#willie ray johnson

[elliehopaunt]

Aw, Willie Ray....

[accidentally-in-fictional-love]

Tear You Apart - A Dastmalchian Villains Thirst Trap

[mychameleondays]

Paul McCartney: Give My Regards To Broad Street

GFS

MPL/Parlophone 1C 064-26 027 1

Released: October 22, 1984

[streamondemand]

'Over the Hedge' – animated animals take on suburbia on Netflix

It’s nature versus prefab culture in Over the Hedge (2006), the animated adaptation of the Michael Fry and T Lewis newspaper comic strip of woodland buddies confronting the foibles of 21st century life and the absurdities of suburbia. A wound up Bruce Willis voices the streetwise raccoon RJ, whose schemes collide with the implacable caution of Vern the turtle (Garry Shandling), the paternal…

[vintagetvstars]

Hot Vintage TV Men's Bracket - Full List

Sorry for the delay, it took us longer than expected to finalize the list. We are currently working on finishing and finalizing the bracket for round 1. For now enjoy the list of everyone in the tournament and we'll be back on Thursday evening to kick off round 1!

Boris Karloff

Clint Walker

Desi Arnaz

Claude Rains

James Arness 

James Garner 

William Hopper 

Adam West

Alejandro Rey

Bob Crane

Cesar Romero 

David McCallum

David Selby 

Davy Jones

DeForest Kelley

Dick Gautier 

Dick Van Dyke 

Dwayne Hickman 

Eddie Albert 

George Maharis

George Takei 

John Astin 

Jonathan Frid 

Larry Hagman 

Leonard Nimoy 

Mark Lenard 

Martin Milner 

Michael Nesmith

Micky Dolenz 

Patrick McGoohan

Patrick Troughton 

Peter Tork 

Randy Boone 

Raymond Burr 

Richard Chamberlain 

Robert Conrad

Robert Fuller 

Robert Vaughn 

Rod Serling 

Russell Johnson 

Ted Bessell 

Ted Cassidy

Tom Smothers

Walter Koenig 

William Hartnell 

William Shatner 

Alan Alda 

Brian Blessed

Darren McGavin

David Cassidy

David Soul

Dean Butler

Demond Wilson 

Derek Jacobi 

Eric Idle

Erik Estrada 

Fred Grandy 

Fred Rogers 

Hal Linden

Henry Winkler

Jamie Farr 

John Cleese

John Hurt

Jon Pertwee 

Judd Hirsch 

Kabir Bedi

Kent McCord 

Lee Majors 

Michael Landon 

Michael Palin

Mike Farrell 

Peter Falk

Randolph Mantooth

Richard Hatch

Ricardo Montalban 

Robert Wagner 

Rock Hudson

Simon Williams

Telly Savalas

Terry Jones 

Tom Baker 

Wayne Rogers 

Anthony Andrews

Bruce Boxleitner

Bruce McCulloch 

Colin Baker 

Dave Foley 

David Hasselhoff

Dirk Benedict

Gene Anthony Ray

Gerald McRaney 

Hugh Laurie 

Jameson Parker

Jeremy Brett

Jimmy Smits 

John Forsythe 

John Stamos 

Johnny Depp 

Kevin McDonald 

Mark McKinney 

Martin Kove

Michael J. Fox

Michael Praed

Mr. T

Patrick Duffy 

Peter Davison 

Richard Dean Anderson

Rik Mayall 

Rowan Atkinson 

Sam Neill

Scott Thompson 

Simon MacCorkindale 

Stephen Fry 

Sylvester McCoy 

Ted Lange 

Tom Selleck 

Tony Danza 

Alexander Siddig 

Andre Braugher

Andreas Katsulas 

Andrew Robinson 

Anthony Head 

Anthony Starke

Armin Shimerman 

Avery Brooks 

Brad Dourif 

Brent Spiner 

Bruce Campbell 

Charles Shaughnessy 

Colm Meaney 

Craig Charles 

Dana Ashbrook 

Danny John-Jules 

Darren E. Burrows

David Duchovny

David Hyde Pierce

David Schwimmer 

David Suchet 

David Wenham 

Dean Stockwell 

Garrett Wang 

Gary Cole 

Grant Show

James Earl Jones

James Marsters 

Jeff Conaway 

Jeffrey Combs 

John Corbett 

John de Lancie 

John Goodman

John Shea 

Jonathan Frakes

Joseph Marcell 

Kevin Smith 

Kevin Sorbo 

Kyle MacLachlan 

LeVar Burton 

Luke Perry

Marc Alaimo 

Mark-Paul Gosselaar 

Matt LeBlanc

Matthew Perry

Michael Dorn 

Michael Horse 

Michael Hurst

Michael O’Hare 

Michael Ontkean 

Michael Tylo

Miguel Ferrer 

Mitch Pileggi 

Nate Richert 

Nicholas Lea 

Noah Wyle

Paolo Montalban

Patrick Stewart 

Paul Gross

Paul Johansson 

Paul McGann 

Peter Wingfield 

René Auberjonois 

Robert Beltran

Robert Carlyle

Robert Duncan McNeill

Ron Perlman

Scott Bakula 

Seth Green 

Spencer Rochfort

Stephen Nichols 

Ted Danson 

Ted Raimi

Thorsten Kaye 

Tim Daly

Timothy Dalton

Tim Russ 

Valentine Pelka

William Shockley

Ben Browder 

Brandon Quinn

Brian Krause

Chad Michael Murray 

Christian Kane 

Conner Trinneer 

Daniel Dae Kim 

David Boreanaz

David Tennant 

Donnie Wahlberg

Eric Close

Ioan Gruffudd

Jensen Ackles 

Jeremy Sisto 

Joe Lando

Joshua Jackson

Keith Hamilton Cobb

Michael Shanks 

Nathan Fillion 

Neil Patrick Harris

Reece Shearsmith 

Richard Ayoade

Rob Lowe

Ron Glass

Scott Cohen

Skeet Ulrich

Tom Welling

Tony Shalhoub 

Billy Dee Williams 

Bruce Willis 

Clint Eastwood 

Colin Firth 

George Clooney 

Jeremy Irons 

Paul Michael Glaser

Pierce Brosnan

Sean Bean

Blair Underwood

David James Elliot 

Michael Vartan 

Michael T. Weiss 

Scott Patterson 

Sebastian Cabot

Luke Halpin

Adam Brody

Jason Bateman 

Matt Bomer 

Timothy Olyphant 

Woody Harrelson

Richard Biggs

Robin Williams

Will Smith

John Schneider

Milo Ventimiglia

Bobby Troup

Bobby Sherman

Chad Everett

Casey Biggs

Jason Priestley

Don Adams

[posttexasstressdisorder]

Heading into the 50th season of Saturday Night Live, fans of the show and its original cast may feel they already know all of the lore surrounding them and their iconic characters, such as how Dan Aykroyd and John Belushi took two white guys in black suits and rocketed The Blues Brothers to the top of the charts with a multi-platinum album in 1978 and a subsequent movie in 1980 that co-starred Aretha Franklin, Ray Charles, and James Brown—and in doing so, revitalized the careers of those music legends. And yet, somehow, there are revelations aplenty in a new two-hour oral history, Blues Brothers: The Arc of Gratitude, debuting Thursday exclusively on Audible.

Aykroyd, now 72, narrates and presides over the retrospective, which features previously unheard audio from Belushi (who died in 1982), some of the last testimony of his widow, Judith Belushi Pisano (who died earlier this month), as well as anecdotes from Blues Brothers musical director Paul Shaffer, band members Lou Marini and Steve Jordan, plus drummer Willie Hall, Belushi’s real-life inspiration Curtis Salgado, filmmaker John Landis, and his wife, costume designer Deborah Nadoolman Landis.

As Belushi’s widow explains, the real origin story of The Blues Brothers involved a lot more than what we saw on screen.

“They were characters. No doubt about it,” Pisano recalls. “They were somewhat alter-egos, as well. They were sort of characters on the stage of life. It wasn’t a bit, exactly, that they ended up doing. I know that it’s often referred to The Blues Brothers as developed from a skit on Saturday Night Live, and you know, that’s really just not true. It’s not how it happened.”

From road trips to roadhouses to 30 Rock

While the Aykroyd-Belushi partnership officially began on stage in Toronto at The Second City—after which they did listen to a live blues band that very first night and share their common tastes in music—the idea for them to perform music in addition to comedy came a bit later when the duo drove cross-country. “They sort of jokingly said, let’s do a band,” Pisano recalls. Belushi, then already a star of The National Lampoon’s off-Broadway musical, Lemmings, as well as The National Lampoon Radio Hour, had recruited Aykroyd from Toronto, and he was sleeping on a mattress on the floor of the studio apartment Belushi shared with Pisano on Bleecker Street.

Belushi would get up onstage with bands in NYC or on road trips and sing the old Robert Johnson tune, “Sweet Home Chicago,” which Pisano says “was a well-known, popular, easy to play song.” Lorne Michaels saw one of Belushi’s performances and suggested he do it to warm up the studio audience at Saturday Night Live. Belushi got Aykroyd involved. Willie Nelson gave Jake and Elwood their first big break

Belushi already had befriended Willie Nelson, according to Aykroyd, and they laid out their initial concept for a blues band to Nelson backstage during his residency at The Lone Star Cafe, a former nightclub on Fifth Avenue. “Within a few minutes, Willie had agreed to lend us his band as a backup for a trial show in which Jake and Elwood would open for him,” Aykroyd says. He and Belushi learned a few songs for the gig. “The reaction was favorable, although clear that neither John nor I were conservatory-trained artists, we had a good feel for the music, and we knew how to feature an all-star band.”

Comedian Lenny Bruce helped inspire their signature look

“The wardrobe was inspired by Lenny Bruce, who always wore a dark suit, black string tie and white shirt,” Aykroyd says. “The hat and shades were meant to emulate John Lee Hooker from the photo on the cover of his album House of the Blues. It delighted us that we were compared to IRS agents, Men in Black, and the reference in the movie when Aretha Franklin says that we resemble Hasidic diamond merchants.”

“They found the stuff in thrift shops,” Pisano adds, “and then once the movie hit, they were on—you got yourself a designer, and custom-made suits before you know it.”

Enter Landis’s wife, costume designer Deborah Nadoolman Landis, who had outfitted Belushi’s “COLLEGE” sweatshirt for National Lampoon’s Animal House, and later picked out the fedora and jacket for Indiana Jones, as well as Michael Jackson’s red Thriller jacket. She recalls how haphazard their early outfits looked as Jake and Elwood: “They were using any jacket and any pair of black trousers, usually didn’t match. So they were not in suits, they were unsuited. And any hat, and any tie, and any shirt, and any glasses that looked OK.”

Lorne Michaels was initially skeptical the idea would work

That their first blues song onscreen happened in their SNL “Killer Bee” costumes? Not part of the plan. “Which John hated,” Landis alleges. “And I think it was Lorne sticking it to him.” But after that performance of “I’m a King Bee” on the Jan. 17, 1976, episode, SNL’s musical director Howard Shore dubbed Aykroyd and Belushi The Blues Brothers, and they were off and running.

Belushi tasked Paul Shaffer, an original SNL house band member (and later longtime band leader for David Letterman’s late-night reign), to hire the rest of The Blues Brothers band, which originally included Shaffer on keys, Marini on sax, Al Rubin on trumpet, Tom Malone on trombone, and Steve Jordan on percussion. “I just knew I was having a better time than I ever thought I would have in my whole life,” Shaffer recalls. “Everybody was having so much fun.” And of Aykroyd and Belushi, Shaffer says: “They were explosive individually,” but together, “like a tornado, that’s what the two were like.”

Malone suggested getting Otis Redding’s guys, Steve Cropper and Duck Dunn on lead guitar and bass to fill out the rhythm section, and then they added another guitarist, Matt “Guitar” Murphy, after seeing him perform elsewhere in the city.

“An odd mixture of people, but man, it worked,” Marini says. “But Lorne didn’t dig it. And then one of the shows late in the season, they were short, and he said, you guys want to do your silly song? Go ahead and do it. And so we did it on the show. And it was a tremendous hit. People just went crazy for it.”

Belushi was furious at anyone who dared criticize the band When The Blues Brothers scored a #1 hit with their debut album, 1978’s Briefcase Full of Blues, Belushi found himself that fall with the top album, along with a box-office smash in Animal House, to go with his fame on SNL. But he was not without his critics.

In a previously unheard interview conducted with journalist Steve Bloom for a 1979 profile in the Soho Weekly News, we hear Belushi brushing back criticism of The Blues Brothers as a novelty act or appropriating black culture.

“It’s just weird, you know. Why would I do these things?” he says. “First of all, it has nothing to do with ego. It has nothing to do with money. Or the need to be loved by an audience. I don’t have any of those feelings. What the fuck do these people think I am, anyway? I can’t fucking understand why they would attack—see when they attack me, they attack the band. And I hate when they attack the band, because then it makes them look like schmucks for doing what they did for me.” One famous scene from ‘The Blues Brothers’ film was inspired by real life

Aykroyd reveals that one scene in their 1980 film is a nod to their actual record deal: “Where we are about to escape from the Palace Ballroom and commence the final run for Chicago. A 350-pound, 6-foot-4-inch man resembling a Turkish spa attendant lunges out from the wings to offer a record deal. This scene is a direct reprise of what happened when John and I left the stage as The Blues Brothers that first night. In the dressing room halls of 8H, at the page stand, Michael Klenfner, who played the guy in the film and was an acquaintance of John’s, grabbed us and said, ‘You guys should do a record. I’m Michael Klenfner from Atlantic Records. Ahmet (Ertegun) will love this.’” Klenfner died at 62 in 2009.

Film distributors didn’t think Southern audiences could handle the film’s ‘Black’ music

Landis says he intended to make a 70mm “road movie” complete with an intermission, but he and Universal couldn’t even convince cinema distributors to roll out the film nationwide. He and Aykroyd claim exhibitors—Landis singled out Ted Mann of Mann Theatres, who’d bought the Fox Theater chain—worried that audiences in the South and elsewhere would object to a film filled with predominantly “Black” music and performers. So they only debuted in 600 cinemas instead of 1,400, and tried to mount a live concert tour to promote it.

Aykroyd saw none of the film’s massive box office profits

Even though the movie brought in more than $115 million at the box office, Aykroyd saw none of it. He says he received a $225,000 salary for writing and performing in the movie, “for which I was grateful then and am now, as I was only a net points participant in the proceeds, this is all the fee and money I have ever received from The Blues Brothers movie. Universal’s position is that due to the high costs at the time, my net points remain worthless.”

The Belushis fared a bit better, as Pisano said John Belushi used $150,000 he’d received as a bonus from Animal House’s success to subsidize the 1978 album recordings, which took place live at Universal Amphitheatre while they served as Steve Martin’s opening act. “We weren’t repaid [by Atlantic] until well after we recorded everything and they’d heard it, so I think we were probably a little naive to assume we were getting that money back,” Pisano says. “But: Best investment I ever made.”

Sean L. McCarthy @thecomicscomic

[hoorayeroticaplus]

My fave sex goddesses...

Just for fun, a list of my favourite girls of all time. Some are still my crushes. Some are just plain gorgeous. Others are there for sentimental reasons. No particular order.

Ariel Rebel Anjelica (aka Anjelica Ebbi, Krystal Boyd) Zoe Voss Tori Black Little Caprice Eufrat Tiffany Thompson Stoya Zsuzsa Tanczos Gina Gerson Monica Sweetheart Lexi Bloom Faye Reagan Anissa Kate Veronika Simon Silvia Saint Dillion Harper Sasha Grey Ashlyn Rae Malena Morgan Daneen Boone Emily Grey Red Fox Ander Page Alexis Crystal Sweet Amylee Foxy Di Remy Lacroix Sam Slayre Mila Azul Maya Nunes Eva Elfie Michelle Wild Jenna Haze Martha Gromova Evelyn Claire Krista Allen Regina Russell April Flowers Cadey Mercury Karla Kush Demi Hawks Liya Silver Brooke Banner Jenna J Ross Marcelin Abadir Emily Willis Jia Lissa Caroline Key Johnson Veronika Radke Melanie Jane (aka Melanie Rios) Kuroha Suicide Jillian Janson Tiffany Tyler Nicole Ray Heather Vandeven Miriama Kunkelova To be continued...

[little-butterfly-writes]

Commissions

Hello everyone! I know it has been a while, but I hope you are all well.

I’m happy to be here with everyone, but I have an ulterior motive (and I apologize for this being my comeback post). Recently, there was a fire in my sister’s neighborhood and it spread to her house.

Why is this important?

Due to the fire spreading, my sister’s house took a lot of damage. With damage comes (expensive!!) costs to repair the building and replace furniture. Fortunately, no one was in the house at the time of the fire and my sister is safe.

To help my sister out, I am opening commissions where all profits go to her. As long as the rules are followed, I will be writing something personal for you! Down below, my rules, what I refuse to write, fandoms I write for, what I will write, and costs.

Here is the link to our Cash App for all purchases or donations. - Pay $LittleButterflyWrites

Note: Anyone who has made a request before the date of me posting this (07/02/2024) will get their requests free of charge as originally intended before my unannounced hiatus.

This is available until July 30th, (07/30/2024), so please act fast since I'm not sure if I'll open them again! Read more if you're interested!

Rules *read and approved by my sister

I have the right to refuse any request. Respect my final decision and read what I will not write for before making a request.

Refunds will only be available 24 hours after you place the order. If you do not tell/ask for a refund within 24 hours of your transaction, I will write what you requested and you will  NOT get your money back.

Before making a request, please consult with me about what you want for your writing. See below on how to request. This makes things easier in case I am unable to fulfill/accept a request, AND it prevents you, the buyer, from spending money before you get an answer.

If you want any changes to the details, let me know within 24 hours of talking to me.

If you request for a character letter, you will have to give PROOF OF PERMISSION by an adult if you are a minor. You will also have to be comfortable with giving me your address.

If I find that you request anything NSFW as a minor, you will be BLOCKED AND REPORTED. I will reject your request and you will get your money back.

What Do You Refuse To Write?

Dub/non-con

Incest

Hate towards another group of people (race, orientation, gender, etc.)

Beastiality/Zoophilia

Pedophilia

I will NOT write NSFW for certain characters. Said characters will be in a bracketed list after their name. (example: [Character] = no NSFW). The NSFW list of characters will always be BEFORE the NO NSFW character list.

Anything I am not comfortable writing. Again, I reserve the right to refuse any request. If you are unsure and need clarification, please message me with questions.

What Fandoms Do You Write For?

With this new post comes some new fandoms!

Mystic Messenger

- Yoosung Kim, Zen/Hyun Ryu, Jaehee Kang, Jumin Han, 707/Saeyoung Choi, Ray, Saeran Choi, V/Jihyun Kim, Rika Kim, Vanderwood

Mr. Love, Queen’s Choice

- Lucien Xu, Victor Li, Gavin Bai, Kiro Zhou, Shaw Bai

Stardew Valley

- Alex, Elliot, Harvey, Sam, Sebastian, Shane, Abigail, Emily, Hayley, Jodi, Leah, Maru, Penny, Caroline, Robin, Sandy, Willy, Wizard M. Rasmodius - [Clint, Demetrius, Evelyn, George, Gunther, Gus, Jas, Kent, Krobus, Leo, Lewis, Linus, Marnie, Pam, Pierre, Willy, Wizard M. Rasmodius, Vincent]

Monster Prom/Camp

- Vera Oberlin, Damien LaVey, Zoe, Polly Geist, Miranda Vanderbilt, Calculester Hewlett-Packard, Scott Howl, Liam de Lioncourt, Joy Johnson-Johjima, Dahlia Aquino, Aaravi Mishra

Ikemen Sengoku

- Oda Nobunaga, Toyotomi Hideyoshi, Akechi Mitsuhide, Date Masamune, Tokugawa Ieyasu, Ishida Mitsunari, Uesugi Kenshin, Takeda Shingen, Sanada Yukimura, Sarutobi Sauske, Kennyo

The Walking Dead - Up to season 5 in the TV show OR first comic compendium. I can write apocalypse TWD or non-apocalypse lives, just tell me your preference.

- Rick Grimes, Lori Grimes, Shane Walsh, Glenn Rhee, Maggie Greene, Daryl Dixon, Tyresse, Sasha, Abraham Ford, Carol Peletier, Michonne, Negan, Tara Chambler, Rosita Espinosa, Gabriel Stokes - [Herschel Greene, Dale Horvath] - *I will write NSFW for Beth Greene or Carl Grimes BUT they will be AGED UP TO BE 18 or OLDER.

What Will You Write?

Comfort

Fluff

Angst

SFW

NSFW

Character x Character

OC x Character

Unnamed FemReader x Character

Unnamed MascReader x Character

Unnamed GenNeuReader x Character

CMC x Character

What Can I Get And For How Much?

*Before making a request, please consult with me about what you want so I can give you a set price before I start working. Some prices depend on the details like how many characters you want, so talk to me before paying!

Personalized Playlist - $2

I make you a playlist for your character x character, OC x character, or CMC x character. I will give you links via Spotify or YouTube using my taste in music along with your taste. Minimum of 20 songs.

Headcanons - $3-6 (Depends on the amount of characters. Maximum of 8 characters)

I write headcanons about the character, how they interact with other characters within their fandom, and how they interact with your OC/CMC.

Matchmaker - $3-9 (Depends on amount of characters

You choose between 1-3 characters from any fandom (can be different fandoms) and give a description of yourself to me (including MBTI, hobbies, likes/dislikes, and preferences). Can be SFW or NSFW.

Dabble (500+ words) - $4

A small piece with details you customize for a character. This can include interactions with other characters in their fandom, interactions with OC/CMC, or something about themself.

Character Letter (Only within the US and Canada) - $6 + any mailing fees

A letter from a character of your choice. Must show PROOF OF PERMISSION if you are a minor as we mail it to your address.

Fic (1000+ words) - $7

A piece with details you customize for a character. This can include interactions with other characters in their fandom, interactions with OC/CMC, or something about themself.

Oneshot (1500-2000+ words) - $10

A larger piece with details you customize for a character. This can include interactions with other characters in their fandom, interactions with OC/CMC, or something about themself.

How Do I Order A Commission? *Very important!

Look at the list of fandoms/characters I will write for.

Choose what you would like me to write for you. (Example: FemReader x Character, SFW, Dabble, with [insert details]).

Consult with me BEFORE PURCHASING to determine if I will accept the request and set the price.

Once all details are given and the request is approved, continue with purchase using the link to the Cash App linked above.

Here’s another link for purchases or donations in case you don’t want to scroll up! - Pay $LittleButterflyWrites

Reblogs are always helpful if you are uninterested or want to help :)

[russnightlife]

For those who need it: a full list of every name in Toast of London. Credit here:

Full list of character names from the Toast of London Universe:

Steven Toast

Jane Plough

Ray Purchase

Kenton Schweppes

Ed Hauser Black

Goodhouse

Cliff Promise

Clem Fandango

Kikini Bamalam

Beezuz Fafoon

Susan Random

Jemima Gina

Kika Brite

Acker Herron

Greta Cargo

Royce Coolidge

Mr Fasili

Ellen Toast

Mick Carriage

Howard Bugawitz

Martin Aynuss

Senna Poddington

Ricky Seasack

Derek Sibling

Danny Bear

Portia De Coogan

Thomas Ledger

Strawberry Wrathbone

Lord Fotheringham

Toby Hopkinson-Finch

Blair Toast

Commander Scott Gorham

Russel House

Chris Bread

Roy Highnock

Sookie Houseboat

Brooke Hooberman

Yvonne Wryly

Kate Kahn

Hamilton Meathouse

Poshdong Mingemuncher

Nick Swivney

Wendy Nook

Linda Praise

Warren Organ

Thumper

Lola

Paige

Ruby

Norris Flipjack

Duncan Clench

Bob Fennison

Mr. Cockatip

Ken Suggestion

Penny Traitor

Dennis Thwaits

Betty Pimples

Axel Jacklin

Basil Jet

Parker Pipe

Kerry Hammersnag

Sterling Porridge

Max Gland

Lindy Makehouse

Colin Skittles

Jackie Paper

Honeysuckle

Francis Bacon

Lorna Wynde

Una Length

Rob Continental

Sue Pressure

Peggy Plywood

Scott Chesnut

Penvelope

Rupert Howser Black

Col. Gonville Toast

Clancy Moped

Vic Titball

Pookie Hook

Bob Monkhouse

Larry Muggins

Dennis Fog

Derek Bildings

Shane Fulorgy

Frank Zammer

Ormand Sacker

Varity Map

Bill Purchase

Tony Excalibur

Champion House

Cocker Boo

Michael Prance

Church Weaver

Heathcote Pursuit

Kay Tightneck

Iqbal Achieve

Basil Watchfair

Nan Slack

Peanut Whistle

Dick Weerdly

Sal Commotion

Giuseppe Race

Howard Blackcap

Daz Klondike

Kai

Sola Mirrornek

Sue Pepkins

Neil Doobla-Decca

Des Wigwam

Dr Harold Shitman

Les Tipi

Chris Marquee

Rob Scouthut

Russ Nightlife

Kenny Ethnic

Hercule Razamataz

Ray Sober

Romley Compton

Dwight Difference

Billy Tarzana

Nina Armenian

Edward Fox

Shepherd Jerbîl

Professor Map

Sonny Sam Disco

Weech Beacon

Liberty Jerbil

Ben Egyptian

Jennifyer Madraass

Snorky

Will Willis

Phyllis Willis

Carmen

Richard Chickentoss

Hoop Kaaak

Ms Wisehunt

Mrs Greenflash

Bellender Bojangles

Barney

Hayley

Blondie

Gypsy

Old Timer Bill

Wildcat Lil

Doc Brown

Rusty Halloween

Agent Saucepan

Sorry Johnson

Wallace

Kelsey Perfume

Frank Succession

Tycoon Lancaster

Jesus Bond

August Burdock

Clint Legal

Tony Fabrizio

Hawk Fahrenheit

Mews Frumpty

Frank Forfolk

Chelsea Bladdersby

Oswald Mosley

Kate Lethargy

Fancy Alexander

Dinky Critenbers

Pig Shovely

Billy Stylish

Sir Norman Brocktight

Basil Stillborn

Kimberly Banana

DI Leonard Chaffich

Una Stubbs

Surely Residue

Warren Organ

Hissy Oversight

Ms. Crawshaft

Merrody Ferrybank

Allan Chance

Doug Birka

Martin Shore

Lolly Badcock

Jill Quear

Vigo Typhoon

Danny Laroux

Cool Black

S’en hammerstad

Gerald Selfish

Peter Nose

David Geurring

Haneth khorishi

Baz Ravish

Enty Strepsils

Comma Dora Green

Vaginta Staples

Aalan Aadams

Harvey Motel

Peter Thatchelwaite

Ryslip Tyres Dot Com

Donald Suckling

Stuart Pringle

Susan Bench

Cliff Stalways

Billy Sprayman

Trevor McGuelish

Earnest Gangly

Sydney Shipton

Barry Bouffant

Drayton Curfew

Septum Crowbar

Dick Circus

Liz Pulp

Rob Darby

Vanessa Fence

Vince Kendal

Mac Darby

Sally Joint

Welk Ashby

Maggie Gail

David Hammod

Leo Seer

Kit Blackcheek

Jackie Kak

Howard Tissue

Albert Eichborn

Peter Swaff

Rob Bonnet

Perry Bluehouse

Lee Bacon

Connie Sheik

Cliff Bonanza

Rula Bingo

Oliver Whasson

Watkins Winchester

Warwick Kineer

Ruth Lingum

Adam Haalal

Lionel Harshmaker

Gary the Plumber

Royce

[sweetdreamsjeff]

Jeff Buckley: They Don't Even Know Me Yet

Martin Aston, MOJO, January 2003

In 1992 Jeff Buckley gave his first ever press interview. A decade later, MOJO unearths this incredible, little-seen document.

AUTUMN IN NEW YORK, 1992. A tiny East Village cafe, the Sin-e. It's packed, but there's a seat near the very front, under the singer's nose. His, eyes are clenched shut. He's nervous, edgy, but it's a truly memorable show; jittery, comical, thrilling, mesmeric. When he's singing the voice is pure, stretching high-low, curling around a song. He closes on a song that could very well be a lullaby, and your eyes close with his.

Three days later, in another tiny cafe, via a mutual friend who knows Tim Buckley is your all-time favourite singer, and who told you, 'You gotta hear his son', you meet Jeff. He's dressed down — plaid shirt, jeans — which draws you to the face; short, thatched hair, looming eyes, rich lips, a wary expression. It's his first ever interview, and he's nervous, defensive. The first thing he says, almost before handshakes, is whether you're here purely because of Tim. No, but then again, yes. He accepts that there's little point writing about Jeff simply because you love Tim, any more than you can avoid Tim because of Jeff. In the end, only Dutch magazine OOR takes a chance on an interview with a total unknown: based, of course, on the familial connection to Tim. The interview is never published in the UK. By the time everyone catches up with Jeff the interview is out of date. But now, given his death and enshrined appeal, it's timeless.

When did music first make an impact on you?

As a child. There was my mother's breasts and then there was music. It felt like another person in the house that floated with me everywhere. All my life, I've sung along to the radio, stuff like [Spiral Staircase's] 'I Love You More Today Than Yesterday'. My mum would drive me to school, playing mellow Californian radio, stuff like Chicago, Crosby Stills and Nash, Blood Sweat and Tears, Sly and the Family Stone, James Brown, The Temptations, every day! She married a car mechanic, who couldn't carry a tune, but he had amazing taste and he turned me on to Booker T, Led Zeppelin and Joni Mitchell, Hoyt Axton and Willie Nelson. My mum pretty much sung to me — she's a classically-trained pianist and cellist. So it was mainly me and my mum, because my parents split before I was born. I hung around my grandmother too — she'd play me stuff like The Chambers Brothers.

It's rare to hear someone smitten with both traditional blues and modern blues. I'm thinking of your cover of 'Fare Thee Well'.

That's Dink's Song. It was originally written by a washerwoman. That's where the best music came from, from old European-American criminals bringing Africans to America. My favourites are Robert Johnson and Bukka White, The Staple Singers, Billie Holiday. I cover 'Strange Fruit', too. I figured I wouldn't be able to meet these people, so I learn from them by hearing them sing. Some of the coolest music is Johnny Cash, which isn't a black or white thing. I love Mariachi music, Ray Charles, Edith Piaf, the Sex Pistols, Muddy Waters…I just saw gifts dangling from them and wanted to take it. I guess I want to be an archetypal entertainer, an archetypal bard, a minstrel. I guess I have a romantic vision. Even though punk happened to me, and Robert Johnson, I want to be a realty good storyteller, and those songs have great stories.

What do you love about 'Twelfth Of Never'?

I cover the Nina Simone version. It's just the way she does it. I can't get into Elvis's version, it doesn't capture my imagination, though he had a beautiful voice. Every time I hear 'Can't Help Falling In Love', I cry. I can't separate Charles Manson from The Beatles or the Clambake movie from Elvis, though. But I love all music. I'm the Cocteau Twins' biggest fan, too. They allow their deepest eccentricities to be the music itself, and not just something they want to project. Liz Fraser is one of the only originals. They're just regular people, too. I got to meet her once, she was very shy, which puts a weird curve on music as well. Imagine that sound coming out of her mouth when she's in the kitchen scrambling eggs.

Was music your first true love?

Besides sex? One surrounds the other. I can remember being obsessed with my stepfather's stereo, getting into trouble for using it. He was really possessive of control over it, like a car. It was expensive equipment, so I was really careful. Then one day, I wanted to listen to a live bootleg of Jimi Hendrix, and he went mad. I had a tape player in my room, I shared it with another kid in the family. You had to stick a hanger in it for it to work.

How do you feel when you open your mouth and sing?

Like it's real. I feel like crying. I feel like I am crying! It's the middle point between laughing and immense joy and crying. I feel the best when I'm singing.

When did you start?

In front of an audience at a family get-together. My stepfather got drunk and fell asleep in front of everyone, and my grandmother got really embarrassed, so to direct attention away from him, I sung every Elton John song I knew. I was a huge fan then. They gave me some silver dollars for doing it. I was 13 (laughs). My friend and I started play electric guitars, you know, 'Stairway To Heaven', for a talent show at junior high school. We lost…We were living in southern California then. I later had a band in northern California, in Willetts, called Axxis. It wasn't my idea. It's one of the 19 cities I've lived in, I attended four high schools. One I spent two weeks in. My mum was quite a gypsy.

What did you make of your own voice?

I hated it, but I got over it. I'm horribly self-critical. I think the first time I heard it, I thought no way could I ever keep anything from anyone, it was all there in the voice. Some ways that people sing, they put it across in language, and it's almost impossible, because they have a wall between them and the expression. I'm trying to get deeper in the hole, trying to learn things when I hear voices.

Did the concept of singing on a stage come easily to you?

It was totally natural, I just did it. It was like going to the beach, like, I'm going into the ocean! I never thought about it. I first sang at a dance in Northern California Methodist Church, to high school kids. When I was 13, I already knew what I wanted to do. My all-time favourite was Led Zeppelin, and I knew I wanted to belong to that. In the '70s, there was an overspill of rock life, which becomes coffee table material, with books on Kiss and rock stars on TV. I knew it was possible for some people to do it for a living. I spent hours listening to Magical Mystery Tour. I felt like an archaeologist, which is fine, because I liked dinosaurs! But that was the wrong direction.

I left home when I was 17, because I was tired of moving around. I played in lots of LA bands, just to make money. There was a reggae band for a while, The AKB Band, a rag-tag motley crew, with one rasta guy. I played guitar. We ended up backing up U-Roy, Shinehead and Judy Mowatt, and at the Bob Marley day at Long Beach. We did cheesy session work for demos, too.

What did the experience teach you?

The simplicity. I guess it didn't teach me much at the time. It's like your parents telling you what not to do. But Pablo, the rasta, everything he said about playing makes sense now. Forget the next band. I then decided not to spread myself that thin. I didn't like southern California, LA especially. Hollywood isn't a real town, but that's the reality of it. I'd wanted to see New York since I saw it on TV when I was 12, to experience the energy, so I took off in 1990. I got a couple of jobs, and went hungry for a long while, before I got an offer to record songs in LA, so I flew back, and recorded four songs. I went back-and-forth a bit, before I met Gary Lucas at a show in New York, at a tribute show to my father. I thought playing with Gary would be interesting but it turned out to be a disaster. We had two completely different paths…the cart was before the horse. But I learnt to go out and sing, in impossibly intimate settings, when guys are right up against you. You learn how to move a room. The biggest challenge is to put a song across live. The audience shouldn't see your face, or your body, they should just hear you.

Do you enjoy the New York scene?

I dig it. If I was in LA, I wouldn't be doing anything, but here, there's a real respect. There's a respect for anything original. Maybe I'm overpoweringly romanticising New York, but so many amazing things happen here on an ordinary level, like Lou Reed lives here, wow! I first heard him in '76 but he got into my soul, it just takes one time, like Helen Keller…it's just the sound of the song. I was in somebody else's car, feeling lonely. Heroin is so beautiful, like a big black kiss, the way it builds. He sounds like a punk who knows everything. He's got such erudition, but he's not too smart.

What stage are you at right now?

Always at the beginning. I'd love to make a record. Clive Davis at Arista wanted to sign me but he hadn't heard me, it was just on the basis of what his right hand man, the head of A&R, had said. I plan to start from what matters. In September, I'll perform all new material, a lot of covers, and I wanna find people to play with. Yeah, a band, just because of the certain feeling I need. An energy.

Can I raise the delicate matter of your dad, Tim?

Sometimes, with people who knew him, they've come for a nice night out, but they see me, they don't think about him. Those who do, I don't hang around them. We're different. The people who knew him, they have apparently a very magic memory, but it's been a claustrophobic thing all my life. I knew him for a total of nine days. He never wrote, never called.

Do people claim that you're just your father's son?

If anyone mentions that, I walk. If I go to a club, and some writer uses that area, then I rip the shit down and say, Fuck you, see you later, we can talk about this next time, because I'm on my own.

Do you listen to his records?

Yeah, mostly to learn about him as a person. He wrote a couple of songs about me and my mother, which is sometimes tough. His style has nothing to do with what I do. It's funny that we were born with the same parts, but when I sing, it's me. Technically, I can do what he did, but our expression is not the same, it's a completely different sphere. His was a different time, influenced by Dylan and the folkies. I don't even talk like him. But I can do a good impersonation of him, knitting up my eyebrows, which makes people laugh.

As far as music goes, so many people who I know and love, who give me so much, they don't even know me yet. I want to make something completely new. I was into Miles Davis in 1984, he said he could tell when people were paying tribute to him but it was just copying. The only way to pay tribute is to bring something new to the fold. I want to work so hard that everything of me bums away, like the chemical in the match. Which leaves what really is me, or what I think is me. It can be such a joy. Like the Beatles, they were geniuses, you know? Music's like a sign language between people, so when a guy from Iran or America hears The Beatles, they go 'Wow!' They don't think of killing each other. There's something about music that hits the cavemen in us, even more than a speech or painting. I just want to achieve my own vibe. I want to go someplace else. There's more ways of saying 'I love you', more ways of saying 'where the hell do I fit in?', more ways of saying 'why doesn't anyone love me?, 'when is somebody going to want to kiss me?' I'm sick of waiting, waiting to be understood. And it's nothing arty, nothing lofty, it's just fucking different, and I want to leave this world behind a little so that maybe I will see that it's bigger and I haven't left it at all.

[freetheshit-outofyou]

USS Albacore (SS-218), a 311-foot, Gato-class submarine lost 7 November 1944 of the coast of Hokkaido Japan, she was presumed lost on 21 December 1944 and struck from the Naval Vessel Register on 30 March 1945, found 16 February 2023.

The USS Albacore earned 9 battle stars, received 4 Presidential Unit Citations and was responsible for sinking at least 10 ships.

Below is a listing of the ships compliment, their names are written in memorial at the National Memorial Cemetary of the Pacific in Honolulu, Hawaii:

IN THESE GARDENS ARE RECORDED

THE NAMES OF AMERICANS

WHO GAVE THEIR LIVES

IN THE SERVICE OF THEIR COUNTRY

AND WHOSE EARTHLY RESTING PLACE

IS KNOWN ONLY TO GOD

Walter Henry Barber, Jr., Kenneth Ripley Baumer, Henry Forbes Bigelow, Jr., Edward Brown Blackmon, William Walter Bower, Allan Rose Brannam, Herbert Hodge Burch, Nicholas John Cado, John Joseph Carano, Charles Lee Carpenter, James Louis Carpenter, Pasquale Charles Carracino, Stanley Chapman, Douglas Childress, Jr., Frederick Herbert Childs, Jr., Perry Aubrey Collom, Audrey Cecil Crayton, Eugene Cugnin, John Wilber Culbertson, Philip Hugh Davis, Ray Ellis Davis, Fred Wallace Day, Julius Delfonso, James Leroy DeWitt, James Thomas Dunlap, Carl Hillis Eskew, John Francis Fortier, Jr., Gordon Harvey Fullilove, Jr., John Wilfred Gant, John Paul Gennett, William Henry Gibson, John Frederick Gilkeson, Charles Chester Hall, James Kenneth Harrell, Robert Daniel Hill, Allen Don Hudgins, Donald Patrick Hughes, Eugene Edsel Hutchinson, Burton Paul Johnson, Sheridan Patrick Jones, George Kaplafka, Nelson Kelley, Jr., Morris Keith Kincaid, Victor Edward Kinon, Joseph Mike Krizanek, Arthur Star Kruger,Walter Emery Lang, Jr., Jack Allen Little, Kenneth Walter Manful, Patrick Kennyless McKenna, Willie Alexander McNeill, Joseph Norfleet Mercer, Leonard David Moss, Richard Joseph Naudack, Encarnacion Nevarez, Joseph Hayes Northam, Frank Robert Nystrom, Robert James O'Brien, Elmer Harold Peterson, Charles Francis Pieringer, Jr., James Teel Porter, Jerrold Winfred Reed, Jr., Francis Albert Riley, Hugh Raynor Rimmer, A. B. Roberts, James Ernest Rowe, Philip Shoenthal, George Maurice Sisk, Joe Lewis Spratt, Harold William St. Clair, Arthur Lemmie Stanton, Robert Joseph Starace, John Henry Stephenson, Maurice Crooks Strattan, Earl Richard Tanner, William George Tesser, Paul Raymond Tomich, Charles Edward Traynor, Theodore Taylor Walker, Elmer Weisenfluh, James Donald Welch, Richard Albert West, Wesley Joseph Willans, Leslie Allan Wilmott, David Robert Wood

[playlistjunkie]

The Story of Outlaw Country in 33 Songs

Pitchfork - October 29, 2018

“Streets of Baltimore” Bobby Bare

“Folsom Prison Blues” (Live) Johnny Cash

“Mendocino” Sir Douglas Quintet

“Sunday Mornin’ Comin’ Down” Kris Kristofferson

“Me and Paul” Willie Nelson

“Kentucky” Sammi Smith

“Pancho and Lefty” Townes Van Zandt

“Dallas” The Flatlanders

“I Been to Georgia on a Fast Train” Billy Joe Shaver

“London Homesick Blues (Home With the Armadillo)” Gary P. Nunn

“Up Against the Wall, Redneck Mother” Ray Wylie Hubbard

“L.A. Freeway” Guy Clark

“Pissin’ in the Wind” Jerry Jeff Walker

“You Never Even Called Me By My Name” David Allen Coe

“I’m Not Lisa” Jessi Colter

“Are You Sure Hank Done It This Way” Waylon Jennings

“Bluebird Wine” Emmylou Harris

“Somewhere South of Macon” Marshall Chapman

“Texas (When I Die)” Tanya Tucker

“Single Again” Gary Stewart

“I Ain’t Living Long Like This” Rodney Crowell

“Amarillo Highway (For Dave Hickey)” Terry Allen

“I Think I’ll Just Stay Here and Drink” Merle Haggard

“Guitar Town” Steve Earle

“Crescent City” Lucinda Williams

“Kerosene” Miranda Lambert

“In Color” Jamey Johnson

“KMAG YOYO” Hayes Carll

“Cover Me Up” Jason Isbell

“You Can Have the Crown” Sturgill Simpson

“The Outsiders” Eric Church

“Hands of Time” Margo Price

“Feathered Indians” Tyler Childers

[cocoabubbelle]

Hi again! :) I just started to watch Scooby Doo and Guess Who today, and I love the concept of introducing celebs. I love it because its not new, it's a callback to the og episodes with sonny and Cher, and batman!

If the show hadn't been cancelled, who would you want to guest star? (I watched a clip of the gang meeting their voice actors and it made my day, I was feeling down. I only thought they would meet frank welker too so it was a really nice surprise!)

Hi!

This will be divided between real people and fictional characters.

Real (both living and deceased)

Brendan Fraser

Ke Huy Quan

Rob Paulsen

Dwayne Johnson

Zachary Levi

John Wayne

Pentatonix

Gal Gadot

Henry Cavill

BTS

BLACKPINK

Tom Selleck

Jackie Chan

Chris Tucker (preferably working with Jackie)

Mister Rogers (you can’t convince me that the persona he put for his show wasn’t his real self)

The Kratt Brothers

Steve Irwin

Sandra Bullock

Micheal Jordon

Charlize Theron

Ben Affleck

Anne Hathaway

Margot Robbie

Cate Blanchett

Judi Dench

Julie Andrews

Octavia Spencer

Zendaya

Jessica Alba

Blake Lively

Ryan Reynolds

Lupita Nyong'o

Sandra Oh

Bette Milder

Catherine Zeta Jones

Micheal Peña

Diego Luna

Rita Moreno

Eugenio Derbez

Priyanka Chopra

Aishwarya Rai Bachchan

Jet Li

Bruce Lee

Pat Morita

Duck Dynasty

ZZ Top

Spice Girls

ABBA

Liam Neeson

Chuck Norris

Tim Curry

Jon Heder

Honestly the list could go on but I don’t know if tumblr has a word count limit so moving on…

Fictional (individual + cast/duo) (apologies if some of these seem REALLY random; look, if they can meet the Addams Family and Batman, who’s to say what’s impossible?)

Wizard of Oz cast (either original book or MGM’s iconic film)

Willy Wonka/Charlie Bucket

Walker, Texas Ranger

Superman

^ + Bruce Timm’s Justice League

Blue + Steve from Blue’s Clues

Hercules and/or Xena

The Shazamily

The Animaniacs

Freakazoid

TEENAGED MUTANT NINJA TURTLES!!!

Five Nights at Freddy’s

Napoleon Dynamite

[vintagetvstars]

Men sent to the Graveyard Slot

We salute our fallen men and will see them during the late night graveyard slot vintage tv marathon.

Updated daily as polls go down.

Jeremy Brett

Billy Dee Williams

Alan Alda

Daniel Dae Kim

Avery Brooks

Alexander Siddig

Jamie Farr

Bruce Campbell

David Tennant

David Duchovny

Andre Braugher

Colin Firth

Kyle MacLachlan

Pierce Brosnan

Fred Rogers

Tom Selleck

Eric Idle

Danny-John Jules

Brent Spiner

Craig Charles

Michael Dorn

Timothy Olyphant

DeForest Kelley

Peter Falk

Patrick Troughton

Hugh Laurie

Ricardo Montalban

Richard Dean Anderson

Richard Chamberlain

Paolo Montalban

Jonathan Frid

John Astin

James Garner

George Takei

Dean Stockwell

Patrick Stewart

Tim Russ

Sean Bean

George Clooney

John Stamos

David Boreanaz

Jensen Ackles

Rod Serling

Robert Fuller

Wayne Rogers

Robin Williams

Scott Bakula

Ted Danson

Woody Harrelson

Garrett Wang

Luke Perry

Christian Kane

Dick Van Dyke

Micky Dolenz

Erik Estrada

Michael Shanks

Charles Shaughnessy

Rik Mayall

Anthony Head

Nathan Fillion

John Corbett

Rob Lowe

David McCallum

Robert Wagner

Simon Williams

David Hasselhoff

Ron Glass

James Marsters

Dana Ashbrook

Michael J. Fox

Nicholas Lea

Milo Ventimiglia

Robert Vaughn

Sam Neill

Timothy Dalton

Neil Patrick Harris

Kabir Bedi

Jon Pertwee

Desi Arnaz

Mike Farrell

Luke Halpin

Gene Anthony Ray

Joseph Marcell

Jeffrey Combs

Connor Trinneer

Blair Underwood

Michael Landon

Clint Eastwood

Jimmy Smits

David Soul

Michael Praed

Spencer Rochfort

Michael Horse

David Wenham

Scott Cohen

Tom Welling

George Maharis

Larry Hagman

Walter Koenig

Peter Davison

James Earl Jones

Jonathan Frakes

John Shea

Sylvester McCoy

Keith Hamilton Cobb

Tony Shalhoub

Ted Cassidy

Cesar Romero

Dean Butler

Henry Winkler

Ron Perlman

Mitch Pileggi

Will Smith

Matthew Perry

Seth Green

Richard Ayoade

Russell Johnson

Claude Rains

Michael Nesmith

Demond Wilson

John de Lancie

Andrew Robinson

Colm Meaney

John Hurt

Skeet Ulrich

Eric Close

Ted Bessell

William Hartnell

William Hopper

Peter Tork

Tom Smothers

Martin Kove

Jeff Conaway

Dave Foley

David Hyde Pierce

Jason Bateman

Boris Karloff

Eddie Albert

Bobby Sherman

Fred Grandy

Kevin Smith

Brad Dourif

Brandon Quinn

Tim Daly

Judd Hirsch

Matt Bomer

Kent McCord

Bobby Troup

David Cassidy

Richard Hatch

John Forsythe

Bruce Willis

Paul McGann

Thorsten Kaye

Darren E. Burrows

Adam Brody

Adam West

Randy Boone

Clint Walker

Paul Michael Glaser

Rock Hudson

Jameson Parker

Armin Shimerman

Joe Lando

Ben Browder

Kevin McDonald

Patrick McGoohan

Chad Everett

Mark Lenard

Darren McGavin

Terry Jones

Michael Tylo

Valentine Pelka

Ioan Gruffudd

Robert Carlyle

Jason Priestley

Martin Milner

Lee Majors

Derek Jacobi

Stephen Nichols

Hal Linden

Ted Raimi

Andreas Katsulas

Miguel Ferrer

David James Elliot

Mark-Paul Gosselaar

Don Adams

Bob Crane

Davy Jones

Tom Baker

John Schneider

John Goodman

Marc Alaimo

Kevin Sorbo

Mark McKinney

David Schwimmer

James Arness

Robert Conrad

Michael Hurst

Michael T. Weiss

Jeremy Sisto

Matt LeBlanc

Reece Shearsmith

William Shockley

Robert Beltran

Scott Patterson

Dick Gautier

Alejandro Rey

Gerald McRaney

John Cleese

Brian Blessed

Noah Wyle

Paul Gross

Robert Duncan McNeill

Nate Richert

Michael Vartan

David Selby

Colin Baker

Randolph Mantooth

Tony Danza

Mr. T

Dirk Benedict

Michael Ontkean

Rowan Atkinson

Bruce Boxleitner

Patrick Duffy

William Shatner

Telly Savalas

Ted Lange

Stephen Fry

Michael Palin

René Auberjonois

Michael O’Hare

Joshua Jackson

Scott Thompson

Chad Michael Murray

Dwayne Hickman

David Suchet

Bruce McCulloch

Casey Biggs

Johnny Depp

Richard Biggs

Gary Cole

Brian Krause

Paul Johansson

Donnie Wahlberg

Raymond Burr

Sebastian Cabot

Anthony Andrews

Jeremy Irons

Peter Wingfield

Simon MacCorkindale

Grant Show

Anthony Starke

[krispyweiss]

Movie Review: “Long Story Short: Willie Nelson 90”

“Long Story Short: Willie Nelson 90” is so long …

HOW LONG IS IT, MR. SOUND BITES?

“Long Story Short: Willie Nelson 90” is so long, the producers built in an intermission - a “4:20 break,” they called it - about halfway through the film’s three-hour run time. Oddly enough, the manager of the theater where the film debuted June 11 - encore showings are slated for June 13 and 14 - frowned upon those of us who took the reason for the pause literally, meaning we’ll have to wait for the home-video release for a real 4:20 break.

But it was needed, as the movie - edited down from Nelson’s April 29-30 all-star concerts/90th-birthday celebrations at the Hollywood Bowl - is far too long. For all the highlights, there are less-than-thrilling appearances from Beck, Nathaniel Rateliff, the Lumineers (singing “Pretty Paper” in April), Miranda Lambert, Sheryl Crow, George Strait, et. al that do little more than make the movie house chairs feel even more uncomfortable.

Built around some 40 performers, occasionally solo or with their own groups, but mostly backed by a house band that included music director Don Was on bass, Greg Leisz on pedal steel, former Black Crowes guitarist Audley Freed, soon-to-be-former Punch Brother Gabe Witcher on fiddle, Belmont Tench and Booker T. Jones on keys, Mickey Raphael on harmonica and the McCrary Sisters on background vocals, “Long Story Short” works despite its flaws.

And how could it not? With a band like that, a guest list that would render even the most famous person starstruck (Dave Matthews, who turned in an appropriately weird solo version of “Funny How Time Slips Away,” sure was) and a bunch of Nelson’s greatest songs - plus Warren Haynes singing “Midnight Rider” and Jack Johnson on the hilarious “Willie Got Me Stoned and Took All My Money” - the highlights are too many to mention.

But then there are the highest of the high, which follow in order of appearance:

* Billy Strings opening the show just as Nelson would and setting the tone with “Whiskey River.” The only thing wrong with this was saving one of the best for first, which is not how these things are supposed to work.

* Particle Kid - aka Micah Nelson - performing “Die When I’m High (Halfway to Heaven),” written from his father’s perspective, with Daniel Lanois playing pedal steel without picks. The effect was both comedic and ethereal.

* Rodney Crowell, Emmylou Harris, Waylon Payne and Raphael collaborating on Crowell’s “It Ain’t Over Yet,” a spellbinding song about aging gracefully in the music business.

* Rosanne Cash singing “Loving Her was Easier (Than Everything I’ll Ever Do Again)” to - and with - Kris Kristofferson while changing the word her to you. At 86, Kristofferson seems older than the birthday boy, making this heartfelt performance the stuff of lumps in throats as the two stood with arms around each other and sharing friendly kisses before Cash melted into the arms of her father’s former Highwaymen bandmate.

* Lukas Nelson channeling his father as a young man - both on guitar and at the mic - on an eerie solo performance of “Angel Flying Too Close to the Ground.”

* Willie singing “Stardust” while trading solos with Jones.

* Norah Jones performing “Down Yonder” in memory of “little sister” Bobbie Nelson.

* The Avett Brothers - sans house band - admonishing everyone to “Pick up the Tempo.”

* Gary Clark Jr. giving a guitar clinic and sharing the spotlight with Raphael on “Texas Flood,” which he dedicated to both Willie and Stevie Ray Vaughan.

* Bob Weir singing - really singing his heart out - “Blue Eyes Crying in the Rain” while Strings, who looked as if he might shit himself with glee, played Willie’s parts on acoustic guitar.

* Jamey Johnson proving himself an incredible crooner on “Georgia on My Mind” while Haynes chipped in slide guitar as only he plays it.

* Neil Young, Stephen Stills and all three Nelson boys giving an emphatic affirmative to Young’s musical question: “Are there Any More Real Cowboys.”

* Snoop Dogg, with a gold mic and an unlit blunt in his hands, joining Willie for “Roll Me up and Smoke Me When I Die.”

* Willie’s strongest vocal performance, alongside Keith Richards - who sang better than he has in ages - on “We Had it All.” Bonus: Richards’ eye makeup was a gas, gas, gas.

The thing ended with every performer on stage for “On the Road Again” followed by everyone singing “Happy Birthday to You” with Willie singing along and emphasizing the word, ME.

There’s such a thing as too much and “Long Story Short” - a misnomer of the highest degree - has it. But with such a diverse guest list that spans generations and genres, it’s unlikely anyone other than the number-loving Willie Nelson himself would enjoy every number. And if Willie had a happy 90th, then it’s OK to spend an hour more than necessary in a theater to celebrate in his honor.

But it’ll be even better at home, with a real 4:20 break and a remote control equipped with a fast-forward button.

Grade card: “Long Story Short: Willie Nelson 90” - B

6/11/23

[thekimphilbycinemaclub]

I loved this series as a kid. Picked up the DVD(Only the original series is available on Blu Ray 😥) for a few quid ages ago and decided to rewatch.

Camp, at times soap opera like and often laughably bad, this hasn't aged well. This however, is great fun.

Disowned by Kenneth Johnson(Who wrote the mini series a few years before this) because of the studio interference with the script and the constant cutting of the budget. It's clear that the shortcomings Johnson was concerned about were never addressed.

What puts this over the top is the acting. Jane Badler as Diana and Marc Singer as Donovan are pantomime in their performances and hugely enjoyable. A pre Freddy Robert Englund is great as Willie the show's audience surrogate.

The real standout is Michael Ironside as Ham Tyler. His special forces soldier played as a haunted Vietnam Veteran lingers in the memory. Ironside would have been in his mid 30s at this point. He still manages to look like an old man.

Total shit but you'll have a good laugh. As a tip don't play this on a UHD Blu Ray Player. The upscaling makes it look horrific. #v #80s #michaelironside

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