#women in the Arts

[fashionlandscapeblog]

Malvina Hoffman

The Offering, 1920

[the-cricket-chirps]

Jane Atche

JOB

1889

[womeninfictionandirl]

Patti Smith by Allison Adams

Patti Smith (Patricia Lee Smith, born in 1946) is an American singer-songwriter, poet, and visual artist who became an influential component of the New York City punk rock movement with her 1975 debut album Horses. Patti has been called the "punk poet laureate" because of the way she fused rock and roll with poetry. She's also been called the "Godmother of Punk." Her most widely known song is "Because the Night" (which was co-written with Bruce Springsteen.) Still performing, speaking, and writing in her 70s, she remains an iconic, influential figure that defies any contrived ideas of how women should act or look, or even how music or poetry "should" sound. She found success without looking for it, but by truly expressing what was within her.

[earhartsease]

while we were failing to remember the title of the book The Puffin Book Of Salt-Sea Verse, people kept suggesting it might be this book from 1944 - which we were sure it wasn't, but we ended up buying a cheap copy

partly because we were intrigued to see a poetry collection from mid-ww2 compiled by and illustrated by women (Myfanwy was an art critic, and an opera librettist for Britten and others, Mona was a noted wartime painter)

anyway the poetry collection itself is pretty dull and stilted for the most part, as you might expect from 1944 Britain (it's chronological and ranges from 16th to just barely 20th century poets) - but it does include three (3) women poets so there's that

anyway here are a few of the lithographs - we really like the donkey one, harvesting of something, possibly seaweed?

we will try to post part of her introduction to this collection, which is in itself a bit tempestuous in the best welsh way

[womensmusiccanon]

Art, Dance and Eurovision redemption - Women of Central/Eastern Europe

At it again, this time in Central/Eastern Europe! Real Europe? You get the point :)

In which I've spent most of this week caught in the rabbithole that is Romanian music (seriously, the amount I had to cut to make room for everything else is brutal) and I've ended up quite fond of 1997 albums, by the looks of it. Unintentionally!

As usual, the list is not in any way ranked - this is just the order it happened to end up in. My top picks from each album have been gathered in a playlist here (ca. an hour and 20 minutes), if you want more (which, why wouldn't you?), here's an extended version with additional tracks from albums and artists not mentioned on the list (just under three hours), and finally there's a playlist of the full albums.

Justyna Steczkowska - Naga (1997) Spotify Youtube - Kicking off the list with some jazzy polish art pop! The track's on this are so incredibly layered (just take Kryminalna miłość for an example) and Steczkowska is such a skilled vocalist.

Jana Vébrová - Kykyrý (2007) Spotify Youtube - I mean, Vébrová's just cool, right? An accordion heavy folk-ish record, but with plenty of edge. Like I said, it's just really cool.

Ruslana - Дикі танці (2003) Spotify Youtube - Ruslana is so obviously an icon that I had a hard time not including her here, and I don't think there's much to argue against this being her best record. Aptly named, too, because this one will make you want to dance.

Sarolta Zalatnay - Álmodj velem (1972) Spotify Youtube - Of its time for sure, but damn great at it! An energetic pop rock record with heavy funk influence helped by Zalatny's strong vocals - she's really got a voice for the genre and is clearly feeling it.

Diana Arbenina - Мальчик на шаре (2014) Spotify Youtube - Slowing down a bit and moving alt. The album flows incredibly well and you really get pulled in over the course of it.

Margareta Pâslaru - În grădina bucuriilor (1975) Youtube - Not on spotify, to my great displeasure, but Youtube link provided if you can excuse the audio quality (please do <3). As the tracks won't be included on the playlist, I'll point out Ce Nu Știm and Nu, N-a Fost Glumă (La Mélancolie), which also happen to showcase the versatility of this album really well, imo. May or may also feature a surprise cover that utterly delighted me.

Ada Milea - Aberații sonore (1997) Spotify Youtube - I'm not gonna lie, I absolutely fell in love with this record. Like, this being Milea's debut is mindblowing to me. It's incredible. I will also blindly admit that it's not for everyone - it does not shy away from being artsy or avant in any way, but, in my opinion, it manages to do it without being annoying. This was one of those were I had a hard time picking out tracks because it just kept giving. It's just so incredibly fun is the truth of it, and I adored every second of it.

Anastasia Lazariuc - Cine poate ști (1997) Spotify Youtube - Europop at its most energetic and interesting. Look, if this album doesn't boost your energy, I don't know what will. Absolutely one to dance to.

Jana Kirschner - Krajina rovina (2010) Spotify Youtube - Arguably another obvious inclusion, but Kirschner really is a skilled songwriter. The production on this is top-notch, too - the tracks are multilayered and playful, not to mention well-structured and composed. You can - and should - really dig into this one, there's so much to take from.

... And there we have it! The end. For now.

I hope you have even just a fraction as much fun with listening to this as I did. If you have any further recommendations please feel free to share! Mwah <3

[coochiequeens]

Today for Women History Month we honor the birthdays of two women in the arts, Janet Collins and Amanda Gorman

Janet Collins (March 7, 1917 – May 28, 2003) was an African American ballet dancer, choreographer, and teacher. She performed on Broadway, in films, and appeared frequently on television.[1] She was among the pioneers of black ballet dancing, one of the few classically trained Black dancers of her generation.

Janet Faye[2] Collins was born in New Orleans, and at the age of four moved with her family to Los Angeles, California, where Collins received her first dance training at a Catholic community center. She studied primarily with Carmelita Maracci, Lester Horton, and Adolph Bolm, who were among the few ballet teachers who accepted black students. She also had fond memories of studying with Los Angeles dance teacher Dorothy Lyndall.

Amanda S. C. Gorman[1] (born March 7, 1998)[2] is an American poet and activist. Her work focuses on issues of oppression, feminism, race, and marginalization, as well as the African diaspora. Gorman was the first person to be named National Youth Poet Laureate. She published the poetry book The One for Whom Food Is Not Enough in 2015. In 2021, she delivered her poem "The Hill We Climb" at the inauguration of U.S. President Joe Biden.

Her inauguration poem generated international acclaim, and shortly thereafter, two of her books achieved best-seller status, and she obtained a professional management contract. In February 2021, Gorman was highlighted in Time magazine's 100 Next list under the category of "Phenoms", with a profile written by Lin-Manuel Miranda.[3] That same month, Gorman became the first poet to perform at the Super Bowl, when she delivered her poem "Chorus of the Captains" at Super Bowl LV.

Born in Los Angeles, California,[5][6] Gorman was raised by her single mother, Joan Wicks, a 6th-grade English teacher in Watts,[7] with her two siblings.[5][8] Her twin sister, Gabrielle, is an activist[9] and filmmaker.[10]Gorman has said she grew up in an environment with limited television access.[11] She has described her young self as a "weird child" who enjoyed reading and writing and was encouraged by her mother.[5]

Gorman has an auditory processing disorder and is hypersensitive to sound.[5] She also had a speech impediment during childhood.[12][13]Gorman participated in speech therapy during her childhood and Elida Kocharian of The Harvard Crimson wrote in 2018, "Gorman doesn't view her speech impediment as a crutch—rather, she sees it as a gift and a strength."[14] Gorman told The Harvard Gazette in 2018, "I always saw it as a strength because since I was experiencing these obstacles in terms of my auditory and vocal skills, I became really good at reading and writing. I realized that at a young age when I was reciting the Marianne Deborah Williamson quote that 'Our deepest fear is not that we are inadequate, our deepest fear is that we are powerful beyond measure' to my mom."[1] In 2021, Gorman told CBS This Morning co-host Anthony Mason that she used songs as a form of speech therapy, and explained, "My favorite thing to practice was the song 'Aaron Burr, Sir,' from Hamilton because it is jam-packed with R's. And I said, 'if I can keep up with Leslie in this track, then I am on my way to being able to say this R in a poem."

[coyote-fever]

It's because you're always doing those damn ann bibs

[nataliedecorsair]

I drew a bunch of silly stuff with my werewolf woman and decided to gather it one post. Sometimes you just have to decompress through being goofy

You can read about her here.

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These comics are just some silliness I drew for fun. It's not really canon, she lives in a separate setting and isn't able to talk as a werewolf. Her original story is also pretty rough and tragic.

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Pumpkin carving comic was a reward I drew for my patron Taxis

Beach comic was a reward I drew for my patron Shroom

[weepingwidar]

Lydia Pettit (American, 1991) - Entry Points (2024)

[fashionlandscapeblog]

Marlene Dumas

Venus with Body of Adonis, 2015-16

Ink wash and metallic acrylic on paper.

[the-cricket-chirps]

Sarah Bernhardt

Self-Portrait as a Chimera, Inkwell

c. 1879

Clark Art Institute Collection

[womeninfictionandirl]

Audre Lorde by Marvella Frey

[linablogs-stuff]

[mitcheechee]

women want you and are blowing up your phone!!!

[elvenbeebun]

I bring you… my silly little comics. Saw a tik tok this morning about British Museum recognizing emperor Elagabalus as a trans woman 🏳️‍⚧️, and I just had to draw this.