#with moira brooker

[judi-daily]

As Time Goes By, 1992 - 2005 S4 E6 - The Anniversary Party with Geoffrey Palmer, Jenny Funnell & Moira Brooker

clip: tayryn

[tctmp]

Frank: Directed by Lenny Abrahamson. With Domhnall Gleeson, Moira Brooker, Paul Butterworth, Phil Kingston. Jon, a young wanna-be musician, discovers he's bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.

[nearit]

TV & MOVIES 2020

Too late, no one cares, and yet...

TELEVISION 

I May Destroy You (BBC)

2020 was a good year for re-watching the previously agreed highlights of TV drama – I Claudius, The Singing Detective, Sopranos, The Wire – but I May Destroy You is conspicuous for being the most ambitious of the two modern dramas on my list. Thankfully, Michaela Coel’s series is good enough to represent for the whole artform, a story about race, rape culture and trauma told in a way that feels both new and true.

That it feels so unexpected while exhibiting all the qualities of classic drama is a real lesson in what has yet to be revealed, in TV and in life.

Schitts Creek (CBC/Netflix over here tbh)

In this world of tolerant small business owners we may be largely stuck with each other, but we may also be reassured that our pairings and partings will play out with a degree of crude kindness.  That the kindness is still leavened with that crudity right up until the end only serves to make it more palatable

It’s not hard to see why this show has been welcomed into so many homes over the past couple of years, or why queer households would feel particularly welcoming. Hint: it’s not just Moira’s outfits, great as those undoubtedly were.

Ted Lasso (Apple TV+)

Surprisingly not a fantasy though its setting may as well be Middle Earth for all I know about football. The trick here is that the show takes Ted’s non-toxic, collaborative approach to coaching seriously while also making sure that the other characters aren’t just foils to his working method.  

This is true even when these characters frustrate his best efforts but, crucially, Ted’s efforts never frustrate this complexity.  In fact if anything his approach tends to foster it, which makes for a rewarding dynamic for viewers and antagonists alike.   Crucially, the jokes were just about good enough to register this as a comedy, rather than a twitter thread. 

Or maybe I’m just happy that I finally learned the name for that unnerving sensation (it’s semantic satiation, in case you were wondering). 

Dating Around (Netflix)

It is January 2021 and I would now gladly suffer the worst moments in the second series of Dating Around – the watery banter about healthy cocktails, sure, but also the ultra-dull one-sided polyamory man – if it meant getting to go out and talk to people and feel the air cool against my skin in fresh company.

Strictly Come Dancing (BBC)

Bill Bailey’s victory is the final triumph of the boomers, as prophecised by Bobstradamus, but the future was still here. Sometimes it looked brassy and fun. Sometimes it looked queer. Sometimes it looked a bit glitterfash, if we’re honest. It was all there on the screen though, reflected rather than obscured by the baldness of the victor.

Cheer (Netflix)

As self-proclaimed alternatives to gang culture go, this one provides the most aesthetically satisfying trauma. This does not make watching it any easier - that bit with the broken ribs! - and we should be thankful for this discomfort if we hope to remain human.

The Queen’s Gambit (Netflix)

It’s not so much that the first episode is slow, more that it shows how much the series relies on Anya Taylor-Joy to make its dramas seem tangible.

No matter how intently Beth Harmon gazes across it, the ordered conflict of the chessboard is ultimately no protection from the disordered chaos of the world.  It starts to look like a convincing and worthwhile end in itself over the course of this limited series, and if Harmon’s support group never quite attain the same status they remain amusing and interesting even at their most underwritten. 

The Trump Show (BBC)

A documentary that painted a picture of the outgoing, game show president so absurd and dispiriting that Charlie Brooker made a weird Gus Van Sant version of it instead of writing any good jokes for his piss-awful Death to 2020.

What We Do In The Shadows (FX/the BBC over here, innit)

“Guillermo.”

Limmy’s Homemade Show (BBC)

It’s always good to see Limmy back on telly but the internet is where he’s from, and his Homemade Shows successfully married the deranged hall of mirrors feel of his Vines to the more traditional craft of his previous work for broadcast.  It’s a rare treat for a TV show to put you so totally in someone else’s personal mental world, but watch out - that wee guy above might just haunt you.  

MOVIES

Uncut Gems (Josh and Benny Safdie)

A great film for fans of harsh lighting and sweat-stained faces. For whole minutes at a time, Uncut Gems makes this combo seem like a road to transcendence.

I look forward to Adam Sandler making another critically acclaimed film in ten, maybe fifteen years.  In the meantime, there’s always Hubie Halloween. 

The Lighthouse (Robert Eggers)

An angry couple asked me what I made of this tale of booze-wrecked, salt blasted isolation on the way out the door. I sometimes wonder how they are doing now that the lobster has had time to go very cold indeed.

First Love (Takashi Miike)

Miike knows this gangland ballad well enough to have some fun with it, which might be why there were at least three images that made me laugh with surprise in the first ten minutes alone

First Love’s protagonists are another story though, and if the pace slowed after the first act then that only seems fair – they needed time to work out what sort of world they were fighting their way through if they were to have any chance of surviving in it.

Bacurau (Kleber Mendonça Filho and Juliano Dornelles)

A supremely unstable movie, where the relationships and power dynamics depicted are every bit as unsettled as the tone and genre of the film itself.

Some of these shifts bring pure pleasure (”Who is he?” “And what’s  going with her?”) but the sound of knives being sharpened can always be heard in the distance.  The alert viewer will leave the film still hearing those sounds when the credits have finished. 

Mank (David Fincher)

Fincher’s work has never really got under my skin and I don’t give a shit about awards season but there should be an Oscar for looking disdainful and wounded in a circus outfit and this film should win it.

Amanda Seyfried is amazing, because of course she is.  As Karen in Mean Girls she played someone totally oblivious to the joke and make it work; here, she plays someone more interesting than the joke and makes that work too.

Gary Oldman, meanwhile, plays a version of himself who has slightly more noble thoughts when drunk.  The movie as a whole threatens to wash over you in a wave of silver images, but this seems fitting for a story that is so concerned with the lies the screen can sell you.   

Fireball: Visitors From a Darker World (Werner Herzog and Clive Oppenheimer)

Like what survives of its subjects, this film - and indeed Werner Herzog’s ongoing career - is a fragment of another world embedded in dullest modernity.

David Byrne’s American Utopia (Spike Lee)

Speaking of which: David Byrne, ladies and gentleman!  

The urge to reach out in Byrne’s work has always existed alongside the urge to lock yourself up in an immaculately articulated bunker, and that tendency is acknowledged here by way of a monologue about how the version of ‘Everyboy’s Coming to My House’ sung by a Detroit choir exhibits none of his latent misanthropy.  This is a concerted effort to convey a sort of rational, collectivist sense of social inclusion through banging tunes and careful dance moves; that it never loses sight of where or who we are right fucking now is to its credit (”Say his name”).

Ema (Pablo Larraín) 

Another arty movie about the magnetism of bodies moving in time, this time dedicated to a Ballardian re-imagining of the family unit that played like a distressed, slow motion soap opera.   

I watched this the same weekend that I watched American Utopia and they made for an excellent one-two.  Post punk vs. reggaeton, clean suits  and exhausted smiles vs. neon animal print and glib arson, a chaste hug vs. neon-strobed fucking.   There is nothing so easily laudable as American Utopia’s weathered liberalism underpinning Ema, but if its protagonist’s refusals and enticements are initially bewildering, the movie has a logic to it that slowly burns its way into your brain in time for the the climax. 

Da 5 Bloods (Spike Lee)

A film that wanders away from itself so often that I sometimes lost track of what I was watching.  Is it an essay on Trump's America and Black Lives Matter? A war movie that knowingly addresses issues of imperialism and race more directly than most? A eulogy for an actor who has only just passed away? A film about the strengths and limits of male friendship? A series of confessions from a soul that has been soured by a lifetime of guilt and pain?

This is the film's strength and occasionally its weakness too, but honestly, given the choice between too much of this stuff and too little I know where my heart lies.

The Studio Ghibli streaming explosion (Various)

Hayao Miyazaki’s aesthetic is well designed for times like these.  It’s easy to indulge in yet also stern and parental, enchanting but shot through with environmental horror and an awareness of how the world’s weight my sit on your shoulders. 

There were other pleasures to be found by sifting through the Ghibli catalogue dump, of course.  Finally watching Whisper of the Heart was a treat, but the real prize was getting a proper feel for Isao Takahata’s filmography for the first time.  From the free-roaving animal balls to the fairy tale etchings by way of the living, breathing comic strip, each of his movies works to find a shape for itself.  Some of these shapes are more to my taste than others - I’m still not wild on Pom Poko, alas! - but none of them were easily digested or forgotten, not even in a year where it was easy to forget what you’d had for breakfast by the time you got to lunch.  

[somerandomolddude]

My Favorite British Sitcoms - As Time Goes By

Hello.

Maybe you’ve seen some of these on your local PBS channel. Maybe you caught an episode in syndication one on of the countless channels beamed across the airwaves. 

I stumbled across this one years ago, during one of my fairly regular sleepless nights. It’s “As Time Goes By”.

https://www.imdb.com/title/tt0105943/

(Characters - Jean (seated), L-R - Sandy, Lionel, Alistair, Judith)

Dame Judi Dench and Geoffrey Palmer portray the leads, Jean and Lionel. It’s a mature series, but not in a vulgar way. 

With minimal spoilers, it’s like this. During the Korean War era, Lionel and Jean met in London as young adults. Jean was in nursing school, Lionel was in the National Service (British Army). It was mutual love at first sight. 

A week after their meeting, Lionel was posted to South Korea. Each tried to correspond to the other, their respective letters were lost in transit, and each assumed the other lost interest. 

Jean and Lionel went on to their own paths. Jean became a nurse, and later opened a secretarial business. Lionel went on to manage a coffee plantation in Kenya (!). Each went through the ups and downs of adult life. 

Decades later, Lionel retired and moved back to London. He had an idea to write a memoir. Not being an adept typist, he hired a secretarial company to transcribe his manuscript. The company sent an attractive young brunette to pitch their business to Lionel...

During the series, we meet interesting characters, like:

Sandy (Jenny Funnell) - the efficient secretarial business office manager

Alistair (Philip Bretherton) - the rich, flirtatious publishing house CEO who takes interest in Lionel’s manuscript

Judith (”Judy” - Moira Brooker) - the business pitchwoman who has a thing for older men

Rocky & Marge (Frank Middlemass & Joan Sims) - Lionel’s parents, well-off retirees who are always up for interesting adventures & experiences

Mrs. Bale (Janet Henfrey) - the long-time, hyper-efficient housekeeper of the Hardcastle country estate

At its heart, it’s a love story. But, there are some funny moments & recurring gags, to include:

Lionel’s curmudgeonly nature & affinity for custard tarts

Jean’s penchant for preposterous cover stories when she’s stressed by her former sister-in-law Penny (Moyra Fraser)

Alistar’s effervescent personality & attempts at hipness

Mrs. Bale’s obsession with the British Shipping Report

Penny’s husband Stephen (Paul Chapman), a highly-successful dentist who once accidentally declined a Most Excellent Order of the British Empire (OBE)

Lionel’s numerous attempts to finish the only joke he knows, the one about “the parrot with no feet”

I’ve seen every episode, including the reunions, at least twice. Like many British shows, the dialogue comes quick and smart. There is a laugh track, but it’s used sparingly. 

One neat benefit - there’s rarely any “precocious”, loud-mouthed kids or adolescents trying to steal scenes. 

To me, it’s a relief to see a show with adults dealing with adult issues in an adult manner. 

For what it’s worth, I’d definitely recommend “As Time Goes By”. It’s decidedly different from what most people consider a current sitcom style. It may not be for everyone, but I love it. 

v/r

[nerdyamericangirlinlondon-blog]

My #Roku just did the scariest thing ever!!!! 😮😮😮😮🤤🤤🤤 Poor Moira Brooker! #AsTimeGoesBy #BritishTelevision #Scary

[fabioferreiraroc]

As 15 melhores séries da década, disponíveis na Netflix e no Amazon Prime Video

Para ajudar os leitores que estão procurando uma boa série para maratonar, a Bula reuniu em uma lista as 15 melhores da década, lançadas a partir de 2010, disponíveis na Netflix e no Amazon Prime Video, os serviços de streaming mais populares no país. Para se chegar ao resultado fizemos uma compilação de listas publicadas nos sites “Vulture”, “Esquire”, “Colider”, “Insider” e “Rotten Tomatoes”.

Para ajudar os leitores que estão procurando uma boa série para maratonar, a Bula reuniu em uma lista as 15 melhores da década, lançadas a partir de 2010, disponíveis na Netflix e no Amazon Prime Video, os serviços de streaming mais populares no país. Para se chegar ao resultado fizemos uma compilação de listas publicadas nos sites “Vulture”, “Esquire”, “Colider”, “Insider” e “Rotten Tomatoes”. Entre os destaques, estão “Dark” (2017), de Baran bo Odar e Jantje Friese; “The Marvelous Mrs. Maisel” (2017), de Amy Sherman-Palladino; e “Downton Abbey” (2010), de Brian Percival e Ben Bolt. Os títulos estão organizados de acordo com o ano de lançamento.

Imagens: Divulgação / Reprodução Netflix e Amazon Prime Video

O Método Kominsky (2019), Chuck Lorre — Netflix

Na trama, Sandy Kominsky é um ator de grande sucesso em Hollywood que hoje dá aulas de atuação. Ele tenta ajudar seu agente de longa data e melhor amigo, Norman, a superar um momento difícil. Ao mesmo tempo, ele tem que administrar sua escola de atores e lidar com os problemas de sua vida amorosa. Com bom humor, Sandy e Norman enfrentam juntos a chegada da velhice.

Anne With an E (2017), Moira Walley-Beckett — Netflix

Os irmãos Marilia e Matthew decidem adotar um garoto para ajudar nos serviços da fazenda. Mas, por um engano, quem chega à casa deles é Anne, uma órfã de 13 anos. Eles decidem devolver a garota, mas ela implora para ficar e afirma ser capaz de trabalhar como um menino. Marilia e Matthew concordam e, com o passar do tempo, se encantam com a inteligência de Anne. A série é baseada na obra “Anne de Green Gables”, de Lucy Maud Montgomery.

Dark (2017), Baran bo Odar e Jantje Friese — Netflix

A história se passa na pequena cidade fictícia de Winden, na Alemanha. Nesse povoado, onde as famílias permanecem por gerações, todos se conhecem. Quando duas crianças desaparecem, a população se assusta e suas vidas pacatas são completamente atormentadas. As investigações trazem à tona os segredos obscuros de quatro famílias da cidade.

Fleabag (2017), Phoebe Waller-Bridge — Amazon Prime Video

A série acompanha a vida de uma mulher chamada apenas de Fleabag, algo que pode ser traduzido como “fracassada”. Além dos conflitos familiares que enfrenta, ela luta para superar a morte de sua sócia e melhor amiga. Vivendo em Londres, Fleabag tenta reajustar sua vida, mas vive de ressaca e se envolve com caras errados, enquanto seu negócio vai de mal a pior. A série foi a maior vencedora do Emmy 2019, conquistando quatro estatuetas.

The Marvelous Mrs. Maisel (2017), Amy Sherman-Palladino — Amazon Prime Video

Nos anos 1950, Midge Maisel leva a vida que sempre sonhou, em um apartamento luxuoso de Manhattan. Seu único hobby é escrever piadas para Joel, que se apresenta em bares nos fins de semana, mas não é muito talentoso. Quando Joel abandona Midge para ficar com a amante, ela decide recomeçar a vida como comediante. Susie, a gerente de um bar, se oferece para ser sua agente. Juntas, elas lutam para crescer em um ramo dominado pelos homens.

Ozark (2017), Mark Williams e Bill Dubuque — Netflix

Marty Bird vive em Chicago com sua esposa e dois filhos adolescentes. Eles parecem uma família normal, exceto pelo trabalho de Marty, um consultor financeiro que é também o mais importante lavador de dinheiro para o segundo maior cartel de drogas do México. Quando seus esquemas são descobertos, ele tem que mudar com a família para a bucólica região dos Lagos Ozark, no Missouri.

Stranger Things (2016), Matt e Ross Duffer — Netflix

Em novembro de 1983, na pequena cidade de Hawkins, o garoto Will, de apenas 12 anos, desaparece misteriosamente. Logo, o xerife Jim Hooper inicia uma operação para encontrá-lo. Mas, os amigos de Will decidem procurá-lo por conta própria e, durante a busca, conhecem Eleven, uma garota com poderes telecinéticos que diz saber onde o garoto desaparecido está.

Outlander (2014), Ronald D. Moore — Netflix

A série é baseada nos livros da autora Diana Gabaldon. A trama acompanha Claire, uma enfermeira na Segunda Guerra Mundial. Após o fim do conflito, ela viaja com o marido, com o objetivo de se reaproximarem. Durante um passeio, Claire encontra um portal do tempo e é transportada para a Escócia de 1743. Nessa nova realidade, Claire se apaixona pelo jovem guerreiro escocês Jamie Fraser.

House of Cards (2013), Beau Willimon — Netflix

“House of Cards” narra as tramas de Francis e Clair Underwood, que almejam um alto cargo político em Washington. Após uma série de denúncias de assédio sexual contra o ator-protagonista Kevin Spacey, que interpreta Francis, Clair se torna a personagem central na continuidade da série. A série foi baseada no romance homônimo de Michael Dobbs.

Peaky Blinders (2013), Otto Bathurst e Tom Harper — Netflix

A série se passa na década de 1920 e apresenta a história real da família Shelby, formada por mafiosos que praticam assaltos e apostam ilegalmente em corridas de cavalos. A família é liderada por Tommy, que volta desiludido da Segunda Guerra Mundial e decide entrar para a vida do crime. Com o império dos Shelby crescendo, o inspetor irlandês Chester Campbell é designado para vigiá-los de perto.

Vikings (2013), Michael Hirst — Netflix

A série é inspirada nas histórias de invasões, comércio e exploração da Escandinávia medieval, e no lendário viking Ragnar Lothbrok, um dos mais conhecidos heróis nórdicos. Após ataques bem-sucedidos na Inglaterra, Ragnar ascende ao poder e se torna o Rei da tribo dos Vikings. Para conquistar outras nações, ele conta com o apoio de outros guerreiros e de sua família, incluindo seu irmão, Rollo, e suas duas esposas, a escudeira Lagertha e a princesa Aslaug.

Black Mirror (2011), Charlie Brooker — Netflix

Ambientada em um futuro próximo, a série aborda temas satíricos e obscuros que examinam a sociedade moderna e sua relação com as novas tecnologias. Cada episódio conta uma história diferente e surrealista, mas todos falam sobre as consequências do uso indiscriminado de aparelhos tecnológicos e das redes sociais.

Downton Abbey (2010), Brian Percival e Ben Bolt — Amazon Prime Video

A história se passa no início do século 20, em Downton Abbey, onde moram a família aristocrática Crawley e seus vários criados. Na parte superior do castelo, os Crawley levam uma vida luxuosa, cercados por intrigas e segredos. Nos andares inferiores, os empregados se esforçam para cumprir todas as ordens de seus amos, mas também vivem conflitos e romances. Ao longo da série, o espectador acompanha os grandes acontecimentos da época, como o naufrágio do Titanic e a Segunda Guerra Mundial.

Sherlock (2010), Steven Moffat e Mark Gatiss — Netflix

Após retornar do serviço militar no Afeganistão, o médico John Watson precisa de um lugar para ficar em Londres. Ele vai morar com o detetive Sherlock Holmes, de quem acaba se tornando amigo. Juntos, os dois auxiliam a polícia de Londres na resolução de assassinatos e outros crimes brutais. Eles também contam com a ajuda da patologista Molly Hooper.

The Walking Dead (2010), Frank Darabont — Netflix e Amazon Prime Video

A série acompanha um pequeno grupo de pessoas que sobreviveu a um apocalipse zumbi. Elas caminham juntas em busca de um local seguro, longe dos zumbis, que devoram pessoas e possuem uma mordida infecciosa para os seres humanos. O grupo é liderado por Rick Grimes, que ocupava o posto de vice-xerife em uma pequena cidade antes do apocalipse.

As 15 melhores séries da década, disponíveis na Netflix e no Amazon Prime Video Publicado primeiro em https://www.revistabula.com

[movietvtechgeeks]

Latest story from https://movietvtechgeeks.com/la-la-land-stranger-things-atlanta-sweep-2017-pga-awards/

'La La Land,' 'Stranger Things' and 'Atlanta' sweep 2017 PGA Awards

“La La Land” is easily sweeping up all the awards this year, but Netflix’s “Stranger Things” jumped in on the action along with “Atlanta” for the 28th annual Producers Guild Awards (PGA).

The musical comedy-drama went up against “Arrival,” “Deadpool,” “Fences,” “Hacksaw Ridge,” “Hell or High Water,” “Hidden Figures,”  “Lion,” “Manchester by the Sea,” and “Moonlight,” but was able to come out the winner which was presented by Dustin Hoffman.

The guild recognized the candy-colored musical with its Darryl F. Zanuck Award for theatrical motion picture production Saturday, a prize that often precedes the best picture Academy Award. (Last year was an exception, when “The Big Short” won the guild award, while “Spotlight” got the Oscar.) The nominees for the guild’s top film prize echo Oscars’ best picture nominees this year, with the exception of “Deadpool,” which made the cut with producers but not the film academy.

But the guild’s celebration at the Beverly Hilton Hotel of the year’s outstanding film and television productions had a decidedly political tone, as President Donald Trump’s ban on refugees and visitors from several Muslim countries triggered protests in New York, Los Angeles, Chicago, Dallas, Seattle and other cities.

“Our America is big, it is free, and it is open to dreamers of all races, all countries, all religions,” singer John Legend said as he introduced “La La Land” at Saturday’s untelevised ceremony. “Our vision of America is directly antithetical to that of President Trump. I want to specifically, tonight, reject his vision and affirm America has to be better than that.”

Ezra Edelman, producer and director of “O.J.: Made in America,” which claimed the guild’s documentary prize, echoed Legend’s sentiments.

“Please keep telling stories that are about our humanity,” he said.

Other winners Saturday included “Zootopia” for animated feature, “Atlanta” for episodic television comedy and “Stranger Things” for episodic TV drama.

Presenters included Justin Timberlake, Octavia Spencer, Taraji P. Henson, Nicole Kidman, Jeff Bridges, Kerry Washington, Robert De Niro and Martin Scorsese. Veteran producers James L. Brooks, Tom Rothman and Irwin Winkler received special awards.

Dustin Hoffman presented the night’s top prize. As producer Marc Platt accepted for “La La Land,” he said, “The power of cinema cannot be denied and has no borders … We must believe love can change our lives, much as it can change the world.”

Full List of 2017 Producers Guild Awards Winners:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures: • La La Land (WINNER) Producers: Fred Berger, Jordan Horowitz, Marc Platt • Arrival Producers: Dan Levine, Shawn Levy, Aaron Ryder, David Linde • Deadpool Producers: Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner • Fences Producers: Scott Rudin, Denzel Washington, Todd Black • Hacksaw Ridge Producers: Bill Mechanic, David Permut • Hell or High Water Producers: Carla Hacken, Julie Yorn • Hidden Figures Producers: Donna Gigliotti, Peter Chernin & Jenno Topping, Pharrell Williams, Theodore Melfi • Lion Producers: Emile Sherman & Iain Canning, Angie Fielder • Manchester By the Sea Producers: Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, Kevin Walsh • Moonlight Producers: Adele Romanski, Dede Gardner & Jeremy Kleiner

The Award for Outstanding Producer of Animated Theatrical Motion Pictures: • Zootopia (WINNER) Producer: Clark Spencer • Finding Dory Producer: Lindsey Collins • Kubo and the Two Strings Producers: Arianne Sutner, Travis Knight • Moana Producer: Osnat Shurer • The Secret Life of Pets Producers: Chris Meledandri, Janet Healy

The Award for Outstanding Producer of Documentary Theatrical Motion Pictures: • O.J.: Made in America (WINNER) Producers: Ezra Edelman, Caroline Waterlow • Dancer Producer: Gabrielle Tana • The Eagle Huntress Producers: Stacey Reiss, Otto Bell • Life, Animated Producers: Julie Goldman, Roger Ross Williams • Tower Producers: Keith Maitland, Susan Thomson, Megan Gilbride

The David L. Wolper Award for Outstanding Producer of Long-Form Television: • The People v. O.J. Simpson: American Crime Story (Season 1) (WINNER) Producers: Scott Alexander, Larry Karaszewski, Ryan Murphy, Brad Falchuk, Nina Jacobson, Brad Simpson, D.V. DeVincentis, Anthony Hemingway, Alexis Martin Woodall, John Travolta, Chip Vucelich • Black Mirror (Season 3) Producers: Annabel Jones, Charlie Brooker • The Night Manager (Season 1) Producers: Simon Cornwell, Stephen Garrett, Stephen Cornwell, Hugh Laurie, Tom Hiddleston, Susanne Bier, David Farr, John le Carré, William D. Johnson, Alexei Boltho, Rob Bullock • The Night Of Producers: Steven Zaillian, Richard Price, Jane Tranter, Garrett Basch, Scott Ferguson • Sherlock: The Abominable Bride Producers: Mark Gatiss, Steven Moffat, Sue Vertue, Beryl Vertue

The Award for Outstanding Sports Program: • VICE World of Sports (Season 1) (WINNER — TIE)  • Real Sports with Bryant Gumbel (Season 22) (WINNER — TIE) • E:60 (2016) • The Fight Game with Jim Lampley: A Tribute to Muhammad Ali • Hard Knocks: Training Camp with the Los Angeles Rams (Season 11)

The Award for Outstanding Digital Series: • Comedians in Cars Getting Coffee (Season 7, Season 8) (WINNER) • 30 for 30 Shorts (Season 5) • Epic Rap Battles of History (Season 5) • Marvel’s Agents of S.H.I.E.L.D.: ACADEMY (Season 1) • National Endowment for the Arts: United States of Arts

The Norman Felton Award for Outstanding Producer of Episodic Television, Drama: • Stranger Things (Season 1) (WINNER) Producers: Matt Duffer, Ross Duffer, Shawn Levy, Dan Cohen, Iain Paterson • Better Call Saul (Season 2) Producers: Vince Gilligan, Peter Gould, Melissa Bernstein, Mark Johnson, Thomas Schnauz, Gennifer Hutchison, Nina Jack, Robin Sweet, Diane Mercer, Bob Odenkirk • Game of Thrones (Season 6) Producers: David Benioff, D.B. Weiss, Bernadette Caulfield, Frank Doelger, Carolyn Strauss, Bryan Cogman, Lisa McAtackney, Chris Newman, Greg Spence • House of Cards (Season 4) Producers: Beau Willimon, Dana Brunetti, Michael Dobbs, Josh Donen, David Fincher, Eric Roth, Kevin Spacey, Robin Wright, John Mankiewicz, Robert Zotnowski, Jay Carson, Frank Pugliese, Boris Malden, Hameed Shaukat • Westworld (Season 1) Producers: J.J. Abrams, Jonathan Nolan, Lisa Joy, Bryan Burk, Athena Wickham, Kathy Lingg, Richard J. Lewis, Roberto Patino, Katherine Lingenfelter, Cherylanne Martin

The Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy: • Atlanta (Season 1) (WINNER) Producers: Donald Glover, Dianne McGunigle, Paul Simms, Hiro Murai, Alex Orr • black-ish (Season 2) Producers: Kenya Barris, Jonathan Groff, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins, Vijal Patel, Gail Lerner, Corey Nickerson, Courtney Lilly, Lindsey Shockley, Peter Saji, Jenifer Rice-Genzuk Henry, Hale Rothstein, Michael Petok, Yvette Lee Bowser • Modern Family (Season 7) Producers: Steven Levitan, Christopher Lloyd, Paul Corrigan, Abraham Higginbotham, Elaine Ko, Jeff Morton, Jeffrey Richman, Brad Walsh, Danny Zuker, Vali Chandrasekaran, Andy Gordon, Vanessa McCarthy, Jon Pollack, Chuck Tatham, Chris Smirnoff, Sally Young • Silicon Valley (Season 3) Producers: Mike Judge, Alec Berg, Jim Kleverweis, Clay Tarver, Dan O’Keefe, Michael Rotenberg, Tom Lassally, John Levenstein, Ron Weiner, Carrie Kemper, Adam Countee • Veep (Season 5) Producers: David Mandel, Frank Rich, Julia Louis-Dreyfus, Lew Morton, Morgan Sackett, Sean Gray, Peter Huyck, Alex Gregory, Jim Margolis, Georgia Pritchett, Will Smith, Chris Addison, Rachel Axler, David Hyman, Erik Kenward, Billy Kimball, Steve Koren

The Award for Outstanding Producer of Non-Fiction Television: • Making a Murderer (Season 1) (WINNER) Producers: Laura Ricciardi, Moira Demos • 30 for 30 (Season 7) Producers: Connor Schell, John Dahl, Libby Geist, Bill Simmons, Erin Leyden, Gentry Kirby, Andrew Billman, Marquis Daisy, Deirdre Fenton • 60 Minutes (Season 48, Season 49) Producers: Jeff Fager • Anthony Bourdain Parts Unknown (Season 5-8) Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandra Zweig • Hamilton’s America Producers: Alex Horwitz, Nicole Pusateri, Lin-Manuel Miranda, Jeffrey Seller, Dave Sirulnick, Jon Kamen, Justin Wilkes

The Award for Outstanding Producer of Competition Television: • The Voice (Season 9-11) (WINNER) Producers: Audrey Morrissey, Jay Bienstock, Mark Burnett, John de Mol, Chad Hines, Lee Metzger, Kyra Thompson, Mike Yurchuk, Amanda Zucker, Carson Daly • The Amazing Race (Season 27, Season 28) Producers: Jerry Bruckheimer, Bertram van Munster, Jonathan Littman, Elise Doganieri, Mark Vertullo • American Ninja Warrior (Season 7, Season 8) Producers: Arthur Smith, Kent Weed, Anthony Storm, Brian Richardson, Kristen Stabile, David Markus, J.D. Pruess, D. Max Poris, Zayna Abi-Hashim, Royce Toni, John, Gunn, Matt Silverberg, Briana Vowels, Mason Funk, Jonathan Provost • Lip Sync Battle (Season 1, Season 2) Producers: Casey Patterson, Jay Peterson, John Krasinski, Stephen Merchant, Leah Gonzalez, Genna Gintzig, LL Cool J • Top Chef (Season 13) Producers: Daniel Cutforth, Jane Lipsitz, Doneen Arquines, Tom Colicchio, Casey Kriley, Padma Lakshmi, Tara Siener, Erica Ross, Patrick Schmedeman, Wade Sheeler, Ellie Carbajal

The Award for Outstanding Producer of Live Entertainment & Talk Television: • Last Week Tonight with John Oliver (Season 3) (WINNER) Producers: Tim Carvell, John Oliver, Liz Stanton • Full Frontal with Samantha Bee (Season 1) Producers: Samantha Bee, Jo Miller, Jason Jones, Tony Hernandez, Miles Kahn, Pat King, Alison Camillo, Kristen Everman • The Late Late Show with James Corden (Season 2) Producers: Ben Winston, Rob Crabbe, Mike Gibbons, Amy Ozols, Sheila Rogers, Michael Kaplan, Jeff Kopp, James Longman, Josie Cliff, James Corden • Real Time with Bill Maher (Season 14) Producers: Bill Maher, Scott Carter, Sheila Griffiths, Marc Gurvitz, Billy Martin, Dean E. Johnsen, Chris Kelly, Matt Wood • Saturday Night Live (Season 42) Producers: Lorne Michaels, Steve Higgins, Erik Kenward, Lindsay Shookus, Erin Doyle, Ken Aymong

The Award for Outstanding Children’s Program: • Sesame Street (Season 46) (WINNER) • Girl Meets World (Season 2, Season 3) • Octonauts (Season 4) • School of Rock (Season 1) • SpongeBob SquarePants (Season 9)

Movie TV Tech Geeks News

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Moira Brooker Married, Husband, Children, Net Worth, Facts, Wiki-Bio

Moira Brooker Married, Husband, Children, Net Worth, Facts, Wiki-Bio

Moira Brooker is a widow. Who is her husband? Born Name Moira A.S. Brooker Birth Place Croydon, Surrey, England Height 5 feet 8 inches Eye Color Light Grey Nationality British Ethnicity English Profession Movie Actress Husband Anthony Milner (m. 1985; died 2015) Net Worth $500 thousand Weight 65 kg Age 62 years old Sibling Janis Brooker Parents Victor Brooker, Ethel Bassett

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As Time Goes By, 1992-2005 with Geoffrey Palmer, Moira Brooker, and Jenny Funnell S4 E4 - The Affair clip: tayryn

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As Time Goes By, 1992-2005 with Moira Brooker S2 E3 - Visiting Rocky clip: tayryn

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As Time Goes By, 1992-2005 with Moira Brooker S2 E3 - Visiting Rocky clip: tayryn

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As Time Goes By, 1992-2005 S4 E8 - Wedding Day Nerves with Geoffrey Palmer, Moira Brooker, and Jenny Funnell Clip: tayryn

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As Time Goes By, 1992-2005

S9, E4 - What Now

with Geoffrey Palmer, Moira Brooker, Jenny Funnell, David Michaels, and Philip Bretherton

Clip: tayryn

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As Time Goes By, 1992 - 2005

with Geoffrey Palmer, Jenny Funnell, Moira Brooker, and Philip Bretherton

Photo credit: BBC/Taffner Productions