. Moffat tends to write from the perspective of an imaginative child, seeing the impossible in the ordinary, not as a sceptical adult who has Occam's razor as their default setting.

[poorly-drawn-mdzs]

best BEAST!!

[crowlixcx]

A human police officer would generally accept a cup of tea.

[mintytrifecta]

Sorry but if you say you're "being realistic" or "seeing the world as it is" and then only spout of the negatives then you're not being realistic and your worldview will devour you whole. Pessimism is not realistic. There is no world void of joy and to believe that is to ignore the goodness in the world and only see things in an unrealistic, cynical perspective that is not and never will be how things are. Find some joy in the smallest of things or perish.

[jtt-033-1613]

[squidokja]

KIM DOKJAAAAAAAAAAAAAAAAAAAAAA

[jonsnowunemploymentera]

Something that’s always missing whenever people talk about Lyanna and the Kingsguard at the Tower of Joy is that these things should always circle back to Jon Snow. He’s our main character here. Rhaegar and Lyanna, as well as the Kingsguard, are all dead. They were dead before this story began. This tiny section of text is meant to give color to Jon — who is alive, and whose story is currently unfolding. The events at the Tower of Joy, told entirely through Ned’s fever dream for a reason, essentially serve as one thing: fantasy protagonist myth building 101. Three wise men, a legendary magical sword, some of the greatest knights of an era, a dying queen lady, the end of an age, a dead prince, a dead king, and then here comes a soon to be completely orphaned prince whose life hangs on the balance and whose survival depends on the compassion of one lord and his wizard friend. GRRM is literally retelling King Arthur’s backstory through Jon. This whole thing is one giant literary allusion to Uther and Igraine and the boy king Arthur, to Lancelot and his Joyous Guard, to Guinevere, and to tragic romances. It reads as an ode to Arthurian fantasy and is meant to backdrop the main protagonist’s fantastical origins. The Kingsguard are there to play into that. Their presence at the Tower, in that moment, was never about Lyanna; not solely, anyway. Their presence is tied to Rhaegar’s last surviving male child, and the language used suggests that they had chosen their king, for better or worse. Any discussion surrounding the Kingsguard’s presence at the Tower that focuses on anyone but Jon completely misses the point imo.

[beartes22]

Season 2 Jayce with season 1 Viktor this, beard Jayce with young Viktor that….fools, all of you. I raise you, season 2 arc 2 Viktor and season 1 Jayce.

[hellishfig]

just finished listening to episode 34 of worlds beyond number, "something to remember you by," which is the end of arc 3 of the wizard, the witch, and the wild one, and i feel sick from how incredible it was. the physical reactions my body made to some of the words and music in this podcast really took me by surprise. i'm still reeling.

some thoughts:

i'm so happy that suvi is questioning the citadel, her reaction to silver's letter was inspired, and i LOVED her interactions with the quartermaster. she's so clever and intimidating (holy shit that was HOT), but i'm worried about what's happening to silver. i have an inkling that the witches may have already started making moves alongside the man in black, and i wonder how that will affect suvi going forward. and going to try and save silver before returning their "precious cargo" to the citadel... i hope suvi can keep questioning, and that whatever she faces, she doesn't let the justification machine run its course any longer.

eursulon meeting up with tefmet was really cool. i enjoyed the return of the strongest man in silbury immensely. it was extremely funny. and then, when eursulon asked to help and succeeded on his persuasion checks, it was solemnly touching. i love eursulon's power being in steadfast support and protection, and how to him, it's not about opposing the citadel in its entirety, it's about saving spirits, great and small, from those who would use them. and that's something he can do while still protecting his true friends.

ame let the chaos OUT this episode, and it was delightful and nerve wracking and thrilling to listen to. she's very bossy and it's so funny to hear how immediately eursulon goes along with it, despite not knowing what "it" is. growing up watching grandma wren, she seems to have gained a natural authority that makes people who love her listen to her when she asks them to perform innocuous menial tasks. but that's also interesting, because her chaos is focused, if imprecise. she knows what she needs to do and will do it, damn the consequences. as long as she can get away, who cares what she leaves in her wake? that's a problem for future ame.

they stole some brass knockers and a lion! they kidnapped nif to save her from being killed by indri! tof burned bright to free a vrock! suvi heads to war, eursulon and ame TO TOMA! (i almost cried when eursulon said those words and the music swelled. what the fuck, lou. what the FUCK taylor and jared. i'm not okay!!!)

and then of course, brockvale. holly hill. the resting place of sir curran of the hawthorn, who unknowingly sent eursulon on a quest that would lead him to our story. the man in black, the pilgrim under stars, the king of knight, the stranger, holds sir curran's shield. he comes to make an offer. will this poor old guard bid a weary traveler to step over this threshold?

this is why worlds beyond number feels so different to me from other dnd shows and podcasts. these artists have come together with the shared goal of not just playing a fun game that they all enjoy, but with the express aim of crafting a brilliant story. i love a goofy campaign full of shenanigans as much as the next person, but i adore how every choice in this show is given weight and meaning. there are no decisions made for laughs. it doesn't feel like playing a game. it feels like living in the story.

and there are also moments like the ending of this episode. a snapshot of elsewhere in the world, something the players don't know, but the audience gets to. it fills out the edges of the story and provides a richer tapestry of lore and reasoning behind the machinations of those who oppose our heroes. it gives life to the tale.

my heart is beating so fast. this show is incredible. thank you, @worldsbeyondpod , for the world you're creating.

[arsenicflame]

every time i think of izzy hands i just have to 🥰🥰🥰🥰🥰 for a second

[angelmush]

life is so difficult and so beautiful!!!!! why are these things both true at once!!!!!!!!!!!!! >:(

[maripr]

I think John Ward deserves to break down a little at the end of FAITH bc he just destroyed the cult that groomed him since childhood and abused him and his childhood friend, he's managed to protect everyone he loves, he's realized God's been with him the entire time, he has fred all the souls that were taken hostages in the rite of the second death, and he has been forgiven by the very person he wronged. He deserves to break down a bit, after things have calmed down, as Lisa and Garcia both hold him as his falls on his knees and his shoulder shake and he holds his crucifix close like he's hugging it and he wails like a child and as the tears fall on the cross once bronze, they leave golden streak, cleansing his vision of it, cleansing his heart.

[goblinontour]

i love alex and his stupidly big nose and ears and his ballerina thighs.

[druidonity2]

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