#who really pushed for raw performances; women who are messy
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what makes them such good scene partners is sincerely just trust#they didn't need to discuss it#they knew they could push at each other#they could go where they needed to#because they always on some level where each other's boundaries were (via @motherconfessor)
#i keep bringing this up but i feel like i can't say it enough#both kathryn and aubrey bonded over their love of john cassavete movies#indie movies starring gena rowland#who really pushed for raw performances; women who are messy#and complicated and can go to so many different places#that's the kind of projects both aubrey and kathryn are chasing after#and it's all brought together in this mcu project#kathryn hahn#aubrey plaza#tv: agatha all along#agatha all along assembled#agatha harkness#lady death | rio vidal#otp: rio x agatha#otp: agatha x rio#otp: vidarkness#otp: it's black and it beats for you#agatha spoilers#agatha all along spoilers#also they're both from the school of improv acting just like sasheer#patti lupone grew up on the Stage#and so was ali ahn#actually they're all stage actors
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Hi! Can I request a Dewey Finn x reader where the reader is in a rock band and Dewey goes to one of their concerts and is amazed by the readers voice especially when she sings When the Partyâs over by Our Last Night (itâs a rock cover) and he seeâs her the next day or something
Anon, I would like to thank you for introducing me to thatsong cover because DAMN. Also, this is going to be fem!reader as you implied inyour ask. Hope you donât mind I tweaked the situation just a tad, it justflowed out onto the keyboard that way.
Enjoy your smitten rocker boi⌠because we all really wantthe smitten rocker boi in our lives, okay??
âWhy am I heeerrreee?â Dewey shuffled his feet noisily,attracting a few stares from the other patrons of the bar.
Ned, who was doing his best to half-push, half-drag hisroommate through the modestly crowded space, mumbled his apologies to quell hestaring. He managed to get Dewey seated at a table, and barely sat down himselfbefore Deweyâs head thumped dramatically on the tabletop.
Ned tugged on his friendâs scarf, âGet up- GET UP you lookinsane.â
âMaybe I AM insane. Insane with grief since the muse of rockhas abandoned me!â Dewey bemoaned, âCursed to wander this earth a talent-lesshusk.â
âWell, if nothing else that school is expanding yourvocabulary,â Ned sighed, gesturing to the bartender to have some drinks sentover. âCâmon, I brought you out here to enjoy yourself, not bring down everyoneelse.â
The brunette attempted to sit himself upright, ââŚyou didnâtdisagree about the talent-less part.â
With a heavy sigh, Ned gestured to the small makeshift stagein a corner of the bar, âTheyâre letting anyone go up and perform tonight, gobe talented then.â
Dewey quickly looked around, spotting a sign near the stagewritten in sloppy permanent marker, âAmateurnight?!â
Shushing him, his friend slid over one of the beers thata waitress had brought to them, âI thought it would help get you out of theslump.â
Not bothering with the drink, Dewey returned to his formerposition of laying his head on the table, mumbling something incoherent.
Had he bothered to keep his head up, he would have noticedthe band setting up on the tiny stage. They were comprised of four women wholooked like they had just stepped out of the late 80s. Each wore a differentstyle of dress, making them clash horribly, but somehow fit together in thekitschy nature of their gimmick.
One particular member, the best self-taught bass player on earth if you said so yourself, was sporting acidwash denim and teased hair pulled into scrunchies. You fiddled with the bass,tuning it a bit before looking out into the crowd, noticing the⌠sad⌠possiblydrunk guy at table three. Great, it was thatkind of night.
Your band mates introduced themselves to a smattering ofapplause before starting their set, but you were still focused on the guylaying on table. You couldnât help but feel sorry for him, but the fact hewasnât even pretending to enjoy yourmusic was a turn-off.
Half-way into the set, the lead singer announced they weretaking a break, handing the vocal duties to you for the time being. It wasnâtas though you hadnât practiced for weeks on your songs, but there was still atinge of nervousness in your fingers as you started to play the familiarmelody. Giving yourself something to focus on, you started singing to the guyat able three; finding it easy since he wasnât looking at you.
Donât you know Iâm nogood for you?Iâve learned to lose, you canât afford toâŚ
What was that voice?
Dewey sat up, his attention immediately pinned on the girlsinging. When had the band started? He had been so lost in his own misery thathe drowned out all other sound around him, save for that voice. It was shaky, sure, but there was that raw qualityabout it. Different from the highly trained voices he taught for at HoraceGreen, and definitely not the auto-mixed mess he often heard on the radio.
The body belonging to that voice was something else. He found himself staring at her, leaning forwardand supporting his chin in his hands. Ned noticed the sudden change in hiscompanion, looking from him to the girl in quick succession.
ââŚfeel better, Dew?â Ned asked, sipping his beer quietly.
âShhhh, shhh!â Dewey waved a hand in Nedâs face, âI wannahear this.â
As you started in on the last chorus of the song, you sawthe guy at table three sitting up, seemingly unable to look at anything elsebut you. Embarrassed, you fumbled on one of the chords, but managed to recover enough to not ruin the remainder of the music.
He continued to watch you through the rest of your bandâsset, even when you went back to just playing in the background. His roundedface and messy hair looked so⌠genuine?Sincere? You couldnât help but give him a small wave when you had a momentâspause in playing.
âNed. Ned. NED. Did you see that?â Dewey shook the tallerman next to him, grabbing his shirt collar and pulling him in to whisper. âShe.Waved. At. Me.â
Ned grumbled, cleaning up the beer that had spilled on himduring Deweyâs sudden burst of energy, âYeah, I see.â
âAnd you heard her sing? It was like⌠like⌠I dunno.Something poetic.â Dewey grabbed a pen out of his shirt pocket â loathe as hewas to carry them around, they didcome in handy â and started scribbling furiously on a napkin.
âPlease donât tell me youâre going to slip her your number,âNed deadpanned.
âNope, but we have to go now. Gotta get home. Get to theaxe.â Dewey folded the napkin, getting up and running over to the band as theyfinished playing.
Stunned, you could only mutely take the napkin the guy fromtable three handed you, unable to even say âthank youâ before he grabbed hisfriend and ran out of the bar. Gingerly, you opened the napkin, expecting somecheesy pick up line and a number.
Instead, written in messy, tiny scrawl were⌠lyrics?
Your face reddened in a deep blush, your eyes pouring overeach word as they flowed down the page. Little notes were scribbled in themargins; key changes, suggestions for tone, etc. A whole song written in yourexact key, for your exact range.
Down at the bottom, there was a phone number, and one morenote:
Iâve got a guitar.Bring your bass. Tomorrow. - Dewey Finn
#dewey finn x reader#request fulfilled#school of rock broadway#school of rock musical#school of rock fanfiction#anon requests a thing#dewey finn x fem!reader#Anonymous#writing time
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Week 8 - Lady Bird
After graduating from Barnard College, Greta Gerwig began her career as an actress and playwright. In 2017, as an actor-turned-director solo debut, her first film, Lady Bird, sings with the blossoming prowess of distilling strength into applicable new directions. Greta Gerwig takes her manic, impossibly radical energy as a performer and shapes it gently and sweetly. She told her own story as a daughter of Sacramento, a girl bursting with creativity and personality who is both trapped in and bolstered by hometown pride. The result is a 'first feature' seemingly made by a master filmmaker at the height of her career, making so many young women feel seen. Lady Bird, as an endeavor, is a beautifully intimidating film. As a female director, she has made massive strides in a male-dominated profession.
In many ways, the film feels like a memory, even if it's not your own. Lady Bird lives in a Catholic community in Sacramento. She has a difficult relationship with other family members, and at school, her own anxiety has gotten in the way of personal relationships with friends at school - and she seeks a new home away from where she is. The film is a cohesive, economic tidal wave of moments, feelings, and montages that give way to weeks and months of unspoken words adding up to mountains of buried regret. Its uproarious comedy runs right along a particular line of financial instability and struggling familial relations, crossing over via character interaction and not because of Gerwig's intent of comedy. Nothing is left to chance, and so the film becomes it's own perfectly choreographed musical of heartbreak and warmth, hatred and love, missed calls and second chances. While navigating being an awkward teen with a complex relationship with her own mother, I felt seen more than in other coming-of-age movies I have seen. It is a unique adaptation to the female perspective because of its ability to be so raw, and so true to the experience of adolescence and skipping many of the cliches you might expect. When you drift apart from your friends, knowing your parents love you but feeling like they donât like you, constantly comparing yourself to someone whoâs richer or prettier - Â Lady Bird somehow perfectly walks the fine line between being uniquely personal and universally relatable.
This movie holds a very special meaning for my mother and me - so much so that she calls me Ladybird. In and of itself, one genuinely great element is the relationship between Lady Bird and her mother. Ronan and Metcalf are both fantastic here, and their scenes are where Gerwig's vision truly crystallizes. The mother-daughter dynamic encompasses all the messiness of life, the push, and pull of what's in front of you and what's behind you. The single most important theme of the film is arguably contradiction, precisely because life is about the contradictions that allow you to learn and grow and hate people and love people. Contradictions are a part of growing up, maybe taking the form of a hometown you can't help but feel connected to or a future you can't help but long for. And maybe you're sick of certain people, but you really do love them, but you don't express that in the best of ways. And maybe you're arguing with someone, and then you see a dress you both like, and everything is okay for a moment. And maybe you're just changing, and you have no idea who you're going to be, and "I don't know" is the prevailing question in your life. Ultimately, you live and thrive in those contradictions, and raising someone you love can become something joyously grueling. Being raised by someone you love can be beautifully frustrating. On a surface level, raising a child is ultimately a transitional and biological mechanism of life, but there's something very meaningful to be said about those formative years. And all of it can be glimpsed in the tiny frailty of a rearview mirror, captured in the most fleeting of glances but tinged with the endurance of hope and love. Watching this movie with my own mother made us both cry, appreciating all of the pains we both feel in our relationship. It is hard to capture the unique dynamics of the complexities of this relationship, but Gerwig captures the torment of being 17.
Lady Bird is, in a sense, an amalgamation of tropes and teenage insecurities put under an incredibly intimate, personal lens. When something happens to Lady Bird, it feels like it's the first time it's ever happened. Every heartbreak is a pain we've never felt before because that's how she feels. Perspective is everything in filmmaking, and Gerwig does an exceptional job of keeping us in her protagonist's place, with perhaps a bit more awareness of the world. A special payoff comes at the end of the story. Lady Bird arrives in New York, still alienated from her mother, still brooding and unhappy. She drinks too much at a party and finds herself in the hospital. In the bed next to her in the emergency room is a very young boy, his eye bandaged, sitting next to his mother who gives him comfort. It triggers something in Lady Bird. Wandering away from the hospital, she realizes that it is Sunday morning, and she enters a church, where she listens to the tones of a choir singing. Moved to tears, she then leaves a message, apologizing, on her motherâs cell phone. That adoration for time's precious ticking clock, and for the relationships found and lost within. This brings a sensation that we have all felt - of picking up that phone and calling your mom, pressing each number as your head gets heavier and heavier and the world begins to swirl as you try to say what you've been thinking for years. It is a moment of realization and her true coming of age - versus her moments with Kyle or battles with self-confidence.
This movie has always been one of my favorites, many for personal reasons, but even removing myself from my own experiences, it is a fantastic film - and one that has touched so many lives. The film has since been nominated for five Oscars, including Best Director. This shouldnât be any more noteworthy than another filmâs success, but it isâwomen behind the camera rarely get mainstream recognition for their work. The nod makes Gerwig just the fifth woman nominated for directing in 90 years of Academy Awardsâand the first female nominee since Kathryn Bigelow became the only woman to win, for The Hurt Locker in 2010. Greta Gerwig - and this film - certainly deserve all of this recognition and more.
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Monday Night Raw review- December 18th, 2017
Hello hello! I hope everyone had a good Monday! I took my dad to see Star Wars and this was my second time seeing it and I still loved it so much and I cry every time I see my Princess Carrie Fisher on the screen. Now itâs time for Raw!Â
Please let me know what you thought of the show and this review! Any type of feedback is appreciated! Thanks very much!
Opening- The biggest bullshit Iâve ever seen in my life..
I canât believe this. Iâm actually so mad at this. Do I really want to see Braun vs. Kane vs. Brock at the Royal Rumble? NO, I DONâT! I want to see the guy who deserves to be in the title picture; a Mr. Finn Balor! As a fan of Finn, I want to see him with the title, of course, thatâs me being biased. But weâve already seen Braun against Brock, and I personally donât want to see it again. When you throw Kane in the match, who was thrown in for no reason and isnât he supposed to be running for Mayor somewhere that isnât here? Itâs just stupid, and it sucks as a wrestling fan to see the same stories and the same people fighting for the title, when there are clearly better talents to contend for this title! Iâm very upset, I hope things change after this. Iâm feeling a little salty now.
Seth v. Samoa Joe, oh wait, itâs Jason Jordan?
At first, I was really hyped to see this match, but then it, unfortunately, turned into Jason against Seth, and no one was happy about that. I havenât always been super vocal about how much I like Seth, but I really like Seth. I think heâs great in the ring and only continues to get better. I really liked when Joe came out and he was like, âIâm the popular boy and everyone wants to dance with me!â That was fantastic! Before the match was going to start, Jordan pushed Seth down like a weenie, and was that supposed to make me believe that this made Seth mad and want to wrestle Jordan?? And of course, Joe is going to join them at ringside. Jordan started this match off with some nice amateur collegiate wrestling moves, which I can appreciate since I wrestled in high school. As much as I hate Jordan, and I really do hate him, his in-ring performance has been really impressing me and improving over the past few weeks. Perhaps Jordan has some in the back coaching him a bit and giving him some direction? Jordan had a cool Boston Crab looking hold on Seth, and for me, Seth was overselling just a bit too much. My favorite move in the match was the beautiful suicide dive that Seth did on Jason, but I donât understand Sethâs new finisher with that weird knee thing? How is that supposed to be believable to me as something that would knock someone out in a match? Anyway, I love seeing destructive Joe, and I wish I didnât have to see Jason Jordan again.
Finn Balor aka Smiley Boy v. Miztourage in a 2-on-1 Handicap Match
Finnâs smile almost made me cry, it made me really emotional. At least heâs smiling while the company screws him over. I wonât be over that smile for the next week it made my heart grow! Iâm done with seeing him take on the Miztourage and keep them busy for The Miz, but maybe this could turn into a feud between him and The Miz? I would want to see that! I can already tell you that this match is going to end in a DQ and Miztourage is just going to gang up on Finn. WHEN THE NETWORK CAME BACK FROM COMMERCIAL FINN HAD THE BIGGEST SMILE ON HIS FACE AND IâM SO EMOTIONAL I LOVE HIM A LOT IâM SO SORRY. I have a feeling, at the beginning of this match, that Axel and Dallas are going to be classic heels and run away from Finn a lot. I think Finn is doing fine in this handicap match, and I think his stamina can keep him going. Finn is keeping good control of the match, and Iâm happy this is getting more time than I thought it was going to get! Axel through Finn into the corner pretty hard, and I like the intensity that the Miztourage is bringing tonight. Finn went for the Coup de Grace, and this match is now ending like I thought it would with the attack and gang up on Finn. OH HEY ITâS HIDEO! This is like when Finn debuted on NXT and they teamed up! So cute, but I really hope this means that Finn isnât moving to the Cruiserweights to team with Hideo? Iâm sure Finn would do great and excel, but no, heâs a main roster guy. Iâm glad Finn looked happy, and I hope something better comes his way soon.
Finn and Hideo v. Miztourage
What a pleasant surprise! More Finn! And now this is a tag match! Curtis with a nice backbreaker to Finn, which turned into nice pressure from Miztourage. Iâm so happy that this segment/match wasnât over because I was ready for them to move on, now only if commentary would stop talking about other things other than this match. Again, I really hope this doesnât mean that Finn will move with Hideo, but weâll see. Hideo looks phenomenal in this match, and heâs not stopping his attack! He got the pin with a weird looking GTS on Curtis, but Iâm glad Hideo had his moment to shine on Raw. Finn is such a good pal, Iâm happy I got a lot of Finn time tonight.Â
Drew Gulak v. Cedric Alexander
I hope that this match impresses me! Iâve been very happy with 205â˛s as of late, and I hope for great things with this match. Drew Gulak saying heâs a Jar Jar Binks was pretty good, but not everyone is going to understand that comment I guess. Drew is also a great actor, and had a fantastic reaction to Cedric when his music dropped. I donât know if Drew is a good wrestler or not, but he looks like he knows where to fall! I didnât want to hear Enzo on commentary at all, and itâs taking away from the match. Cedric is a great athlete, and he looks at home in the cruiserweight division. Before the commercial break, not much has happened, but Cedric does seem to have the upperhand, but he may not be the favorite to win this match! I know Iâd love to see Gulak win here! With the return of the show, Gulak has the upperhand! Gulak has had the past two pins on Cedric, but Cedric has kicked out. Enzo is the worst on commentary and he wonât shut up and he wonât let anyone else talk, and heâs not talking about anything! I hate it! Everyone was trying to tell him to stop, but he was just getting angry about it! A good pinning sequence showed some great technical skills from both of these guys, but then Cedric had a great flip that turned Gulak inside out and pinned Gulak, with a kickout at two and a half! Gulak caught a kick from Cedric and turned into a nice an ankle lock, but Cedric grabbed the ropes for a force break! Enzo finally left commentary to the back, but Gulak chopped Cedric right in the throat! Cedric delivered a great elbow that caught Gulak right in the mouth, and Cedric picked up the win. A pretty great show by these two guys, Iâm happy with what I saw from them!
Asuka v. Alicia Fox
Not that I donât love Asuka or anything, but I donât really want to see this rematch again. Absolution will probably interfere again, and then this will be over. I hope Asuka gets good tv time, but I also hope that this match turns out to be a great one! I want to see Alicia actually fight tonight! For the most part, so far, we are getting a match, and Alicia is holding her own. I love Aliciaâs character a lot, and she does it well. Alicia delivered an awesome Northen Lights suplex, which turned into a nice technical hold. Michael Cole and Booker T will not shut up, and commentary is really getting on my nerves tonight. Alicia tapped out to the armbar from Asuka, and thankfully Absolution didnât ruin the match! Not such a great match, but a really great showing from both of these women that I love!
Six Man Tag Match- Jason/Shield v. The Bar/Joe
Did we all really have to suffer and see Jason again in the ring? Iâd rather not see this again. Also, why do we have to keep seeing The Bar vs. The Shield? Iâm a little sick of it! So far, this match hasnât shown me much, but I think Dean is playing off a shoulder injury? We saw Seth and Jordan in the match, but Dean is mostly out of the way? Rollins is taking a lot of pressure in this match, but I love seeing Joe being destructive and steam-rolling through people. Cesaro is still really great with the mouth guard, and it looks like all rumors of Sheamus being injured have been thrown away because Sheamus is doing amazing. Rollins has not been able to make a tag in what seems like an hour, so hopefully the team of the good guys can get in and end this match. Sheamus was rammed shoulder-first into the ring post, and it looked like Rollins was going to tag out, but Cesaro came in and dragged him back last minute. Cesaro is showing great strength with Rollins, but now everyone is fighting outside the ring, which is looking a little messy, and the cameraman is not set up in the best spot. Seth was looking for a tag again, but got nowhere as the bar and Joe stopped him. Seth did another suicide dive, and now is Deanâs chance to sell his elbow, and The Bar gets the win for their team with Joe. If Dean really is injured, I wish him a speedy recovery, and maybe this will be the beginning of the separation of the Shield?Â
Heath Slater/Rhyno v. The Revival
Hey! The Revival is back! This is pretty awesome to see! It was so unfortunate that these guys got injured when they were trying to make their starts on the main roster, so hopefully they can stay healthy and happy and make their way to obtain the tag titles. A good start so far from Heath and Rhyno, and I canât believe that these guys took off as a team. Scott Dawson is showing so much power, and I think this team really needs to make a statement and make up a lot of lost time. Heath caught Dawson with a great high kick to the head, and both teams need to rally and pick it up. A sneaky tag, and the Revival hit their amazing finisher to get the win! Welcome back boys!Â
Six Women Tag Team Match- You Know Who v. You Know Who with a SPECIAL FANTASTIC ANNOUNCEMENT
So Elias decided he wanted to start this match I guess? Kinda funny, but I only want him here if heâs going to wrestle, honestly. All the women coming out to interrupt Elias was nice because they got a great crowd reaction. And Iâm very happy to see the women get the main event spot tonight! They obviously deserve it! Mickie and Paige start this match, and I love having Mickie back and looking strong. Already with a tag to Sasha, and then Paige tags in Mandy Rose. Iâm tired of the commentary table talking about how sexy she is, talk about her strength and ability. Sonya then with a tag in, and Absolution with some tornado tagging going on. Paige is back, stomping away at Sasha. I donât want this match to end with a fluke, let these fantastic women wrestle! Sasha had a great top rope move that I donât know the name of, but I guess it doesnât matter because it ended with a DQ, and now all the women are on their way to the ring to deal with Absolution. Nia came first, and I just love her and what she brings to the table (but NOT THE STUFF WITH ENZO THAT CAN BE DONE). NIA DID A DOUBLE SAMOAN DROP AND IT WAS SO GREAT, and then Paige got an attack on Nia, and now the rest of the womenâs locker room is here. Stephanie is now on her way to the ring, wearing a not so good leather dress, but Iâm wondering what she has to say. OH MAN SHE ANNOUNCED THE FIRST EVER WOMENS ROYAL RUMBLE IM SO EMOTIONAL THIS IS SO AMAZING THE WOMEN ARE MAKING HISTORY AND IM JUST SO PROUD AND HAPPY I CANT WAIT TO SEE THIS NOW! AAAH!
This was a pretty decent show! I thought it was much better than last weekâs for sure, except for that awful beginning tonight that Iâm still very salty about. Iâm glad Finn got a lot of time and that he was just so smiley, my heart feels so big tonight. I am also so happy for the women and the history that they are continuing to rewrite and create. Lastly, I was a little surprised that there was no Roman! Not that I missed him, but it was weird not to have him on the show. I hope you all enjoyed the show! Let me know your thoughts on the show!
Stay tuned for more reviews and posts throughout the week! Happy Holidays everyone!
-Casey
#wwe#wwe monday night raw#monday night raw#wrestling#wrestling blog#wrestling reviews#review#samoa joe#seth rollins#dean ambrose#finn balor#bayley#womens revolution#the revival#the bar#hideo itami
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Chelsea Wolfe: In Search of Brutal Honesty // REVOLVER
photograph by TRAVIS SHINN
The intensely private musician shines a light on her personal life and family history to create her most real and raw work yet
Article by STEVE APPLEFORD via REVOLVER
This isn't how Chelsea Wolfe remembers things at all. We're in a corner bar in downtown Los Angeles, a noirish watering hole with a throbbing trip-hop soundtrack that she used to frequent during seven years of living and making music in the naked city. She's returned for an afternoon visit dressed in elegant layers of vampire black; a three-legged raven tattoo is apparent on her left forearm as she hovers over a purplish mixed drink. But everything is askew as a big-screen TV blasts a sporting event and sunlight shines brightly through the long windows around her.
"I'm a little thrown. This bar used to be my favorite," she says, having her first drink here since she moved back to the woods of Northern California a year ago. The shadows are Wolfe's preferred comfort zone, where she makes music in smoky shades of black and gray, with intense flashes of melody and distortion that reflect what the singer-guitarist calls "the brutish side of myself."
Her interior life has also been largely kept in the shadows. She's revealed little of her own story in song lyrics and media interviews, begging off questions that cut too close to the personal.
"I never talk about this stuff," Wolfe says. "My extended family â there is just a lot of darkness there. I don't know how to get into it without being emo."
On her fifth album, Hiss Spun, she finally turns the light on herself, reaching backward to old feelings and memories of self-destruction and the pain of watching a lover fade in a cloud of addiction. The result is her most complete and dynamic offering to date, the definitive achievement thus far of an artist who has won a diverse and devoted fan base by being hard to define, daringly spanning the worlds of goth rock, neo-folk, electronic music and metal. On Hiss Spun, Wolfe whispers and wails to sounds that are characteristically wide-ranging, shifting from noisy to ethe- real, gloomy to cinematic, but the lyrics cut deeper than ever before. On the creeping "The Culling," she hints at some grim family history: "I'll never tell the secrets of my family/Bled out/A cult of anonymity ..." On "Scrape," she rages of "a young nymph defiled."
It comes up more than once, reflecting an old secret that she explains has shattered the peace among her extended family, a subject she isn't ready to fully talk about. "It's too big of a bomb to drop," she says of the secret revealed to her at 19 by her maternal grandmother. "My family is all very estranged because of something that someone did to everyone in my family."
She looks up from her drink and adds casually, "My family is pretty fucked up. The way that I came out is not like a big surprise."
At age seven, Chelsea Wolfe wrote her first poem, already overloaded with atmosphere and observation: a rainy day, dogs barking, a siren rushing past and thoughts about where that siren might be heading. "I would space out sometimes," she recalls. "My family was like, âWhat's wrong with you?' I was thinking about the whole world around me, and all these sounds and sadness and happiness that were happening at the same time."
She grew up in Sacramento, California, splitting time between her mother, her grandmother, and her father and stepmother. One house overlooked a graveyard, with daily funerals of diverse denominations. Her father is a country musician who handed down one of his guitars to Wolfe and taught her how to record in his home studio. (They once sang together at a tribute to Dolly Parton.) When she turned 18, her father drove young Chelsea to get her first tattoo: a Celtic cross on her back.
"I grew up pretty fast. I had older sisters. By the time I was 11, I was drinking 40s and getting fucked up and getting in trouble and smoking weed," she remembers. By high school, she was bored enough with drink and drugs to stop, then started experimenting with it again in her twenties.
Her early musical forays included a grungy trio called the Red Host, named after a 1911 erotic expressionist painting by Egon Schiele. Also in the group was her close friend Jess Gowrie, who plays drums in her current backing band. The songs were raw and brooding, hinting at the Wolfe music to come, but after a couple of years of playing around town, she chose a solo path. There was a falling out with Gowrie, and they were mostly out of touch for several years.
"I knew that I had to follow my own vision. I was young and still very curious about what I could do musically on my own and with other people," Wolfe says now. "I knew that it was going to be a very painful thing. So a lot of getting over that was her forgiving me for leaving this project, and me forgiving myself for hurting a good friend."
Her reunion with Gowrie began when Wolfe was again spending time in Sacramento after years away. Gowrie took her out regularly for karaoke, and Wolfe made Black Sabbath's teary "Changes" and other Ozzy standards her specialty. The drummer turned her on to some Nineties music (Nine Inch Nails, Marilyn Manson, etc.) Wolfe missed the first time around. They also began experimenting with their own music again, a collaboration that evolved into a new album under the Wolfe name: Hiss Spun.
"Some of my favorite moments on the record are when she is really going wild," Wolfe says of Gowrie, whose influence on the singer goes back a decade. "She really helped me become the frontperson that I am because I was always really shy," Wolfe says. "She was always really encouraging and pushing me to play lead guitar parts and sing and do as much as I could. When we reunited, it was almost like a triumph: We're friends again, we're making music together again. I really wanted her to shine on this record."
Another key player on several Hiss Spun tracks is guitarist Troy Van Leeuwen of Queens of the Stone Age. Wolfe met the sharp-dressed guitarist while she was opening a short run of shows with Queens in 2014. Van Leeuwen introduced himself by mixing drinks for Wolfe and her band backstage. Also on that tour, Wolfe got an essential piece of advice and encouragement from Queens leader Josh Homme.
During her shows, Wolfe often spits onstage, but was careful on that tour not to hit any Queens gear. Homme told her not to worry. "I didn't want to fuck up their stage," she says now. "Josh was like, âNo, do your show fully. Be you and go for it.' Having the backing of a band you look up to so much was really great for my confidence as a live performer. I feel like I've grown a lot since that tour."
During the Hiss Spun sessions late last year, Van Leeuwen traveled out to Salem, Massachusetts, for a few days to join Wolfe at recording engineer (and Converge guitarist) Kurt Ballou's GodCity Studios. "Instantly, it was great," she recalls. "I was begging Kurt: âPlease, let's start recording and get all this shit and figure out the right direction to go.' Troy would hit these notes that were gut-wrenching."
It's a descriptor that applies to Wolfe's music in general. At their core, her songs are still inspired by the "real and raw and fucked-up" examples of Hank Williams and Townes Van Zandt, American songwriters who shared a gift for authenticity and despair. "It's the honesty of it," she explains. "I always wanted to know there are two sides to every story. I want some brutal honesty."
On Hiss Spun, Wolfe's brand of brutal honesty begins with a wild screech of feedback, launching the emotional swirl of "Spun," as electric guitars slice across a foundation of distortion and Wolfe sings, soft and soaring: "You leave me reckless, you leave me sick/I destroy myself and want it again."
The sound is meticulously layered, shifting from delicate to grinding on "Spun," which Ballou called "a big sloppy rock song." The album's first single, "16 Psyche," follows a similar trajectory, unfolding from a brooding riff and menacingly tumbling beats. Then comes "Vex," colliding death-metal angst with Gothic gloom, erupting with a guttural roar from guest vocalist Aaron Turner of Isis, Old Man Gloom and Sumac. "I get chills every time he comes in," says Wolfe.
An emotional peak on the new album is "Twin Fawn," equal parts romance and tragedy, beauty and loss. "It hurts to stay, but it hurts to stop," Wolfe sings to an achingly gentle guitar that soon explodes with thundering wrath, as she cries: "You cut me open/You lived inside."
"Part of that is about being in love with someone who's addicted to drugs," she explains. "I've experienced that before â trying to help that person, and at the same time the frustration when someone doesn't want to be helped. There are a lot of love songs out there. I hope that I can write a good love song someday, but for now I tend to write songs about the more practical sides of love â when you're actually putting work in, spending time with someone, trying to help them through something, or they're trying to help you through something, the give and take.
"There's definitely some anger on this album," she continues. "There's anger about the election and what's to come from that. There's anger that's directly expressed from the viewpoint of a woman, and thinking about what my foremothers had to go through, and what I had to go through sometimes."
On the cover of Hiss Spun, Wolfe depicts herself as a cornered animal, photographed on her knees and backed against a white wall in a black dress made of hair, head bent downward, a single eye peering dangerously forward. "I knew that I wanted to represent some kind of messiness and just being fucked up," she says of the feral image. "I do feel like there is a lot of pressure on women artists to be like, âI have my shit together' â and it's not always like that. I'm a messy person. I'm self-destructive a lot of time. I wanted to represent that."
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A week after her visit to the bar in Los Angeles, Wolfe is on the phone, between rehearsals back home with her band. A fall tour of the U.S. is still many weeks away. Her family secret comes up, and she considers the possibility that revealing too little could lead to wild imaginings.
She hesitates to say more. "I really don't want to hurt anyone in my family, because a lot of them were more affected by it than I was," she says. After a moment, she explains, "Basically, my great-grandfather was a pedophile and fucked up every woman in my family. I don't always feel that it's my story to tell, because it was an older generation of women who had the worst of it."
It's a story that mostly unfolded years before her birth, but Wolfe remembers him. "I was around him when I was a little kid. So there is some blurriness there that I won't get into."
Bringing the story into the light, and dealing with her family history, has been part of a larger process for Wolfe. It's not just a personal journey, but also one meant to connect with listeners dealing with their own lives and anxiety. She makes a point of talking to fans after her shows.
"I've never gone to therapy. This is my version of that," she says of making art that explores life's hidden places. "At the same time, I'm trying to write from the human experience or write about being this mess of a person who's trying to come to terms with things, and finding strength through that. Even though there are some really dark moments on this record, all of my music is about overcoming that and pushing forward and surviving another day."
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Stress Relief
Austin Aries/Reader, 1660 words, explicit
***
You stride down one of the labyrinth of corridors backstage, flicking through the sheaf of papers attached to the clipboard youâre holding and absent-mindedly muttering to yourself as you mentally check off the endless list of tasks youâre responsible for tonight. Working in technical logistics on a live show as huge as Raw might be your dream job, but that doesnât mean itâs easy. You love every minute of it, pressure and all, but still, sometimes youâre tempted to tear your hair out in frustration, and tonightâs one of those nights.
You briefly glance up to see someone walking towards you, and yes, you sigh internally, who else would it be but the guy with the worldâs worst sense of timing, Austin Aries. Itâs not as if you particularly dislike him or anything, itâs more that heâs annoying as hell and, well⌠just plain weird.
Some of the talent are friendly with the crew, some of them arenât, and you honestly couldnât give a shit which as long as they all pay attention to the schedule and are where theyâre supposed to be when theyâre supposed to be. But Austin is different. Heâs a good worker, definitely, never missing a cue, never unprepared for a match, but heâs also always kind of there when you least expect it, and youâre beginning to find it unnerving.
Especially because all he ever does is basically hover in the most disconcerting manner possible, and, sometimes, offer you a banana. You never accept, and if you try to talk to him further, heâll make some bullshit excuse and immediately walk away, like youâve got some scary communicable disease or something and, frankly, youâre sick of it.
Tonight, he stops in front of you. His match is due to start not too long from now, and heâs already dressed ready for the ring, wearing a pair of silver trunks and that fluffy jacket.
âCan I help you?â you ask, trying not to be short with him, because you really donât have time for this.
For a moment he doesnât reply, but then says, seemingly concerned, âYou look stressed.â
âWell, yeah,â you answer, this time not bothering to hide your irritation, âthatâs because I am.â
âHave a banana.â He produces said banana from inside his jacket like magic and holds it up in front of you.
You bite back a few choice words, simply saying, âNo thanks.â
He tilts his head to one side, regarding you. âThe potassium would help.â
You take a deep breath, because youâre about ready to snap, but then you suddenly notice the way heâs looking at you. And maybe youâre imagining it, surely you would have to be, but you could swear heâs looking at you like⌠that.
Thereâs some of the most beautiful women in the world wandering around here backstage, and while you know youâre not ugly, youâre not exactly the glamorous type when youâre on the job. Not with your hair scraped back into a messy ponytail, dressed in faded jeans and a slightly stained t-shirt.
But apparently that doesnât matter to Austin, because yeah, thatâs a look. And fucking great, because this is all you need right now, some entitled asshole thinking itâs okay hit on you at work. Youâre all out of patience tonight, so you toss your clipboard on a nearby crate, say, âFine,â and grab the banana out of his hand.
You hold it by the base, stripping the peel away in three neat sections, then hold Austinâs gaze, opening your mouth and going down on the damn thing. Like, all the way down, until the tip of the banana hits the back of your throat. You pull back slowly, far enough that you can take a good size bite, which you chew and swallow before sliding your mouth down again, this time taking a moment to showily suck on it, your cheeks hollowing. You repeat the process several times, making as much of a performance of it as you can until the bananaâs almost gone.
âOh,â Austin says softly, his eyes wide, and you smirk to yourself, taking one last bite.
âYou know,â you say, âI do feel better.â You hand Austin the empty peel, and he takes it unthinkingly, a vaguely panicked expression on his face.
âI have toâŚâ he stutters out, glancing helplessly downwards.
You follow his gaze, looking down at the front of his trunks, and shit, shit, shit, you didnât even think, because the poor guyâs due to wrestle on live television in just a short time but is now, somewhat awkwardly, sporting what looks to be some pretty epic wood.
âSorry,â you say ruefully, because you were just trying to make a point, not completely fuck up Austinâs night.
âNo,â he replies. âMy fault.â He smiles sheepishly. âBut I think I better⌠take care of things before the match.â
âI donât know,â you tell him. âI think you approaching him withâŚâ you gesture at his crotch, ââŚall that happening might give TJP a pretty good scare.â
âMaybe so.â Austin laughs, blue eyes shining, and you suddenly realize that you donât know him at all. And maybe, just maybe, that youâve never given him enough of chance. You know you can be impatient, rash to judge people, and youâve got a bad feeling you may have ended up jumping to some very wrong conclusions about exactly what kind of guy Austin is.
And you are, after all, a problem solver by trade. Hell, itâs practically your job description, and this right here, in Austinâs trunks? This is a problem that needs solving.
So you grab his hand firmly, saying, âCome with me,â as you lead him off down a narrow side hallway that seems to go nowhere. Thereâs more crates stacked up in the small space, and you take hold of Austinâs shoulders, guiding him behind one of the crates, pushing him backwards until his back is pressed up against the wall.
âUmâŚâ he says, nervous, but not resisting you. âWhat⌠what are you doing?â
âStop talking,â you say, and he nods, letting out a small, strangled whimper as you drop down onto your knees in front of him. You pull down his trunks, freeing his cock, which springs out hard. Itâs not so long, but itâs thick, surprisingly so, and for a second you have to press your thighs together, imagining what it would feel like inside you.
But thereâs no time for that now, so you reach out, taking it in hand, your fingers circling around the shaft, feeling the smooth weight of it. Thereâs a glistening drip of precome beaded at the tip, and you lean in closer, your tongue snaking out to delicately lick it up. âFuck,â you hear Austin mutter, and you grin up at him slyly, parting your lips, taking just the head into your mouth and sucking on it gently.
And youâd really like to finesse this, make it last, but you know thatâs not possible, so you close your lips around him, moving up and down, swirling your tongue around him every time you pull back, licking at the ridge at the base of the head, listening to him moan in response. He thrusts up into your mouth, and you grip his hips, holding him still enough that you can establish your own pace.
âIâm going toâŚâ Austin grits out, warning you, and you only redouble your efforts, hungry for the taste of him, and he doesnât disappoint, heat soon spurting out into your throat. You swallow greedily, sucking gently as he finally finishes, letting his spent cock fall from your mouth.
You stand up, wiping off your lips, looking at him. Heâs leaning back against the wall, still panting, eyes wild, and you feel no small amount of satisfaction at how utterly undone he appears.
He lunges towards you, arm around your waist, other hand on the back of your neck, pulling you in for a kiss, but you hold yourself away, hesitating. âIâve still gotâŚâ you say, meaning the remains of his come is in your mouth, thinking he wonât want to taste it.
But he surprises you, saying, âYeah, donât care,â as he drags you in forcefully, tongue sliding past your lips, kissing you so deeply and thoroughly youâre almost instantly weak with it, body slumping forward against his. He bends one leg enough that his thighâs pressed up hard between your legs, and you instinctively start to grind down on it, the seam of your jeans getting your clit just right, and you moan.
Heâs unfastening the button on your jeans, when you suddenly remember where you are and what youâre actually supposed to be doing. âOh god,â you exclaim, holding up your wrist and showing him the time on your watch. âYouâre going to miss your match if you donât hurry.â
âDammit,â Austin says, releasing you, pulling up his trunks, straightening himself up hurriedly. He pauses, looking at you. âWhat about you?â
You shrug briefly. âIâll live,â you say, but to be truthful, youâre not sure you will, the yearning ache inside you so intense youâre not sure how youâre going to get through the rest of the show. But it is what it is, and youâll deal.
âIf you want to come see me later,â he says, with dirty, hopeful-looking smirk, âIâll take good care of you.â
âYeah?â you ask, playfully. âWill it be worth the wait?â
Austinâs face widens into a grin. âIâll make sure of it.â
âItâs a date, then.â You wave at him, shooing him away. âNow go before weâre both in trouble.â
He laughs, rushing off, and when heâs gone, you wince to yourself, because youâre probably already behind enough on your schedule that youâre in deep shit.
But well, yeah, you think. So worth it.
You pick up the banana peel from where itâs lying discarded on the ground, and try to refocus, because itâs going to be a long night.
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ARC Review: The Prophetess by Desy Smith
This book was provided to me by the publisher via NetGalley in exchange for an honest review. This review edition is an ARC and may differ from the final edition.
I have given The Prophetess by Desy Smith a â rating. It is Book 1 in The First Series series. It belongs to the New Adult Modern Fantasy genre with some Supernatural and Romance elements. Floebe Publishing publishes it. It was published August 2nd, 2017.
The blurb reads:
High up in the Heavens, righteousness faces off against the greatest dissenter of all time, and in the crossfire, an Angel loses his wingsâŚ
Fallen from Heaven and forced to live amongst the Humans, Ezekiel bares the tragic fate of a disgraced Angel. Having heard the rebellious Luciferâs plan to rise up against the sanctuary of Heaven, Ezekiel remains silent; and for his inaction, he is exiled from the pearly gates and onto the unforgiving lands of the mortals. Two thousand years pass with a cold and hollow wind at his back, and for a moment, Ezekiel is resigned to his fate.
However, in the year 2016, the winds of fate begin to change, and redemption comes in the form of his brother, Gabriel, who bears great news. Ezekiel is given a chance to return to Heaven, but only once he has taken down Moloch, an evil Demon on the rise. If Ezekiel can stop Moloch from helping Lucifer return, he will be welcomed back into Heaven. However, there is more than just a Demon in his path, Ezekiel must uncover what else fate has in store for him, including a lovely, independent Prophetess, named Isabelle, and the endless possibility for joy and whimsy she offers. Can Ezekiel rise once more to the great destiny that awaits him? Or has he been amongst the fickle mortals far too long?
Disclaimer: This novel does contains a potty mouth female protagonist. If abrasive language offends you, this novel is not for you.
Add to Goodreads | Amazon
Verdict:
If I could sum The Prophetess up in one word: Awful. Full disclosure, I did not finish the book at Chapter 5, 28% in. I am incredibly upset with this book, the author and the publishing company. I got this on Netgalley and it was categorised Teens and YA. THIS IS NOT FUCKING YA. NOT. NOWHERE NEAR CLOSE. Itâs New Adult. The MC is twenty-three and the Angel, god knows how old he is.
If thereâs one thing I donât like, itâs self-published authors pretending like theyâre from a legit publishing company because you expect a certain level of readiness and polish. Okay, itâs an arc. It wonât be perfect but The Prophetess reads like a very bad, very raw first draft.
One, the flow of events is incredibly messy. Two, there is little to no character development and the strange characterisation and extreme propensity for violence from Ezekiel.. Three, everyone is so fucking gorgeous that oh, weâre all dazzled by your greatness. Four is the cringey and forced sexual undertones of basically everything that occurs between Ezekiel and Isabelle. Five, there is so much sexism hidden behind a supposedly feminist lead character. Six, WHO IS THE MAIN CHARACTER HERE? The blurb makes it seem as though itâs Ezekielâs story. Seven, when the warning says potty mouth, they actually mean cussing twelve times within say, five pages. The sad part about all these negatives is that The Prophetess is actually very creative. It has a good plot and the worldbuilding isnât bad. When theyâre actually talking about the demons and the actual plot, itâs actually engaging. But there was no way I was putting up with any more of the nonsense to learn what happened in the end.
To break it down,
[may contain spoilers]
The Good:
1. The Prophetess has a solid plot. Only problem is it keeps detracting from it to focus on the romance between the two leads. Itâs not an original plot but it was presented creatively and I particularly liked the worldbuilding behind it, especially about Angels and Lucifer and Ezekiel being cast from heaven.
The Bad:
1. There is so much sexism that I had to put this point first. Ezekiel claims that Isabelle is a ball-crushing badass feminist. But she isnât. And neither is this book. Just because Isabelle is supposedly independent and takes none of your shit and cusses your ears bloody doesnât mean she is a feminist or this book is feminist. Itâs not. And thatâs the most disgusting thing Iâve had to read.
1.1 Isabelle calls the women that Ezekiel have slept with and will hypothetically sleep with, âwhoresâ. No feminist will ever call another woman a whore. And in the same breath, say that she deserves to wear whatever she wants, especially if she wants to look like a slut.
1.2 Speaking of which, Ezekiel doesnât like that Isabelle wears revealing clothing and he calls her out for it, basically branding her a tramp. Ezekiel also expects to be obeyed as if Isabelle is a fucking dog and she should do whatever he asks. Not to mention, he also speaks of tying her up or spanking her as punishment. Now, there is no kink shaming. Iâm down for a good BDSM romp. But, there was no set agreement or any indication that Ezekiel wanted to perform these kinds of acts on Isabelle nor any FUCKING CONSENT. So, itâs very creepy and disgusting on his part.
2. The writing didnât flow well. One moment, Ezekiel is doing A and then, with no explanation whatsoever, he is suddenly doing B. Same goes for Isabelle and any other character mentioned in the book. In the parts that I did read, Ezekiel has an invitation/envelope of some sorts and thatâs how the section ends. Suddenly, in the next section, he is all dressed up, and so is Isabelle and suddenly theyâre heading to a Vampire party. There was no mention that they would go together or if theyâd meet up somewhere, how to dress, what to do. It just. Happened.
3. Character development, progression and characterisation is zilch. I suppose the author wanted Ezekiel and Isabelle to be those cute bickering couples you know who will end up together because theyâre so perfect for each other. Mission not accomplished. Half the time, their arguing and fighting just doesnât make any sense. Ezekielâs dislike towards Isabelle is not mentioned and Isabelleâs hostility towards him is because she doesnât like anything to do with Angels. But is fine dealing with other supernatural creatures. Like, they just meet and they hate each other. The Enemies to friends/lovers trope is as common as they come but this is one instance where it didnât work.
3.1 Also, I know nothing about Isabelle except that she is The Prophetess and apparently helps supernatural creatures, has a mom and a sister and likes to call Ezekiel fucktard is almost every sentence. Like hello please develop your character and make me care about her because idgaf about her whining and her problems.
3.2 Ezekiel is unnaturally violent which I donât quite understand. Because Lucifer was supposed to be the violent one who killed all their fallen brothers and Ezekiel is the good guy. But there was just a lot of graphic punching and slicing Vampires in two and chopping their heads off that didnât gel with that image. And itâs very, very confusing. Angel madness violence thing whatever Isabelle called it
4. Not to mention that EVERYONE and I mean, EVERY FUCKING ONE, in The Prophetess is so insanely gorgeous that they have paragraphs dedicated to their good looks (okay Iâm exaggerating) but itâs just so cringey and unrealistic. Ezekiel literally has a WHOLE paragraph dedicated to describing how smoking hot his chocolate skin is, how sexy his blonde hair is, how ripped he is, you get my drift.
4.1 And Ezekiel cannot stop staring and ogling Isabelle. He stares at her all the time and keeps thinking about fucking her. Yuck.
5. I find it hard to believe that Isabelle and Ezekiel are supposed to be a thing because there is absolutely no sexual tension or chemistry between them. He pushes her up against walls and she grinds her knee into his dick what. Itâs just not believable and it really ruins the flow of the story just to have these two have the hots for each other. Which they donât.
6. The blurb made it seem as though Ezekiel were the main character. And this is Ezekielâs struggles and shit. But Isabelle seems to be the driving force of the story, not Ezekiel even if the book opened that way. And again, the confusion because what is this book about? Is it about Ezekiel trying to find redemption and saving the world from the demon with the help of a prophetess who might be a potential romantic partner or is this about Ezekiel and Isabelle fucking?
7. The book came with a warning about the potty mouth female protagonist. Now, Iâm all down for a potty mouth because who doesnât? Literally, my blog is based on my love for cussing. But when youâre cussing 12 times in about 5 pages? Somethingâs definitely wrong. It was bothering me so much that I had to start counting them because I wanted to see how saturated with cuss words this book was. It was cussing for no reason. Just for the fun of saying asshole, turd, shit, fuck, fucktard you name it. Plus, fucktard is such an outdated cuss word, come on get with the times. I used to write like this. I got my ass chewed out for it because itâs just bad writing.
Conclusion:
I could name a lot more but I donât want to dwell on it any more. The Prophetess is a badly written first draft that needs to go through more editors and proof readers before it is ready for the market. It had a lot of potential that went to waste. I hope that this would be different in the final edition because I received a copy of this ARC late and was only able to review it now. But judging by the lack of reviews on Goodreads and Amazon, I donât know how far this book will reach.
#desy smith#the prophetess#book review#booklr#did not finish#dnf#onestar#new adult#modern fantasy#supernatural#romance#would not ever recommend
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New Post has been published on http://www.geektified.com/2017/05/16/the-raw-expose-the-welcome-to-the-braun-strowman-im-not-finished-with-you-yet-postponement-tour-edition-5-15-2017/
The Raw ExposĂŠ: The Welcome to the Braun Strowman "I'm Not Finished With You Yet" Postponement Tour Edition (5-15-2017)
By: Keila Cash
Hello everyone and welcome to another installment of The Raw ExposĂŠ. Tonightâs episode of Monday Night Raw emanated from the Prudential Center in Newark, New Jersey. The two-week European Tour is in the books which mean only one thing: The Raw crew is bound to be tired and lethargic after such a grueling trip overseas. With the creative team in a rush to revise their plans for Brock Lesnar heading into the summer, did the talent rise to the occasion or did they wilt under the pressure? The answer to that question can be found throughout this blog. Without further ado, letâs dissect tonightâs episode of Raw in no particular order.
 Due to Braun Strowmanâs elbow injury, Kurt Angle announced that there would be a Fatal 5-Way Extreme Rules match at the eponymous PPV featuring Seth Rollins, Samoa Joe, Finn BĂĄlor, Bray Wyatt, and Roman Reigns with the winner going on to face Brock Lesnar for the WWE Universal Championship. Angle wisely omitted the July PPV by name because it absolutely sucks.
 Reigns, Bålor, Joe, Wyatt, and Rollins had the obligatory spiel about being the guy to face Lesnar for the Universal Title until Rollins charged after Joe which led to a full-on melee.
 Rollins targeted Joeâs knee by yanking it between the ropes while Wyatt attacked BĂĄlor which caused Reigns to get involved. Chaos ensued as Reigns nailed Wyatt with a Superman Punch which allowed BĂĄlor to double dropkick Rollins and Wyatt into the barricade before laying them out with a flip dive on the outside.
 Balor capped things off by hitting the Slingblade on Reigns as the opening segment came to an end.
 This was a fine way to start the show. The segment couldâve ended with Angleâs announcement, but the other wrestlers had to air their grievances in order to stretch out the opener. The jibber jabber was pointless, but it set up Wyatt vs. Rollins and Balor vs. Reigns for later tonight. Predictability aside, the in-ring action should be very good if the wrestlers are given enough time to shine.
 Jeff Hardy defeated Sheamus with the Swanton Bomb in a solid match. It was hard hitting and physical throughout, but the closing sequence was a little messy as Sheamus nailed Matt Hardy with two sloppy Brogue Kicks while Hardy was standing on the ring apron. Outside of that, the Twist of Fate followed by Jeffâs finisher ended things on a high note.
 Alicia Fox evened her feud with Sasha Banks when Fox pinned Banks with the Scissors Kick. Fox and Banks are embroiled in a battle of 50/50 booking as they are tied at 1-1. For fear of burning through this feud too quickly, Fox and Banks need to explain why they are beefing with each other. Then again, the hit or miss scripts the female performers have to recite is sub par at best which puts the creative team in a damned if you, damned if you donât situation. Allowing both ladies to speak in their own voice would be helpful, but the odds of that happening is highly unlikely. A girl can dream, though.
 In a bizarre finish, Dean Ambrose retained the Intercontinental Championship by getting himself disqualified when he kicked The Miz in the nether regions in plain view of the referee. The ref DQâd Ambrose which probably is building up to a rematch for the IC Title at Extreme Rules in three weeks.
 It should be noted that Ambrose grabbed Mizâs hand while the latter was trying to deliver a low blow of his own while Maryse distracted the referee. The Lunatic Fringe was simply paying it forward, but he got caught for his efforts.
 Prior to the DQ finish, Ambrose and Miz had a very good match that featured fast paced action throughout. Ambrose mustâve had a double shot of espresso because he was extra energized tonight.
 The crowd was hot from start to finish which pushed the match over the top. The fans were split down the middle which is little surprising, but Miz has been such an awesome (no pun intended) heel over the past year that itâs not completely shocking that a portion of hardcore fans cheer him unabashedly. Heâs come a long way from being Hollywood A-Lister with no bite to becoming one of the best pure heels in the wrestling business.
 Alexa Bliss taught Bayley a thing or two about being extreme when she whacked the Hugger Extraordinaire in the back with a Kendo Stick. It was a sick shot and Bayley did a great job selling her back on the floor while Bliss posed in the ring with the Raw Womenâs Championship.
 The verbal exchange leading up to the physical confrontation was fine, but Bliss continues to blow Bayley out of the water when it comes to her mic work. Bayley is a lovable character, but her saccharine and uneven promos do more harm than good when it comes to garnering fan support. Her in-ring work will smooth things over, but she has to become a better talker in order to stand out in the Womenâs Division.
 Neville and TJP defeated Austin Aries and Jack Gallagher when TJP nailed Gallagher with the Detonation Kick for the win. The match was fine, but it was marred by the fans being distracted by something in the arena which led to a chorus of boos followed by a CM Punk and Justin Bieber chant. Neville being visibly pissed made things even worse. The Cruiserweight Division is already fighting behind the 8-Ball. Having the fans turn on the action from the opening bell is rubbing salt in an already open and battered wound. Hereâs hoping things get better soon because this match was tough to watch as a fan.
 Bayley will face Alexa Bliss in a Kendo Stick on a Pole Match for the Raw Womenâs Championship at Extreme Rules. Angle was extra giddy after Bayley told him she was ready to live up to the PPVâs namesake. The stipulation is fine, but I had an instant flashback to the horrid Paddle on a Pole Matches during the Divas Era. A No DQ or No Holds Barred Match wouldâve sufficed instead of putting the women in a generic match that brings back bad memories from a recently bygone period in WWE history.
 Roman Reigns vs. Finn Bålor II was better than the original as they had a really good match that was filled with a balanced dose of physicality and grit. Reigns did a great job selling his shoulder while Bålor went on the attack.
 Reigns targeted BĂĄlorâs ribs and shoulder which evened things up. BĂĄlor had the match in control when he laid out Reigns with the Slingblade followed by a running dropkick in the corner.
 Bålor went up to the top rope to deliver the Coup De Grace, but his injured ribs made the climb slower than usual. This allowed Reigns to knock Balor off the top rope to set up the Spear for the win.
 BĂĄlor lost nothing by losing while Reigns picked up a key victory heading into Extreme Rules. From a pure promotional standpoint, BĂĄlor winning the match in order to promote his WWE 24 Special on the network after Raw wouldâve made more sense but the booking team had other plans. Yes, I am closet PR Maven at heart.
 Goldust just went rogue! So much for The Golden Truth being on the same page.
 Big Cass defeated Titus OâNeil with a big boot in a quick match. The fact that Cass beat OâNeil while the former Mega Dad of the Year was wearing a suit made the win that much sweeter.
 After the match was over, Enzo was busy taking a selfie as Apollo Crews tried to shake his hand. Enzo kept ignoring him which caused Crews to nail him with an enzuigiri. I wouldnât call this a heelish act because Enzo was acting like an asshole, but Crews developing a mean streak is much better than smiling his way through life.
 Bray Wyatt vs. Seth Rollins ended via Disqualification when Samoa Joe attacked Rollins at ringside before dropping him with an Uranage Slam in the ring. Wyatt joined in on the beat down before turning the tables on Joe by hitting him with Sister Abigail from out of nowhere. Rollins suffered the same fate as Raw went off the air with Bray Wyatt telling the audience to âFollow The Buzzards.â
 Before the DQ finish, Wyatt and Rollins had a solid match but it never got past a certain level. The match went a bit long and Joeâs interference wasnât surprising due to what happened during the opening segment. The crowd was a little flat as well because the action was pretty paint-by-the-numbers.
 Despite those shortcomings, the crowd popped for Wyatt being his own man which is a positive considering his lackluster pair of matches against Randy Orton last month which caused the fans to boo him for all the wrong reasons during the House of Horrors match at Payback a few weeks ago. If Wyatt is going to face Lesnar for the Universal Championship, he has to be built up like a legit threat who isnât crippled by his supernatural tendencies. History tells us that said tendencies will play into his eventual downfall. Itâs sad but true.
 Overall, I thought tonightâs episode of Raw was solid. The Newark crowd was hot outside of them completely shitting on the Cruiserweight Tag Team Match during the second hour of the show. The in-ring action ranged from solid to good which was a nice surprise because the first show after the European Tour has been historically uneventful. Fortunately, the wrestlers rose to the occasion which made the show feel livelier than usual.
 The creative team have a clear course heading into Extreme Rules as they booked the Fatal 5-Way Extreme Rules match featuring Seth Rollins, Samoa Joe, Finn Balor, Bray Wyatt, and Roman Reigns with the winner going on to face Brock Lesnar for the Universal Championship. Braun Strowman will be sorely missed, but this is the perfect opportunity for someone fresh to step up to the plate and prove that he is worthy of being in the main event spot. The outcome is not clear cut which adds an element of surprise heading into the PPV.
 The Extreme Rules card is coming together nicely, but WWE has to hype this thing to the hilt because the go-home show for the PPV takes place on Memorial Day which tends to be a ratings killer. There is no John Cena to pop the number this year. The next couple of weeks is critical because the deck has been reshuffled due to Strowmanâs injury. Letâs hope the creative team takes care of business because itâs been rough sailing for the red brand since the Superstar Shakeup last month. Fingers crossed!
 On that note, this wraps up another edition of The Raw ExposÊ. I hope you enjoyed it and I will back tomorrow night with a brand new installment of The SmackDown Files. See you later, boys and girls!
#Alexa Bliss#Bayley#Braun Strowman#Bray Wyatt#Dean Ambrose#Finn Balor#Monday Night Raw#Roman Reigns#Samoa Joe#Seth Rollins#The Miz#WWE#WWE Universe
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BEST ALBUMS 2018
Ok here we go again for 2018, shall we?
Hon. Mentions:Â Negro Swan - Blood Orange; Singularity - Jon Hopkins; Elsewhere - Ryan Hemsworth; Scorpion - Drake; Diplomatic Ties - The Diplomats; Some Rap Songs - Earl Sweatshirt; FM! - Vince Staples; Rally Cry - Arkells; Iâm All Ears - Letâs Eat Grandma; Be The Cowboy - Mitski; Kamikaze - Eminem; Ye - Kanye West; KIDS SEE GHOSTS - Kanye West and Kid Cudi; Tranquility Base Hotel & Casino - Arctic Monkeys; Black Panther: The Album - Kendrick Lamar, et al; KOD - J. Cole; Culture II - Migos; Hive Mind - The Internet; Godâs Favorite Customer - Father John Misty; Blood - Rhye; Both Ways - Donovan Woods; Songs of the Plains - Colter Wall
10) Swimming - Mac Miller
This one was tough. Malcolm James McCormickâs fifth studio album was barely out three months before he left us. Itâs hard to evaluate Swimming��in isolation of Millerâs untimely death at age 26. Especially since, in my mind, the album represents something of a turning point for the former frat rapper. Recorded in the wake of Millerâs high profile breakup with Ariana Grande and in the midst of public struggles with addiction, Swimming is full of heartache and soul bearing self-reflection. Sonically, Macâs airy raps and crooning vocals float over jazzy beats and orchestral accompaniments, with help from Thundercat and Dev Hynes. Thereâs room for fun as well amid the melancholy - the more upbeat Ladders and Whatâs the Use? are sure enough to keep a dance floor moving. The worst thing about Swimming is really how good it is, and how it felt like Mac Miller was on the cusp on something great weâll now never see.Â
Highlights:Â Self Care, Whatâs The Use?, 2009, Ladders
9) QUARTERTHING - Joey Purp
Chance the Rapperâs Savemoney compatriot Joey Purp is like a breath of fresh air. QUARTERTHINGâs 14 tracks, most clocking in at under 3 minutes, come fast and furious like Purpâs (mostly) un-autotuned flow. Joeyâs full throated, almost Meek-Mill-esque, delivery gives the album a mixtape-like authenticity - notwithstanding the varied and expert production from the likes of RZA, Knox Fortune and frequent Chance collaborator Nate Fox. The opening 24k Gold/Sanctified, and Hallelujah just two tracks later, feel downright celebratory pairing Purpâs flow behind a blaring big band sound. Others, like Look At My Wrist and Paint Thinner, are Chicago Drill and house inspired, feeling like theyâd be right at home in a sweaty club basement. Lyrically, Purp is a classic hip-hop storyteller and street documentarian, drawing from experiences in a former life selling drugs and the violence of his home city. This impressive studio album debut is more than enough to solidify Joey Purpâs place among an exciting new generation of Chicago rappers.
Highlights:Â 24k Gold/Sanctified (ft. Ravyn Lenae & Jack Red), Godbody (ft. RZA) [Pt. 2], Hallelujah, Look At My Wrist (ft. Cdot Honcho), Karl Malone
8) Golden Hour - Kacey Musgraves
Kacey Musgraves is clearly in the pantheon of artists that canât release an album without it making this list (I rated Pageant Material #8 in 2015 and Same Trailer, Different Park #9 in 2013... both criminally underrated in retrospect). Musgraves continued to be a revelation with her third album. There was a great Ezra Koenig quote last year, where he talked about seeing Musgravesâ concert and being inspired by the clarity of her music: âfrom the first verse, you knew who was singing, who they were singing to, what kind of situation they were inâ. On Golden Hour, she maintains that clarity, stretching a little more outside the traditional country sound into pop and disco-inspired melodies. I do miss the dry humour and rebellious spirit of the previous two Musgraves outings, Iâll admit. You wonât find any overt weed references here, but Kacey finds plenty of ways to remind us how few fucks she gives about the Nashville country establishment. Golden Hour also shows off some of Musgravesâ strongest songwriting to date - the sprawling Space Cowboy stands out as one of the best singles of the year in any genre. Iâm probably in the minority in thinking Golden Hour is not my favourite Kacey Musgraves album, but itâs still one of my favourite albums of 2018.
Highlights:Â Slow Burn, Space Cowboy, High Horse, Love is a Wild Thing
7) Lush - Snail Mail
Itâs about to become clear that there is a âwomen in indie rockâ movement happening on this yearâs list. The debut album from 18 year old singer-songwriter Lindsey Jordan is one of the most aptly titled records of 2018. Lushâs indie rock soundscapes are just that. Loud, full and richly textured. Jordanâs crystal clear vocals soar and float above her ringing guitar chords and riffs. The songwriting is perhaps what youâd expect from an 18 year old, full of heartbreak, confusion and teen angst. She does it well though. As the first chorus builds on Heat Wave, Jordanâs voice builds: âAnd I hope whoever it is Holds their breath around you, 'Cause I know I didâ. The albumâs standout track for me is Full Control which crescendos to a refrain of: âI'm in full control, I'm not lost, Even when it's love, Even when it's not.â At the same time, Lush exudes a maturity and a nostalgia that hearkens back to Snail Mailâs spiritual predecessors like Cat Power or Fiona Apple. Snail Mail was one of many reasons that 2018 gave me hope that thereâs a future for indie rock and âguitar musicâ generally. Iâm very much looking forward to seeing whatâs next.
Highlights:Â Pristine, Full Control, Deep Sea, Heat Wave
6) boygenius EP - boygenius
The only thing that ever held me back from including boygenius on this list was my long held view that âan EP is not an albumâ. Well, since Kanye decided that 7 songs can be an âalbumâ why not 6? Any album that has 6 songs as good as the 6 on boygenius EP would make this list! boygenius is the indie âsupergroupâ made up of Phoebe Bridgers, Lucy Dacus and the holder of last yearâs #3 album on this list, Julien Baker - all accomplished solo acts in their own right. Predictably, the whole is something greater than the sum of its parts. boygenius EPâs six songs are a tour de force amalgam of indie, country and folk (owing to the bandâs cross-genre Nashville and Viriginia roots) full of raw emotion and grit. Dacus, Bridgers and Baker seem made to perform, and sing, together. The harmonies on this record make boygenius sound like an indie rock iteration of Destinyâs Child or an edgier, less twangy version of the Dixie Chicks. The songs do not hold back, with high highs and low lows. On Me & My Dog, the soaring chorus evokes an escapist dream: âI wish I was on a spaceship, Just me and my dog and an impossible viewâ. The emotional highpoint of the record might be Baker and Bridgersâ chorus on Salt in the Wound apexing with: âIâm gnashing my teeth, Like a child of Cain, If this is a prison Iâm willing to buy my own chainâ. I canât stop watching live videos of these three - they seem so at home onstage together. As excited as Iâd be to see boygenius become more than a side project, Iâm equally excited to see whatâs next for Bridgers, Dacus and Baker on their own.
Highlights:Â Me & My Dog, Stay Down, Salt In the Wound, Ketchum ID
5) DAYTONA - Pusha T
YUGH! Amid Kanyeâs unhinged tweets, messy, disorganized projects, and Oval Office visits, DAYTONA, the 7 track album he entirely produced for G.O.O.D. Music veteran Pusha T, was one thing that gave us hope that Kanye hadnât completely lost his touch (or his mind) in 2018. DAYTONA showcases both producer Kanye and King Push at the absolute peak of their talents. Itâs amazing, in this era of Xanax-fuelled mumblerap, to think how long weâve been listening to Kanye and Push do their thing. Lord Willinâ introduced the world to Pusha T in 2002 (alongside his brother Malice, as he then was, as the iconic rap duo Clipse). The College Dropout came out two years later. I still remember buying the CDs and wearing out my discman with both of them. Itâs easy to forget that Kanye and Terrence âKing Pushâ Thornton are both 41 years old! Thereâs something refreshing about two guys in their forties still being able to make a banging rap record about selling drugs and buying expensive shit. Push said DAYTONA was made âfor my family...high taste level, luxury, drug raps fans.â Those fans are well served by DAYTONA. After the beat comes in on album opener If You Know You Know, Push sounds like heâs speaking directly to his day one fans, raising a styrofoam cup to: âThis thing of ours, oh, this thing of oursâ. The album exudes the bravado of an MC on top of his game confident in the knowledge that heâs spitting bars on a classic. And we canât forget the incendiary Infrared, the song that touched off a vicious beef between Pusha T and rapâs biggest star, Drake, ending after Push revealed in a diss track that Drake was hiding his son from the world. Almost 20 years on, Pusha T is still ready to go war, still âclickinâ like Golden Stateâ and still wearing the crown as King Push. Long may he reign.
Highlights:Â If You Know You Know, The Games We Play, Hard Piano (ft. Rick Ross), Infrared
4) Honey - Robyn
I found myself slightly disappointed in Honey at first, largely because my expectations for Robynâs first album in eight years were based on the high energy electro-pop brilliance of 2010â˛s Body Talk. What I should have realized is that, if Robyn were going to make another Body Talk, she wouldnât have kept us waiting this long. Honey is not Body Talk - you wonât find another Call Your Girlfriend or Dancing on My Own among its nine silky smooth tracks. But it is no less brilliant. If I can forget that Beach2k20 exists for a second, it feels pretty darn close to a perfect album. Honey betrays a lighter touch for Robyn, perhaps more in tune with the sound of the moment. A little more euro house and disco tinged, Honey furthers the Swedish songstressâs long evolution away from the pop idol of her late 90â˛s past. Honey still embodies Robynâs signature juxtaposition of electronic dance rhythms alongside themes of sadness, loneliness and heartbreak. And songs like Honey and Missing U can still light up any dancefloor. The highlight for me is the slow-building Send to Robin Immediately, which just swells over its Lil Louis sample as Robyn urges the listener into action: âIf you got something to say, say it right away. If you got something to do, do what's right for you. If you got somebody to love, give that love today. Know you got nothing to lose, there's no time to wasteâ. In between albums, and while writing Honey, Robyn lived through the death of a longtime collaborator and a breakup and reunion with a romantic partner. The emotional toll of these experiences seem to shine through. Robyn told the BBCâs Annie Mac earlier this year: âWhen I wrote this album I think I was quite tired of myself writing sad love songs, but I did anyway and looking back on that now, I think it's OK for things to be sad. Combining it with something that's bright and strong and powerful is a way of finding your way out of the sadness.âÂ
Highlights:Â Missing U, Human Being (ft. Zhala), Send to Robin Immediately, Honey
3) Clean - Soccer Mommy
Clean, the impressive debut album from 20 year old Nashville singer-songwriter Sophie Allison, was the first album I heard this year that I 100% knew would be on this list. By the time Your Dog hits at the third track, I was completely enthralled. That song is so goddamn rock and roll with Allison sparing no mercy for the subject shitty boyfriend of the opening verse: âI don't wanna be your fucking dog, That you drag around, A collar on my neck tied to a pole, Leave me in the freezing coldâ. Elsewhere, on Still Clean, Allison plays with gruesome animalistic imagery singing of an ex-lover picking her âout your bloody teethâ. There is a warmer side to Clean as well. Scorpio Rising, with itâs âbubbly and sweet like Coca-Colaâ softness and lyrics about meeting up after dark and missed calls from your mother definitely remind you that Allison is a self-professed devotee of Taylor Swiftâs early work (which should give you another idea of why I love this album). Speaking of T-Swift, the rollicking Last Girl almost mirrors You Belong With Me in describing the crushing insecurity of comparing oneself to a new partnerâs ex, somehow pulling off lyrics like âI want to be like your last girl, She's the sun in your cold world and, I am just a dying flower, I don't hold the summer in my eyesâ as if that were a totally normal thing to say. Beneath the upbeat riff of Cool, where Allison idolizes the cool girl âwith a heart of coal, Sheâll break you down and eat you wholeâ is the understanding that being that person wonât bring her the happiness she seeks. Acceptance of oneâs emotions and insecurities is the core theme of Clean - that âYou gonâ be like thatâ (as Allison put it to the Fader) and youâll be happier once you accept you for you. In many ways, Clean evokes a similar vibe to the Snail Mail and boygenius entries further up this yearâs list, as a scrappy âgirl with a guitarâ indie record and a tongue-in-cheek stage name. That sense of charming honesty is what, I think, makes Clean stand above the other entries on this list.
Highlights: Cool, Your Dog, Last Girl, Scorpio Rising
2) Lamp Lit Prose - Dirty Projectors
The first of our top two is another repeat offender on this list (a previous incarnation of the Projectorsâ Swing Lo Magellan had #7 back in 2012 and last yearâs eponymous Dirty Projectors was my 2017 #8). I loved every minute of Lamp Lit Prose - itâs almost a 1B for me on this list and was pencilled in at 1 for a time in the drafting process. This album has everything that was good about last yearâs DPs record but is, ultimately, tighter, more fun, less weird and less sad. Dave Longstreth appears to have moved on (at least musically) from the emotions he was working through on Dirty Projectors, which was essentially an extended meditation on the breakup of his relationship with Amber Coffman and the bandâs upheaval. With Lamp Lit Prose, his ânew lookâ Dirty Projectors (with help from friends like Syd, Rostam and HAIM) have put together something a little more traditional (by Dirty Projectors standards) and a lot more listenable. Longstreth told Exclaim that this album, compared its morose predecessor, âis really about feeling hope again, finding the things that give us hope, that make us feel optimistic and joyful.â Lamp Lit Prose falls somewhere between the twangly, jam band atmosphere of the Projectorâs Swing Lo Magellan and Bitte Orca heyday and the more experimental, electronic-infused vibe of the Dirty Projectors released 18 months prior. Longstrethâs guitar riffs are again front and centre, but the voice modulation and distorted electronic sounds are still there, albeit in a more subtle way. Four part harmonies bounce over the jazzy melodies and hopeful lyrics. Where he was mourning a lost love on the last record, here we see Longstreth âin love for the first time everâ on I Found It In U (a salvaged beat from his work on Solangeâs last album). On Break Thru, the un-named romantic subject is held up as âan epiphanyâ with comparisons in quick succession to Archimedes, Fellini and Julian Casablancas. The horn-backed chorus on What Is The Time is the high point of the record for me - the kind of song that makes you want to raise your voice and join in on the hook. All in all, itâs just great to hear this band making fun music again. Lamp Lit Prose is upbeat, creative and simply a joy to listen to. I absolutely loved this album... but just not quite enough to edge out our number 1.
Highlights:Â Break-Thru, Thatâs a Lifestyle, I Found It In U, What Is The Time
1) ASTROWORLD - Travis Scott
ITâS LIT!!! I would have never predicted that a Travis Scott album would land here at number 1, but here we are. And I feel good about it. ASTROWORLD dominated my listening from its mid-summer release onward and, with each spin, I became increasingly convinced of its greatness. Travis is an artist that Iâve long found perplexing. Insanely popular among his legions of young fans, he embodies so much of the ânew rapâ ethos, the first genre of music where Iâve started to feel like I might be âtoo oldâ to enjoy it. It was clear on his prior outings, Rodeo and Birds in the Trap Sing McKnight, that the talent and creativity was there, but the overall product always seemed messy, disorganized, unpolished. With ASTROWORLD, Scott finally has made his Beautiful Dark Twisted Fantasy. The album is named for a former Six Flags theme park in Scottâs hometown of Houston that was torn down a decade ago and still sits vacant. Previewing the title of the album, Scott told GQ last year: "They tore down AstroWorld to build more apartment space. That's what it's going to sound like, like taking an amusement park away from kids. We want it back. We want the building back. That's why I'm doing it. It took the fun out of the city." True to his word, the albumâs 17 tracks are tied together by an overarching creepy, grimy sound. Listening to ASTROWORLD feels like walking through an abandoned theme park. Even more impressive is how Travis, as curator of the albumâs varied guest list, bends the star studded guest appearances to his will, fitting them in perfectly to his dank sonic menagerie. The likes of Frank Ocean, the Weeknd, Swae Lee, Tame Impala and James Blake donât overpower Scottâs vision but blend into the scenery, their talents employed perfectly by Travis in the role of ringmaster. Newcomers get some shine too, like Scottâs Cactus Jack labelmate Sheck Wes who gets a guest verse on NO BYSTANDERS and a shoutout to his ubiquitous single from Travis on 5% TINT: âWe did some things out on the ways that we can't speak, All I know it was "Mo Bamba" on repeatâ. And then, thereâs SICKO MODE. Why is it that the best Drake song each year invariably comes from someone elseâs album, even in a year where Drizzy himself releases a double album? The ASTROWORLD track list, at least initially, left out the featured artists, so hearing Drakeâs voice over the opening notes of the albumâs third track was the first time most listeners had any indication that the 6ixgod himself would be making an appearance. What a wonderful surprise it turns out to be. SICKO MODE, the albumâs best track, feels like three or four different songs as the beat changes form and Travis and Drake pass the mic back and forth. The songâs Tay Keith produced final act (the âout like a lightâ part) is for my money the best two minutes of hip hop music made in 2018. ASTROWORLD succeeds on its grandeur, vision and consistency. Travis Scott set out to build something big and from the moment the bass kicks in on STARGAZING through to the mellow, string backed denouement of COFFEE BEAN, he succeeds at every turn. ASTROWORLD was 2018â˛s biggest, most creative, most sonically consistent and most fun album in hip-hop. In my estimation, itâs the best album of the year.
Highlights:Â STARGAZING, CAROUSEL (ft. Frank Ocean), SICKO MODE (ft. Drake, Swae Lee and Big Hawk), WAKE UP (ft. The Weeknd), CANâT SAY (ft. Don Toliver)
Thatâs all folks. Thanks for reading and see ya in 2019.
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Best of 2017: 10-1
10. Paramore - Hard Times:Â
âHard Times,â first and foremost, is an expertly crafted retro pop song just on virtue of sonicsâ those marimbas! Those guitar stabs! That awkward vocoder bit! Yet it also captures something deep about the new wave material itâs cribbing from, something that many artists whoâve decided to do Talking Heads cosplay miss. On âHard Times,â Hayley Williams, who has long been one of the best songwriters in the Alt-rock world, nails the profound sadness and fear of the best New Wave. But âHard Timesâ is not just notable for how it imitates the past but in how it boldly stabs towards new sonic ground, in how it shows a Paramore thatâs willing to evolve into something unrecognizable from the band that put out âMisery Business.â
9. Mount Eerie - Soria Moria:
 A Crow Looked At Me is a tragedy not just because of the real life calamity that it documents but because of the thing it realizes about the nature of sorrow. A Crow Looked At Me is about the death and mourning of Geneveive Castree, yes, but itâs also about how memory betrays us, gives us nothing but shards of what once was. âSoria Moriaâ is where Phil Elverum explores this theme most fully, weaving together his entire life and love into a meditation on the impossible places that grief and memory drive us towards, all held together by the twin images of a mythic Norwegian castle and âSlow pulsing red tower lights/Across a distance, refuge in the dust.â
8. Marika Hackman - Timeâs Been Reckless:
 There are more genius hooks crammed into the four minutes of âTimeâs Been Recklessâ than most albums have in their entire running times. What more do you want from a power pop song? What greater joy is there than a pop song as expertly crafted as this?
7. The World Is A Beautiful Place & I Am No Longer Afraid To Die - Marine Tigers:Â
âMarine Tigersâ is a heavy songâ not just in its 4th-wave emo aesthetics and massive guitar riffs or its seven minute length, but in the density of its lyrics, which weave together fragments of the immigrant experience both political and personal into a meditation on what it means to be foreign. Yet any song this heavy needs something deeply vulnerable and open in it to surviveâ otherwise, itâs just dullâ and âMarine Tigersâ finds that moment in its midsection, as the eerie sustained guitar and synth lines fall away for riffs more delicate and the snare drops out entirely and the thing weâre left with it is just the simple declaration of defiant existence, repeated over and over again: âWeâre here/I told you so.â Â
6. Vince Staples - Big Fish:
 Vince Staplesâ Big Fish Theory is one of those obvious masterpieces of an album, an album that commits so deeply to its aesthetic, equal parts submerged and metallic, that it can use its specificity to make universally powerful moments. âBig Fish,â the albumâs pseudo-title track, is the most compelling moment on an album thatâs full of themâ itâs the easiest demonstration of Vince Staplesâ appeal as a rapper who can move between intensity and levity. Just take the opening of the second verse:
âIt's funny I was going crazy not too long ago
Women problems every morning like the Maury show
Swimming upstream while I'm tryna keep my bread
From the sharks make me wanna put the hammer to my head
At the park politickin' with the kids
Tryna get em on a straight path, got the lames mad
Know they hate to see me make cash, got the space dash
In the foreign with the GPS addressed to your mama houseâ
Vince delivers these lines with his characteristic flow, an almost mechanical method that lends his punchlines, like the literal âyour momâ joke that ends this passage, a certain ambiguity. His best material is unnerving in that respect, in how you canât ever tell fully how serious he is about any proposition, but itâs also thrilling.
5. St. Vincent - Hang On Me / Slow Disco:
 âHang On Meâ and âSlow Discoâ are two equal and opposite forces, beginning and ending MASSEDUCTION with a desperate, pleading cry for companionship and an equally desperate act of abandonment. Both songs are bare, at least by St. Vincentâs typically maximalist standards, pairing Annie Clarkâs vocal performances with just simple strings-and-synth arrangements that stick to slow, elegiac riffs. And in the open space left on these tracks, she delivers the two greatest vocal performances of her career, aching and raw in ways she never has been before.
4. Lil Uzi Vert - XO TOUR Llif3:Â
On paper, itâs easy to dismiss âXO TOUR LLif3â as just another pop-trap novelty song, a faux-edgy earworm of a hook about dead friends with no song supporting it. After all, Lil Uzi Vert dropped it on SoundCloud unceremoniously last February on the short stopgap mixtape âLuv is Rage 1.5â, and only gave it a commercial release after the song became inescapably popular on that platform. Yet as soon Uziâs voice starts to croak over TM88âs cyber-goth beat, itâs clear why âXO TOUR LLif3â is special. Cloaked in layers of autotune that nevertheless serve to accentuate the raw human emotion of his performance, the Philadelphia rapper slurs his lines together, starting and stopping and fragmenting himself towards incomprehensibility. Itâs strange to see âXO TOUR LLif3â as some anthem, a song of the summer, when in itself it is not just personal but an invocation of the sheer loneliness and untranslatability of feeling. The line that everyone focuses on here is âall my friends are dead, push me to the edge,â which admittedly is one hell of a unique hook, but itâs in the songâs second verse (roughly speaking) that the song reveals its heart, a swirling mess of megalomania and fear: âI cannot die because this my universe.���
3. Lorde - The Louvre:Â
The first part of âThe Louvreâ is already among the best work on Lordeâs messy, wonderful Melodrama. Lorde expertly captures the uncertainty and passion of a young romance in the songâs lyrics, which shift constantly from long, languid bits of poetry like âWell, summer slipped us underneath her tongue/Our days and nights are perfumed with obsessionâ to casual, conversational lines like âTheyâll hang us in the Louvre/Down the back, but who caresâstill the Louvre.â The beat, produced by Flume and Malay (who also contributed to many of the best bits of Frank Oceanâs Blonde) also contributes to this feeling of ambiguity, rising and falling and rising again from simple guitar strums to the burbling mass of synths that Lorde sings the songâs final chorus over, all wistful passion. Yet the best part of âThe Louvreâ is in the back half, after all that is over. The songâs extended, wordless outro, anchored by a repeated guitar and synth figure, is some of the most evocative sonic storytelling of the year, an open question of a piece that hints of sun-drenched memories.
2. Japanese Breakfast - The Body Is A Blade:
 âThe Body Is A Bladeâ is a song about grief but it is not quite a sad songâ instead, it feels like every other emotion but sadness is here, from a kind of wistful joy to defeat to anger finally all the way to acceptance. These feelings flow through every part of the song, from the guitars that hold the track down, slowly moving across its landscape with a deliberate sort of beauty, to the synth arpeggios that float in, unbound to the material world, in the songâs second half. In between these interlinked, kaleidoscopic parts a whole world of trauma and memory lies, brought out by Michelle Zaunerâs vocal performance. Even as all these things move around her, she is steady, a force of clarity in an ambiguous and beautiful sonic world. Her lyrics, focused around the idea of survival in grief, do the same, returning again and again to the image of the body cutting through the days for the sake of staying alive.
1. Carly Rae Jepsen - Cut To The Feeling:
 Pop music is both very easy and very hard to explain. The easy part is identifying all the little moving parts that workâ the surf guitar in âToxic,â for example, or the rolling drum beat on âMaps.â The hard part is in explaining how each of those functional elements, the load-bearers of a song, come together into something more. Itâs easier in other genresâ you can point to the virtuosity of a metal guitarist or an uber-technical rapper as the point where a song achieves greatness, or see the deeper meaning in an expertly crafted folk song or thoughtful piece of R&Bâ but pop is supposed to be disposable, which isnât a bad thing, really, but makes finding its critical value more difficult.
âCut To The Feelingâ makes the hard part easy. âCut To The Feelingâ is not quite the best pop song of all time but is certainly the most pop pop song of all time, a throwaway (itâs a B-side to Emotionâs B-sides, consigned to a fourth-rate French animated movie) that takes its status as a throwaway as not a write-off but a mission statement. Itâs supposedly a love song, just as all of CRJâs output has been, but itâs really a song about what pop music does to you, how these little confections of synths and vocal lines develop emergent properties and actually make you feel things. âCut To The Feelingâ knows that it isnât real, that pop music is inherently an exercise in abstractions and constructed images, but it doesnât really care. Somewhere in the songâs build, as chugging rhythm guitar gives way to those massive synth chords, the point of the difference between the feeling itself and the shortcut the music provides is lost. âCut To The Feelingâ sounds like what it is: an ode to the power of pop music to become something ineffably more even within its limitations.
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Beauty and the Beastâ, âTrappedâ among several options this week
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Beauty and the Beastâ, âTrappedâ among several options this week
A spate of releases has left film buffs with several options this week.
Vikramaditya Motwaneâs Trapped, starring Rajkummar Rao, is a first rate albeit loopholed survival thriller, says India These days. Motwane captures a whole panoply of feelings on Raoâs faceâfrom irritation to anger to helplessness to worry. There are many close-u.S.and the actor nails nearly they all. Except the by and large taut tale, the movie is based heavily on its male lead and Rao does a fabulous activity.
The Indian Explicit isnât as inspired, calling the movie choppy. There are not sufficient in reality frightening heart-in-mouth moments. Raoâs despair stays mostly on the floor whilst you need to peer more of the soul. Given Motwaneâs abilities at creating emotions, and Raoâs capability to channel them, Trapped doesnât take us as a long way over the brink it may, or must have.
Abbas-Mustanâs romantic mystery System, starring Mustafa Burmawala and Kiara Advani, is pretty clearly the worst movie youâll see in a long time, says Bollywood Life. Apart from more than one helping actors, the film is a messy affair with lame subplots, amateur performances, and cringe-worthy dialogues. The lack of common sense doesnât help.
Mantra, starring Rajat Kapoor and Kalki Koechlin and directed via Nicholas Kharkongor, efficaciously seeks to record the crucial time of Indiaâs financial liberalization and the long-drawn outcomes of the same that began in 1991, says Hindustan Instances. There are nods to crimson-tapes in the enterprise, to the minister-businessman nexus, and the upward push of the extreme right wing. In that, Mantra ticks all the packing containers and touches upon essential troubles that described the duration. However the hyperlinks are vulnerable, and the subplots episodic. You emerge as wishing greater display time were dedicated to the smaller, more relatable stories.
The Best Selected Beauty Tips for Teenage Girls
 Wash and cleanse
Teenage ladies are virtually one of the busiest due to their school activities and, of the path, the blooming social life. This is the most fundamental of all splendor guidelines for teenage girls because splendor and pores and skin care begin with an easy face. A habitual of cleaning the face is a have to every morning and earlier than snoozing. Make it a point to use a gentle soap, moisturizer, and toner which suit your skin type.
 Ditch the mouse, welcome BB lotions
Splendor guidelines for teenage ladies are cautiously set make makeup on retaining their touchy and sensitive skin. Foundation creams make-supply an excessive amount of cake and are probably a primary purpose of zits and blemishes. To avoid this, teenagers should act to the usage of more secure products like BB creams, which are becoming quite a few right reception from the young women. Plus, most BB creams incorporate sunscreen substance; the usage of it is a completely really useful splendor tip for women to follow.
 Chic with organic
Splendor and pores and skin care among teenage ladies are very important. The younger skin is probably at its greatest elasticity however itâs also more prone to dust and irritation. One beauty tip for teenage women is to use herbal products in treating zits and different pores and skin issues. For one, you may use lemon slices because of the anti-bacterial remedy for zits and zits; used tea baggage for rejuvenating your eyes; and brown sugar for exfoliation.
 Cross easily onÂ
Yes, placing on is a laugh, however, there are usually precautions mainly when managing delicate skin. one of the without a doubt important beauty recommendations for teenage girls is to continually hold your dabbed truly. Less is more as they say. Consider to keep it balanced, while you need to play around with a rainbow of eyeshadow colors, you have to preserve your lipstick color to a minimal. Also, one beauty hints for ladies is to hold a young and dewy look for your cheeks, pick out a cream blush on as opposed to the powdered one.
 Be lovely interior
Eating healthful and preserving a workout routine is surely one of the great splendor guidelines for teenage girls. This does not simplest assist you preserve your health, it Additionally gives your face and the relaxation of your body a natural glow. beauty and pores and skin care are a splendid deal to have a tendency to and also you have to feed your frame with plenty of healthy substances plus those endorphins you get from exercising.
Trapped? What to Do With Aging Parents and Growing Kids
Your parents gave the start to you in the overdue â60s early â70s and guy what an early life. You clearly played outside, accumulated friends for a recreation of soccer, or had that weekly trash speak recreation of tennis at the nearby rec middle. Now anyone is grown with youngsters of their personal and evening basketball exercise, homework, and summer camps are the norm. And what about the oneâs dad and mom who did the nice they might with what they knew, to raise you into an upstanding citizen â they may be nonetheless right here. In different words, theyâre no longer useless, have no longer handed on, and have not long gone to satisfy their maker.
So what are we able to do with growing older mother and father and developing children? â Two matters. Have a laugh and take images of the entirety (or video it).
As time marches on, and yes it waits for no one, existence turns into all the extra precious. If I may also evaluate time to the speed of your WiFi â on every occasion you switch around itâs coming at a faster and quicker velocity. The children are developing up so fast and mom and dad have located a manner to slow down the getting old procedure. Itâs 3 generations taking part in existence at the identical time. Isnât that precious. Oh, what reminiscences for the family.
So start nowadays collecting the own family around for photographs. sure, do the formal and the informal, like you did in college. Have fun, chat, and of route proportion a meal. Then seize the closest telephone, pill, or fireplace up the computing device and produce that domestic movie. Do not watch for the circle of relatives reunion â some of you could no longer make it.
itâs the weekend and the chores want to be completed at your âoldâ residence and the children have a game. clutch the gear, load up the van, forestall by mom and pops, and anyone joins the caravan to go see the infants in action.
Please delete or upload the antique photos and motion pictures so that you can free up reminiscence â we Donât want any surprises. And please ensure each person has enough battery life.
No issues. The grandparents recognize all approximately downloading apps, YouTube, and Facebook. Ainât existence grand! three generations living and absolutely everyone is up-to-speed on the trendy device â making it easy and interesting to build lasting reminiscences.
So whatâs there to do? Have fun and report the whole thing. Time is passing, and passing fast, but you could sluggish it down and seize the treasured moments.
Several Benefits of Taking Loans
Loans are pretty common nowadays. To define the procedure of a loan it is able to be said that itâs far the investment that facilitates the groups can use to buy raw materials, machinery or other matters once they do no longer have the desired quantities.
There are numerous types of mortgage options to be had for one to pick. no longer simplest commercial enterprise loans one can also avail non-public loans which are exceptional to fulfill the character needs of the man or woman.
Kinds of loans-
Small commercial enterprise loans
Those are given out to the new marketers the advances that they could use to start a brand new commercial enterprise or expand an older business.
Payday loans
Those kinds of loans are given many to the employees of an employer or an office. The loans are small in quantity and must be repaid to the financing company inside a brief length, now not extending a length of six months.
Private loans
Whether it is for paying his bills or for purchasing a new motorbike or an electronic device he likes, someone can observe for a private mortgage. Of direction, the amount is sanctioned to him at the pursuit that he has an amazing credibility score and is willing to repay in the time body set by means of the financing company.
Mortgages
Those forms of loans are given out in trade for belonging which the borrower is prepared to risk. Failing to pay returned the loan quantity causes the person to give away the property to the fund providing organization.
Pupil loans
If a Student desires to retain similarly take a look at but is not able to do so due to the insufficient budget, he/she will be able to take a Pupil loan. This mortgage pays off all of the costs of the establishments and he/she can repay returned the cash in installments within a stipulated time frame.
Why one must take a loan
⢠Everybody, be it someone, a Scholar or a company can practice for a loan. ⢠The proprietor of an organization does now not have to arrange the cash from his personal. ⢠The manner of getting a loan is problem loose. The borrower can get a mortgage from any of the financing agencies, banks, and many others. ⢠The repayment options are smooth and within the attain of the common citizen. The hobby charges are low.
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