#while lee thinks bitch i dated your son for almost 6 YEARS
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Lee Fletcher hates gifts.
Hermes gives generously and abundantly - silk products, precious jewelry and beauty products.
He should always carry an ivory comb and a gold diamond-studded wine cup with him.
These are the first gifts, the associations with them are the most painful and hateful.
He combed his curls when the nymph-maidservants took off his heavy formal clothes, let down his complicated hairstyle and dressed in a simple nightgown made of fine silk.
He accepted the golden cup with wine from the hands of the gently smiling Hermes "Drink, honey, wine helps you relax, you're a virgin, it will dull the pain and you can have fun" Lee drained it in one gulp.
No, the wine didn't help, he was in pain.
His carefully combed hair was tangled anyway.
He cherishes every moment his hair is down, without any accessories, every moment he settles the cup down before leaving for bathing. He feels himself free and lets himself forget that he is someone's property.
#and i know this is a serious moment but i cant stop picturing hermes calling lee a virgin#while lee thinks bitch i dated your son for almost 6 YEARS#you think we only held hands all this time ???#lee fletcher#pjo#pjo au#pjo hunger games au#percy jackson and the olympians#rizasks
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JohnKun Masterlist - Part 1
AO3
1. rearranged by renjaune -
Summary: johnny has to share a room with his long-time crush thanks to haechan Rating: Explicit Status: One-shot
2. Wow, Bulge by lunalius J
Summary: Johnny's always dreamed of getting a soulmate tattoo and meeting his other half. The hand the Fates end up dealing him is not so dreamy. Rating: Teen Status: One-shot
3. The Blue Antonov by tentography
Summary: Kun runs a small bookstore and Johnny, a famous actor, stumbles into his life. Yes, this is absolutely a Notting Hill AU. Rating: Teen Status: On-going
4. don't take my breath away too soon by sofarsoperfect
Summary: Like if he falls asleep he really has to start saying goodbye to the NCT 2020 era and he’s not sure he’s ready to do that yet. Rating: Teen Status: One-shot
5. put me right in my place by sofarsoperfect
Summary: “I am,” he replies. His voice is soft and velvety, warm and syrupy. Johnny leans down to nudge their noses together, Kun smiling softly as he does so. Rating: Explicit Status: One-shot Trigger: Kinks
6. An Open Wound by lunalius
Summary: Kun's life is thrown off balance when he stumbles upon a dying Youngho. Rating: Mature Status: One-shot Trigger: Blood & Injury
7. You're an Idiot (but you're My Idiot) by samuraiseonghwa
Summary: Sometimes disasters make the best dates. Rating: General Status: One-Shot
8. from one shadow to another by rowenabane
Summary: Kun has the audacity to smile. “Oh, Johnny,” he says. “You really are a man after my own heart.” Rating: Mature Status: One-Shot Trigger: Blood & Injury
9. Indebted by lunalius
Summary: Johnny has three credit cards, of which one is frozen into an ice block for his own good. Rating: Teen Status: One-Shot Trigger: Possible irresponsible spending
10. you warmly melted me by blazingsirius
Summary: For a while, Qian Kun’s life is a bumbling mess between juggling his Master’s study, working as a budding producer, and being a single father. Johnny Suh came somewhere in between and suddenly everything felt okay. Rating: General Status: One-Shot
11. Here Comes The Prince, The Royal Frogness by blazingsirius
Summary: Prince Johnny was forced to attend a ball his parents held to find him a partner, but he found a way to escape the ball, which ended with a wrongful meeting with a magical being that put him in a curse. Somehow, a (literally) poor guy, Kun, got dragged into the mess. And oh, they’re both frogs now. Rating: General Status: One-shot
12. Addictive Frequency by Sakunade
Summary: Johnny misses Kun, misses spending time together and having the younger in his bed. Kun is beautiful, perfect, and has the most delicious ass Johnny's ever seen. Rating: Explicit Status: One-Shot
13. brightest light by tentography
Summary: Their summer had only just begun when Kun asks him to stay beneath the neon lights of the 7-eleven, bathing them in an electric mix of fluorescent white and bright orange-green-red. Rating: Teen Status: On-going
14. johrny (horny 4 johnny) by borntovixx
Summary: Johnny lifts weights without wearing a shirt and Kun can't stop staring at his muscles flexing – is it advisable to ask your crush if you could to lick his abs pretty please? It definitely isn't, but Kun's brain short-circuits and gives in to the cacoethes. Rating: Teen Status: One-Shot
15. cream stuffed buns by farthendur
Summary: straight frat bros johnjae discover they feel real weird around neighborhood baker and DILF kun. Rating: Explicit Status: On-going
16. in all glory by farthendur
Summary: Captain Qian Kun and First Officer Johnny Suh spend an intimate and spicy night in their quarters. What could possibly ruin it? Rating: Explicit Status: One-Shot
17. We Got Married International - Johnny and Kun by jhengchie
Summary: We got married International edition with Johnny as the member of the popular KPOP idol group Limitless and Kun is the beloved Chinese soloist Rating: General Status: One-Shot
18. dubrovnik by lowkeyamen
Summary: Johnny takes off to Croatia, and meets someone from his past he didn't even recognise. Rating: Explicit Status: Completed *trans!Kun
19. this will be by sofarsoperfect
Summary: “When we do trade them back,” Johnny says and the inevitably of it makes Kun’s stomach twist in knots, “we really have to find something better.” (Parent Trap AU) Rating: Teen Status: One-Shot
20. The Moonlight after Midnight by writesinfontuwu
Summary: They shared a memorable night in Osaka two years ago. Now they are reunited for NCT2020, Johnny feels his heart thumping in his chest again. Rating: Explicit Status: One-Shot
21. Up or Down by lamarina
Summary: Caught between a cute TA and a foreign language credit, what's a guy to do? Rating: Teen Status: One-Shot
22. Is this a scoop? - in the eyes of Mark Lee by cherrycitrus_blossom
Summary: Who is that customer and what relationship does he have with Johnny to make his eyes light up in delight when he walks through the door? Rating: General Status: One-Shot
23. I Love You Still by nu-exo (Nekohime)
Summary: JohnKun Agent AU Rating: Explicit Status: One-Shot
24. turn the lights on by jeanheir
Summary: Kun’s soft snores fill the room, the other man sleeping peacefully without a care in the world. It’s almost cruel, how unbothered he seems. Rating: General Status: One-Shot
25. Bad Kind of Player by Sakunade
Summary: The plan was supposed to be easy - count cards, win money, and be done with it. Except Kun chose the wrong casino, one under the control of Seo Youngho, known as Johnny, the rising head of the Gyeonghui jo-pok. Rating: Explicit Status: Completed Trigger: Kinks
26. red, gold (burning) by tentography
Summary: Kun Qian and the Audacity Of This Bitch (HP AU!) Rating: Teen Status: Completed
27. In-Sync Heartbeats by mezzaluna_ch
Summary: This is the piece he plays every time he wants to escape reality in haste. This is the piece he plays every time he thinks of Johnny. Now, Johnny is the one playing it. Rating: Teen Status: One-Shot
28. I Owe You by seungwanxndxnly
Summary: Only Johnny's big crush on Kun can hold him back. Rating: Teen Status: One-Shot
29. superluminal by wentz
Summary: A man who can only be the captain of the smuggling vessel stands at the top of the ship's ramp, cutting a roguish picture as he leans with one arm against one of the hydraulic pillars. He looks supremely dashing. Kun dislikes him on sight. Rating: Mature Status: One-Shot
30. Shoot For the Moon by lunalius
Summary: Kun wants to go to space. He's got a plan to get there, and he's following it to a tee. Rating: Explicit Status: Completed
31. he was a superhero, he was a seamstress, can i make it any more obvious by fvckradio
Summary: Superhero Kun with Seamstress Johnny Rating: Teen Status: One-Shot Trigger: Mentions of blood and injury
32. just a touch of your love by seonho
Summary: Kun is rather mild in his kinks — not entirely vanilla, but then again, certainly nothing as scandalous as having his blood sucked out of him. (Vampire) Johnny Suh, however, poses a very tempting threat to those convictions. Rating: Explicit Status: One-Shot Trigger: Blood
33. So I Can Fix Your Hand, I'll Be Your Handyman by IsabelArmuelles
Summary: Johnny dislikes his landlady but is very much crushing on her step-son, the handyman. Rating: Teen Status: One-Shot
34. connect the dots, baby! by rowenabane
Summary: Johnny suspects Kun of being a serial killer. Rating: Teen Status: One-Shot
35. Countercurrent Exchange by indiecheetah
Summary: Johnny wasn’t exactly a believer. He never thought monsters or cryptids were real, always finding those stories amusing at best. But even all of his years of knowledge of marine life could not explain this creature. Rating: Teen Status: One-Shot
36. Inevitably Loving You by occultclysms
Summary: Prince Kun and Celebrity Johnny fake date. Rating: Teen Status: One-Shot
37. i'm stepping on the cracks (i feel fine) by sofarsoperfect
Summary: Sprite Kun and Human Johnny - Kun seeks refuge with Johnny ;) Rating: Explicit Status: One-Shot
38. Domestic Bliss by cobalamincosel
Summary: Johnny and Kun work through a divorce. Rating: Explicit Status: One-Shot
39. you say my name like i have never heard before by sofarsoperfect
Summary: Mafia Johnny with Kun Rating: Explicit Status: One-Shot Trigger: Mafia-related triggers and homophobia
40. love me harder by sofarsoperfect
Summary: kun is fine, he's not even that resentful of his past or of johnny and he's doing really well and it's fine. except that one thing leads to another and it's totally, absolutely not fine at all. Rating: Explicit Status: Completed
41. Emotional Distancing by lunalius
Summary: A global pandemic puts a dent in Kun's Green Card plans, but not in the way he expected. Rating: General Status: One-Shot
42. Domino by cobalamincosel
Summary: Kun and Johnny get back together after a break up. Rating: Mature Status: One-Shot
43. and the next, and the next by jenhyung
Summary: Childhood friends Kun and Johnny meet again. Rating: General Status: Completed
44. would you mind by jokheiz
Summary: Single dad Kun crushing on his co-worker Johnny. Rating: General Status: One-Shot
45. Charmed by lunalius
Summary: So no, he wasn’t blind. He was well aware that Johnny Suh had a crush on him. (HP AU) Rating: Teen Status: One-Shot
46. you got what i want, boy (and i want it) by sofarsoperfect
Summary: JohnKun PWP Rating: Explicit Status: One-Shot
47. Flower Boy by bananaboatt
Summary: Kun wants a really cute flower crown for his coronation, Johnny is a real big sucker for his boyfriend. Rating: General Status: One-Shot
48. head first by jenhyung
Summary: Youngho crushes hard. Rating: General Status: One-Shot
49. In the Middle of the Night by kittensuh
Summary: Kun knows him, reads him like he’s an open book conveniently placed on Professor Qian’s podium for him to consume in all of his glory. Rating: Explicit Status: One-Shot
50. Altered States by unnameable
Summary: When Johnny’s sexual dry spell has lasted for longer than he can recall, Ten suggests Kun, a erotic hypnotist, instead of helping him get laid. Johnny forgets about the ridiculous suggestion until he meets Kun at one of Ten’s parties a few months later. Rating: Explicit Status: One-Shot
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Season 8, Episode 2: Honestly, Elizabeth
I think I’ll do all my write-ups this year scene-by-scene. It’s easier to keep track of everything that happens in the episode that way, and I can write up thoughts while I’m watching the episode.
I’ll just jump right in!
Scene 1: Narration/Jack Jack
The first scene starts out with Elizabeth writing in her journal about the arrival of Lucas’s mother to town, and I think the writing here was actually polished up as to be concise and fairly decent. I didn’t mind seeing Jack staring at his father’s picture, but I think what would have made a much more compelling scene would have been for him to turn away from the picture and pick up a toy off of the ground and just start playing with it. Something symbolic of moving on, or at least of Jack’s lack of connection to his father at this age. While he’d certainly be curious when he gets older, at his current age he has no real reason to care.
Elizabeth waxing poetic about how strong and brave Jack was, and how her son embodies those same traits is…I don’t know. It came off a little silly to me—like it was trying just a little too hard to be meaningful.
—
Scene 2: Lucas check on Helen
I like that Lucas seems to care for his mother a lot, and that he wants to help her. I think he realizes there’s perhaps more to her visit than merely wanting to see Elizabeth, but isn’t willing to push for that kind of information. My guess is that they’re just not that emotionally close to one another.
—
Scene 3: The Crate of DOOM
Joseph from the railroad brings a delivery for Lee and in helping Joseph carry it, Lee hurts his back. This was a genuinely good scene. CALLCARSONCALLCARSONCALLCARSON. It also has the advantage of making everyone feel friendly and neighborlike. Elizabeth popping out of her house, Jesse just stopping by… It was nice.
—
Scene 4: Nathan and Elizabeth Talk
Opal’s dress was really cute in this scene, and Robert really is growing up fast! I’m glad Allie and Opal seem attached to him; the show feels more cohesive with its little friend groups and it’s been hard to really show that off since Cody left. Allie fills that void easily and I think gets better lines/dialogue/scenes as well. She gets treated like a character of the appropriate age.
Also, Nathan treating Robert respectfully is nice. It comes off like he recognizes Robert’s good intentions and genuine enthusiasm and treats him appropriately, too.
The little quip about Allie being interested in boys was cute (and not over-the-top), and I like that Nathan is the first to bring up the missed…dinner date. Elizabeth’s response is interesting to me; she does seem a little more enthusiastic, at least about how fun it would have been had she followed through on it. When Nathan suggests they could try it again, though, she clams up. I think what’s interesting about it is that she doesn’t look disgusted or unhappy with the idea, just…a tad uncomfortable—like she wants to say something but can’t/won’t. A pretty good scene.
—
Scene 5: Introducing Joseph Canfield
At this point in the episode I knew I’d love Joseph. He’s so wholesome and pleasant both in his demeanor and his offer to pray for Lee.
—
Scene 6: Nichols and Dimes
I really am enjoying Fiona’s interactions with Mike Hickam. Actually, I’m enjoying that Mike gets any lines at all. He’s a pretty good actor and deserving of the screentime. Also that man has a butt and they’re showing of in like, every other scene he’s in LOL. Fiona trying to explain the reason for the name of the shop is quirky without being too over-the-top I think. It works well enough and I think lends some more personality to her character.
This scene gave us some more low-key genuinely funny stuff with Jesse repeating “Nichol isn’t spelled that way, right?”
Henry’s surprise at the barber being a woman isn’t too over the top either. At this time, barbers would just about always be men, because not only did they handle haircuts and shaves, but it served as a gossip (and business, as Fiona mentioned in the last episode) center for all the men in the area AND the barber usually also treated things like toothaches and first aid if a doctor wasn’t around.
I admit her reaction to all the men running off was...a bit surprising. I figured her feelings would be hurt, but she literally just laughs it off, maybe just too excited at having her own business to continue to think about, you know, what will happen if she doesn’t get customers.
—
Scene 7: Joseph runs out of gas.
There isn’t much to say here, but when he walks back to town he sings “It Is Well with My Soul” which was always one of my favorite hymns. My pastor had his own piano arrangement of it and everything. I knew from this moment forward that I would defend him to the death.
—
Scene 8: At the clinic
This is probably not the most...accurate medical scene ever, but it wasn’t bad. The best part about it was actually Molly, though. It looks like she’s really thrown herself into working with Carson and she’s used to it and even enjoys it!
—
Scene 9:Nathan and Bill talk
The scene is super simple but I think it was excellently done. Nathan wants to adopt Allie and Bill thinks that’s a fine idea in theory, but in starting proceedings (court filings, public notices, et cetera) he could stir things up. It sounds like Bill and Nathan spoke about Dylan since Bill knows how Dylan found him (the newspaper article).
Bill mentions a fee and at first I thought this was going to be the start of a really sour joke about Bill being greedy or something, but to my surprise (AND IMMENSE RELIEF), they were just discussing it like a business transaction...which it is. Nathan trusts Bill to be fair with that... AND I LOVE IT.
Allie’s mother’s full name is Colleen Mayes Grant. Allie’s full name is Allison Mayes Parks. Would Parks also be Colleen’s full name if she were married to Dylan? Am I missing something here?
Anyway, Nathan and Bill then talk about the money that Nathan used to trap Dylan, and Nathan admits he got it from Lucas, which...surprises Bill.
“You asked Lucas?! You do love your niece.” Nathan is a little amused by it, but I think this is interesting. I mean, 1) Nathan asked Lucas in the first place, which is telling, but also, 2) Lucas loaned him the money without even asking what it was for. Maybe they are not on such bad terms after all, lol. ;)
Nathan points to a map and asks about some land, and Bill says he owns that land, and that he was thinking of building a cabin on it but he’s just not really that sure he wants to. Nathan asks if he’d be willing to sell and Bill (jokingly) asks, “How much of that money did you give back to Lucas?”
Good scene, wholesome scene. I genuinely enjoy watching these two interact. It almost reminds me of the older seasons when Bill and Frank and Jack would all scheme together; stuff like this just helps build up the characters a lot, and it helps the town feel...real.
—
Scene 10: Lucas and Elizabeth Chat
This was a short but nice scene. I think it’s clear Lucas is a bit worried about his mother and asks Elizabeth to visit her in the hopes that it might encourage her to talk to someone or feel better.
At first I thought this was perhaps a bit much, like...she barely knows the woman why would Helen even want a visit from Elizabeth? But then I thought...well, Lucas is probably thinking of the fact that Elizabeth has spoken with Helen now and again about her writing, so a visit from her would be expected since she’s in town.
I like Elizabeth’s honesty in admitting she was intimidated by Helen. “So she does bite!” Kind of a cute/silly scene. I liked it.
—
Scene 11: Rosemary and Elizabeth talk.
This was probably the second weakest scene in the episode. Rosemary just says hi and tells Elizabeth she can’t help with anything regarding Lee, and then Elizabeth says she’s off to visit Helen, and Rosemary says “Oh, the old saying...the way to an editor’s heart.”
Elizabeth replies with, “I don’t think that’ show that saying goes.”
I think they were trying for Funny here but it misses its mark and doesn’t really add anything to the episode. I’d have rather had an earnest word of encouragement from Rosemary.
—
Scene 12: Elizabeth visits Helen
There are a lot of things to like about this. Helen takes her job very seriously, and corrects Elizabeth (“book” vs. “manuscript”—it ain’t a book yet!). Helen comments on Elizabeth being undisciplined but this is an objectively true statement (whether Elizabeth likes it or not).
I think Helen is actually really understanding when Elizabeth blurts out that she was late with her first draft because, “I decided not to let my writing interfere with my life.” She’s pretty calm about it, and says maybe her trip was for nothing.
Elizabeth springs back and hurries to explain that while her writing means a lot to her, and she takes it seriously, it’s also not her main source of income. I was really worried that Helen was going to come off as this huge bitch hurting Poor Widdle Ewizabiff’s Feewings but I think she’s actually pretty great in this scene. She doesn’t come off as the bad guy, but neither does Elizabeth. In fact, I feel like both characters communicate quite cleanly and it seems Helen appreciates Elizabeth’s spunk, haha.
—
Scene 13: Henry and Lucas have a meeting
The writers straight up wanted to negate some of what happened last season, and I think that was a smart choice. There are some lines in this scene that I really enjoy a lot. “I like you, Henry. I don’t know why, but I do.” I think Lucas likes Henry because he’s been mostly up front with Lucas about his methods...which he does here, too.
“I’m willing to get my hands dirty.”
Henry’s proposal is that he will double the crude output in the first year he’s back as Lucas’s partner, and if he doesn’t manage it, he will walk away. However, if he is successful, he becomes majority owner at 60% and is allowed to make all business decisions.
This is a very good opportunity for Lucas, provided he trusts Henry can at least maintain current output. He loses nothing if Henry walks away and he loses hardly anything (in fact, he loses a bit of profit and a LOT of responsibility) if Henry manages it and stays on.
When asked why he had a change of heart, Henry says he “has his reasons.”
—
Scene 14: Joseph comes back to town + Fiona’s
This actually isn’t its own separate scene, but rather, the camera pans from the previous scene to Joseph walking into town.
Joseph stops Hickam about getting some gas, but Hickam is sent away to hold up his end of a bet while Jesse helps Joseph.
The camera then is in Fiona’s barbershop, so I’m counting these two scenes together. Hickam asks for a trim and she agrees to do it. He apologizes for running off earlier and she accepts his apology with grace and says she’s glad he came back. He tells her it was the right thing to do and she calls him out instantly for having accepted a bet from Jesse.
This is a pretty funny little joke, but the best part about it is actually how it ties Hickam and Jesse together. They’re around the same age and they could be friends; I like the implication. Some of the male friendships have suffered a bit in recent years so it’s nice to see those getting a splash of attention.
Anyway, Fiona doesn’t take offense and Hickam seems relieved.
—
Scene 15: Sergeant gets some pats
Sergeant is a good boy and so deserves some pats! The only thing I hate about this scene is the dialogue. Robert is like, a farm boy...and you’re telling me he’s never ridden a real horse? Please. This is in a time period where most of these kids would know how to ride a horse. He’s no larger a horse than any other horse in town! The bigger concern should be that Sergeant is an ex-mounted police horse, which means he needs a more experienced rider (and that certain signals could mean different things to Sergeant than they would mean for a farmhorse).
It’s still pretty cute overall, but I think they could have had the kids currying him or something instead. “We can start by patting him” seems a little silly when this horse has been patted by everyone in town 3 billion times by this point.
The camera then adjusts to the window of the saloon’s upstairs room where Helen is watching Elizabeth spend time with the kids.
She’s more or less smiling and watching Elizabeth and the kids, studying them. As predicted, she has already decided she likes Elizabeth.
—
Scene 16: Hickam narrowly avoids death
Or more like, he moves while Fiona is trying to cut his hair and she gets his ear with the scissors. He literally runs out of the barbershop, past Helen and Lucas who are now out for a walk, and straight to the clinic.
—
Scene 17: Rosemary talks to Elizabeth and the kids
This is a continuation of the last scene where the camera catches Rosemary from outside the clinic (as Hickam goes in) and follows her over to Elizabeth where she says hello (they are still with Sergeant but over by the church now).
I’m a little tired of these Cute Widdle Opal moments. She’s like, nine years old. The fake smiling and “oh my goodness!”ing is too much for me at this point. I probably hated this scene the most.
—
Scene 18: Lucas talks with his mother
Helen calls out the situation exactly for what it is: Elizabeth is the reason Lucas has settled in Hope Valley, and Lucas and Nathan are vying for Elizabeth’s hand. Lucas admits these are both true.
Just a nice little scene. Helen seems pretty normal and good here.
—
Scene 19: Elizabeth talks to Nathan
On her way out of the mercantile (with a cloth to clean Opal’s face) Elizabeth runs into Nathan who is on his way up to Bill’s land to check it out. She says he must be serious if he’s going in the middle of the day out to look at it, and he says he is. “I think it’s time I settle down.”
She walks down a step or two and turns after him as he’s about to go into the mercantile: “Nathan? When you’re back from your trip, perhaps we could get together?”
And he agrees to this, almost in a tone that’s like, he doesn’t want to seem too excited.
As soon as Nathan is in the store, Robert goes flying by on Sergeant with the worst posture I’ve ever seen.
Elizabeth steals Newton from Nathan and goes after Robert, catching up to him and dragging him back to town right in front of Jesse and Joseph.
Joseph is of course iMMEDIATELY like: “I want to live in this crazy place.”
This isn’t how I would write a scene like this, mostly because I would assume that Robert could ride a horse (and his posture later kind of says this...lol) and it’s really hard to film something like this without it Actually Being Dangerous (mostly due to the gravel in town—a horse could kick that into someone’s face and they’d be messed up, or they could slip in it)(also, the filming location doesn’t have a lot of Large Spaces where they can really let a horse gallop safely). I’d probably have a stunt double dashing off at an actual run if possible, and show Elizabeth catching up to Robert who has been thrown from the horse. He’s fine (landed in some prairie grass or something) but then it’s actually really scary.
Her “catching up” and “helping” just doesn’t work very well when it’s very clear these horses are moving at a leisurely pace.
But if you can use your imagination it wasn’t a bad scene.
—
Scene 20: Lee and Rosemary
It’s the next morning, and Rosemary helps Lee sit on the couch. Rosemary gives him his coffee but there’s no sugar in it (this is hard to believe; they’ve been married how long? She’s been making this every day for how many years?) and she boogies over to Elizabeth’s.
—
Scene 21: Rosemary and Elizabeth have a chat
Rosemary talks to Elizabeth about the chase after Robert and then to little Jack and there’s a little moment where she looks at Jack and talks about how her and Lee like hearing him laugh when the weather is nice and the windows are open. It was a nice touch.
Rosemary offers to babysit until Laura arrives.
It’s a nice scene but I’m a little tired of the babytalk for a child that is way older than they’re acting. This is a 2-3 year old child, not a baby who can’t talk.
—
Scene 22: Bill meets Joseph Canfield
Joseph came back to town to have another look around and consider buying the gas station. He mentions the church, and Bill says they don’t have a pastor right now because “he left to become a missionary.” I’m not sure which pastor they’re talking about here: Zeke or the guy before him, or even Frank? My guess is Zeke since they took the time to give him a name, and there’s no reason why Frank would do that when he’s been written away as finding his calling in mentoring/pastoring/caring for terminally ill children.
Joseph says he’s looking to settle down and would like it to be Hope Valley, which is....sudden. I’m not sure what the script could have said instead, but maybe if there was some kind of hint that his wife isn’t happy in their current situation? Or maybe that he’s been looking around and that he found Hope Valley when he wasn’t even looking—just doing his job.
It’s a hard sell either way. There’s a whole lot of nothing in this area, so it’s hard to imagine Hope Valley wouldn’t be on the map with a railroad stop...lol...
Joseph says he doesn’t want to build, so Bill says he knows a guy.
Good scene. I’m always happy when Bill gets normal interactions, and it seems like in this scene we’re meant to imagine that he is actually on his rounds (since Nathan is away).
—
Scene 23: Elizabeth and Helen edit...
Helen says “dour” in a way Elizabeth has never heard it said, and it sounds kind of clear that everything Helen says, Elizabeth just blanks out and can’t discuss reasonably.
“I’m just not used to writing this way.” You’re...not writing. You’re editing. There’s a difference. And Helen seems to be trying to get at the Author’s Intentions (“Would you describe this character as dour?”) to ensure that Elizabeth’s writing matches what she’s going for.
They’ve made it past ONE page at this point. They do share a chuckle over how slow their progress is, though, and I mean, as a writer that’s a whole entire mood, so it’s fine.
—
Scene 24: Henry’s cabin
For some reason Henry owns a cabin and Joseph, Bill, and Henry are checking it out. Bill is mostly snooping to find things wrong with it lol, which is very in character for him, considering Henry is (or at least was) the enemy.
Joseph decides to buy the place because it’s not too far from town and there’s room for the kids to play.
Boom he’s in.
Welcome Hope Valley, Joseph!
—
Scene 25: Robert’s Sorry + Helen’s Truth
Robert has atoned for his sins by cleaning all the stalls out or something. Helen and Elizabeth meet Robert on a walk. He’s atoned for his sins by cleaning the stables.
Helen and Elizabeth chat a bit, and Helen drops a bunch of Truth Bombs:
-Authors often feign indifference to the characters they create, or insist they are mere fabrications outside themselves.
-Elizabeth is honest with herself and with others, and honest in her writing.
-Most people are uncomfortable and afraid, and hide behind characters they’ve created for themselves.
She then says that she’s like that (kind of an awkward delivery line) and then instantly launches into saying she came to see Lucas and to see her, too, but if she’s being completely honest, she’s come because her husband has left her.
(Scene break for commercials)
Elizabeth runs after Helen and calls her “Mrs. Bouchard” but quickly corrects herself to call her “Helen” (NOW IT MAKES SENSE WHY HELEN DOESN’T WANT TO BE CALLED MRS. BOUCHARD!) and asks if she wants to talk about it.
“There’s really nothing to say. It’s not going to change anything.”
Lucas’s father is in London, supposedly, and as Lucas walks over to the two of them, Helen asks for Elizabeth to keep this just between them, as he doesn’t know yet.
I’m not sure where they’re going to go with this, or how they’re going to resolve it, but it’s possible this was just a misunderstanding (seems farfetched but hey, it’s Hallmark).
As an aside, the flowers they have out on display are all summer flowers. Does it matter? No. Am I pointing it out? Yes.
Lucas offers to take both women to dinner and Elizabeth says she isn’t able to go. I think she should have stated she had a prior engagement (so she didn’t appear to be rude), but Helen takes him up on the offer.
Walking away, Elizabeth runs into Laura, Emily, Anna, and Timmy, which was nice because all the mentions of Laura without actually seeing Laura made me worry she wasn’t on the show anymore, haha.
Laura isn’t with Jack because Rosemary wanted to watch him for the day. Elizabeth turns around and asks Lucas for his help with something.
—
Scene 26: The Surprise for Rosemary and Lee
Elizabeth comes over to collect Jack with a surprise: a nice dinner all premade, a bottle of wine, and some mood music. ;)
This is a wholesome and sweet scene. Elizabeth leaves with Jack and Lee struggles to his feet to dance with Rosemary.
—
Scene 27: The letter
Henry goes to the mercantile to see if there’s any mail and there IS...the letter he sent out last episode has been returned...opened.
Henry’s upset by this (he seems genuinely hurt) and asks Ned if he opened it. Ned says he didn’t, and Florence defends him by saying he would never do that. Henry leaves and Ned says he forgot to take care of something in the back and wishes Florence good night.
Very suspicious. I don’t think Ned opened the letter but I do think he read it. He looked a little upset himself...? Not sure what’s going on here. Could it involve a relative? Nora? A business proposition?
—
Scene 28: Florence and Molly
At the saloon, Florence and Molly talk about the letter, and Florence says she thinks the person who opened it was the person Henry sent it to.
Molly notices Bill laughing and having a good time with a woman she doesn’t know and stares at them. Florence points it out and says Molly must be bad-tempered because she’s hungry and suggests they order and eat. Molly gets up and marches right on over there and embarrasses Florence with her BS.
She mentions the chili in the cafe and then fakely says, “Oh nooo, I’m being rude,” and introduces herself to Helen.
Helen doesn’t shake her offered hand but does give her name. She’s extremely awkward and leaves in a hurry, with Florence on her heels.
Helen tells Bill he must have a “fan.”
Bill says he wasn’t aware of that.
The classic Bill Squint™.
—
Scene 29: Mike returns
Mike comes back to have his haircut finished. She says she’ll be more careful this time; he admits it’s his fault...and they both agree that they’re both to blame a little bit.
Clara and Faith drag their men in and insist on them getting haircuts/trims. I liked the scene with Fiona and Mike, but didn’t really care for the last bit as much. Mostly because everyone hates the idea of her cutting their hair and this is supposed to be funny, even to her? Like...I don’t know. It just falls flat for me.
—
Scene 30: Rosemary is a bad influence
Rosemary asks Elizabeth how the meeting went. They talk about the fact that Lucas and his mother are nothing alike and Rosemary says, “Well maybe he’s like his father.”
Elizabeth is like “Let’s hope not.”
And of course that gets the ball rolling. Before long, the truth is out: Helen’s husband left her.
Elizabeth really should have...shut her mouth lol. But at least Rosemary believes that’s a bad position for Elizabeth to be in.
Lee comes in with Jack wearing a little outfit...
And then the truth comes out that what’s in the crate is a LOT of coffee. 250lbs of it.
—
Scene 31: Bill and Molly Talk...sort-of.
Bill chases Molly out of the cafe and insists they talk about what happened the night before, and Molly says she made a fool of herself. Bill tries to figure things out by saying he’s been a bachelor for a long time (probably trying to ease into it by admitting he just hadn’t realized she was Interested because he’s not used to the whole thing, to take some pressure off you know?) and Molly stops him like, “Are you under the impression that I’m interested in you as a suitor?”
Bill is more or less like, well...yes (but I wasn’t alone in that thought).
Molly tells him she was curious about the woman with whom he was dining. “True, I have mentioned to Florence that it might be nice getting to know each other seeing as how we’ve lived in the same town for years...”
Bill: “Well, see? You are interested in me.”
Molly: “You flatter yourself.”
She then leaves.
Anyone who knows me will know why I don’t like this scene lol, but at least neither character is being made a fool of, here. Pretty sure Molly is both curious and jealous.
—
Scene 32: Henry’s tirade
I think they should have rerecorded this scene because it 100% sounds like Henry is drunk off his ass and not just angry. More punctuated words would have fixed this easily.
Anyway, Carson comes by the mercantile just in time to see Henry yelling at Ned and Florence about the letter (but specifically Ned). Henry sees Carson come in and leaves, but falls outside. His blood pressure is ridiculously high. Outside, the acting is fine and he sounds angry (but deflating).
“Sometimes what you do in between [birth and death] just isn’t enough.”
This makes me really curious about that leTTER... It almost has to be a personal matter: family, perhaps?
—
Scene 33: The Confession
Elizabeth runs into Nathan while she’s out with Sergeant and they talk about Bill’s land. Nathan’s very enthusiastic about the land and the idea of living there.
LOOK AT HIM.
This is probably the most animated we’ve seen him!
(I think this talk of land and building on it might be forcing her to think of Jack, by the way. They already have the profession in common and now the land/planning for the future thing, too? A future she never got to have with Jack? OOF.)
I think at this point she’s worried that he wants to do this FOR HER and the guilt is what prompts her to speak. She goes on to tell him that he means a lot to her, and so does Allie, but she thinks he’s looking for more than friendship.
He says he wasn’t trying to hide that, and she thanks him for his honesty. She goes to express that he wants more from her than she can give. He was shot that one time when she thought it had been him who died, and she can’t go through that for real, not again. She doesn’t want to lose him the way she lost Jack.
He says he wouldn’t let that happen and she gets (RIGHTFULLY!) upset because that isn’t something he can meaningfully promise, and it’s pretty insulting considering the way Jack died; he isn’t better than Jack, after all. Anything could happen.
So Nathan says that his solution, what makes his promise different, is that he would quit the Mounties.
And she says, “No!”
Then we get the lines:
Nathan: I know you feel the same way that I do.
Elizabeth: I can’t.
Nathan: Elizabeth, I’m in love with you!
Elizabeth leaves hurriedly on Sergeant and that’s the end of the episode.
—
I don’t want to end this without talking about the last scene a bit. I think some people might be a bit confused about it. I think she has feelings for Nathan and has been repressing them because it’s too scary a thing to consider. She wants to let the idea go but knew she couldn’t just cut things off without saying anything.
But how do you say something like that kindly? How do you do that without hurting feelings or looking stupid?
I feel like the talk about the land, as well as Nathan’s comment earlier in the episode about settling down, has forced Elizabeth to be honest with Nathan the way that she is honest in her writing, and she does this specifically because she doesn’t want Nathan to go making decisions based on feelings for, or a potential future with, her. It isn’t fair to Nathan or Allie.
For those of us who haven’t lost a spouse traumatically, I don’t think it’s easy to understand this specific brand of anxiety/fear, but this episode made it really clear that this is something she’s really struggling with. The heart wants what it wants, but it also feels fear sometimes (and in this case, rightfully so).
Nathan offering to quit was wonderful but I think it would frighten Elizabeth just as much to feel she’s the cause for someone giving up something they’re passionate about. I personally think she’s thinking too much of Jack when it comes to that. Sure, Nathan’s a Mountie, and sure, he likes his job and is good at it like Jack was, but I think for Nathan family and safety would always come first.
It didn’t come first for Bill. It didn’t come first for Jack. But it would for Nathan. I don’t think Elizabeth realizes this—that for Nathan this isn’t him giving up his passion for love (or to settle down). It’s settling down because he wants to make a life here for himself and doesn’t want to ever have to leave, a choice he won’t get if he stays with the Mounties
For Jack, the Mounties were a Calling, a lifelong passion.
For Nathan, they were a career he enjoyed.
I’m interested to see when this will be revealed in the story and how that will make Elizabeth feel. No matter what, it’s scary to be the person ‘forcing’ someone else to give up something big, in this case Nathan’s livelihood (in exchange for her peace of mind). I have some personal experience with this. In fact, when I was dating my (now-)husband for the first time, he wanted to move to be with me. We were young. He had a college picked out. He had a career path. I had a job doing physical labor and I was living at home. If he needed help, my family would be too poor to assist and we had no extra space for him to stay. I refused. We actually broke up over it. There’s just so much pressure on the person who isn’t giving something up: fear of feeling indebted to someone, fear of the relationship HAVING to work out (or it was a waste of everyone’s time and money)...
Anyway, this storyline could mean a lot to me if it’s done right, so...I hope it is. :)
—
Overall this was another enjoyable episode. I was shocked at the intensity of the ending, and pleasantly surprised by most of the rest of it. Fiona’s actually growing on me as a character (she’s made of sterner stuff than some of them). I’m definitely looking forward to next week and I hope you are too!
My only real criticism so far, other than the ones outlined above, is the sheer number of scenes. I think it might be...a bit much. Almost...scattered? But we’ll see how they do in future episodes.
Feel free to message me with any thoughts/opinions/et cetera. ♥
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