#which itself is what i'm using to procrastinate on writing my 2 essays

[slugtranslation-hypmic]

I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)

[haitokunohonoo]

Meme thing because I'm procrastinating. Originally from here. Don't feel like answering every question though.

1. What is your species? - Ugh....

2. Are you out? To whom? - I talk to friends about it sometimes but I know most of them think it's weird. Twitter and Tiktok kinnies have made things... difficult.

3. How old were you when you realized you were not human? What made you realize it? - [REDACTED]. Friends joked about it. Went and read some studies and anecdotal essays about it. Realized they were right.

4. Do you identify as a part of the “otherkin”, or, “therian” community? What communities do you identify with? - I stay on the edges and just observe but sometimes I use the 'kin label. Can't narrow it down between "otherkin" and "fictionkin," hence an apostrophe.

6. Have you faced any abuse because of identifying not human? - No. There have been jokes but people shut up when I put my foot down.

8. Do you believe there should be non-human pride? What do you imagine it being like? - It'd be nice if more people were accepting of alterhuman identities but it's very hard to get anyone outside the community to take it seriously. Even parts of the community itself don't take it seriously. If these obstacles were overcome, I think a non-human pride event would be similar to a furry gathering but with a larger variety of non-animal things. Maybe similar to a combination furry/anime convention.

9. What does being not human mean to you? - Slow organization of whatever the hell is bouncing around inside my skull.

10. What have other people said about your non-human nature? - They're jealous of my excellent night vision and high tolerance for spicy food.

14. Tell us about a time you met another non-human, whether in real life or online. - The sister of a friend of a friend once dated a guy that was a vampire. Him and the sister had gotten frisky and he'd bitten her and left marks, which her brother was not happy about. I don't think he knew it was just a foreplay thing but the family was weirdly religious. Who knows. Anyway, the brother ambushed the guy and sucker punched his balls. It was brutal, I don't know why they didn't just talk it out. After the guy recovered, they finally came to an understanding about it but the whole thing was wild. He got punched when I was like 4ft away lmao

16. Your favorite “non-human” book (as in, non-human characters are the main focus). - Monstrous Affections by Kelly Link & Gavin J. Grant. It's an anthology.

17. Your favorite “non-human” movie. - Lost Boys is good. Terminator on a technicality.

19. Is being non-human spiritual for you? - No.

20. Tell us a few thoughts about what it’s like being your species. - Always fogging up the damn windows. Weird dreams.

22. What do you believe causes non-human identity? - From the studies I've read, it makes sense that in a lot of cases it's a coping mechanism for some difficult to process trauma. There's the spiritual aspect too, though I haven't read as much on that and won't write about it here. Another possibility is that everyone plays pretend as a kid. You're supposed to just stop doing that once you reach a certain age? Alterhumanity is deeper than just "pretend," but it's bullshit expecting people to not ever feel like something else as adults.

24. Write something or post a picture about non-humans that upsets you. - Two words: Twitter kinnies.

25. What is the worst argument you’ve heard against being non-human? - "It's just a social media/reality/delusion/etc disorder and shouldn't be taken seriously." Like no shit something's off.

26. Who is your biggest ally? - They follow me here (hi)

27. What is your favorite types of cake? - Local place has this chocolate mousse thing with chocolate shavings that's awesome.

28. What is your favorite type of pie? (Or, is pie an acceptable replacement for cake?) - Pie and cake are both killer. I like pumpkin or strawberry & rhubarb pie.

29. Where did you first learn about being non-human? - DeviantArt back around 2005-2007. I knew a lot of wolves, but I was young and mean about it.

[megalodont]

a stitch in time saves nine

Nie Huaisang was not an idiot, but sometimes he wished he was. 

“Sect Leader, you know meditation is essential for the conditioning of your golden core—”

“Are you my guard or my mother? Of course I know! But it’s so boring. I already told you I’m spending the afternoon painting, you can’t change my mind.”

“Sect Leader—” 

“Sect Leader, Sect Leader. If I am your leader why aren’t you listening to me?” Nie Huaisang pouted. “I’ll do it tomorrow. The light is only going to be this good for another hour, I don’t wanna waste it meditating. I refuse. Go switch with another guard if you don’t like it.” Nie Huaisang shooed the man with his fan and flounced into the pavilion in a swirl of embroidery and silk. As he settled in front of the desk he heard the man sigh, and then the dreaded call went out. 

“Someone fetch Hu Junhui!” 

“Don’t call her!” Nie Huaisang yelped.

“I am under specific orders to call her when the situation requires it,” the guard said steadily.

“I gave you those orders! Now I’m taking it back!”

“Sect Leader made it clear that his orders were incontrovertible, unable to be retracted even by himself.”

“I know that, I said it,” Nie Huaisang grumbled, but he knew he’d already lost. He never won this particular battle—heavens curse him for the machinations of his past self. 

“Sect Leader Nie,” came a gentle voice from behind the door. 

Nie Huaisang plonked his face into his palm, letting it squish his cheek. “Enter,” he grumbled.

The door slid open to reveal an older lady with a beatific smile. Though her face was lined and her hair shot with silver she was still beautiful. She bowed deeply. He hated her so much.

“If I may begin, Sect Leader?”

“No,” he told her, but he knew it was useless.

“Grey hair,” she said serenely, as if he had not spoken. “Crow’s feet. Liver spots. The loss of your figure. Hands too unsteady for calligraphy. Eyesight too poor to read poetry by moonlight. Ears that can no longer hear the highest, purest notes. Older people do not have the patience or conditioning to stalk birds for days on end. A guttering core will not keep you warm, and in the winter you will have to cover your elegant clothes with heavy, unflattering cloaks. Sect Leader Nie knows the most beautiful vistas are visible only by sword, and that only cultivators can paint with light. Older people cannot handle food that is too rich, nor excessive amounts of alcohol. As they age men sometimes lose their powers in bed—”

“Okay,” Nie Huaisang interupted. “Okay! I’ll go meditate! Ayi, why do you like this job?” He whined. “I’ll pay you double what you’re getting to just not do it. You can even still live here if you want!”

“Sect Leader Nie pays me very generously already,” the woman said pleasantly. “I am content with things as they are.”

“I could fire you, you know.”

“My contract with Sect Leader Nie ensures my employment in perpetuity,” came the placid reply. 

Nie Huaisang’s head hit the desk.

*

“Sect Leader Yao is not satisfied with the agreement. This treaty is essential to the continued prosperity of Qinghe. You cannot send him away until he signs.”

“Can’t I?” Nie Huaisang groused. “This is my keep. We’ve been talking for hours, the man just refuses to see sense! I won’t keep banging my head against that wall, I can literally feel myself breaking out. Kick him out.” His advisors did not move. Neither did the guards. “You guys,” Nie Huaisang moaned. “Who exactly is in charge here? Get that odious man out of my sight, hearing, and mind, I’m begging you. A whole day of meetings with Sect Leader Yao is too much, no one could be expected to withstand that!”

His advisors glanced at each other, and one gave a short nod to the guard by the door, who swiftly exited. Nie Huaisang’s heart sank. 

“Sect Leader Nie,” came that hateful voice a moment later, just as smooth and affable as it always was. 

“Yeah, yeah,” he grumbled, slumping on his throne. “Get on with it, I guess.”

“If an agreement with Sect Leader Yao cannot be reached today, Sect Leader Yao will have to stay the night. Even if ejected from the Unclean Realm he will return. Due to his offense at being rebuffed, Sect Leader Yao will doubtless become quarrelsome and inflexible—”

“He’s already quarrelsome and inflexible,” Nie Huaisung grumbled.

“—to an even greater degree than he was today. If an arrangement cannot be made in these meetings then the deal will fall through. The cost of raising sheep will rise, and with them the price of wool. Farmers will need financial support, which will require many hours of reading tedious production reports and meetings with aggrieved farm owners. New taxes will need to be devised, which will require much research and consideration. There will certainly be dissent as a result of this tax, and Sect Leader Nie will be required to listen to many complaints from wealthy merchants and other constituents. The amount of time Sect Leader has for leisure activities coming up to winter is already so small,” she said sweetly. “It would be a shame if it were diminished further.”  

“It would be a shame if you dropped dead,” Nie Huaisang muttered into his palms.

“I am afraid I could not make out what Sect Leader Nie has just said.”

He raised his head from his hands to scowl at her petulantly. “You’ve convinced me. I’ll suck it up for a few more hours, okay. Are you happy?”

Hu Junhui’s smile was as lovely and immovable as jade. “I am always happy, Sect Leader. This one thanks you for your concern.” She bowed deeply. “If that is all?” 

Nie Huaisang huffed. Yeah yeah. Send Sect Leader Yao in on your way out.”

*

“Sorry, I can’t read.” 

“Sect Leader, this documentation is essential to the understanding of that province’s geopolitical landscape. If the negotiations go poorly QingheNie might lose our longstanding—and mutually beneficial—alliance with them.”

“And that sounds terrible, but I’m afraid I can’t help you. I’ve lost the ability to read. It’s tragic, I’ll never be able to read a good novel again, let alone poetry. I’m inconsolable. How will I go on? Every day will be so pale and lifeless without the magic of the written word to bring me joy—”

“Hu Junhui!”

“—oh, dammit.” Nie Huaisang cursed his previous self so harshly he might well have offended his progenitors as well.

“Sect Leader,” Hu Junhui greeted calmly, arriving with suspicious speed from a side door.

“...who?”

“The mountains of our sister province are exquisite,” she began without acknowledging his deflection. “The larch trees are especially beautiful in the autumn time. They are the only place in the world where one can find the superb pheasant—but of course Sect Leader Nie is aware of this. He is renowned for his knowledge of rare and wonderful birdlife. What a shame it would be if their borders were no longer open to travel from Qinghe! The textiles that come from that region are also incredible, as Sect Leader Nie knows. The local breed of goat produced an unequalled fibre, so if trade were to be impacted in some way—”

“I know all this already!” Nie Huaisang whined. “I don’t care about that, I already own loads of stuff from there, I don’t care. We’ve been allies for generations anyway, our relationship isn’t going to break down because I couldn’t remember some historical fact in one meeting.”

“Sect Leader Nie is very wise,” Hu Junhui said, bowing. “He of course knows that the newly installed regent is a notorious traditionalist and will demand many hours of discourse regarding their ties to Qinghe if he is not satisfied with QingheNie’s acknowledgement of their shared history. Meetings with him have been known to drag out for weeks.”

“...you’re making that up.”

“This one heard it from Sect Leader Jiang’s senior disciple during their visit in the spring.”

“...weeks?”

“Several.”

Nie Huaisang pressed his fingers to the pain throbbing in his temple. 

“Would you look at that. My ability to read has miraculously returned. What’s this?” He picked up a piece of paper at random. “A resignation letter from Hu Junhui? Ah, what a shame, what a shame. Well, enjoy the rest of your life, ayi, take care, say hello to your family for me, so long, safe travels!”

“I’ll leave you to your reading, Sect Leader,” Hu Junhui said as if he had not spoken. She already knew she’d won.

*

“I don’t care how important the annual audit is, I already told you I’m allergic to mathematics!”

“Hu Junhui!”

*

“I don’t care who he is, this meteor shower won’t appear again for twenty years!”

“Hu Junhui!”

*

“One more jar. If I have to meet with these people I’m at least going to be drunk for it.”

“Hu Junhui!”

*

“What do you mean I need to do it myself, that’s literally why I have disciples.”

“Hu Junhui!”

*

“Another hour, for heaven’s sake, it’s far too early to be awake!”

“Hu Junhui!”

*

“It’s not a ‘frivolous excursion’, I saw a blue-tailed bee-eater! What does it matter if there’s a discussion conference on!”

“Hu Junhui!”

*

Nie Huaisang blinked blearily at the figure in the doorway, vision swimming with liquor and tears.

“Sect Leader Nie.”

Nie Huaisang put his head back down on the table. “Who called you, Hu Junhui,” he slurred, exhausted. “I told them I wasn’t to be disturbed.”

“No one called for me, Sect Leader. We are all aware of what day it is.”

Then why are you here? He wanted to howl, but he couldn’t find the energy. He took another swig of wine, spilling half of it down his chin. It didn’t make much difference—his face was wet anyway. 

The room had grown dark at some point. Nie Huaisang had no idea how long he’d been sitting there drinking. He’d lain in bed until well after lunch, and no one had bothered to offer him dinner, knowing it would be refused.  

“Chifeng-zun would never begrudge his cherished younger brother the need to grieve, but it would pain him to see him neglect his health in any way.” Nie Huaisang didn’t answer. “This one knows he used to bring Sect Leader Nie congee on the anniversary of his mother’s death, because Sect Leader Nie found it difficult to eat. Chifeng-zun never let his brother drink alone, or to excess, on such days. It brought him comfort that he could at least provide for Sect Leader’s body when his heart was suffering.” Nie Huaisang swallowed thickly, the sound loud in the silent room. The tears had never really stopped, but they flowed freely once more, soaking into his hair. “Chifeng-zun would rest easily indeed, knowing his brother was caring for himself.”

Nie Huaisang’s hand slipped off the wine jug to flop limply to the ground. He heard the rustle of Hu Junhui’s clothing, and then a servant was placing a bowl of fragrant congee and jug of water on the table next to him. Hu Junhui thanked the servant, stepping close enough to pick up the wine jug and replace it with a handkerchief. 

She returned to the door and her clothes rustled again as she bowed. “Sect Leader.”

“Hu Junhui,” Nie huaisang said before she could close the door behind her. 

“Yes, Sect Leader?”

“Whoever hired you was pretty smart.”

“I have always thought so,” she said, her calm voice betraying a hint of warmth. “It is my honour to help him to be his best self. Goodnight, Sect Leader.”

“Goodnight, ayi.”

*

btw this is also on ao3 here, bc i am new to posting fic on tumblr and feel weird about it

[bitter-sweet-coffee]

look idek what warning to put here, but there's like, a novel and a half below the cut that's just... 6 hours of me going on tangents i never finish or clarify. no proofreading. no organization. it's absolutely not worth your time. but... i literally spent so long writing it that if i don't hit post it'll somehow be even more pointless?!?

basically there are no positive outcomes in any scenario with this post but the only remaining tragedy achievement is me writing all this and then deleting it. what proof will i have that i wrote nonsense for HOURS to avoid my research because i double dosed my meds and had too much caffeine?!? i gotta save this for the memories because no one will believe me if i tell them i live a fucking crazy life and use this as an example.

also for the record i'm goin thru it psychologically at the time of writing this. like, mania-turned-psychotic-episode, overstimulated, disassociated, exhausted, and currently procrastinating a LOT of serious things which only adds to my stress and scatterbrained gibberish. so like... please be kind but also don't get all freaked out either; i have enough psychological control rn to assure you i'm fine and this is just how i am sometimes... but i usually don't make extensive posts online during my more unstable periods. i gotta use the internet rn anyways tho so who's gonna stop me from hyperfocusing on the WRONG tasks?!? 🤪

okay, just had to say all that, and if you think my disclaimer is long? honey... you don't even have a big storm coming just keep scrolling and don't look back. don't click read more. it's not just "read more" like, it's MORE. a LOT more. too much. and like, there's literally nothing valuable there it isn't like my usual longposts that have a point or vague coherence. it was simply a huge waste of my time and it'll be an even bigger loss for you.

i can't even recommend mental stability as armour or a requirement since taking that away from you will make me feel bad, so if you're healthy please don't damage yourself with this.

ADMISSION REQUIREMENT: freaks, executive dysfunction regulars, people in boring classes, insomniacs, and sadists can proceed. and i'm STILL sorry to y'all because i didn't enjoy this either.

... so tell me why social media discourse takes itself more seriously than these people.

i've had profs with multiple doctorates and influential publications that changed academic discussions forever who like, roleplay deltarune characters on discord with students to avoid marking papers or cancel the last 2 weeks of class because they don't want to do 9 am lectures and know that we're all busy and probably gonna skip anyways. profs who change their mind and take assignments out of the syllabus since no one wants to do them and they don't wanna mark them. profs who forget their own publication deadlines because they were reading fanfiction, profs who hate the university administration more than you do, profs with mental health issues, queer profs, profs who play video games, or have tumblr, or make spotify playlists for every lecture and think the grading system is stupid, profs who hand out extensions if you ask because they weren't going to mark them all at once anyways, and profs who assign weekly pdf articles instead of big books and 300 dollar textbooks— even their own— because they're exhausting to read and super overpriced.

so many instructors in english literature are shifting away from academic essays and towards multimedia creations and fun writing prompts. "i don't want to read a 30 page research essay when i can read a brief informal paragraph explaining how this video game has the same vibes as this anonymous poem!" and "you can record a podcast or paint a picture or write fanfiction or do a minecraft letsplay as a character or honestly? do whatever you want as long as there's passion with coherent thoughts behind it!" and "word limits are stupid because adding nonsense to drag out your argument makes the paper worse: write whatever comes naturally as long as you sufficiently explain your argument but please don't make me read 70 pages in a 200 level course this is supposed to be easy on everyone"

i'll be real with you: academics are fucking bored. the content is stale. students dismiss profs because they seem like pretentious assholes who don't care about who/what they teach, but 99.9% of the time profs only seem dry and unapproachable because no one reciprocated their enthusiasm, and it was super awkward during classes, so they stopped trying.

some younger profs haven't stopped trying because they understand and haven't gone numb to their own content yet, and it's so painful to watch them put out good vibes and get ghosted by hostile students too focused on marks or checking things off their to-do list when the profs themselves would prefer conversations over the stupid assignments they're required to give you.

we talk about gamers, artists, other freelancers, musicians, thespians, dancers, and so many other career paths that require sacrifices, risks, and prejudice THAT I AM NOT DISMISSING but at least there are people acknowledging the isolation, instability, mental and physical health issues, social-wide neglect, and resilience of these people. to some extent anyways. people who break free from the mold and do something they love in spite of the consequences?

well, haha, if you voluntarily pay a fuckton of money and spend the duration of your 20's in school when everyone around you is actually earning money from jobs or at least enjoying their friday nights THERE IS SOMETHING DEEPLY WRONG WITH YOU!!! even if you get placement, if you don't have tenure (hard to get) the faculty is gonna dump extra shit on you that needs to be perfect or say goodbye to your crappily paid job. do you know how many publications and conferences and deadlines and actual work goes into that crap?!? you're supposed to answer questions no one in your field gives a FUCK about with no guidance or support or outline even though everyone is demanding you get your research done and then they're never happy with it. the elders in your field hate you (a cycle that hasn't been broken yet because those older esteemed people with tenure were in your boat once too) and i have a feeling no one outside the academic world likes you either since you're too hard to understand, pretentious, have no life, etc...

oh and on top of that? you gotta teach a bunch of people who don't wanna be in your class, hate the content because a) another instructor ruined it for them or b) it's a degree requirement and tbh you probably didn't have a choice either since 9/10 times this isn't what you wanted to teach and/or the faculty admin made you include it anyways. all that other work? well now you have to grade shit that a bunch of people didn't wanna write: even if profs have TA's to help with grading they're still required to handle a chunk of it and also deal with TA questions/concerns/regradings/pissed students/policies they're confused about that you're ALSO confused about. oh and a bunch of stupid questions since people don't read instructions and decide blame you for that?

also... do you know HOW FUCKING HARD IT IS TO TEACH??? you have to like, triple understand it and predict/plan for every fucking misunderstanding/question/problem that you can think of. including stupid questions. you'll also get a lot of people who ask things you either don't have the answer for or have the answer for but someone doesn't like it. and even if you're a flawless instructor who can handle every academic/behind the scenes/personal/basic human responsibilities or task (unlikely but i know profs who come close for at least 2 of those) someone is gonna be a dick about it.

... that dick is probably a student who is pissed they had to actually go to at least one lecture, semi pay attention, and read assignment instructions to get a good mark.

... brats who get mad about deadlines because they have other responsibilities and need extensions who go batshit insane when marks aren't released yet

... some y'all aren't gonna like this one: disabled students who say academia is ableist and profs are always evil if they don't accommodate and show sympathy because mental/physical health hinders their performance... but the thought that their prof might be disabled never crosses their mind. just like how you don't need to disclose that information, they don't either! profs can be neurodivergent. they can have conditions you aren't aware of. suffer from chronic pain. are battling an illness you don't know about. they can have mental illnesses. trauma. so many other examples, and this isn't a disability per say but THEY CAN HAVE PERSONAL EMERGENCIES TOO. maybe it's menstrual cramps, executive disfunction, someone close to them died, they relapsed on SH or addiction, are being abused or have been abused in the past, forgot their meds that day, cried all night, couldn't get out of bed, their favourite/comfort character died so they're feeling sick and can't focus on the lesson, didn't have time to eat because a loved one needs them, got triggered by the subject matter and don't know how to teach it, have a surgery next weekend and are worried about giving extensions since they won't he able to grade/put your marks in before THEIR deadline, had a bad interaction or just woke up feeling like crap so they're crossing their fingers the lecture runs smoothly, only to get shitty emails or bullied on rmp?

and y'know what? i don't care if your prof seems like a dick, because we're open minded about those appearing to be rude who are actually victims that didn't receive enough support to to their personal experiences and/or generational/ethical conditioning... until they're a 60 year old white guy who rolls his eyes when someone slyly ask a question or counters something he said to "school him" and "prove he's an overpaid, outdated, problematic bigot." maybe it seems really badass to people who are 2 weeks into the course... but he's been correcting that crappy misinformation for 30 years and your "okay boomer" attitude couldn't be more misplaced; this guy has probably been in the field longer than your parents have been alive and you think he missed this obvious oversight after teaching this course for decades?

if you think for a second that someone like my imaginary prof has it easy because of gender/race/sexuality/religion/ableness there are so many flaws to you logic because a) you can't confirm any of that shit and b) do you think extensions, accommodations, and other resources were available when they were getting their degree or even during most of their lifetime? i mean shit, we're all about helping meemaw understand what pronouns are and how they're used until it's your prof who was beat by his dad and classmates because "university is for devil worshipping snobs and faggots! if you think you're too good for the family business you're dead to me" and thinks this is normal. it doesn't matter if his peers/instructors were all "cishet white men" (since no one else counted as a person and they couldn't be anything else anyways) because if they were all forcefed toxic masculinity and misinformation that literally no one else could correct, embracing the privilege was their only move.

yeah yeah this isn't limited to profs since it's a sloppy and reductive commentary on entire generations that i'm not putting enough effort into, so take it with a grain of salt and try to hear me out in good faith since i'm improvising as i write this in a very unstable state with no intentions of proofreading or ensuring my point is clear. basically, the privileges we acknowledge in others are not the only ones out there because WE have privileges they don't. if you want "privileged people who benefit from the prejudiced foundation of a society that oppresses and profits off of suffering minorities" feat. more social media hot take discourse buzzwords etc etc etc.

"fuck reductive labels because they're inaccurate and build on outdated western mentalities, but also i'm gonna continue to judge someone based on labels i give them because i 100% know a person's race/gender/sexuality/ableness/psyche/religion/other things i consider to be privilege better than they do because they don't know what these things are and if they do it's wrong!!!"

okay, maybe YOU can pick and choose queer content based on if a contributor has a "your fave is problematic" entry or if the representation is approved by the community, take "am i gay?" quizzes in middle school, overcome internal prejudices through social media discourse, learn ethics through fandom trial and error, see enough cancellations to understand what NOT to do, or get enough adhd tiktoks on your fyp to self diagnose/get a formal diagnosis/access medical support/read articles and understand the medical side of things to validate your experiences/practice coping mechanisms and google tips/talk to other people with adhd/work on accepting you aren't a defect who didn't try hard enough/receive accommodations/know you aren't alone even if your current environment doesn't accept you because other places and people do. maybe this segment is too long but you at least has the time and ability to read it, on an electronic device, which you can access almost any time btw, and it'll give you access to endless content (which is somehow even more endless if you download a vpn and switch regions: yeah, infinity plus infinity level shit. oh and that's like 1% of the internet we're using all the maths in this parentheses tangent that's within a tangent within a tangent multiplied by a billion more regressed all inside a whopping procrastination activity. yay me! ok no more meta shit i already forgot where this fragment/sentence/paragraph/section/rant was going 7 times now)

okay. maybe you got this far and are totally lost, and i have no way of knowing how extensive the psychological damage is because I'M not even reading this post, so the real conversation is between you and the words on your screen, i have nothing to do with this experience. my fingers may have typed everything so far but my brain has been playing shrek 2 the entire time, so this is your mental health check since there is no thesis or sense of direction but i'm exhausted despite not being mentally present unlike you. i am just typing words as they appear based on writing patterns and routine from when i'm awake.

^^^ that's not a joke or shitpost btw so even if i've led you to believe it is at some point, so i am gonna be fully transparent in the caplocked paragraph below. it is as close as you're getting to me, bitter-sweet-coffee or whatever name you know me by, being aware and in control of my actions for the entirety of this derailed rant:

OKAY, BEFORE WE RESUME OUR SCHEDULED PROGRAMMING, I AM FORCING MYSELF BACK INTO MY BODY AND STEALING BACK MY SENSE OF SELF JUST TO EMPHASIZE WHAT I'M ABOUT TO SAY, SO YOU KNOW I AM BEING HONEST. BABES, I AM REGAINING CONTROL OF MY PSYCHE TO ENSURE THAT AMIDST ALL THIS DISASSOCIATED WORDVOMIT, YOU CAN TRUST SOMETHING 100% THAT I ACTUALLY MEAN. A MOMENT IN THIS BITCH THAT MY LESS UNSTABLE SELF WILL ALSO AGREE WITH. CLARITY BURIED IN THE 11TH HOUR OF THIS NEVER-ENDING STREAM-OF-CONSCIOUSNESS WALL OF TEXT. MY DARLINGS, i have no fucking clue what this post is supposed to be. there was probably an outline or vague concept 3ish hours ago when i started, but good luck asking me what it is now! some parts read like a viral tumblr psa but there are way too many rushed ideas that branch into tangents and unanswered questions. yeah i know there's no fucking coherence, but even though i'm aware everything i'm putting online this week is extremely concerning, it doesn't make anyone feel better if i say i know or put disclaimers because instability makes people uncomfortable. yeah we like freaks on the internet and y'all expect this shit from me by now, but even this is too much for my shitposting reputation, because at least i typically have enough control over my brain to proofread or follow a train of thought. i mean shit, not even i'm following this and it's my writing, which isn't even the most confusing thing i'm able to decipher, so unless you're god or extremely unstable this is probably the most incoherent thing you've ever read or at least since beowulf... or like, french. or russian cursive. or doctor-handwriting. or flat earth conspiracies. or the code to sonic 06 because NO ONE knows what the fuck happened there. actually, if you've used wattpad or twitter there's a chance you can make sense of this, but if you use either of those apps enough to comprehend their contents you're probably not fluent enough in actual recognized languages to successfully open tumblr and get here in the first place. okay, i can't think of anymore jokes that aren't even good so let's move on! basically, i love y'all, and even if i know this post is a train-wreck of a mistake that will worry people, it ain't gonna stop me. sure i might be goofy, unstable, informal, and hard to understand, but i also have credentials as an academic, well-spoken, published, articulate, accomplished, REPUTABLE person when i need to be in formal settings offline. FOR THE RECORD that's not a flex: we know i don't do labels or ego stroking beyond semi-satirical rarepair supremacy jokes and sonic lore flexes. my genuine intelligence has been my saving grace because i just KNOW if people thought i was some american teen from tiktok with no formal education or career accomplishments who regurgitates misinformation they saw on twitter y'all would REPORT ME!!! I WOULD BE BULLIED OFFLINE! "who's this cunt with the bad takes?!?" followed by "no no dw it's just another bsc moment on tumblr" is so important to bring up rn because it's not supposed to be a brag guys, my educational reputation is all i have to justify the stupid shit i post on here 😭 if i didn't remind people i am smart and accomplished when i need to be you'd think this is all i'm capable of and conclude that my stupidity is my full potential... THIS ISNT EVEN MY FINAL FORM! gah, i'm getting imposter syndrome and this was supposed to be the shorter heart-to-heart in a "brief" intermission that turned into another derailment. alright, even if there are glimmers of big brain theses buried anywhere that just needed an author from a healthier time and place, we know damn well i'd procrastinate/overthink/forget them if i deleted or drafted this monstrosity for another day... also i'm on mobile we know tumblr won't fucking save this LMAO IF THIS DELETES OR THE APP CRASHES (if you're reading this it obviously didn't, so idk why i'm @ ing a nonexist target) I'M GONNA BE SO MAD EVEN THOUGH THIS IS GARBAGE, SO A GLITCH FROM TUMBLR WOULD DO EVERYONE A FAVOUR. ITS MY GARBAGE THAT I WASTED VALUABLE TIME AND ENERGY ON!!!

wow. i discovered the text-block limit, that's embarrassing. at least it forced me to finish a thought (kinda) and complete my moral takeaway from like, 3-5 thousand words ago. SO LET'S GET BACK INTO IT!

okay look, i'm not suggesting it's everyone's job to be a doormat to mean old professors. that was where this was going, right? because even though spent a really long time on privilege and how older generations that are stuck in their ways deserve more compassion, you shouldn't let some dude hatecrime people and torture students. generally speaking, you shouldn't write off bad behaviour as a trauma response because even though i believe everyone is a good person if they have enough support, compassion, resources, and are encouraged to want to change... bitch this isn't a fucking utopia we're living in a fucking death circus. the last thing on people's minds is giving harvey fucking weinstein a redemption arc even if that would fix some shit because awful people learning to be good people teaches growth and self awareness that leads to more accountability and prevents more bad people from hurting others because resources and normalized support and systemic causes for bad people blah blah blah even I'M sick of my own tangents.

actually... this proves my point— the most recent unfinished one that is. YEAH, WE CAN UNPACK THE MORALITY AND PROGRESSIVE IDEAL COURSES OF ACTION AND UTOPIAN TAKEAWAYS FOR EVERY FUCKING SITUATION. NOT EVERYTHING IS BLACK AND WHITE. NOTHING YOU SAY CAN EVER BE ALL-ENCOMPASSING BECAUSE WORDS ARE HUMAN INVENTIONS THAT ARE NOT DESIGNED TO ACCOMMODATE EVERY SCENARIO. YAY, MISQUOTED NIHILISTIC DERRIDIAN HOT TAKES FOR MY GAY SONIC BLOG, RIGHT?!?

we all get it (probably). everything has an exception. but, as i stare anxiously at my clock and try to calculate how many hours i've been typing for instead of working on my actual work that matters, it's kinda obvious:

we don't have the fucking time or energy to do in depth discussions for every conceivable thing. no position will ever be enough, no words will capture truth in its rawest form because humans... have no clue what the FUCK they're doing. language, arts, the scientific method: the tools we use to express ourselves, the very resources we rely on as we try to pinpoint something undeniable, something constant, the way we go about actually PROVING something??? we can't even fucking agree on those! we made maths and sciences and words and arts but we can't even trust them because... well. if WE fuck up a lot and established ways to not fuck up... they're also fucked up.

sure we programmed computers and say they make perfect numbers but girl,,, WE made the computer and the numbers. sure it finishes our formulas better than we do but did the guy making the formula do a good job? maybe, but how do we know it hasn't been warped over time to an unrecognizable degree. there are billions of languages with endless dialects and regional variations for each one. WHO GENDERED THE FUCKING NOUNS IN FRENCH??? YOU'RE TELLING ME THERE ARE WORDS THAT ONLY EXIST IN ONE LANGUAGE? LIKE, THERE ARE NO TRANSLATIONS??? okay, so what the FUCK does that mean if we're the ones inventing translations in the first place? don't make me think about all the dead languages and their secrets or all the lost texts and stories... aight now i'm just sad

sceptic prompts aside, i hope you understand what i mean when i say we're never gonna do a perfect job of explaining shit. that's probably why i started so many things here and got distracted because i predict "what if's" and feel the need to sub-explain every ambiguity. that's not a valid excuse for this literary hatecrime but it's a bit of context i suppose.

where was this going? see my point?!? okay this was supposed to be the quick return to my pre-intermission thoughts that fixes shit, but nah it caused more problems. adding to the never-ending pile of jibberish.

RIGHT THE CRAPPY PROFS. yeah you have bigger things to worry about just don't be a dick and treat academia with a petty attitude but then demand acceptance and understanding because peace and love and social justice mantras. the diversity you're advocating for should extend to those who didn't have it, even if those people are shitty and misinformed as a result of their less progressive upbringing.

BASICALLY, EVEN THE PEOPLE YOU DONT THINK HAVE IT HARD DESERVE THE COMPASSION I WAS PUSHING EARLIER. the sobstory profs and the absolute cunts you want to strangle are both dealing with shit and i don't expect you to "fix them" but if i see people using bad prof anecdotes to justify hating all/some educators i'll eat your skin like it's kfc or something. idk, apparently people LOVE chicken skin! insert a featherless biped joke here if you want and if it'll make sense for you, i just wanted a threat that wasn't gonna be too mean because reading to this point is punishment enough even if you deserve worse lmao. the "privileged" profs still went through hell and the last thing we need are more generalizations based on profiling. mean profs could have been nice once so maybe power through the rbf and dryness by continuing to be nice and attentive: you might just save someone! and future students! and your gpa!

okay, no more lectures. here's some crap i wrote at the beginning that kept getting pushed lower and lower as i went on a billion tangents. it's probably more academic advice and silliness but i'm not gonna bother checking so uh, take it away past me...? yikes, good luck:

so, you don't wanna do that assignment? well, the prof doesn't wanna read it, neither does the TA. same shit new term, no one benefits, and they're marking a LOT more essays than you'll ever have to write

so, you didn't understand the reading and are afraid to say something in lecture in case you don't know what you're talking about? chances are your prof is either in the same boat and has no coherent plan for the lecture and also doesn't know wtf is going on, or this is their special interest they dedicated their career to and they'd rather just infodump the whole class anyways.

"i'm scared to go to office hours" these guys either have no social life and/or family, or they do and none of them understand what the fuck they're saying. do you know how hard it is to have normal conversations or make small talk when 99% of your brain is shit no one but maybe 4 other scholars in the world give a shit about?!? EXAMPLE FOR YOU FANDOM FOLK: IT'S NOT JUST INTERACTING WITH NORMAL PEOPLE, IT'S TRYING TO MAKE FRIENDS IN A DEAD FANDOM WHEN YOUR FAVOURITE CHARACTER IS A NOBODY AND YOUR FAVOURITE SHIP HAS NO CONTENT BESIDES YOUR OWN, EXCEPT FOR MAYBE 2 OTHER PEOPLE WHO YOU'RE TOO AWKWARD TO INTERACT WITH BEYOND FRIENDLY TAGS WHEN YOU REBLOG THEIR ART.

short answer to that ^^^ go to office hours. especially humanities profs or weird science profs, not just because you will do a LOT better on assignments but because they're lonely and appreciate it. when i go to office hours my profs are either trauma dumping or incoherently rambling about blorbos from their manuscript or batshit crazy theories no one wants to write/hear about.

like, think about how you feel when you get asks or nice tags or comments on your fanfic/art/videos. even questions about your au or opinions! hot takes maybe?

what about when new people follow you or ask questions about the fandom you've been in for years: when someone asks a silly question about the lore are you more likely to see red and fucking kill them, or use this as an excuse to infodump and excitedly point them towards secondary content and inform/motivate them, even splashing in your own personal theories? i know it's the second one don't lie to me or yourself.

at the end of the day, i just want people to know that the stimulating debates people have online in the 21st century are the fucking green forums, while the "scholars" and esteemed academics that so many people write off as pretentious or too serious are fucking losers. they're freaks. i want every academic to have tumblr because they're SO FUNNY OH MY GOD!!!

when i see y'all talk about blorbo from your shows all i can think is "damn this is more coherent than when i ask my prof a question and she excitedly rambles for 20 minutes without actually answering anything because she's so overjoyed someone finally asked" and am reminded of all the special interest/hyperfixation positivity. researchers are just people paid to get lost in their own thoughts and words because their niche is their universe and it gets lonely when no one else bothers to check in.

oh, and if they're dedicating their entire life to something no one gives a shit about and worker their ass off to make it profitable... they're one of us. probably into fandoms. assigns music to their work. make memes about their theories because no one takes them seriously anyways. absolute fucking LEGENDS

TLDR which i know y'all need:

profs are based as hell fjdksldldlds go talk to your instructors they're lonely like you are and listening goes a long way. the internet is way too serious now to the point our "serious" communities that we believe are more strict are actually the most lax places.

so like... when we talk about tumblr being the worst place ever and brought up it's cursed reputation for YEARS but then actually witness 2022 and go "nevermind.... this is the only fucking place online to exist safely" because what the FUCK are those other places doing???

yeah. that's academia. the tumblr of conversations (aka full of freaks but the fun kind: WAY LESS THREATENING AND PSYCHOLOGICALLY DAMAGING than the "silly sites" which have evolved into... no i don't even have a metaphor or joke for this one. it's just awful lmao)

cool idk how to end this after wasting 1/4 of a day making no sense, here's george:

[jawnkeets]

hello sorry to disturb you lovely person but i was wondering if you had some advices to have a better literary analysis, or a better culture well, i mean how can i improve my literary intelligence basically ? ( it may not be really clear but i hope you'll understand because i feel like i'm lost... )

hello anon! no need to be sorry, ur not disturbing me at all :+) feel free 2 send an ask at any time ✨✨✨

i’ll attempt to answer this by splitting ur ask into 2 parts. first i’ll try to give some tips on literary analysis, and then i’ll try to talk about the sort of wider awareness of lit (or the culture as you call it).

a little disclaimer: pls bear in mind that i am by no means qualified to speak about this in any way (i still very much consider myself a learner). i’ve generally been left alone throughout my education to do my own thing, which is a good thing in some respects and a bad thing in others; i don’t have the solid foundations that most ppl do, never following things like paragraph structures throughout lower school, and i didn’t know a thing about metre until the start of this month. however, because of my education i think i’ve managed to avoid a few conventional pitfalls. so, in short, you can take as much or as little of this advice as you like!

PART 1: literary analysis

• an excellent way to boost your analysis straight away, dull as it is, is to learn some literary devices beyond, say, alliteration and personification. being able to spot things like chiasmus and epiphora not only wows an examiner, but also enables you to talk about more things within a poem/ book/ play and thus broadens your literary scope in close reading.• remember that for each literary device you mention you should say what it REVEALS (DO NOT just list!!!). the best essays move from a literary device to an explanation of why this device is used - what does it reveal about a character, the speaker, or even the society that the poet or author was writing in?• rhythm and meter in a poem tick boxes in an exam, but can also lead to insightful analysis. how do the rhythm and meter add to the overall message of the poem? does, for example, the metre give a regularity to the poem? why might this be? is it broken at any point? how is this significant?• the above can be applied to rhyme scheme, too. look out for rhyming couplets at the end of a poem, which may give a sense of finality to the poem (or may seem to give a sense of finality when in actuality the speaker of the poem is far from decisive…).• it is important to remember that a particular rhyme scheme (or metre) doesn’t ALWAYS mean anything; it can mean different things in different poems, so instead of applying a ready-made formula, try to go into the exam knowing how to identify these aspects of a poem and then try to work out why you think the poet has used them in that particular poem. flexibility is key, which can be daunting but also somewhat liberating.• i personally find a ‘scribble method’ quite useful. this is where, when first approaching a piece of writing, you write down everything that comes into your head, regardless of how messy, or how basic. you then sort through your ideas, expanding upon what you think is worthwhile and discarding what you think is not. this method is generally more handy when not under time pressure, though, as it can get you into a muddle in the exam.• start simple and build up. it can be tempting to jump straight in but sometimes when you start simply new things can reveal themselves as you work your way up into more complex ideas! • perspective is extremely useful to consider. who is speaking and why? are they biased or objective? who are they speaking to and why?

unseen exam tips

• in an exam, i would approach a poetry or prose extract first by simply reading it, and trying to find out what it is about. then i would go through and highlight words/ phrases of interest, and label literary devices. finally, i would go through it again and build the main analysis. a brief paragraph plan can be useful before writing the essay.• acronyms can help sometimes as a go-to in an exam when you don’t have much time. for example, i use CFTTSOL - content (basic story, characters, who is speaking and why etc) form (poetry, prose, drama etc), tense (past/ present etc), tone (happy, sad, why? is the tone at odds with the subject matter? in emily dickinson’s ‘because i could not stop for death’, for example, the poem is about something dark but it is very jolly), structure/ syntax (rhyme, caesura, enjambment, any disrupted syntax, etc) other (anything not mentioned in the rest of the categories) and language (similes, metaphors, assonance, etc). i would recommend finding one that works for YOU and makes sense for YOU, because creating your own can really help to ease you into analysis.

PART 2: literary awareness

• read, read, read! i cannot stress the importance of wider reading enough, and also the importance of thinking whilst you read (making notes/ annotating books whilst you read is advisable). i am speaking from experience here - i didn’t read outside of the curriculum at all until the end of last year, and since i have started my literary analysis has increased tenfold. this is partly because practice is vital, but also because wider reading gave me an awareness that i could never have expected to gain. it enabled me to start making links between texts, genres, periods, etc – i began to see patterns and conventions in literature. for instance, a poem that breaks convention is easier to spot and talk about – to use a very basic example, a sonnet (usually a form of love poetry) about brutality/ violence toys with genre. if you had read some of shakespeare’s sonnets, you could then compare the violent poem with sonnet 18, to elucidate your point. this isn’t to say that you didn’t already know that sonnets were love poems, or that you wouldn’t have picked up on this without wider reading. but having read sonnets outside of class means that you can talk about this with greater clarity, authority and confidence.• i would also advise you to push yourself with the literary material you explore. it is difficult, but try to find nothing intimidating - read thick victorian novels, read modernist authors, read kant if you want, and even if the prospect of reading ‘harder’ texts doesn’t thrill you then try them anyway - you may be pleasantly surprised! part of the difficulty of studying this subject is that preconceived ideas can erect barriers and put you off. it is important to totally bulldoze these barriers and remind yourself that nothing is above you, and that you are capable. that’s not at all to say that you can’t read ‘simpler’ texts, and of course it is probably wise to admit to yourself when you perhaps need a greater literary background before you tackle a text (for example, i tried joyce’s ulysses, a modernist text full of allusion, when i have a barely working knowledge of greek mythology, and i admitted to myself that though it would not be impossible for me to read it, i would like to read more widely and then return to it in the future).• w i k i p e d i a. it’s often sniffed at but honestly don’t be afraid of using it! it’s an excellent way to absorb info fast. also don’t be ashamed of using websites like sparknotes if you don’t understand a poem to begin with! u shouldn’t rely on them for the crux of your analysis but they can be helpful to get started!• it’s perhaps obvious, but it helps to remind yourself that literature isn’t just fiction - try to read some critical essays if you can, and look at philosophy, history, psychology etc and how they relate to literature as studied in school. this is actually wayyyy more fun than it sounds (!) and will improve your general literary knowledge.• tumblr, whilst being a killer procrastination station, can also really help to broaden your knowledge. reblogged quotes from famous writers often stick around in your memory, and period moodboards can help you get a sense of different ages and help you to visualise what you’re studying. it’s also great to be in a community of passionate people - the passion of others on this site has definitely rubbed off on me!• make it relevant!! all of these texts and literary movements have shaped our society profoundly. as overdramatic as it sounds, look for the romanticism in a house party, or existentialism in internet memes, or hamlet in yourself. legacies are all around us, and seeing the world in this way can really bring literature to life.

literature is a subject where you get out what you put in. it’s relatively straightforward, if you work hard, to get very good grades in lit; if this is what you want, then having a solid knowledge of metre and literary terms, being able to spot them in texts, and then being able to describe what this reveals can get you top marks. but, in my opinion, to develop true literary intelligence you really have to let the subject permeate every aspect of your life. this is a subject where you really can take risks, be original and unique, and explore a huge amount of periods and ideas. if you see it reflected in the world around you, and think deeply and thoughtfully about everything you are reading, then the classwork honestly sorts itself out.

i hope this has been useful in some way and that it answers ur ask adequately!! if u have any further questions or require clarification please do not hesitate to let me know. i hope u have a wonderful day 💘