#who else still isn't over azure lion's death?

[its-leethee]

I wanted to wait I wanted to make you beg for me I wanted to wait I want it today, don't say it to me

Tell me what to do Just the thing that will break me out Tell me what to do I want a warrior fight with you

Aluna - Warrior (feat. SG Lewis)[Austin Millz Remix]

[ryin-silverfish]

I really like Azure Lion as a character. Yeah, you can stop following me now. /j

But no, seriously, I like how LMK has adapted this particular character, given him way more potential complexity than his novel counterpart——not that it's a high bar, the LCR trio of JTTW are just demon warlords living in a literal human slaughterhouse.

Which is why I deeply dislike the take that "Oh, Azure manipulated SWK into fighting the JE! He's just using him like a pawn!" Like, wow, way to completely butcher two characters' personality and agency in one go.

Such takes reduce SWK to some innocent kid, when he is at most an impulsive, daring teenager who haven't met a single real obstacle so far——he robbed the dragon kings blind, and they couldn't do a thing! He struck his name and all his monkeys' names off the Book of Life and Death! What couldn't he do?

And Azure's failing isn't him telling a toddler: "You know what? Driving your tricycle into oncoming traffic will be real fun, trust me kiddo." It's letting his friend go way over the speed limit and not telling him that he should maybe, y'know, slow down, bc he'd seen his epic driving skills, SWK's the bestest driver he ever met, surely nothing would happen!

(And also, no one in that car is sober, except Macaque.)

What I'm getting at here is, even without Azure, SWK is not gonna be content with sitting on his mountain, eating peaches forever. Hell, he sure doesn't in the novel, where his demon king brothers are little more than namedropped NPCs.

He is always gonna want more, chase after greater destinies, drown out that existential ennui and fear of death at the back of his mind with bigger and bigger power-ups and the laughters of his companions.

He told himself he would be content after getting this one thing he wanted. That he could stop at any time. But alas, like any ADHDer, he will not stop at this one exciting thing, and sooner or later, the boredom sets in, and he gets ideas and impulsively leaps into making them reality.

That is the Mind Monkey at his worst: being a whirlwind of chaos, while unknowingly enslaved to his own chaotic mind.

(In the book, this is Wu Cheng'en's reminder to the reader that, even though you shouldn't keep your heart constantly under lock and keys, Neo-Confucian style, the other extreme——letting it go completely wild, disregarding all external rules and consequences, can be equally disastrous.)

And when that car was driven through the Celestial Palace's front door, off a bridge, and straight into a ditch, it was him in the driver's seat, steering the wheels the whole time.

Everyone else in that car failed terribly as friends when they didn't voice any objections, or try to get him off the driver's seat, or realize that cheering and egging him on is an awful idea, however genuine their blind trust was.

Like, they are certainly not helping, and made the situation much, much worse. If you let your buddy drive while under influence and hand him more beers in the car, even if you are also drunk out of your mind and aren't actively trying to get him into a traffic accident, you are a shitty, irresponsible friend.

But the thing is? SWK is still responsible for the consequences of his decisions. He could have stopped, by his own volition, and no one was holding a gun to his head and forcing him to drive. He, too, wanted this.

That, to me, makes a much more interesting narrative than "Poor innocent baby SWK was puppeted into becoming the Great Sage in Heaven by shady blue cat, how awful!"

Oh, and since I'm feeling particularly salty today, I'll also ask some last questions: is SWK so weak-willed and devoid of self-agency to you that he couldn't even OWE his most famous title, the Great Sage in Heaven, 100%, without being manipulated into it?

Is SWK so immature and unintelligent to you that he is incapable of being a genuine idealist or rebel, that he cannot agree, out of the depth of his heart, that the Celestial Realm sucks balls and needs better management?

TL;DR: Havoc! Era Azure Lion isn't some cult leader brainwashing this kid into becoming his figurehead. He's the dumbass who's too busy staring at his teenage crush to care about the blaring police sirens.

Also, I had a bit of an epiphany after writing this: why am I so annoyed by people reading Azure's idealization of SWK as him intentionally manipulating and love-bombing him? Because it is a very western and modern reading.

For someone with traditional Confucian beliefs, it is perfectly normal——it is what you are supposed to feel, as a liege who has found your just and virtuous lord.

If Romance of the Three Kingdoms existed back then, he would probably describe himself as the Guan Yu to SWK's Liu Bei, however wonky the analogy was.

(Gosh, now I want a "Four Classics read each other" crossover.)

I'm not saying it is healthy or wise. But under this context, putting your lord on a pedestral was normalized, and even encouraged, as the virtue of a righteous gentleman. It was the sort of ideals romanticized culture-wide. NOT having such beliefs would probably make you look weird.

And since the Celestial Realm in the novel is a parody of Confucian hierarchy in a Daoist trenchcoat, it was really no surprise that an idealistic ex-celestial soldier would hold the same beliefs.

To torture the analogy further, the problem is that he was trying to be the Guan Yu to SWK's Liu Bei, when the Brotherhood had more in common with the Bandits of the Marsh, down to their giant downer ending.

[burr-ell]

If it's alright, can I ask why you like the Golden Deer house more than the Blue Lions or Black Eagle houses? Like, what caught your eye about them over everyone else?

So I actually got into FE3H through a friend of mine, @dar-draws, who I already knew through mutual good taste (Dickkory), and fanarts like this one, this one, and this one plus the way she talked about Claude and Claudeleth caught my attention. I watched a couple playthroughs of the Golden Deer route on YouTube and absolutely fell in love (before finally getting a switch just to play it myself, for which I was violently bullied here). So like, I was already going into the game biased, which is part of why when I got it I went ahead and played through Golden Deer before doing all the other routes in turn; it was genuinely important to me to personally see all sides of the story. But even as I've played the other routes and replayed SS and AM and gained even more of an appreciation for them, I'm still always sort of drawn back to VW and the Deer.

I think it's ultimately vibes-based, but I'll try to articulate it. I'm not really a big fan of "cozy" sorts of games—I've played and enjoyed ACNH, but the things I most enjoyed about that game were finding things to do and goals to complete, like completing the main quest line or filling up the museum. So it's not so much that I find the Golden Deer to be cozy so much as adventurous. They're not inherently personally invested in the conflicts of White Clouds (they don't know Lord Lonato or Miklan, and their house leader isn't [gestures generally]), but they're also not just ping-ponging through the story. They go through the same events as the other two houses, but they're coming at it from more of an outsider's perspective, and their choice to get involved and react and respond feels more active.

The Deer also don't have any real reason to follow Claude, either, and in the early game they make sure he knows it; none of them are really all that concerned that they're speaking to the future Grand Duke of their country. Lysithea snaps at him, Leonie shoots the breeze with him, Raphael is jovial with him, Lorenz undercuts him, Hilda is blase with him, Marianne tries not to talk to him, and Ignatz gets into theological debates with him. Over the course of the game, they develop the same loyalty to Claude that the other house members already have for their leaders almost by default, and it feels a lot more earned because we see it happen. And that in turn makes scenes like the one at Myrddin, where Claude reveals his true goal of opening the border with Almyra and embracing foreign cultures and the other Deer are surprised but trust Claude and follow his lead, that much more satisfying.

I was a little surprised, when I played through the other three routes, that aside from the designated talking-with-the-cast scenes every route gets, the characters who aren't house leaders or retainers don't really have all that much to do in the story. On Verdant Wind, you pretty consistently have members of the Golden Deer appearing in other cutscenes and giving their two cents; there's even a unique scene where Lysithea realizes there's something up with the Empire's mages because of her backstory and approaches Claude and Byleth about it. It's nothing too obtrusive—they do still have to accommodate the potential for character death—but it's those small details that make a difference to me. Every house has a particular dynamic with odd silly quirks, but the Deer being just that little bit more integrated into the story really helps sell the idea that they belong here and they're making this story their own.

There's also the matter of where specifically their adventure takes them. I respect the choice to focus on Dimitri in Azure Moon, because it does handle his character and arc very well and I think also does the other Lions justice (with the exception of Dedue), but it's also focused largely on Dimitri's personal arc and the Tragedy of Duscur and doesn't really follow through on a lot of the events of White Clouds. (Which some Blue Lions stans have been okay with because they think the Agarthans are bad villains, which...that's valid, but stories still have to like, address plot elements they set up.) Verdant Wind, by contrast, does actually pull back and try to figure out the real impetus behind the whole conflict, and it ends with them beginning to properly lay Fodlan's true problems to rest.

So while the route isn't flawless and I do think there are issues with how characters are written that are part of larger trends within the game and the series as a whole, there's a very specific kind of fantasy adventure energy with the Golden Deer that I enjoy. I think the stories I'm most drawn to are the ones that keep their eyes on a specific goal but still make you feel like the characters would bring that same energy to goofing around with each other, and I think that's something Verdant Wind does very well.

[blaiddydbrokeit]

OC ask prompt: Gonna pick some randomass numbers

7, 8, 13, 69, 88, 100

Go wild

Thank you, I have no chill therefore I am going to hyperfixate on Allan for this.

7. Which of their relationships have impacted them most positively? Well, this one should be obvious enough, but Dimitri. Over the course of the story, from being estranged cousins to being classmates with similar academic goals, to becoming more like brothers with each other's backs. It's one of the reasons that writing him to be canon-compliant still demands some minor changes for them to tempo the focus to and from each other, being the two sides of the same coin. Without Dimitri, he would have ended up a similar case to Marianne - who if not recruited, often disappears in Part II entirely, rumored to have died.

However, that is not to say that he should be Azure Moon locked - quite the contrary, because although Dimitri's presence does allow him to open up given the right circumstance, Dimitri's absence and subsequent death in SS and VW also inadvertently fulfills Rufus' very first intent for Allan's purpose - to displace and remove Dimitri, such that Allan becomes King. In a sense, that is neither a good ending nor a bad one, but that it is a salvaged ending where they must make do with the circumstance to make their efforts bear fruit - that is why I call those endings the "Loog II" endings. They are the endings where the Kingdom must be reborn from ruins of war, but leaves a legacy of both the old and the new.

8. What's the weirdest thing they have ever eaten? He attempts to put cheese on everything. Sometimes it works, other times it doesn't. The weirdest thing by far was the time he put grated hard cheese on peach sorbet thinking it would make the peach sorbet more enjoyable. It did not. He vows to try it with cream cheese next time.

13. How do they react to feelings of guilt? Allan takes guilt terribly. His more reclusive childhood in Itha with Rufus leads him to realize that in some way that he doesn't understand, Rufus has wronged Lambert. Even though he isn't at all meant to be responsible for Rufus' acts, he still feels incredibly guilty because he can't bring himself to mention it until after Rufus' assassination. As a result, he actually attempts to take Dimitri's place in execution, believing it to be if nothing else, an equalizer for Lambert's death in Rufus' stead. Thankfully, he does come to realize that such a thing would only unfairly put more weight on Dimitri's shoulders and leverages on the immense power of two crests to break out and flee.

69. Is there something that they find really gross? "Gross" is an interesting adjective in this context - much of his trauma from the experiments being held in terrible conditions and frequent encounters with bloody scenes and illnesses have desensitized him to these typically gross settings. However, as a child, due to Rufus' frequent womanizing when he was still in his prime, he has an aversion to provocative, promiscuous dressing. In other words, gross to him is like seeing bare ankles on a woman.

88. Are they trustworthy? Most of the Blue Lions are, and he is no exception. However, given that many of them have their own groups, few actually find reason to confide in him first. Dimitri is the first, entrusting his feelings of being unfit to inherit the throne, to which he does not try to exploit. This is one of the catalysts to Dedue eventually also trusting him enough to confide his worries about Dimitri's deterioration. Most others try not to load too much on him, though, since they come to realize that he is also keeping the heavier depths of his own trauma to himself.

100. Wildcard (I'll just give a fun fact for this) As the Grand Duke of Itha and part of House Blaiddyd, his personal official motto is "In Life I Serve, In Death I Inspire".