#with: lilith mcdermott

[helenofwade]

When: April 25th, 6:17pm Where: McDermott Residence Who: @reveritus​​

When Waverly didn’t know what to do with her hands, she cooked.

Tonight, it was lamb shanks with pomegranate and walnuts, fat reduced to a decadent sauce drizzled on top, with a chickpea, barley, and feta salad served cold on the side. Pop the cork on a 2013 Zinfandel, pour two hefty servings, plate to perfection, and voila. Dinner is served.

She’d come back from the funeral and the drama that came after it feeling wholly unsettled and deeply unnerved. As if the murder wasn’t bad enough, as if the rumors of cannibalism spreading through the town like wild fire wasn’t that much worse, here they were now, trapped in suburban hell in a town that was tearing itself apart. Chicago was a mere car ride away. They could be back in their old apartment, or something just like it, by morning if they wanted to be.

Lilith, she knew, would take leaving as some sort of sign of defeat, an affront to her pride, but Waverly knew it to be anything but weak to follow your survival instincts. They were there for a fucking reason, she wanted to snarl, but instead, she just shaved some parmesan over the salad, and tried to ignore the way her muscles coiled, like a bird ready to take flight.

She untied her apron, hung it back up on the hook in the pantry, and caught a glance of herself in the reflection of the oven. Whoever said you had to stop trying once you got married was dead wrong. Waverly had never tried harder in her life, pulling the neckline of her shirt low, pushing her tits up in her bra, flattening the pleats of her skirt, smoothing down her silky dark hair. All she wanted was to see the hunger in Lilith’s eyes, to know she was hers, and after all these years of marriage, well, let’s just say she knew her wife well.

The twist of the lock. The schwick as the front door swung shut. Footsteps, unmistakable, walking down the hall. The rush of the faucet, the squirt of soap. Waverly sat, patient, at one end of the table, a vision in mauve – to match the wine, to match the sunset, to match the blood of a sacrifice, of a funeral. Food waiting at perfect temperature for her wife – who was two minutes late. Dinner’s at 6:15 xx was the text she’d sent two hours ago.

Lilith walked in, and, frankly, on a day like today, Waverly felt a spike of wrath, sharp and bitter, rise up within her at the way her heart came undone just at the sight of her. It was pathetic, was what it was. Who knew where Lilith had been or frankly, who she’d been with? They’d been together at the funeral, at the wake to follow, but then there had been no wake, and Waverly had lost her in the crowd, and god, she couldn’t do this anymore, the lies, the deceit, the games–

But then, she smiled. Picturesque. Rage was for savages, and she would not be savage, not today, not right now.

She wasn’t above being petty, though.

“You’re late,” she said because she was nothing if not exacting. “Understandably so. Given...everything. But you still owe me two minutes.” She did this sometimes (all the time) – keep a ledger of things Lilith had taken from her, a detailed list of everything she’d sacrificed, which she intended for her wife to pay her back, with interest. She smiled, playful, coy, hoping to soothe whatever storm was within her partner before it even came to pass, flipping her dark curtain of hair over her shoulder, exposing the angle of her jaw, the length of her neck, because they were nothing if not creatures of habit, and Waverly knew what Lilith liked.

She waited for for her wife to sit, take her spot at the opposite end of the table. Then, blinking her deep, brown eyes, pursing her pink stained lips, she asked, “Would you like to say grace?”

[short-sim-wayz]

15, 17 and 19 ^_^

15. who is your current favorite sim that is not by you?

@muses-circle - back when she had a sim named Hugh McDermott in Sims 3

@keoni-chan - Gabriel Parr in Sims 2

@pixeldolly - Tess Orwell for Sims 2.

@frauhupfner - Her recreation of Erwin Pries for Sims 2.

@midgethetree - Faith Goff for Sims 2.

@lilith-sims - Sigmund Kinney

Umm .. oops.. I chose more than one.

17. do you talk about sims with people in real life?

-My brothers are the only people I talked to about Sims.

19. how many posts do you have on your blog currently?

-Eh... Probably over a thousand. I've this account since 2020.

Thank you for sending me this! :D

[lcndofdreamsss]

SEMIDEUSES

LUH

Johanna - Lily James (f: caos)

Reyna - Lindset Morgan (f: belona)

Loshi - Ester Exposito (d: nyx e caos)

Alyssa - Danna Paola (d: hades e afrodite)

Catarina - Maria Pedraza (d: belona e hefesto)

Lilian - Emilie de Ravin (f: hemera)

Lilith - Melanie Scrofano (d: hades e macária)

Madison - Sofia Carson (d: hefesto)

Helena - Zoey Deutch (d: nyx)

Emma - Lili Reinhart (d: apolo)

Chloe - Emma Stone (d: venus e eros)

Lara - Lana Condor (d: plutão e marte)

Riley - Emeraude Toubia (f: tanato)

Jasmine - Maia Mitchell (d: bia)

Audrey - Kat Mcnamara (f: fobos)

Mila - Kiernan Shipka (f: Íris)

Argentina - Abbey Cowen (f: éris)

Cecil - Danielle Campbell (f: nyx)

Carina - Jessica lowndes (f: nyx)

Kevin - Timothee (d: afrodite e zeus)

Madalyn - Halsey (f: erebo)

David - Nick Robinson (d: talassa e tanato)

Jean Vaughn - Lisa Teige (d: eros e caos)

Elizabeth - Josefine Frida Pettersen (d: ares e demeter)

Joseph - Tarjei Sandvik Moe (d: despina e febo)

Cornelius - Brent Antonello (f: cronos)

Laura - Amy Okuda (d: plutão e marte)

Lyria - Arden Cho (d: plutão e marte)

Lorcan - Elizabeth Henstrindge (d: apolo e artes)

Lilian - Meritt Patterson (d: caos e nyx)

Bianca -  Shen Yue (d: hades e apolo)

Donnatela Von Groeben - Candice Accola (f: gaia)

Louise - Phoebe Tonkin (f: ananque)

Valerie - Nina Dobrev (f: calígena )

Brooklyn - Daisy Ridley (d: nesos e ares )

Minnie - Claire Holt (f: caos)

Veronica - Lauren German (f: nyx)

Shancai - Jennie (f:eros)

Diamanta - Mari maria (f:venus)

Santiago -  Aidan Gallagher (d: belona e hefesto)

Teresa - Ana de armas (d: belona e hefesto)

Alice - Eiza Gonzalez (d:ares e afrodite)

Gianna - Margot Robbie (f:nyx)

Ashley - Dakota Johnson (f: erebo)

Hazel - Emmy raver-lampman (f: plutão)

Annabeth - Melissa Benoist (f: atena)

Nico - Tom Hiddleston (f: hades)

Zoe - Eliza Taylor (d: poseidon e atena)

Polly - Teresa Palmer (f: erebo)

Mileva - Emilia Clarke (f: bia)

Gahana - Bae Joohyun (f: amaterasu) 

Jin Fei - Chloe Bennet (f: Susanoo)

Dominika - Sarah Desjardins (f: baba yaga) 

Andrei - Richard Harmon (f: Marzanna ) 

Isleen - Tasya Teles (f: Morrigan) 

Careena - Madelaine Petsch (f: Manannán Mac Lir)

Anna Julia - Camila Mendes (f: Anhangá)

Thaís - Camila Queiroz (f: Akuanduba)

Freyja - Mary Elizabeth Winstead (f: loki)

Talassa - Alexandra Daddario (f: balder) 

Teagen - Alycia debnam-carey (f:cailic)

Viktoriya - Kristine Froseth (d: nyx e caos)

Alula Castellan - Rachel Keller (d: zeus e hermes)

Orion Castellan - Cody Christian (d: zeus e hermes)

Layla Zhang - jeong heyoon (d: plutão e marte)

Otello Cameron - James Macvoy (f: poseidon)

Julieta Cameron - Sophie Turner (d: poseidon e zeus )

Daisy - Lily Collins (d: marte e apolo)

Drusilla - Jennifer Lawrence (d: despoina e jano)

Afrodite Campbell - Emily Browning (f: Afrodite)

Harlow - Zendaya Coleman (d: caos e talassa)

Otis - Chadwick Boseman (f: Caos)

Juniper - Inbar Lavi (f: talassa)

Mathew - Martin Freeman (f: urano)

Isabella Kuntz - Amanda Seyfried (f: venus)

Pheonté Ingram - Tessa Thompson (d: marte e hermes)

Sussie Frandsen - Yvonne Strahovski (f: érebo)

Bjor Gislisson - Henrik Holm (f: Forseti)

Ygritte Haddottir - Gina Steibz (f: Freya)

Dalla Sturladottir - Lisa Vicari (f: Hel)

Ingjald Torstensson - Taron Egerton (f: Odin)

Peter Alighieri-  Tye Sheridan (d: hades e macaria)

Leonora Di Angelo - Benedetta Gargari (d: apolo e hades)

Ophelia Cameron - Sadie Sink (d: poseidon e zeus)

Joyce Di Angelo - Millie Bobby Brown (d: apolo e hades)

Antoni O'Doral - luke kleintank (f: hades)

Poppy O'Molony - Conor Lesllie (d: ares e athena)

Leslie  Rochfort - Meryl Streep (f:apolo)

Learchos Rochfort - Scott Eastwood (d:apolo e ares)

Analia Reinhart - Jessica Chastain (f: ananque)

Grayson Kauffman-Algumacoisa - Jaeden Lieberher (d: maui e erebo)

Jacob Kauffman-Algumacoisa - Noah Schnapp  (d: maui e erebo)

Savannah Kauffman-Algumacoisa - Maddie Ziegler (d: maui e erebo)

Arabella Reinhart - Alexandra Park (d: ananque)

Amelia Reinhart - Francesca Capaldi (d: ananque)

Adonis Reinhart - Asher Angel (d: ananque)

Brianna Kade - Hayley Atwell

Faith Kade - Adelaide Kane

Levi Kade - Jack Falahee

Sophie Von Groeben - Sydney Sweeney  (d: hades, marte e gaia)

Luna Von Groeben - Britt Robertson (d: hades, marte e gaia)

Clara Amoretto - Emeraude Toubia

Julliana  Amoretto - Camila Mendes

Celeste  Amoretto - Camila Cabello

Stella Amoretto - Karla Souza

Acacia Dunhall - Bryce Dallas Howard

Sondra Eberhardt - Wyonna Ryder

Jelani Turner - Chance Perdomo

Veronika Eberhardt Torres - Sofia Carson

Hylla Avilla - Melissa Fumero

Richard Avilla-Algumacoisa - Booboo Stewart

Rain Avilla - Brenna D’Amico

Piper Mclain - Diane Guerrero

Tinker Lazar- Holland Roden

Kace Baxter - Michael Fassbender

Millicent Anttonen - Sophia Bush

Anna-Liisa Heinonen - Claire Holt

Mabel Sotto - Lily James

Regan Polinsky - Colin O’Donoghe

Moira Beckett - Laura Prepon

Spring Campbell -  Katheryn Winnick 

Tristan McLean - Ryan Potter  

Noe - Tiera Skobvye 

Megan West - Elizabeth Olsen 

Sophia Illis - Phoebe Tonkin

Calypso - Jessica Abel

Paris Hale - Ben platt - Paris Hale

Jimmy Dean - Jonathan Groff 

Paige McDermott - Danielle Panabaker 

Starlight - Chyler Leigh

Savannah O’kelly - Caity Lotz 

Naomi MacClancy - Sarah Drew 

Wilhelma Nicolaisen - Caterina Scorsone

Amalie Desmond - Ellen Pompeo

Nina Nicolaisen - Odeya Rush

Clove Desmond - Minka Kelly

BERNIE

Meghan Ory - Cassie Hale

Lee Min Ho - Larry Zhang - História

Adam Senn - Gideon Burke - Geografia

Armie Hammer - Frederick Powell - Química

Gaspard - Finn Jones

Leo - robert sheehan

Dean Xavier - charlie cox

Adam Drivier - Alexander Kruggler - Matemática

Daniel Gillies - Aston Marvin

Ian Somehalder - Shawn Benz

Joseph Morgan - Michael McLaren - (caos)

Ben Barnes - Victor

Chris Evans - Cole Hopkins

Paul Wesley - Kurt Von Groeben - (Gaia)

Tom Ellis - John Makkachin (Elise filha)

Chris Wood - Kai Zammeti

Álvaro Rico - Keith Louvier

Miguel Herran - Thomas Avilla-Valdez 

Miguel Bernardeau - Samuel Avilla-Valdez

Glen Powell - Lysander Desmond (Ares e Apolo)

Andrew Garfield - Evan Peter Kauffman

Noah Centineo - Lucas Santiago (Morfeu)

Shawn Mendes - Gale Bradock (Hemera)

Thomas Hayes - William Lynch

Herman Tømmeraas - Patrick McCarthy

Hunter Parrish - Cody Maddok (Apolo e Demeter)

Ross Lynch - Harvey Kinkle  (Hefesto e Zeus)

Cole Sprouse - Dante Aligere (Hades e Afrodite)

David Castro - Jett Pierce

Dominic Sherwood - Hunter Castro

Matt Daddario - Jackson Kade (hipnos e demeter)

Alperen Duymaz - Klaus Markson

Douglas Booth - Dick Griffin

Will Tudor - Andrew Desmond

Henrik Holm - Robert Jackson

Iain De Caestecker - Salazar

Nicholas Buzolic - Mikkel Nikoforov

Daniel Sharman - Nicholas Di Angelo

Michael Fassbender - Kit Baxter 

Nicholas Hoult - Laurence Keegan

Jeremy Irvine - Grayson Mills

Josh Dylan - Rupert Kingsley

Tom Hardy - Khalid Morgan

Tom Hiddleston - Deacon Price

Winston Duke - Jahmiah Whitaker

Sebastian Stan - Jay Macdonald

Grace Phipps - Daphiel Burke

Benedict Cumberbatch - Ray Burton

Michael B Jordan - Kingston Turner

Dominic Cooper - Lewis Mcfarland

Max Mighella - Jude Fowler

Laura Harrier -  Chelsea Ingram

Moritz Jahn - Drifa Sturlason

Louis Hoffman - Banki Bjalfisson

Paul Lux - Ulf Gudasson

Lea van acken - Skuld “Sacks” Agnarsdottir

Liam Payne - Koby Armstrong

[wadeillinois]

Follow these Wadians (but not too closely, who knows what you’ll see):

LILITH MCDERMOTT. 

[biofunmy]

‘Till’ Brings a Tragedy to Life

On the vast spectrum of playmaking, the New York Musical Festival hews much closer to candy-colored convention than to gritty, gray outré. It’s a Manhattan institution with a Middle American cautiousness about it — a place hospitable to new work that doesn’t push boundaries or ruffle feathers.

Yet “Till,” by far the best of four shows I saw at this year’s festival, may unsettle your very soul. It’s the story of Emmett Till, and its run, which ends Sunday, is timed to coincide with what would have been his 78th birthday, had he not been brutally murdered in the summer of 1955. A black teenager from Chicago who had just turned 14, he was visiting relatives in the Jim Crow South when some white men snatched his future away from him.

With a book by Leo Schwartz and D.C. Cathro, and music and lyrics by Mr. Schwartz, “Till” is the story of that summer — of sweet, funny, rambunctious Emmett (Taylor A. Blackman); his mother, Mamie (Denielle Marie Gray), who’s trying so hard to bring her son up right and keep him safe; and his teasing grandmother, Alma (Judith Franklin), who cheers Emmett and Mamie on.

In a smart and inventive production, beautifully cast and sensitively directed by N.J. Agwuna at the Pershing Square Signature Center, this musical achieves something difficult and rare. It blows the dust of history off a tragedy and brings a martyr to exuberant, mischievous, complicated life. Emmett’s not a saint here, nor is he the corpse in the infamous photo that his mother wanted the world to see. He’s a regular kid — a little cocky, a little dreamy. And like Mamie, we wish the world for him.

With an excellent cast of six lending their rich voices to a score that’s part gospel, part old-fashioned musical (music direction and arrangements are by Lena Gabrielle, choreography is by Kenny Ingram), “Till” cuts between Chicago and Money, Miss., where the white characters are sinister in half-masks and gloves. (Costumes are by Andy Jean.) Emmett, for all his self-assurance, and all the efforts of his family to prepare him, doesn’t truly understand the danger there.

“Till” is not a perfect musical; it’s a show still en route to its final form. For now, a couple of Mamie’s songs seem awkwardly placed, disrupting the action and emotion, while the event that incites Emmett’s murderers needs to be depicted with greater clarity so the audience isn’t left puzzled at a crucial moment.

There’s also an unintended tonal danger in the script, which this production skirts but others might fall into: the perception that Emmett, by failing to fathom the perils of a racist society, might in any way share the blame for his death that belongs to his killers alone. As one character reassures another, speaking about something else entirely: “Their actions could never be your fault.”

“Till,” which in its final moments projects that chilling photo, is an inherently political work. So, in a different way, is “Leaving Eden,” a show that feels like half of a very promising musical. With a book and lyrics by Jenny Waxman, and music by Ben Page, it opens with captivating harmonies sung by three women who straddle two eras: the current day and the dawn of humanity.

The contemporary strand of the show doesn’t work. But the half set in the Garden of Eden, where Lilith is the curious, playful, courageous first woman and Adam is her fearful, controlling, dim bulb of a mate, is great fun.

Adam (Ian Ward) is in some ways a nice enough guy — and, hey, he is the only guy around — but he makes a lot of secondhand pronouncements cloaked in God’s word, as a way of getting Lilith (Sarah-Anne Martinez) to behave. She’s hard to control, and control is Adam’s whole game. Eve (Gabrielle McClinton), the second woman, turns out to be easier to manipulate.

The show’s latter-day plot is about Lily (Janet Krupin) and Adam (Azudi Onyejekwe), whose tiresome relationship gets predictably tangled up with a modern-day Eve (Ms. McClinton). But it struggles to mold itself to the biblical parallels.

The best thing about the show, directed by Susanna Wolk with music direction by Nathan Dame, was Ms. Martinez’s New York debut. Comic and poignant, delicate and bold, it was a terrific performance, and I wish I could tell you to see it. But “Leaving Eden,” alas, has already ended its festival run.

“Flying Lessons,” a poppy, madly overstuffed show that continues through Sunday, also boasts a standout performance from an actress I’d never seen before. Her name is Michelle Coben, she has perfect comic pitch, and if I tell you that her voice is part squeaky toy and part foghorn, I want you to understand that she’s somehow a delight to listen to.

Written by Donald Rupe, who also directs (additional music is by Cesar De La Rosa, music direction by Jason M. Bailey), “Flying Lessons” is about Isabella (Esmeralda Nazario), an eighth grader seeking to discover the formula for greatness in her research for a paper on Amelia Earhart (Megan Valle) and Frederick Douglass (Brandon Martin). A smart kid sinking under the weight of too much responsibility at home, she has no sympathy for her beleaguered, financially stretched mother, Lydia (Desiree Montes), but she will by the end of this lesson-teaching show.

What pleasure there is comes from the school scenes, where Isabella’s classmates (including Ms. Coben as the shallow, Kardashian-loving Cynthia) are awkwardly darling — though it strains credulity, and sets up yet another teachable moment, when the “Phantom”-loving Billy (Erick Perafan) sends Madison (Deanna Quintero) into mad-crush mode. Bonus: David Lowe, as their vice principal, is an excellent king dork.

There are geeks aplenty, too, in “Black Hole Wedding,” whose run has already ended. Directed by Craig J. George, with book and lyrics by Katherine Brann Fredricks, music by Paul Nelson and music direction by Nevada Lozano, this is a frantic, messy, hit-you-over-the-head satire that pits an evil chief executive (Sean McDermott) against an idealistic clean-energy engineer named Raymond (Jonathan Miller).

Thank goodness for the soothing presence of Mimi Robinson as Summer, a corporate masseuse who becomes Raymond’s girlfriend — a relationship that’s not terribly believable as romance and might be more entertaining if they were just really close pals. It also might be more interesting if getting kidnapped by the bad guys didn’t turn her into a damsel in distress for Raymond to rescue.

As she tells him, early on, “Relaxed alertness has survival value.” And if she knows that, I bet she can take care of herself.

New York Musical Festival Through Aug. 4 at various locations; 866-811-4111, nymf.org.

Sahred From Source link Arts

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[helenofwade]

intro post for this demon! a brief bio under the cut as well as some random fun facts. full biography here if anyone wants to take a gander. wanted connections to come, but hit me up wherever to get threads going!! or if you just want to soliloquize about gemma chan’s everything...

QUICK INTRO:

daughter of a stunt man and a parental help guru, waverly grew up thinking her parents hung the moon and each one of the stars, carted from exotic location to exotic location, seeing more of the world than most people do in their lifetime

as most things do, it all came crashing down around her when she least expected it: divorce, it seems, was plucked out of a hat like a rabbit and no one was surprised but her

leo lu left, always the nomadic one, leaving waverly stuck with her mother, hope, and her mother’s chavvy, age-inappropriate boyfriend, ollie, and as if that wasn’t miserable enough, hope took it upon herself to reinvigorate her career after her divorce

there’s a series of parenting books out there in the world, mostly popularized in the UK, detailing all of hope lu’s observations about her daughter, what it meant to raise someone so stubborn, so unyielding, what it meant to really repair the bonds of motherhood and daughterhood. too bad hope could never take her own advice

waverly moved out the second she could, accepting a spot in northwestern’s class of 2004, studying journalism with a minor that was constantly changing: in fashion freshman year, classics sophomore year, food & hospitality her junior year, biochem, for no good reason, her senior year, and so, she graduated with no minor at all. all of which, a pretty good summation of her life: constantly unable to decide, flitting from interest to interest, hobby to hobby at the speed of a humingbird

waverly had no idea who she was, only who she was pretending to be, when she graduated from college. she took the summer off, spent it with her father in italy, learned nothing new about herself, tried to go to culinary school, failed out of that, and really was about to consider moving back home with her mother when she met lilith mcdermott and everything changed

their whirlwind relationship ended in marriage, ended in waverly moving to wade with lilith, pretending she was happy about it, pretending she was an equal part decision maker, pretending she’d grow to love a town this small and insignificant

and now that she’s here, she’s having freaky deaky dreams dawg

RANDOM FACTS:

her food blogging content is entirely inspired by allison roman & priya krishna but her persona is way more andy baraghani. please come scream about how bon apetit is the only thing getting me through quarantine in my dms

waverly was a competitive figure skater until she was sixteen, when she broke her foot trying to impress a girl she had a crush on because literally this is what happened to me

allergic to raw carrots, but eats them anyways

has never seen a single star wars movie

planted a peach tree outside of the mcdermott house and tends to it like its her literal child

tells people she’s a terrible driver because she’s british, but really it’s because she’s gay

she too had an armie hammer-esque scandal where she didn’t know her twitter likes were public and everyone saw her looking up different strap ons to buy her girlfriend for their anniversary

die hard liverpool fan, does not understand any american sports, refuses to understand them

cannot articulate to you how much she loves a bubble bath

has one (1) nipple pierced

bought a ring light not for selfie but for nudes

MAIN PAGE BIO (if she were to have one and really, it’s here because it adds to the mfuckin vibe, and we all know all i care about is the vibe):

When two people love each other and can’t make it work, now that’s a real tragedy.

You used to judge women who let their husbands walk all over them, who lied to themselves to keep their marriages in tact, who didn’t have the backbone to get a divorce. You thought to yourself, don’t stay together for the sake of the kids. I’m one of those kids. I was better off when my parents split. And now, you’re one of them.

It wasn’t always like this. You ran away from your first cage, from the mother who wanted to own you, commodify you, consume you, and you called yourself free. You became Perfect. A Modern Woman. Somehow both effortlessly beautiful, effortlessly intelligent, but baby, effortless is the last thing it is. Being this cultivated, like a piece of art hanging in a museum, it takes real work, real effort, and frankly, who are you outside of your facade? What makes your insides tick, your heart stutter, your mind wonder?

She was the one who answered that for you. God is a woman, indeed. You fell in lust at first sight and then in love very quickly after, and the rest, it was all just a snowball of the first real, true feeling you’d felt in your whole goddamn life. So, she asked you marry her, and you said yes because you love her. She asked you to move to a town you’d never heard of in a state that doesn’t matter, and you said yes because you love her.

You don’t tell her you hate it here, that you’re so angry you could scream. You don’t tell her you know she’s been unfaithful because problems don’t exist if you put them in a box and lose the key. You pace around your cage, let your claws be clipped, let your teeth be filed, and you smile for pictures and pretend to be sweet and docile and perfect.

But really, you’re just one wrong step away from ripping someone’s throat out.

[wadeillinois]

– WELCOME TO WADE!

Congratulations, and our condolences! LILITH MCDERMOTT ( Jodie Comer ), you’re the town’s (WO)MAN OF GOD.

Henry, you threw us threw quite a loop there, and we loved every second of it! We’re super excited to see Lilith around Wade. Thank you so much for such a beautifully written, well-rounded application! 

Check out our acceptance checklist here.