#william anastasi

[yhancik]

William Anastasi - Transfer, 1968

So that's interesting because I was wondering if it was a nod at Nam June Paik's TV Buddha

but it turns out to be older than the Nam June Paik piece!

This page made me discover similar pieces that happened between these two.

John Knight: Site Displacement, 1969

Gottfried Bechtold - Video-Installation, 1972

(ph. Werner Kaligofsky)

Here the camera is looking at a semi-transparent mirror.

[ccccache]

Transfer by William Anastasi

[marcolikestowatch]

William Anastasi

[gregdotorg]

The daily practice of blind drawing on your lap while you ride the subway to play chess with John Cage.

William Anastasi, Subway Drawing (Way to John Cage), 1988, via christie's

[disease]

[thunderstruck9]

William Anastasi (American, 1933-2023), Untitled, c.1998. Oil pastel on paper, 51 ½ x 102 in.

[visual-poetry]

RIP william anastasi

[frenchcurious]

William Anastasi (1933-2023). Infinite Tact, 1988. - source Heritage Auctions.

[lascitasdelashoras]

William Anastasi - Nine Polaroid Photographs of a Mirror 1967

[eaktionsshaytan]

William Anastasi

[socratean]

William Anastasi, Untitled (Subway Drawing), 2005. Graphite on ivory wove paper.

[so-the-flowers-whisper]

[janescreativeyears]

Exploring Phenomenological Drawing

Lundy Walking – Jane Sharkey Exploring Phenomenological Drawing: A Walk with William Anastasi Whilst researching Artistic Walking pracrtive, I found myself drawn to the work of William Anastasi, particularly his intriguing pocket drawing method. Anastasi’s approach, as mentioned in Mueller (2023), offers a unique way of engaging and connecting with landscape. Embarking on my own walking…

[marcolikestowatch]

William Anastasi

[vonneumannmachine]

¿Consciencia sin sujeto?

Una perspectiva en el desarrollo de máquinas conscientes (o con mente, si equiparamos ambos conceptos) es construir artefactos con capacidad de representarse a sí mismos. A priori, podría parecer una perspectiva errónea ya que cuando somos conscientes de algo no necesariamente nos representamos a nosotros mismos. Si yo soy consciente del color rojo de una amapola, la amapola no forma parte de mí…

[gammm-org]

transfer / william anastasi. 1968

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