#willa fitzgerald packs

[lomapacks]

in the source link, you’ll find TWO HUNDRED AND EIGHTY-SEVEN gifs of the actress WILLA FITZGERALD in THA FALL OF THE HOUSE OF USHER (SEASON 1). all gifs were made by me from scratch, therefore i’d appreciate if they are not edited, redistributed, added to other gif hunts or claimed as someone elses. if you enjoy or plan on using them, please like or reblog the post. if you enjoy my work, please consider buying me a coffee!

[fanofspooky]

Scream Queen - Willa Fitzgerald

[rampldgifs]

COMMISSIONED !  click the source for 862 gifs of WILLA FITZGERALD in DARE ME EP 06-10. please note that i do not approve of the 5+/- age rule. these were made from scratch and more will be added at my leisure, so please don’t edit, repost or claim as your own or i will eat you. tag me if you’re posting edited gif icons for public use. give this post a like or reblog if useful. enjoy !

[gifstache]

[ ❥ NEW GIF PACK ! ] ― by clicking the SOURCE LINK below you will find 122 gifs of american actor WILLA FITZGERALD from her role in STRANGE DARLING. all these gifs were made by me from scratch, so do not repost / claim as your own / edit for public release / use them in t.aboo plots or to play real-life celebrities. please REBLOG this post if you find it useful ! 

❣ my commissions are currently OPEN ! click here for more information or consider buying me a coffee ! ♡

[holywitchkid]

 HERE you’ll find #131 Gifs of Willa Fitzgerald from Savage Salvation (2022) All of these were made by me. If you use them, like them or whatever, like or reblog from this post. Please do not repost. Enjoy!

[jofridapettersen]

click the source link to find 150 gifs of WILLA FITZGERALD in SAVAGE SALVATION please reblog if using! shout out to @hdsources for the video file!

[sophiexrph]

WILLA FITZGERALD GIF PACK

PUBLIC COMMISSION !! by clicking THE SOURCE LINK you will be redirected to a page with 782 gifs of WILLA FITZGERALD as ROSCOE CONKLIN in REACHER s1 (2022) made from scratch by me, sophie ! willa was born in 1991 ! please don’t edit these or add them to gif hunts and like or reblog if you use them ! :) thank you so much to my commissioner, and click this link if you’d like to know more about my commissions !

trigger warnings for police imagery // drinking // eating // flashing lights // guns // kissing // physical fighting // kidnapping // blood // injuries

[forest-enchantress]

Here is a #133 gifs of Willa Fitzgerald in season one, episode one of Little Women. All of these gifs were made by me from scratch, so do not redistribute or claim them as your own. If using, please give this a like and reblog!

[homebreweds]

content warnings: police, guns, hospitals, eating, kissing, blood, general an annoying white man with his shirt off. genre tropes of horror and campy teen drama.

* in the source link, you will find 100 225×127 gifs of actors WILLA FITZGERALD and BEX TAYLOR-KLAUS in their roles as emma duval and audrey jensen in mtv's scream: the tv series. willa fitzgerald is an america- born irish / german / english cisgender woman (she/her) born in 1991. bex taylor-klaus is an american-born spanish / cuban / jewish nonbinary person (they/them) born in 1994. they identify as gay. you are free to use as long as you tag #usercapella or #useramys as credit. i’d love to see what you do! as of this post, two episodes have been completed.

support me by tipping!

[flanaganfilm]

Hi Mike, how was Tribeca?

It was fantastic.

For those who don't know, I was lucky enough to be invited to sit on the US Narrative Feature Jury at this year's Tribeca Festival. I just got back yesterday from ten days in Manhattan.

I found the whole thing to be absolutely rejuvenating.

Our category had five jurors: myself, Zoey Deutsch, Stephanie Hsu, Tommy Oliver, and Ramin Bahrani.

Kate was also on a jury - she was on the International Feature Jury (which included Brendan Fraser and Zazie Beets) so that meant we spent the week seeing different movies. We'd pass each other on our way to different screenings, sometimes in the lobby of the theater, and then meet up for dinner or a party and get to tell each other about the awesome movies we saw that day.

It was overwhelming to start with. At the Opening Night reception, we met Robert DeNiro, and we saw Martin Scorcese and Matt Damon (we were way too timid to introduce ourselves). I did manage to introduce myself to Kenneth Lonergan, who has made some of my all-time favorite movies (You Can Count on Me is one of the best movies I've ever seen), and the great Chazz Palminteri (I got to tell him how much I absolute adore A Bronx Tale). I also spent a fair amount of time chatting with Peter Coyote, who was incredibly kind and funny. We chatted a lot about Ken Burns.

After that, we went to the Opening Night film, a terrific documentary called Kiss the Future. We walked the red carpet (something I'm never quite comfortable with, but luckily Kate is a natural) and we saw the movie with a packed house. It was a beautiful film and really started everything off on an amazing foot.

And then the judging started. I got to watch all of the movies in my category in the theater, with audiences. A car would pick me up and take me to the screening. At my busiest, I saw three movies in one day, but it was usually two.

I made it a point not to know anything about the movies before I saw them - sometimes I went in without knowing the title. And I can't overstate how amazing it was to see these independent films with an audience, in a theater, instead of streaming. Having spent the better part of the last five years watching this primarily at home, I was shocked at how inspiring and energizing it was to sit in a theater with a crowd over, and over, and over again. I've never seen this many movies in a theater in such a short time, and I LOVED it.

I didn't only see movies that were in my category, though. I also made sure I saw other films at the festival that I wasn't judging - including Downtown Owl, the directorial debut of my friends Hamish Linklater and Lily Rabe.

I made a point to go to the premiere of Suitable Flesh, starring the amazing Barbara Crampton and Heather Graham, and produced by my old friends Joe Wicker and Morgan Peter Brown from the Absentia Days.

And it wasn't all movies, either - I also got to moderate a chat with the brilliant Sam Lake about his upcoming Alan Wake 2 release. Sam was a joy to spend time with, and we had a lot to talk about.

And my friend and colleague Justina Ireland traveled up to NY to moderate a Master Class where a theater full of people listened to me ramble about horror movies for an hour.

(With Justina Ireland and Johnathan Penner - Penner ran the Escape from Tribeca program, and it was his idea to bring me to the festival)

And then, just before I left, I met up with some friends to see a Broadway show. Karen Gillan and Willa Fitzgerald joined Kate and I to see Grey House.

My experience at Tribeca was fantastic. It was such an amazing celebration of art and cinema, and I can't wait to go back. I spent a lot of it feeling overwhelmed, and feeling like I didn't quite deserve my seat at the table (imposter syndrome is just one of the staples of being a filmmaker, isn't it?) but I'm so glad I went.

[silveragelovechild]

I went to see Strange Darling today. It’s very hot where I live and I don’t have air conditioning, so going to a movie theater was my best option.

In the trailer for the movie, a young woman asks a guy, “Are you a serial killer?”

Where you hear a line like that, you know there’s a twist - most likely she is the serial killer, right?

The movie has received high praise by horrormeister Stephen King. But my local theater chain must not have much faith in it. They don’t screen it in the evenings (probably so they can try and pack more people into seeing of Deadpool & Wolverine).

Willa Fitzgerald plays the young woman. She’s fine in the role, alternating between helpless victim and crazed killer. But after while I just got tired of her schtick over and over. The lead guy was the surprise… he’s Kyle Gallner who I remember him from a recurring role on Smallville years ago. I thought he was good as the too horny guy who thinks with the wrong head.

The movie has lots of violence and blood. There’s an odd scene where Ed Begley Jr and Barbara Hershey play a couple of old hippies who answer their door to the wrong woman in distress. If they hadn’t died in the movie, they would have soon based on the cholesterol laden breakfast they prepare.

There must have been only 10 minutes left of the movie and it became obvious that there would be more and more blood and violence. I decided I didn’t care how it ended… and left the theater.

Despite of what I’ve said, the movie is a good cautionary tale for horny young men… if a woman asks you to handcuff her and choke her, it’s probably a good idea to put your pants back on and leave.

[stayclser]

Charlie Hunnam + Willa Fitzgerald crackship/edit

i created the charlie gif’s but you can find the gif pack i used for willa in the source

[fanofspooky]

Scream Queens 12

[rampldgifs]

COMMISSIONED !  click the source for 775 gifs of WILLA FITZGERALD in DARE ME EP 01-05. please note that i do not approve of the 5+/- age rule. these were made from scratch and more will be added at my leisure, so please don’t edit, repost or claim as your own or i will eat you. tag me if you’re posting edited gif icons for public use. give this post a like or reblog if useful. enjoy !

[pastlivesandpurplepuppets]

Spoilers, I guess.

There's something about Roderick and Madeline, their dynamics, that I still don't quite get. Must re-watch again, I guess. I always, up until to the final episode, had an impression that Roderick was meek, following his sister and her lead all throughout their lives, type. And Madeline this proverbial devil on Roderick's shoulder, telling him how things will be and making all the decisions, the leader of the pack. Maybe (actually definitely), I was fooled by both Bruce Greenwood's and Zach Gilford's faces. Both have these open, vulnerable look, you want to trust them, you feel sympathy towards them. Plus, the little we saw of Roderick's relationship with his wife (up until the last ep), it looked like he really loved her and his family. Roderick seemed very impassive constantly, but not empty of feelings.

Whilst Madeline was portrayed (so superbly by Willa Fitzgerald and Mary McDonnell) most of the time as this cold emotionless strong woman, who had no emotional ties whatsoever with anyone except her brother. But she clearly had their wrongdoings on her mind, and not just because their time was running out. That final speech of her shows (to me at least) she had thought about all this a plenty in an effort to try and justify all their dark deeds to herself over the years. I loved that speech, btw. I thought she was right. (That doesn't mean that her and her brother's decisions and actions were right, of course.)

The last episode really made me look at them differently, especially that deal making. Even if Roderick thought it's not real or whatever, for him to make take that deal with no consideration for his children whatsoever, now that was cold. That was heartless. And Madeline was the one, who to my surprise, was hesitant at first.

It's actually terrific how Flanagan manages to write his characters always so incredibly well. No one is ever black or white. Everyone's different shades of gray. It's that realness he conveys so well, that to me makes his shows so utterly brilliant.

[mariacallous]

The opioid crisis — and the family that helped birth it — has inspired a number of books, documentaries, and TV shows, many of which aim to highlight the suffering caused by Purdue Pharma's criminally reckless marketing and promotion of OxyContin. In Netflix's The Fall of the House of Usher, however, Haunting honcho Mike Flanagan uses the works of Edgar Allen Poe to explore how moral and physical rot consumes the all-powerful (and fictional) family behind a sinister drug empire. Like Succession reinterpreted by the world's foremost author of Poe fan fiction, Usher is a Gothic-tinged horror lark that's more superficial than Flanagan's previous work but still delivers some creepy chills.

Fortunato Pharmaceuticals CEO Roderick Usher (Bruce Greenwood) has six children (by five different mothers), and when Usher begins, all of them are dead. The series is told in flashback, as a broken and ailing Roderick delivers his "confession" to Auguste Dupin (Carl Lumbly), a federal prosecutor who has been trying unsuccessfully for decades to bring down the Usher family's corrupt drug company. As a violent storm lashes the night outside, the two longtime enemies face off inside the dilapidated remains of the home where Usher and his brilliant sister, Madeline (Mary McDonnell), spent much of their very unhappy childhood. Over the course of eight hour-long episodes, Roderick eventually reveals the true reason his children met their ends — as visions of their mutilated corpses appear to torment him without warning.

Usher is packed with clever Poe Easter eggs. Roderick's children — incompetent eldest child Frederick (Henry Thomas), icy wellness entrepreneur Tamerlane (Samantha Sloyan), shamelessly ambitious medical engineer Victorine (T'Nia Miller), drug-addled man about town Napoleon (Rahul Kohli), ruthless family publicist Camille (Kate Siegel), and hedonistic youngest child Prospero (Sauriyan Sapkota) — share their names with notable Poe characters. Two other key players, cruel Fortunato execs Mr. Longfellow (Robert Longstreet) and Rufus Griswold (Michael Trucco), are named after poets Poe had personal beef with. And Madeline's lifelong quest to develop an AI algorithm that would bring users "virtual immortality" echoes Poe's obsession with (and fear of) death.

In his most famous short stories and poems, Poe wrote of people being brought down by greed and paranoia, addiction and violence, sometimes a senseless need for revenge. The Usher family is beset with each of these maladies, though their chief desire is to secure a life of complete comfort, which they do by amassing a fortune built on the pain of others. Young Madeline (Willa Fitzgerald) and Roderick (Zach Gilford) are launched on their path of moral decay by Verna (Carla Gugino), a mysterious demon who has built a successful career out of entrapping human "clients" by catering to — and then punishing them for — their inherent selfishness.

The poison apples don't fall far from the tree, and one by one Roderick's adult children destroy themselves in the name of avarice and glory. The Ushers and those in their orbit succumb to agonizing fates featuring many of Poe's greatest hits: Madness, mania, paralysis, and of course, premature burial. Each of Roderick's offspring gets a showcase episode that culminates in a grimly creative set-piece death — which is kinda fun, but it also, unfortunately, takes the place of true character development.

Fewer kids (and fewer scenes devoted to characters quoting Poe's verse) would have allowed for more time spent establishing who the children were as people, making their downfalls more poetic. Instead, they are all various shades of "good riddance" awful. The series spends the most time with Frederick, dubbed "Froderick" by his scornful siblings who dismiss him as a joke and daddy's number one suck-up. Thomas is wonderfully entertaining as the jittery, hapless Usher heir whose creeping suspicions about his wife (Crystal Balint) lead him to exact horribly unjustified and macabre revenge.

The cast, many of them members of Flanagan's Netflix repertoire, is dependably strong. Trucco brings a sleazy menace to Rufus, an arrogant boor who underestimates how far Madeline and Roderick will go to usurp him. Mark Hamill infuses Arthur Pym, the family's ruthless and unflappable attorney/fixer, with unexpected empathy, and Gugino delivers many a masterful monologue as Verna, who excoriates the various victims in her smooth and silky whisper. (Alas, her showdown with Madeline, an impeccably frosty and formidable force in McConnell's hands, is far too brief.)

The strong performances help sustain Usher in its sloggier stretches, though I still maintain that all streaming series should decide how many episodes they'll need per season and then subtract at least one. Flanagan's latest may not be his best (I'll save that spot for Midnight Mass), but it did give me an actual nightmare, one in which I was keeping my brother's severed head in a cardboard box — very much against his will, I should add. Poe would almost certainly approve. Grade: B