#whose only crime was 'not wiling to die for the cause'

[hergan416]

Trafalgar Square, Bloody Sunday, Rebellion, Moriarty the Patriot, and The Phantom of Whitechapel

Ok. I think I have finally figured out Bloody Sunday. The wikipedia article is honestly kind of atrocious. I want to update it to be honest. Maybe I'll try when I get done with this 🤷‍♂️

(Long post, etc)

Part 1: Historical Context & Sources

The good source is JSTOR (not the one by Theresa Moriarty, that ended up only really mentioning Bloody Sunday in passing as it related to someone's biography, although I will add it to the list.) Here... have MLA I don't care, you probably really want the link.

Andy Love. “Centenary of Bloody Sunday.” History Workshop, no. 26, 1988, pp. 211–12. JSTOR, http://www.jstor.org/stable/4288877. Accessed 12 Mar. 2023.

If you don't have access to JSTOR this website says similar things, and also claims to cite primary sources. I'm not familiar with the domain though, so take that as you will: https://spartacus-educational.com/TUbloody.htm

Moriarty, Theresa. “Labour Lives, No. 13: May (Abraham) Tennant, 1869-1946.” Saothar, vol. 36, 2011, pp. 99–101. JSTOR, http://www.jstor.org/stable/23200051. Accessed 12 Mar. 2023.

Alright, that out of the way, basically, Bloody Sunday and Trafalgar Square refer to a mass protest by laborers that was met with (brutal) police and military suppression, resulting in continued protests. A group of aligned labor groups had chosen the square, symbolic of the meeting of London's East and West Ends, as a place to protest poor working conditions and low wages.

In addition to the Socialist Democratic Federation, which is discussed at length in (2), the following organizations were present/organizing the attendees at the square: The Socialist League and the unemployed, the Trade Union, and "radical groups." (1) A march was planned, where speakers would address the crowd, and they would make demands. The crowd instead was met by both the military and the police, who fought back brutally, at least according to one of the leaders of the movement, Williams Morris.

Following the events in the square, another prominent leader of the labor rights movement that hadn't been present at the march was run down and killed, sparking further protest over his funeral.

Finally, I want to quote this paragraph from (3) about Bloody Sunday, tying the Jack the Ripper murders to a larger sociopolitical labor rights movement:

"Police brutality in Trafalgar Square in November 1887 brought out thousands to the funeral parades that followed, and embedded 'Bloody Sunday' into the language of public political protest. In the summer of 1888, young Bryant & May women match workers in east London brought their defiant solidarity against their low pay and their hazardous work to the pavements of Westminster. By autumn Whitechapel women walked their neighborhood in fear and public fascination, when 'Jack the Ripper' exposed the lives of their sisters in poverty. London's political culture was being transformed through social concern and sensation..." (3)

Essentially, because of the Jack the Ripper killings, prostitutes now had a reason to join with other women laborers in solidarity-- or at least their concerns have academically been connected; I'm definitely not an expert and I feel like I've done more than enough academic research for someone who is months away from having graduated college 10 years ago and works in fucking retail.

Hopefully that's enough context.

Now, how does this inform my reading of The Phantom of Whitechapel and Moriarty the Patriot?

Part 2: Moriarty the Patriot's Plot

So, remember, in Moriarty the Patriot, the Jack the Ripper killings were being done by organized criminals to spur on a revolution. They want the proletariat to rise up and they aren't afraid to use people they view as inhuman to trigger it.

William sees this right away. After all, other than the fact that he (mostly) doesn't use the underprivileged as bait and pawns, he's doing the same thing. The sensational murders are just somebody else's play.

But, what's truly interesting is the bottom panel, where William brings up something that the Yard had been concerned about earlier:

The Yard might think the Vigilance Committee is the mastermind, instead of this unnamed criminal force, but regardless, William and the Yard are indeed thinking along the same lines. The clash between poor citizens and the police is bringing back memories of another recent clash. It's happening again.

Clearly, the Yard doesn't want to deal with armed rebellion. Their job is to stop it. And the politicians of the time (real life too...(1) and (2)) are exactly with the Yard. They don't want to make concessions or make leeway for commoners, they don't care if conditions improve, and they don't care if they prevent the right to protest in the meanwhile.

Lestrade is right about there being forces above the Yard breathing down the commissioner's neck.

But William... what he's looking at is the way the agitation is taking place. The murders are public, with letters to the press, etc, to create hysteria, and to create the conditions where the people of Whitechapel are confronted with the fact that the people in power are not caring for them. The Yard doesn't care how many prostitutes die. How many citizens in Whitechapel die. They've specifically made disarming the Vigilance Committee their goal.

That's true regardless, and by killing people that are powerless, it becomes exceptionally clear to the populace. They will rise up against the police that fight them instead of protecting them. The revolution will happen.

I want to claim that this cell of agitators is acting disingenuously, but it's only apparent from the text that they don't value all people evenly.

Whatever reason it is they seek proletariat revolution, it's clear they are not ideologically Marxists.

"Dregs of society" "All we did was eliminate some whores." "Society's rubbish." "With coin they'll follow you anywhere." "Worthless." "Meager."

How can anyone leading a proletariat revolution say or believe these things?

"The strong devour the weak" is Machiavellian, not Marxist.

To make it even more personal, William and Louis grew up in Whitechapel. The abandoned library has been taken down, but it was fucking RIGHT HERE.

This group must be culled.

Part 3: My Conclusions

Personally, I read that these men are trying to stir up revolution as a way to gain power. Right now they don't have a lot, and if they control when and how a revolution happens, they can come out on top in the end.

it's clear that they aren't interested in actually changing the status quo, with the strong on top and the weak on bottom. They also aren't actually interested in people's fates.

What does that mean for the plotline and what is being said about Bloody Sunday?

So, obviously this isn't in alignment to the Moriarty Plan, because outside of the one man that Lord Enders murdered and ended up being the centerfold of the act on the Noahtic, we don't really see William using anyone who hasn't already pledged their life to his ideals (and he even tries to respect the dead bodies he uses to the best of his ability). We get a strong stance against it, while having a more "pure" movement being put forward by William et al.

The differences I see are namely: a) consent: most people dying for William's plan have chosen to give their lives to the cause b) respect: William views all people as people and c) punching up instead of down: the people who don't consent to dying for William's plan deserved it. They weren't just stupid, or worthless, or the dredges of society. They were committing crimes against humanity and getting away with it.

But... if these people did do this, and it did incite revolution, and William hadn't stopped it... would it be so bad?

William wouldn't join hands with them. But in a thought experiment where he did, or he didn't exist, what would happen?

A story on NPR recently was talking about how to predict when a populist uprising will happen, and how to tell how successful it will be. This kind of cell, the kind of cell that will gain power from the revolt, the kind of politicians that are the voices of protest, regardless of how corrupt they are... the positioning of these people is basically the strongest predictor of a revolt's success.

So sure, these guys are assholes. But they probably would have succeeded. They would have used the few to create revolution, just as Moriarty does.

To what extent would our world care about the methodology used? To what extent do those differences make a difference? Are the few still not sacrificed for the many? Are the remaining people not better off in the end?

The most informative article about Bloody Sunday was a commemoration of the centennial of the protest. Nothing in the sources I found looked back poorly upon the agitators fighting for labor rights at the time.

I don't think that would change even if these events actually had happened.

And, since William plans to die at the end, take his whole cell with him... what is to say that that someone like this group couldn't still take advantage of his plan to gain power?

Sure, these guys are dead now. But surely they aren't the only ones?

[itsthecupbros]

Afraid of Your Own Shadow: Muse is unnaturally skittish and afraid of everything around them.

What Are You, Chicken?: Muse gets the chicken pox. Anon decides if there are any magical side effects.

Man Overboard!: Muse develops an intense fear of water.

Feeling Guilty: Muse is convinced they are wanted for a crime they have commited. Anon can decide what the crime was.

?yako uoy erA: Muse is cursed to speak backwards.

Happy Days: Muse is forced to keep a permanent smile.

Do Not Pass Go: Muse is put in a small prison without escape or bail.

All About the Money: Muse becomes obsessed with money and refuses to spend any of it.

My Big Day: Muse believes they are to be wed to the person of anon's choice.

I'm Melting!: Muse cannot stop bleeding from the mouth, nose, or eyes (anon's choice). Muse cannot pass out from blood loss.

Holy Halo: Muse is dressed like an angel and can float.

The Living Dead: Muse dies and becomes a living corpse. Comes back to life when time is up.

S-S-Stop!: Muse develops a bad stutter.

The Invisible Man: Muse's body becomes invisible; this does not apply to clothing.

Thou Wretched Fool!: Muse believes they are a medieval knight.

Poet In Hiding: Muse can only speak in rhyme.

Awkward Stage: Muse becomes a teenager. If Muse is already a teenager, they become an adult.

The Reaper Crys!: Muse becomes obsessed with death. Anon decides if it is another Muse's death or their own.

Frozen to the Core: Muse becomes extremely cold natured and seeks any form of warmth.

Shut the Blinds: Muse becomes allergic to the sun.

1ST JUL 2013

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2,049 NOTES

Baker Baker: Muse won't and refuses to stop cooking.

Russian Roulette: Muse is given a gun with one bullet that must be used to shoot someone/something of Mun's choosing. Ends when shot is executed.

All That Glitters: Muse becomes obsessed with shiny objects.

Just Shut Up!: Muse hears voices in their head. Anon can pick whose voice it is.

Bury the Hatchet: Muse believes they have a murder weapon, and will try to hide it at all costs. Anon can choose the murder weapon.

Achoo!: Muse becomes allergic to something precious to them. Anon can decide what this is.

Just Like Rapunzel: Muse has extremely long hair that cannot be cut.

For Science!: Muse suddenly has the urge to become a test subject. Anon may choose who's subject he is.

That's Not Punny: Muse feels inclined to make a pun about almost everything.

Nice Boxers: Muse believes they are stripped down to their underwear, even if they are fully clothed.

The Fairest Queen of Kings: Muse must dress in drag/drab.

Mankind's Best Friend: Muse feels the need to keep their pet or some animal with them at all times. Anon may choose which animal Muse desires.

Insomniac: Muse desperately wants to go to sleep, but cannot.

It's Pouring!: Muse keeps a cloud over their head, which will rain depending on their mood. Anon can decide what mood it rains on.

Technologic: Muse is turned into a robot.

You've Got Mail!: Muse believes they have an important message for the person of Anon's choosing. Anon can also choose what the message says.

Sufferin' Succotash!: Muse develops a lisp.

The Life of Mime: Muse becomes a mute and is forced to wear a mime outfit, along with proper mime makeup.

Freeze!: Muse freezes up for a few seconds whenever a certain word is said. Anon may choose the word.

Round and Round: Muse develops vertigo, and cannot stand, walk or run too much without feeling dizzy and/or sick.

1ST JUL 2013

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439 NOTES

The Premature Burial: Muse has catalepsy, thought to be dead, and is buried alive with no provisions and no hope, for ____(duration specified by anon)

The Black Cat: Muse is a perpetual drunk prone to abuse, be it animal or domestic, for ___(duration specified by anon)

The Pit and the Pendulum: Muse is a convicted felon and sentenced to death. Anon specifies form/duration of torture.

The Raven: Muse is masochistic for ___(duration specified by anon)

Annabel Lee: Muse loses their one true love and suffers from a broken heart (duration specified by anon; muse can die from broken heart should the anon choose it).

The Masque of the Red Death: Muse is afraid of death and has a lethal disease whose symptoms include sharp pains, dizziness, profuse bleeding, and red stains, causing him/her to be shunned from society. Lasts for____(duration specified by anon)

The Tell-Tale Heart/Murders of the Rue Morgue: Muse is paranoid of others and upon killing them, tries to hide the bodies of his/her victims, all while evading arrest through use of wiles. Lasts for____(duration specified by anon)

Fall of the House of Usher: Muse becomes a shut-in consigned to the hospital, incapable of caring for him/herself and in need of special, degrading attention. Lasts for ___(duration specified by anon)

Ligeia: Muse is deathly ill and dies, but resurrects in the body of another person. Anon specifies duration and the body of the other deceased.

William Wilson: Muse is manipulated by their alter ego and believes his/her rival to physically exist; but being unable to escape his/her personal demons, ultimately commits a murder-suicide in an attempt to vanquish said rival.

1ST JUL 2013

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122 NOTES

Scary Monsters and Nice Sprites: Your muse feels the need to hide from everyone. Anon specifies the time length.

Rise and Shine Little Bitch: Your muse has just woken up from an excruciating hangover that lasts one day.

Pretend it's a Video Game: Level up! Your muse is now a video game character. It lasts for 5 days.

With you, Friends (Long Drive): Your muse suddenly feels extremely adventurous. Anon specifies the time length.

Bikinis and Big Booties Y'all: Whoo! For one entire night, your muse suddenly wants to get drunk and party.

Never Gonna Get This Pussy: Your muse is feeling so fragile that if anyone touches them, they're mentally impure. Anon specifies the time length.

Smell this money: For one night, your muse has an urge to go and rob something. Anon Specifies where they rob.

Park Smoke: For one night, your muse stays outside {with an optional cigarette}, due to their belief that if they go inside their settlement, they'll get sick of slow suffocation and die.

Your friends ain't gonna leave with you: Your muse is afraid that everyone they care about will forget about/leave them.

Ride Home: Your muse gets extreme nostalgia that doesn't go away until {Anon specifies}

Son of Scary Monsters: Muse acts like a stubborn child that must scare everyone for {Anon Specifies the time length}

Big 'Ol Scardy Pants: Your muse is afraid of everything. Everything. Lasts 2 days.

Scary Monsters on Strings: Your muse is a puppet on strings. 3 days.

Lights: Turn the lights on! Your muse has a sudden addiction to lights. All lights are beautiful. Must look at lights. Lasts a full week.

1ST JUL 2013

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32 NOTES

Castle in the Sky Your Muse see a Castle in the sky and goes up to the sky and see it real For__

Angel of Darkness Your Muse become evil with dark powers and become The Angel of Darkness and Try to take over For__

Earth Wind Water & Fire Yous Muse Have power(Ex.Earth powers) For__

Roses are Red Your Muse Is love with (anon tell to who) For__

Bumble Bee Your Muse Has a feeling love for(anon tell to who) For__

Superstar Your Muse Become Rich and Famous For__

Dam Dadi Do Your Muse Dance Non-Stop For__

1ST JUL 2013

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1,204 NOTES

The classiest M!A list you’ll ever see compiled by yours truly and Tomas mun. All times are specified by anon or mun.

Taming of the Shrew: Your muse turns into an obstinate, headstrong person who has to be tamed into being compliant and good again

The Tempest: Your muse has been caught in a terrible shipwreck and is stranded on a seemingly uninhabited island (other muses can be on island too if mun agrees)

Romeo and Juliet: Your muse has fallen /desperately/ in love with the one person they know they can’t have

As You Like It: Your muse has to pretend to be the opposite gender for whatever reason the anon or mun think is appropriate

Macbeth: Your muse is convinced they have killed someone-or maybe they really have- and is going mad with guilt

A Midsummers Night Dream: Your muse is now some strange part them part animal hybrid (anon specifies animal)

The Merchant of Venice: Your muse owes a large sum of money to someone on pain of death (anon specifies when the money is due by)

A Comedy of Errors: Your muse either develops an evil twin /or/ the muse goes around pretending to do loads of things and blaming it on their 'twin'

King Lear: Your muse is descending into complete madness

Richard III: Your muse wants to trade really important items for really menial ones

Winter's Tale: Your muse is frozen and can’t move but they can hear and see fine.

Hamlet: Your muse is overcome by a death or tragedy in their past, and seeks revenge on whichever character/person they believe to be most responsible for it.

Much Ado About Nothing: Your muse unashamedly attempts to seduce as many characters as he/she can

Henry V: The muse embarks on war/battle against a character/threatening force

Julius Caesar: Your muse thinks everyone is stabbing them in the back, literally or metaphorically

Othello: Your muse thinks his/her lover is cheating on them with their best friend. Alternatively, if you prefer / if your muse has no lover, your muse plots to convince /another/ character that /their/ lover is cheating on them with their best friend

Twelth Night: Your muse disguises themselves as the opposite gender/as someone else, which either directly or accidentally creates an awkward love situation or a love triangle.

Sonnet: Either your muse can now only speak in sonnet form /or/ they are going around pronouncing their undying love for everyone.

1ST JUL 2013

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50 NOTES

Ico: Muse now has horns protruding from their head.

Yorda: Muse has to be literally led by the hand everywhere. If left alone, they will just stay in one spot.

Queen: Muse wants to take over someone's body to continue living. (Anon decides who)

Wander: Muse slowly becomes paler, and dark splotches will form on their skin and clothes over time.

Mono: Muse is dead, and will only wake up after a certain amount of time.

Dormin: Muse is disembodied and can only go back in their body when they are given sixteen of a particular item. (Anon decides what item)

1ST JUL 2013

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131 NOTES

All M!As are inspired by the tv show "Animalia"!

The Mists of Time: There are ancient, elephant-sized, ravenous frogs everywhere. Perhaps your muse is hallucinating, perhaps not, but either way, they're scared of being eaten. 7 hours.

Catcher in the Rhyme: Your muse suddenly can't stop speaking in rhymes. If they say a word without a rhyme, their muscles cramp up and they get cold, freezing themselves stiffer each time. 5 hours.

Forget Me Not: Long-term and short-term memory loss. Who are you? Oh, ok. Wait, who are you? 3 hours.

Long Story Short: Did you hear about...? Gossip is being spread from the mouth of your muse, and it keeps getting worse and worse because they aren't really listening to anyone but themselves. 3 hours.

Speechless in Animalia: Your muse just wants some peace and quiet! And they get it... in spades. Deaf and mute. 1 day.

Don Iguana: Your muse just started reading Don Quixote and is inspired to fight crime! They become d'Avenger of d'Whatevercountrytheylivein. They lose sleep while fighting crime, eventually being to hallucinate. They really should have finished that book first... 2 days.

Over and Beyond: One day your muse meets a unicorn. And the next they are held captive by a dragon. 2 days.

Being Peter Applebottom: Your muse suddenly thinks they're a genius. A condescending, pompous, arrogant genius who hates laughter and playfulness. "Comedy is low, sophomoric, crass. I don't practice it." 2 days.

Brain Drain: Your muse swaps intellect with another muse. 1 day.

The World According to Iggy: Your muse is a hero! Well... in their eyes they are! They've got a sudden desire to tell everyone of fantastical tales -starring themselves- that are extreme exaggerations. 1 day.

Gettting Over the Glums: Your muse inhales the pollen of a strange plant. They become lethargic and depressed, and slump on the nearest couch. The only cure is a good, long laugh. (And ticking won't work!) 12 hours.

The Day Zoe Listened: Your muse makes a vow to go a day without talking. But as the silence goes on, your muse starts to hear whispers in the trees. Hallucinations? Dryads? Who knows. 1 day.

Alex's Treasure Island: Time for a treasure hunt! Your muse is searching high and low for Captain Flint's hoard, getting greedier all the time. That pretty necklace around that other muse's throat... why, it's a part of the trove! 16 hours.

The Animal Within: OOOGAAAAH. Suddenly, your muse is acting like a wild animal. Eating with their face, scratching themselves, grunting... 7 hours.

Scary Story Go Round: Your muse is now the hapless victim in a horror movie. Tripping, screaming, rallying the rebels to take on the monsters. 1 day.

The Ballad of the Creeper: Your muse is a blethering ninny. "Whacka-doo, whacka-doo, whacka-doo!" 3 hours.

From 'A' to 'Z': Your muse starts forgetting words. "Could you please move that ch... ch... that thing! That thing that you sit on! What's it called again?" 12 hours.

The Dragon and the Night: Your muse is afraid of non-existent trolls and the dark, and is too embarrassed to admit to either. 12 hours.

Tomorrow: Your muse thinks the world is going to end tomorrow. 1 day.

Guardians of the Core: Your muse can't stop singing and dancing. Whatever song pops into their head, they will perform. 3 hours.

Back to the Present: Your muse is traveling back home, perhaps one day to return, perhaps not. 12 hours.

What the World Needs Now: Your muse gains the powers of a god. They can change the world to their ideals... but should they? 7 hours.

1ST JUL 2013

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3,876 NOTES

Paint it Red: Muse becomes blood-crazy. They want to see it, taste it, and feel it in any way or form.

Overprotective: Muse becomes obsessive of the next person in their inbox.

Over the Edge: Muse's mental health has skyrocketed down, making them very unstable.

Burning Up: Muse feels extremely hot and can't seem to get cool.

Hypochondriac: Muse thinks they have an illness (chosen by anon), even though they are completely healthy.

Heartache: Muse feels a sharp pain in their chest every time they think of their lover (or someone/thing they love).

Not Yourself: Muse has the personality of a character of anon's choice.

Double Trouble: Muse has an exact copy of themself to deal with. Only the copy secretly wants to kill them.

Heavily Accented: Muse's voice has an unfamiluar accent to it, which is chosen by anon.

Night Owl: Muse has trouble staying awake during the day and going to sleep at night.

A Holy Man?!: Muse takes everything literally.

A World of Color: Muse becomes colorblind. If Muse is already colorblind, they can now see colors.

Congratulations!: Muse is given a baby and told it's theirs. Anon can tell them who the 'other parent' is.

A Haunting I Will Go!: Muse becomes a ghost that must haunt the person of anon's choice.

Bittersweet: Everything Muse eats turns to candy in their mouth. The reverse effect goes for actual candy, which turns into a random food.

[travllingbunny]

The 100 rewatch: episodes 3x11-3x16

This post contains reviews of the following episodes:

3x11 Nevermore

3x12 Demons

3x13 Join or Die

3x14 Red Sky at Morning

3x15 Perverse Instantiation, Part One

3x16 Perverse Instantiation, Part Two

And with this, I’ve finally finished season 3. It took much longer than I planned, because I got behind with these write-ups due to actual work, and had to write a bunch of them at the same time. But the good thing is, since, like so many other fans, I’ve already seen 6x01 and 6x02, I can now give myself more time to finish my rewatch - two more weeks, before 6x03 premieres. 18 days should be enough for 26 episodes, I hope. It’s also a good thing that I’ll be able to talk about the first 2 episodes of season 6 in my season 5 write-ups.

In these posts, I spoil all of the first 5 seasons, but I won’t talk about season 6 before it officially premieres.

3x11 Nevermore

More literary allusions: after Dante, we get an Edgar Alan Poe reference – and of course an episode focusing on Raven Reyes would be named after a quote from “Raven”.

Timeline: This episode starts pretty much immediately after the end of 3x10 (Jasper, taking a rover to save Raven and run from Arkadia, runs into Clarke) and takes place during one night, during which our group of friends stay at Niylah’s place and try to free Raven from ALIE’s control, while ALIE is trying to find out their whereabouts, because she wants to find the second AI, which is contained in the Flame/chip that’s currently in Clarke’s possession.

This is where the season finally has a big upswing in quality, and it really helps that this one and the following episodes are focused on the original characters from season 1, whose bonds with each other have been developed since the start of the show, but who have mostly been apart, not just physically and emotionally but also narratively - as part of different storylines – during the first part of the season. It also helps that it’s so focused and that it is not all about the plot, but about the characters’ emotional states.

The interactions between Jasper and Clarke are just as unpleasant as you could expect, knowing that Jasper blames Clarke for Maya’s death and for pretty much anything ever, which he does throughout season 3 and at least some of season 4. It’s understandable and annoying at the same time – he’s being very unfair most of the time, but he’s also in a bad place, struggling with mental illness, so I can’t really blame him.

Just as Jasper is blaming Clarke for everything, Octavia is blaming Bellamy for pretty much everything, and that also continues throughout season 3 and a lot of season 4, but I’m struggling more with this – after all, Jasper may say harsh things to and about Clarke, but he hasn’t beaten her up. Octavia sums up Bellamy’s actions in season 3 this way: "You were hurt and you lashed out, because that's what you do"… which is not wrong, but it’s also ironic she says that, because who does that also remind you of…?

Jasper also has a moment where he calls Bellamy out (which is a really rare thing for him, since he’s usually focused on blaming Clarke, except for an occasional moment when he blames Monty), when he gets annoyed with Bellamy for trying to calm him down and telling him not to get angry, and reports: “When you are angry, people die” Which reminds me of Bellamy’s angry words to Clarke in 3x05: “When you’re in charge, people die”.

There’s also the 4th time, by my count, that Clarke’s friends tell Clarke she doesn’t have the right to give them orders (Bellamy, Raven and Octavia did that at various points in season 2) – this time it’s Jasper. But while Clarke normally does have a tendency to take charge when there’s a problem, this time it makes perfect sense for her to be telling them what to do since she’s the only one with a clue what’s going on.

Good thing Clarke noticed one of the Delinquents’ wristbands at Niylah’s place in 3x01, since they turned out to be crucial for disconnecting the chip and ALIE’s influence from Raven (through some technological mumbo-jumbo I won’t even try to understand). But until they do, ALIE uses the opportunity to use Raven to taunt the others and try to torment them emotionally by trying to get to what she thinks are their secret fears and insecurities, so they would lose their cool and maybe reveal theie location to ALIE. However, since ALIE has never been inside Clarke’s, Bellamy’s and Jasper’s minds, this has to mean that the things ALIE!Raven says are at least partially the things Raven has thought about her friends or that Raven thinks would be a good way to hurt them. And while Raven normally wouldn’t say such hurtful things, she can certainly be b*tchy at times and say harsh things to her friends – but this is way exaggerated beyond what normal Raven would say.

When it comes to the actual things ALIE!Raven says to taunt them, the first two things that always came to my mind were: it’s all kind of sexist? Just compare the way she tries to undermine Clarke’s confidence - telling her she’s “poison” to everyone who gets close to her, including blaming her for Finn’s death not just because she mercy killed him but because she previously “broke his heart” (because it’s a woman’s fault when a guy does awful things because of his feelings for her, even though she did nothing wrong and definitely never wanted him to do any of those awful things? Let’s blame her “feminine wiles” or whatever instead of the guy who chose to do these things?) to how she tries to do it with the men – calling Jasper weak and calling him out on failing to save his girlfriend; trying to undermine Bellamy’s sexual confidence (that was the first thing she went for, but it didn’t seem to do anything), later implying that Bellamy is in subjugated position to Clarke and is taking her orders? Which is BS. If she wanted to make a case for Bellamy being a “follower”, citing his relationship with Pike would have been a much better argument. But what’s worse for a man than to be taking orders from a woman, right? I choose to interpret that as ALIE being sexist or thinking that sexist ideas are what humans believe in, so that’s how she should get them, because otherwise I’d have to think that either Raven is sexist (which I don’t think is true – in spite of her bias in how she blamed Clarke for Finn’s failings, which is more of a reflection of her blind spot regarding Finn and her bitterness over him falling in love with Clarke and loving her more) or that the writers are.

And secondly, while some of what she said may sound like “harsh truths”, it’s actually mostly very skewed, unfair or just pure BS. I would hope that there aren’t many people take these things literally. But, unfortunately, I know that there are portions of the fandom who do take some of it as gospel truth, in spite of what source is comes from. I think (or at least hope) that there that there aren’t many people who really think Clarke is to blame for her father’s or Wells’ or Finn’s or Lexa’s deaths (blaming her for Finn’s death especially gets me angry, because of all the reasons above and because she has already been blamed for that and for Finn’s murder spree in season 2, which was the biggest bull*hit ever and angered me the first time as well). And whatever Jasper is, he’s certainly not a coward, as ALIE!Raven calls him. But I can see a lot of people in the fandom agreeing with her when she says “we’ve all lost someone – you don’t see us falling apart” – which is an unfair argument as people simply react to trauma differently; some people break, but that doesn’t make them weak and annoying, and some people can endure and soldier on, but that doesn’t make them insensitive. Or, for instance, she blames Bellamy not only for deaths he directly caused, but also those he indirectly caused (the culling) and even his mother’s death – because he tried to do something nice for his sister. This is a small child’s – or an android’s - view of how morality works – only the consequence of actions matter, not the motivations, intent and whether you even know what would happen, or whether your action was good or bad in itself, all it matters is what the result was. (Which is, for instance, why small children can’t understand why an attempted murder is a worse crime than accidental killing.) But some fans will cite statistics from the 100 wiki as to how many deaths this or that character “caused”, directly or indirectly, as if context and motivation don’t matter. And then there’s another thing that a lot of fans definitely take too literally…

“A good little knight and his queen” – This line is interesting for more than one reason. First off, it’s the first time anyone in the show has ever tried to define the relationship between Clarke and Bellamy in any way – except for the general reference to Bellamy as one of Clarke’s “friends” or her “people, and vice versa. (The fandom, reviewers, people working on the show may talk about them as friends, best friends, platonic partners, non-romantic soulmates at the moment, etc. but on the show, Clarke and Bellamy have never actually defined their relationship or put it in words what they are to each other. Most of the time, neither do people around them. ) And it’s a romantic reference – “knight and his queen” invokes the Courtly Love tradition. (The other time someone on the outside – in that case, not a close friend, but someone who’s just met and observed them – puts a label on their relationship, it’s Diyoza in season 5, who assumed Clarke was Bellamy’s  girlfriend.) In case someone missed that, ALIE!Raven also taunts Bellamy by comparing his feelings for Clarke and his feelings for his now dead girlfriend: “Too bad you were never that devoted to Gina”. Bellamy says she has no idea what she’s talking about, so he may not be thinking of his relationship with Clarke in the same terms, though, not at this point. I don’t think he has really defined what Clarke is to him, at this point. (He doesn’t stay silent and look guilty, as he does in season 5 when Octavia calls him out on loving Clarke.)

But there’s also the implication that Bellamy is supposedly subjugated to Clarke and is a “follower” – (“She has just returned and you’re already taking orders”), which a lot of people in the fandom have cited (usually to bash Clarke and Bellarke). And I’m asking, when? How? This may be what Raven/ALIE senses Bellamy fears or is insecure about, maybe what he really is insecure about – but I really don’t think it’s the objective reality.  Bellamy and Clarke have always had an equal relationship; sometimes they work together and consult and support each other, other times they disagree and even get into conflicts, and things don’t go as well then. They were co-leaders in season 1; in season 2, Bellamy got demoted, but that wasn’t because of Clarke, it was because Kane and Abby and the other adult elite from the Ark came down and took over. Clarke only had some say because she was the Chancellor’s daughter. Then Lexa, and with her the rest of the Grounders, saw Clarke as the leaders, which allowed Clarke to take the power away from her mother – and Bellamy was already on his mission in Mount Weather at the time. Mission which was always his idea and his plan and that he insisted he wanted to. (Something that many fans, oddly, tend to forget.) Then she left and he was the one who was looking over the Delinquents, though with Abby and Kane as the official power in Arkadia. (Which was the objective reality, even if Bellamy had wanted to challenge that status quo, he didn’t have Grounders behind him to stage a coup like Clarke did in season 2.) ALIE!Raven even asks him if he’s upset that he doesn’t get “credit” for the “genocide” at Mount Weather – I think he was upset because he wanted to share that responsibility, but Clarke kept taking it all on herself. But as to the reason why Clarke was called “Wanheda” and considered her the only one responsible – that’s simply because Grounders saw her as the leader in season 2, and Grounders tend to assign all responsibility to just one person that they see as the leader (because they can’t imagine a power structure that isn’t as hierarchical and based on obedience as theirs is). Bellamy was in subjugated position to the Chancellors, and one can certainly argue he started acting like a follower in season 3 with Pike, and to the lesser extent Kane previously, but Clarke? She already came back in 3x05, and she couldn’t Bellamy to do what she wanted, at all (she had much more success with getting Lexa to do what she wanted). And now that Clarke is back again… well, as I said, the fact is that she’s the only one (except Raven) who knows what’s up with the chip and the Flame and what to do, so it makes sense for people to listen to her. (And in season 4, when Clarke is the leader in Arkadia, she is consulting with Bellamy the same way he did with her in season 1, when he was more in the semi-formal leadership position.) Frankly, I think this is something similar to the phenomenon of people thinking that women dominate conversation if they talk 30% of the time, let alone 50%, because women being in power = shocking, conspicuous, OMG, let’s all talk about it. But Clarke was shown listening exactly at this point, so she may have been thinking, is this how Bellamy, Raven and the others see her, as someone who just goes around and gives them orders and acts like some sort of a tyrant?

Also, regarding the “knight/queen” thing is a pretty big oversimplification of their relationship, since Clarke has done at least as many things to save/protect Bellamy as vice versa,  (Not to mention, if we’re talking Courtly Romance, the Knight’s “subjugation” to the Lady was basically a poetic convention, a pretend thing, not actual social reality – in reality, it was the Lady’s husband who usually had all the social power.)

Bellamy was the only one out of the three who did not lose his cool, no matter what ALIE!Raven was throwing at him – and she kept throwing various things and changing tactics. But he later showed anger when he left the room, so at least some of it was actually upsetting him. I would say that most of all, it’s the guilt over his recent actions and killing people, because that’s what actually bothers him - making mistakes that cost lives, causing deaths, failing to save people. I don’t think he loses much sleep over the rest.

But ALIE gets lucky because, while Bellamy didn’t crack, Niylah overheard the part about his role in the killing of Lexa’s army. And, as she told Clarke earlier in the episode, her father was one of the warriors who were killed – but Clarke claimed that none of them had anything to do with it. So not only does Niylah find out one of Clarke’s friends she brought with her was one of the people responsible for her father’s death, but she finds out in a really bad way – so it’s no surprise she loses it and lets ALIE see her, which lets ALIE know where they are.

I was a bit uncomfortable the first time I watched season 3 with the way Clarke was treating Niylah – not that it was ever malicious or callous, it was the situations she was in, but she was kind of using Niylah whenever she needed something, first she found a place to stay when she was roaming around on her own, some comfort and casual sex in 3x01 when she was only able to get intimate with someone she had no stronger feelings for, then she left without goodbye, and only returned now that she needed help with Raven and brought a bunch of friends, and then lied about Bellamy because she was scared they wouldn’t be let in (understandable, but not right), which Niylah called her out on. And Niylah just told her she lost her father recently, but Clarke is instead spending all the time worrying about how Bellamy feels and trying to comfort him. But to be fair, at least Clarke never pretends to feel anything stronger than she does – Clarke may be manipulative, but she’s never using love or sex or friendship for that purpose. Instead, she gets people to do what she wants by appealing to who they are – like telling Niylah she knew she isn’t someone who would let an innocent girl (Raven) suffer. And I feel better now that we know Niylah was eventually pretty chill about all of it, as we see in season 4, and didn’t expect anything from Clarke emotionally that she knew she couldn’t give her (if she had some feelings of that kind in season 3, she certainly got over them), so no one was getting hurt.

Bellamy being confronted with Niylah was a very important moment for him, because seeing someone who lost a loved one because of him made him confront his guilt the way he hadn’t before – not just saying “I’m sorry” to Niylah (an apology which she wasn’t ready to take– though later she seemed to not have a problem with him, though we’ve never really seen them talk to each other again since), but to really question his whole mindset and change it. This is where he realized “I was just trying to save my people” is not a good enough justification, if you end up hurting/destroying other people. It allowed him to progress beyond that mindset.

Another callback to season 2: “What do you do when you realize you may not be a good guy?” – Bellamy questioning everything he had believed in. He was where she was before. And Clarke’s answer is Abby’s line “Maybe there are no good guys”.

Like Bellamy, Clarke also gave an apology that wasn’t accepted – to Jasper, for Maya’s death.

Bellamy/Clarke moments in this episode are quiet, subtle and, at first, somewhat awkward. It’s the first time they see each other after their last, explosive confrontation, and at first, they just stop in their tracks and look at each other. If this was Clarke from seasons 1-2, I would have found it weird that she wasn’t even somewhat upset with Bellamy over the way he treated her that last time, but she’s been much mellower this season and more forgiving in general, and after she forgave Lexa for a massive betrayal in just a couple of days, it’s not surprising that she’s not showing any anger at Bellamy. Especially since she is still worrying whether he is still angry at her, feeling bad that she hurt him by leaving after MW, and feels relieved that he doesn’t act like he hates her. They are not ready to talk about any of it, but while they’re wrapping each other’s wrists, the physical touch looks a lot more meaningful and feels like the first step towards reconciliation (and visually recalls and feels like a contrast to the handcuffing scene).

After being freed from ALIE, Raven smiles at Jasper and apologizes for the things she told him. (We don’t see her apologizing to Clarke or Bellamy, though.) Those two have always had a sweet friendship.

Speaking of sweet friendships, Octavia and Monty’s friendship never got a huge focus, but it has some of the nicest moments between Octavia and anyone. These two go on a mission to the dropship to get an important piece of technology, and run into Monty’s mother, chipped and determined and almost unstoppable, the way chipped people are, due to not feeling any pain. Monty has always been the unsung hero of The 100, but season 3 is when we really get to see his quiet strength and heroism. He suffers some of the biggest losses and has to make one of the biggest sacrifices, when he is forced to kill his mother to save Octavia.

Earlier, Octavia wanted to leave and said she feels like she has no home because she lost Lincoln, who was her home. But Monty reminds her of the bond she shares with the rest of the original 100. This bond was something that was severely tested and almost broken for all of them. He gets through to her – in the end, she changes her mindset and tells the others that they will survive together.

But Monty and Jasper’s friendship is still in a bad place, and this time, Jasper tried to offer Monty comfort for his mother’s death, but Monty didn’t want to accept it. Maybe he felt angry because Jasper is always showing his pain, while Monty swallows it and soldiers on.

When Octavia thanks Niylah before leaving, it’s the first little signs of the friendship between Octavia and Niylah, which is going to develop in season 4.

They come pretty close in this episode to destroying the Flame (and this is not the last time this happens – see: fake Flame-smashing scene from season 4). What saves it is Clarke not wanting to destroy it because “it’s Lexa”. Kind of? I’ve never been sure how exactly the Flame is supposed to work, but this is another thing that the fandom tends to take too literally – a version of/remnant of Lexa may be in it, but so are Becca and a bunch of other past Commanders, so whatever it is, it’s not exactly a person, or not one person.  In any case, it’s fortunate they didn’t destroy it this time, since they needed it to defeat ALIE, but at that point, they still weren’t aware of it. But there was also the fact that they needed it to expose Ontari and get her away from power – another good reason for Clarke to not want it destroyed.

Body count: 

Hannah Green, killed by her son – another character still “alive” in the City of Light.

Rating: 9/10

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3x12 Demons

I like the way the opening scene plays with the horror genre tropes. It happens at night, Miller tells a creepy ghost story to Harper and Bryan, and then they all get abducted in what looks like a scene from slasher movie. In fact, the entire episode plays out a lot like a slasher movie, with creepy atmosphere and an initially threat/monster abducting the characters one by one.

Most of the episode is about Emerson’s attempt to get his revenge on Clarke by watching him kill her friends before killing her. It was always obvious that letting Emerson go would result in him returning to cause more trouble, and kill more people (poor Sinclair was the victim - RIP). But at least he’s finally dead. All the leading figures of the Mount Weather regime were evil, but none of them were as annoying as Emerson had become by season 3. I have zero sympathy for his obsession with revenge, because dude is a major hypocrite. Here he was doing things like using his dead son’s toy/music box (IIRC) as a distraction and symbolically, because it’s supposed to make Clarke feel bad for the deaths of the children at MW, including his son. I kind of wish someone had told him that they feel sorry for his son but not at all for him, which is how I feel. Dude, you were killing and torturing people in cold blood for years and tried to kill all of Clarke’s people, and you have the gall to blame them for defending themselves when you pushed them into a corner and left them no choice? F*ck off.

Emerson again says that Clarke “murdered 381 people” – which is a wrong number, but as I realized after 3x06, the writers were clearly lazy and didn’t bother checking the numbers of Mountain Men still alive by the time of season 2 finale.

Before the whole Emerson thing goes down, our heroes go back to Arkadia, now completely empty. They find Lincoln’s body and his things.

Clarke explains the whole Nightblood and Flame thing for everyone and why they have to look for Luna to achieve both goals – expose Ontari and remove her from power, and defeat ALIE. Octavia finds a drawing in Lincoln’s sketchbook that includes a drawing of the map to Luna’s place.

Becca’s journal, which Clarke took with her together with the Flame, proves useful, as Raven reads it and starts figuring out how to activate the Flame. It has a password, as an actual computer, and Sinclair is the one who figures out, thanks to his knowledge of Latin, that it’s Ascende superius” – “Seek higher things”. This proves especially important later when Clarke uses the Flame to kill Emerson, because it kills non-Nightblood people it bonds with. (BTW, the Flame looks creepy AF when it starts connecting with someone’s head – it looks like the computer version of a parasite or the Thing.) So, in a way, Sinclair gave Clarke the means to kill his murderer.

Raven says that the Flame���s program got degraded over time and that parts of it have been lost. This may be a way for the writers to try to explain the plot holes such as, why did the Grounders lack all of Becca’s technological knowledge? But then we later see that Madi does have some other Becca’s memories…? Also, it’s weird that this has never come up since.

In any case, we know from 3x11 that Clarke genuinely thinks, at least at this point, that Lexa is really in the Flame, and this episode and at a couple of other late season 3 episodes have moments when she tenderly looks at the computer chip (she even says “Sorry” to it in 3x15 after not being able to find it a host), and little moments when Bellamy notices her looking at it. It’s only been about 2 or 3 days since Lexa’s death (and the rest of season 3 finale takes place over a few days, so the season 3 finale happens less than a week since her death), so that wound is very raw.

Just like with the Flame, there’s some debate over whether people are still “alive” in some way in the City of Light. When Monty wonders if his mom is still alive, Raven says “that depends on what you think is alive”.

A lot of nice relationship moments in this episode:

Seeing Octavia grieve, Jasper tells her he knows how she feels. It’s the first time they’ve interacted since 3x02, when she was offering him comfort.

Sinclair and Raven try to save each other (and trying to save Sinclair is how Raven gets caught).

Even though Bellamy and Clarke have not really made up yet, they work together and reaffirm the trust and care they have for each other: Clarke entrusts Bellamy with taking the Flame to Luna, because she plans to offer herself to Emerson for their friends. She says blames herself for letting Emerson go and feels responsible for Sinclair’s death, and says she won’t let anyone else die for her mistake – which is almost the same as what Bellamy said earlier in the season (when she was not around) “I won’t let anyone else die for my mistakes”. But Bellamy, of course, says there’s no way he’s letting her risk her life herself, and this time he does suggest something else when she asks him to give her another plan, to attack Emerson while she distracts him. But unsurprisingly, this fails the moment Emerson uses Bellamy’s ‘weakness” and threatens Octavia’s life.

How many times throughout the show has Clarke offered her life for her the lives of people she cares about? How many times has she saved them? Count this episode on the list.

Before Clarke, Bellamy, Octavia and Jasper leave to find Luna, while the others stay in Arkadia, they have a funeral/cremation for Sinclair and Lincoln, Bellamy says “Your fight is over” in Grounder speak.

The B-plot takes place in Polis and is mostly about Murphy and Emori. 

Emori has learned that Murphy was Ontari’s new Skaikru “Flamekeeper” and believes that he’s running a really good scam. He kind of tries to explain to her that things aren’t exactly like that and that Ontari is crazy (“and coming from me, that says a lot” – good line), but doesn’t tell her the whole story or or the fact that he’s her sex slave.

Memori have sex for the first time (that we know of) – in Becca Pramheda’s shrine.

They have a talk about Becca, and it turns out that Emori had no idea how Commanders were made, Murphy had to explain it to her. I find this really hard to believe, that ordinary Grounders would know so little about their whole tradition/religion/succession rules.

Unfortunately, Emori has already been chipped, so their relationship is, at this point, mixed with betrayal, because chipped people would do anything ALIE tells them to. It turns out that Jaha is planning to chip Ontari. Murphy’s hatred for Jaha resurfaces as he hopes Ontari would kill Jaha, but she instead almost kills Murphy for revealing her secrets to Emori and this way to Jaha. Murphy is locked up again, while Jaha wins Ontari over, convincing her that he can make her a “real Commander”.

And with this, all our season 3 villains have fallen by the wayside as ALIE becomes the one and only threat.

Body count:

Sinclair, killed by Emerson

Emerson is FINALLY dead, killed by Clarke using the Flame as a weapon, which connected to him and made him bleed internally (certainly an original way to kill someone!)

Rating: 8/10

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3x13 Join or Die

This is by far my favorite season 3 episode, and this is in large part because of the flashbacks. I always love getting flashbacks to the life on the Ark before the timeline of the show (so far, there has been four such episodes – the previous ones were 1x03 with Clarke’s flashbacks involving her father, mother, Wells and Thelonius Jaha; 1x07 with Bellamy’s flashbacks about his relationship with Octavia, going as far back as her birth; and 2x08 with Raven’s flashbacks that showed her relationship with Finn, what really happened with the ‘spacewalking’ and how Finn ended up imprisoned, and Sinclair deciding to give her a job as mechanic in spite of her health issues).

But this time they don’t only help give more insight into Pike and who he was as a teacher of “Earth skills” on the Ark, they are also a nostalgic look into the past – very recent past, technically, as they set only six months before the present day due to the show’s compressed timeline, but it feels so distant. It’s a reminder of just how much everyone has changed, including the show itself. Nothing highlights the difference more than the brilliant show motion scene in the last flashback, with the Delinquents walking towards the dropship, set to the Koda slow, plaintive cover of “Radiactive”. It’s one of the best uses of music on the show, with a stark contrast to the energetic, poppy original by Imagine Dragons, which played in the Pilot when the kids landed on the planet – and which seemed to promise a relatively light-hearted teen soap.

Quite a few of the dead Delinquents made a comeback in the flashbacks: while Finn was not there (he was presumably in another group, since 98 students in one class would be too much), we see a lot of minor characters like Roma, Dax, John Mbege (died in season 1), Fox (season 2) and Monroe, who died very recently in season 3. (There’s one other guy called Jones, but I had to look him up and we never saw him die.) We also get to see Octavia, Jasper, Murphy, Harper and Miller with their season 1 looks and remember the way they used to be then, which is a stark contrast in the case of Jasper and Octavia.

There’s also non-chipped, rational Jaha, Kane and Abby at the time when they still didn’t get along because Kane was a bit of a d1ck back then.

How convenient that there were 99 teenage prisoners they were initially going to send to Earth, two weeks before the Pilot (including Clarke, who was in solitary still, as she had been for a year, because Jaha didn’t want to risk her telling the population the truth about the Ark dying) - so when Wells got himself arrested for something so he could follow Clarke, just a day before they were to leave (just how much more obvious he could be?), he made up the nice round number of 100.

Some people have argued that Pike’s flashbacks should have happened much earlier in the season, so viewers would get a more complete and sympathetic picture of him, but for me, they only confirmed what I figured in the first place, that he is a fighter and was someone who genuinely wanted to protect his people, but that this eventually led him down a dark path. You can see his basic character traits in the flashbacks – that he wanted to protect the kids so much that he begged Jaha to let him go with them, and his final and main lesson to the kids – to “keep fighting at all costs, against all odds” is very much in character. You even see him resorting to questionable methods in desperation – like hitting Murphy to get all the kids to fight against him, in order to teach them to stick together and fight, since he wasn’t allowed to tell them the truth that they were going to be sent to the ground, and they didn’t take anything seriously since they didn’t know the truth. (Ironically, he decided to play the role of a villain in that ‘graduation’ class to spur them into action.)

The last flashback also includes an unconscious Clarke being carried onto the dropship, while Kane has a moment when he’s nice to Abby and tells her he’s sorry about Clarke; and Bellamy barging in pretending to be a guard and dragging a random girl by the hand - which happened to be Roma; the same girl who would later become one of his friends with benefits and a part of the group who went to rescue Octavia and died at the hands of the Grounders in 1x06, which Bellamy felt guilty about, because he knew she only came along because of him. The last flashback is a reused shot from the Pilot, with Clarke awake on the dropship, and brief glimpse of Wells

The flashbacks were nicely intertwined with the present day scenes, which highlighted the contrast between the characters as they were then and now – e.g. between the old Kane, and the new, idealistic, bearded and Jesus-like Kane, who gets literally crucified for refusing to take the chip. ALIE observes that Kane is strong (as she had previously said about Raven), and Jaha agrees:  Yes. Always has been”.

The initial attempt to have chipped Abby seduce and manipulate Kane into taking the chip fails, because Kane knows her well enough to see the difference between chipped Abby and the way she is when she is herself. He withstands torture, but eventually caves in when Jaha threatens to kill Abby. Threatening loved ones is one of ALIE’s methods to get people to do what she wants – that’s how she got Abby to take the chip (to save Raven’s life), it’s how in 3x14 she gets Luna’s husband to take the chip (by threatening Luna) and how in 3x15 she tries to get Clarke to tell her the password, to save Abby’s life, but that time she failed.

The scenes in Polis were generally horrific, with ALIE’s army of chipped, almost mindless slaves, blood in the streets, and crucified people. The cinematography was interesting: ALIE’s red dress deliberately stood out in, while everything and everyone else was in muted greenish-yellow colors.

This is where the unlikely alliances of everyone not-chipped start, with the really unexpected partnership-by-necessity between Indra and Pike. But first, after they found themselves in the same big cell with Murphy and a few others, Indra starts having her revenge by doing the “300 cuts thing”. Pike is also being himself and going “so get on with it” and enduring it, as she apparently does quite a few cuts (but conveniently, those are mostly surface cuts across his chest and not the horrific scenario Lincoln described in season 2 as something that would happen to Finn; actually, we didn’t see that scenario – mutilation, gorging eyes, etc. – with Gustus, either, for obvious reasons, it’s CW) that didn’t disable him, before Murphy and another Grounder woman changed Indra’s mind (just as she was about to kill Pike) and convinced her that they need Pike, as a strong fighter he is, to fight their way out and fight ALIE’s chipper army.  Murphy asks Indra: “Do you want revenge or do you want your people to survive?” and she decides she wants both, but “I’ll get my revenge but not today”. Getting that pragmatic is a sign how much character development she’s had since she was introduced in early season 2.  

(But since Indra used a rusty nail she pulled from the wall to cut Pike, realistically he was going to get an infection if Octavia hadn’t killed him in the S3 finale.)

Meanwhile, Clarke, Bellamy, Octavia and Jasper find the way to Luna’s place but are confused since it’s a beach with some rocks, but with some luck and help from Lincoln’s notebook, they find a way to signal Luna’s Boat people. They spend most of the episode on the beach before Luna’s people show up, but it is an opportunity for some important character moments.

I was glad to see that Bellamy has finally had enough of Octavia’s constant blaming, and that he stands up for himself a bit, by reminding her of the fact that he came to her and offered help to get Lincoln out, and she declined it. But as he starts to say: “If you had trusted me...”, he stops himself, probably realizing what he’d be saying and that it’s the last thing she needs to hear - that Lincoln’s death was partially her fault. It is much easier for her emotionally if she just blames him instead. So he just turns and walks away, while Clarke is looking at him, concerned.

I think that their confrontation in 3x05 made Clarke realize how hurt Bellamy was because she left, and chose to deal with her Mount Weather trauma on her own, instead of letting him support her emotionally and supporting him emotionally, so she is now very attentive to Bellamy’s emotional needs, and she now believes they can only get through their traumas together. It’s a bit funny that Bellamy starts by trying to act tough and telling her he doesn’t need her help, even calls her Wanheda and tries to talk as if he did in 3x05, but as she just keeps looking at him in the same caring, compassionate way, it all falls away in 2 seconds and he starts confiding in her about his problems with his sister. This is a dynamic that continues well into season 4 – Octavia still blaming Bellamy, Bellamy unhappy over it, Clarke trying to comfort him about it.

Bellamy says “Forgiveness is hard for us” – and some may see it differently, but I think he means himself and Octavia. Clarke has, in fact, become one of the people who forgive fastest and most easily, and she rarely even holds grudges the way she did in season 1 (against her mother, Wells, Finn to an extent). Octavia definitely finds it hard to forgive; Bellamy is debatable. He can hold grudges, but he’s also shown an extraordinary capacity for forgiveness. But at the same time, that does not have to mean full forgiveness. After all, he already has had a pseudo-parental relationship with Kane – but he’ll still throw it in Kane’s face in season 4: “You floated my mother”. The fact that by season 5, not only is Murphy one of his best friends, but Echo is his girlfriend, says a lot. But it did take him 3 years of being stuck with her on a ship with just 5 other people to forgive her. He forgave Clarke at the end of season 5 pretty quickly, as soon as he realized how she felt about him – but whether it is full forgiveness in his heart… that’s another matter. Back to this episode – he tells Clarke “I was so angry at you for leaving… I don’t want to feel that way anymore”. It’s not that he’s not angry anymore, but that he tries to work on not being angry. And he’s certainly right about his relationship with Octavia, as she is the one person he is refusing to forgive as of the end of S5.

When the Boat people turn up, their Captain calls them “Skaikru are Bringers of Death” – which is something we saw a Grounder say in season 2. So, that term (which I’ll never stop rolling my eyes at, since it’s obvious that Grounders had lots and lots of death in wars between clans and at the hands of Mountain Men way before any of the Sky people landed) has been a thing for a while, we don’t know how it started – maybe because of those llares that ended up burning a village. But how did the Boat people hear it, when they seem so isolated from everyone?

Octavia is the first to go with it and take the pill that makes people lose consciousness (but that, as far as they know, may as well be a poison) – saying “I trust Lincoln”. Jasper does it next and says his repetitive catchphrase “See you on the other side” (which he first said in the Pilot, and which will never sound again after you have seen 4x11).

Sorry, but it’s almost funny – these Bellamy/Clarke scenes are some of the most romantic-looking stuff I’ve seen:  the incredibly intense and long hug, where both of them seem to lose themselves in the physical comfort of it, and which only ends because Luna’s people interrupt them; the way they drink the potion at the same time, gazing into each other’s eyes and repeating their catchphrase “Together”- “Together”(it’s the second time they are using it, the first one was in the season 2 finale). It’s almost as if the people making the show are running some sort of a social experiment to see how far they can go and still have many people argue “What? It’s just how BFFs act with each other!”

Luna finally makes an appearance, after being talked about since season 1. The rising music and everything in the scene makes it look like it’s going to be a big moment where she says yes to Clarke’s suggestion to take the Flame and become the next Commander, but she flat-out says “no”.  

The episode ends on the reveal that Luna’s people live on oil rig. (Which is the second time that an episode ends with a reveal that a Grounder location is actually something we recognize as a piece of modern technology.)

Timeline. The present day events seem to take place over one day, as most episodes of The 100 do –they start during daytime (when Clarke, Bellamy, Octavia and Jasper get to the beach), continue during that night (which the four of them spend on the beach) and it’s morning/daytime at the end of the episode when they wake up on the oil rig. Most of the action in Polis scene takes place during the night.  Which should mean that it’s been about 3 days since Clarke reunited with her friends, or about 19-21 days since the start of season 3.

Flashbacks: The first flashback is set six months before, which is two weeks before the Pilot. This is the first time we get a clear info on how much time has passed since the 100 first landed on Earth. The last flashback takes place at the time when the 100 plus one are on the dropship, five and a half months before the present day action. Season 1 probably lasted a little over 3 weeks, season 2 even less than that, then there was a time jump of almost 3 months (86 days) between the seasons, and with the 3 weeks that season 3 has lasted – it makes up almost 5 and a half months (a little less, actually).

Body count: An unknown number of people in Polis-(some are seen crucified, blood is in the streets) – presumably the 3% who refused to take the chip, so it depends how many people lived in Polis to begin with

Rating: 10/10

===================

3x14 Red Sky at Morning

According to The 100 wiki, the title comes from an old saying that goes:"Red sky at night, sailors' delight. Red sky at morning, sailors take warning". I suppose that’s a way of saying, dangerous waters ahead for our characters?

Luna was one of the most interesting and charismatic characters on the show, and her Boat People are a refreshing new addition – as the first Grounder group we see that doesn’t have the warlike way of life and doesn’t believe in Blood must have blood and all that stuff. They’re unique so far, almost like an isolated hippie commune, who accept orphans and try to help people in need, and maybe the only community in the show that seems like they’re living a good life.

Clarke and Luna discuss Lexa briefly, and Clarke says that Lexa was “special, she was working towards peace”. I get why Clarke says that, since she had fallen in love with Lexa and Lexa died just a few days ago, but it’s a pretty simplified and idealized picture. Lexa only worked for peace for the last few days of her life, after Clarke convinced her; before that, she spent most of her life and rule adhering to the traditionalist views of war, and revenge, ruthlessness in service of your people – so it’s ironic that Clarke is saying that to Luna, who had rejected violence all on her own when she was a little girl.

Luna’s history, which we learn here, is also fascinating – that she was traumatized by being pitted against her own brother in the Conclave and killing him, and then ran away from that terrible custom not because she was afraid of losing, but because she knew she would win – killing other kids and getting to be the next Commander. Lexa was the one she was supposed to meet in the next round, which I guess was why Lexa was reluctant to talk about Luna.

Clarke’s decision to force the Flame onto Luna is something that initially quite upset me, because it’s obviously wrong and a serious violation. I was agreeing with Octavia, who was against it. Bellamy wasn’t too happy about it, but since he (just as in Mount Weather) couldn’t come up with a better plan when Clarke asked him to, he agrees with Clarke’s decision. This is one of the reasons why I don’t understand why so many fans argue that Bellamy convincing Madi to take the Flame in season was OOC, which was motivated by the same things that this was – a pragmatic move to save your people by making a new Commander who will have the authority among Grounders to oppose a tyrant.

Well, this time, the Sky people did end up being the “Bringers of death” – because ALIE was following them, and found the Boat people that way, which resulted in several deaths – including Luna reliving her trauma and having to kill her husband Derrick, after he had been chipped (which he agreed to because ALIE made other chipped people torture Luna).

A minor in-character moment: Bellamy is naturally the one to immediately look to the little girl, Luna’s daughter, and make sure she’s safe.

Jasper meets a new love interest, only to lose her immediately because of ALIE. This brief moment of hope and the way it is crushed made his emotional state even worse and more vulnerable – making him take the chip (which is only hinted in this episode and revealed in the next).

I used to like Luna a lot (I still do quite a bit), and I was upset when she had her sudden character turn in 4x10, going from her non-violent philosophy to “everyone should die”. But now on rewatch, her flaws are more obvious to me. She gives good anti-violence speeches to Octavia (immediately reading Octavia and summing her up: “You know only of fighting and death”) and she makes good points to Clarke that she has become too ruthless, too ‘end justifies the means’, which is indeed a problem with how Clarke has changed because of everything she has had to do. But when she said: “You believe that to defeat an enemy that will stop at nothing, you must stop at nothing… How is that different from blood must have blood?” – I was thinking: but it is different… because one is about revenge, which is not necessary, and the other is about doing whatever it takes to save the world and stop an absolute disaster, such as ALIE making everyone into brainwashed slaves. By refusing to get involved, Luna is basically shirking responsibility and letting the rest of the world go to hell, even though she has the power to save it, because she doesn’t want to get her hands dirty again. She prefers to keep her moral high ground and judge others, like Clarke, for ruthless things they do to save people and the world. But Clarke is the one trying to save the world. Maybe Luna’s eventual turn is not so out-of-character after all – it was the ultimate expression of her judgmental views of people: either they are perfectly good and don’t engage in violence or any ruthless actions out of necessity and desperation, or they don’t deserve to survive and should all die.

Seeing the outcome of this plotline – after pretending to agree to take the Flame, Luna makes the group drink something to lose their consciousness and sends them back to the shore after the boat has left – makes all of this like a huge waste of time. After all the build-up, Clarke, Bellamy and Octavia are left where they started, wondering what to do to stop ALIE. But knowing Luna’s role in season 4, the story had a purpose.

In Arkadia, Monty had two huge things happen to him: the beginning of his relationship with Harper, and having to “kill” his mother for the second time.

Marper would become one of the healthiest and happiest romantic relationships on the show, but it starts more or less out of the blue, with very little build-up (except for Monty defending Harper in season 1 when Jasper called her “low hanging fruit”, and a few scenes of Monty caring about Harper’s life in season 2). Harper decides to make a move and Monty is pleasantly surprised and goes for it. It seems like a “we could all die, so let’s have sex” kind of thing. But Harper says in bed that she hasn’t felt happy and safe in a long time.

Raven is determined to find a way to shut down ALIE for good, instead of waiting for Clarke to come back. It’s personal for her at this point – she even tells ALIE “I’m coming for you!” But Jaha again has an idea how to get to people – by using Hannah against Monty. (Jaha has been a huge asset to ALIE because he understands humans, which ALIE probably does not by herself.) But Monty stays stronge even after his mother’s consciousness tells him “I love you” – he says “I love you, too” and deletes her code. This is probably one of the two best scenes in this episode.

But just as Raven was preparing to hit the kill switch, ALIE withdraws, It’s one of the rare moments when Monty loses his temper (and they all happened this season – the last one was after he had to kill his mother in 3x11) and takes it out on Raven, blaming her and asking her if she wants to take the chip again.

The best moment in this episode and one of the best lines belongs to Emori. Unlike her brother and Gideon, she did not change her body in its digital version in the City of Light. When Jaha tells her she could correct her defects, she replies “I would, if I had any”. She has not internalized ableism, her disability is something she accepts as a part of herself – she just would love to change the fact that the world treats her as an outcast over it.

Timeline: It has been two days since 3x12 (Harper says: “Two days no one has been trying to kill us”), so I guess it’s been 20 to 22 days since the start of season 1.

Body count:

Shay, because all of Jasper’s love interests must die.

4 people in Polis controlled by ALIE: 2 killed by Indra, 2 by Pike,

4 Boat People controlled by ALIE, killed by Luna – including her husband/partner Derrick and the Captain

A Polis sentry who got to live on in the City of Light. Interesting that everyone in the City of Light modern clothes, including the Grounders – though the guy still has the Grounder tattoos.

Arguably, the consciousness of Hannah Green

Rating: 8/10

=========================

3x15 Perverse Instantiation, Part One

I prefer this first part of the season finale to the second, because it has some strong and tense emotional scenes, especially between Jasper and Monty, and between Clarke and Abby.

Roan is an interesting character, and it’s fun to see him again. He has an fun dynamic with Clarke and Bellamy, and there’s even a rare light-hearted moment when Bellamy shoots and lightly injures Roan to make sure he’s not chipped – taking an opportunity to get him back for the knee injury in 3x02 – and Roan comments: “Now we’re even”.

The fact that Clarke is now ready to put the Flame into Ontari shows just how desperate she is to stop ALIE. After the Luna plan failed, she thinks she can either do that, or go looking for another Nightblood throughout Grounder villages. But the latter might make ALIE destroy another community and they could still fail.

But plans keep failing – the plan they come up with fails because Jasper is chipped and ALIE has all the info about it. Roan gets injured and everyone is captured by Jaha and ALIE’s other slaves. The plan was for Clarke to tell Raven the kill switch, but now that it failed, Raven wants  to find a way to kill ALIE herself.

In Arkadia, the reveal about Jasper being chipped comes right after a too-good-to-be-true scene in which Jasper seemed happy and at peace and apologized to Monty for all the trouble he had caused. But he was happy only because of the chip. ALIE-controlled Jasper goes on to stab Monty and knocks out and takes Harper hostage, trying to stop Raven in her plan to shut down ALIE. Monty, Raven and Harper have to find a way to defeat their friend.

Jasper reveals the full depth of his hopelessness in this speech where he says to Monty: “They sent down here to see if the Earth is survivable… from what I can see, it is not” and starts listing all the Delinquent deaths that happened since they landed. (Some of what he says is factually wrong – he’s skewing facts the same way a Clarke hater fan would: for instance, he says Clarke killed Dax, when it was Bellamy, and it was in self-defense after Clarke saved Bellamy’s life; he also says “death by Clarke” as a cause of death of Atom and Finn, not mentioning that both were mercy kills.)

Clarke is captured and tortured by ALIE, chipped Abby and Jaha, trying to make her tell them the password that ALIE needs to access the Flame. Clarke tries to do the “mom, I know you’re still in there” thing, but it doesn’t work – you can’t just talk down a chipped person.

After Clarke withstands torture, Abby tells ALIE that she was right when she pointed out that Clarke is more likely to break if someone she cares about is tortured or threatened: “Her friends are her weakness… Start with Bellamy Blake”. This is the second time it’s been implied that Bellamy is Clarke’s “weakness” – since 2x09, when Clarke first heard that “Love is weakness” and tried to not let her feelings for him interfere in leadership decisions, so she wouldn’t be “weak”. Abby is right that a danger to Bellamy’s life is the easiest way to get Clarke to agree to something – as we’ve seen in 2x12, 3x02, and later in 4x05. Clarke is terrified and in tears at the prospect of Bellamy being tortured or possibly killed if she doesn’t give up the password. But it never comes to that, since Murphy, Pike and Indra come at the right moment and save Bellamy and the others.

Instead, Abby decides to threaten/take her own life to make Clarke fold, so she hangs herself. It’s a very intense, emotional scene, where Clarke is crying and begging her mom to stop, but somehow manages to stay strong and not give up the password, knowing she would be condemning the human race to being brainwashed and enslaved.

Octavia showed concern for Bellamy when they were about to take him away, which is one of the very few times she shows warmer feelings for him in season 3b and 4.

There’s some snark between Murphy and Miller, and then Bellamy and Murphy have their first conversation since season 2. It’s kind of awkward, because Bellamy doesn’t trust Murphy yet and is confused as to why Murphy is doing anything heroic. Murphy is like ‘you’re welcome” – but he should understand that saving people doesn’t mean you don’t have to apologize for the crap he did in the past (and he will realize that and start really trying to do better in season 4). He compares Bellamy’s concern for Clarke for his concern for Emori, saying “You’re not the only one trying to save someone you care about”, but he’s still doing putting on the antiheroic, cynical front, saying he will stop doing the right thing after this.

The reunion between Bellamy and Pike also may be slightly awkward, since Bellamy turned him over to the Grounders the last time they saw each other, but Pike doesn’t seem to particularly care about this. He’s still his old self, but now focused on the new threat (or rather, the threat whose importance he failed to realize back in Arkadia when he was in power and Jaha started preaching about the City of Light, but Pike doesn’t tend to question himself or look in the past, as Bellamy does).

There’s a lot of fighting in this and the next episode, but at moments, it was hard to see what was going on, because it all took place inside the tower, in half-dark.

Indra has finally started using guns! She also gets to fight chipped Kane and saves him.

Bellamy tells everyone to try to not kill any of the chipped people, but Pike and Indra don’t care about that and kill them anyway. Bellamy only does it when he’s forced to in order to save Murphy’s life, even though it is obviously difficult for him now and that he feels bad about killing someone again.

Octavia can’t stop thinking about killing Pike, even though Indra tells her they have to focus on fighting ALIE’s slaves instead. Octavia again expresses how hopeless she feels without Lincoln, saying “he was my home”.

As they finally get to the throne room, Murphy saves Abby, while Bellamy gets the Flame, but the plan to put it into Ontari can’t work because Jaha hit her on the head with a hammer ,which left her braindead.

Is this the only time in the entire show when an episode has ended with “TO BE CONTINUED”?

Timeline: This episode seems to take place over roughly 24 hours – during daytime, night, and the daytime of the following day. Which means, by my count, it’s been 21-23 days since the start of season 3.

Body count:

9 chipped people: 1 is killed by Roan, 5 by Pike and Indra (2 Grounders, 2 Arkadia guards, 1 Delinquent - ?), 2 Grounders shot by Pike, 1 Arker shot by Bellamy  

Ontari is braindead, which made me incredibly relieved the first time I watched season 3.

Several other people were injured – Roan was shot and injured, Pike and Bryan were by Kane, Jaha shot by Bellamy (again!), but all the major characters except Ontari survived.

Rating: 8/10

==============================

3x15 Perverse Instantiation Part Two

This is the only The 100 season finale I’m not a big fan of. The first time I watched it, it was one of my least favorite season 3 episodes. The fact that, after all the tensions and complicated conflicts in the previous part of season 3, everything turned into “let all fight together against the evil robot” felt dull and anticlimactic, and it didn’t help when so much of the finale was Matrix-lite. After all, it’s not like the viewers were ever in any doubt if they were going to defeat ALIE or not. Yes, we could guess they were going to defeat the Mountain Men in season 2, but what was shocking was how they had to do it; season 1 finale wasn’t that surprising, but the shocking part was what Clarke had to do to save the Delinquents. There was no real sense of danger in this fainel. The only thing I really found exciting was the reveal about the upcoming Praimfaya.

I liked it a bit more this time, but not much more, because I didn’t expect anything from it this time, so I could focus on the good moments.

After all the talk about how only people with Nightblood could take the Flame, it feels like a bit of a cop-out that, as it turns out, one can temporarily bond with it if they simply get a transfusion of black blood – though, of course, it’s still a risk. And of course it’s Clarke who takes it upon herself to have a transfusion from Ontari, take the Flame and take the chip in order to defeat ALIE.

The Matrix-lite scenes in the City of Light were moderately OK, but nowhere near as good as many other virtual reality storylines I’ve watched. It was a nice touch to see Clarke having the hair and clothes more like those from seasons 1-2, instead of the ugly Grounder-style pseudo-dreadlocks (WTF was that even about?) and an equally ugly dress that looks like a cheap reject that no one wanted to buy at a Goth clothing store, which she has been wearing throughout season 3. But there’s just not enough interesting things happening:

Clarke sees a bunch of people who don’t see her, I liked the part where Clarke meets Jasper eating an ice-cream.

Then they see her, after ALIE alerted them, and she is chased by them.

Then Flame!Lexa appears, fights them and saves her, and they kiss and Clarke tells her “I love you” for the first time. It says a lot about how messed up Clarke’s love life has been, that she’s only ever said ILY to people who are about to die (Finn) or already dead (Lexa). The only time she’s managed to say ILY to someone who’s alive and likely to stay alive was not romantic - it was to Madi in season 5. I used to think this Lexa was very OOC, because she was much warmer, nicer and more open than real Lexa was ever when alive. But I suppose Flame versions of people are different – maybe that’s what Lexa would be like without the role of Commander, without power and responsibility.

However, where are all the other Commanders? Why do we only see Lexa and Becca? Aren’t the others at all interested in what’s going on with ALIE? Also, for some reason, Flame!Lexa repeats the line about her spirit choosing wisely – even though it doesn’t make sense. Her spirit didn’t choose anything – Clarke chose to have the transfusion and the Flame and the chip so she could save the day. That line never made sense once we learned about the Conclave, anyway: previous Commanders didn’t choose anything, it was a bunch of kids fighting and killing each other.

Then Clarke meets Becca and ALIE and they have a talk, which is supposed to be the climax of theseason, but I still find Becca to be an insufferable megalomaniac and don’t care about her. Clarke argues with ALIE about pain and happiness, and that pain should not be removed, as ALIE believes – one must overcome it. Clarke admits that she tried to run away from pain, and this should be a great moment that rounds up her season 3 arc. This would work if Clarke had a great, well developed arc in season 3 about learning to overcome her pain, but unfortunately, I don’t see it. She did start off running away from everyone and ended up getting back and acting more like her old self, but what was in the middle felt plot-driven and ships-driven more than it was about any deep characterization. I see really good character arcs for other characters in season 3 – Bellamy, Jasper, Monty, Raven, even Octavia, but Clarke, not so much.

In the real world, Octavia lets her desire for revenge overtake the need to fight the chipped army, and gets Pike in danger, before Bellamy saves him. Bellamy has two conversations that are supposed to be resolutions of his character arc in S3. To Octavia, he says that she shouldn’t let the desire for revenge overtake her, and that his own “need for revenge” made him to awful things. But that line doesn’t work, because that’s not what actually happened – back in 3x04-3x08, Bellamy was not motivated by revenge. At no point was he like “Grrr, Grounders killed my girlfriend, now I want to kill them!” No, he was motivated by the desire to protect his people in a better way, and his fear that trusting the Grounders again would make him fail them and make the same mistakes that he did when he trusted Echo in 3x03.

The talk between Pike and Bellamy is better-written. They argue about whether they chose to wrong side – and Pike says it wasn’t the wrong side and brings up the likelihood that the Grounder army would have attacked Arkadia the moment Lexa was killed and Ontari took over. Which is a good point. That’s the thing with Pike, he makes some good points, but his solutions are all too extreme and unlikely to ever lead to any positive outcome, just a constant cycle of war and violence. Pike doesn’t question himself or feel guilty, which is a huge difference between him and Bellamy, who thinks of the people he killed and replies that all he knows is that he has to live with the things he has done.

One really bizarre minor moment is when Abby makes Murphy massage the heart of his braindead former rapist, so the transfusion could work. And hey, how funny is it that we literally get to see Ontari’s black heart?

In the final moments of fighting, there was a mayhem where Pike saved Octavia’s life, while chipped Kane almost strangled Bellamy. After ALIE is defeated, everyone is relieved, except Jasper, who is again in pain and desperate, while Monty tries to comfort him, and they apologize to each other for the violent things they did to each other while Jasper was chipped. Clarke tells Abby to go to Kane (she’s picked up on her mom’s new relationship pretty quickly – maybe she had already figured out before that something was going on there). Clarke and Bellamy have a moment, but he sees that she doesn’t seem like someone who has saved the world, and she replies that the world is not saved, because she’s learned about Praimfaya from ALIE.

And then the last moment of the finale is Pike about to make some sort of a gesture of respect/”you fought well”/bygones, and Octavia stabbing Pike. It says a lot about how bored I was with this finale the first time I watched it, that I was glad this happened even though I didn’t hate Pike or want him dead. I was simply glad to see at least one character not singing Kumbaya like everyone else was doing. I didn’t want all the tensions and conflicts of season 3 – even if they were badly done – to be simply forgotten because the evil robot was defeated. And Octavia was being in character; that’s who she is, and you always knew that’s what she was going to do to the person who killed Lincoln. In hindsight, it was a necessary moment in Octavia’s arc. I’m neither upset nor happy about Pike’s death – he simply had Pike “had” to die not because his crimes were too bad for him to live (I mean, come on, even Echo, who was worse and less developed, got to survive and get a so-called ‘redemption”…) but because Octavia would never spare him.

Timeline: the entire episode lasts a few hours, and season 3 on the whole between 22 and 24 days, at most.

Body count: 

Four chipped Grounders, 2 shot by Bellamy, 1 killed by Pike, 1 shot by Abby (I took this from The 100 wiki, there’s no way I would have noticed how many people were being killed in all that mayhem.) This is the first time Abby has killed someone.

ALIE, terminated by Clarke.

Ontari, braindead and then presumably dead-dead after Murphy stopped massaging her heart.

Pike, stabbed by Octavia.

Rating: 6/10