#with a story where there's similarly just. a good ice warrior. there. hanging out. as a character

[the--highlanders]

I do really think we're overdue a story with an unequivocally good ice warrior tbh

[pindaleng]

Title: But I Knew You

Pairing: Avatrice

Chapters: 1/1

Wordcount: 2270

Summary: College AU. Beatrice is Ava’s favorite person. Ava loves being around her in a way she can’t explain. She wants to do everything with her, from studying to partying to walks outside. Which is completely normal for best friends.

Getting flustered by close contact and fake flirting is also definitely a super normal friendship thing.

Read on AO3 or below.

“I don’t get it.”

Beatrice sighed from her desk. “You don’t have to, it’s organic chemistry.”

“But I feel like I should. Like, this is the structure of living things right? I’m living, so I should understand how it works.”

“You use the internet, but you don’t know how that works.”

“Good point.” Ava shut the thick textbook in front of her. She didn’t really want to learn anyways. “You done yet?”

Beatrice sighed again, turning in her chair to face Ava, who was sitting on her bed. “We’ve only been working half an hour, and I specifically said I was spending the entire day studying. Which you should be doing too, since I know you said you have an exam Monday.”

“Fine Ms. Studious.” Ava made a big show of loudly unzipping her backpack and finally pulling out her laptop and notebooks. “I’ll…study,” she said, punctuating her last word with air quotes.

Beatrice narrowed her eyes, definitely looking skeptical, but turned back to her own pile of schoolwork.

Ava opened up her Google doc notes on her laptop, and simultaneously picked up her phone to check Twitter. Beatrice was right to doubt her; she practically never did any work on Saturdays. That’s what Sundays were for.

And yet, every Saturday, she showed up at Beatrice’s room under the guise of studying, just so she could hang out with her favorite person. Beatrice was one of the few people Ava felt comfortable in silence with, maybe due to all the death glares she’s received from Beatrice when she’s being too distracting.

Either way, she found comfort in it, even if they’re just sitting in the same room together, focused on their own activities. Beatrice studying, and Ava scrolling through social media on her phone, occasionally typing a paragraph or two for a paper due the following week.

They’re pretty much polar opposites, and Ava often wondered how they stuck as friends. Probably due to the weird crucible of living on the same freshman year dorm floor. People got to know everyone really quickly, for better or worse.

Luckily, it turned out for the better with everyone Ava met. A few of them with rooms in the north wing bonded fast, and they rented a house together for their sophomore year. She loved them all: Mary, Lilith, Camila, and Beatrice.

But especially Beatrice.

Beatrice was smart, kind, and witty, and honestly the best listener Ava’s ever met. Ava unabashedly talks a lot. Like, a lot. And being like that, people can lose interest as conversation and friendships progress.

But Beatrice still gave Ava her full attention after a year of Ava talking her ear off. Which was still impressive every time.

It’s cool.

It’s cool that she has a solid group of friends when there was no one back home to keep in touch with.

She really loved it here.

There were so many things to do and people to meet, sometimes she still got overwhelmed by it all.

And the best place to get the full experience? College parties.

It was the midst of midterm season, but honestly all the more necessary to have something to blow off stress. And to be real, midterm season lasted from the second month of school to the end of the semester. So, no better time than the present.

After Ava got kicked out of Beatrice’s room for being too distracting, she spent most of that evening helping the rest of her housemates set up their party. Mary was in charge of getting alcohol, having the most connection with older students. Lilith put Ava and Camila in charge of cleaning and setting up, which basically meant that Lilith didn’t trust Ava to actually do the work well. Ava would have been offended if she didn’t enjoy spending time with Camila so much. The girl was a ball of literal sunshine, yet also unexpectedly, full of dirty jokes.

So, setting up the apartment with Camila was a party in itself, full of fun banter and deep life discussions.

Ava just finished putting out the snacks and booze, when the first people arrived. She cracked open a bottle of Fireball, and downed a double shot.

Ava happily shook out her body as the the liquid warmed her up. It was going to be a good night.

———

Ava’s in the middle of laughing at some stranger’s story when she caught sight of a figure coming down the stairs. She grinned.

“Woo! Life of the party’s here!!!” She yelled across the room, startling the people around her, and drawing Beatrice’s attention towards her. If Ava was sober, maybe she would have cared more that Beatrice looked slightly (very) embarrassed, but Ava definitely wasn’t sober. She half skipped and half jogged across the room, undoubtedly spilling her drink on herself and several bystanders.

She hugged Beatrice tightly when she reached her. God it felt nice. Like sinking into a bed of clouds. Or something similarly soft and fluffy and comforting. “I missed you.”

Beatrice laughed softly, close to Ava’s ear. The best sound in the world. “You just saw me a couple of hours ago.”

Ava pulled away and pouted. “Still.”

Beatrice smiled, in a perfect way that made her entire face brighter. Holy hell she was beautiful. “Well, I finished up for the day and I’m here now. Any chance you can show me where the party is?” Her eyes sparkled with playfulness.

Ava looked at her in disbelief. “Wait seriously? You wanna join?”

“I can’t be a dud at a party in my own house, can I?”

Beatrice had definitely sat out on many parties they’ve hosted, but Ava ignored that. For now, she was going to enjoy this win. She led her to the kitchen, where various bottles of alcohol and sodas crowded their dining table. Beatrice shrugged when Ava asked what she wanted, so she just made a vodka cranberry. It was a crowd pleaser drink in her opinion. Plus, some rich kid brought Grey Goose, which was probably double or triple the price of everything else on the table.

Beatrice took a sip. “Not bad.”

“I may not know much,” Ava tapped her index finger a couple times to her temple, “but I do know my liquor.”

“Don’t sell yourself short, you also know how to get on my nerves.” Beatrice said teasingly, voice devoid of any malice.

Ava took a overdramatic bow. “Thank you, m’lady.” She refilled her own cup with a mixture of vodka and sprite. “Shall we?” Ava offered her hand to the other girl.

Beatrice rolled her eyes, but put her hand in Ava’s.

Ava led them back to the main room, navigating through groups of bodies to eventually land them at a couch, which was miraculously unclaimed.

From there, Ava launched into basically non-stop talking, wanting to entertain Beatrice in the best way she knew how. She shared stories of all the people she met during the night so far, with Beatrice supplementing the conversation with appropriate reactions and commentary. Ava recounted one guy that recklessly challenged her to shotgunning a beer against him. Spoiler alert, he lost miserably. Ava watched Beatrice’s eyes as much as she could while she was talking, entranced with their intenseness, openness, and expression. Did they always look like that?

The eye contact felt so personal, like it took away everyone else in the room, ignoring the raging party and loud music around them.

And the music was definitely loud, though the song choices were good. Mary knew how to set up a playlist. Ava got banned from music duty when she un-ironically added in Friday by Rebecca Black.

No regrets.

After exhausting all the tales from that night, she moved to discussing and speculating with Beatrice on the backstories of all the partygoers. People watching with Beatrice was always fun. As strait-laced as she appeared, Beatrice was also incredibly creative. Whatever wild stuff Ava theorized, Beatrice could match or do better.

At one point, a couple joined them on the couch, pushing Ava into Beatrice, pressing their sides together. The couch was much too small to comfortably fit 3 people, much less four.

“Shit, sorry.” Ava tried her best to back up and give Beatrice space, but there was nowhere to go.

Beatrice put a hand on her thigh and smiled. “Ava, it’s fine.”

Ava suddenly found it hard to breathe. Probably due to being surrounded by two more people.

“You okay?” Beatrice furrowed her eyebrows.

“Yeah, think I just need to get out here for a bit. Wanna take a walk?”

“Sure.”

There was a nice, cool breeze outside, a welcome relief from the humid air inside. It was also much quieter.

Beatrice suggested getting ice cream from Mcdonald’s and Ava emphatically agreed. Beatrice really knew her.

Fifteen minutes later she was contently humming to herself as they walked back to the house. This was the best party ever. She had an ice cream cone in one hand and somehow Beatrice’s hand in the other. A perfect night. Ava’s pretty sure this is the happiest she’s ever been in her entire life.

———

Ava groaned as she slid back into consciousness. She felt grimy, which was not unusual for her after a night of drinking.

She did a quick self inventory to assess the damage.

She was in her own bed, which was good. Boxers? On. Shirt? Also on, but in her sleep shirt instead of the button up she was wearing last night. Interesting. No bra. Also interesting.

She felt around to her right and left. No body in the bed with her. Good to know.

Minimal pounding in her head. She sat up, breathing a sigh of relief that she didn’t feel like throwing up.

She noticed a glass of water and a couple of Advils on her nightstand. Definitely Beatrice. No one else would be nice enough. Okay maybe Camila, but she still had bets on Beatrice.

She quickly washed down the pills with water and slipped on shorts and a pullover before making her way downstairs to the kitchen.

Mary was sitting at the table eating, and Beatrice at the stove pouring batter into a pan.

“Pancakes, oh my god. Bea you’re the best.” Ava gave Beatrice a tight hug and overdramatic sloppy kiss on the cheek.

Beatrice playfully pushed Ava away and made a show of wiping the kiss off her face. “Yeah yeah I know, now eat it while it’s still hot.”

Ava saluted. “Got it chef.”

“Dork.”

“You love it.”

“No comment.”

Ava’s in the middle of inhaling her fifth pancake when Mary said something. Beatrice left the room about a pancake ago, so it could only have been directed at Ava.

“What?” Ava momentarily stopped chewing.

Mary got up and started rinsing her dishes in the sink. “I said, you should really tell her how you feel.”

Ava knitted her eyebrows together. “About what?”

Mary stared at her for a while, long enough to make Ava to feel uncomfortable. Her mouth was still full, and Mary has perfected the gaze that made her feel like a kid in trouble.

“Never mind,” she said, as she put her dishes in the dishwasher.

“About what??” She repeated. Mary ignored her and walked out the kitchen. Ava swallowed the rest of the food in her mouth. “Asshole!” Ava yelled after her, eliciting a middle finger response.

Beatrice appeared in the doorway. “Everything okay?”

“Yeah, just Mary being cryptic and messing with me.”

“Sounds about right.”

Beatrice sat down at the table. “How are you feeling?”

“Surprisingly… not bad. Seriously thank you for the food and Advils,” Ava remembered her state of dress when she woke up. “And…probably also for helping me out of my clothes.”

“Oh um, right, it was nothing. Didn’t want you sleeping in an uncomfortable, sweaty shirt.” Ava noticed Beatrice’s cheeks turn a little pink. Shit, she didn’t mean to embarrass her. She could fix this.

“Did you see something you like?” Ava wiggled her eyebrows, trying to lighten the mood, but it only made Beatrice blush harder. Oh my god Ava you’re so bad at this. She felt herself digging herself into a hole. Of course fake flirting with her is going to make it worse.

Ava was about to say something (probably dumb) to attempt again to save the situation, before Beatrice spoke.

“How could I not? You’re beautiful.”

For once, Ava was speechless. The incredibly reverent but casual way Beatrice said it completely took her breath away. There was something magical about how soft Beatrice’s eyes were, and how vulnerable it felt. Half of Ava felt calmed, while the other half of her was a raging mess. Ava felt the need to do something. She wasn’t sure what, but she needed to do something. She started racking her garbled brain for any ideas.

Beatrice’s smile slowly slid into a smirk, “Got you.”

The spell of the moment was broken. Ava laughed to dust off any lingering weird feelings. “Wow, got a taste of my own medicine. I’m impressed.”

“I had a good teacher. You should have seen your face.” Beatrice mimicked a “deer in the headlights” look for a brief moment before grinning again. She got up from the table. “Now hurry up and finish your food so we can get to the library. I’m not going to let you forget about studying for your midterm tomorrow.”

“Right. Yeah.”

“Cool.” Beatrice slapped Ava’s arm playfully before leaving the room.

Ava watched her go, wondering what in the living hell just happened. Fuck. Was she about to kiss her best friend?

[gayregis]

ok also. i don't think geralt's into pet names BUT he's really just like. thoroughly physically affectionate. like he's not good with words but he knows very well just how and where his bf wants to be kissed and touched and what makes him feel good and what makes him feel appreciated both in terms of sex and in just in general and in turn jaskier is very vocal abt how good geralt makes him feel or abt how much he really appreciates him and his company and how he loves him bc They Know Each Other

in a little sacrifice when geralt begins tripping over his words around dandelion and essi... he was shortcircuiting from the pressure of having to speak in front of two poets. ... the thing is that geralt has the capability to be incredibly eloquent, but it’s only when he’s not thinking about it, and also usually when it’s about something he scorns, or a hateful situation (the nature of humanity, impending doom, the dangers and woes that ciri is facing...) ... when he has to speak about good things and love, he kind of becomes reduced to “you make me feel good in my heart :)” 

i know that this isn’t the ship on the table right now, but, i mean, it took geralt four books and like what, 10 years, to tell yennefer he loved her... i feel like with dandelion, there was less, ahem, drama in their relationship (they don’t really on again/off again, it’s more of a mutual everlasting thing) so it could have gotten to that point sooner between them, but it also has to be considered when exactly it turns romantic or geralt Realizes that he’s not only capable of love but legitimately loves dandelion ... not just in a friend way... 

(personally i understand the appeal of a ship that has love at first sight, but i really like the “love at second sight” dynamic in which they realize they’re important to each other right off the bat but only really realize their feelings later... also i think falling in love / realizing that you have fallen in love with your best friend is a common gay/bi experience...)

so i like to put the estimate of when geralt Realizes actually exactly at the point where dudu changes into dandelion in eternal flame. because at that moment geralt realizes that all he wanted to do when faced with dandelion is hold him, talk with him, be with him somewhere quiet, peaceful, and safe... that he loves him, even if he is wearing that stupid gaudy blue kaftan... that all he ever feels towards dandelion is this desire to be with him, spend time with him, protect him from anything that may come their way... dudu and geralt in this moment both were expecting geralt to raise his sword, geralt was already reluctant and never wants to harm innocents, but after dudu shifted form into dandelion, any kind of drive he possibly could have had for unsheathing his blade in an act of violence just got knocked out of him, blew away like the wind. (also worth noting that right before dudu shifted into dandelion’s form, he was in geralt’s form, and that only made geralt actually more OK with using violence than he was with dudu in any other form... geralt’s self-loathing knows. only a few bounds.)

the reason why i bring it back to this time geralt realizes he’s in love is because of that moment where all he wants is to just sheathe his sword, rush forward, and hold dandelion in his arms... feeling horror at the fact that his sword is glistening in his hand. he doesn’t know what to say, actually, in this moment. the dialogue becomes a monologue as dudu continues speaking in dandelion’s voice and form, and where geralt is supposed to repond, it just says: “geralt nodded reluctantly.” “the witcher said nothing.” “the witcher said nothing.” i interpret this scene as him basically being paralyzed with feelings, especially after a shard of ice where he and istredd went toe-to-toe and was told he can’t experience love because it’s a biological impossibility. he’s still thinking about this question throughout eternal flame, and it comes to a head in this scene, because what else, other than love, stayed his blade, paralyzed him?

geralt’s situation relating to his feelings and love are intensely complex. it’s not the simple “oh i have feelings for you but i’m too abashed to say them uwu,” but rather “i was born to be emotionless so i could fill a societal role and specific caste laid out for me but your presence in my life has changed everything and now i think i might be able to feel love, and i feel love for you” ... so yeah he has difficulty verbalizing all of that. especially when he hasn’t had a traditional upbringing with the presence of fairy tales and stories of love told to him since childhood, he’s missed out on a lot of “normal” societal things like this so he does not have a framework to understand his feelings through! no one told geralt that when you want to spend night and day with someone, sleep in the same bed, talk to them endlessly, and you feel like you can be completely honest and truly yourself and seen for who you really are around somebody... that’s love! 

before dandelion’s presence in geralt’s life, the idea of pleasant touch was really foreign to geralt. from contracts, he felt claws and teeth and maybe the sewing of a wound afterwards. from other contact with other humans, he felt nothing except the ocassional contemptous spitting or throwing of stones (legit what it says in the last wish). the witchers in KM seem to go for that masc shit (he and eskel hug for an imperceptable moment, blink and you’ll miss it) and i can imagine witchers roughhouse for fun and stuff like that, but in the outside world, with no one who could ever understand who he is, what he is, what role he was meant to play... it’s a very isolating life. 

i’m stealing an entire paragraph from this other post i wrote a while ago: “tbh there was probably an entire first week of their friendship where geralt flinched or became immediately alert when dandelion got close to him to speak, touch his arm in jest or gentle motion, or grabbed onto his hand, forearm, or sleeve in anxiety, because geralt just…. wasn’t used to anyone touching him, even in a passing or platonic manner.” geralt wasn’t used to kind touch, but he has highly trained mind-body coordination. i think in one part of tower of the swallow in a chapter prelude, witchers are called a “caste of warrior-priests” which just makes me think of the monk class in D&D... which can be a good analogy. geralt is NOT just a sellsword. his profession goes entirely much deeper, it’s literally what he was genetically altered to perform. this is why he has such a difficult time separating himself from his work, because it almost cannot be done. witchers do undergo extensive training, and especially individuals like geralt who are focused on ethics and morality take time to reconcile the physical and mental effects on their body. it’s not really just “guy with sword feels things physically bc that’s just how he’s wired,” but geralt has really tuned his soul and body together as a result of both his profession and coping with being forced into his profession.

so i think when dandelion introduces this concept of good touch to him in addition to the idea that he can be loved / deserves companionship, it’s natural for geralt as he becomes more in-tune with his emotions to feel them more physically. i ask whomstever is reading to take their mind out of the gutter bc this part at least is a nonsexual context, because they can put it straight back into the gutter later, since this post does involve dandelion.geralt’s emotions are practically on the same level of chronic pain as his shattered leg later on in the series. you know when you feel despair and grief in your chest, the tingling sensation of love in your arms and shoulders, the bristling anger on the back of your neck... it’s along those lines. 

so when he’s feeling emotions very heavily, and can’t begin to craft the statement beginning with, “so, i’m not supposed to feel emotions, but...” he just acts with his body. this can actually be seen in all the times he saves dandelion, saves yennefer (debatable b/c she’s pretty badass; it’s more like he helped her), and when he just runs to ciri without even needing to say anything in something more. 

in his worst times, geralt’s a man of philosophy and surmising and indecisiveness... like in baptism of fire, regis says that the cardinal directions have no meaning to him, as long as he is going somewhere... he paces around, and also like in baptism of fire, the song about the ornery wolf... look how the wolf dances in the holt / teeth bared, tail waving, leaping like a colt (...) look how the wolf is dragging his paws / head drooping, tail hanging, clenching his jaws (...)” ... but in his best times, he’s a man of action. he acts when it’s most important.

ok time to put your head back into the gutter now! i’ll put the nsfw stuff under a cut to save all of your eyes

this part can be treated like an add-on to the post. wow, all this writing just to say geralt doesn’t suck at sex... ok. 

well in terms of geralt x dandelion i think that after their first time together, dandelion accuses him of lying about how many people he’s fucked, because ‘it can’t possibly be that small of a number’ because geralt wasn’t awkward. he was very emotional as to be expected, but also we know he doesn’t tend to show emotions on his face, so the intense rippling feeling of love & desire he feels when dandelion pushes his hair back behind his ear flew under the radar. which is good in geralt’s perspective, because he strongly feels that it would be embarassing if dandelion knew how much he’s affected by him. honestly similarly, dandelion who’s not embarassed by much is at first apprehensive to think about his and geralt’s relationship, because usually he can just leave whenever he feels like it... but with geralt, it became different, geralt was no fling, and realizing this very early on in their relationship was alarming until dandelion did what he usually does and just drops it and remains happy. 

honestly you could make the argument (not outright STATING it... i’m not being h*rny on sideblog...) but you could argue, that geralt and dandelion have bomb ass sex because both of them are canonically good in bed, weirdly enough. geralt is pretty giving and loving in his sex scenes, even when it’s not even romantic and rather a crazed passion, like with fringilla. it’s canon that he’s a proponent of oral sex b/c he defends the concept in discussion with regis and also gives it canonically, so idk what to really say here except geralt’s a real one and sapkowski had a vision i guess for his main character. 

another important thing mentioned in geralt’s sex scenes is that he’s pretty intuitive with pacing. in the last wish, he and yennefer take their time and have quite a soft and loving experience, and in lady of the lake, he and fringilla experience this more sort of intense scenario. but i think these differences are meant to speak to the differences in love and relationships between the pairings... while geralt and yennefer experience an all-consuming love of mind and body, geralt and fringilla had more of a ... bad decision. this makes us have to headcanon for what the pairing of geralt and dandelion would be like, i’m inclined to say it would be a lot like geralt and yennefer because the thing about geralt and yennefer is that they find intimacy in each other that they’ve yearned for their entire lives, and geralt and dandelion have a lot of that similar energy of finding something in another that you’ve always longed for. 

especially towards the beginning of their relationship, i feel like just their abilities to be vulnerable are what drives them. of course, having emotional sex is a fireworks-type event for geralt, while for dandelion it’s more just like, 3 PM on a tuesday afternoon, so that affects their dynamic a lot, again especially in the beginning of their relationship before geralt met yennefer and villentretenmerth, because geralt really was just not sure of himself. dandelion’s very sure of himself so he kind of doesn’t realize that it’s the beginning of an Emotional Journey for geralt and not just something casual like eating brunch together. geralt becomes more confident over time though and that’s good but he still gets just regular pangs of gay love that stops your heart momentarily, from being ... in love... 

as for actual dynamic during i think it would be funny and good to keep them both in-character and interacting as they normally do. cue humorous arguments with no vitriol or consequence: “stop moaning in musical scales, it’s ruining my concentration” “no— fa so!” 

[archonreviews]

The Archon’s Review of Drakensang.

Every two weeks, eh? Ahaha.

Drakensang (Not to be confused with Drakensang Online, which I imagine is like this game… but online; and also not with Drakengard, a game about cannibal babies killing Tokyo) is a party-based role-playing game based heavily on a German tabletop game called The Dark Eye. It takes place on the continent of Aventuria, where Germanic fantasy is the word of the day. Drakensang was developed by Radon Labs and published by DTP Entertainment.

Drakensang is a bit of an odd duck for me to try and review for a number of reasons. First, it has a wealth of history and heritage behind it that could give D&D a run for its money (little of which I bothered to research because I am secretly a lazy sot). Second, trying to find info for it was difficult, as typing “Drakensang” into Google gets you Drakensang Online 9 times out of 10, so I had to go with “Drakensang the Dark Eye” or else type the exact game element I was searching for. Third, it appeared at first to be a moderately well polished CRPG, and put me in the mind of a Bioware game; this may very well had been the wrong mindset in which to play the game. Lastly, I can’t say I was filled with confidence in the game’s quality when the first guide I read was titled “How to run on Windows 10″. But the bug in question is relatively minor and easily fixed.

First thing I want to get out of the way is, incidentally, the first major problem I have with the game: namely, the camera is absolute ass. Allow me a moment to diverge on a tangent. Allowances, in the context of people doing stuff, are elements that make a particular thing more intuitive. All games have them, and all good games have lots of them. It’s what makes them intuitive to play and easy to experience. Drakensang gives absolutely zero shits for allowances or intuitiveness, at least, where camera is concerned. See, when your game begins with the camera focused on the character, the intuitive thing is to look around using the mouse. Well, instead, Drakensang decided that it would be so much better to have to hold down the right mouse button and drag the camera around that way (I’ve been told by a dear friend of mine that this is an old-school form of camera control, but it came out in 2009, so I’m not sure it should get a pass for it). As for movement, you’ve got two options: you can click on the ground to move, but since your view is always centered on your character, this method a bit jank unless you’ve got the camera zoomed all the way out. The other way to move is to use the WASD keys. Turning took some getting used to though; you use the Q and E keys to turn left and right respectively. I would’ve called this unintuitive as well, but on reflection, it makes more sense than using the A and D keys. It’s a bit like there was one designer who wanted to rip the movement from Baldur’s Gate and another who wanted to do Knights of the Old Republic and they had to share or something. In addition, the camera doesn’t always follow the character’s movement perfectly, and if you have your character do a thing father away, the camera has a second’s brain fart before catching up.

Character creation is a lie. You get a selection of characters to choose from, and that’s your lot. Mind you, it’s a pretty expansive selection, so there’s bound to be something for you. There’s three kinds of warrior, three kinds of wizard, three kinds of rogue, three kinds of Middle Eastern dude/dudette, three kinds of Elf, three kinds of Dwarf (did I mention this was Germanic fantasy? ‘Cause it’s Germanic fantasy), a Viking, and an Amazon. What you cannot change is your character’s appearance outside of gender, and your character’s stats after selection. Oh, they’ll tell you there’s an “Expert Mode” for people who really wanna tinker with the character creation, but if you don’t immediately get overwhelmed by all the numbers and statistics the game presents you with, then you’ve obviously played The Dark Eye before, or you’re a stats major from the University of Fuck. Even then, there’s not a lot for you to actually customize. I had the game give me the full allotment of leveling points to start, giving myself as blank a slate as possible, and it still felt like I was being railroaded toward a particular character.

The tutorial is not the best. It’s entirely text based, and if you should miss something, there’s no way to recover that information short of an internet search, which as previously expressed, can be tricky.

The denseness of “Expert” character creation follows us into the game proper. While your characters have levels in the CRPG style, they don’t affect much more than stat maximums. What really counts are the numbers themselves. And there are a LOT of numbers. Also, don’t be fooled into thinking that Strength and Dexterity at all affect combat. When wielding weapons, the associated stat for that weapon is all that matters.

Now, it may sound like I’m down on this game. But here comes the mid-day twist, you chucklefucks. I actually kinda like Drakensang. Once I got past all the bits I didn’t like or find particularly engaging, I really did get lost in the story and world. Once you shift your thinking to get used to combat, and skill checks, and the controls, Drakensang really opens up, becoming a genuinely enjoyable RPG experience. When I began the adventures of Baron Splendor, Knight-Errant and Bowl-cut Owner, I was skeptical. But I powered through, and eventually found a helmet to hide his ridiculous hair, and a fun game to boot!

^(The man himself, with his stalwart companions behind him)^

The graphical quality is actually pretty dang good for a game of this age. It was probably cutting edge for the time. I think. I’ll admit, I’m not super-duper familiar with graphical standards in video games circa 2009, but it seems pretty good to me!

Combat is a straightforward affair, you rush up to the baddies and murder them with swords, axes, spells, and bows, and hope you don’t get murdered yourself. The game handles health interestingly; every time you take more damage than you have Constitution, you take a wound, which inhibits your character. Take more than four, and you fall unconscious until end of combat. But you can heal wounds using spells or bandages. This resulted in the good Baron becoming the team healer with his nigh-magical bandage and iced tea powers; tea being good for healing poison.

^(Large enemy crab; attack at all for some damage. Also, camera having a little brain fart, as mentioned earlier)^

Skill checks are the inverse of most CRPG skill checks. Instead of rolling high, you want to roll low, as your stats serve as thresholds for failure. Each skill check is governed by two or three different attributes, and failing one check of the two/three means failing the whole thing. This isn’t a bad thing, but it did take getting used to; I was wondering why my Amazon companion kept fucking up the simple act of picking flowers.

Speaking of companions, they could use some work. Their quips give them a degree of characterization, but they don’t progress as people at all. The aforementioned Amazon attaches herself to you for no good reason, and whenever you ask her why she’s hanging out with you, she gives you the same non-answer over and over again. The other companions act similarly, never actually progressing as people beyond the point you pick them up. Still, they are useful to gameplay, and I never found myself truly dragging along a sub-par companion.

The narrative is probably the game’s strongest feature. It starts with your friend, Ardo of Boarstock, writing you a letter imploring you to visit him in the city of Ferdok. By the time you get there, however, you find he’s been murdered, along with several other people in the city. Thus launches a quest full of intrigue, mystery, magic, dragons, and all sorts of other cool shit. The voice-acting is decent, but not astounding. The characters all do this weird thing when talking, however. The tend to use way too much body language, flailing their arms where a simple hand wave would’ve done. It reminds me of the so-called “Bioware face”, but in the opposite direction, with the same effect, that being the uncanny valley. Although, I’d definitely prefer over-emoting to Bioware's under-emoting.

My only real nitpick is that the difficulty tends to spike in weird places and without warning. You could be booty-blasting the entire game, and then get stumped by a rat queen and be sad forever. The rat queen is actually a notorious example, well known and bemoaned, but there are other spots where the difficulty spike has me reaching for Google.

^(The remnants of one such difficulty spike, wherein I was forced to cheese the enemy to death the Amazon off in the distance to the left and the stylish lady in the center-right. Not pictured: the Evil Tree that slaughters any characters unfortunate enough to be caught in melee)^

Another potential nitpick is that spellcasting is a chore. Every spell requires a several second animation wherein the spellcaster moves their hands around, and then another several second animation for the spellcaster to sling the spell itself, and then if it’s an offensive spell, you get to watch the spell travel lazily toward its target. Exacerbating this is a tendency on the AI’s part to go after your spellcasters without even caring about anyone in front of them. Without any form of engagement mechanics or attacks of opportunity, your spellcasters are just as vulnerable whether they’re in front or in back.

Really, I would totally recommend Drakensang to anyone with a fantasy itch who likes Germanic fantasy and playing tabletop games. Hell, this plays a lot like a pen-and-paper game directly ported over to the PC. All it’s missing is a multiplayer element, but I suppose that’s what Drakensang Online is for. That may be a bit overwhelming for some; it was overwhelming for me, at first. But after you get into the right mindset, it becomes very easy to get absorbed completing all the quests and adventuring throughout Aventuria. I would definitely play this again if I got the chance. Or rather, I’d continue playing it. As is the course for many CRPG’s, there is simply too much content to get through in one few-week period. As for what Drakensang wants to do, it seems to want to be a German Dungeons and Dragons, which isn’t necessarily a bad thing, just a bit presumptuous, if anything. I mean, we have a Dungeons and Dragons. It’s a pretty rad Dungeons and Dragons. Still, I came from Drakensang  very well disposed toward it.

^(Baron Splendor, looking disappointed, trying to reach his hands through the screen to squeeze my skull, killing me instantly.)^