#with her intro to band class
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munson-blurbs · 10 months ago
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Summary: Your lab partner, Eddie Munson, might be the most irritating person in your life. But when he unexpectedly comes to your rescue at a party, his chivalry is too hard to resist.
A collaboration with the absurdly talented @corroded-hellfire đŸ„°
WC: 3.8k
Warnings: smut (18+ only, minors DNI), fem!Reader, enemies-to-lovers, drinking, Billy Hargrove being a douche, fighting, blood, praise, fingering, accidental voyeurism if you squint, unprotected p in v, fluff because Red & I are some corny motherfuckers
Thank you @blueywrites for your idea that upped the spice đŸŒ¶ïžđŸŒ¶ïž Divider credit to @saradika
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“Okay, so we need to mix the magnesium with hydrochloric acid,” you start, carefully measuring each substance and pouring them into a test tube, “and then we light the splint and see if it creates a squeaking noise.”
“Right,” Eddie says, not bothering to hide his disinterest. “And, uh, why are we doing this, exactly?”
You clench your jaw and exhale through your nose. Eddie getting under your skin is bad enough, but if he knew how much he annoyed you, he’d likely double down. 
“We’re testing for the presence of oxygen,” you say with as much patience as you can muster. “And you need to wear safety goggles.”
He rolls his eyes and mimics you in a high-pitched and highly unflattering tone. “You need to wear safety goggles.” 
He reaches for the matches, but you pull them away before he can grab them. 
“I’m serious.”
Eddie scoffs. “Please. We’re not even blowing shit up. Besides, I have a gig tonight, and I’m not getting on stage with goggle marks on my face.”
Now it’s your turn to roll your eyes. “Yeah, I’m sure that’ll be the difference between your shitty band getting a record deal or not.”
“Whatever.” But he begrudgingly snaps on the protective gear, and you hand over the matchbox and the splint. 
“So just li—seriously?” You watch, dumbfounded, as Eddie strikes a match and uses it to light the cigarette perched between his lips. Where had he kept it this whole time?
“What?” He asks with a smirk. “There’s, like, a million of these left. I’ll use the next one for the experiment thingy.”
He doesn’t get that far; Ms. O’Donnell marches over and yanks out the cigarette, snuffs it in the tray, and orders him to the principal’s office. 
Leaving you to complete your work alone. Again. 
Last week, it was because he’d kicked his feet up on the table and took a swig of Mountain Dew from a beaker. The week before, he’d blown up a rubber glove like a balloon and popped it right in Jason Carver’s ear, causing him to shatter a test tube on the ground. 
You often felt more like a babysitter than a lab partner. 
What you needed was a night out, so the party Steve Harrington was throwing tonight could not come any sooner. It wasn’t your usual scene, but all of your friends were going, and it certainly beat raiding your parents’ liquor cabinet alone. 
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Music blasts from an overpriced stereo system as you pull up to Steve’s house. Barely audible over the reverberating bass is the sound of drunken cheering as someone does a kegstand. You sigh, plaster a smile on your face, and make a beeline for the punch bowl. 
Heather Holloway ladles jungle juice into an already pink-stained cup; you’re grateful for at least one kind face in a sea of Hawkins High students and recent graduates. 
“Heather, hi!” You smile at her, plucking a new cup from the stack and filling it nearly to the brim. “How’s college?”
Heather takes a sip, wrinkling her nose at the vodka’s pungency. “Way better than high school,” she says with a laugh. “I’m taking an intro to biochem, and my lab partner actually shows up.”
You raise your glass in a mock toast. “Maybe you could take mine. He’s more trouble than he’s worth.”
She laughs. “Can’t be worse than when I was stuck with The Freak last year. He never showed up to class.” 
“Really?”
“Mhm. And Ginny Anderson was his lab partner during his first senior year, and he pulled the same shit.”
Lucky them, you think wryly. Guess he decided to be a star student for his third go-around. 
Frat boy-style cheering echoes from behind you and when you spin around you see Billy Hargrove strutting through the crowd, towards the kitchen. He throws a wink to a few girls and slaps five to one of the guys on the basketball team. If he’s coming into the kitchen, it’s the last place you want to be.
The living room is smoky and loud, but it beats getting stuck next to the booze with a jackass like Hargrove. Every thump of the bass has the little sips of alcohol you’ve taken sloshing around in your stomach. It’s hard to tell where you’re going or even what direction you’re going with so many people, so you just keep wading through groups until finally you come upon some space to breathe. 
Unfortunately, this space brings you right back to where you began: in front of the kitchen. Just in time for Billy to sidle up next to you, the scent of whiskey and tangy cologne wafting off of him in waves. 
“Where have you been all my life?” he asks, as if it’s supposed to be charming instead of nausea-inducing. 
“Was better a second ago,” you mumble, not caring if he hears you or not. But when you move to step away from the blonde, the smarmy look slips from his too-pretty face and is replaced with a mask of set determination. 
Strong fingers curl around your wrist, just tight enough to cause the barest amount of pain. The audacity and possessiveness are what piss you off the most, though. 
A gentle tug of your arm does nothing to free it from his grip, so you try a little harder. Still nothing.
“Let go,” you seethe. The words are biting, but you’re a chihuahua up against a doberman. 
Somehow, above your pulse pounding in your ears and the music thumping throughout the large house, you hear the distinct clang of a metal lunchbox snap shut and heavy boots on polished wood floors headed in your direction. 
You sense Eddie over your shoulder before he appears in your peripheral vision. A moment hangs in the air where he and Billy stare at one another, and you watch them both, unsure of what is about to happen. 
Eddie steels his jaw, unmoving. “Let her go,” he says, a slight rasp in his tone. 
The jock remains unfazed, unthreatened. “Shouldn’t you be worshiping Satan’s asshole, Freak?”
“Shouldn’t you be worshiping Tommy’s? Or does he only worship yours?”
A cacophony of laughter stirs up an anger inside of Billy. He grabs Eddie by the jacket collar and slams him against the counter. “If you don’t fuck off in the next three seconds, I’ll kick you ass so hard that your uncle won’t even be able to identify your body.”
Eddie smirks. “One
two—”
Billy’s fist crashes into Eddie’s cheek with a sickening crack. Eddie returns with a punch to Billy’s abdomen, but not before his face sustains a few more hits. 
Shock loosens its grasp on you and you call out for help, knowing it’s no use getting in the middle of their brawl. Someone—Tommy H, maybe—is chanting “fight!” and it takes all of your willpower not to clock him yourself. 
Billy finally lets up when Eddie falls to the floor, clutching his stomach in agony. “Maybe next time, you’ll mind your fucking business,” he spits through his split lip—one of the few punches Eddie managed to land. 
His smarminess is enough to provoke a reflexive response in you. As he gloats, you deliver a swift kick square to his crotch. A choked whine slips from Billy’s parted lips as he doubles over. You snort a laugh to yourself thinking about how the dumbbell is probably going to spin this story so he doesn’t seem like any less than the King of Hawkins High in front of his fellow party-goers. He’ll never be able to take away your satisfaction at using a pair of your nicest shoes to crush Billy’s balls though. 
Eddie is still on the ground, wiping blood that’s trickled out of his right nostril onto the back of his sleeve. Turning your back to Billy, you bend down and offer your hand to Eddie. He accepts it with a weak smile and you help him to his feet. 
“Are you okay?” you ask.
“Nothing I can’t handle,” Eddie says with a shrug and a sad smile that knots your stomach. He’s been hurt worse than this?
Unable to follow that train of thought, you reach out and slip your hand into Eddie’s. You give a small tug and he readily follows you down the hall of the Harrington home, the thumping beat of the bass becoming softer the further you walk. 
In the back corner of the house you manage to find a bathroom that’s not occupied by someone puking the mixture of alcohol they’ve consumed or a couple hooking up, going at it like wild animals. This one looks like it’s been hardly touched all night and you click the lock into place once you and Eddie are inside. 
Eddie takes a seat on the closed toilet lid, his calloused fingers coming up to gently touch the gash right across his chin. He winces at the tenderness of the wound while you crouch down and look in the cabinets underneath the sink for a first aid kit. 
“Ah, here we are,” you announce as you pull out the small white box with the red cross on it. On your knees, you shuffle over towards Eddie and slide the kit along with you. “It’s not so bad,” you tell Eddie as you dab some rubbing alcohol on a small swath of gauze. “The face just bleeds more because—”
“Because the blood vessels in the face are so close to the skin,” Eddie finishes for you. 
“Wow,” you say, raising your eyebrows at him. “I’m impressed.”
“We are in the same science class, you know,” Eddie teases with a playful smirk. It quickly turns to a grimace though as you begin to dab at his wounds. 
“I thought I recognized you from the seat next to mine,” you joke back. There’s silence for a few moments while you clean off all the excess blood and bandage up the open cuts. “Why are you suddenly interested in science this year? I mean, I was talking to Heather before and she said you never showed up when you were her lab partner. So, what? Renewed attempt to graduate?”
“Uh,” Eddie says with an awkward chuckle. He avoids your eyes and rubs his hand along the back of his neck. “Something like that.”
“Got the hots for O’Donnell?”
He belly laughs at that thought, grimacing at the pain it causes. “Fuck, no!” He shakes his head. “She looks like a walrus and a naked mole rat had some sort of freaky baby.”
You wrinkle your nose. “Ew.”
“You were the one who suggested I’m into her,” Eddie rebutted, and fairly so. 
“I didn’t make you compare her to a—”
A loud crash stops you mid-sentence, followed by someone drunkenly lamenting, “not the punch!”
“We’re probably safer hiding out in here for a bit,” Eddie says softly, “unless you want to volunteer to clean up whatever mess they made.”
“I think cleaning up your mess is more than enough for tonight.” To punctuate your point, you swipe a clean piece of gauze over a small cut you’d previously missed. “Besides, I wanna know what’s suddenly got you showing up to class.”
Eddie’s eyes roam your body far more conspicuously than he’d like, but the attention fills you with a newfound warmth. “You.” He snorts out a little laugh, startling you slightly. “Fuck, I’m drunker than I thought.”
“W-Wait.” You fight off the embarrassment that accompanies your stuttered words. “I’m the reason 
?”
He noticed your reaction, mistaking disbelief for discomfort. “Does that make things
does that make you feel weird?” Nerves marr whatever joking tone he was trying to convey. 
All you can do is shake your head. “No. It makes things
good.” Good insufficiently describes your reaction, though part of you waits for the other shoe to drop. It’s a prank, his way of getting back at you for—
A hooked finger in the belt loop of your jeans snags your attention, Eddie gently tugging you closer to him. “And now?”
“Still good. Better, actually.” Resting one hand on his sore chest, you lean in and add, “will it hurt if I kiss you?”
“Don’t care.”
Despite him not caring, you certainly care if you’re going to hurt him or not. Your mouth moves slowly towards his, lips just barely brushing against each other as your breaths co-mingle. It’s not enough for Eddie though, and he presses his lips against yours with more force, stealing the air from your lungs as your body melts against his. The back bathroom at the Harrington household is not something you would’ve considered romantic before, but right now it’s the only place you want to be. Tucked away in the corner with Eddie, trading explorative kisses as your hands roam each other's bodies. 
Your body buzzes when Eddie’s tongue sweeps against yours, heat immediately pooling between your legs. 
Instinctively, gingerly, you press your torso to his, one trembling finger hooking into his belt loop. A moan escapes you, soft but saturated with need. Eddie clocks it immediately. 
“Mhm.” His smile threatens to break the kiss. “That’s it.” 
You feel the button of your jeans unfasten, the sound of unzipping music to your ears. His hand slips between the denim and the newly exposed lace of your panties, grin widening when it reaches the damp patch. 
Eddie’s hardness strains against the confines of his own pants, and you rush to relieve that ache. His exhale when you touch him—over his boxers, but not as gently as he touches you—makes you even wetter. 
“Gotta have you.” He toys with your waistband but doesn’t explore further until he hears your ‘yes,’ pathetic and whimpering but consent nonetheless. “Good girl,” he growls, sending a shiver coursing through you. 
The pads of his fingertips find your clit without struggle, rubbing precise circles over it that have you groaning his name. “Every time you say my name from now on,” he murmurs, “I’m gonna think about this.”
“Eddie, Eddie, Eddie.” It’s part taunt and part truth; only his name is on your mind. Your back arches against the sink, porcelain digging into your skin, but you barely notice. 
One strong hand reaches for the strap of your tank top, pulling it down so harshly that the fabric tears. He mutters a soft swear, tugs the rest of the shirt down until your bra is completely visible. 
“Fuckin’ perfect.” Eddie kisses your chest, groaning when the sensation of his lips causes you to squeeze his throbbing cock. “Careful, or I’ll—”
He’s interrupted by the door swinging wide open, Billy and Heather wrapped around each other in drunken lust. Billy’s eyes widen, their blueness dulled from the liquor, when he sees that the bathroom is currently occupied—and by whom. 
The intrusion startles you as well, but you’re much quicker at recovering than the inebriated asshole gaping at you from the doorway.
“Get the fuck out!” you hiss. 
Heather turns her head to look in your direction, as if she hadn't been aware there was anyone else in the bathroom until you’d spoken up. It’s clear she’s had quite a few more drinks since you’d seen her in the kitchen.
Whether it’s the alcohol, the shock, or his own stupidity, Billy doesn’t make a move towards leaving, let alone tug Heather along with him. The blonde shakes a few curls out of his eyes, causing Heather to reach up and twirl one around her finger.
“Jesus Christ, is this douche even capable of hearing a woman if she isn’t moaning his name?” Eddie mutters to you before rounding on the drunken pair and raising his voice. “The lady said out. Now.” 
Something finally snaps Billy out of his dazed state and he curls his lip, giving the two of you a half-hearted sneer. He pulls Heather out of the doorway so quickly that it looks like she gets whiplash as he slams the door closed behind them. 
Eddie leans over and locks the door, giving the knob a twist for good measure. “Do me a favor, honey?” His voice is a ribbon of silk down your spine. “Turn around so you’re facing the mirror.”
You do as he says, hands planted on the sink ledge. Your shirt is torn, make-up smudged, and you’re out of breath from the impromptu make out session. Ducking your head, you’re determined to avoid your reflection until tobacco-scented words tickle your ear from behind. 
“Be a good girl and look at yourself while I fuck you.” Eddie moves your thong over, exposing your pussy, and exhales with a tremble. His middle finger glides over your folds before pushing into you slowly. “You got wetter when I called you a good girl, didn’t you?”
“Mhm,” you manage, stifling a moan as his ring finger joins his middle. 
A teasing pout graces Eddie’s lips. “Such a good girl. And only for me.”
“Only for you,” you echo. 
He taps the head of his cock on your bare ass, leaving drops of pre-cum in his wake. “Gotta be inside you,” he growls. “Gotta fuckin’ feel what a good girl you are.”
The sensation of his cock dragging down along your folds mixed with him knowing just what to say to get you squirming has you dropping your head forward with a soft whimper. A strong, calloused hand quickly finds its way up to your throat though, and presses with just enough pressure to remind you that you’re supposed to be looking at yourself in the mirror. 
When you lift your head, you’re greeted by the sight of a smirking Eddie behind you in the mirror.
“Atta girl,” he praises. 
At a torturously slow pace, Eddie begins to push inside of you. A guttural groan slips past your gritted teeth as he stretches your walls, the pleasure causing you to curl your toes inside your shoes.
“Fuck,” Eddie breathes out before pulling his hips back. “Pussy’s even tighter than I imagined.”
The mental image of Eddie laying in bed with his hand wrapped around his cock, thinking of you is enough to make your knees weak. They can’t buckle too much; Eddie has one hand gripping you tight and the other trailing down to your clit. Each deliberate circle is punctuated by a thrust, pleasure from every angle. 
He kisses your shoulder blade, groaning when you tighten around him. “Look at yourself,” he growls his reminder. “Look how beautiful you are, all fucked out like this.”
You catch another glimpse; this time, you see Eddie’s lust-filled expression along with your own. He’s even further gone than you are, so focused on burying himself within you to care about the sweat matting his bangs to his forehead or the way his teeth dig into his lower lip. 
“Say it.” His voice is half-commanding, half-pleading. 
“S-Say what?” Each word is a struggle, your orgasm building to a peak you’d never before reached. 
“That you’re beautiful.” He tugs you even closer to him, and there’s no mistaking his dominance for anything else. “So—goddamn—beautiful.”
You follow his order without a second thought. “I’m b-beautiful, all fucked out like th-this.” 
Eddie’s hips snap against the plush of your ass at a frenetic pace. “That’s it; that’s my good girl.” Not a good girl, you note. His good girl. 
One hand atop his, desperate for as much contact as possible, you moan: “your good girl.”
“Oh, fuck.” Everything is you—you and him together, and it drives him to the edge. “You
you gotta
’m so close,” he rambles. 
“Me, too.” Panting breaths mingle with his groans, your walls tightening around him as you come. It’s so much, so intense, and tears cloud your vision resulting from the overwhelming bliss. “Eddie, oh, Eddie.”
He spills into you with a cry of your name. “H-ohmygod, holy fuckin’ shit.” His thrusts don’t stop until every last drop of his cum is inside you. 
Eddie’s chest presses against your back, but he’s careful not to put all his weight on you. The feeling of him so solid and warm behind lulls you from pure ecstasy to warm contentment, not wanting to move out from beneath him. 
A few silent moments pass before Eddie pulls out of you, both of you disappointed by the loss of contact. But Eddie’s hands refuse to let you go entirely, gently running over your hips and up your sides. The touch is featherlight and sends a comforting tingle throughout your limbs.
“You with me?” Eddie’s worn-out voice asks you.
“Mhmm,” you hum in acknowledgment. “Don’t wanna move.”
Eddie gives a husky chuckle in reply before he stands up, reluctantly taking a step away from you. Your own muscles whine in protest as you stand straight, the tell-tale signs of a good fucking already settling in. 
The two of you begin to clean up, each slipping back into articles of clothing along the way. One question prickles the back of your mind in the quiet room and you know your brain won’t be able to rest until it has an answer.
“Uh, Eddie?” you ask once you’ve cleaned up your smeared lipstick.
“Yeah?”
“Are you still going to come to class? Or, you know, now that you’ve had me you won’t have a reason to anymore?” You try to hide the insecurity in your tone but there was no mistaking the slight edge your words had. 
Eddie pauses mid-buckling his belt and gives you a frown. 
“Sweetheart,” Eddie says and the nickname alone already has your engine revving for a round two. “I wouldn’t sit through O’Donnell’s class for someone I only wanted to fuck. If I’m gonna listen to that hag drone on and on then there’s a damn good reason I’m sitting my ass in that classroom.” With a sigh, Eddie steps closer to you and after a moment’s hesitation, cups your face in his hands. “Can I take you out? Do things, ya know, the right way?”
A little trill of a giggle bursts out of you, which makes Eddie frown. But you’re quick to let him in on what you found amusing.
“You mean having sex in a bathroom at Steve Harrington’s house isn’t the typical way romances start?”
A grin slowly slides across Eddie’s mouth and you swear it’s one of the most beautiful things you’ve ever seen. All you want to do is keep that smile on his handsome face as much as you possibly can. 
“A romance, huh?” He clicks his tongue. “If I’d known that’s what this was, I would’ve at least fucked you in a guest room.”
You let your fingers brush over the fly of his jeans, feeling a gentle twitch from behind the zipper. “How about for round two?”
Eddie holds your face in his hands as he kisses you deeply, only breaking it to smile and murmur: 
“You read my mind, Beautiful.”
--
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goshdangronpa · 4 months ago
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While I'm talking about what I'd like to see in a Class of 09 show, how about a ridiculously deceptive intro that straight-up lies about the tone and characters?
The visuals are colorful and peppy and totally typical of the late 00s, like the iCarly intro. Complete with a Radio Disney-friendly pop punk theme that's more overproduced pop than punk.
Fabricated scenes of Nicole and Kylar pulling a mild prank on Principal Lynn, who smiles and shakes her head. Crispin, Jecka, and Ari playing in a garage band. Jeffery staring at Emily with heart eyes, and her brushing him off with a teasing smirk of her own?? High school hijinks, hints of teen romance, a promise of wholesome fun!! "Whatever happens, everything will be fine / For you and me and the Class of 09!"
And then the episode starts and it's Nicole asking Emily how they can get Jeffery's funeral protested by the Westboro Baptist Church
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creampuffqueen · 1 month ago
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Mal's Modern Avatars AU
Welcome one and all to my Avatar College AU, the premise of which is that the three female Avatars share an apartment during college and are all best friends. This is the official character intro post!
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Yangchen Ngodup - she/her
Major: International Relations, minoring in Philosophy, Psychology, and Political Science (yes she is insane for this)
Sport: Volleyball setter (fall) & track sprinter (spring)
Clubs: Debate team, Model UN, Volunteer Chair for Eco-Representatives Club, Choir (soprano) & Class President her senior year
Family: Raised by her older sister, Jetsun, who disappeared without a trace when Yangchen was 7. After her sister's disappearance she lived with her elderly relatives Tsering and Dagmola. Her senior year of high school she went to live with her Uncle Boma in order to get in-state tuition for her top choice college
Other: Owns two siamese cats named Pik and Pak. Routinely exceeds the daily recommended caffeine limit. Leader of a bar trivia team that kicks ass
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Kavik Aliyak - he/him
Major: Pre-med, hoping to specialize in emergency medicine
Sport: Intramural wrestling for one semester, drops it for intramural ice hockey
Clubs: Math Club, Chess Club, Pre-med Society
Family: Parents Tapeesa and Ujurak, brother Kalyaan who is 3 years older than him
Other: Complex relationship with his older brother. Attempted to rush a frat but decided it wasn't for him. Was a Resident Advisor for two years. Receives a yearly National Merit scholarship for his proficiency in math. Works part-time as a cashier at a local boba shop
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Kyoshi Jampa - she/her
Major: Literature
Sport: Basketball, attends on a scholarship for the sport
Clubs: Poetry Club, Ceramics Club, Forestry Club, a small stint with the campus newspaper
Family: Abandoned at 5, bounced around the foster system until ending up with Kelsang at 10. Her parents passed away in prison when she was 13, and Kelsang officially adopted her when she was 14
Other: Sings backup vocals for The Flying Opera Company, a small band started by some of her friends. Works as a barista at a local boba shop. Very shy due to bullying during middle and high school. Her and Rangi's families are extremely close
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Rangi Sei'naka - she/her
Major: Pre-law, wants to specialize in criminal justice
Sport: Intramural soccer and taekwando
Clubs: Debate Team, History Tutoring, LGBTQ Club
Family: Parents Hei-Ran and Junsik. Her father passed away from leukemia when she was 12
Other: Part of the school's ROTC program in the army branch. Attends this school specifically to be with Kyoshi
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Korra Egoak - she/they
Major: Kinesiology
Sport: Intramural soccer, wrestling, and rugby
Clubs: President of the LGBTQ Club
Family: Parents Senna and Tonraq, plenty of close extended family on both sides
Other: Was homeschooled her entire life. Originally scouted to swim for a different college, but suffered an accident in high school that left her both traumatized and paralyzed. She is mostly recovered, but still deals with PTSD and occasional depression. Has a service dog, Naga
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Asami Sato - she/her
Major: Mechanical Engineering
Sport: Intramural Jiu Jitsu
Clubs: President of the Robotics Club, LGBTQ Club, Chess Club
Family: Parents Yasuko and Hiroshi. Mother was killed in a home break-in when she was 8. Her senior year of high school her father was arrested for insider trading, and his million-dollar company reverted to her. It is currently being run by others, but she plans to take over after she gets her degree
Other: Part of a sorority
Relationships:
Yangchen & Kavik began dating the summer after their freshman year. Influenced by his older brother, Kavik broke up with her over winter break their sophomore year. He quickly regretted this and spent the next semester making it up to her until they felt ready to date again
Kyoshi & Rangi began dating their senior year in high school after being friends for several years. When Kyoshi got into this college, Rangi instantly decided to follow her
Korra & Asami met while Asami was dating Mako. She, Korra, and Mako all bounced between each other for a few months before the two girls realized they liked each other far more than they liked him. They began dating the spring semester of their freshman year
Yangchen, Kyoshi, and Korra became friends their freshman year and decided to rent an apartment together for their sophomore year. They enjoyed it so much they kept the apartment together until they all graduated
If you want to read more about this AU, check out this post or this post. Or this silly incorrect quotes post. Also feel free to send asks about it if you're interested!
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onegirlatelier · 1 year ago
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October, 2023 | Two-pieced skirt from Southern Song Dynasty (intro+tutorial)
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Introduction
(Note: for now I’m not making a bibliography for this article, but if you are interested I’m more than happy to send the sources.)
The two-pieced skirt (liǎng piĂ n qĂșn) is a type of skirt from the Southern Song Dynasty (1127-1279). It is also known as xuĂ n qĂșn (literal translation: circle/swirl skirt). As far I know, there are two sets of surviving samples of these skirts, one from the tomb of Ms Huang Sheng (this was her full maiden name - she died at 17, one year after getting married, in 1243) and the other from the tomb of Ms Zhou (also her maiden name - she died possibly at 35 and was buried in 1274). The main stylistic difference between these two sets of two-pieced skirts is that those of Ms Zhou had a relatively large difference between the hem and waist measurements (the hem is 15~20cm wider than the waist circumference), whereas those of Miss Huang Sheng had a small difference (approx. 10cm).
Below is a diagram showing the construction. The skirt is composed of one upper piece and one under piece. Each piece consists of two panels which are trapezoids or (roughly) rectangles. For the sake of convenience, we shall call them the centre panel and the side panel. You can see that the centre panels of the two pieces overlap, and the whole thing is fixed onto a waist band. All surviving samples have relatively wide waist bands—about 10-14cm in width. One strip on each side of the waist band is used to tie the skirt.
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Pattern details
The modern common agreement is that the panels are usually right trapezoids (trapezoids with two right angles). I don’t know whether this is historically accurate, as some people think they were pentagons, but I doubt we can ever find out from what is currently available, just because the fabrics had been damaged and distorted over time. Assuming that they are right trapezoids, there are two different ways to piece the panels: you can sew the edges with two right angles together, or you can sew together the opposite edge with two non-right angles together (see diagram). They yield different results. A skirt made with the first method would have more of an A-line and more flowy. One made with the second method would wrap more snugly around the torso and give an H-shape.
You might have noticed that the centre panel is a bit wider than the side panel. This is because the centre panel would be worn in the back and the side in the front. A good starting point is to make the centre panel 10cm wider, but this of course depends on one’s body shape.
Another modern agreement is that the skirt better compliments a flat body shape with gentle curves (as has been the mainstream high-class aesthetics for the female body for a very, very long time right up to now). The most prominent issue with a difference between waist and hip measurements is that the skirt will bunch up at the lower back. To alleviate this issue, darts are used on the sides. Another way is to wear a petticoat, some underpants, or just something around the waist to enlarge the waist measurement. The skirt is not designed to accommodate a large difference between waist and hip circumferences (>30cm probably, though it starts to get difficult at 25cm).
Applying your measurements
(Numbers, when applicable, are in centimetres.)
You need your waist and hip circumferences. The skirt is usually full length. I like to make it as long as possible without the danger of tripping. It could be made shorter for thicker stiffer fabrics or a more modern look. Keep in mind that the skirt has a very high waist.
The length of the waistband is usually 1.7-1.9*waist circumference. In any case, it cannot be shorter than 1.3*hip circumference or it won’t close properly.
Now that you have the length of the waistband, you can calculate the upper edges of the panels. Let a be the length of the waistband, b the finished upper edge of the side panel. Then the finished upper edge of the centre panel is roughly b+10. Using the information discussed in the previous section, we have an equation: a=2b+b+10. This is your starting point—adjust as needed.
Triangular darts. There are a few ways to make them and this is just one of them. Let c be the width on each side of one dart. c=(hip-waist)/4. This means each dart will eliminate half of the (hip-waist) difference, and there are two darts.
c+b= total width on the upper edge of the panel. The bottom edge (i.e. the hem) of the same panel would be about 5cm wider than the upper edge.  
The width of the waistband. If you would like to wear it without folding, 6-8cm is good. If wearing with a fold (which sometimes also helps reducing the bunching at the lower back), make it 10-14cm. Note that you need to cut the waistband doubling the width plus allowance.
The ties are usually 2-3cm wide. As for the length, try start from waist circumference+0.6*skirt length. I like to make it 20cm longer because I like long billowy ribbons. Like the waistband, you cut the ties doubling the width since you will fold it in sewing.
Then you would have something like this:
(measurements used: waist 65, hip 89)
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Be careful that you need extra fabric because of the fold created at the dart. (You’d need less fabric if you cut away the excess fabric in the dart.)
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Fabric suggestions
This is important. Very very important. Because only the right fabric is worth your time and produces the desired result.
In general, choose something soft, drapey and that conforms to your body. Two or three centimetres of difference in calculation hardly matters when you use a good silk.
Silk: a Chinese specialty called Luo is probably one of the best. Other types of soft drapey silks of medium weights are all fine. I don’t like the right side of silk charmeuse because it reflects the body curves a bit too much.
Viscose: use silk as a guide. I find that twill weave or crepe tends to be more drapey than plain weave.
Cotton/linen/wool: some of these are fine too. If using a thicker wool, only use it for the top piece and use a thin fabric for the under piece of the skirt.
An extra note on cutting out the pieces:
If you are making a skirt with contrasting colours/prints, pay attention to where you cut so that the best part of the pattern of the under piece can actually show through the slit.
Construction
Piece together the side panel and the centre panel, using French seams to make the side seam. Sew all the way from top to bottom.
Sew the dart and press it towards the back. (Alternatively, you can cut away excess fabric, or even make a pocket at the side seam.)
Do Steps 1 and 2 for both the upper and under pieces. Finish the allowances on the sides by folding twice and doing an invisible edge stitch. Leave the hem unfinished.
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Lay the upper and under pieces together, baste and check fit. Sometimes the centre panel don’t overlap perfectly and that’s fine.
Finish the ties, including the shorter edge not attached to the waistband.
Sew the outer side of the waistband to the skirt panels by laying them right sides together. Press open.
Fold the waistband right sides together and sandwich the tie in between. If wearing the waistband unfolded, you need to attach the tie along the top of the waistband on the under wide and in the middle of the waistband on the upper side (see picture). Sew. Do this for both short edges of the waistband.
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(You can interline the waistband if the fabric is too soft. I used a non-adhesive cotton interlining and cut it without allowance and stitched it onto the allowances of the skirt panels. Whatever method suits you should work.)
Turn the right side out and finish the inner side of the waistband by folding in the allowance and using an invisible stitch/felting stitch.
Finish the hem. For the corner, I prefer to do a three-fold corner so that I don't have to trim away the excess.
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Wash and press. Et voilĂ !
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her-stargirl · 1 year ago
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Unknown Dances
Mizu x Fem!reader
Synopsis: Mizu has culture shock while also having to attempt to fit in, however she ends up making a friend at a noble ball.
authors note: I literally researched about 17th century court dancing for this guys (I already knew a little from my intro to dance class but not nearly enough)
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The cultural differences between Japan and London were so striking to Mizu that it took her two days to to understand a small bit of it. From what she had heard a ball of noblemen was being held and she thought that would be just the place she could find her next target.
She used Fowler as her way in since she assumed he was probably quite well respected among white people.
Mizu scanned over the party, she felt, strange wearing such an odd English outfit however to stay discreet she needed to look the part.
There's a band in the corner about to start a new song and the way people are locking eyes it feels as though they all know what song will be next. They begin finding partners and Mizu feels a tap on her shoulder.
A girl with her hair tied back into a beautiful updo, wearing a yellow ballgown is standing there. "I'm sorry I couldn't help but notice you look lost..have you never seen this dance before?" The girl seems nice. "Here follow me I'll help you," she gently takes Mizu by the hand and pulls her over to the two lines already forming. One of women and one of men.
Mizu was dropped off in the middle of the line of men, she didn't like this, she needed to get back on track. She had no idea was she was doing and-
The music starts.
She looks down at the feet of the man in front of her and follows as the man circles in front of his parter and back to his spot, then waits as her partner, the unnamed girl in the yellow dress, circles around her. One arm holding out her skirt, the other close to her chest.
This is all to stressful, she looks at the girl with a worried expression, however the gaze is not reciprocated because the girl is having the time of her life, smiling, laughing.
Mizu thinks the girl might laugh herself to death however the music stops and the girl turns to Mizu, "That was fun wasn't it?" Mizu is bright red with embarrassment? anxiety? she didn't quite know.
"Ah, you look ill come with me," the girl tries to grab Mizu's hand again. "No! I don't know you and yet you keep dragging me around, I demand at least a name!"
The girl looked surprised for a minute, a look of 'oh! a foreigner maybe that's why they were so confused!' but she soon snapped out of it "Goodness I'm sorry, my name is y/n..I'm also sorry for dragging you into something you don't know well people usually catch on quicker than you did."
Mizu felt her body destress a bit however she kept her gaze sharp, "Its..a pleasure to meet you y/n.." Mizu said, still quite unsure.
"Likewise" y/n says smiling patiently.
"Well y/n if you'll excuse me I have some um..important business to attend to," Mizu turns to walk away, face still red from embarrassment.
"Alright..um..I'll see you later then," y/n says in a somewhat upset voice, she hoped that this wouldn't be the last time they see each other.
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Mizu's plan was beginning to prove unsuccessful, everyone she had talked to had little to no info. She found herself back in the large ballroom.
She stared out at the crowd of people, and there she was, the girl in the yellow dress. Still dancing, still smiling. Mizu was envious.
She felt, compelled to that girl, as if she was out loud saying 'Mizu, come over here and dance! you're wound so tight!'
Before Mizu even thought about it she was already out on the floor taking y/n's hand, "May I dance with you?" she asks in a calm yet alluring voice.
Y/n just smiles politely and nods, taking Mizu's hand and swaying softly, "I'm sorry for coming off so," y/n pauses trying to find the right word, "strongly earlier" She gives Mizu an awkward gaze.
"I'm just not used to people taking a strong liking so fast," Mizu says, attempting to hold eye contact however she's fairly bad at it because she's focused on how her feet are moving.
The song comes to an end and people disperse, this time Mizu is the one to pull y/n. The two walk down the hall to a quieter spot. Mizu was acting so fast she didn't quite know what she was even doing she-
"I'm sorry I don't know why I pulled you off to the side, you can go back if you'd like," the words come out however she doesn't want them to.
"No its ok, I'll stay here," y/n says, "I need a minute away from the action" she lets out a soft chuckle.
Its quiet for only a minute but feels like forever before the silence is broken, "I'm going to be painfully honest I was drawn to you because of your eyes...not because you looked lost," y/n says "they're just so unique and such a beautiful color."
Mizu felt her cheeks flush hot and fast, "thank you...? wait um, you're welcome? no that's not right eith-" y/n cuts Mizu off with a loud, joy filled laugh. "I know what you meant don't worry."
Mizu inhales sharply, "That color..yellow, it's beautiful on you" Mizu rushes the words out, she's never felt like this.
"Thank you," y/n says with a polite and delicate smile.
Another song is beginning back in the main ballroom, "This is my favorite!! lets go!" y/n says looping her arm around Mizu's. Once again dragging her off to dance.
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x0llaz · 8 months ago
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Ten Things I Hate About you
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Jung Sungchan
Chapter 1) first impressions
WC~300
Masterlist. Next.
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It was Sohee’s first day at his new school, he had spent his morning talking to counselors, teachers, and the principal. He was finally assigned a buddy to show him around for the rest of the day. He walked into the hallway and saw a taller boy waiting across the hall.
“Sohee?” The other guy called.
“That’s me,” Sohee said meekly.
“Great,” the taller approached. “I’m seunghan, I’ll be showing you around.
Sohee was used to the routine, get paired with a buddy who felt pressured to sticking with him until he switched schools again. Make in-genuine friendships that could last just until he was on the road.
But as he walked with seunghan, who took time to not only show him around, but made an effort to fill him in on anything he should know, he felt more at ease. It felt like seunghan was having more of a genuine conversation- though it was mostly one sided.
“Ready for the fun part?” Seunghan asked with a smirk.
“What’s that?”
“The cliques,” Seunghan gestured to the courtyard full of diverse groups of friends. “We have your usual preppies, jocks, nerds,” he lazily directed Sohee’s attention across the area. “But we also got theater kids, IB candidates, and plenty of other genres of douchebags,”
“Riveting,” sohee sighed. It was going to be a long year.
“Tell me about it,” seunghan laughed to himself. “There’s a rumor that the band kids suck each other’s dicks at contest,” seunghan cracked a bright smile that made sohee laugh in shock.
“How would you know that?” He asked.
“Word gets around,” The older shrugged. “Anyways, we can go-“
“Holy shit!” Sohee interrupted as his eyes caught on someone’s figure.
She was slim, with long hair, a pretty outfit, and big eyes that made his heart pound. “Who’s she?” Sohee asked breathlessly.
“Her? That’s Yuna,” Seunghan sighed. “Take a good look, that’s as far as you’ll ever get,”
“What group is she in?” Sohee finally turned his gaze away.
“She’s not just in the group, she is the group. They all revolve around her. She’s the queen bee in her class, even upperclassmen know about her,” seunghan explained in admiration. “But shes kinda off limits so,”
“What? Why?” Sohee furrowed his brows.
“Her dad’s a real nut job about dating and stuff. He hates the existence of teen pregnancy,” seunghan told the younger.
Sohee just frowned. “Okay
 what about
 that guy,” he gestured to the group of guys by the wall. The guys were all huddled around each other, checking out girls as they passed by.
“That’s jeno and his little dream team,” seunghan mocked. “Ridiculously handsome, but there’s nothing going on in their heads,”
“Huh,” sohee shifted his gaze to a girl who was sitting at a table by herself, earbuds plugged in, drawing on a sketch pad. “What about her?”
Seunghan looked over at her. “Oh man, don’t,” he shook his head. “That’s YN, Yuna’s older sister,” they watched as she continued drawing. “She’s a nice girl deep down, but man can she be a bitch,” they watched as some of her friends joined her. “Her friends are the only people she talks to, other than Yuna, or Jeno when she wants to rip him a new one,”
“Sounds intense,” Sohee felt tense as he heard about her.
“Yeah, but she’s nice when you get her talking,” seunghan said, when a group of guys passed by them. Sohee noticed how other students looked up to stare.
“Them?”
“They don’t have a name. They’re just kind of insane.“ seunghan faked a shiver and sohee huffed out a breath. It was going to be a long year.
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First chapter is kinda just a silly little intro! Next chapter will be a full smau and we’ll get into more stuff >:)
Taglist: @allyoops , @snowyseungs , @seobstarr , @hollxe1 , @Mmmewxgthn, @haeeeeefer , @dinosluver , @sseastar-main , @st4rryhae , @m1ng1swife , @hisrkive , @user7520, @nattys-girl , @papichulomacy , @so-lychee , @nicholasluvbot, @onebnis,
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causenessus · 2 months ago
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the party's not over
part 0.05. intros
AISLE ONE: THE FUTURE OF 7/11
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m.list | next
extras <3
yn works at a convenience store called passion's! kenma has just started working there as well
although he is still a streamer, he is not as popular currently as he would be canonically. also he wanted to work at the convenience store lol. bc cats.
the convenience store they work at often has a few cats and one german shepherd lounging around <3 the owner of the store owns the german shepherd and the cats are mainly strays who have been adopted by the store/become regulars. although this may seem like a health violation, this is common in some areas of japan where cats are effective for boosting sales and exterminating rodents. dogs also help with bringing customers in and keeping the store safe
saeko and y/n are best friends and always platonically flirting with each other. they've taken it upon themselves to take care of kenma and kageyama
everyone can legally drive but kageyama, the professional volleyball player.
he's never had a reason to get a license because he either takes a train or runs somewhere but sometimes his games are too far away but he refuses to sit in a classroom or learn about driving so he just asks other people to drive him if he needs to
kageyama's actually used to live in an apartment below saeko and y/n but he'd ask saeko for rides all the time and eventually they all got well acquainted enough they realized it'd be easier to all split the rent
kenma moved back to kodaira city after living on his own for awhile. he just kind of got bored and asked y/n if he could live with her. not because he needed help, he just wanted to live with friends (although he'd never admit it)
y/n has known saeko since high school. then they went to the same nearby university, had classes together, and started living together while in school.
y/n met kenma while in university through mutual classes. she went to school for a degree in business, and they had a lot of finance classes together while kenma was studying marketing
although she graduated with her degree, she's been struggling to find a job and isn't really that motivated since living with three other people is making things slightly easily so she's happy working at the convenience store
saeko works primarily at a nearby coffee shop (new grounds? đŸ™‚â€â†•ïž) and sometimes does a few odd jobs. also plays with a band ever so often
the 7/11 gc has three cats; sir (gray and white cat), alfredo (spotted black and white cat), and sebastian (black cat totally not named after sdv). kenma wants to bring more cats home from passion's but everyone else says no
saeko's usually up earliest and feeds them all but when it comes to who the cats choose to sleep with sebastian (sebby) is basically y/n's cat, sir chooses between y/n and kenma, alfredo likes to sleep with saeko
kageyama is forever alone
taglist: @akaakeis @wyrcan @daisy-room @eggyrocks @cheriisae @alexithemiyatic @kameyyy @iiwaijime @chaotic-neutral-ig @bakery-anon @kakeru-eem @iluv-ace @ahdbodr @xgraydee @phoenix-eclipses @mayyhaps @cosmiicdust @layskettlecookedchips @rrosiitas @tanuki-tanuki @kiyokostan @soulfullystarry @anqelkoz @stargirllost @cupidsblonde @makki0s @whorefornoodles @nekozaki @weezerbby @boosyboo9206 @corvid007 @kkeiurs @strawberryuri @hanadulsetaad @sparklyglitterangel (form to be added to taglist! <3)
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goreblades · 5 months ago
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intro post becuz i need mooties and stuff !! scroll down pleaseee
im alex, im 16 my sexuality is pansexual. im genderfluid im dyslexic, & autistic and have some issues understanding people.
taken by @bloodysuprise
MY FAVORITE CASE IS ANDREW BLAZE. IM THE BIGGEST NERD ABOUT HER.
my interests!; andrewblaze, zeroday, wgj4k, hotdiggitydemon. aegm, cannibalism, one wheat mark, saw, terrifier, spree, american horror story, the last of us, the walking dead, the hunger games, class of 09, creepypasta, scp, sallyface, sam & colby, the paranormal, exploring abandoned places, going on walks, music, editing, sleeping, writing, reading, skating, collecting stuff, HAMSTERS dogs, too. internet piracy, internet theories, ect. music/bands; kmfdm, lil darkie, deftones, fried by flouride.. ect
send me gimmicks <3
that’s basically everything if i think of anything else ill add on, thanks for reading. ♡
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mooncoreblr · 11 months ago
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LANGBLR INTRO!!!
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A little about me:
Call me Azara c:
Middle Eastern - Persian origins (not ir*nian please ;-;)
26 - isfp - sagittarius
lesbian - she/her
Got my BA in English Language and Literature with a minor in French
Preparing for an MA in Teaching English as a Foreign Language and self-studying and researching theoretical+applied+interdisciplinary linguistics
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Languages I speak:
Arabic (native - standard and a dialect of the gulf)
Farsi (native but I don't speak the standard)
English C1
French (standard) B1/B2
Korean B1/B2
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Languages Goals - short and long term:
IELTS BAND 9 
Arabic (build my vocabulary for translation)
Advancing in Korean C1
Advancing in French C1
Learning Standard Farsi
Consistently learn Japanese for 60 days
Consistently learn Chinese for 60 days
Could post about other languages that interest me at one point!
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How I learn languages
tv shows mostly as I rely a lot on pronunciation and sentence structures in speech
music - I mostly listen to English, Persian, Korean, Japanese and French songs but I am open to anything as long as it's good
used to take classes before covid and then I enrolled in online classes and hated them - they were bland.
textbooks that I spent a fortune on ;-;
Let's be friends !! ♡
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eponymous-rose · 3 months ago
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Monday!
It's been a while since I've done one of these week-in-the-life posts (and I LOVE reading them from others), and it's a particularly stressful week where I'm trying to stay off social media for Reasons, so hey, let's do this again!
It's a busy day, but it starts relatively late - I don't have to leave for the office until 10AM. So, you may ask, why on earth do I set my alarm for 8:30? Is it because I have an elaborate morning routine? Is it so I can hit the gym and go for a jog? No, no, no, it's because I have a little cat who takes the alarm as her cue to cuddle and I don't want to disappoint her, so I inevitably spend half an hour hugging her like a purring teddy bear first thing in the morning before I get up.
I respond to some e-mails as I get ready and on the bus ride over - mostly prep for our department's holiday party (I'm in the band and we're trying to get as much practice in as possible), but also a little work getting supercomputer access restored for an undergrad research assistant, offering to write a letter of recommendation so my colleague doesn't have to (we both know the student well and said colleague is traveling across the country for a funeral on a redeye flight tonight...), reworking some elements of the rubric for the faculty search committee I'm on, and confirming a meeting with my grad student.
10:45 - I get to the office and go to make my usual mug of tea... and realize in the moment I close my office door that the keys are still inside. I get the hot water from the lounge and meander by the office, but nobody's there. Just as I'm about to work up the nerve to go interrupt a more senior professor's meeting to borrow his keys, one of the office staff walks by and is happy to open the door for me, phew.
11:00 - My most senior grad student is doing an internship in Colorado this quarter (it's the location he most wants to do a postdoc at as well!), and we've set up a call to catch up after a few weeks without chatting. It's a bit of an awkward chat because he wants to go to his second conference in two months, and I had to bring out the "well, um, this is a side project you're doing with someone else's research group and you may want to check with them about where the $2000+ for conference costs is coming from". I possibly have an avenue - I might ask him to just attend for a couple of days instead of the whole time, so I can use some funding from a different grant, but I'm hoping we can get some cost-sharing going here, or possibly the other professor he's working with can present his poster for him if need be. Still, his work's going great and I'm hoping we can get him to this conference! He finishes his PhD this year, and I can attest to how helpful conferences are for landing postdocs.
12:00 - Speaking of grants, I had a successful grant come through late last summer to study wildfire smoke dynamics with novel instrumentation (something new to me!), and the whole team is meeting up for the first time to talk logistics! I also have to teach real soon, so I'm only on for the first chunk of the call, but we get some of the plan set up. Looks like we'll be meeting at a NASA facility early next year to do some siting stuff prior to the first controlled burn. I genuinely have no idea what I'm doing on this project, apart from being willing to write a big chunk of the proposal, but it's a good time!
12:30 - Class time! This is my domain-specific intro-to-python class that I developed 5 years ago and have been iterating on ever since. It's going a lot smoother this week than last, and the students are pretty responsive to my jokes (priority #1, lbr) and seem to be following along quite well, judging by the handful of questions I get after class. Not a ton of technical issues today, either, which is a HUGE win over last week.
1:30 - Forecasting time! I'm once again part of our university team in a giant forecasting contest. While I'm decidedly average at it (usually around 250th out of 1000 participants), my grad student was #1 for a while there. We chat in broad terms about the next week of weather in our targeted forecasting region.
2:30 - Meeting with another graduate student! We talk about some of the researchers he reached out to after his first conference a couple weeks ago, and we're starting to narrow down a possible author list for his first paper. He's working on writing up the methods and data for that paper while he incorporates a few new datasets into his preestablished workflow. He's been doing really well! Being a dual-major in CS means his code is a heckuva lot more organized than most second-year grad students I've had.
3:30 - ...nothing??? I've decided to skip my usual seminar and postpone one undergraduate student research meeting this afternoon (the one currently locked out of the supercomputer he needs for his project) since I have a couple of grant proposals due very shortly. I head out to grab some teriyaki to bring back to my office for lunch/dinner, but the restaurant just has a big sign out front saying "closed for FIRE" so I opt to go across the street for some chicken katsu and boba tea instead. I approve the final budget (coming up on a million dollars, no pressure) and keep plugging away at the statement of work (which is basically "what are you going to do, in detail, with one million dollars over the next three years? please tell us in exactly 15 pages, not counting your 3-page bibliography and 6 appendices"). I even find a perfect paper to reference to discuss one of our theories! We've made it through one round of reviews with our pre-proposal, and man, we'd love to do this project - it would be myself, a colleague, and a postdoc looking at some really novel stuff in severe storm predictability over the next three years. I also get a little work done on the invited talk I'm giving to a student journal club tomorrow, and work on some more e-mails (trying to set up a meeting with a friend's graduate student to help her out with some methods she's using from an older paper of mine).
5:15 - One of my colleagues has retired this year and has a farewell song he wants to sing at our holiday party, which happens to be mostly voice & piano, so we agree to meet up before the main practice and go over it a couple times before the rest of the band shows up and he has to head out to dinner. I'm really sorry to see him leaving (although I know he's delighted to get to spend more time with his kids and grandkids) - he and his wife were extremely welcoming when I started here, and were so kind and supportive when Mom died. Just very touched that he reached out to me to play piano on this one. Tragically, though, whoever was supposed to bring in the keyboard hasn't left it in the practice room, so we'll have to wait and run through it with the rest of the band on Thursday. Instead, it's back to the office to get caught up on e-mail and try to slog through more of the grant application (all today's research and work has netted me... 1 page of writing, blah).
6:00 - The rest of the band shows up! We run three songs of our eight-song setlist, and I'm somehow now playing on 4/8 of them, despite there being five people signed up for keys. It's a good time, though!
8:00 - I make it home and give Clara a bunch of new toys that have arrived with her prescription food (one of which she licks for 15 minutes straight). Luckily, tomorrow's work schedule is much more chill!
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aliceosemansolos · 1 year ago
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I JS REALIZED ION HAVE A INTRO POST SO IMMA MAKE ONE.
MY NAME IS FRIDAYY!! IDC ABT PRONOUNS TBH. PERO LIKE THEY/THEM IF U CARE. IM A MINOR SO IF UR 18+ DONT BE WEIRD. IM WRITING A PODCAST CALLED GHOST TOWN, COMING OUT AT SOME POINT!! ON YOUTUBE!!
FAV SHOWS: SCOTT PILGRIM TAKES OFF, HEARTSTOPPER, OHSHC (OURAN HIGH SCHOOL HOST CLUB), SOUTH PARK, NANA, I AM NOT OKAY WITH THIS, BROOKLYN NINE NINE, SHOUJO ANIMES, DOCTOR WHO, BOJACK HORSEMAN, YOUNG ROYALS
FAV MOVIES: HEATHERS, BUT IM A CHEERLEADER, IT (BOTH OF THEM), FEAR STREET (THE 2ND MOVIE TO BE EXACT PERO I LOVE THEM ALL), BRING IT ON ( ALL OF THEM OBVI), SCOTT PILGRIM VS THE UNIVERSE, JUNO, UP THE ACADEMY, TEACHERS, SPEAK, KARATE KID, GOOD WILL HUNTING, THE OUTSIDERS, I SAW THE TV GLOW, DEAD POETS SOCIETY
FAV BOOKS: SOLITAIRE, THE OUTSIDERS, HOW IT FEELS TO FLOAT, GIRL IN PIECES, SUICIDE NOTES, THE HEARTSTOPPER BOOKS, RADIO SILENCE, IT, THE CATCHER IN THE RYE, IF HE HAD BEEN WITH ME, IF ONLY I HAD TOLD HER, HATE LIST, YOUD BE HOME NOW, SPEAK, ACT COOL, A BREATH TOO LATE
RANDOM THINGS I LIKE: VINYLS, MUSIC, CDS, BAGGY CLOTHES, ALICE OSEMAN, DUMPLINGS, FASHION, ART, COLLAGES, MUSICALS, SWEET FOODS, BAKING, THE COLOR PURPLE ND RED, BLACK NAILS, POLISH MOVIES, MOVIE THEATRES, 80S AND 90S FILMS
FAV CHARATERS: TORI SPRING, ALED LAST, MICHAEL HOLDEN, KIM PINES, KNIVES CHAU, RICHIE (IT), BIZ (HOW IT FEELS TO FLOAT), HOLDEN CAULFIELD, TARA JONES, RAYNE SEPGUTA (IDK HOW TO SPELL HER LAST NAME), WENDY (SOUTH PARK), KENNY MCORNICK, EMILY (CLASS OF 09), SAL FISHER, JOHNNY (THE OUTSIDERS), LARRY JOHNSON, HACHI, NANA, SHINICHI, JACK MURPHY, FINNY SMITH(IF I HE HAD BEEN WITH ME-IF ONLY I HAD TOLD HER), CHOOCH BAMBALAZI, DANIEL LARUSSO, EDDIE PALIKINIKN(IDK HOW TO SPELL HIS LAST NAME), TODD ANDERSON, NEIL PERRY, MAX CAULFIELD
FAV GAMES: CLASS OF 09(THE RE-UP IS MY FAV), UNPACKING, OUR LIFE GAMES, BAD END THEATRE, SALLY FACE, RANDOM ITCH.IO GAMES, RHYTHM DOCTOR, STARDEW VALLEY, LAST SEEN ONLINE, OMORI, LIFE IS STRANGE
FAV MUSIC: RADIOHEAD, MITSKI, TV GIRL, ALEX G, THE SMITHS, ANY MIDWEST EMO, MSI, KIMYA DAWSON, THE MOLDY PEACHES, THE CURE, THE BEATLES, SUBLIME, FOO FIGHTERS, MOST DEATH METAL BANDS, CHELSEA GRIN(THATS METAL PERO WHATEVA), KORN, NIRVANA, THE POLICE, BAUHAUS, SIOXIES AND THE BANSHES, ALL GARAGE PUNK
FANDOMS IM IN: CLASS OF 09, SALLYFACE, STARDEW VALLEY, OSEMANVERSE OBVI, OMORI, SCOTT PILGRIM, BLUE PERIOD, FRUIT BASKET, TOKYO REVENGERS, KIMI NO TODOKE, NANA, PRETTY MUCH ANYTHING WITH MICHAEL CERA INVOLVED, AND PROB MORE I JS FORGOT
FAV PODCASTS: WELCOME TO NIGHTVALE, HELLO FROM THE HALLOWOODS, AND UNIVERSE FRIDAY
GO FOLLOW MY INSTAGRAM: ALICEOSEMANSOLOS‌‌
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bhlera1027 · 2 months ago
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Intro i think!!!
‱bagel, bailey, or billy
‱minor
‱her/she (get it.)
interests!!!
‱bands/artists i like: fob (i saw fob live yeah i know someone whos salty about that (@reinventlqve) 😆😆), patd (sometimes), mitski, ptv, destroy boys, carrie underwood, rio romeo, mcr, csh, sir chloe, get scared, msi, ariana grenade, mommy long legs, will wood, the dresden dolls, and soddiken😘
‱shows/movies i like: mha, smile 1-2, IT, sbts, mean girls, stranger things, ohshc, all spiderman movies, bsd, banana fish, yoi, 911, saiki k, all fear street movies, divergent series, jjk, and both frozen movies
‱things ive read/im reading: cherry crush, tbdate, tftdate, the goldfinch, divergent series, all alice oseman books, girl in pieces, daybreak, osora, love 4 a walk, im dating a psychopath, sbg, villian with a crush, star catcher, be my villian, owh, encore, high class homos, the doctors are out, nevermore, grand ma, mha manga and bsd manga
‱games: cod, slime rancher 1-2, yansim, omori, my child lebensborn, minecraft, block blast, gta, and tomodachi life
Other!!
im bi😆😆, i love concerts, fav color is pink, and im just generally cool!!!
i prolly forgot some of my interests but its ok.
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seaskate · 7 months ago
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I know that it's been theorized who from the ada is going to the PM because of the deal and everyone has been drawing parallels and ideas on who it could be, but one thing that I dont see may people looking at is behavior.
Personally I think that it will be Dazai that will go, he's the logical choice and would act as the best bridge between the ada and the pm, especially since Kunikida was named to become the next president and Dazai is his partner, so if Dazai were to go back and become boss at some point then that relationship is already there and is better than Mori's and Fukuzawa's from the start.
There has been a lot of points made about Dazai not being with the Agency when they are all gathered together (like that one manga panel or the party after the Guild or Kyouka's party) and how he appears more with or parallels Mori more in the intro than before (all of which is true) but we dont talk enough about how his behavior had been changing since episode one.
Dazai in episode one was only serious for maybe a small handful of seconds of screentime during the tiger debacle in the warehouse, when no one else was around to see. We can easily assume that home acting like a class clown happened more often than not from the way that he acts in the series. However, ever since the introduction of Atsushi and the Port Mafai in the series, Dazai has been slowly acting more serious than before.
In the first season alone, He sets it up so that the Azure Poet is killed and doesnt show any emotion when Kunikida tells at him for it. He bugs Higuchi and listens in on her and then basically goads Akutagawa into declaring war. Small instances, but close together.
When the Guild came there were more. There was the Q incident at the train where he all but threatened to kill the child and then slapped Atsushi out of a panic attack (which pain is actually one of the easier ways to remove someone from a panic attack, which is why people often dig in their nails or snap bands at their wrist when they feel one coming, but that's another argument to be had) which was effective but anyone else in the ada would have attempted another method. There was the Moby Dick and how he acted with Akutagawa there. And the meeting between the Ada and the pm where Dazai talked about war strategy. He blew up Lovecraft and allowd Chuuya to kill countless Guild hired guns when they ambushed him during that same instance.
None of those actions were things that someone at the ada likely would have done before the current arc. But now Dazai is continually acting in such away more often. Acting less like a detective and more like a mafioso.
He's relying on the mafia more often too.
Dazai had gone two years without any mafia contact while at the Agency, but now he's going to art museums with Hirostu and met with Akutagawa in the woods. That's not counting Chuuya and how they have worked together three times now in as many months, if you count Dead Apple, this current time in which Mori even helped with the fake vampire teeth. Not only that, but Dazai still calls Chuuya his partner. Not former partner, current.
Dazai dances on a fine line between good and evil, even as he believes in neither, but if it means that he could save those that he’s come to care for then he doesn’t hesitate to cross it (murder isn’t exactly condoned at the Agency, yet that’s exactly what he did to Fyodor - I know that he came back, but still - and has set up for Chuuya to do to those that had stood in their way since reuniting. Like the prison guards). Mori - who still has the executive seat waiting for Dazai to reclaim it, and had told Oda four years ago that Dazai would likely be boss in a few years time - knows this.
Yosano thought that this deal was a ploy for Mori to get her back, but she wasn’t the only child that he lost to the Agency. If we adds this to the paraless in the opening that exist and the fact that Dazai had been acting more and more like the Demon Prodigy with each season, Chuuya, and his place as an executive, it wouldn’t be surprising if he was the one chosen.
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foxes-that-run · 9 months ago
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Everything Has Changed
Taylor told Digital Spy: "It's about falling in love. It's about meeting someone and all of a sudden your entire perspective on the world changes - you're thinking for two, instead of one." It was written the week starting 20 May 2012, after Harry arrived in LA.
Music Video
The scene where the class is watching a move these are scenes of Paris, a hint toward Begin Again and Paris being special to Harry and Taylor. Eiffel Tower, Pont Alexandre III - Bridge over the Seine appear.
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The school play scene is reminiscent of Harry's actual first performance in a school play when he was 6, Harry also recreated part of this in the Daylight Music Video.
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It's full of adorable moments where the two kids, (who return for the Joker and the Queen) where the boy and girl are apart from other kids in their own private world. The tent scene is later in Willow:
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The little boy reads the Notebook, Harry's favourite movie to the girl. The girl is doing embroidery (!! very loml coded! LK does too)
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The girl tattoos the boy, as is in IKYWT and reality Taylor was there when Harry got the ship tattoo.
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The kids communicate by text, rather like two pop stars who live in different countries would and do, such as this famous VMA exchange, and the letter exchange in the Delicate video.
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The Taylors Version Lyric Video also uses Pink & Blue text and butterflies.
Live performances
Taylor performed it with Ed on the Red Tour. It wasn't played on the 1989 or Reputation tours. It was a surprise song, with TIWWCHNT, on 22 July 2023, the date of Harry's final Love on Tour show.
When was it written and 20 May 2012
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15 May 2012 - Taylor and Ed started writing together working on Run first.
20 May 2012 - At the end of a tour break Harry and 1D arrived in LA, Harry & Taylor disappeared for a week. The rest of the band went to Mohegan Sun in CT and are seen by fans without Harry.
22 May 2012 - Harry performs with One Direction
27 May 2012 - Ed and Taylor meet and write Everything Has Changed together on her Trampoline. Although Ed said their 'camps reached out at the same time' Ed and Harry had been friends since Ed was 19 and Harry was 16. Ed also wrote several songs for One Direction and likely introduced them. Ed, Taylor and Harry. were experiencing all a new level of success. Only last year Ed talked wistfully about having jam nights writing music in a community this song reminds me of.
28 May - Harry gets the A tattoo and later says it is for his mum, the band laughs and says it is for a mystery blonde. Taylor wrote under Taylor A Swift and wore an A sweater in End Game.
29 May - Ed and Taylor record EHC
17 June - Harry got the temper trap tattoo
23 June - Harry's 'Hi' tattoo is first seen in Dallas 23 June, possibly referring to this song.
The draft lyrics refer to a Gemini, which Taylor has not dated. Maybe someone in Ed's life, a veiled reference to a twin (which Taylor uses again in TTPD) or Harry does have Gemini in his chart.
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Ed later said, Taylor was in a relationship when they met: (Tumblr | eNews)
“When I first met Taylor I was in a relationship and she was in a relationship and we just formed a friendship through that,“ he said. "And both our relationships ended and we just carried on being friends. There’s nothing I really want more than friendship there. I know her very very well now and she knows me very very well.”
Secret message
The secret message is "Hyiannis Port" rather than "Hyannis Port". The additional 'I' may be a typo - but knowing Taylor's attention to detail I think it is "H-and-I" Harry signs short messages 'H' and 'y' Spanish 'and'.
This secret message is often thought to indicate Conor Kennedy, However Taylor met Connor 4 July 2012, 2 months after the song was recorded. Taylor owned the house in Hyannis Port house from August 2012 - March 2013, she was dating Harry for almost all of that time. As in Alex and Sierra's I Love You and August they spent time there.
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Lyrics
[Intro: Ed Sheeran] “You good to go?” [Verse 1: Taylor Swift] All I knew this morning when I woke Is I know something now, know something now I didn’t before And all I’ve seen since 18 hours ago Is green eyes and freckles And your smile in the back of my mind making me feel like
The first verse set the scene for enthusiastic new beginnings. Taylor describes Harry's green eyes and freckles, Taylor continues to use green in association with Harry.
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[Pre-Chorus: Taylor Swift & Ed Sheeran] I just want to know you better, know you better, know you better now x4
Harry later refers to this in Sunflower Vol 6: "Wish I could get to know you"
[Chorus: Taylor Swift & Ed Sheeran] ‘Cause all I know is we said, “Hello” And your eyes look like coming home All I know is a simple name Everything has changed All I know is you held the door You’ll be mine and I’ll be yours All I know since yesterday Is everything has changed
All I know is we said 'hello' and a simple name (Harry). Harry got his Hi Tattoo a few weeks after this song was written.
Your eyes look like coming home - Home is an important theme in Harry and Taylor's work and means a person, rather than a place. This is from the Notebook (Your mother is my home) which is also featured in the music video.
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[Verse 2: Ed Sheeran, Taylor Swift] And all my walls stood tall, painted blue I’ll take ’em down, take ’em down And open up the door for you And all I feel in my stomach is butterflies, the beautiful kind Makin’ up for lost time, taking flight making me feel right
Walls standing painted blue means Taylor was feeling isolated and depressed. There is an odd similarity with Paper Rings where she painted the muses brothers' walls blue... and had a suss exposition of holding a paintbrush in front of a blue wall. Here though, she is taking down the walls and letting the muse in.
Doors are a Haylor Theme
Butterflies - while butterflies were key in the artwork for Lover and appear in spotify canvases for it, Taylor only refers to them twice - in this song and Clean. "When the butterflies turned to dust that covered my whole room" Harry referenced in Olivia "The summertime and butterflies / All belong to your creation / I love you, it's all I do". He also has a large butterfly tattoo on his chest.
Flight is also a Haylor theme
[Bridge: Taylor Swift & Ed Sheeran] Come back and tell me why I’m feeling like I’ve missed you all this time And meet me there tonight Let me know that it’s not all in my mind
Making up for lost time is very similar to something Harry later said at TIFF about wasted time being the most devastating thing.
'Let me know that it's not all in my mind' Minds are a Haylor theme. Here it is filled with possibility, a leap of faith expected to be returned by the muse, which it was. On TTPD it is the opposite, a feeling that it is not reciprocated:
I hate it here: I will go to Lunar valleys in my mind
Guilty as Sin: What if he's written 'mine' on my upper thigh
Only in my mind?
[Outro: Taylor Swift] All I know is we said, “Hello” So dust off your highest hopes All I know is pouring rain And everything has changed All I know is a new found grace All my days, I’ll know your face All I know since yesterday Is everything has changed
Pouring rain is later referred to in many key songs about Harry and Taylors relationship. It is the key metaphor in Clean, which is an ending in the relationship, Everything Has Changed being the beginning. In Clean:
Rain came pouring down When I was drowning, that's when I could finally breathe And by morning Gone was any trace of you, I think I am finally clean
This reference in Clean as rain washing their love away is again referred to in My Boy Only Breaks His Favorite Toys: "The voices in his head called the rain to end our days of wild"
The imagery of rain pouring down, washing away but also as a metaphor for depression has been a theme in Harry and Taylors songs. Most remarkably in the music videos for Falling/Cardigan. Rain is also in How You Get The Girl: "Stand there like a ghost, shaking from the rain"
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p1gaming · 1 month ago
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intro —â™Ș
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i’m P1, an amateur vocaloid producer and video game lover! i’m the leader of ZERO +-ox, a band which i formed with
someone, and i’m apart of MEKAFUFU, an esports team consisting of
someone.
my age is
i’m a minor. i go a high school in japan
somewhere.
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internet safety is important, they told me! ☆
some admin stuff —â™Ș
this is a roleplay blog made for @arcade-sekai’s main protagonist, odaka momoko, due to (un)popular demand! this blog will contain such content, alongside P1’s personal posts and shitposts. 1st year at kamiyama hs, class 1C, frequent arcade visitor, yada yada. if you want to read on her, visit the aforementioned official arcaseka content blog â™Ș
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hope you enjoy the stay!!
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brokehorrorfan · 4 months ago
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Rock 'n' Roll High School will be released on 4K Ultra HD + Blu-ray on December 10 via Shout Factory. From executive producer Roger Corman, the 1979 musical comedy cult classic is celebrating its 45th anniversary.
Allan Arkush (Caddyshack II) directs from a script by Richard Whitley, Russ Dvonch, and Joseph McBride. P.J. Soles, Vince Van Patten, Clint Howard, Dey Young, Mary Woronov, and Paul Bartel star with The Ramones.
The film has been newly scanned in 4K from the original camera negative with Dolby Vision. Special features for the three-disc set are listed below.
Disc 1 - 4K UHD:
Audio Commentary with Stephen B. Armstrong, Author of I Want You Around: The Ramones and the Making of Rock ‘n’ Roll High School (new)
Audio Commentary with Director Allan Arkush, Producer Mike Finnell, and Writer Richard Whitley
Audio Commentary with Director Allan Arkush and Actors P.J. Soles and Clint Howard
Audio Commentary with Writers Richard Whitley and Russ Dvonch
Audio Commentary with Executive Producer Roger Corman and Actress Dey Young
Disc 2 - Blu-ray:
Audio Commentary with Stephen B. Armstrong, Author of I Want You Around: The Ramones and the Making of Rock ‘n’ Roll High School (new)
Audio Commentary with Director Allan Arkush, Producer Mike Finnell, and Writer Richard Whitley
Audio Commentary with Director Allan Arkush and Actors P.J. Soles and Clint Howard
Audio Commentary with Writers Richard Whitley and Russ Dvonch
Audio Commentary with Executive Producer Roger Corman and Actress Dey Young
Disc 3 - Blu-ray:
Interview with Musician/Actor Marky Ramone (new)
Class of ’79: 40 Years of Rock ‘n’ Roll High School - Revised
Back to School: A Retrospective
Staying After Class - Interview with Actors P.J. Soles, Vincent Van Patten, and Dey Young
Allan Arkush's 2019 Sunday Slasher Intro
Interview with Roger Corman Conducted by Leonard Maltin
Interview with Director Allan Arkush
Audio Outtakes from The Roxy
Theatrical Trailer
TV Spot
Radio Spots
Riff Randell (P.J. Soles) is the rockingest rebel at Vince Lombardi High. Evelyn Togar (Mary Woronov) is the strict new principal with plans to rule the school like her own personal dictatorship. And the Ramones are the hottest band around. When these forces of nature collide, Lombardi High will never be the same! Striking back against Togar's record burnings and iron-fisted discipline, Riff leads a revolt that rocks the roof right off the school's hallowed halls!
Pre-order Rock 'n' Roll High School.
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