#with sam though i think it’s harder to explore his character in early seasons through writing bc a lot of it is already SHOWN? you know?

[heatcaged]

early dean is just soo much fun to write like why is that baby boy

[tthael]

I really admire so many things about your writing - the introspection and deep meaning, the realistic and sensitive way that you handle topics. Do you have any recs for fav media/books/tv shows/fanfics ? I guess I'm curious if there are any you think might have similar qualities/themes?

This is a tough one because basically everything I consume gets picked apart and reused in some way. However, I’ll give it a shot:

The Book Thief and I Am the Messenger by Markus Zusak. There’s quite a lot I like about Zusak’s use of language and have since 2007 when I read The Book Thief for the first time, and there’s something very cinematic and magical about I Am the Messenger (particularly in the chapter with the young track runner).

The Bone Clocks by David Mitchell. He’s most commonly known for Cloud Atlas, but he has an ongoing theme of vampires and cannibalism reappearing in his work (I just read Slade House for the first time while I was in quarantine) and there’s something deeply satisfying about the way that all of the disparate pieces come to fruition at the climax of The Bone Clocks. Not a perfect book, but deeply satisfying.

The Lacuna by Barbara Kingsolver. Again, she’s most commonly known for The Poisonwood Bible, but I liked that well enough to read The Lacuna in 2013, and I completely hated it for the first half of the book until finally something clicked in my brain and I activated the literary critic within, who doesn’t care so much about whether they enjoy something and more cares about how well something is done. The description of US American rationing during World War II really got me onto the novel’s side, if that makes sense; and I do love a good family epic, and while this only focuses on one protagonist instead of generations of them, it’s interesting in a similar way to The Bone Clocks where you see everything start to snowball together.

Literally anything by Ursula Vernon/T. Kingfisher. I particularly recommend The Raven and The Reindeer, which I read shortly after being diagnosed with my chronic illness and really helped me to understand the irrelevance of shame. There’s something very satisfying about saying “a reindeer doesn’t care if it smells bad, so I’m going to lean into that particular apathy and not allow a bully to take me down over it.” Something comforting about taking shelter in the animal and in survival, when you and your body are in one place and working on the same side, and it’s your brain that’s ready to give up first but your body will keep dragging you through because that’s what it does. Certain lines in Indelicate were inspired by her adaptation of Tam Lin in Jackalope Wives and other Stories (https://www.amazon.com/Jackalope-Wives-Other-Stories-Kingfisher-ebook/dp/B071946RLN). Lots of her short stories are available at this link for free: http://www.redwombatstudio.com/portfolio/writing/short-stories/

TV’s a little harder to unpack, since I don’t always think in terms of visual media, I tend to default to words first. Recently I’ve been enjoying New Amsterdam on NBC--it’s nice to see the radical socialist doctor doing his damnedest to secure the right thing--and Call the Midwife--similar reasons. There’s a lot about meeting someone where they are in both shows that I appreciate.

There’s also a lot of music that inspires my writing so I’ll have to dedicate a post specifically to that in my methods and materials.

Fanfic, though! Lots of my favorites, lots of genres. Here we go:

we are all stardust by synergenic (Losseflame) (https://archiveofourown.org/works/5682496) Star Wars Episode VII: The Force Awakens, pairing Finn/Poe Dameron. Sexually explicit, but also leans a lot into physicality. You can probably see the influence on the very first chapter of Indelicate when Eddie’s waking up in pain and Richie’s at his bedside. It’s very much inspired by a similar sickbed scene here.

If They Haven’t Learned Your Name by silentwalrus (https://archiveofourown.org/works/6329503) Captain America/Marvel Cinematic Universe Steve Rogers/James “Bucky” Barnes. The holy grail of Steve/Bucky fanfiction. If you want independent character exploration, this is the place to go. Natasha shaving her head? Yes. Sam pleading with Steve to keep his shit together while thirty Koren grandmothers assume they are American celebrities? Yes. Bucky defiantly hunting down his sense of self while bingeing romance novels in a space ship? Yes. Pay particular attention to the Sam chapters, because they’re a beautiful way of defining Steve’s characterization from an outside perspective, and I’m trying to do the same with Eddie looking at Richie in Indelicate.

An Ever-Fixed Mark by AMarguerite (https://archiveofourown.org/works/8523001) Pride & Prejudice (Jane Austen) Elizabeth Bennet/Colonel Fitzwilliam, Elizabeth Bennet/Fitzwilliam Darcy. Soulmark AU. This is one of my longtime favorite fanfictions and what it taught me was cause and effect. The characters move the plot forward based on their assumptions and decisions. Definitely very helpful when I was writing TTHAEL by the seat of my pants.

You Can Keep Holding On by NorthernSparrow (https://archiveofourown.org/works/7233709) Supernatural Dean Winchester/Castiel. Sexually explicit. A lot of the summary I can give here is spoilers, but if you read this one through, you’ll be able to see the inspiration for the “Can you tell me where I can get another Eddie Kaspbrak?” scene in Indelicate.

Work of All Saints by antistar_e (kaikamahine) (https://archiveofourown.org/works/15006644) Coco (2017) Imelda Rivera/Héctor Rivera/Ernesto de la Cruz. Sexually mature. Oh my GOD this is a beautiful coming-of-age story set in turn-of-the-century Oaxaca, this is the best complete expansion of canon that I’ve ever seen; the author takes the pieces and runs with them and it is WONDERFUL.

Lycanthropic Studies by Eiiri (https://archiveofourown.org/series/575263) Harry Potter, Remus Lupin/Sirius Black canon-divergence AU. I very much enjoy the meditation on lycanthropy as a chronic illness and I sometimes reread this for comfort. Particularly early on Remus has a rant about how he’s sick and he’s always sick and his life doesn’t stop for it, despite holidays and birthdays he still has to deal with the consequences of his illness and take the devastating medication, and there’s a lot about that that speaks to me. I haven’t kept up with the series for some time, though.

Careful Truths by SassySnowperson (https://archiveofourown.org/works/12111966) Rogue One: A Star Wars Story, Bodhi Rook/Luke Skywalker canon-divergence AU. Sexually explicit. Honestly identity p!rn fics are a good inspiration for that third-person limited perspective I’ve been working on in Indelicate. Also I love love LOVE Bodhi Rook. It’s fun watching him run in circles trying to conceal his identity from Luke while completely oblivious to Luke doing exactly the same thing.

Stammtisch by chaya (https://archiveofourown.org/works/15060152) Critical Role: Season 2, Caleb Widogast/Mollymauk Tealeaf, AU. Sexually explicit. Long before Caleb actually leveled up enough to cast Mordenkainen’s Magnificent Mansion, chaya speculated about what kind of spaces he might create for each of his friends. I think it’s a very good resource for really condensing characterization down into lots of images and concepts and deciding what other characters know about them. The idea of making space for someone else is something that I lean into a lot when I write Ben, who’s the kind of man who will set himself on fire to keep those he loves warm, and even though Critical Role has far more material than even IT for determining characterization, and even though this particular moment has already occurred in canon--it’s just a wonderful homey story, and has the kind of found family vibes I like for the Losers as well.

I know that’s a lot to unpack there, but all of those fics are very good and I recommend reading any assortment that appeals to you. (Work of All Saints in particular you don’t have to be familiar with the source material beyond the basic premise; it stands on its own.) Thank you for asking, and thank you for reading!

[reminiscent-bells]

best-ofs, 2017

putting in a break here, this is real long

best book I read: The Handmaid’s Tale, Margaret Atwood

It seems trite to pick this in a year where every Tom, Dick, and Harry was comparing the Trump administration to Atwood’s novel and when Amazon was putting on a big-budget adaptation (which, for the record, I have not seen). The effect that this had on me, though, cannot be understated. Sad, wry, and all-too-familiar in places, this is a masterpiece that deserves to be up there with 1984 and the rest of the great nightmares.

honorable mention: The Thousand Autumns of Jacob de Zoet, David Mitchell

I’m not much of a historical fiction person, but this masterfully wrought story of a Dutch clerk and a Japanese midwife in early-1800s Japan is well worth your time.

best comic: Batman, Volume 1: I Am Gotham, Tom King, Mikel Janin, et al.

King and his collaborators’ work on Batman since DC’s most recent relaunch seems to be on a trajectory to match or even surpass the Grant Morrison era in the pre-New 52 era, a reshuffling of the core cast that will pay huge dividends down the line (if DC actually makes a wise long-term decision for once, which, who knows). Despite his tendency to learn a little too hard on certain stylistic tics, I think King might be the best writer working in superhero comics today.

honorable mention: Detective Comics, Volume 1: Rise of the Batmen, James Tynion IV, Eddy Barrows, et al.

Yes, two Batman titles in one year is a bit of a cheat, but this is so fun that it’s hard to pick something else. Tynion turned up on a panel discussion on the great comics podcast Jay and Miles X-Plain the X-Men where he was introduced as the writer of “DC’s new X-Men title, Detective Comics”, which is exactly what this is - a team of misfits and outcasts cobbled together by a reticent, demanding mentor...who in this case is Batman. This is easy to miss out on with all the fireworks over King’s work, but give it a shot.

best comic (non-2017): MIND MGMT, Volume 2: The Futurist, Matt Kindt

Kindt’s work on the beginning of his psychic-X-Files saga MIND MGMT was good, but the second collection reveals it as a ship-in-a-bottle in the middle of a much weirder, wilder museum - there are few volume 2s that build on the success of the first as much as this one does.

honorable mention: BPRD, Volume 3: Plague of Frogs, Mike Mignola, Guy Davis, et al.

The first few collections of this series, following Hellboy’s teammates after he quits the secret BPRD organization, kind of flounder, but Davis and Mignola really hit their stride here with this sequel to an earlier Hellboy story that grows into a hybridization of Mignola’s earlier work and a Stephen King novel.

best movie: Blade Runner 2049

This also feels like kind of a cheat given my love for the original, but there was simply no other movie that had my gears turning after I walked out of the theater like this one did. The plot elements of this, of course, have been speculated on endlessly since Ridley Scott released the Final Cut of the original film, but My Guy Dennis Villeneuve manages to introduce enough new elements and uncertainty in the mix to keep you guessing - I found myself continually questioning what I really knew about anything that had happened or was happening. It was always going to be impossible to make a movie as good as Blade Runner, but Villeneuve came closer than anyone could dare.

honorable mention: Star Wars: The Last Jedi

I have my misgivings about the Finn and Poe portions of this, which feel like they mishandled the two more than a little, but the Rey/Luke Skywalker storyline is, as a whole, a barn-burner, building on both Rey and Luke’s characters in extremely satisfying ways. It was easy to imagine where they might go from Rey and Luke on the island at the end of The Force Awakens, but I don’t know if I imagined they’d go here, which is what makes this so great.

best album: I See You, The xx

I gave this a pretty casual listen on Spotify when it came out as I was kind of a marginal xx fan - I enjoyed their first album but didn’t really care for Coexist. I was totally blown away and listened to it all the way through several times (this is something I rarely, if ever, do with big pop/pop-ish releases). Virtually every track on here except for the extremely forgettable closer is perfectly performed and produced, from the playful, somewhat taunting “Dangerous” to the self-doubt-as-anthem “On Hold”. Should go down as their best album to date.

honorable mentions: Piety of Ashes, The Flashbulb / Sleep Well, Beast, The National

I couldn’t decide between these two, so here’s a twofer for you. Benn Jordan’s style as The Flashbulb has shifted along a spectrum of sweet spots between acoustic music and electronic music, and he seems to have somehow found the sweetest one yet in Piety of Ashes, which alternates between intimate material you might have expected on Arboreal or Love as a Dark Hallway (”Starlight”, “Goodbye Bastion”) and big, broad electronic pieces that feel like Jordan uncovered something he could always do that was just off-camera (”Hypothesis”, “As Water”).

When I first heard Sleep Well, Beast my comment to a coworker was “I only like some of it now, but I think I’ll like it more as time goes on”. This was a rare example of me actually showing some predictive ability, because this has really grown on me with time (maybe its intent as commentary on life in the Trump world as something to do with this). Highlights are the sad, sweet “Nobody Else Will Be There”, also-sad-and-sweet, but in a different way “Carin at the Liquor Store”, and the driving dark heart of the entire thing, “The System Only Dreams In Total Darkness”, which has been a constant play for me this fall/winter.

best TV show: Twin Peaks/Twin Peaks: The Return

A triumph for David Lynch and Mark Frost in every sense of the word. The era of “prestige TV” feels like a cheap trick by HBO, AMC, et al. to get us to watch the same old stuff with a slightly higher budget after 18 hours(!!!!!) in, around, and beyond (and I mean beyond) Lynch’s little town in the Pacific Northwest. Kyle MacLachlan deserves about 400 awards for his triple (quadruple?) role here.

honorable mention: Mr. Robot

I think Sam Esmail failed to stick the landing again (I wasn’t a fan of season 2), but the earlier parts of this season are maybe the highest highs the show has ever hit - Elliott and Mr. Robot fighting over his body in the bowels of the ECorp fortress from the end of season 2, Darlene struggling to extricate herself from the FBI, and the terrifying-yet-awe-inspiring scene of Angela laying out her plans to Mr. Robot as New York comes back to life at the end of the first episode. This isn’t always the best show, but boy, can it ever be good.

best video game: The Legend of Zelda: Breath of the Wild

This is to video games as Lynch’s third season of Twin Peaks was to television: a throwing of the gauntlet to every competitor to dare and match this. Where other games would put physics puzzles in their own little sandboxes, BOTW applies its physics to just about everything and lets you see how far your tools can take you. Where other games would put everything on the map in perfectly zoomable, filterable control for you, BOTW challenges you to build the map yourself and actually get out there and explore. I’ve gone back to this in the harder Master Mode with the release of the last DLC, and there’s still nothing that can touch this. This is destined to be a touchstone for decades to come.

honorable mentions: The Talos Principle/Batman: The Telltale Series

The Talos Principle is everything I wanted The Witness to be that The Witness wasn’t: thoughtful without being heavy, clever without being impossible (well, mostly not impossible, there are a few of those puzzles I don’t think I could have cracked on my own). The writing is sharp as a tack, featuring a variety of philosophical discussions between your character and a whip-smart AI. A really excellent puzzler.

Batman: The Telltale Series marks yet another appearance of the Batman on this list, but what an appearance! Telltale throws out several sacred cows of the Batman behemoth, but instead of making something malformed and uninteresting, it feels like the freshest Batman has been in ages. I eagerly await every new episode of this, because I never know where they will go next.

best podcast: Important If True

This is yet another “feels like I cheated” entry, but the Idle Thumbs guys’ work on Important If True deserves to be recognized. They could have simply recycled the Robot News segments from Idle Thumbs for this, but instead they went for something much wilder, taking people’s advice on what wishes to ask for from a genie, going through breakdown procedures for old Chuck E. Cheese competitor restaurants, and speculating on a Jessica Fletcher vs. Jaws matchup (as in the shark). The most wildly funny podcast going now. Recommended episodes: “Fight Garbage With Garbage”, “Ghosts ‘n’ Goblins”, “A Wish Upon a Star”

honorable mention: Waypoint Radio

With the Idle Thumbs guys winding down to a monthly schedule (sorta), Vice’s Waypoint staff’s podcast has readily stepped into the hole left behind by the Thumbs for regular doses of industry coverage. It’s great to see Danielle Riendeau and Rob Zacny getting more exposure outside of the Thumbs ecosystem, and Austin Walker, Patrick Klepek, and Danika Harrod are this sort of perfect perpetual motion machine at the heart of everything. Recommended episodes: “The Orange Casket”, “R.I.P. A.I.M.”, “Someone Explain To Me The Alien Alloys Before I F'ing Explode”